#i really hate when people skip over the aspects of their dynamic which are Fucked Up

[ferretwhomst]

alright guys. poll time

just wanted to ask because from what i can tell the gf fandom doesn't really seem to have a general fandom-wide consensus on this ship. rbs would be appreciated!!! also feel free to elaborate in the tags which option you chose and why! i'd love to hear people's reasoning :-)

#personally i have super mixed feelings on billford #people sometimes boil down their relationship to “haha they fight like a divorced couple” and yeah it's an easy generalization but #i really hate when people skip over the aspects of their dynamic which are Fucked Up #like... bill was abusive and manipulative to ford from the start. and ford was fucking OBSESSED with him #and his time with bill left a lasting mark on him for years and years #that's not even including how bill fucking tortured ford during weirdmageddon #my point is they aren't HEALTHY. they never were #and i think the only way to do their relationship justice is to keep the unhealthy dynamic #while also acknowledging how fucked up it is #there isn't a single world where ford is normal about bill and vice versa #i don't necessarily mean that romantically tho because i don't really ship billford myself #i'm just observing from the sidelines as i take a bite out of my platonic stan twins and fiddauthor fanworks yk #ok this got long. #what i'm trying to say is their dynamic was fucked up as hell and it would stay like that even if they were gay 4 each other #anyways #ferret rambles #gravity falls #bill cipher #gf bill cipher #stanford pines #ford pines #grunkle ford #gf ford #billford #poll

[dreamsclock]

The new red rabbits team is great considering dsmp canon. You have c!Dream (self-explanatory), c!Sapnap who currently is not at all fond of him, c!Quackity who hates his guts (and who has also been his handler (?) for the last mcc and also this one), c!Michael who really just happy to see/simp over him (and who also may be trying to create a distraction by blowing up Ace Race to he can escape with c!Dream in the chaos). The canon dynamic is unparalleled, hilarious, and also horrifically tragic.

RIGHT !! and with the buddy system in mcc which means people are more likely to get put together if they choose each other?? Ooh BOY that’s made for some interesting angst in my head… hope you don’t mind me kind of spinning off from this ask to write a little thing GSKSBDK !!

warnings: torture / abuse, injury, prison arc themes, manipulation, emotional distress, suicidal thoughts, temporary death (with respawn feature), unhappy ending (if anything else needs tagged let me know!)

“Who’d you pick?” Quackity asks after a session one day, where the world floats just out of Dream’s reach and is red and painfully hot against his fingertips. “For MCC?”

His voice is deliberately light — Dream would be a fool not to recognise this as a warning to tread carefully. Swallowing, trying to tether himself to reality again to comprehend the question (and pick the right answer), he forces his eyes open, whimpers incoherently at the pain raging throughout his body (is it worse than usual?). Quackity is standing above him, lava pours behind them, the cell is as bloodstained as ever, nothing changes, nothing ever changes.

Except it has. Except it will. Because MCC is coming up again, and as much as Dream had hoped to escape by the last, he knows at least Quackity will have to cease torture for a week or so before it to let them both train, if not to perform well then for the social aspect of the training server. Dream’s head spins at the thought of being allowed out: but from the blurry furious look on Quackity’s face, it’ll be a while before he gets that luxury.

“You,” he rasps out as he’s supposed to, once he can speak again, “I asked to be on a team with you.”

Quackity’s smile is hard and unforgiving. “You know, that’s what I thought, because, you know, that’s what I’d asked you to do,” he says, faux-cheerily, and Dream cringes back against the wall at the other’s frustrated laugh, “and somehow I just fucking know Sapnap wouldn’t have picked Michael, and wouldn’t be on this team unless someone picked him.”

Dream’s heart lodges in his chest, skipping a beat. This could go badly for him. “…Why would I want Sapnap?” He asks, hoping to any god listening that Quackity is listening. “He said he’d kill me if he saw me again.”

“Well, that’s what you told me,” Quackity agrees smoothly, “which is why I think it’s interesting that when I look at the buddy system that chose the teams this month, it shows you picking him.”

He smiles resentfully at Dream’s telling silence.

“Trick fucking question. You know, I wanted very badly to hear the truth from you, so I’ll ask again.”

And Dream’s breath hitches and it takes everything in him not to fall to pieces when Quackity’s bloodstained axe rests at his throat, the younger’s eyes dark with anger he doesn’t quite understand — surely he should be happy that Sapnap is on their team, surely he should be delighted that his fiancé will be there to work alongside him — but he knows in the end it won’t matter. Because he’s won.

So he answers Quackity as bravely as he dares. “I chose Sapnap,” he admits, and the axe tightens at his throat, “I— wanted to see him again. I wanted to see a familiar face other than… you. So I chose him.”

He swallows tightly, closing his eyes. He knows the buddy system. He knows how it works, knows the ins and outs of how teams are chosen.

“If you chose me and I chose Sapnap, that means— means that Sapnap also chose me or you. And Michael chose the other.” He sucks in a breath through pained lungs, knowing Quackity’s silence means he’s right. “So no. I didn’t choose you.”

And because he’s won, he doesn’t mind more than usual when the axe slams into him and dispels any sort of rational thought from his head. Because he’s won, Dream lets Quackity feel like he’s winning here — he screams until his voice gives out again, lets himself respawn once, twice, three times, until Quackity stumbles out with vicious promises of returning tomorrow. Because he’s won, Dream lies in the cell on one heart and coughs up blood and grins deliriously, because he’s won.

This won’t last much longer. He’ll train. He’ll compete. And after MCC, he’ll try to escape. And Sapnap will kill him.

And he’ll have won, because the Revive Book will die with him, and Quackity will be so mad and won’t have anyone to take it out on.

