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#i would go to war for these characters
aetsiv · 4 months
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The absolute hatred I feel whenever people make fun of and joke about Jesper for mistaking Kuwei for Wylan. Like his ass just told his father the truth about his gambling addiction, he just went through an actual, truthful conversation that went fucking terribly. Jesper was looking for a distraction, he wasn't in a good and proper state of mind when he kissed Kuwei and you expect him to be able to notice the small details that set Kuwei and Wylan apart?! You expect him to tell the difference between two people who are tailored so perfectly that to the average person they might as well be identical?! When he's feeling so awful?! I will never understand how people can blame him for that while knowing the context. I am so fucking angry on Jesper's behalf.
Sorry if this is kinda incoherent.
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neymiiie · 2 months
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I just want to see him again.
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atlasdoe · 4 months
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things that Remus Lupin didn't do:
Care about music
Smoke
Drink heavily
Call Sirius stupid or talk down to him
Physically fight anyone in his human form
Threaten anyone in his human form
Hold a grudge
Befriend a Death Eater
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tim-drake-scholar · 23 days
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Sorry but Tim referring to Bruce as “dad” kills me bc I think he’s like 18/19 here so he’s only been legally adopted for a couple years or so? They really are al l siblings and they really are a family love that Damian looks so confused about physical affection!!
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phoenixkaptain · 1 year
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Gotta be honest, the idea that Luke wouldn’t send a child alone in an X-wing with only a droid for company is funny to me.
Like, we’re talking about the same Luke, right? The one who spent years bulls-eyeing womp rats and took the experience from that to then blow up the Death Star? The one who was like “This is a trap… I’m gonna walk right into it.” The one who was like “I will rescue my dear friend by waltzing in without a disguise and being as obnoxious as possible.” “How do we get out of this situation? How about we convince these small bear creatures that our droid is a god, that will probably work.” “I know Darth Vader is a murderer who murdered my Ben and is trying to murder me and all, but he is also my dad and therefore I love him.”
Luke would send a child in an X-wing without even fucking thinking about it! Do you REALLY think LUKE SKYWALKER is a reasonable human being?? Are you honestly trying to tell me that this man who has been driving the same fucking ship for like ten years would understand how dangerous it is to put an unsupervised child in a vehicle??? Do you really honestly truly think that Luke knows how to care for children????
You see, a lot of people like to portray Luke as perfect. And this is the same issue I have with people who portray Obi-Wan as perfect, or Yoda, or Mace, or literally any character in all of Star Wars because the whole point is that the are flawed human beings!
But it’s ESPECIALLY egregrious with Luke because I don’t know where any of you got this idea that Luke is a sweet summer child??? This man has a death count of over one million. This man had Seen Some Shit that it is literally impossible not to be affected by. Why do so many people assume that Luke at the end of the Trilogy is the same as Luke at the beginning of the Trilogy? He’s changed! He’s a different person! That’s what makes the Original Trilogy such a good trilogy!! It’s basic storytelling!!! A character canNOT be at the same place mentally as when they began the story, or else it’s not a good story!
But also, I hate the way this colours shipping fics with Luke. Like, listen. There is no ship where Luke should be the straightman of the relationship. Luke Skywalker just is not normal. He’s weird, he’s deranged, he’s so strange; he cannot be a straightman, it just doesn’t work. It’s so completely out of character it isn’t even funny.
The joy of shipping Luke is that every single thing that you can ship Luke with will come out the other sode looking rational.
Han Solo is a smuggler who hangs out with a Wookiee and who does extremely dangerous, stupid shit, but next to Luke?? Rational. Normal. Someone who uses their brain, Luke, take notes-
Din Djarin is a bounty hunter who decided that he would rather destroy an entire group of highly dangerous men than give up the cute kid he just found. But compared to Luke? At least he has equipment on him!
Mara Jade literally was mind-controlled by the Emperor and was Darth Vader’s coworker and was also a Jedi (something that no rational person would be honestly) and even she comes across as normal compared to Luke Skywalker.
I know this is rambly and disjointed and I know people disagree with me, but like??? Yes, I think Luke is great with kids. Yes, I think Luke is a good teacher. Yes, I think Luke is the type of person to wave goodbye as an infant flies off in his warship. I think Luke is the type of person who would throw a child into the air way too high and then catch them. Where did the idea that he’s the responsible parent come from? Luke is teaching infants how to use laser swords, do you REALLY THINK that’s what a responsible parent would do????
