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#i should be writing but whatever
franzizka · 2 years
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*gets new brushes* *proceeds to draw trucy every time*
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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science-lings · 9 months
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my dad saw ao3 open on my computer and asked if that was like my writing club and just so you know that's what fanfic writers are now, we're all in the same writing club where we all write about the same media and show each other our little stories and that's kind of cool actually
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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asirensrage · 10 months
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I've spent the day running errands and entertaining my nephew (aka teaching him how to play Kingdom Hearts). Also downloaded Genshin Impact and Mortal Kombat X to play. 🙌🏻
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theramblingvoid · 2 years
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Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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moonlight-prose · 8 months
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Imagine: Missionary with Din while you hold his necklace between your teeth 🤤 you ain’t getting away from me, boy
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YOUR HEART GOT TEETH
a/n: i know you sent in another ask saying you didn't mean for it to be a request, but i started writing it the second you sent it. i just only finished it last night. mainly because my inspo for din has been lacking as of late. although i've been on a small din kick recently which has me going feral over this idea. it's barely even a fic, but i had to write it. din and jewelry is my eternal fucking weakness.
summary: horny thoughts about din's necklace.
word count: 0.9k+
pairing: din djarin x f!reader
warnings: EXPLICIT SO MINORS DNI, biting, p in v sex, din's brain short circuiting, a tad bit of needy!din, unedited and no beta so there's probably mistakes.
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Time had slipped away from you the longer you lay there, your nails digging into his lower back and head thrown back. It felt like ages since he came home, practically dragging you into the room with a throaty rasp of what sounded like your name and need you. And who were you to dissuade him? When you were more than willing to be spread out beneath him, his name was a cry that was permanently etched on the tip of your tongue.
“You feel fucking perfect,” he grunted, his teeth sinking into the hot skin of your shoulder.
The spot would feel tender tomorrow, but at that moment you couldn’t stop the way your body reacted. Your walls clamped down around his cock, a garbled moan ripped from your throat as he soothed you with his tongue.
“D-Din—” Your breath caught in your throat, legs trembling as he shifted the angle slightly, striking against something eviscerating.
“Mesh’la,” he panted, hand sliding down to hitch your leg up higher on his hip.
You could feel the cold metal of his necklace press against your chest as he dropped down to kiss you. Licking into your mouth—spit trailing along his chin when he pulled away. He began to speak then. An aimless ramble of how he couldn’t wait to fill you up, to watch you cum on his cock, but your mind had gone empty. The only thing registering, that familiar cold feeling that warmed up against your skin.
The silver of his necklace swayed in front of you. The chain, pristine and perfect even after years of wear. And you couldn’t tear your eyes off it. Could barely understand that he was in fact still talking to you. Din pulled himself up off you slightly and something registered in your brain—flickering bright. Overtaking everything until it practically burned through your body.
Leaning up, you latched your teeth into the chain of his necklace, dragging him back down until his body was pressed completely on top of you. Nearly pressing the breath out of your lungs.
His eyes widened, fingers digging into the meat of your thigh, and you felt it. The way his hips stuttered as his mouth dropped open. He moaned unabashedly, his thrusts speeding up as he desperately shoved you towards a release—his fingers swirling quickly on your clit. You remained where you were. Biting into his necklace and scratching your nails down his back as your release built and built.
Until something snapped so hard your entire body arched. A shout leaving your mouth as his necklace fell past your lips, dragging along your throat. Something about the metal pressed hotly against you unraveled you even further. Sending you so high you feared you may never come back down.
“Look at you,” he breathed, a tinge of awe in his voice. He shoved his hips forward, sinking deeper until a soft tinge of pain mixed with the pleasure. “You like my necklace in your mouth? Huh?”
You gasped, feeling his arm loop beneath your knee and pull your leg up—pressing you into a position that pounded the head of his cock right against that blinding spot inside you. Another orgasm was building fast, but you could barely get words out to let him know. He watched tears stream down your temples, your mouth open yet no sound came out.
“Oh fuck,” he breathed out, feeling his balls draw up and his stomach tighten. “C’mon mesh’la. Give me another one.”
His hips grinded down, the coarse hair at the base of his cock hitting your clit perfectly—shoving you towards another mind numbing release.
“Din!” you wailed, your thighs trembling in his hold—eyes rolling back as you lost all sense.
“Please, please—” He leaned up, his necklace hitting your lips—the plea sounding deliciously perfect on his tongue. “I need…maker—”
Without fully realizing it you latched your teeth around the metal, tugging until it dug into the skin on his neck, the sharp bite of pain all he needed. He fell apart with a choked moan, burying his teeth wherever he could reach as he spurted into you. That familiar warm sensation now sending a soft rolling wave of pleasure through your spent body.
He panted against your skin, his body hot to the touch, but you still ran your hands down his back—soothing him until he felt well enough to say something. Eventually he raised his head, his brown eyes sparkling and lips pulled up into a knowing grin. A look that made your heart flutter—warmth filling your heart.
“Didn’t know you liked my necklace that much.”
You huffed, unable to stop the smile from pulling at your lips. “Shut up.”
“Don’t worry,” he said, sliding his lips along your cheek. “I liked it.”
His fingers played along your collarbone, thumb pressing against the skin and tracing until he hit the base of your throat. “I’ll have to get you a necklace too.”
Your eyes widened, lips parting as the image of him biting down on your necklace entered your mind. As if the breath was knocked from your lungs, you felt your walls flutter around his softening cock—heat spreading beneath your skin. His grin widened, the look on his face so blatant and loud you practically heard him whisper it into your ear. For a moment you wondered if he had in fact said it out loud.