Sapnap’s face crystallises in his mind, and Dream lets his mind drift as he focuses on his old best friend’s face. He’ll see him soon enough — maybe he’ll get to apologise before Sapnap kills him.

Don’t let me down, he wills Sapnap, darkness fogging over his vision, I’m counting on you.

(Sapnap hasn’t let him down yet.)

(Dream’s confident he’ll do the right thing.)

#> my asks !! #> dsmp mcc au #tw torture #> my writing !! #tw abuse #tw injury #tw pain #tw suicidal thoughts #tw death #tw temporary death #tw manipulation #tw emotional distress #tw unhappy ending

[hiddennerdworld]

MHA Couples Dynamics with art by @leecheedoodles| Too Cool for Skool x Keener (Reader x Iida)

Masterlist

Warnings: none, all fluff stuff

A/N: eeeee I’m so excited about this. I saw this art and immediately was inspired. I would really like to do a series based on these. This is all thanks to leechee doodles here on Tumblr. They are v talented so check them out! I’ve seen others use their art, but if they don’t want me to I can always take it down. Enjoy :)

You and Iida definitely got off on the wrong foot

You guys didn’t hate each other per say, but you annoyed each other for sure

Iida just wanted his fellow classmates to be successful and tried to encourage you as class rep. And you just wanted to only take part in the aspects of hero work that you actually enjoy

In your own ways, you both stressed each other out

Iida would give you lectures any time you ditched class, saying you needed to be responsible in order to be the best hero you can be

You just stood and rolled your eyes the entire time with your arms crossed over your chest

Eventually, one day Iida just said fuck it (he didn’t actually phrase it that way bc he doesn’t use the bad words) and picked you up and carried you to class.

The whole time with you kicking and screaming, which doesn’t affect him bc he’s a fucking tree

This became routine. Iida was with you almost 24/7, keeping you in line. This caused even more tension between you guys

“I don’t need a babysitter!”

“Well you wouldn’t if you stopped acting like a baby and attended to your duties!” *snickers* “You’re gonna tell me you’re not a baby when you can’t even not laugh at the word ‘duty’?!!!”

The bickering wouldn’t stop and it was driving EVERYONE crazy

So as Aizawa solves all problems, he paired up the duo with pent up frustration for their final exam

You guys were rolling your eyes when you saw you had to work together but weren’t surprised tbh

It seemed like you guys weren’t gonna make it, but at the last second you were able to distract Cementoss and give Iida an in to dash up and capture him

You guys cheered and high fived when you realized you’d passed, the negative feelings towards each other forgotten

Afterward you guys had a talk.

“Good job out there today, Iida. I’m impressed on how you came up with a strategy so quick. I guess studying so much does actually help, huh.”

“Thank you, L/N! I appreciate the kind words, especially coming from someone who has such good control over their quirk like yourself!”

The whole time both of you were staring at the ground, blushing to hard to look at the other person while complimenting them. Iida still did the hand waving tho lmao

Afterwards, Iida still kept an eye on you always bc he thinks you have a lot of potential and wants you to do well

And you don’t find him as annoying anymore, so don’t really try to avoid him

This ends up with you guys basically just hanging out rather than him chaperoning you.

Training, studying, making food, you guys are together a lot

You and Iida occupied a table in the dining area for your studies for the millionth night in a row. The other students know better than to disturb you at this point. Yes, you guys are friends now, but you still bicker like an old married couple.

“I could really go for some ice cream right now,” you said while leaning back in your chair.

“L/N! You know that stuff isn’t good for you! Why do you wish to consume such sugary content?! Why don’t you eat an apple instead?!”

“I don’t think that’s how cravings work. Besides we have training tomorrow and always so I will still be keeping myself in shape. It’s one treat.”

“L/N, we are studying to become the best heroes! We need to be responsi-“

“But that’s just it! We are always going to be working to be the best we can be. You need to be able to enjoy yourself. Life isn’t all about work, you know?” You said standing up and grabbing his arm, “We’re going out. Come on!”

“Absolutely not! It is after curfew! It would be dangerous and-“ Iida lectured on and on until you guys were basically in front of the ice cream place. He tried to get you to stay back, but you were surprisingly strong when you were determined. (Also, he probably wasn’t resisting as much as he could’ve).

You guys went in and ordered. You got cookie dough with some chocolate syrup on top, and Iida got a scoop of vanilla on a cone, only because you insisted he get something. After you got the ice cream you went to a nearby park and sat on a bench.

“Mmmmmm this is so good. Totally worth it.” You say as you take your first bite, eyes closed while enjoying the delicious dessert.

“I’m not sure if it was worth breaking the rules, but as long you are enjoying yourself I guess it’s alright.”

“That’s because you got the most boring flavor. Here try some of mine.” You said raising a spoonful up to him.

This caused his face to go red and he stared at you with wide eyes for a few seconds before speaking. “No, L/N! I appreciate the offer but it would be inappropriate. Mine is perfectly fine and-“

As he was rambling, you shoved the spoon in his mouth, making him blush even harder. “L/N! You could’ve choked me.”

“But was it good though?”

“Yes, I suppose so.” He said at almost a whisper.

A shit-eating grin grew on your face, “Told ya so. See, Iida look.” You gestured over to the sight in front of you. There were people scattered throughout the park enjoying their night, and you could even see the glowing city in the distance. “We are a part of what makes this all possible. There wouldn’t be people out here living their lives if we didn’t keep them safe. It may not be too often, but we still get to relish in the world we created too. It reminds us why we do what we do.”

Iida couldn’t help but just stare at you for a hot minute. You looked gorgeous under the moonlight while you looked around in awe. You were more wise than he ever gave you credit for. He had always thought you were carefree, but actually you just had cared about things differently than him and he failed to realize.

