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pidayforpi · 9 months

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Confession Time

[...about the "settings" in my Ducktales/Duckverse fan fics]

(If you have been following my "headcanon-heavy" Ducktales stories (such as this, this or this), or my random thoughts/infodump from time to time, you may see that I often refer to something as "my settings". Or, in case of characters, "my Donald"/"my José"/"my Scrooge" etc.

You may also notice various cringy outlandish additional details in some of my Ducktales works (such as the fact that Donald is absolutely mentally unstable, and can and will commit murder; or the fact that Donald (among others) has literal magic for some reason).

So, uh...here's the thing...

[Super embarrassing self-indulgent infodump below]

Before I even started writing fan fics, I have actually already thought out an entire plot and settings for my Ducktales story.

This is something that I...sometimes do (especially in the past). Whenever I get invested in a new production, my brain may automatically generate a "fan" plot and settings using that production as a background, which may get developed more as I got to know the production better (as well as a possibility of adding crossovers).

(Yes DT is not the only one subjected to my cringy mind, but I'm still too embarrassed to share the others at the moment. If you must know, another example is Skyrim)

Now that I realise it, that Undertale story idea is actually an example of that. Personally, I call these ideas "Projects".

These Projects:

→ Are developed to different extents. "Developments" include a complete plot (e.g. an ending?), a comprehensive world-building/settings, and possible messages and themes of the story

[Ducktales has been rather developed]

→ Are of different lengths (Long, Medium, Short)

[Ducktales is a Long Project]

→ Are thought out automatically in my mind. A plot will just pop up, and I will use it, with only adjustments and add-ons. (In other words, once a plot is generated, it stays. I may make modifications as I am thinking it out, but the plot direction largely stays the same)

→ Are thought out in an...anime episode fashion (instead of words). I visualise the scenes in my mind, with music, visual effects and such things that I can't possibly portray in a written story

→ Are...also very anime-y (most of them are Fantasy/Adventure, with power systems and yes, skill names)

[Like Ducktales has its own "Magic" power system, with different categories of magic]

→ May involve "crossovers". Crossovers are usually other productions that are canonly or non-canonly related to the base productions

[For example, my Ducktales Project uses DT17 as the base, but has crossovers from LotTC, Paperinik and Kingdom Hearts. There is also a bit of Goof Troop (or the Goof-verse in general), because Max/Goofy/Pete/PJ are in the story]

[For the Skyrim example, the "other productions" are actually Skyrim mods]

[They may also involve other fanworks/personnel but obviously I can't share them publicly. Not any for Ducktales though]

→ Are 80% non-lore-friendly (I redefine what is lore-friendly lol)

[In my Ducktales Project, the entire event of Season 3 is non-existent, because when I thought of the plot Season 3 had not been aired yet logically it cannot happen under my story]

→ Are something I never thought I could ever share with absolutely any other human being. I have a ton of ideas in my mind that, from the moment of creation, I have prepared to die without anyone knowing it (Because they are just...so crazy or I legally cannot share them due to copyright. It's like your sketchbook of OCs you've created when you are like 12)

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So. What am I trying to say?

When I started legit writing stories, sometimes, I used some of the settings in my Ducktales Project. At that time, I called those settings "headcanons", rather than the entire story being set in an AU.

This is due to me wanting to actually create something for my very much self-indulgent Ducktales Project, as well as share my (very crazy) ideas with someone else. Therefore, I have integrated bits and pieces of my settings into my published works.

...but then here's the problem. I was (is) too embarrassed to fully reveal my AU. As a result, there are now weird, half-canon (to my Ducktales Project) stories that I have written. (which is worse than completely non-canon, to be honest)

For example...

→ That "Wish" story linked above, which is supposed to be an alternate scenario of the Season 3 "Quack Pack!" episode? Is not canon. Simply because anything from Season 3 does not exist in my AU. Goofy also does not inform Donald of the war this way, nor is the war "a war between Light and Darkness" this actually sounds so forced and cringy. It is not even a "conventional war" in technical terms (not a two-sided war, at least), more like an insurgency.

(The entire Kingdom Hearts plot and concept has been basically taken apart and reshaped into something else. Sora isn't even in the picture, for example. It's a completely different story. Another AU, if you may.)

What is canon are the involvement of Goofy, Mickey and Donald in the war (both past and present), as well as everything in the headcanon page in that story.

→ Another example is the "Power of Berserk" story. That is 100% not canon (sorry shippers, donro isn't a thing in my AU). This is extremely embarrassing, because there is a chapter/scene in my Ducktales Project that is called "Power of Berserk", with a somewhat similar but also very different plot.

What is canon are Donald's violent tendencies, and the idea of an Evronian apocalypse. Otherwise that story is super non-canon.

→ The most "canon" story I have written is probably "Ice on Fire" (yes Donald canonly beats up Lunaris in my universe). The only things not that accurate is Panchito's reaction/personality (I made him too dumb/distant from Donald. He's supposed to be rational but sympathetic), and some points in the headcanon page afterwards (e.g. Scrooge and the kids do know that Donald has magic (because magic is very common in my universe; also why would Scrooge need Donald on their adventures otherwise?). They just don't know what Donald is doing with his magic).

Also there's more to that scene, because that is actually an ending of the first part of my Ducktales Project.

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I...cannot rewrite/delete those stories. I may add a label about what is canon or not.

But the most important thing I am going to do is to make an info sheet about my Ducktales Project. This is getting confusing that even I have to write one, if only for myself to read.

It is going to be super long...and super self-indulgent. But I have become less embarrassed to share my ideas, after seeing others share theirs (such as Cursegirl's Furious Revenge AU I mentioned in the last infodump). I feel like, even if it's only my Ducktales AU, I can share it.

I just have to write it out...which may take a while. (But this is like the "2023 Summer of Infodump", where I keep writing these passages instead of actual stories. So the momentum is here...for now)

If I have the time, I will also produce a character sheet besides the info sheet. The info sheet is going to be about world-building, settings and the plot, while the character sheet will focus on...character information.

Yea. Let's see how it goes.)

(7-8-2023)

#infodump #2023 Summer of Infodump #story #storyteller

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mariposalass · 3 years

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Sora’s Time to Shine

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Summary: Mari is already not putting too much expectations going into watching the Final Smash Presentation when someone close to her besides Kirby and Edelgard’s beloved Professor pops out of nowhere in said Presentation. All hell breaks loose (but in a good way).

Setting: Mari and co.’s house in Daly City, California; October 5, 2021

Notes: I was pretty behind in seeing the reveal since I was pretty tired when it came out and I had to check a friend’s post on Plurk to make sure that it was not all for the jokes before watching it on Gamespot and writing this story down. And yes, the Byleth in my S/I verse is the female version in case anyone is curious. And yes, it took me until around 8 AM to write this up. Featuring Luther Vandross. Here is an ask I made on Sora’ behest during a F/O takeover long before he got confirmed recently. #SakuraiHasReachedtheImpossibleDream #Sora4Smash

Tags: Super Smash Bros. Ultimate, Super Smash Bros., Swift Keyblader, Smash Reveal, Sakurai has reached the impossible dream!, Sora for Smash, #Sora4Smash

“Hurry Mari, you’re about to miss it!” Kairi is dragging me out onto the sofa to see the final Smash Ultimate Presentation on the living room pretty early before plopping ourselves onto the sofa.

“Look, Kairi, guys. I hate to be a party pooper, but I have no clue about who could it be,” I try to be realistic in my views.

“Well, at this point, my beloved, it could be anybody from the video game world,” my dear Philip chimes in while trying to reassure me, “Besides, as soon as it is done, we shall try to reply back to this non Smash invitation that El had found in the mail today.”

“Huh, is that correct, El dear?” I asked my regal adopted daughter for confirmation.

“Why yes of course, Mother,” she replies as she passes me the invitation, “I believe that a friend of yours has sent us one, but I didn’t want to open it immediately since this is addressed to you.”

“Okay then, I will get to read it and reply back once the Presentation is over and see who gets to fight with Kirby and Professor Byleth,” I smiled back at her.

“I couldn’t believe that there was a leak that just came out before this Presentation video and it is about music. Who was that dense enough to do it at a time like this?” Riku mumbles as he gets the video streaming on the Nintendo Direct page in his laptop.

“You know, Riku, sometimes people can act very idiotic at times, so there isn’t much we can do besides ignoring and avoiding that as much as possible,” Harry sighs as he is bottle feeding and gently rocking Serena as she had cried a while ago to be bottle fed.

“Guys, have you guys seen Sora lately?” Issa asks us while carrying Chris in her arms, “I haven’t seen him in the last few days. He didn’t even reply back to either my or Kairi’s texts and calls. Do you think he’s off to visit Jack and Sally in Halloween Town? It’s nearing Halloween soon.”

“That’s really a good question, Issa,” Ahk agrees, “I had given up trying to find him by calling over on the phone since last Thursday. All I have gotten from it were many ‘The subscriber could not be reached’ messages.”

Even Riku and Kairi are in a loss for words as they turn to each other and wonder what is up with our friend lately. Did he just went poof without us knowing? Kirby always informs us through his many Poyos that he would have to head off to Smash whenever a new tourney starts or a newcomer arrives and Edelgard’s class often gets shorter class schedules or early dismissals whenever Professor Blyeth gets to fight in Smash: she is the professor handling the Black Eagles class. Sometimes even El, Petra and Dorothea along with a few others (and yes, that includes the Gatekeeper) would come over to Smash to spectate from the sidelines and support their beloved Professor.

There is a long silence when the Nintendo Switch title card plays in the laptop and Karina directs us all to watch the screen to see many clips featuring many Smashers in the current tournament before it transitions to Sakurai-san in the studio explaining about the video as well as showcasing the Mii Fighter costumes.

“Hey look, Isabelle the Dog’s demon slaying friend from Bethesda is now coming to Smash to rip and tear up the competition!” Moana screams when the Doomguy Mii Gunner costume appears.

“Good for him; I know that many fans really did want him to be in Smash, though the costume is a nice addition,” Issa agrees. “That now makes three Bethesda franchises represented in the costumes.”

“Even the Octolings and Judd the Cat got hats based on them too,” I chime in as well.

“Oh hey, guys! Sakarui’s about to reveal the last fighter for the Second Fighter’s Pass, so keep down it and don’t expect too much,” Karina informs as Sakurai transitions to the main event and we all stay silent and stay glued to our seats.

The screen turns black before the usual Smash logo opening shows up, but instead of the usual zoom in, it then turns into a flaming Smash logo with all the Smashers up until Kazuya Mishima (yeah, the guy who tried to drop Kirby off a cliff) looking at it and covered in the shadows. Did MH decided to get them to show up in there and meet the last fighter in the dark? Probably, I bet that he might be keeping it as a surprise and possibly even conserving electricity at the same time. Then cut to Inkling Girl looking in awe with the Smash logo reflecting onto her pupils as a nice ode to the first reveal trailer for the game/tourney, I honestly love this shot.

Wait a minute, the logo turns into stars and the next scene shows everyone frozen in place as toy-like ambiios?!? How is it even possible? Well, it does certainly confirmed once again that the video game version of the tourney is set in a world of make believe after all. I could swear that a lot of people crying their eyes out as they are watching this. It looks like this is the end of one great video game series about mascots fighting among each other. Or is it? Because the camera is aiming at Mario as if he looks like he’s trying to take a nap while standing up.

Riku then proceeds to mumble some words to me incoherently that something big is coming the moment Mario wakes up to see a glowing light to see the last remaining flame glowing on the floor, which I do agree with him. Suspicious right? Oh God, Mario no! Please don’t touch the fire for everyone’s sanity. Wait, hold on a second: that isn’t not just fire that he just grabbed on and then tossed it into the sky like a boomerang: the mystery object looks like a Keyblade and there’s that Mickey keychain! Yep, that’s a Keyblade alright. Could it be...

I could recognize that beam of light that Keyblades often produce whenever they lock and unlock Keyholes to other worlds, so does everyone in the room. Riku and Kairi hugged onto each other as if we’re about to brace for an emergency (Karina and Moana also did the same), Ahk stares at the screen to see if he’s not imagining things all the sudden, Issa has her mouth drop in shock, Chris and Serena didn’t cry throughout this entire presentation, Harry gasps and nearly drops Serena’s bottle, Philip turns to me for answers while Edelgard begins to sweatdrop in concern.

No words are exchanged as the light grows and shines brighter before it proceeds to shoot itself away from the Keyblade to reveal a Keyhole on another part of the room. It then glows bright within as the camera switches back to the rest of frozen Smashers as the light begins to fill the room and revives Link, Cloud, Incineroar and Mewtwo as they all gawk at it as it reveals something from the World of Light with the orchestral rendition of Simple and Clean playing in the background. And that’s when it hits us right at the gut: the familiar spiky brown hair poking out from that Keyhole.

“What!?!” Kairi shouts as the Keyhole ‘spits’ out Sora from the World of Light.

“H-h-he actually got in, for real?” Riku squeaks up.

“Oh my…” I gasp in pure shock as we watch the whole thing played out.

“Sakarui finally did it?” Issa adds in to the discussion.

“Well, it’s about time that they managed to get his darn behind into the tourney,” Karina seconds in.

Soon enough, Sora finally wakes up from his nappy time and takes notes from Peter Pan and Tinkerbell as he flies around, sprinkling fairy dust all over the other Smashers, before landing on the floor and the Keyblade flying back to his hand.

“Damn it, Sora!” I scream as the splash screen pops in.

“Kai, your boy has finally made it big time!” Moana shakes Kairi in congratulation rather rapidly that it nearly gives my lil sis a dizzying spell.

“Moana, please don’t make Kairi that dizzy,” Harry had to tell her that.

“Whoops! Sorry Kairi,” she apologizes to her which she accepts.

So with that, we switch back to Sakurai going in depth with Sora’s moveset after he discussed about the Kingdom Hearts games and world. And he has gotten 4 costume changes, man Sora, that’s a big wardrobe you’re bringing in, oh wait, he even got the Timeless River costume too. That makes it 5 then.

“Oh gods, Sakurai is making us suffer by watching Sakurai using Sora to beat up everyone,” Ahk tells us as the Sora moveset showcase begins.

“No kidding,” Harry muses as we see Sora beating everyone in Battlefield.

“Whoa, they went for Sealing the Keyhole instead of having Trinity Force with Donald and Goofy? What a bummer,” Karina bemoans in dismay.

“Well, you know modern Disney: too overprotective of their IPs,” Philip reminds her.

“Oh new stage, what could it be?” Riku gleefully chimes in before they reveal Hollow Bastion as the stage, “Whoa, Hollow Bastion. I never thought that you will return again.”

Then the stage changes into Dive to the Heart and it had Riku and Kairi in the stained glass in one, Riku being the main focus of the second one, Roxas in the middle of the third, Xion in the fourth, Terra for the fifth, a sleepy Ven in the sixth, and Aqua’s in the seventh.

“Pretty!” I complimented the look of each stained glass.

“Quite impressive I will admit,” El agrees with me too.

Then Sakurai begins a playthrough with Sora facing Cloud and Sephiroth in Hollow Bastion, for a while, we all thought that he’s going to be a goner with Cloud and Sephiroth beating him up in the Stamina match but then the tides begin to turn in his favor after Sephy lost his full stock and with Sora having to take down Cloud next. When he did, the scene begins to go into a slow white fade out with a Game!

“Alright! Sora did it! He defeated both Cloud and mean old Sephy,” Riku cheers on.

“Woo! Go Sora!” me, Kairi, Moana, and Karina screams aloud.

“That was brilliant!” Harry agrees before he turns to Serena, “Did you hear? Uncle Sora managed to defeat two opponents in a Smash Ultimate playthrough.”