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carlyraejepsans · 5 months
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ppl already terribly misinterpret sans do you want him to have the morally grey female character treatment too
i don't give a crap can you imagine the glados level cat 5 lesbian event the "dead where you stand" scene alone would cause? the trope subversion of the worn-down, nihilistic bar sleaze male character archetype that he represents? soriel yuri? does anyone fucking care about soriel yuri???
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eyes-of-nine · 14 days
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yeah I’d let Poet stab me or something idk
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dirtytransmasc · 8 months
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^^ screenshot, not actually my post, I could never say such a thing ^^
I don't really get this take, it's not the first time I've seen it, and it's just... I don't even know.
green is the color of war for her house, but it's also just her house's color, and for a girl ripped up from her life as a hightower and made a Targaryen Queen of all things, she started wearing her house colors compared to her color (blue) or the Targaryen colors (red) probably to cling to some sense of normalcy and identity.
not only that, but from a costuming perspective the symbolism is right there, you're just missing it. it's not about war, that one dress had been war, that's why the comment is made. the color is Alicent no longer trying to be a Targaryen, no longer changing herself and ignoring the pain she's in, and instead being her own person despite her position. she starts wearing green instead of red, the two colors being opposites, when she stops trying to pander to her lost friend, stops trying to fit in and be this new person. she took a stand with that dress, she declared 'war' on this false identity and the fruitless effort she had put in to try and smooth the tensions in the family.
after that, the green is showing she remains herself, a Hightower. not a Targaryen.
I love her green, I love how she holds onto that piece of her, she doesn't let anyone take it or change it. she holds true to herself in this one simple way as to wear her house colors.
also how can you deem a character boring just based on the colors they wear... it's just such a boring and outlandish take.
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hephaestuscrew · 10 months
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance 
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability 
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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bobbiesquares · 8 months
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Sean Finnerty, Avatar of the Slaughter. anyone else with me. war, mindless violence, SINGING. do you see it
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just finished the poppy war trilogy what the FUCK WAS THATTTT
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gottagobackintime · 1 year
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I find it fascinating to witness the straight audience of any media not being able to pick up what the makers of the movie/show puts down.
It’s like when people reacted to the “You wear fine things well” scene in Our Flag Means Death with “aw, they’re such good friends” whereas the queer audience went “omg, this is happening”. We all had access to the same scene, we’d all watched the build up to that scene but the straight audience wrongly read it as friends/straight whereas the queer audience had suspected they were building up to a romance but this was the confirmation. Even the creator of the show was baffled that people were surprised that Ed and Stede fell in love. Because he thought they had made it obvious.
And as I said, we, the queer audience picked up on it. And I feel like the same thing is happening with Ted Lasso. Do I know that Ted and Trent will get together? No, I am unfortunately not a writer on Ted Lasso. But you can’t deny that there are clues pointing to it. But the straight audience barely pick up the fact that Ted and Trent like each other, be that in a platonic way or romantic way. I’ve seen several reactions to the last episode of season 2 and ONE of them included the scene where Ted reacts to Trent not being in the press room. All of them severely cut down the scene in the parking lot. One of the scenes most of us Ted/Trent truthers point to as a huge piece of evidence for it going canon. The parallel of them meeting in an empty parking lot, just like Ted and his ex-wife and Roy and Keeley. But because Ted and Trent are both men it couldn’t possibly mean anything. And Ted has an ex-wife and a kid so he can’t possibly be into men, as if there is no such thing as being bisexual. “But I’m pretty sure Trent has a family, he has a kid right?” So? He could be divorced, we also have no idea if his daughter has another dad or a mum. And the same thing applies to him, it doesn’t mean he can’t be into men (take also into account all of James Lance’s interviews, and his choice of shirt in one of them, friend of Dorothy anyone? He's the captain of this ship, we're just along for the ride tbh.)