“You’re right, L/N. We should be able to enjoy this more often.”

“We?”

“Of course. Why would I do something fun without you?” Now you started to get all flustered. Feeling heat rush to your face, you covered it with your hands and looked toward the ground. “Are you alright? Sorry I didn’t mean to say anything that would upset you.”

“No, don’t worry. You didn’t upset me. I would love to spend some time with you.”

So you guys did. Well you already spent a lot of time together already but now you guys would go out and do something fun if you had free time

Like instead of training on the weekends, you guys sometimes walked around the park.

And every time you’d go, you guys would also visit the ice cream shop you guys went to that one night and try a new flavor

You also were participating more in class. You’re grades were getting better from the beginning of your guys’ relationship, but now you actually were invested.

After a test, you would show Iida your grade and thank him for all his help, and he would be so proud and excited for you

Of course, your classmates started to catch onto you guys being more and more friendly with each other

Hagakure snuck up on you guys one day while you were studying. “Alright, when did you two start dating? We all thought you hated each other but now we know it was all an act to throw us off, so spill the beans.”

“Oh, no we’re not dating.” You replied

“Well..” Iida started to talk and your eyes darted towards him

“I mean now that someone has said it, I wouldn’t be opposed to dating you, L/N. I really enjoy my time with you and think you’re a great person. Could I take you on an official date?”

“Y-yea I would really like that.”

“Awwww that was so adorable! I can’t believe I just help you guys get together!” She skipped out of the room, on her way to tell everyone her accomplishments

“Sorry, L/N, that probably wasn’t the best timing.”

“Call me Y/N”

“O-oh okay… Y/N. I’m looking forward to going out with you.”

“Me too, Tenya.” You said smiling and grabbing his hand.

Barely anything was said the rest of the time, but you guys couldn’t stop smiling and you didn’t let go of each other’s hands. Safe to say no information was retained from this study session

#iida x reader #mha fluff #mha headcanons #tenya lida #iida headcanons #iida fluff

[uweiy]

I'm intrigued by Love is Science? but know nothing about it. Can you give me a run down on what kind of thing to expect and who it might appeal to? Thank you!! 😁

Ooooo boi *gremlin smile* I'm glad you asked. You've entered the dragon's den, broken the dam and thus this post turned out to be a monster so I'm gonna link here another post from @accidentallyadramablog which imo gives a nice (and short) overview.

That said let's get into

Love is Science?

Summary :

Yan Fei is a the CEO of the Love is Science marriage agency, that matches people based on scientific data. Hsuan Yu, 8 years younger than her, is a promising young hairstylist who has been in love with her thoughout their entire childhood when she has only ever seen him like a little brother.

Unexpectedly they meet again. Between the way they've each built their lives and how Yong Yan Fei's ex husband still looms over Yan Fei's life, how will their relationship develop this time around ?

Now,

just reading that summary I know what you're thinking.

Indeed, if you have some experience with dramas, you might recognize some TYPICAL TYPICAL tropes – let's get them out of the way :

love triangle (though we all know who she is going to end up with don't we)

childhood friends

'noona romance'

And they are every bit as present and as trope-ey as you would expect.

However, as they say, the devil is in the details.

And particularly, in the side characters. Let me give you a quick rundown of the lot of them :

As such, we follow the stories of multiple relationships that develop parallel to one another.

The relationships

• Yan Fei/ Hsuan Yu : Not much needs to be added I think. Their storyline might be the most predictable but they are pretty sweet and heartwarming. pining for like 12 years though poor Hsuan Yu. Anyway you can enjoy it or find it boring or but you can't hate it.

• Mark/Ouwen : Noooow we're getting to it. Their dynamic is so... Refreshing and unique. Confident gay with a soft heart and dumb disaster bisexual I mean *chef kiss*👌delicious

After the disasters of their first meetings, it's a cat and dog relationship where Ouwen is the hsssssss don't touch me– cat and Mark is the golden retriever trailing after him not really realizing the rampage he's creating in Ouwen's heart. while Ouwen is like "Remind me why the FUCK I caught feelings again ?".

IDK it just has everything 'Enemies' to friends to lovers, (not actually) unrequited love, pining, sweet moments, jealousy, feelings realization, snarky banter... What more could one want.

• Cho Nai Hui / You Fu : they are. So. So sweet. Both are older and have experience, and as such they are not so naive or stupid as the youngsters. Them sharing their life experiences and going on dates like typically teenagers (in movies or TV shows anyway) would is refreshing to see and really really heartwarming.

• Liu Sheng Ying/ ??? Her ex ? : The show hinted at a wlw storyline and this arc seems to have JUST begun. Basically Sheng Ying's ex comes to Love is Science as a client and requests Sheng Ying as an advisor, while Sheng Ying still seems heartbroken over her. I can't WAIT to see how it develops.

The friendships :

Something I greatly appreciate is that both the romantic relationships AND the friendships have a great importance in the drama.

• Joanna and Yan Fei : Jo, queen Jo 👑. She's just here to gossip, get all the gossip and be the voice of reason and we love her for it. You can see how comfortable they are around each other and how they were there for each other during tough times and still are. Kudos to the actresses because I believed the characters were besties in a heartbeat.

• Hsuan Yu and Mark : they are honestly... Such polar opposites you kinda wonder how they became friends but they are and it works perfectly.

Hsuan Yu still hasn't gotten he maybe shouldn't take Mark's advice, and Mark still hasn't gotten that he, definitely should take Hsuan Yu's. It also enables to develop a more playful and mischievous side to Hsuan Yu, giving him more depth?