“9 songs is better than nothing at all,” Issa observes, “It would be a licensing nightmare to talk to Disney if they can borrow a couple of songs from them and they straight up refuse to assist, oh well. Oooh, a Dearly Beloved Swing arrangement, nice! I better get that save file on the Switch prompto!”

“And check out that Spirit Board: Aunt Kairi has a Spirit of herself,” Edelgard informs us as the Spirit Board for KH is revealed.

“Oh gee, never thought that it could ever happen, but thanks,” she blushes.

“Hey, I got one as well, same with Axel, Xion, Roxas, Aqua, Terra and Ven,” Riku joins in, “Marina is so going to be happy to see her boyfriend as a Spirit. She will probably try to get him real soon.”

“You bet it right, Riku, you bet it right,” I nod and agree with that last statement.

“Oh hey, he’s going to be ready within a few weeks’ time,” Karina speaks up, “Neat! The roster is now complete.”

“Even Steve and Alex have amiibos of themselves being made, that’s even more wonderful,” Ahk takes note of it, “I’m pretty sure that Sora will have one of his own along with Pyra, Mythra, that jerk who tried to threw Kirby off a cliff, and even Sephiroth soon.”

“WHAT?!? Kingdom Hearts are coming to the Switch too!?!” I am surprised to hear the news as Sakurai reveals this new information, that is so mind-blowing.

When it fades to black then to the Ultimate mural, the camera then goes for the space between Ganondorf and Dark Samus to fill in Sora’s spot before panning back. Man, this Presentation is long and is finally ending, thank God; it must be tiring to sit down and watch a nearly hour long video as Sakurai showcases the screenshots he has made and showed off in Twitter. Man, so many memories and montages. And the achievements, wow, that is a lot of them, it will be a game feat that I don’t think it will be broken for a long time.

Man, I will miss the presentations and Sakurai’s corny jokes for sure. I wish him a nice deserving break from all the game development for sure as he gives thanks to everyone from the devs to the players to the people prompting the game and ends it off with a heartfelt goodbye as it fades to back into the full reveal trailer.

“Oh gee, I’m going to miss the Smash Presentations,” Kairi sighs, “I can’t believe that we’re coming to an end.”

“Man, it’s finally over,” Riku gasps in remark as the full trailer plays out, “I don’t think that there will be a game like Ultimate for a very long time. That’s for certain.”

“I agree, Riku. It’s to going to be a tough act to follow up on,” I add in before I look up at the ceiling and murmur some words, “It’s been a long time coming, Sora. You truly deserve that last spot, you really do. Have fun in the tourney and Smash Mansion, buddy.”

Sora is Finally Here!

The End

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adamarinayu · 3 years

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Can you tell us more about your author au, back in action au, and Notre duck au? Sorry if I'm asking for a lot but I just saw them on your AU list and they caught my interest 😅

Haha sure! I haven’t worked on any of them in a while but here we go! It’s a bit long, especially the Back in Action section....

In the Author AU, Donald is an author who works under a pseudonym, so that he and the triplets can have some normalcy in life while also being able to support them comfortably. He’s the author of a best selling series, which is the Paperinik series (maybe in this AU it’ll be called Duck Avenger, idk).

He began writing the PK stories during highschool, and they were published as shorts regularly in a small magazine. Of course, being a teenager, it began as a fantasy- it was how he vented his frustrations. Gladstone, of course, figured it out, as did Della, but Scrooge had no interest so no one else outside of Donald’s closest circle (that is to say, Mickey, Minnie, Daisy and Goofy) knew. It soon grew to be a hero story, rather than a story about vengeance. At this point there are no nephews in the story.

After highschool, his story got picked up by a publishing company and Uno was his agent. He ended up including the character ONE based off of Uno, which Uno is equal parts amused and exasperated by (”Honestly, I thought you said you wanted to be anonymous.”). The two don’t officially become friends, however, until a couple of years later, when Della went missing. Donald had taken a surprisingly dark turn in the story which would have resulted in killing off the main characters, at which point Uno decided to intervene and talk to him. With Uno’s support and growing friendship Donald rewrote the story, keeping the darker tone but ending it on a higher note with all the characters alive and happy.

Donald also gave PK a family of his own, having him be a single father to three children (hinted heavily at them being adopted, after PK saved them as eggs), a decision which forever changed the direction of the books from being about a duck who fights because it’s all he’s good for, to being about a duck who fights because he has something worth fighting for. He and Uno obviously become very close over this time.

Gladstone reads every book that comes out. He always wins a free edition but insists on buying it, as his way of helping Donald out. He uses the tone of each book and the events that happen in them to determine whether or not he needs to come and kick a little sense into Donald.

Donald ultimately concludes the book series after Della comes back, with the story having a happy ending all around. Which definitely includes ONE getting a physical body and joining the family. Unsurprisingly he and Uno get married. Scrooge and the kids find out he’s the author of PK after Scrooge announces his studio bought the movie rights to the film lol. Della and Gladstone are just like “wow seriously, you guys didn’t see the writing clear on the wall?”

The Back in Action AU is basically, PK was a TV show and Donald was the titular character, PK. His co-star was Uno, who lent his voice and face to the character ONE (the names of all the characters in PK are changed, ofc, their real names are the actors’ names now, except for Uno and Xadhoom). The entire cast (yes, including Angus Fangus) were a pretty tight-knit family, of a sort. So while Della and Scrooge were adventuring (as he had left the adventure life behind, feeling as if he wasn’t contributing or seen as an equal among the group) he became part of a family of his own. Daisy also played PK’s love interest, though the two of them are actually more like Best Pals. They went to highschool together so. Daisy wasn’t in the main cast and was just a recurring character, as she had a main role in another series.

The triplets in PK were just babies, but PK wasn’t their primary caretaker. They were more like background characters, but occasionally PK would get roped into babysitting them and having to balance watching the children and saving the world because “oh god even if I stop the Evronian invasion if any of their feathers get singed my sister will kill me!” (Note, PK’s sister was only seen in photos and was a blonde, like in the original comics. You can hear her voice now and then though)

Donald was close with everyone (oh the bloopers he and Angus had.... and of course the Evronians, something ALWAYS went wrong with their costumes!) but Uno became his best friend (and his almost-more). The series was the most popular thing on TV for a while, and Gladstone and Fethry were so proud of their brother cousin and so sad that Scrooge and Della were missing the best moments of his life. Gladstone and Fethry are much more involved in Donald’s life than Della and Scrooge are in this AU. That isn’t to say they don’t all love each other very much, it’s just Della and Scrooge’s interests laid elsewhere.

Anyway, every series hits its end, and more often than not it comes much faster than planned. PK ended a whole season sooner than expected, due to the sudden buyout of their studio and the new owners choosing to shut PK down in favour of one of their own shows (couldn’t afford both at the same time, and their own show had a smaller budget). So the series ended on the cliffhanger of PK losing ONE and (Lyla’s character), the Evronians being defeated and PK choosing to hang up his cape because of just how much that final battle cost him. It was an ending that angered many people, extremely upsetting especially knowing that it hadn’t been the planned ending of the series.

The entire cast and crew split up, most still staying in acting but a few leaving. Donald went back to adventuring with Scrooge and Della while Uno went back to Italy with his brothers (Due and Tre, the former of which played a major part in 2-3 episodes) to work in their father’s lab. They ended up falling out of contact (not by their own choice, just due to the nature of their jobs). Then a few years later Della went missing and Donald was left caring for her three children- it was a bit ironic, perhaps.

In the 10-12 years Donald was taking care of them, a “sequel” movie and a spinoff came to be with different actors and stories, but neither were well received because they lacked the “spirit” and charm of the original series. Especially the spinoff, which was animated in a very Saturday-morning style.

The triplets don’t really know about the OG PK, only knowing it by the spinoff, or that their uncle used to be a big name actor. However, 10 or so years later it’s announced that PK is coming back.... with the original writers and actors (except for the kids). Including Donald Fauntleroy Duck, the actor who played the titular PK. They are shook.

The original children who played PK’s nephews were unavailable (”We were like 2 during all that, we really don’t care”) and, besides that, had already aged out of the roles (the comeback was a Ten Years Later kind of deal, and it had been more like 14 or 15 since the end of the show, so the original kids were already mid-late teens. Therefore, when the director discovered Donald was now caring for his three nephews (convenient that there were three) he suggested they play the role of the triplets. Donald left it up to the triplets, under the stipulation that they would have minor roles (as the triplets always did) and this wouldn’t interfere with school.

They actually made a whole new role for Webby in the show! Because the triplets agreed on the condition that Webby gets to join them. And that’s how Webby began to play the triplets’ younger sister. The director decided to take a page out of Donald’s real life and wrote PK’s sister out (this was also partially because the actress had died) so PK was now being a full-time father to his kids who had no idea who he really was.

But then Donald finds out that not only is Lyla there, not only is Angus there... so is Uno. Uno and both of his brothers. It’s quite a reunion. And of course everyone expects Donald’s most emotional reunion to be with Daisy, but no. It’s Uno. And Uno is the one he ends up on the front of a magazine with lol.

Also yeah they get married :3

Man I think I may have overspoke about this one XD But I really enjoy this one what can I say jkkghfdsjlk

Notre Duck!! That’s another one I enjoy though it isn’t as in-depth as the last. So basically Everett came to Earth, and it’s kinda like.... a Duck version of medieval times. He came here for inspiration, then ended up building Uno, who became like a son to him. However, when other flesh-and-blood ducks realized he was an android, they became fearful and called him a monster, and tried to attack and run him out of town.

After that, Everett hid him away in a tower attached to a church, where no one but the church staff would go. He didn’t want to lose his android son. But Uno watches the world below his tower change, dreaming of a day when he could go out there too.

One day he meets Donald, who is a street performer with an association to Scrooge McDuck, a king in a neighboring kingdom. Donald finds out very quickly that he is an android and doesn’t judge him for it, instead encouraging him to leave the tower because “life is about the adventure.” This, of course, does not sit well with Everett, who forbids Uno from leaving the tower or seeing Donald.

Donald is wanted by the lord of the city, who wants to use him against Scrooge (and earn favour with his own king). There’s no creepy old men lusting after young women and no slurs being used casually so.

Also anyway this actually spawned from me imagining Uno to the song Out There so yeah.

#Ask #DT17 AUs #They're all DUno

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violethowler · 4 years

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The Things That Matter

I’ve talked a lot over the last two months or so about the many different ways that the characters, story, and themes of the Kingdom Hearts series align with the framework of the Heroine’s Journey. For the final chapter in this series of essays, I’d like to talk about what it means for this series to follow this narrative formula. Because the fact that Kingdom Hearts fits into this storytelling pattern is critically important now more than ever.

The three most recent series I know of that aligned with the Heroine’s Journey framework all ended up missing the landing in various ways. Two of the three - Voltron: Legendary Defender and the Star Wars sequel trilogy - abandoned the formula in their final installments, while the third one - the Frozen movies - managed to fit into the formula almost completely, but suffered in the second movie from a lack of clarity as to which of the two leads is the main protagonist and which is the Animus. Two of these were under the Disney umbrella, and all three have had evidence found that executive meddling or other behind-the-scenes conflicts over story direction played a role in how the final installments ended.

As I mentioned in my essay “Into the Unknown,” when a story deviates from the structure it appears to be following, it produces a visceral sense of wrongness in the audience. In stories which up toward the end aligned with the Heroine’s Journey, that effect is amplified. The framework of the Heroine’s Journey was designed to uplift the experiences of identities outside of what society considers the default option in storytelling. The lived experiences of those identities are mirrored in the narrative’s themes. So when a story set up around calling out prejudices and double standards about those identities that are ingrained into the audience’s culture deviates from that formula, the result inevitably ends up reinforcing those biases instead, on top of the brokenness of the narrative in general.

In terms of how this applies to Kingdom Hearts, Sora and Riku’s individual character arcs have been noted by many LGBTQ+ fans to have notable parallels with elements of their own lived experiences:

Riku’s arc of learning to accept his darkness as something natural that’s a part of him and which he can express in a positive way mirrors how many LGBTQ+ people grow up with the idea that same-sex attraction is “sinful” and “unnatural” and have to unlearn that mindset in order to realize that there’s nothing wrong with them. Likewise, Mickey’s line in Re:COM about how spending time with Riku has positively changed his opinion about Darkness can be read as an analogy for straight people who are initially unsure of or hostile to LGBTQ+ identities changing their minds with education and first-hand interaction to become staunch allies. Esmeralda’s talk with Riku about how “There are just some things we need to keep separate from the world at large, at least until we have time to figure them out”[1], while on one level is referencing Riku’s Darkness and his inner turmoil relating to Ansem, can also describe the common LGBTQ+ experience of being in the closet and hiding that part of yourself from the people around you[2].

As for Sora, in Kingdom Hearts III he responds to Davy Jones’ comments in The Caribbean about the romantic relationship between Will and Elizabeth by saying that “I still have a lot to learn about love[3],” indicating he lacks understanding of his own feelings in the area of romance. This is supported by the official Kingdom Hearts Character Files book published by Square in February 2020. Short stories in this book featuring Sora’s POV depict him as actively confused about what romantic love is[4], and struggling to define the nature of his relationship with Riku[5][6]. This can be a common experience for LGBTQ+ youth growing up surrounded by media that only ever depicts romantic relationships as one boy, one girl. Many people who grew up like this—myself included—have had similar experiences of struggling to understand our own feelings about someone of the same gender because for our entire lives up to that point we had little or no exposure to the idea that being romantically interested in someone of the same gender as you was an option.

Sora and Riku are each written in ways that speak to common LGBTQ+ experiences, and the fact that so many things—the canon parallels to Disney romances, the match with how love interests are portrayed in the Heroine’s Journey, the fact that one of the series’ Lead Event Planners Michio Matsuura was described by the Co-Director Tai Yasue to be “head over heels for the bond between Riku and Sora’s hearts[7]”, in connection with his enjoyment of “pure love dramas[7]”—are all pointing to the conclusion that these similarities did not happen by accident, but by design.

It makes so much sense for Heroine’s Journey narratives to be used to tell LGBTQ+ stories because there are so many ways that homophobia and transphobia overlap with and are rooted in the very same gender and cultural norms that the framework challenges. Many countries have come a long way towards public acceptance of LGBTQ+ identities, but in terms of the stories that we tell, mainstream fiction is still skewed in favor of stories with protagonists who are straight and cisgender. Storylines with straight romance are treated as a society-wide default, while creators in countries like the U.S. who want to include even the smallest background references to LGBTQ+ relationships have had to fight and push back against corporate pressure to remove them.

This is especially true for media aimed at children and teenagers, as the fact that being openly LGBTQ+ is still widely considered problematic in many countries is frequently used by entertainment executives in ostensibly more progressive countries as an excuse for censoring LGBTQ+ storylines and characters. Multiple creators working on animated shows for Disney and/or its competitors have spoken out in recent weeks about the resistance they faced to including LGBTQ+ relationships[8][9][10] and how they were told that openly acknowledging characters as non-straight was too controversial or “inappropriate for the channel"[9].

As a consequence of this environment, creators wishing to depict non-heterosexual relationships have had to resort to creative methods of getting the implications past the censors in a way that LGBTQ+ audiences would recognize while still maintaining plausible deniability so that the executives could make money off the story in anti-LGBTQ+ markets. The downside to this is that because these efforts are more subtle, most straight audiences will either not notice the implications, or else dismiss them as an accident. Some will go as far as coming up with alternate explanations to justify why any potential LGBTQ+ subtext about a character or relationship could not possibly have been put there by the creator intentionally.