Yet his mouth remained closed, his hand pressing lightly against your throat as he shifted, thrusting shallowly into your leaking cunt. The message, now loud and clear.
Your turn.
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camellcat · 7 months
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lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.
like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!
she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo
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c-hrona · 3 months
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Trigun body horror week
Day 3 - Lungs
Scream
Girls have butterfly in their bellies, when they are in love.
You have his feathers in your lungs, and his panic in your chest, and his cries in your voice.
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ASOIAF discourse would be a lot more fun if we all realized that every single person who has been put in a position of leadership/rulership fails in one way or another. Jon and Dany failing is not an indictment on their abilities to lead or rule. They’re kids, they still have shit to figure out. Given “what was Aragorn’s tax policy”, I doubt GRRM will write a story that will feature the appearance of a most perfect ruler ever who will be a total success instead Jon and Dany who were tOtAl FlOpS. Especially if this person has no previous experience that has been detailed within the text itself. That’s not only antithetical to the series, but also not how you write a narrative.
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atalienart · 8 months
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"Wysoki i szczupły, K. był kwintesencją elegancji, od nienagannego ubioru, szytego według najnowszej mody, przez starannie ułożone, piaskowe włosy, po sposób w jaki się trzymał."
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Kaladin's final smash in which he lashes mario directly into the atmosphere
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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tizzymcwizzy · 1 year
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HEY YOU!! I HAVEN'T POSTED FIC IN A WHILE BUT I JUST REMEMBERED I HAD THIS FINISHED ONE SHOT FROM A YEAR AGO I FORGOT ABOUT
here's the link to read it on ao3
it's a post rocketear 5.8k one shot with an original character akuma that's just a vessel for me to do some Adrien character exploration
also some art for it from a year ago
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inkskinned · 1 year
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hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
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fategoflatass · 3 months
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I used to be so against the slow burn trope. Not because I thought it was shit; it's just, I usually don't have the patience to wait whatever-amount-superior-to-three damn chapters for my dear ship to finally be able to look at each other without blushing and/or hold hands. Thus why you often times see me reading oneshots or fics with the "Established Relationship" tag on them.
So you can imagine just how surprised—or maybe not, maybe I just didn't think enough about it—I was when I realized my newest fixation's main pairing is—canonically—the embodiment of slow burn. Because holy shit they're taking their time.
Nothing against how Kusuriya develops its love story—quite the opposite, actually. The relationship between Jinshi and Maomao, two characters that are written as beautifully as their romance, is a rather realistic approach as to how the same or a similar dynamic would developed in real life. In such a complicated situation, with such complex feelings about emotions—both external and their own—and attachment, makes sense that it takes so long for the relationship to finally sail.
The problem is, I didn't know I was signing with the Devil the moment I decided to pick up the light novel. Ten volumes and nothing has happened. Nothing.
And you can say that technically things have happened, because they have. I mean, Jinshi is just so desperate for Maomao to give him the time of day, you know what I mean? And even that isn't enough anymore and thus he has committed some of the craziest shit I've seen in any romance. Which okay, I don't usually read these type of romances but still.
What I mean by "nothing" is just, their relationship hasn't changed status. I could also say that it seems to go nowhere, but that'd be lying. Since, you know, it has changed quite a lot—just not in the way my impatient ass wanted it to. Because he can be as honest with his feelings as he pleases, and those around them might be heavely conscious of the tension and thus constantly tease those lovebirds (as they should), but babygirl's not helping, you know?
And I get it, Maomao's not the best at expressing and understanding herself, and she's also way too busy worrying about going as unnoticed as possible (she should give up on that one already, tbh) while keeping her head where it should be. But like, I can't help feeling frustrated over it like ‼‼
GIRL, FUCK THE RULES. TAKE THAT PATHETIC EXCUSE OF A MAN AND RUNAWAY SOMEWHERE NO ONE WILL BE ABLE TO IDENTIFY YOU. YOU THEN CARRY THAT BITCH BRIDESTYLE TO THE CLOSEST CHURCH AND MAKE HIM YOUR WIFE. PROCEED TO FROG AROUND, EXPERIMENT WITH YOUR UTERUS AS MUCH AS YOU'D LIKE, AND THEN TEACH THE PRODUCTS OF YOUR PRACTICES AS YOUR OWN GUINEA PIG THE WAYS OF HERBAL MEDICINE. AS EASY AS THAT.
But she won't. She'll take her sweet ass time being in denial about both Jinshi's and her own feelings, then maybe she'll proceed to analize herself and find out that maybe, just maybe, that affection that she'd been feeling for that loser became something else. Did said affection also become something more complicated? Absolutely. Does she know how to deal with it? Hell no, but fuck it. If I learned something from school is that you always leave the hardest parts for later.
Now you see why I was so against reading slow burn?
And you wanna know the worst part? I loved it—I loved every second of it, every word, every page. Every scene that seemed to help the relationship advance, only for Maomao to say nope and leave like she owns the place, which at this point she fucking might.
It feels like I, as the reader, am in the middle of a heatwave and some sadistic bastard won't stop teasing me with ice cream—they put it in front of my face, close enough that I can smell the cold. Then take a spoon and eat little by little while staring directly to my eyes. At times they seem to show mercy and feed me a spoon, only for it to be a rather small quantity of serving—serving that tastes so damn good at first, only for it to have such a bitter aftertaste. But if I gotta have something in common with Jinshi is that I'll never be able to beat the masochist allegations, so I'll wait patiently for the next spoon and its corresponding and seemingly enless teasing from that faceless being.
So yeah, I'm still against it, only that now I understand the appeal—even if I have yet to find out about the whereabouts of my sanity while still mananing with the little I've left.
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