• Ouwen and Sheng Ying: rivalry to reluctant solidarity to friends-but-i-will-deny-it-if-asked to just friends. IT'S GREAT

I also ejoy the fact that these multiple storylines are allowed to coexist. The romantic ones, the friendships, older, younger, m/f m/m and f/f like take your pick !! And tbh a WLW storyline ?????? These are so scarce I will take anything.

The recurring themes :

The show more or less subtly touches on some topics/issues, to which the dating aspect contributes to.

A non exhaustive list would be

Divorce, and how divorced women can be viewed as failures for some reason

How successful men over 30 are sought after but successful women after 30 are somehow deemed undatable

Preconceived notions and homophobia

And beyond the topics, there's just things like... Joanna not being interested in long term relationships nor wanting to get married, reporting sexual harassment, older people going on dates.... I'm not saying it's a groundbreaking activist drama –which is not really what I was looking for– I just appreciate the fact that it is a pretty mainstream drama and that these things are there.

Mad respect if you've made it up to here ! but we're not quite done yet.

The cast and crew :

The other element that made this drama stand out for me besides the side characters is the cast.

It might be weird that such a meta thing impacts the appreciation of the show but it did, for me at least.

📣📣TMI WARNING 📣📣

For me what happened is I stumbled onto Mark and Ouwen cuts on YouTube, then somehow onto the behind the scenes. They weren't subbed at the time so I could barely understand a word of what they were saying, thus I'm not sure what but something about how the rest of the actors, the director and the crew were interacting just told me it was a show worth watching or at least checking out.

📣📣END OF TMI📣📣

The cast honestly seems to have a blast and to have, how to say it, come together really well. It seems like most of them have become genuinely friends, or despite differences in personality have truly enjoyed working with one another and with the rest of the crew, and it shows.

Where it's lacking

In my opinion the show does have some aspects where it underperforms.

As previously mentioned, the main plot is kinda tropey, furthermore, in a drama typical fashion when something is about to get resolved, immediately something else happens. Nothing unexpected from a drama though.

The pacing : Some moments of the main plot especially dragged on, so I admit I skipped through some parts.

Because I feel so strongly about all the characters though, I don't really mind the previously mentioned points. I just think it's a shame because I feel like if it had been crafted a little bit better it could have made the show go from an 8/10 good drama to an 11/10 friggin amazing drama easy.

Lastly, there is a pretty unequal time distribution so Yan Fei and Hsuan Yu do tend to occupy the most part of an episode. However some episodes are more centered on some pairings (like ep 11 that will probably have an important Mark/Ouwen part).

Overall

it's a drama that warms my heart, as simple as that. It's not that deep, it's pretty funny, the acting ranges from good to excellent and I have taken a liking to a lot of the characters, which is what I think fuels my interest for the drama.

And I feel like it managed to attract a wide range of audiences because the romances and relationships are so diverse. Whether you watch the show for its entirety or for one aspect/storyline/character is entirely up to you and I feel like the creators of the drama are aware of it as well : and you can easily find subbed compilations about each specific pairing on Settv's official YouTube channel.

Take that aspect that you like–if you find one of course–and enjoy it, that is all ¯\_(ツ)_/¯

What's left to say besides.... 🎉🎊 Congratulations for making it to the end of this lengthy post !

#I add a tmi warning in the middle as if this entire post wasn't one lengthy tmi lol #long post #love is science? #戀愛是科學 #lian ai shi ke xue #tw drama #taiwan drama #taiwanese drama #honestly thank you for this opportunity to talk about it #it made me happy heh heh heh #oh and if anyone else of the 15 people who like the show want to add stuff share your thoughts or highjack this post go ahead #lis?

[gar-trek]

I review killing time (or whatever)

Okay, yes this review has taken me forever and that’s because there’s so much I want to say, and most of it has very little to do with the plot of the book. I cut down a lot of this so you guys could just get to the main point of what I’m trying to say, so I apologize if this is a little brief or incomprehensible to those who haven’t read the book. 

And also, before I get into it, I would like to say rest in peace to the author Della Van Hise, who passed away in march of this year. She contributed a lot to the fandom, especially in regards to K/S fiction, as well as publishing a lot of non-trek related work during her life. 

First of all, if you have heard of Killing Time, there is probably one specific reason for that. It’s the same reason I picked up the book in the first place and why it’s really even a topic of discussion on this site. To put the story quite briefly, Killing Time was recalled during its initial release on account of the book having too many slash elements (aka, the relationship between Kirk and Spock could be read as sexual/romantic). I first heard about the book here in this post where the history of it is worded to sound like one very dramatic mystery. One user (no shade intended here) even goes as far as to say the book was recalled by old Gene himself! Now I’m always one for drama and such, but after reading the book I looked into it a little more, and I don’t think that’s exactly how it went down. 

Here you can find multiple statements from the author herself, in which she tells the whole story. According to her, the book publisher accidentally released an unedited manuscript that was never supposed to make it to the public. So technically the publisher did not recall the book because it was “too gay”, they recalled it because they printed a version that was never meant for the public to see anyway. These were the edits that were specifically requested by Paramount, who the publishers were supposed to go through to get the final okay on all material. And like, yeah, all of Paramounts edits were pretty much to delete any sentence where Spock and Kirk are tender to each other, they were trying to make is less homoerotic, obviously. I understand why this slight distinction may not make much of a difference to you guys, but for me it’s important to note that the book wasn’t recalled because it was too gay, it was just never supposed to be gay in the first place. It doesn’t make that fact any better, but it does make it less dramatic, in my opinion. I encourage you to read the statements from the author on this topic though, because she gives the whole story a lot better then I just did. 