This extends not only to audiences, but also to people who interact with these stories in a professional capacity, such as translating and marketing a story’s international release. Animated shows that feature same-gender relationships have had international dubs change the gender of one character in the pairing to make it straight, for instance. Or there's the infamous example of how the English dub for Sailor Moon in the 1990s changed two girls from lovers to cousins in order to provide an explanation for their closeness that didn't involve acknowledging that the characters were not straight. In terms of the Kingdom Hearts series, the English localization has routinely downplayed LGBTQ+ subtext in the series while in some cases adding romantic undertones to interactions between a male and female character that did not exist in the original Japanese script. Kingdom Hearts III was one of the most egregious examples of this:

Hercules’ recollection of how he dove into the River Styx to save Megara’s soul in KH2 is thematically connected to Riku sacrificing himself for Sora at the Keyblade Graveyard through the phrase taisetsu na hito (literal meaning: “precious person”) when Hercules is talking to Sora in Olympus and when Mickey is talking to Riku in the Realm of Darkness at the beginning of the game. The English version translates this as “person I love most” for Hercules, while changing it to “what matters” for Riku and Mickey to call back to his meeting with Terra in Birth by Sleep, which the scene includes a flashback to. While Mickey and Riku’s original meaning can still be deduced from the conversation around it, especially with Mickey saying "sometimes you care about someone so much," changing the line for the sake of a callback downplays the evolution of Riku’s goals from protecting “things that matter” to protecting “the *person* who matters”.

Donald and Goofy’s teasing Sora in the scene at Galaxy Toys where Sora comments on how much he or Riku resemble Yozora is framed in the English version as “Riku would be a great action figure because he’s cool, unlike Sora.” However the original Japanese indicates that the teasing is centered around the fact that Sora said a character who looks like Riku was good-looking.

When Kairi offers Sora a paopu fruit, she says in the original Japanese that it’s simply a good luck charm so that they don’t get separated, while in the English localization, she says “I want to be a part of your life no matter what, that’s all.” While “that’s all” still fits with how the parallels to Winnie the Pooh indicate her connection with Sora has weakened and she wants to maintain it, the first part of the English line calls back to the legend of the fruit introduced in KH1, which was openly referred to as romantic by Selphie in the original and localized versions of the first game. As a result, this adds romantic implications that contrast with Sora’s unreceptive body language and facial expressions[11] as he reacts to the initial offering of the paopu fruit.

In the original Japanese, Riku’s words to Sora before his sacrifice at the Keyblade Graveyard translate to “I believe in you. You won’t give up.” The English localization changed it to “You don’t believe that. I know you don’t.” Not only does it remove a callback to the original game, but this phrasing dowplays Riku’s faith in Sora and ignores Sora’s very clear feelings of inadequacy.

During the scene where Sora and Kairi are floating through the dark tunnel toward the Keyblade Graveyard, Sora’s line in English, “I feel strong with you,” was originally an acknowledgement of Kairi’s strength that called back to how he wouldn’t let her come along on the return trip to Hollow Bastion in the first game because he thought she’d “kind of be in [his] way”[12]. Removing this callback takes the focus away from Kairi’s growth and brushes aside one of the ways the game shows that Sora’s view of her has changed over the course of the series.

Some fans defend changes such as these insisting that the development team had to have approved of them. However Testuya Nomura himself feels strongly enough about the subject: he stated in a 2018 interview several months before KH3's release that “an incorrect or defective translation risks compromising the comprehension of the whole story,” referring especially to the Kingdom Hearts series[13], and the English localization of Re:Mind—which was much more accurately translated than the base game—directly references the original meaning of Kairi’s words during the paopu scene in one of the DLC’s Kingstagram posts. This all indicates that changes such as these that remove important connections or change the meaning of the conversation are ones that the development team very much do not approve of.

LGBTQ+ fans of Kingdom Hearts who recognize their own experiences reflected in Sora's and Riku’s journeys know that Disney has not had a good track record when it comes to depicting LGBTQ+ characters in properties they are affiliated with. The most we ever get in their movies are background moments or nameless characters that are only there in one scene that easily can be cut out for distribution in countries with heavy anti-LGBTQ+ legislation. And that’s if the character’s orientation is even mentioned out loud in the film at all instead of simply being confirmed by interviews before or after release but never acknowledged on-screen. Television has fared better, but until recent years we never had any main characters who were confirmed in-show to be anything but straight. But things are slowly starting to improve. Within the last few years shows like "Andi Mack" and "The Owl House" have depicted major characters as openly interested in others of the same gender[14], and Pixar recently released a short as part of their Sparknotes program called “Out”, which openly centers on a man worrying about telling his parents he’s gay.

This is why it is so important that the Heroine’s Journey of Kingdom Hearts follow through to a structurally appropriate conclusion, with the development team being given the freedom to tell their story in full without restriction or censorship. Deviating from the formula this late in the series would represent a continuation of the recent trend of Heroine’s Journey narratives being structurally broken by inference from forces other than the main creative team. But if the Kingdom Hearts story is able to complete it’s Heroine’s Journey without executives or localization teams getting in the way of the intended story, then the LGBTQ+ themes already present in Sora and Riku’s journey will break so many barriers,challenge people’s expectations of what is possible, and convey powerful messages of self-discovery and acceptance—just like the framework was designed to.

Sources

[1] Kingdom Hearts 3D: Dream Drop Distance; Square Enix; 2012.

[2] Tumblr post by @blowingoffsteam2; December 3, 2019. https://blowingoffsteam2.tumblr.com/post/189461796759/blowingoffsteam2-dont-mind-me-over-here-just

[3] Kingdom Hearts III; Square Enix; 2019.

[4] Translation of KH Character Files Beast’s Castle story by @lilyginnyblackv2; February 3, 2020. https://lilyginnyblackv2.tumblr.com/post/611420864489062401/character-files-beasts-castle-story-english

[5] Translation of KH Character Files Arendelle story by @lilyginnyblackv2; March 3, 2020. https://lilyginnyblackv2.tumblr.com/post/611490139845345280/character-files-arendelle-story-english

[6] Translation of KH Character Files Arendelle story by @notaseednotyet; March 1, 2020. https://twitter.com/notaseednotyet/status/1233993459670765569

[7] “Message from the KINGDOM” Updates!; April 11, 2012. https://www.khinsider.com/news/-Message-from-the-KINGDOM-Updates-2427

[8] “”Steven Universe” and “She-Ra” creators on Representation”; Paper Magazine; August 5, 2020. https://www.papermag.com/rebecca-sugar-noelle-stevenson-2646446747.html

[9] Twitter thread by Gravity Falls creator Alex Hirsch; August 9, 2020. https://twitter.com/_AlexHirsch/status/1292328558921003009

[10] Twitter thread by Owl House creator Dana Terrace; August 9, 2020. https://twitter.com/DanaTerrace/status/1292321440029478917

[11] Frame by frame analysis of Sora and Kairi’s body language during the KH3 paopu scene by @notaseednotyet; September 14, 2019. https://twitter.com/notaseednotyet/status/1172774158167506944

[12] Kingdom Hearts; Square Enix; 2002.

[13] “Nomura stresses the importance of direct translations on story comprehension, and talks about world development as well as the Gummi Ship;” August 27, 2018. https://www.kh13.com/news/nomura-stresses-the-importance-of-direct-translations-on-story-comprehension-and-talks-about-world-development-as-well-as-the-gummi-ship/ [14] Disney’s The Owl House Now Has a Confirmed Bisexual Character; August 9, 2020. https://io9.gizmodo.com/disneys-animated-series-the-owl-house-now-has-a-confirm-1844665583

#kingdom hearts and the heroine's journey #kingdom hearts meta

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minijenn · 3 years

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Okay so, while I'm trying to avoid the leaks, in an interview, Nomura confirmed that some Disney songs that DIDN'T feature in the Kingdom Hearts games will feature in KH3. I don't know to what capacity, but I think it'll be as "Memory Dives". So... "Let it Go" was probably included NOT so it could be in MoM, but because of a Disney wanted it featured.

Ah well even so I liked that it was in KH3 anyway. I think that entire scene is really funny what with Sora, Donald, and Goofy just in the background reacting to it like idiots, that kinda stupid shitposty nonsense is what I come to KH for XD (And I’ll be hype to see it again in MoM ahahah)

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adamwatchesmovies · 3 years

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Mickey, Donald, Goofy: The Three Musketeers (2004)

The Three Musketeers is gorgeous. Lush, beautifully hand-painted backgrounds, crisply animated characters. It’s got Donald, Goofy, and Mickey. The voice cast is good, there are plenty of hilarious jokes throughout. Despite what the title would lead you to believe, this is an original story. A bad story. It's made worse by the horrendous soundtrack which only gets worse with each song.

Years after meeting the original three musketeers Mickey (voiced by Wayne Allwine), Donald (Tony Anselmo), and Goofy (Bill Farmer) dream of becoming members of the royal guard. As castle janitors who barely get through a workday without demolishing the building while sweeping, their chances are slim. When Peg-leg Pete (Jim Cummings) hatches a scheme to kidnap Minnie Mouse, the Princess of France, Minnie Mouse (Russi Taylor) and steal her throne, only the unlikely heroes can save the kingdom.

I wasn't exaggerating when I said it's gorgeous. The stone floors, dungeons, and buildings reminded me of the fine work we saw in Snow White. There were many times where I was happy to ignore everything going on story-wise and gaze at the movie. So many frames would make jaw-dropping desktop wallpapers because whoever worked on those backgrounds didn't skimp out on the details and never took shortcuts. As far as I can tell, the budget must've been titanic and you can see every penny invested in the visuals.

Why the middle-of-the-road review then? For the soundtrack and story. This picture only lasts 68 minutes. That’s including the intro and end credits. The running time is further padded by 6 songs despite this not being a true musical. In Aladdin, Little Mermaid or Frozen, characters condense exposition and complex emotions in verses. Not here. Most are not full-length songs, but one every 10 minutes is a lot when they're not saying anything and when they're not good. These are bottom-of-the-barrel quality melodies. No original music. Just words tacked onto Beethoven, Tchaikovsky, and other classical works. None of it's memorable, which is a relief. These annoying ballads would be the kind that'd drive you bananas if they managed to drill themselves into your skull. For all of the money Disney spent on the first-ever full-length picture starring Mickey, Goofy, and Donald... they couldn’t fork over a little more to get decent writers?

The other killer is the story. While I laughed frequently, nothing about this feels fit for the big screen. The character arcs are as predictable as the days on a calendar. The romantic subplots are some of the most forced I've ever seen. It doesn’t matter if they’ve hardly exchange any dialogue, if they have anything in common or if they even like each other. Think you'll like the movie because your favorite duck, dog, or mouse is featured? Think again. These characters are not the ones you're accustomed to. Donald's explosive temper? gone. Mickey wants to be a musketeer so he can prove being short doesn't mean anything. Pluto? hardly appears. Goofy? Him they actually get right.

I laughed during The Three Musketeers but not enough to make me forgive the insufferable songs, the pointless framing device, and lackluster plot. I wanted desperately to mute it and bask in its visuals but why stop there? With its terrible ending, you couldn't make this into a movie by merely scrapping all of the noise. The true solution is to go at it with an ax. Someone with editing skills could make this into a great half-hour film. As is? Only if you're REALLY interested in animation. Like obsessed. (On DVD, May 6, 2015)

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dweemeister · 3 years

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Movie Odyssey Retrospective

Fun and Fancy Free (1947)

About midway through Walt Disney Productions’ (now Walt Disney Animation Studios) run of package films, it is easy to see how the creative engines of the studio’s staff were beginning to fall apart. Walt’s studio remained deeply in debt even as World War II concluded and its propaganda commitments ended. As such, the low-budgeted but decently-grossing package films remained the studio’s focus, as these films helped the studio financially afloat and to keep the animators in passable artistic shape. The fourth of six films from that era, Fun and Fancy Free – with Jack Kinney, Hamilton Luske, and Bill Roberts directing the animation and William Morgan directing the live-action sequences – contains a poor pairing of two extended short segments and a connecting/framing segment devoid of inspiration. Upon release, the film was instantly the least artistically inspired feature that the studio had completed. Fun and Fancy Free’s nearly nonexistent legacy among other features in the Disney animated canon is no surprise.

Fun and Fancy Free is divided into three: two longer animated segments (the second far more famous than the first) with a transitional live-action segment in its center. Jiminy Cricket (voiced by Cliff Edwards) is present at the film’s beginning, transitional middle, and conclusion.

Jiminy introduces the audience to the story of Bongo, which tells the tale of the eponymous circus bear who want to break free of the circus and live as a wild bear. Bongo will escape, but is disillusioned on his first lonely night in the forest. That is all quelled when he stumbles into a female bear – Lulubelle – he is instantly attracted to. Lulubelle’s feminine charms work because she has eyelashes and a pink bow on top of her head. How could the viewer possibly tell otherwise? Dinah Shore, better known for her music career at this time, narrates Bongo. And the fact that Shore narrates the segment may be the only tolerable aspect to it. What follows is a 30-minute extended short that feels five times too long. As pleasant as Shore’s singing voice is for Bongo’s forgettable songs, this first half to the film will wear the stamina. We learn that the bears of the forest show affection for another by slapping them – not some light pat on the cheeks, mind you, but a full-bodied, potentially cheekbone-breaking wallop to the face.

Bongo’s tedious slapstick seems ripe for a decent Disney animated short film – goodness knows how meta Metro-Goldwyn-Mayer (MGM) might have approached it or how suggestively Warner Bros. could have depicted the ursine wooing. As strange as the premise can be and as painterly as some of the backgrounds are (albeit not close to the standards set in Disney’s Golden Age), they cannot save Bongo from its narrative disinterest and tired romantic plotting. For readers with children who see this film, a conversation about the bears’ slapping habits is necessary. Fun and Fancy Free’s first half depicts what justifiably interpreted as a cheerful portrayal of domestic abuse – behavior that might rub off on impressionable youngsters. As part of the Disney animated canon, Bongo is like an animators’ calisthenics – a minor routine for more important exercises to come.

With Bongo out of the way, we now come to an interstitial before commencing with Mickey and the Beanstalk (Fun and Fancy Free’s primary claim to fame). This transition stars child actress Luanna Patten as herself attending her own birthday. Her birthday party is just across the street in the household of ventriloquist Edgar Bergen. Bergen is there, along with his dummies Charlie McCarthy and Mortimer Snerd. Bergen and his dummies were at the height of their popularity in the 1940s – instantly recognizable then, more likely to inspire quizzical glances from audiences in the early 2020s. These several minutes are a decent display of Bergen’s considerable talents, but they assume a familiarity with his work that feels quite dated in the present day (you never know, ventriloquists may someday return to mainstream American culture). They are here to begin telling the story of Mickey and the Beanstalk to Luanna Patten.

For Mickey and the Beanstalk (based on the “Jack and the Beanstalk” fairy tale), Mickey is joined by his friends Donald Duck and Goofy for yet another misadventure. The starving trio are living together – short on luck, short on money. Mickey makes a unilateral decision to sell their only cow for a container of magical beans. Donald, incensed as always, rages at Mickey, and throws the beans away. But the beans are indeed magical and, overnight, a beanstalk sprouts and carries their farmhouse skyward, to the domain of an ill-tempered giant. On occasion, one of Bergen’s dummies or Luana Patten herself will interject during the telling of this tale – an inconvenience, but not overly grating.

Like Bongo, Mickey and the Beanstalk, was a long-gestating plan that, before the United States’ entry into World War II, was planned as a feature (a feature-length Bongo might just make me croak). But the substitution of Jack for Mickey, Donald, and Goofy was not always part of the original plan. In 1940, when Walt first heard the pitch to have Mickey Mouse featured prominently in such a film, he found the idea hilarious. Despite his gut-bursting laughter, Walt told the pitching story writers (Bill Cottrell and T. Hee) that they, “murdered my characters,” and, “destroyed what I’ve been working years to build up.”