Then we have the wonderful “I’m so not homophobic, in fact, you are homophobic because you think Ted is gay just because he likes musicals and has ‘feminine’ traits” um no… it’s the fact that he kind of acts in a way that an ally wouldn't. Yeah, he called himself an ally in that one episode. But every single person who is now out as queer who at one point considered themselves an ally because "I’m not one of them but I sure think they're neat" raise a hand ����️ (been there, done that. Was very into queer things before I realised I myself am one of them). What it always comes down to is "it's pandering", "it's tokenism" (having the main character on the show be queer wouldn't be fucking tokenism), "not everything has to be gay", "why can't men just be friends, there is a severe lack of male friendships on tv". And like the last one makes me go??? There are a MILLION friendships between men on TV. There are even multiple friendships between men in Ted Lasso. Beard and Ted, Ted and Higgins, Ted and Roy, the himbos and so on. Having Ted and Trent become a couple wouldn't really change anything because there are still friendships between men. They also claim that Ted is needed as the "straight without toxic masculinity" representation. As if Beard isn't right there. The man who has no problem going to an immersive show about the menstrual cycle. Has no problem with shrieking when he's surprised and so on.
I also like that if we'd get Ted and Trent together, we'd get two middle aged queer dads. Which isn't that common. It's not even super common to see people realising they're queer late in life on TV, and yet it happens every day. Because let's face it, most queer men on TV kind of look like Colin, and I don't mean that as a bad thing. And I'm looking forward to his storyline. But it's also nice seeing middle aged or old people finding themselves and being allowed to be who they are (see Ed and Stede from OFMD). Also would enjoy seeing people lose their minds when they realise they've been fooled this entire time. It'll be like Black Sails all over again.
I do not have any doubts about the fact that, had Trent or Ted been a woman and they saw Trent give up his career because of Ted's influence, they sure as hell wouldn't protest people thinking they'd become a couple. But because it's two men it's just delusional for some reason (homophobia).
What I'm saying is, it's clear that the straight audience has a hard time picking up subtext and clues that the makers are planting. Because they've never had to do that. Because they are always clearly represented. They don't have to look for minor side characters and hope that they might be queer. Because the main character is straight and most of the supporting cast too. When you've grown up with a lack of representation or with representation that is meant to be subtext, you'll learn to pick up on it. And you do look at media differently. I just wish that the straight audience could listen to us for once, without getting defensive and dancing around the fact that they are uncomfortable relating to a character that turned out to be queer.
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antianakin · 7 months
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If we do ever get a Reva spin-off show (or movie, whatever), I would like to put it out there that it shouldn't have a SINGLE cameo. Not one. No Rebels characters, no Sequels characters, no Force ghosts, no Ahsoka, no Luke or Leia, no other Jedi survivors, NOBODY. No cameos, just Reva and a cast of original characters.
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nonuel · 2 months
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mass effect fandom typically has no problem disregarding or rewriting portions of canon, but one thing i have almost never seen touched is the friendship between garrus and shepard. so here is a poll because i am genuinely curious. i tried to be as expansive as poll limitations allowed, but since we are already throwing out canon i recognize there are a lot of variances that haven't been included. because of that, i would particularly like it if people elaborated about their non-romantic relationship with garrus in the tags, comments, or reblogs - especially if you are someone who has voted for any of the non-friend options. thanks for your time!
this post is not meant to be garrus critical. garrus enjoyers are welcome to participate in the poll, i only ask that you are respectful toward other people who may not have him as their favorite, or who may just simply roleplay a shepard that does not have him as their (best) friend for whatever reason.
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starwarjotta · 1 month
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okay so after Tales of the Jedi we're getting Tales of the Empire and on a complete non-squitur, in TBB episode 3x10 Hemlock says the other operatives aren't ready yet, which means there're more clone assassins in the making my bet is still on clone x (or the current assassin clone or whatever you call him) being Tech, because him being Cody just wouldn't be the same, it wouldn't be as emotionally devastating for Omega and the Bad Batch as the clone being Tech would be and I saw a theory that maybe Cody is one of the other operatives whose brainwashing just isn't done yet instead so hear me out, hear me out after Tales of the Empire, we could get Tales of the Clones, right? and in Tales of the Clones we could get the story of what happened to Cody, that maybe Cody tried to escape the Empire in TBB 2x03, but he was caught and sent to Hemlock's sick assassin clone program, but the badass he is he's resisting the brainwashing and he maybe escapes??? MAYBE WE COULD GET THAT STORY OR SOMETHING??? WHERE HE ENDS UP ON TATOOINE LIKE HE WAS SUPPOSED TO IN THE OG KENOBI SHOW SCRIPT???? I'D BE SO UP FOR IT OKAY???