Now to address the main question at hand, does Killing Time depict a romantic relationship between Kirk and Spock, or is it all just hype? (in layman's terms, is the book gay or not?) and to answer quite plainly, yes it’s gay. of course it is. but then to answer less plainly, no. What the fuck do i mean by this? well let me try and explain. 

I read the second edition of the book, aka the censored version, but I also followed along with the first edition (using this great article). The changes made to the book did not effect the plot at all, and were really only minor things. Notably, in the second edition they just kind of left out any part where Spock and Kirk touch each other (and I don’t mean in a sexual way). For example, there is a scene where Spock and Kirk are having a serious conversation in the ships garden. In the first edition, at the end of the conversation Spock places a hand on Kirks shoulder, which Kirk covers with his own hand. In the second addition, all mentions of this simple contact are deleted. The differences between the two are mostly little things like this. There is no secret sex scene or love confession hidden in the first addition. You see, in my opinion, the changes made to the second edition of the book do very little to censor the romantic undertones between Kirk and Spock. That’s because they are ingrained in the plot line itself. 

One very important aspect to this book is that Kirk and Spock share a mental bond. This is something that can only happen between a Vulcan and another when they are extremely close. The mental bond that Kirk and Spock share is so strong in this book, it’s even present when they enter an alternate dimension where they are strangers to one another. There is a romance in this book between two original characters, and their relationship is constantly being paralleled by that of Kirk and Spock. And, maybe most telling, Spock refuses a female Romulan who is very interested in him over and over again simply because Kirk exists. And no, that’s not an exaggeration, here is a line from when the Romulan woman was begging Spock to be in a relationship with her: 

“I need you. The Empire needs you, what more can there be?”

“James Kirk” the Vulcan murmured without hesitation.

That line is in both versions of the book. What I’m trying to say is yes, there are K/S elements in Killing Time. There are many tender moments and lots of talk about Kirk and Spock’s devotion to each other. 

So now you’re asking yourself, Gar, why did you just say earlier that “no, the book is not gay”? Well, that’s because it’s not. This isn’t a K/S book. This isn’t a piece of Spirk fanfiction. Because for as much as this book is about Kirk and Spock’s relationship, it’s even more about Romulans (and more specifically, that one girlboss Romulan Commander from the Enterprise Incident.... bet ya didn't see that coming!) That’s right, the most controversial Star Trek book ever published is at it’s core quite plainly just a Star Trek book. There is weird alternate dimensions, time travel, espionage and lots and lots of Romulans! 

Alright, alright, what I’m really trying to get at here is that yes, if you read into Killing Time there is K/S elements. I mean for god sake the author was a known K/S fanfic writer, that wasn’t a secret by any means. If she wrote their relationship a little more tenderly than most authors would have, can we really be surprised? But writing a K/S story was not her intention here, and that’s not what this is. I think the author put it best herself, so I’m just going to put that here: 

“If people chose to see overtones of K/S in it, maybe it’s because there were overtones of K/S throughout Star Trek itself.”

People will hype up killing time as some secret confirmation that K/S is real and canon, and I really get that. Like, it would be really nice to have some canon acknowledgment of K/S, and I really don’t blame people for acting like that’s what this is. But that really isn’t what this is. And even if there was some kind of love confession, I really hate to break it to you, but the Star Trek novels are just fancy fanfiction and are not considered canon by any stretch (excluding the one Gene wrote himself, which let’s face it, perhaps has the most K/S elements of all). 

If you are looking for a nice story about Kirk and Spock being in love, then I very much urge you to look at Ao3 or similar sites. Skip this, if you want a K/S story, because that’s not what this is. Now, if you’re a huge fan of the Romulan commander from the Enterprise Incident, then my GOD you have to read this. I think this was a pretty solid Trek book. It was no piece of literary genius, but it got the job done. There was a lot of it that I think could have been left out, because it the later half it started to drag horribly, and we got a few plot threads that went absolutely nowhere. I’m not sure I’m much of a fan of alternate universes, as I really really enjoy the established dynamic of the characters, but it didn’t bother me too much. But I mean hey man, there was defiantly parts where I was so invested I couldn’t put the book down. Give this one a read if you’re looking for a pretty interesting Trek book with a little bit of cheeky K/S sprinkled here and there. 

If you have given the book a read, or just have thoughts in general, I’d love to hear them! 

#here it is people #as always sorry for any grammer or spelling mistakes #i know there are prone to be some so just uhhhhh #ignore it if you can #star trek #killing time #kirk #james t kirk #spock #kirk/spock #k/s #spirk #the original series

[nightswithkookmin]

Hey Goldy, i'm positive Yoongi isn't straight and has been fairly open about it from the early years. So do u think that Yoongi could've influenced Jikook (especially Jimin cuz he is very close to him) in any sort of way on their journey?

Jimin is VERY close to Yoongi

Thank you so much for this statement😭

I feel seen and heard🤧

Not a lot of Jokers out here appreciate Yoonmin's bond😭😭😭😭

The disrespect! How dare they!

In reality, Yoonmin is one of the best ships that reflects the hyung dongsaeng dynamic perfectly in BTS in my opinion- Jinkook and Yoonkook, NamTae are heavy contenders I'd say but Yoonmin is right up there with them. Love Jihope too- if they could cut down on the flirting chilee.

No JHOPE I don't want you to call Jimin sexy or look at him like you want to gobble him with a glass of Sprite- it's weird😭😭😭

But also don't stop

From Suga 'bullying' Jimin, teasing him, praising him, mentoring him, the bickering- he is the biggest PJM right next to JK and Namjoon. I said what I said.

So thank you for this. I literally cried.

Feel so good to hear someone say that.

I'm having an existential crisis at the moment and Yoonmin is what is getting me through it at the moment.