Walt’s most cutting criticism towards Cottrell and Hee concerned Mickey. The brash, mischievous Mickey Mouse of the 1920s and ‘30s would rarely be seen again – to Walt’s disappointment in his writing staff. With the studio’s financial situation, wartime commitments, and other projects commanding Walt’s attention, he became disenchanted with his creation, his studio’s mascot. Fun and Fancy Free is the last film in which Mickey is voiced by Walt Disney; he gave the role to sound effects artist Jimmy MacDonald in 1948 (a role MacDonald kept until 1976). And in Fun and Fancy Free, Donald runs roughshod over Mickey and Goofy. If Mickey, Donald, and Goofy had no reputation prior to this film, one might wonder why bother crediting Mickey as a title character in this segment. With Mickey and the Beanstalk, the studio’s mascot was cemented as a somewhat naïve, charming, romantic lead. Mickey’s characterization in this film has held to the present day.

Mickey and the Beanstalk – created in part because Walt’s staff wanted to have their boss voice Mickey once more – exemplifies greater effort than the work on Bongo. It may not be enough to counteract the aftertaste left by Bongo, but contains artistic inventiveness and sly humor that make it one of the better, but not among the best, pieces featuring Mickey and his friends. It closes a wildly uneven film – inessential to the Disney animated canon, but indispensable when pertaining to the history of Mickey Mouse.

Walt Disney Productions continued to make money with the package films, including Fun and Fancy Free, but critics and audiences were becoming impatient with the format and artistic decisions. Innovation in animated feature films had stalled at the Disney studios, as well as American animation at large. Disney’s domestic animation competitors were beholden to the cel animation the studio had standardized in the industry. Whatever artistic daring there was in animated cinema during the 1940s lied abroad, in Europe and Asia. In the immediate post-War years, films like Princess Iron Fan (1941, China); The Lost Letter (1945, Soviet Union); The Czech Year (1947, Czechoslovakia); The Humpbacked Horse (1947, Soviet Union); and others underlined the innovation coursing through animated cinema. The histories of these films and their filmmakers are mostly unwritten, due to Communist shenanigans and Disney’s modern stranglehold on preconceptions about animated cinema.

In an era where Walt Disney Productions was adrift, the likes of Snow White and the Seven Dwarfs (1937) and Fantasia (1940) were beginning to seem anomalous, rather than a standard by which the studio measured itself. In 1947 following Fun and Fancy Free’s release, the studio showed no public signs of returning to non-package animated features. Quietly, within the studio’s Burbank campus, the animators were assembling the pieces necessary for that very return.

My rating: 5/10

^ Based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

This is the nineteenth Movie Odyssey Retrospective. Movie Odyssey Retrospectives are reviews on films I had seen in their entirety before this blog’s creation or films I failed to give a full-length write-up to following the blog’s creation. Previous Retrospectives include The Wizard of Oz (1939), Fantasia (1940), and Harry Potter and the Sorcerer’s Stone (2001).

#Fun and Fancy Free #Walt Disney #Jack Kinney #Bill Roberts #Hamilton Luske #William Morgan #Mickey Mouse #Edgar Bergen #Charlie McCarthy #Luana Patten #Dinah Shore #Jiminy Cricket #Donald Duck #Goofy #Clarence Nash #Pinto Colvig #Billy Gilbert #My Movie Odyssey

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senoritafoggy · 3 years

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Mickey’s Twice Upon A Christmas (2004)

Look at how awful this animation looks. I mean Christ, the first one at least tried and had some nice backgrounds.

Every character in each story sucks. Notice the expressions in each picture, I didn’t do that on purpose. Every story starts out with someone being an asshole and then learning a lesson. There’s like 5 of those.

Some of the elf designs when the nephews go to the North Pole will haunt my dreams. They’re creepy, I didn’t include them because I didn’t want others to suffer. I get it’s a straight to video thing but there was so little effort put into this.

In the goofy segment there was just a pop song inserted over top of it, what was that?? It made no sense. Not like I wanted to watch that segment but none of the other ones had a song.

Best segment: Donald wanting his cocoa. Okay, so this ones weird because I was rooting for Donald to be able to stay home and drink his hot chocolate. I thought that was where we were leading to, and the other ones were so bad I picked this one.

Worst segment: Donald and max. Max is yet again a dick to his dad for no reason and the weird song choice doesn’t help. Plus don’t make me think about max dating, that’s weird.

#disney #disney movies #disney plus #mickeys twice upon a Christmas #bite size reviews

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nodesiretogrowup · 4 years

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alright, round 2

Quack Pack!:

Damn, they just throw you into the sitcom. I love it. All the overacting and over the top poses/reactions are great

Dewey’s entrance is great

Is the bear the one from the last episode?

“I’ve shenaned-once, I’ll shenan-again” BEAUTIFUL

And then he just one-legged hops up the stairs backwards

I liked the Della and Louie are both wearing green. It’s a cute thing to tie them together

ON THE MOOOOOOOOON

Louie totally did this scheme with Dewey in Della’s place at some point

The fact that Scrooge stops to entertain the idea is great

“We’ve got about...30 mins” I love when shows make allusions to the actual runtime

Beakley and Webby had the BEST ENTRANCE! They must have seen the Lady Gaga halftime show

That dangerous agent stuff is probably gonna come back. Next week is the spy episode so...

“I’m not a spy” I wonder how that worked in the plot of the fake show. Did Beakley do spy stuff? It just doesn’t make sense for a sitcom

From the get-go Huey could tell things were off

WHY DID DONALD HAVE TO MAKE SUCH A SEXY FACE AT THE CAMERA?! I DON’T WANT TO HAVE A CRUSH ON DONALD! CURSE THE DT CREW FOR MAKING DONALD HOT! AND THE SEXY VOICE!

I wish they had just used the Quack Pack intro for the theme this episode

I want Launchpad’s band to somehow exist. I liked the girl’s design a lot

INTRODUCING DELLA!

“QUACK PACK WAS TAPED IN FRONT OF A LIVE STUDIO AUDIENCE.” Oh 90s sitcoms

When you rewatch the episode you can see they foreshadowed the twist. Donald looks directly into the camera an awful lot for someone that doesn’t know there even is a camera

Knox Quackington? Even for a show full of punny names, that is a ridiculous name

His outfit looks more “ace reporter” than “eccentric photographer”

“He’s a spy” Do you think Gene was trying to pretend to be a spy for the wacky misunderstanding of the episode in-universe or he just didn’t know how photographers act?

“YOU’RE SO SMALL! But so STRONG!” Webby has probably killed a man

The screen wipes are GREAT, though that feels more like an anime thing than sitcom. Sitcom scene wipes usually were establishing shots of the house they live in or the city. I’ve watched far too much tv

Louie’s lie speil was great and solid logic

“Time is money, kids, and I’d rather spend time because it’s not money” Inspirational

Donald sure cares a lot about the lighting. How would he know the office had the best lighting, hmmmmm

Something about that hand movement makes me think 90s but I’m not sure why

Dewey doing the dance that the triplets do in Mr. Duck Steps Out is cute

The blank pages made me think about how people can’t read in their dreams

“On the moon we had this old saying-always check your pockets” To be fair, that is good advice

Poor Huey just CAN’T catch a break! First he hallucinates a talking guidebook (THAT BURNS TO DEATH AND COMES BACK AS A GHOST) now reality is SHATTERING BEFORE HIM. Yeah...this season’s gonna do a number on this kid. Hopefully he gets a break next week

“Since when are YOU a hairstylist?” “SINCE THE INTERNET” Now THAT is a quarantine MOOD right there

So we learn later that SHABOOEY is Gene’s catchphrase, is Dewey saying it because he’s being controlled by Gene in that moment?

Donald looks into the camera again

SOMEONE HELP THIS CHILD! HIS WORLD IS SPINNING OUT OF CONTROL

THE FUCKING PEP COMMERCIAL! GOD IT WAS SO 90S AND BEAUTIFUL!! I NEED THE SONG TO BE RELEASED!

Maybe because it was a soda ad in a Disney Afternoon-based show, but the commercial made me think of Coo-Coo Cola from Rescue Rangers

Ducktales-the ONLY Disney show with an in-universe “and you’re watching Disney Channel”

I love Huey dearly but....it’s really fun watching him MCFRICKIN LOSE IT

Dewey can’t throw...because he’s a theatre kid

Donald looks at the camera again

Louie’s wipe DEFINITELY looks like something out of an anime. Is Louie secretly a weeb? I mean he is in a different show

Gene doing his best not to break character. A true thespian through and through

“Yo” *all the ladies cheer*

All of the sudden BAM Launchpad has a band. Is he the Uncle Jesse?

I love that we don’t get to hear them play

“Trapped in a mystical prison that’s constantly laughing at us” I call that my brain :’)

“WHO ARE THOSE LITTLE GUYS?”

“I figured if anyone would crack, it’d be Dewey” Huey seems WAY more likely to snap imho

“But that was from soul-crushing loneliness” Della, you wanna talk about that? With a professional perhaps?

“We need some wacky hijinks!”

“HOW DID I GET HERE? WHY AM I DANCING?” Huey gets SO MANY great lines this episode

And once again we have Donald looking directly into the camera

“Cute girl stuff” Della probably went around with a meat tenderizer as a kid, so it’s normal

Goofy seemed to be aware of the cheering. HMMMMMMM

AAAAAAAAAAAAND.....GOOF TROOP POSE

I’ve been calling DT17 Goofy Chibi Goofy because of how short he is compared to how he normally looks. They probably made him shorter so he and Donald fit in a single frame easier. I know a lot of the boarders/animators for the show have a hard time doing scenes with Launchpad and the kids because of how MASSIVE he is compared to the kids

Goofy knew something was different about Donald. HMMMMMMM

The way Don delivers the line “You CAN help” has a weird inflection, at least to me

I want Goofy thinking to become a meme and people put random sounds over it like those are Goofy’s thoughts

That face-slap was loud

AND DONALD LOOKS INTO THE CAMERA LIKE HE’S ON THE OFFICE

Where was Dewey that whole time? He kind of just...disappears for a bit

Oh Launchpad, you MAJESTIC himbo. And Gene smiles, too cute

“Getting the lid off that peanut butter jar was an adventure” In that household it probably could have

Donald using Louie and Della’s names when he could have just said you broke your mom’s vase or something like that

You look pretty nervous there, Donny-boy

“I don’t mean the last episode” Good, because you kinda lost your mind in the last episode

Wow, flashbacking is TRIPPY

“EVERYONE, TILT YOUR HEAD TO THE LEFT THEN SCRATCH YOUR CHIN” So that’s how you do it

“We should really get back to the plot, I mean problem”

Why don’t you want to flashback, DONALD?

lol Goofy does it too even though he wasn’t present for that event

Gene’s just blankly staring in the background

“REMINISCE HARDER” What you tell yourself as you take a test and are trying to remember what you studied

Yay, the journal is brought up!

“How many lamps did this jerk have?” Excellent question

Webby looks INSANE and Huey FULLY SUPPORTS HER

DONALD HAS PTSD AND NEEDS HELP

I feel like Gene took some MAJOR liberties with Donald’s wish. When I think normal family problems I don’t think of sitcoms. In fact that is the FURTHEST THING from what I think of as normal. Then again Gene is played by Urkel, so that might be his normal

Speaking of, does Gene know that they are all ALREADY in a tv show? How far does this rabbit hole go?

“EVERYONE STOP CATCHPHRASING!” “Is ‘I’m not a spy’ seriously my catchphrase?” You deserve better, Beakley

Of COURSE Dewey’s cool with it...because he’s a theatre kid

DEAR LORD, SOMEONE HELP THIS MAN!

Gene just trying to sneak out. I don’t think he wanted to deal with all that family drama

“HOW MANY MORE SECRETS DOES THIS AGENT HAVE?!” Oh Launchpad. Next week you’ll learn all about secrets and agents and secret agents

Gene feels like what would happen if all of Genie’s pop culture references were limited to the 90s. I LOVE IT

“AGES! The long ago year of 1990!” Well I feel old (born in 91). His eyes after he says it are just AMAZING

Gene being so knowledgeable about what makes great tv is hilarious. Clearly he should have directed the Darkwing movie lol

Seriously though, this really gives us a good look at Donald’s psyche. The guy just wants his family to be safe. But it’s even deeper than that. He wants to be normal, which includes him having a voice that’s easier for people to understand. He’s got a lot of baggage and trauma that needs to be dealt with, mainly how he views himself. Like, fuck

The HURT you see in Della’s eyes when Donald talks about why he likes it there BROKE ME

Huey’s line about adventuring being who they are got me teary eyed

Goofy just shrugs as he walks out

Of course Launchpad was gonna get the multiple dates plot. We’re ALL thirsty for some Launchpad

“Probably at least 3 seasons, plus spinoffs, and I assume they’ll reboot the show eventually.” Lines like this make me think Gene is very aware he is in a tv show

WHY THE FUCK WERE THE AUDIENCE HUMANS?! IS GENE AWARE THAT HUMANS EXIST AND ARE WATCHING THE VERY SHOW HE’S ON?! WHAT IS REAL ANYMORE?!

“HORRIBLE, FLESH-FACED MONSTERS!” Not gonna argue with that

Dewey is SUCH a drama queen

I don’t like how Scrooge called Gene genie. He told you his name, there’s no need to be rude

POGS

Ok the study date girl kinda reminds me of Laura from Family Matters, but that might just be because Urkel is there lol

How old is Launchpad supposed to BE in the sitcom? I don’t think a 30-something is going on many study dates

“You all seem real nice, I feel bad about the mix-up” LAUNCHPAD YOU BEAUTIFUL HIMBO

OH GOD THE LAURA DUCK IN THE BACKGROUND. JESUS

Beakley and Della telling the dates to find themselves and to be independent SLAYED ME. I was NOT expecting that!

“AH, MY PET SNAKE!” “Louie why would you have this?” “THIS IS A POORLY CONCEIVED STORYLINE!” “Eh, everyone’s a critic.” Louie’s right though, DEWEY would be the one with an exotic pet. Or any pet

Tiny Johnny and Randy

WHY ARE THE HUMAN KIDS’ PROPORTIONS SO MUCH WORSE THAN THE ADULTS?! THEY HAVE GIANT FUCKING HEADS!

PUT SOME PEP IN YOUR STEP

The ENTIRE SCENE of Goofy and Donald together was SO HEARTWARMING and something we could NEVER GET before this series! Having Donald and Goofy talk about being parents is WONDERFUL! It’s something we’ve never seen before with these characters. Donald just wants to be normal and Goofy giving a beautiful speech about how there really is no normal so enjoy the candid moments in life. I LEGIT CRIED

OF COURSE Goofy would have the wallet overflowing with pictures, he is THAT DAD. Seeing Max was great. I thought we might see PJ but I SQUEE’D when they showed the picture of Max and Roxanne! I hope they show up for real later on

We get a hint at the OTHER twist here with Goofy actively encouraging Donald to put things back to normal while everyone else that aren’t the Duck family are trying to keep them there

Also, Goofy’s ears have bones

DON’T MESS WITH DONALD’S FAMILY. It will NOT end well for you

Goofy just starts snapping pics, like the true photographer he is

SAX TIME

“LET’S GET QUACKING” It’s no “I AM THE STORM” but still good

AVENGERS CAMERA SPIN

“A lamp in a lamp?” I can’t tell if that is BRILLIANT or lazy. Or BRILLIANTLY LAZY

“YA HA HA HOOOOWIIIIIEEEEE” It wouldn’t be a proper Goofy cameo without the yell

The scorpions got bored and left

“The sound of no one laughing never sounded SO GOOD”

“BEST EPISODE EVER!” Definitely in my top 5

“Gawrsh, that’s sweet.” *does a cute wave* “Wait, Goofy was really here this whole time?”

Ok, but where was Goofy before then? Did Gene poof him away from something important? I WANT ANSWERS!