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leverage-ot3 · 3 months
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not going to give the blog any attention or time of day but this is your reminder that the leverage crew would never be zionists or support israel whatsoever
I wasn't going to engage with it because I value my mental health but yeah. absolutely fucking NOT
y'all really think that this group of people that actively go out of their way to go against the rich and powerful, who make it their goal to help people that are oppressed, devalued by society and taken advantage by those more powerful would at all EVER align themselves with israel? bffrrn
I'm going to go off for a few paragraphs about why this is such a horrendously ridiculous and delusional idea, but I'm not going to clog up your dash so it's going under the cut. I want to respect people who already participate in activism and need fandom space for lighter things
tw for discussion of the atrocities and war crimes happening in palestine
over 25 THOUSAND innocent people have died as a result of israeli terror the last few months alone. over 10 thousand children. entire family lines have been erased from the world forever- grandparents, parents, children, grandchildren all martyred, often together as they are sheltering from bombs and bullets until they are murdered by soldiers that laugh as they shoot and detonate bombs.
you really think that eliot 'I adopt every child I see' spencer would support a regime that let a child stay trapped in a car where her family members were martyred, not let paramedics in for days and then when they finally let the paramedics approach they kill both her AND the EMS? you think he would stand with the government that arrests children as young as 6 years old for *checks hand* being terrorists (because what fucking 6 year old is a terrorist let alone any kind of national threat. they're fucking SIX). that snipes children for throwing rocks at tanks and their apartheid walls
he and all of them would weep at the picture released the other day of the little girl handing from rubble with her legs blown off.
all of them would be horrified of the bombardment that has murdered tens of thousands of innocent civilians, women, children, men, elderly alike with no fucking care. that shoots people with their hands up waving white flags. that bulldozes graveyards and digs up bodies and probably steals organs from they dying and deceased. that bombs hospitals, governmental and archival buildings, mosques, churches, holy sites, schools and universities. whose soldiers have a trend where they go through women's underwear drawers and make lewd comments about their lingerie and how kinky they must be. who make tiktoks of them playing in decimated playgrounds and signing their children's names on bombs. who force parents to collect pieces of their children in plastic bags because they have been blown apart by relentless bombing. who shoot a grandmother holding a child's hand. who murdered a woman that dared say that she was older than the 'state' of israel.
the fact that you're posting this as israel relentlessly bombs rafa, the place they were told would be the only safe place to be, where 1.6 million people are living in tents living off animal feed because no sufficient humanitarian aid (if any) has been let through
these people that advocate for comeuppance and exposing wrongs would not support a regime that actively targets and murders journalists and their entire families.
you really think any of them would actively support a genocidal sociopathic government? fucking delusional
to a certain extent, I know that people want to keep fandom and advocacy spaces separate and I acknowledge and relate to that- when we are logged on every moment of the day we sometimes need to take breaks and engage with something else for our mental health. I need that too. and there is a very thin line when you try to apply fandom to current events because in all honesty, making headcanons about how your faves would react to X horrendous event can come off as extremely tone-deaf. I get you love your blorbos (I do too!), but actual people are suffering and it can come off as disingenuous to a lot of folks when you try to talk about your characters instead of the very real harm that is going on. HOWEVER, the other account posted in the leverage tag that the crew would be zionists and started that discourse and since it was already out there in our space I wanted to make sure that people know that this blog does not support that whatsoever.
and before this gets misconstrued: antizionism is not antisemitism. I have a lot of love for my jewish friends and followers, but saying that we can't be critical of war crimes and incessant aggression because it is a jewish state is fucking ridiculous. we should be able to hold any and all governments accountable when they do bad things (this absolutely also means I think we should hold the US accountable for enabling them and I live here. every country that is complicit needs to face consequences). saying that israel is exempt from criticism because jewish people deserve a right to a homeland isn't a great take. I completely understand fear of antisemitism and discrimination, but at some point we have to think critically and acknowledge that people are dying by the thousands and standing up for that and calling out atrocities takes precedence. jewish voices for peace has some really good content about this topic
anyways there's a random blog out there posting about how your faves are zionists splattering their rancid sponge and I want to make sure my stance on this subject is very clear: fuck israel, free palestine, and no one is free until everyone is free
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