People need to stop invalidating the members' bond. Seriously. Not cool. They all have beautiful dynamics real or not.

But he's gay? 🤔

You believe Suga is gay??

Damn.

He's queer and has been pretty open about it from the beginning???

A lot of people assume that about him actually. I think it's interesting.

Did he influence Jikook, Jimin in anyway...

If by influence you mean support then yes. I think he was and has been very supportive of Jimin and JK individually and has helped them embrace and make sense of certain aspects of themselves.

I think he's more understanding than most of the challenges and difficulties of being young and uncertain of who you are growing up under public scrutiny and in a highly hostile environment.

I think he is wise beyond his age and I have a ton of love and respect for him as both a person and an artist.

I love 'People' so much...

I think the most Iconic thing he's said so far to me is this totally woke, fanservice questioning and ridiculing statement:

'I didn't want to wear the maid outfit. I was surprised when they said it's for the fans. We don't have any interest in seeing girls wear men's clothes so why does the fans want us to wear women's clothes?'

It's weird. Fanservice is weird.

My least favorite moment of his is when he admonished JK not to say things like he'd want a tattoo when he grows up because the fans wouldn't like that.

I found that very contradictory for someone who's life motto is nevermind- or is it I don't give a shit?😏

Find it equally triggering whenever he teases JK about crying too much or being a cry baby as if it's wrong for men to cry. There's nothing wrong with shedding tears. Men cry too.

Then the bit about him not wanting tattoos or just a dot on his toe or feet or something because he has things he might want to do post BTS that having a tattoo would just be an inconvenience... quite conservative I'd say.

He don't give a fuck but then he gives a fuck?

Mans gotta be a realist or I'd chalk up these inconsistencies in his values to the clash between his Persona and his real self.

To be fair, he's not the only one. That conflict plays out in almost every member's outlook.

I see Yoongi as that one person who'd say to a person, go for it but end that advice with a caveat such as, 'but understand people will hate you for it' or some truth along those lies.

He places consequences right next to desire and as long as the person is not oblivious to and can bare the consequences of their actions, decisions and choices then I think he'd ask them to go for it and stand in their truth.

That much I know is his value and I can see how that might have impacted both JM and JK. But rather than encourage them to take risks, I think he pushes them to seize opportunities and put themselves outside- there's a difference there. Their not one and the same.

More than anyone in BTS, I think he understands the gravity of being queer, closeted or being in a relationship with a bandmate in the industry they work in.

I think he is much mature enough to understand the consequences of over attachment and risks of detachment and that too plays out in the way Jikook carry themselves around in the group.

Other than that, I think he minds his business most times.

Do I think he is open minded about conversations on sexuality? Absolutely.

But that's as far as I can go on the topic.

I do not believe he is queer and I'm not convinced in anyway he is pansexual or bisexual either- don't quote his song lyrics to me I already know. Lol.

Boy or girl my tongue will send you to hongkong....

And then his interviews about what he finds attractive in women??

'... it's not limited to boys or girls?'

Lolololololololol

I think that bit was heavily misconstrued.

'I'M NOT GAY'

This was his response when he was asked to talk about moments his heart skipped because of JHOPE. Similar to moments when the members had said their they almost fell for a band mate perhaps.

Other translations of that statement he made in the interview was, 'since we are both men, how can my heart throb for a man' and then he laughs it off.

Knowing Suga, I think he probably meant that in the most ridiculing, most mocking way possible- these interviewers be asking some stupid questions sometimes.

But imagine Suga saying that with two gay members sitting right next to him in that interview and how these members would feel hearing him say that about homosexuality.

One thing about BTS, if they be making loud openly 'woke' statements, take a shovel to their past- it's usually because they've messed up somewhere and are simply acting conscious of the things they say that can come across as problematic. In my opinion.

They do learn and grow from their mistakes. That's one thing I love about BTS.

They've all had their problematic moments as I keep saying.

To me, this interview moment would be one of such said problematic moments if not one very homophobic moment of Suga's- if the translations were right I mean. chileee. Lemme shut up. Lol.

And before anyone says but JK said the same thing too...

JK had a 'fear' of coming across as Gay in his early years. Part of the reason he wanted JM on the west of his east when the cameras came around- in my opinion.

He'd stutter when similar 'gay' questions were thrown his way- prompting Jimin to ask him straight away not to answer said question when an interviewer asked him.

You pair that with some of the members describing him as 'wanting to be manly' or appear like a manly man and it's not hard to figure out what was going on with him.

He'd pause and look at JM funny when JM would describe their relationship as in between friends and romance...

Jimin had to tell him to relax and that it was normal for men to say 'love' to men without it being weird or gay.

He knew gayism was a thing. He simply didn't want to be viewed as one- either because of his own repressed homosexual desires, in which case that would be internalized homophobia or he really really didn't like being thought of as gay- homophobia.

Suga's is different.

He either genuinely didn't know gay was a thing or that some men's heart actually beat for other men- seems to me he thought the idea of a man's heart skipping for another man absurd or impossible- or dude thought he was being a smart pants with that remark. Lol.

Baring his age in mind at the time of the interview, that in anyway reflects his ideals or assumptions about sexuality. That heterosexuality is D norm. That straight is all he can be or should be thought of as- He clearly hasn't read the blogs. He's in for a rude awakening.

If JK had this ideology about sexuality I think he would have been able to hide his sexuality better and not freak out each time people made jokes about it💀

Suga's said explicitly he is attracted to gal's who wear headphones, doesn't like gals who play hard to get- said he'd kick em if they didn't quit playing hard to get (misogynistic and abusive lyrics there but it's hiphop- let's not talk about that) finds it ridiculous that men should wear female clothes, thinks 'men' shouldn't cry.... all the making of a fine gay man😃

Should we chalk it up to internalized homophobia then??