I bet they had this bit so people wouldn’t freakout like they did with Darkwing

I love Launchpad just being confused and waving at Goofy. He’s never met the dude before so it’s understandable. But I NEED they to have a proper interaction. THING OF THE PROPERTY DAMAGE!

“Magic’s got NOTHIN’ on a big name guest star” YOU KNOW YOU’RE IN A SHOW!

Lowkey want that Goofy lava lamp

The little Maxes flying over Goofy’s head...ADORABLE

PLEASE TELL ME THEY GOT GOOFY HOME SAFE

Donald using his last wish on the picture made me tear up. He could have had ANYTHING. He could have wished for a normal voice. But he used it for a family memory

Donald and Beakley both looked into the camera for the picture. WHILE FIGHTING DEMON HUMANS.

I can’t lie, THIS was the episode I was most excited for even before we got the premiere date. I was excited for the 90s cheesiness. Then we found out Goofy was gonna be in it and I got even more excited. Goofy is one of my faves, especially Dad Goofy. I was expecting it to be balls-to-the-wall insanity nonstop but they got me in the feels too. I want more of this Goofy and Donald. The two of them being single parents who lost someone close to them. Like I said earlier, this episode is in my top 5 for sure.

#ducktales #goof troop #dt spoilers

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nadziejastar · 4 years

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It's sad that they're trying to make Lea and Isa's duo into a trio by adding Skuld because Skuld is so underdeveloped that she barely counts as a character. All she does is hang out with Ephemer and neglect her friendship with Player. Maybe if she actually did things I'd be able to muster up some excitement over the idea of her becoming friends with my two favorite characters, but with the current situation she could be replaced with a cardboard cutout and no one would notice any difference.

Yes, thank you! This is a huge reason KH3 was such a letdown for me. I’ve heard people say that fans just got themselves too hyped up and their expectations were unrealistic. Nope, that’s not the case with me nor do I think that was the reason for most of the disappointment within the fandom. I wasn’t even overly hyped. KH3 just didn’t accomplish what it was supposed to. But more than anything, the characters were NOT treated with respect. That was my biggest disappointment.

Before KH3 came out, I was actually excited about KH4 and beyond because of the fact that we now have a pretty large group of main characters and they have so much potential. We wouldn’t have to focus on just Sora, Donald, and Goofy anymore. There are so many characters to develop and they all have solid personalities. We have the Destiny Island trio, the Wayfinder trio, the Disney Castle crew, and Lea and Isa.

I have an attachment to all of them based on all the previous games and all the years they’ve been developed. I wanted to see them interact with each other once Xehanort was defeated and everyone was rescued. Not get dumped in favor of new characters. Of all the characters Lea and Isa could form a relationship with, Skuld is the WORST choice. There are sooo many more interesting characters to focus on. Lea and Isa could grow close to Sora, Riku, Kairi, Terra, Aqua, Ventus, Donald, Goofy, or Mickey! Yet, they’re getting shoved aside for Union X characters that you need to play a mobile game to be familiar with. Skuld wasn’t even included in the Back Cover movie. Even if you played all the KH remasters, you still won’t know who she is!

I’ve actually seen all the cutscenes for Union X and I agree with you wholeheartedly. The characters were inoffensive, but they all had the personality of a wet paper bag. Nomura said Kingdom Hearts X, as it was originally called, was not supposed to have a heavy focus on story. Nothing I saw gave me the impression that characters like Skuld or Ephemer were meant to be anything more than mobile game characters. They were there for the player’s avatar to interact with, to give him/her a voice, since he/she is silent. But they are ancient history and should have perished during the Keyblade War.

Ehpemer comes from the world ephemeral, meaning “lasting a very short time”. The three Norns are the Goddesses of fate in Norse mythology and are described as deciding the fates of people. Their names are Urd “What Once Was” (Old Norse “Urðr”), Verdandi “What Is Coming into Being” (Old Norse “Verðandi”) and Skuld “What Shall Be” (Old Norse “Skuld”).

My point is that these characters seem more suited as background characters. They are part of the mythology and history of the Keyblade War. They are not on par with the established characters and are not suitable to be the new protagonists. Now they are being teased as the main focus for the upcoming plot arc. I think this was a big mistake on Nomura’s part. Hardly anyone is going to be excited for them. I’m certainly not. I feel like there is very little to look forward to anymore.

You’re right. Skuld has no personality. And to add insult to injury, since she’s Subject X now, Lea and Isa had everything stripped from them in order to prop her up. Skuld isn’t interesting enough to be introduced on her own, so she has to ride on the coattails of Lea and Isa and the human experimentation subplot. This is such bullshit. New characters should NOT come at the expense of old ones. Lea needed a sad backstory as a test subject, and he needed his friendship with Isa to be properly developed so his fight at the Keyblade Graveyard felt emotionally engaging (which it didn’t).

Isa needed to be Subject X to redeem him. Saïx didn’t have much of a “personality”. This was the whole point. He was never likable the way Axel was. He was rude, condescending, cold, and vicious. According to Axel, he showed no human emotion besides sneers and snide remarks. But he was Norted, for crying out loud! Saïx was not meant to be one of the protagonists. Isa was!! They threw away two amazing characters for this flat underdeveloped Union X one. Very foolish and shortsighted. it’s definitely gonna bite them in the ass.

Lea and Isa were always meant to be a duo. For some fans, it seems like only trios are valid, but that’s not true. SRK are Sky, Land, Sea. TAV are Earth, Water, Wind. Well, Lea and Isa are Sun and Moon—complementary opposites. I’ve heard people say that Skuld would be “Stars”. Well, I think Terra, Aqua, and Ven were meant to be the stars. Skuld is redundant and not needed to “complete” Lea and Isa.

Even in canon, she is a stranger to them. They spoke to her a few times in the shadows and couldn’t even see her face. She had amnesia. They literally knew nothing about her and weren’t sure if she even existed after a while, yet now their whole backstory revolves around her. She doesn’t complement them at all or make them more interesting. She detracts from them.

On the other hand, Isa definitely complemented Lea and made him a more interesting character. That’s why I liked him. He provided Lea with someone to humanize him and to give him a poignant backstory. He gave Lea a goal while becoming a Keyblade wielder. And Isa’s chemistry with Lea was adorable. Isa was sarcastic and brought out a different side of Lea than Roxas and Xion did. They also had an actual history together. They went to school together, ate ice cream, and also played with a dog. Probably played fetch with the frisbee (aww).

Lea was closer to Isa than anyone else—period. I was much, MUCH more excited to see Lea and Isa’s past and their friendship get developed than the potential relationship they have with Skuld get teased. No, I’m not excited for them to be a trio and I’m not excited for Skuld to get in the way of Lea and Isa’s friendship and make it all about her. She seemed like she fit in better with Ephemer anyways. Also, I think Lea and Isa have waaaaay more personality than Skuld. They are both colorful characters with a lot of charm. She can’t hold a candle to them.

Leo Traits

Leo is the fifth sign of the zodiac and has the Sun as its ruling celestial body. Bold, intelligent, warm, and courageous, Leo star sign is a natural leader of the Zodiac. Leo is an adventurer, seeking to balance an intense life of social obligations and travel with plenty of downtime to relax and luxuriate.

A Leo is a typical outgoing and jovial kind of person. He has a big friend circle and likes to boss around. Appreciation and admiration are the two important things for getting close to a lion’s heart. He likes to be flattered and pampered.

Skuld just doesn’t fit in with Lea and Isa’s theme. They are Sun/Moon opposites. She’s a third wheel. In KH2, Axel didn’t have a lot of development. He was clever and cocky, but we didn’t know a lot about him, especially as a human. When they decided to flesh him out, they definitely decided to make him a typical Sun personality. I thought Lea was surprisingly cheery and positive.

Caring

At their best, the courageous Leo is strong, and has an amazing, protective attitude towards their friends. They care very deeply for those close to them.

He cares very much for his friends.

Optimistic

Leo is an optimist who is able to see the silver lining to life. They are optimists who are always able to find the positive side of any situation, and they prefer to revel in the good than dwell over the bad.

Even though Axel could be quite pessimistic, Lea was a natural optimist.

Kind

They are always willing to help out a loved one in need, and they will go to great lengths to make sure that those they care about most are happy. Leos have a compassionate heart, and they tend to be extremely kind and generous creatures.

He was always willing to help stray puppies.

Loyal

If there’s one thing that you can say about Leo with certainty, it’s that they are some of the most loyal people that you will ever meet. Leo is the bravest sign in the Zodiac, often doing whatever they are required to do despite being scared or in danger.

He is amazingly loyal. He always wanted to bring his friends back, no matter what. Even when he thought Isa tried to kill him.

Straightforwardness

Mincing words is not in the nature of a Leo. They speak their mind and like to express their thoughts clearly. Frankness is therefore, one of the biggest strengths of Leos. It is because of their straightforwardness that they are able to confront opinions and thoughts, they do not approve of, directly. This is also one of the reasons why they get things done fast.

He is very straightforward. He lied a lot to Roxas and kept secrets, but that wasn’t who he really was.

Faithful Partners and Good Friends

Leos are romantic and passionate lovers. They are faithful partners and exhibit extreme sensitivity while in a relationship. This is also the reason why they are vulnerable to getting hurt. Thus, Leos need to find someone whom they can trust before they shower their love and kindness on that person.

One of the special traits found in Leos is helping friends in need. Lending emotional support to friends in difficult times is a rare quality found in these people. It enables them to make lifelong friends. Behind all the aggression, ego and other domineering personality traits of a Leo lies a sensitive heart which cares for the dear ones. Leos take pride in protecting their close ones and would do so with all the energy and wit they possess. It is observed that the bossy exterior of Leos often eclipses their sensitive nature.

He is a wonderful friend, but has a deeper side, more sensitive side. All very accurate.

Arrogance

At times, their dominance and confidence can be seen more like arrogance and conceit. Leo individuals ooze with confidence. They think that if they are the first to arrive at some conclusion, then they are right.

Lea was arrogant in a playful way. Like when he challenged Ventus to a fight. Axel was like that, too.

Inflexibility

They’re inflexible for other people, but they’re also inflexible for themselves. When they’ve made a commitment to something, they’re going to stick with it, regardless of how much they hate it.

Basically, Lea did whatever he wanted. Even Saïx said this about him.

Laziness

Though full of ambition and enthusiasm, Leo has to admit to a lazy streak and, given the opportunity, will take the easy way out, especially when a situation offers little fun or glory.

He likes to have fun.

Pride

This sign is represented by a lion, and as such, Leos are born with all of the pride and glory of the maned creature.

Oh yes, he is very proud.

Domineering

Leos have a hard time learning when to stop ruling and start listening. For this reason, Leos are extremely domineering and tend to overpower those around them.

Lea was the accelerator and Isa was the brake. Lea never listened to Isa, though.

Impatience

Impatience is one of the negative traits exhibited by a Leo. This trait of Leos get reflected in their habit to get things done fast. Impatience may lead to development of anxiety and restlessness in these individuals.

Axel never liked waiting around.

Jealousy

Leos may exhibit a possessive nature. This trait is closely related to the jealousy they exhibit. In fact, they are jealous because of their possessive nature.

Saïx was very jealous. But Lea probably had a side like that as well. He would not like it if Isa alienated him.

Cancer Traits

Cancer, the fourth sun sign of the Zodiac, has water as its element, is feminine, and is ruled by the Moon. This sign is represented by crabs, and similar to their nature, these people can be the sweetest and most sympathetic people at one moment, and turn into the most cranky and irritable ones the next.

Even though Isa was an NPC, he was not just “Lea’s friend”. He was certainly far more deserving of character development than ANY Union X character, that’s for sure. Isa seemed like he was more of a feminine archetype. Therefore, he is unlike any other male character in the series. I thought he was very refreshing and unique. He brought something new to the table. Also, based on the way Saïx acted, Isa was not just a cardboard cutout, either. He had interesting flaws to provide him with depth. Evidence suggests he was a typical Moon personality.

Moody

Cancer individuals are also known to have a moody attitude, especially whenever they are jealous. Normally protective and courageous, Cancer signed people could become very brooding and moody if they feel that their emotional needs are not being met. Cancer is all about needing emotional security and trust in a relationship, like all of us of course. But they take it to another level.

If a Cancer feels as though he can’t trust you or if he’s just an insecure guy in general, then his possessive and jealous side is going to come out in a major way. He’ll make snide comments about what you’re wearing and ask you questions about what you’re doing and who you’re with that can rival the time of being a teenager under your parents’ roof.

Man, dos this sound like Saïx or what? He was insanely jealous. While I think Saïx was a totally different personality from Isa, I still think he reflected much of Isa’s personality in him, due to having his memories and captured heart. In the novel, when Roxas was upset he pushed the wrong button, Axel said he knew what it felt like to have something be wrong and not know the reason. Based on the way Saïx acted, Isa sounded very emotionally needy towards Lea. I definitely think he’d be jealous if Lea didn’t spend enough time with him. He might be passive aggressive about it, too.

Unpredictable

Cancer, being a water sign, is very emotional and sensitive. They are very touchy, and can get hurt at the slightest provocation. It is this sensitivity, which makes them hide in their own shell, away from the world, to protect themselves from getting hurt. When they retreat into this shell, and refuse to talk to anybody, people may find them to be moody and unpredictable.

It doesn’t take much for them to go from friendly and outgoing, to totally introverted as a way of protecting themselves. And it can prove quite confusing and unpredictable to the people in their lives. Cancer needs a strong partner who can deal with his various sides and complexity. You never know what will trigger his moods and his evasiveness and his habit of being indirect makes you question if you ever really knew him.

Saïx could also be surprisingly moody and oversensitive once he began to awaken a heart. Axel had no idea why he suddenly started berating Xion and calling her a failure all the time. He wouls walk on eggshells to avoid upsetting him. It was probably easy to push the wrong buttons with Isa and he might not tell Lea what was bothering him right away. In the novel, Axel tried to get Saïx to open up to him by putting his hand on his shoulder, but Saïx brushed it away. This upset Axel and made him think how different things were between them. This said a lot about their relationship as humans. Lea had to put effort to get Isa to open up, but Isa was receptive to it.

Negative

Cancer people are ruled by the Moon, which is ever-changing, and thus they can have moods that can grow dark and darker. It’s common for people with this zodiac sign to struggle with low self-esteem and hold a lifelong grudge against someone. They are someone who sees the glass as half empty rather than half full.

Another trait being their lack of trust in people, they tend to have a negative outlook of life. They become prone to depression, and are unable to enjoy life. They can get hurt at the drop of a hat, and rarely express their resentment and anger.

I think this was why Isa felt like a burden on Lea and was down on himself a lot. Isa needed Lea to be the upbeat optimist for him. Isa was probably snarky and nitpicky with Lea, but in a more playful way. He was the brake, while Lea was the accelerator. This is also a dynamic unique to Lea and Isa. Axel had to be the mature and responsible mentor figure with Roxas and Xion. But with Isa, he was more playful and mischievous. Isa would scold Lea, but Lea never would listen.

Clingy

Cancer is a sign of fertile imagination and deep emotional needs. Cancer individuals are sometimes over-imaginative, which can get them in trouble. They will obsess over the situation until they have all of their answers.

Cancerians are very possessive about their relationships. They can be very clingy, and try to hold on to relationships, even after they have ended it. In relationships, they give much more and expect very little in return. Being emotional and sensitive, they are very easily influenced by their loved ones.

Yep. This is exactly how I think Isa was with Lea. Isa was very attached and gave his whole heart to Lea.

Suspicious

The empathetic crab is inclined to protect themselves. They only trust when they feel safe within relationships, often resorting to their inner world when they do not feel trustful or safe. He needs his moods and anxieties to be understood and if they’re not then he will retreat to his shell and come back out when he feels safe.

Definitely sounds like Isa. He was shy and couldn’t open up to just anybody.

Cancer Traits

Cancer star sign, the fourth sign of the zodiac is all about home. They are a nurturing and maternal sign. These people love their home and family more than anything else in this world. Cancerians are blessed with strong intuitive and psychic powers that help them judge people well. These people tend to be hard on the outside and soft inside. But they also have a tougher side to their personality.

So, Saïx exhibited all of the typical Cancer flaws. So, it stands to reason that Isa would also exhibit Cancer’s positive attributes, too.

Intuitive

Cancerians are known to be psychic, and can almost guess things before they actually happen. This comes from their highly developed observational powers. They can truly understand human behavior, and rarely forget things. All these make them highly intuitive and psychic.

This is a side of Isa we definitely never saw in Saïx. His scar is on his third eye chakra, which is the center of psychic awareness. It’s why he couldn’t see Xion or understand why Axel acted the way he did. It’s sad actually. A big part of his personality was shut down.

Kind

Emotional strength and intuition will always define Cancer’s top strengths and traits. This is emotional, but kind-hearted and compassionate personality type that makes for an outstanding friend.

I’m sure Isa was very kind and a wonderful friend, which is why Axel was so desperate to have a “best friend” to fill the void.

Emotive

Cancers are known for their traits like loyalty, their emotional depth, and their parenting instincts. Cancer individuals are emotional and intense; they are also extremely intuitive and compassionate. People belonging to this zodiac sign are highly emotional. Just like the crab that represents them, they are hard from outside, but very soft and mushy from within.

Isa scolded Lea a lot, but only because he cared. He was compassionate and selfless, like the Moon Rabbit. If there’s anything KH3 got right about Isa, it’s that he’d try to comfort an imprisoned girl and want to help her.

Faithful

Cancer is the most concerned with a secure and faithful relationship. Cancer individual loves home and family and is not happy unless they have deep emotional ties. Cancer is usually very nurturing and tends to take good care of everyone they care about.

Isa was serious when he said he’d never forget Lea. I definitely think Isa was the one who first gave Lea the WINNER stick, too.

Loving

Cancer individuals are very loving and caring. As the most sensitive sign of the zodiac, a Cancer does everything with love in mind and in the heart. Because of this, they are the most tender lovers.

Yes, I do think Lea and Isa were envisioned as a couple. Isa loved Lea. His Bunnymoon weapon has a rocket being launched by a heart. Lea also loved Isa, and this is why Axel was so depressed whenever he thought about how different Saïx was compared to Isa. Axel desperately missed feeling loved by someone. They had an extraordinarily interesting relationship. I don’t think Skuld adds anything except getting in the way and watering down their bond.

#kh #leaisa #kh lea #kh isa

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levyowl · 5 years

Text

How Epic Mickey could fit into the Kingdom Hearts Universe so Oswald can get the Love and Attention he Deserves: The Text Post

Ok, so it’s been confirmed that Nomura really wants to add our favorite lucky rabbit into the KH universe, but for some reason, Disney told him getting the rights to Oswald would be ‘difficult’ for whatever reason. I know Oswald used to be owned by another party, but when Epic Mickey was being pitched, Disney bought back the rights, so they now own him fully. I’m not sure why Disney wouldn’t just let Nomura use him, seeing as they’re sure as hell aren’t.

As you can imagine, this is pretty sad. A surprising amount of people love Oswald, including myself. But it honestly got me thinking about how Epic Mickey could fit into Kingdom Hearts. They have some vague similarities, seeing as a lot of the older characters, such as Horace the Horse, make an appearance in both games, EM has some talk of hearts, but obviously, the rules of what a heart is is different in both games, etc.

So, as you can imagine, this was a bit of a challenge for me to think of, and this is going to be a long post. But I’ve been seriously reflecting on this topic for a while, so much so that I wrote this post on a Google Doc so I could properly get my thoughts together before I posted this.

Also, you never know if Disney could change their minds or Nomura goes through all the possible legal stuff and get Oswald into the game, so all of this could just me pointlessly screaming into the void, but I don’t care; I’m making this post. And keep in mind that this is what I personally would do with it. I am in no way a professional game director like Nomura, and if Oswald does make it into a KH game, it will probably be done better than my idea. Though keep in mind, my idea is kinda convoluted just like the rest of KH’s plot OOOOO lol jk. With all of that said:

All of this takes place between the events of BBS and KH1.

Disney Town and the world of EM are the same. Sorta (this will have to do with why Disney Castle is more pronounced in the overworld art in the timeline after BBS).

All the residents in EM live in DT.

Oswald is the Mayor of DT (Or at least the small town area we see in BBS).

We presumably don’t see him in BBS because he was too busy running the town in the background. Queen Minnie and Duchess Daisy were there to oversee the Dream Festival for him.

Oswald is personal best friends with King Mickey. Like, everyone jokes about them being brothers all the time.

After the events of BBS, we see Pete be freed from his prison by Maleficent. Right after this, Pete asks for help for immediate revenge on the residents.

Maleficent decides to completely destroy the world as you do.

More specifically, she wants to make the world fall to darkness and wipe the world and its residents from the minds of others (think of it like Xion’s disappearance)

Firstly, to get Pete further indebted to her so he’ll go along with her plans without question.

Second, if everyone forgets about Donald, Goofy, Minnie, and Mickey after they were to fall to darkness, then that’s several enemies she wouldn’t have to worry about anymore.

Thirdly, she could use the hearts of the residents to create a powerful army of Heartless.

The fourth reason was she was feeling particularly bitchy that day.

All the while, Yen Sid senses the sudden spike in darkness in DT.

He warns Mickey about Pete and Maleficent, but orders Mickey to stand back and observe for now, as he only just became a Keyblade Master and Yen Sid isn’t sure if he can take her on by himself.

But ofc Mickey goes back to DT with Yen Sid’s Star Shard to confront Maleficent anyway.

However, he’s too late; Maleficent’s already started the spell.

Mickey fights past Pete but can’t quite make it to Maleficent before she creates a portal in the sky straight to the World of Darkness.

The residents, including Oswald, start to get sucked into the portal. As this happens, Mickey starts to forget some of them. (Like how Roxas’ memories of Xion faded slightly before and after she ‘died’)

Just like Roxas, Mickey gets a bit of a power boost in a desperate attempt to stop Maleficent and remember Oswald.

Before they get completely sucked in, Yen Sid uses his magic to change the destination of the portal and quickly creates a small ‘pocket world’ in his tower within an enchanted scroll on his desk with magic paint and thinner ala the Fantasia world in DDD (I’m sure you can see where this is going).

However, due to the darkness of Maleficent’s spell and the fact he rushed to make it, the world he created was a dark and twisted version of DT.

And since the spell was to make the residents fall to darkness, they all lost their hearts. However, in the world Yen Sid made, time doesn’t exist (just like the WoD), so they don’t become Heartless/Nobodies; they’re stuck in-between the process.

They still have their emotions and memories, but without their hearts, they can’t leave the world.

Besides, even if they could, they would only become Heartless and/or Nobodies.

Mickey manages to use his Star Shard to transport himself, Pete, and Maleficent to the Keyblade Graveyard before she sucks in all the residents, but Oswald and the others who appear in EM are sucked in and forgotten.

Yen Sid, due to the trans-dimensional/spatial and magical properties of his tower, is the only one who remembers.

Considering that not even Maleficent remembers what happened now, she takes Pete and teleports away to do whatever she did between BBS and KH1 plan her revenge.

Mickey, confused as to why he’s suddenly in the Graveyard again, teleports back to the Mysterious Tower.

Yen Sid tells Mickey about what happened, but Mickey can’t help but feel a little detached since he can’t remember any of it.

However, when Yen Sid mentions Oswald, Mickey feels a sadness in his heart that he can’t quite explain. A single heart rolls down his cheek.

Yen Sid tells Mickey how he needs to go into the scroll and fix the world. He tells Mickey that he can’t fix the darkness from the outside, and how he can sense Heartless in the scroll.

Mickey grabs the paintbrush and dips it into the paint.

“What do you mean? Couldn’t we just use the paint and thinner to fix the problem here?”

“Mickey, don’t!”

Mickey, surprised by Yen Sid’s outburst, jumps back.

In the process, he accidentally knocks over the paint and thinner onto the scroll.

OhDearGodWhatHaveIDone.jpg

Mickey tries to wipe up the liquid puddle on the scroll, but it’s too late; Yen Sid tells Mickey that the damage is irreversible here on the outside.

With Mickey’s only option made clear, he jumps into the scroll.

From here, the events of EM play out pretty much the same, with some differences.

The real world references in EM are either completely missing or made a lot more subtle (things like the Walt Disney statue with Oswald are removed while small things in the levels are still there).

The Blotlings are a new type of Heartless instead of just monsters.

The magic paintbrush Mickey brings with him turns into the Epic Masterpiece Keyblade.

The “multiple Petes” in EM are animatronics this time, based off of other personas of the KH Pete (like Captain Justice and Captain Dark)

Characters like Smee who were in KH before while also in EM would just be animatronics.

The Donald, Daisy, and Goofy animatronics were made by Oswald to try and replicate their powers to protect them from the Heartless. This obviously failed.

The Mad Doctor was obsessed with experiments with the heart, like Xehanort before and during EM (tho obviously not as bad or as successful as he was).

Oswald and the Mad Doctor were working on these animatronics before Maleficent tried to wipe them out (The Donald, Daisy, and Goofy animatronics were incomplete before they were sucked in, hence why they’re so damaged in EM).

Oswald was named King of Wasteland in place of Mickey.

If everyone were to remember the residents, they could possibly get their hearts back.

The hurt and betrayal that Oswald felt in EM are not because Mickey got the spotlight and replaced him; he’s upset because Mickey, who was a brother for him, doesn’t remember him anymore. And even worse, he caused the Thinner Disaster.

At the end of EM, Mickey regains his memories of the residents and especially Oswald.

He wants to bring them out, but they can’t leave without their hearts.

Mickey is torn because he knows the Wastelands, while fixed for now, are still dangerous as the Heartless could possibly come back and the Mad Doctor is still on the loose.

But even if they could leave, bringing them back would possibly bring back everyone’s memories of them, including Maleficent’s, so it’s dangerous either way.

So Mickey does the next best thing he can think of: he bequeaths Oswald.

Since Oswald doesn’t have a heart, he couldn’t summon a Keyblade the natural way, so Mickey hands him the Epic Masterpiece Keyblade.

However, Mickey’s bond with Oswald was so strong that when he handed it to Oswald, his hearts reacts to it even though it’s so far away from Oswald’s body.

Basically, the bond and memories that Mickey shared with Oswald were strong enough to call to Oswald’s heart for the Keyblade to spring from.

It’s called the Lucky Remote Keyblade, (Obviously based off of his remote from EM2).

Mickey leaves Wasteland after promising to tell only those trustworthy about them.

Basically, only Mickey, Yen Sid, Donald, Goofy, Minnie, Daisy, Chip, and Dale remember the residents of Wasteland to any extent. They all keep the secret. (Mickey probably told Ventus, Aqua, Terra and the others about it after KH3.)

Donald treats it just like he treats the Order; if anyone even remotely hints at it, he scolds them like he does Sora.

EM2 is canon; all the previous notes apply. Those events take place before KH1 but obviously waaay after EM1 in the timeline (Ten years is more than enough time for both of these games to happen before KH1).

Well, there you have it! This post is way too long and I’m tired :’)

Maybe I’ll draw the Keyblades and my redesign for a KH! Oswald at some point, but this is more than enough for now.

#kingdom hearts #epic mickey #kh #this post is three pages long in a Google Doc I hope you appreciate my sacrifice lol #my idea #my concept #my post #levyowl

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beyondmistland · 5 years

Text

“May your heart be your guiding key” (Full thoughts on Kingdom Hearts III below!)

Graphics:

Ø The game is bloody gorgeous, which helps mitigate the long and frequent cutscenes

Ø The lip-syncing rarely fails

Music:

Ø The new remixes are awesome and the brand-new tracks don't disappoint either

Ø What does though is the actual audio mixing:

More often than not I struggled to hear the music over the sound effects during gameplay and the voiceovers during cutscenes

Ranking the Worlds:

Ø #1: Corona: The world is huge, with varied terrain and a kick-ass final boss

Ø #2 Olympus: The sheer scale and scope of the world took my breath away, plus we (finally!) get to fight all four titans

Ø #3 The Caribbean: Assassin's Creed IV meets Kingdom Hearts, what's not to like

Ø #4 Monstropolis: While not as eye-catching as some of the other worlds the way it intersects with the broader KH lore is really neat and the final cutscene was a delight in that it averts the Disney characters being useless when dealing with the original KH villains, on top of which its straightforward design is a nice change of pace, my only complaint is that there are only four types of Unversed

Ø #5 San Fransokyo: The story is surprisingly short, which means you don't really get the chance to explore the environment, which sucks because the verticality and day/night cycle are awesome, plus there are a number of memorable boss fights

Ø #6 Twilight Town: If it had been fully recreated based off the KH2 version the world would be much higher on my list but despite how small it is I love the liveliness, not to mention how peaceful it is in comparison to the other worlds, the same can be said for Hundred Acre Wood

Ø #7 Keyblade Graveyard + Final World + Scala Ad Caelum: Though jaw-dropping in terms of visuals and audio they're not fully realized worlds, the same can be said for Dark World

Ø #8 Toy Box: I loved the final boss as well as how the story tied into the larger plot of the game and I would be lying if I said I didn't enjoy exploring Andy's room while "You have a friend in me" played in the background

Why then is Toy Box so far down on my list, world design

Even with endgame stats (LV40-45) the Gigas are tough to take down and as a result they come off as gimmicky in the worst sense of the word, beyond that the fact that the majority of the world is set in Galaxy Toys made me feel constrained and claustrophobic, which could have been partially alleviated if we'd been allowed to make our way through the parking lot outside, finally, the story kind of got repetitive with the backtracking whenever the characters were about to leave because "someone went missing yet again"

Ø #9 Arrendelle: Though it has one of the best final bosses in the game along with Corona there is so much wrong with this world that I wonder if it's less Square Enix's fault and more Disney placing an insane amount of red tape on their favorite cash-cow:

1) Elsa does not become a party member even after you beat the world

2) You do not get to explore the city or the ice palace despite the latter being fully rendered on the map

3) Larxene, a lightning-based character, randomly traps you in an ice labyrinth when that would have made a lot more sense both logically and thematically if it had been Elsa

4) Speaking of Larxene, she does practically nothing the whole time you're there unlike Marluxia and Luxord, who are at least semi-active

5) You climb a mountain and get knocked off of it so many times that even Sora gets fed up

6) The bloody minigame where you have to find Olaf's body parts

7) Forcing us to watch the entire "Let it go" sequence and then having "Do you want to build a snowman" play over Anna's voice as she's explaining herself to Sora

8) So much of the story is excised that you have little clue as to what's going on to the point Hans appears for all of five minutes, doesn't say any lines, and isn't even named when it would have been cool, not to mention, just plain better, if he had started off as a guest member of your party

9) As a result of #8 Sora, Donald, and Goofy's presence feels like even more of an afterthought than usual in the sense that them not being there wouldn't have changed anything at all apart from Hans' Heartless then having no one to defeat it which can be seen by the fact that when they leave no one tells them goodbye unlike in every other world

10) The visual design was bland and tiresome after a while

11) The world's gimmick was uninspired to say the least

12) Fighting alongside a giant snowman (AKA Marshmallow) was awesome and in terms of pure gameplay the labyrinth was actually quite fun

Story Pros:

Ø Master Xehanort's new voice actor is good but after hearing Leonard Nimoy's voice for the past couple of games the change is a bit jarring

Ø The way previous games are referenced and tied together is a nice way of bringing new players into the fold while also setting up the finale's resolutions

Ø The game has a better sense of humor than previous installments

Ø Sora is more like his KH2 self than the bland caricature we saw in 3D and quite a few characters display some degree of genre-savviness

Ø Master Yen Sid gets out of his chair to lend a hand for once

Ø Donald Duck is the most powerful mage in Square Enix canon (and I am not making that up)

Gameplay Pros:

Ø Being able to switch between different save points in the same world is a welcome addition

Ø The secondary ability of all shotlocks to airstep is ingenious

Ø You can have more than two party members finally!