I wouldn't.

A very dedicated Sope shipper will tell you, he said what he said to cover the fact he is gay so there's that. Lol.

I'm just not convinced Suga is part of the community but I think he is open minded now, leans less into his conservative values and more towards progressive values and thoughts.

I don't think he in any way shape or form 'influenced' Jikook to be gay or to do the gay if that's what you were asking.

But I do respect your opinion on Suga. I think we are all free to assume whatever we want in this case.

I might be wrong about him. You might be wrong about him or we could all be right. We will never know.

Thanks for the ask.

Wasn't comfortable answering it though. Lol.

I don't like when I have to watch what I say.

Sigh.

Signed,

GOLDY

[onewomancitadel]

One of my favorite aspects of ETL is seeing how the hero half's friends react to their being a couple... I think reading a lot of Austen and G Eliot at a young age turned me on to how delicious scandal can be @_@ Merc and Emerald being present for the Knightfall hug (!!) was everything to me. And thank you for linking the song that gave your story its name... I loved it! If only it had a full version :p

I think this is also your ask:

Oh and thank you for delaying the kiss (as well as the consummation and even the mere acknowledgement of the developing romantic dynamic) of their relationship. All romance is best when attenuated to the finest webs imo, and this tension in an ETL ship makes reading this fic genuinely make my heart race even when J & C aren't interacting haha

Omg I squeed at my computer receiving these asks. T_T We are clearly resonant with one another vis-à-vis romance. I was reared on Austen before I chewed through other classics so it was very formative - I am completely with you on social scandal, the part that gets me with Darcy/Elizabeth is the way her secret feelings cultivate whilst everybody still believes her to loathe him. Anything that toys with perspective gets me (I love unreliable narration, limited perspective), and especially any themes related to it too (see title of my fic lol) - particularly the idea of 'seeing and not just looking'.

I'm so glad you enjoyed that part especially with the hug XD XD I think it partially works (for me personally in constructing it) because Em and Merc see Cinder vulnerable in an emotional way. We can have our cake and eat it too :D also I wanted to very steadily build on other people perceiving the romance/interaction between them so we're not immediately thrust in coldwater, which is why I think the solitude of chapter 2 works (and I did try to calculatedly play with this increasing exposure).

oh and the song yes! I adore it because you have to search for it/wait for it to play at the end of the vinyl so it's more of that theming I really love lol. I love the gentle, twinkling sweet sound of it. I appreciate you listening and liking it too, I absolutely adore the song (and Purity Ring).

Oh and thank you for delaying the kiss (as well as the consummation and even the mere acknowledgement of the developing romantic dynamic) of their relationship

yes yes okay we're DEFINITELY on the same page lol, it's a very fine line to walk and I am *fingers crossed* hoping I'm stepping correctly, there is that inherent issue of unrealistically drawing out tension which I'm constantly cognisant of.

As it stands though I think their relationship is obviously weird enough and Cinder's only just brought up to him that welllll maybe it's not so bad :o) (meanwhile Cinder has been monologuing how much she fucking loves it lol) we can give them leeway. There are a lot of other character considerations for the two of them as it is.

Honestly I was worried it developed too fast. I had to spend time rereading the posted chapters and chapter outlines to convince myself to let chapter 7 happen as it happened - even chapter 6 - so then I had to inhabit the reader mindset a little bit. I obviously won't elaborate on what happens next (lol!) but I hope you enjoy it - I'm one for the slowest of slowburns. I hate when they kiss 'too early' lol - or at least when the romance is sort of solved early and then there's another conflict brought in quite late and potentially even too contrived (not knocking on the whole idea of third-act breakups). To me feelings/confession/resolution of the problem of having feelings is the overarching plot and not all relationships actually need third-act breakup, but have reasonable motivation for taking time to consummate, or even be acknowledged. But then one needs to write it well! I think ETL gives one much more space because overcoming personal (not structural) antagonism is essentially the first act. Sadly it's also skipped over a lot with ETL, both published and fanfic! But it's my favourite!!!!!!!!!!! Well one of my favourite elements... where they have personal conversations but also perceive each other as enemy. Cinder is trying so so hard to keep reminding him of that lol. (That, plus structural antagonism. There's personal feelings and then there's all the stuff that one is meant to do and be).

this tension in an ETL ship makes reading this fic genuinely make my heart race even when J & C aren't interacting haha

And omg that's the highest praise, truly T_T T_T yes the scenes where they're not interacting but still thinking about each other honestly get me..... I love that... and it's a love story, not trying to be canon or tell the show's story (though by necessity there's everything going on in the background and structurally I think the romance is significant re: Salem/Ozma) so I want that to be front and centre. Truly I cannot convey to you how happy these asks make me, as a fellow romance afficionado. My favourite things about romance are like... 1. the way it carries theme and character 2. the juiciness of intense feelings 3. eroticism 4. the fucking heart twinges!!!!!!!!!!!!

Thank you again for your ask T_T it made my afternoon truly. I hope you like the rest of the story, and if you liked that Purity Ring song, I can recommend so many more for the fic lol. <3 <3 <3

#seraphina's asks #the distance which fools the skimming eye #user: anonymouse

[waywardfacegarden]

what’s your opinion of the last few chapters of ao no flag and how they fit in with the rest of the manga? 👀 (like do you think the ending was well set-up and satisfying?)

Sorry it took me so long to reply to this!!!!!!! I absolutely flipped of happiness when I got this ask, so thank you so much for sending it!!!! I love talking about things I love, and this manga is so criminally underrated imo, but I have SO MANY THOUGHTS!!! It’s nice having an excuse to rant about it, lol. Also, feel more than free to rant about this question, too, I would love to hear your opinion!!!