Ø The secret ending isn't too hard to unlock

Ø You can upgrade your Keyblades, which means older ones aren't automatically relegated to redundancy

Ø Donald and Goofy are useful again after being nerfed into uselessness in KH2

Ø Towns and cities are actually populated by fully-voiced NPCs!

Ø Cutscenes in Theater Mode are unlocked after completing each world rather than after beating the game

Ø I never tried the Classic Kingdom minigames but the cooking one with Remy was a nice break from the normal gameplay (I suck at the egg-cracking one though)

Ø The camera doesn't get in the way like it infamously did in KH1

Ø I like the new main menu design (Feel free to disagree though)

Ø The Gummi Ship is entirely optional outside of a few mandatory boss battles

Ø Moogle Tickets are a nice way of giving players a second chance during difficult encounters (I do wish they didn’t activate so quickly though)

Gameplay Cons:

Ø The game never once tells you that you can switch between Situation Commands using L2

Ø The game never once tells you that you keep all your lower-tier magic (Fire, Fira for example) and that your shortcuts don't automatically update to include the higher-tier version of whatever magic you have equipped

Ø There's no real incentive to switch between Keyblades (That being said, my favorites are Wheel of Fate, Nano Arms, and Happy Gear/Ever After)

Ø Attractions lose their charm quickly and completely ruin the flow of combat

Ø Summons aren't too big of a deal since I only ever ended up using them once and even then it was by accident

Ø Donald still heals you at the wrong time more often than not

Ø Even on Proud Mode the game is way too easy for the most part (Apparently Critical Mode addresses this but I can't confirm that)

Ø There is a lack of sidequests and post-game content that contributes to the feeling Square & Disney gave us half a game (For example, there is only one secret boss, said secret boss has a generic design, no ties to the story, and can be defeated at LV40 on your first attempt)

Ø Hollow Bastion, Mysterious Tower, and Destiny Islands are not playable

Ø The parkour from 3D has been nerfed too much in terms of distance to actually be useful

Story Cons:

Ø Nomura fridged Kairi and he worfed almost everyone the first time you arrive at the Keyblade Graveyard!

Ø The wrapping up of plot points and character arcs from prior entries was a little too nice and neat for me

Ø The out-of-nowhere introduction of Subject X

Ø Pete and Maleficent do literally nothing the whole damn game

Ø The pacing is awful:

Almost all of the game's resolution is held back until after you've beaten the last Disney world

Ø There are two important cutscenes in the Final World that you can accidentally miss because for some reason they are optional

Ø We don't get to see what happened to Lingering Will, which also means we don't get any more insight into the third aspect of being (AKA the soul)

Ø There are no Final Fantasy characters in the game, not even Sephiroth!

Ø What happened to Demyx?

Ø Master Eraqus has absolutely nothing to do with Terra’s restoration

Changes I’d make:

Ø Require us to go through the Disney worlds a second time like in KH2

Ø Have Aqua and Ven be saved halfway through the game instead of at the end, they could then spend the second half of the game resting or join you on one of the Disney worlds to refresh themselves

Ø Have Lea and Kairi join you on one of the Disney worlds to get practical experience

Ø Make the Keyblade Graveyard sequence be a series of one/two/three-on one battles so that members of Organization XIII can use their full arsenal of attacks from previous games

Ø Let us play the second battle between Lingering Will and Terra-Xehanort

Ø Speaking of Terra-Xehanort, we should have fought him alongside the Guardian Heartless

Ø Have us explore Scala Ad Caelum while hunting down the individual replicas before then making us fight all of them in a boss battle

DLC

Ø The presence of it says a lot about the game and not in a good way

Final Score

Ø 7/10-8/10

#kingdom hearts #square enix #disney #kingdom hearts iii

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kenzichi · 5 years

Text

Here’s my KH3 review:

I would like to start off by saying I enjoyed this game very much. I have a lot of good to say about this game, but also a lot of bad. I tried to keep it spoiler free, but once I reached the cons it was inevitable. Heads up on that. And I also tried not to dive too deep into critiquing the story itself too much. I did sorta do that at the end though, but I felt it was okay to include the points I mentioned because they’re about Org. 13 and X and this game concludes their story arc.

Pros: The game is visually stunning. The worlds are GIGANTIC. It was a little intimidating actually. I always had the thought that I was going to miss something in the back of my mind. But it was still a joy to explore. The scenery really felt alive. The grass moved with you, the water rippled, you can see Sora’s hair move when it was windy! My favorite world in 3 is Kingdom of Corona. It’s just so beautiful and so fun! In this world especially, you interact with Rapunzel as she explores her environment because she’s never experienced it before. It’s really cute and really gets you involved in the world besides just being the guy that takes out heartless.

Another pro is: Yoko Shimomura did it again! Her music compositions for 3 are AMAZING! I got into the music right away and eventually found myself humming to every background song in no time flat. I also enjoyed how every world had more than 2 themes this time. Usually we had a ‘calm’ world theme and a ‘battle’ world theme. Yoko went beyond that and gave us a different theme per situation… for EACH world! One example is in Frozen: we had a theme for the mountain, a battle theme, and a theme for after they met Larxene (and she did the thing if you’ve played the game lol). My favorite theme is the one for Hiro’s Garage in Sanfransokyo. It’s so soothing; I could listen to it for hours. The theme for Aqua’s battle is totally creepy and it fits so well. I enjoyed all of the music.

Game play is fun and really nostalgic. They brought back equipping abilities (with AP), the old command box from 2, and accessories. Magic is better than ever in this game. One problem I had with 2 is that I could only use a few spells and my MP level would quickly run out so I felt it was a waste of time. In 3, even just starting, I didn’t have to worry about running out as fast. It was a relief not having to worry about watching my MP levels and I used magic a lot more in this game.

A new combat feature for 3 is the keyblade transformations. When you finish a world and gain a keyblade, you can unlock special abilities with that keyblade. For example: if you equip the Toybox keyblade, and you bash enough heartless with it, you can transform your keyblade into a giant hammer. I wasn’t too excited about it when they first revealed these new abilities during development, but they’re actually super fun and totally optional if you really don’t dig it. You can also switch between 3 different keyblades during combat easily if you feel one keyblade isn’t working out against an enemy. I love this new feature. My favorite keyblade transformations are the Toybox hammer and the Monstropolis Yo-yos. Sora is channeling his inner Killua with the Yo-yos and I am all for that lol.

Another pro is Sora, Donald, and Goofy’s interactions. Like, omg, they are so cute. They are so genuine. It really felt like I was watching Sora and his two Disney dads. It gave me life and I felt so many emotions watching them. This trio was the best developed trio in 3.

Cons: Pacing y’all. My biggest problem with this game as a whole. It started off good, but once you finish the Disney worlds and get into the real plot with Xehanort it’s like a rollercoaster and not in a good way. All the things we were hoping to happen, that we’ve been waiting for for years, happen so quickly and then it’s over like… did it even happen? I felt I didn’t get to be as emotional about those scenes as I could have been because they immediately thrust us into another scene. I didn’t have time to appreciate those moments like I wanted to.

Kairi…. Poor Kairi. Nomura screwed her over again. He let us get hyped about her finally training to become a keyblade wielder, gave her a new outfit, and showed her willing and ready to fight in the Keyblade Graveyard and yet? Screwed all of us. I wasn’t expecting her to be a badass, but I was expecting her to be SOMETHING. I was really hoping she’d develop a personality and presence in this game, but she fell flat yet again because Nomura doesn’t know what to do with her. She literally only exists as a plot device and love interest for Sora (I’m not going to get into that here lol).

Also disappointed they hyped playable Riku, but it was only 2 times, for 2 battles and frankly switching between Sora’s magic command menu to Riku’s with no time to look through it and get accustomed to it other than during actual combat was a pain. Also sad Sora, Riku, or Kairi didn’t travel to ONE world together. Not one. I was hoping to have them in my party as least once, but nope. I’m generally disappointed in the lack of Destiny Island trio interactions. There were no moments between the 3 of them and there was no interaction between Riku and Kairi and barely any between Sora and Riku despite growing so close in DDD. It goes to show Nomura didn’t develop this ‘trio’ as well as the others.

Another problem I had were almost all the Organization members ended up… being ‘good after all’ or something. For over 10 years they gave no indication Luxord, Larxene, and Marluxia were nothing, but just evil just because and they had no feelings towards Sora other than a boy that was in their way, but once they start fading away for good it’s suddenly, ‘you’re a great person, Sora. Let’s meet again’ or in the case of Larxene, just giving Sora the time of day and actually talking to him civilly just felt so random to me. Including Xemnas. He suddenly revealed how he felt sorta bad for betraying the old organization members, but there was literally no hint of that before?? Idk, it just felt out of place. I was kinda cringing the whole time, haha. I’m actually surprised YX was the one that disappeared the most unremorseful for his (future) actions.

And then there was Xehanort, omg. He literally destroyed the lives of dozens of people, almost sent the world into the apocalypse, and had this grand scheme for the last 15+ years that he literally invested multiple lives to see fulfilled, but once his old bff Eraqus tells him ‘you’re done’, he went, ‘okay’. Lol wat? That’s it? I’m sure he knew he lost, but I expected more of a grumbling, complaining old man on the brink of death than just a nonchalant, ‘you done good kids’ while giving the x-blade to Sora with a damn smile on his face. I cringed. It all felt unfulfilling to me at that moment because X gave up too easily and was so OOC. I think Nomura just wanted to wrap up this story real quick and move on with his life.

And another thing! 3 didn’t go into Xehanort’s past. They gave us some cutscenes of X and Eraqus playing chess and flirting, but that’s it. When did their relationship change? What made Xehanort so obsessed with dark and light balancing? When did he meet Braig? What happened to Scala ad Caelum? Does it still exist? Like…. They didn’t go into X’s background AT ALL. I was really hoping to see more about his character.

Neutral feelings: I remember reading somewhere that 3 was supposed to be the longest game in the series, but I finished the game in about the same time as the others. So maybe they meant longest game gameplay wise and not story wise. On the plus side, there is a TON of stuff to do in this game like a bunch of mini games, cooking with Remy, finding lucky emblems, and exploring worlds after they’re completed. On the downside though, even just 10 more minutes of cutscenes could have helped the pacing in the later part of the game. The gameplay and story are imbalanced and they should have focused on solidifying the story rather than adding so many different gameplay elements. I honestly find them all overwhelming. I stopped trying to remember them all.

The Disney attraction rides. I don’t really have a like or dislike for these reaction commands. Good thing is that some are fun to see visually like the train and the tea cups (Sora is so dang cute in those teacups). Downside is some attractions don’t seem to fit with the heartless that activate them. For example: that shooting attraction ride is terrible with flying type heartless and yet I get that command a lot with them so it’s pointless. I never hit them.

This is a con for me, but maybe not for others. They closed a big chapter in the game, but kept a lot of plot points open too. I think my main problem with 3 was that I was hoping it would be more conclusive. Nomura made it seem like it was more conclusive. I already knew 3 wasn’t the end of the series as a whole, but you can still end a storyline with a definite conclusion while still being open to new adventures. 3 didn’t do that. They closed a bunch of chapters, but also left us with a lot of new questions.

Most of the voice acting is great in this game! Haley really delivered as Sora and I honestly think this was his best performance as him to date! It was genuine, totally cute, and fit Sora perfectly. You can tell he had a great time voicing this game. I also really enjoyed Larxene which is something for me because I felt her VA was trying too hard in CoM. She really improved in 3 and it was fun to watch her. On the other hand, the voices for Xehanort and Marluxia fell flat. Xehanort’s is just unfortunate and I don’t think anyone could have captured him as well as Nimoy did no matter how much they tried. Marluxia sounded like he belonged in an infomercial. Totally hated his voice.

#kingdom hearts #kingdom hearts 3 #my thoughts #review

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phoenix-downer · 6 years

Text

Promise

Sora had seen a lot of cool things on his travels, but a portable gaming system?

Awesome.

He tilted it this way and that, the shiny screen capturing the warm afternoon light of Twilight Town. He couldn’t wait to try out all the games. He wouldn’t even mind if Donald drove the Gummi Ship for a while.

“Oh! There’s another thing you can do.” Pence held out his hand, and Sora gave him the device.

“It’s not just for gaming,” Hayner said. “There’s also a messenger function.”

“A messenger function?”

Sora peered over Pence’s shoulder as he went back to the home screen and touched a bright blue icon with a speech bubble, then started pecking out H-e-y t-h-i-s i-s S-o-r-a. Next he selected the To: box and put in [email protected] and [email protected].

“Hey Olette, what’s your email again?” Pence asked, busily typing away.

“Just my name and age,” Olette said. She shook her head at the other two addresses and grinned. “I still can’t believe you guys chose those as your email addresses.”

“Email addresses?” Sora said, not quite sure he understood.

“It’s like an address for these phones,” Hayner explained. “You need a unique one for people to be able to contact you.”

“I do? What’s mine?”

“Oh, don’t worry. I already made one for you.” Pence hit the send button, and Olette pulled out a similar device… er, phone? Only hers was orange and green instead of red and yellow. She opened up the message to show Sora.

Geez, these things really could do everything. The message said, “Hey, this is Sora,” just like what Pence had typed. The To box had their emails, and the From box said…

“Roxas.” Sora’s heart pounded. He couldn’t believe what he was seeing. “You guys… remember Roxas?”

Could this be a clue? Could they hold the key to bringing back Roxas?

Pence frowned and looked at the phone again. “Oops, I thought I put your name in there. My bad. Don’t know where that came from.”

He moved to correct it, but Sora stopped him. Something felt right about keeping his email as Roxas’s name.

“Roxas,” Hayner said, scratching his cheek. “Why does that name sound familiar?”

“It does?” Sora gave his full attention to Hayner. “Do you remember anything about Roxas? Anything at all?”

Hayner stood there for a moment, a slight frown on his face as he thought about Sora’s question. “Not really, no,” he said at last. “Sorry.”

Sora’s shoulders slumped. “Oh, okay.”

It was too good to be true, anyway. No way saving Roxas would be that easy.

But there was one way to make it happen. Dangerous and reckless and stupid, but Sora knew from experience it would work. Xemnas and Ansem’s words from earlier echoed through his mind. “Now, set your heart free!”

I can’t. I can’t do that. If I become a Heartless again, I’ll—

But then he thought of Roxas. Thought of Roxas being forced to give up his existence just so Sora could wake up. Thought of Roxas’s tears and pain. Thought of Roxas’s heart.

It wasn’t fair. It wasn’t fair that Roxas was trapped inside of him like this. He deserved to be his own person.

I have to keep looking. I have to find a way.

And if there is no other way, then—

Olette tugged on one of her twintails, green eyes looking at him with concern. “Sora? Are you okay?”

Sora started. He’d gotten lost in thought again. “Y-yeah. I’m fine, really. Thanks for all the help. These phones are awesome.”

“This… Roxas person,” Olette said, something like recognition flickering through her eyes. “Is he someone you know?”

“He’s… a very good friend. I was just surprised to see his name on there, that’s all.”

“Oh, okay.” Olette frowned, but Sora didn’t know what else to say, really. He could tell them about Roxas, but a part of him wanted them to remember Roxas on their own. If they did, it would be proof that Roxas could exist on his own.

At least, that was what Sora wanted to believe.

“Well, anyway, there are a couple more things we want to show you.” Olette took his phone from Pence and pointed it towards them. “Say cheese, everyone!”

“Wait, it works as a camera, too?”

They all crowded around him and posed, and Olette pressed another one of the buttons. There was a bright flash, and she showed him the picture afterwards.

“Looks good,” she remarked.

The four of them all together again at last. They almost looked matching, with their red and black and plaid. Too bad Roxas wasn’t included. Or at least not directly.

Does it count as a picture of him too if he’s inside my heart right now?

“I’m gonna set it as your wallpaper, okay?” Olette asked, busily typing away.

“Wallpaper?” Sora thought of his room back home and the wallpaper plastered on the wall. Surely Olette meant something different.

“Like a background for your phone,” Pence explained. “It can be a picture of anything, really. Friends, family, things you like...”

“Yup,” Olette said. “Oh, and one last thing: you can call people on here, too.”

“I already set you up so that we’re number one on your speed dial,” Pence said, giving him a thumbs up.

“Yeah, feel free to call us anytime,” Hayner said. “We’ll be happy to help however we can.”

“Here, this is how you put in new numbers.” Olette showed him the basics. “I asked Donald to enchant your phone, so it should work for people off world, too.” She tapped her temple. “Hmmm, is there anyone whose number you want to call? A friend?” She gave him a sly look. “A girlfriend?”

“G-girlfriend?!” Sora sputtered, the heat rising in his cheeks. “I don’t have a—”

Olette just made a clucking noise and Hayner and Pence snickered. “Sure you don’t. But luckily for you, I have her number.” She typed in a string of numbers and showed Sora. “Donald and Goofy are great at getting me the information I need.”

“Kairi has a phone?” Sora asked. He had no idea. Had she gotten one since he’d last seen her?

“So you admit it.” Hayner grinned and Sora knew it was pointless to protest.

What were he and Kairi exactly, anyway? His mind went to the cave drawing and its newest addition: the paopu fruit someone—

You know it was Kairi—

—had drawn Kairi giving to him. The paopu fruit that was bigger than the one he had drawn for her. Like she wanted to prove how much she cared. Just thinking about it made him feel all warm and tingly inside.

“You haven’t asked her out yet, have you?” Olette said with a sigh, her eyes drooping. “Sheesh, Sora, after everything the two of you have been through, you’d think—”

“Everyone’s counting on me,” Sora shot back, a tad defensively. “I had to leave. I couldn’t just—”

“You could have contacted her,” Olette said. “She misses you.”

Sora was taken aback. “She does?”

Pence nodded. “She came to visit us, not too long ago.”

“Yeah,” Hayner added. “Said she was going to start training soon and—”

“Hang on, what?!” Sora said. This was all news to him. “She’s training now?”

“Why don’t you ask her yourself?” Olette handed him the phone. Just a second too late he realized it was already ringing.

And yikes, could Olette have made Kairi’s name in his phone any more embarrassing? Sweetie Pie was emblazoned across the screen in bold pink letters.

He couldn’t hang up now. She would notice if he did.

Ring. Ring. Ring. Ring. Ring. Ring. Ring.

After seven agonizing rings as Hayner, Pence, and Olette watched his face get more and more red, it finally stopped. There was a click, and Kairi’s voice came on on the other side.

“Hey, this is Kairi—”

“Um, hey, Kairi, I—”

“If you’re hearing this message, it means I’m busy right now. Probably because I’m kicking Axel’s butt in practice, so if you could just leave your name and number, I’ll be sure to get back to you. Bye!”

There was another loud beep, but Sora just held the phone to his ear.

Training? With Axel? With the man who had kidnapped her?

He didn’t like the sound of that. Not at all. Sure, Axel had saved him, Axel had even apologized to him, but he’d never apologized to Kairi for what he’d done.

And now they were training together? Whose idea was that?

Oops. Olette was gesturing frantically, and he realized he hadn’t left a message. He cleared his throat, not really sure what to say.

“Um, hey, Kairi. This is Sora. The Twilight Town gang gave me this cool portable phone… game… thing, and they have your number somehow. Crazy how we can call each other across worlds, right? Anyway, I just wanted to say…”

He thought of her smile, thought of how nice it had felt to hold her in his arms when they were reunited, how just holding her hand was enough to make him feel all warm inside.

Without her here something inside of him ached. Almost like there was an empty spot where she was supposed to be.

He clutched the phone more tightly. “I-I miss you—”

At this Olette squealed, and Sora felt his face getting hotter. “...a-anyway, hope to see you again soon. Um, call me back when you get the chance. Bye.”

He hung up the phone, his heart sinking. He really did miss her, and a part of him had kinda hoped he could be the one to show her the ropes when it came to handling her Keyblade.

It didn’t feel like he’d been gone all that long this time around, but she wasn’t waiting for him back home anymore. There was something hollow and empty about that thought. Home just wasn’t home without her.

She promised. She promised she’d wait for me.

No she didn’t. All she said was “See you soon.” She didn’t say where.

I guess.

But he couldn’t stop the gnawing thought from forming in the back of his mind.

I’ve made her wait too long. She got tired of waiting for me and decided to leave the islands. She’s got friends of her own on other worlds, and now she’s training with Axel. What does she even need me for? Someone like her could do a lot better than a guy like me.

“Sora? Everything okay?” Hayner asked.

Sora tucked the phone into his pocket. “Y-yeah. I’m fine. I just miss her is all.”

But then the phone started ringing. And Olette had chosen the loudest, most obnoxious love song in the history of obnoxious love songs for Kairi’s number. Sora was so embarrassed he nearly dropped the phone as he fumbled to answer the call, much to his friends’ amusement. He didn’t even know he could set songs to people’s numbers like that, let alone play music from his phone.

“K-Kairi?” he said, flustered.

“Hey.” Her familiar voice made him feel all warm inside. “Good to hear your voice.”

Sora’s heart pounded. She likes hearing my voice? He felt giddy at the thought.

“Um, did you get my message?” he finally managed to say.

She giggled, and he realized how much he’d missed her giggle, too. “Yeah. Sure took your time figuring out what to say though, didn’t you?”

“Oh, sorry about that. I was, um, distracted.”

“Distracted?” Her voice was tinged with worry. “Hope it wasn’t because you had a bunch of Heartless to fight.”

“No, I just… I mean… technology these days is really something,” he said, walking away from his friends for a little privacy. Or at least the illusion of privacy. “Everyone on the islands has a phone in their houses, but portable phones are something new.”

“Yeah, I just got mine recently, too. Ienzo made one for me.”

“Ienzo?” Sora didn’t think he’d ever heard that name before.

There was a pause on the other line. “Sora, I think you and Riku might know him. He said when he was a Nobody, he went by Zexion. He was a member of Organization XIII.”

Sora nearly dropped the phone again. “He was?” He racked his brains for a Zexion. But nothing came to mind. Surely he would remember if he’d fought him.

Hold on. He didn't remember him, but Roxas did. He accessed Roxas's memories and could picture Zexion's face. He'd had high expectations of Roxas on their missions together, but he was fair and helpful and explained things clearly.

Sora wondered what had happened to him. All Roxas knew was that he'd disappeared at Castle Oblivion.

“Yeah, but he’s human again,” came Kairi’s voice, interrupting his thoughts. “He’s a brilliant researcher, and he’s been helping the Restoration Committee do work at the castle. I know you’ll probably be reluctant to, but… I feel like we can trust him.”

Sora tried to ignore the fact that Kairi had complimented this Ienzo guy.

She doesn’t compliment me, he thought with a pout. All she does is call me a lazy bum.

Oh, stop. You're just being whiny now. That's how she shows her affection, dummy.

“Actually, Sora, I’m glad you called. Since Ienzo was a Nobody, I thought he might be able to help us with Roxas and Naminé.”

“Help us with Roxas and Naminé?” Sora said, slow and deliberate. He would take any lead he could get at this point.

“Yes. I’ve been having these dreams lately, about Naminé. It’s like… she really is talking to me. She showed me her memories in one of them and— well, that’s a conversation I’d rather have in person. But anyway—”

“She showed you her memories?”

Kairi paused. “Yes. Is that significant?”

“Well, it’s just that… Roxas did the same thing when I was asleep, too.”

“He did?” Kairi asked, her voice earnest. Sora could practically picture the face she’d be making right now. “We have to help them, Sora. I know this is going to sound strange, but… I want Naminé to be her own person. It’s not good enough that she’s alive inside of my heart anymore. I want her to exist outside of me.”

Sora took a deep breath. He’d been hoping Kairi would say something like that. “I know. I know because... I feel the same way about Roxas.”

“You do?”

He smiled. “Yeah.” That Kairi felt the same way about Naminé just reinforced his belief.

“We might have a way to do it. Naminé mentioned Ienzo to me in a dream, and when I found him in the castle and explained the situation, he said he wants to help. Master Yen Sid told you Chip and Dale have been analyzing Ansem the Wise’s data, right?”

“He did mention that, yeah.” Sora had almost forgotten, he’d been so busy with everything else.

“Ienzo thinks that data could be the key to bringing Roxas back. And if Roxas can come back, surely Naminé can too, right? But I’ll give you Ienzo’s number so you can call him yourself. I think he can explain all the theory behind it better than me.”

Another lead. Finally. Sora couldn’t be happier.

See, Roxas? I’ll find a way to save you yet.

“Thanks, Kairi. I’ll be sure to do that,” he said. “And how about you? Has everything been going okay?”

“What... do you mean?”

“Oh, just your training and stuff.”

She laughed, but it almost sounded forced. “Oh, that. Guess no one ever told you, huh? But yeah, I’m training with Merlin and Axel right now.”

“And is that going okay?” He really hoped it was.

“Yeah. I felt pretty uncomfortable at first, but Axel apologized a lot. He really does feel bad about what he did, and he wants to help you save Roxas.”

“Are you really okay with being around him?”

“Yes,” Kairi said, very deliberately. “I wouldn’t have agreed to training with him if I wasn’t.”

“Right.”

Another pause. “Well, I better get going,” she finally said. “Break’s over. Thanks for calling, Sora.”

“Yeah, of course.”

Another long, awkward pause. “Guess I’ll talk to you again soon?”

“Sure.”

“Okay, talk to you later then.”

“Talk to you later.”

“Bye, Sora.”

“Kairi—”

The little dial tone indicated Kairi had already hung up the phone, and Sora wanted to kick himself.

Why couldn’t I say anything? Why is it that every time I talk to her I can’t put what I’m feeling into words?

Maybe you don’t have to put it into words. Maybe you just have to show her.

How can I show her when she’s not even here? Sora thought miserably.

Well, he could stew over it later. Kairi had sent him a message with Ienzo’s number.

Here it is, Sora. Hope it gives you a lead you can follow. Ienzo’s theory is connected to the data version of Twilight Town that Ansem the Wise made, so you’re in the perfect place to call him.

Kairi

P.S. I almost forgot - tell Hayner, Pence, and Olette I said hi.

Sora opened a response email and started pecking out the letters. He really did need to figure out how to type on this thing.

Thanks, Kairi. I’ll call him the first chance I get and let you know how it goes.

Sora

Her response was very quick.

Good. I’ll be looking forward to hearing about it.

Don’t worry, you will, Sora said back.

I hope so. It was nice to talk to you today. Feels like it’s been ages.

Ouch. Maybe Olette had a point.

Well, with these phones we can stay in touch no problem, he replied.

That just got a colon with a parenthesis from her. Sora stared at it for a few moments before he realized it was supposed to be a smiley face. He tucked his phone in his pocket after sending one back and returned to where his friends were waiting.

“Sounds like that went well,” Hayner commented.

“You have no idea,” Sora said, unable to stop the smile from spreading across his face. This was solid evidence to go off of, not just a hunch or a feeling.

See? he wanted to shout at the top of his lungs. Roxas and I can both exist. Shame on everyone who told us it wasn’t possible, who told Roxas he doesn’t deserve to be his own person.

Because he does. And best of all, I might not have to become a Heartless for it to happen.

That was a big relief. His head knew he shouldn’t do it, because doing anything Ansem or Xemnas wanted was a terrible idea…

But his heart was another matter. It was begging him to save Roxas, tempting him to give into the darkness like Xemnas and Ansem had told him to.

“You mentioned that Roxas guy to Kairi,” Pence said. “Who is he?”

Sora looked at their curious faces. Maybe he should tell them about Roxas. The more people who were helping him with this, the better.

He took a deep breath. “I think it’s time I tell you guys. Roxas... is me.”

“Huh?!” Their mouths all dropped open, and Olette dropped her phone on the cobblestone street. Sora got the feeling he should be more careful with his phone, going by her reaction.

“Or at least, that’s what everyone told us,” he said. “But the truth is, Roxas is his own person. And… he’s your friend. You knew him before you ever met me. Well, I guess the data versions of you did, but I think that affected your real selves, too.”

“Is that why his name sounds so familiar?” Olette asked, checking the phone for damage.

“Could be.”

Hayner considered this. “If we’re his friends… then… why don’t we remember him?”

“It’s hard to say. But you do have some idea of who he is, right?” Sora asked.

“Hold on, back up. Data versions? What does that mean?” Pence asked.

“It means there are digital versions of the three of you running around in the other Twilight Town. Remember? I had to go there to find Kairi.”

“Yeah.” Hayner got a mischievous look on his face. “What do you think would happen if we met our digital selves?”

“You mean, who would win in a fight?” Pence said. “My money’s on Data Hayner, personally.” He flashed Hayner a grin.

“Hey!” Hayner said, and the rest of them just laughed.

“Well, anyway, Kairi told me about a guy who thinks he can help,” Sora continued, “and apparently the Data Twilight Town is the key. You guys don’t have to, but if you want to help—”

“Of course we will,” Hayner said, not even hesitating. “You’re our friend, and if you say Roxas is our friend, too, then we believe you. It’s as simple as that.”

“That’s right. And friends help each other,” Pence added.

Sora’s heart felt all warm again. The Twilight Town gang really was the best.

“So, what can we do to help?” Olette asked.

Sora glanced in the direction of the woods and the Old Mansion hidden away inside. “Come with me. I think I might know where to start.”

As they met up with Donald and Goofy and made their way to the Old Mansion, Sora couldn’t help but feel hopeful again.

Thanks, Kairi. Thanks for showing me the way. We’ll save Roxas and Naminé, and that’s a promise.

And… we’ll be together again soon.

I swear, Kairi. I swear, that when all this is over—

I won’t just tell you how much you mean to me. I’ll show you, too.

That’s not a promise.

It’s an oath.

Happy SoKai Day! This story is dedicated to my lovely beta, FlowerLady-Aerith. I can't believe it's already been a year since I posted Trick or Treat, but here we are. This story was originally just intended to be a fluffy piece about Sora and Kairi talking on the phone, since in trailers we've seen Sora using his phone/gaming device or whatever it's supposed to be to talk to Ienzo. I thought, if Sora can call Ienzo, why not have Sora and Kairi talk to each other? But then Roxas got involved and so did plot and this turned into a KH3 prediction of sorts.

One of the lines in the recap videos for KH3 (the ones that have Chirithy as the narrator) has a line that is basically "If Roxas can come back, Naminé can too, right?" We don't know who says that yet, but I'd like to think it's Kairi, hence why she takes a proactive role in this story in helping Sora help Roxas, too. I just really want both Sora and Kairi to be actively involved in rescuing their Nobodies, to be honest.

As always, thank you for reading!

#kh3 spoilers #sokai #sokai day #sora #kairi #kingdom hearts #kingdom hearts fanfiction #phoenix downer #phoenix writes #my writing #roxas #hayner #pence #olette #friendship #long post

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