Here goes my way-too-long reply under the cut:

To be honest, I have a lot of thoughts about this manga but I’m too bad at expressing myself and articulating my opinions in a coherent way, so this is probably going to be pretty incoherent ajsdlashfldsf, my apologies in advance.

First of all, I have to state that I really like the ending!!!!!!! I totally understand that some people say it was rushed, but it wasn’t like that for me. At least, not in a way that made me feel like I wasted my time reading it.

As for the whole Futaba/Taichi breaking up and Touma/Taichi being endgame, I absolutely loved it. Don’t get me wrong, I would have loved to have more context and background about how Taichi and Touma got together (and if the author decided to do a short spin-off about some moments between that time skip, I’d read it in a flash), but I also like the myriad of possibilities you can play with in your mind of how that happened. I like the open aspect of it. Also, I really, really, really, really loved Futaba and Taichi’s relationship, and I have to admit that when I read that “two years later... I broke up with Futaba” line, my jaw dropped LOL. I had to pause my reading for a couple of minutes to fully process it, if I’m honest. Not to say I hated it, but it did hurt me that they broke up LOOL. However, I also found it... realistic? It’s not like Futaba and Taichi’s relationship was bad or that at some point I thought “this is due to end at some point, I don’t think they’re going to last forever together”... it’s just that I liked... how it was handled? If that makes sense. Yeah, it was pretty simplistic, and I know some people say that it was out of nowhere and that the author didn’t even care to explain why it happened with that “sorry explanation”, but I really liked it.

I checked up the exact lines in my translation so i wouldn’t mess it up, lol, and here it is: “There wasn’t an interesting story behind it. People might ask why... or say what they would’ve done in our place... not understanding the little decisions we made. But... we decided to go our own ways... not to match the shapes set forth by others, but for our own shapes of happiness.” 

I love it. All the manga is a wholesome, pretty realistic (in my opinion) way to show the teenage years, the coming-on-age, the “have to take/make decisions that will affect your future” and the whole mess that is... feelings and the complexity of relationships. I like how, when Taichi is explaining it, he says that there isn’t something dramatic or big that lead to it. It probably was a bunch of things, and maybe the outcome wouldn’t be what other people would have done, but it was their decision, it was what made them happy. He makes it clear. I especially love it because:

1) It’s pretty normal. Relationships don’t always work. It doesn’t have to be because of something big, either. People change over time, take different decisions that, in consequence, lead to change in dynamics/relationships. That’s life. It’s always, constantly changing. I’m not the same person I was five years ago, and I doubt I will be exactly the same five years from now pn to the future. That doesn’t mean that if you’re in a relationship now and you both start changing that it won’t work, it’s just that sometimes it doesn’t. And that’s normal. It’s pretty simple but also real, in my opinion. He clearly states that other people probably wouldn’t understand the little decisions they made, but it happened. Which, again, realistic imo.

2) I love how he says “we decided to go our own ways, not to match the shapes set forth by others, but for our own shapes of happiness”. Why? Because it leads back to the repeated theme of the story of “what is your happiness right now”. Basically, I think the main topic/message by the end was how Taichi took the decisions--and how people in general irl make decisions--because that’s what made him happy in that moment. You don’t always know if you’re making the right decisions, but at the end of the day, you’re always chasing your happiness. So, I like how that theme played there as well. They took that decision to chase after their own shapes of happiness, not wanting to chase after what someone else think that would made them happy, but what they themselves thought that did.

I also love how he states that it wasn’t easy. Futaba was an important person in his life. She helped him change, she shaped a lot of who he was by the end of the time-skip, so of course it would be hard to break up. It wasn’t like she would die or something, but it was a big change. Even if it was a decision that was took for the best (at least for them), of course it was going to be hard for him, and I like that it was stated. I also love how Touma was the one who made them connect again, really an amazing touch and, again, one of the things I loved about Ao No Flag, and how the main love triangle wasn’t toxic at all. He knew both of them were important for the other, and I love that he was the one who helped them get in touch again. I also love how Touma was still in touch with Futaba and Masumi and that Futaba and Taichi reconnect again.

So all in all, I think Futaba and Taichi’s broke up was realistic. It’s true that just because you have a relationship in your teenage years it doesn’t have to end when you grow older, but a lot of times, it happens. That’s the complexity of liking/loving someone over the years and relationships/feelings in general. So I don’t think it was that out of place? As much as people like to complain, because, true, you usually have this endgame pairing at the end of the story and you, of course, assume everything is going to be happily ever after for them (or, like, as happy as it can get with its highs and lows) and they will stick together... this is also a realistic possiblity/outcome? It’s pretty uncommon in a story, and I understand that people thought that the manga took the route of focusing “way too much on Futaba/Taichi’s romantic development to just throw it by the end” but I don’t think the story itself was just that. The story, for me, was more than just Futaba and Taichi’s “romantic development”. And everything that happened, and how each other changed the other’s life was so meaningful for me even if they didn’t end up together. I love how they breaking up doesn’t change any of that.

Also, I don’t think Taichi’s romantic feelings for Touma were “our of nowhere”? OF COURSE, I would have loved to have a Taichi’s explicit realization of “oh, I love Touma like that” or “oh, he’s more than just a best friend for me/this is more than just platonic love”. But... Idk, this is probably just because I’m bi, so I’m probably biased (LOL), but I never thought of Taichi as other than bisexual? This is just my perspective, but I feel like there were hints everywhere in the manga that he felt strongly about Touma, and yeah, you can say that it was just platonic love, but even if he didn’t feel romantic feelings for him in his teenage years (which, I personally think he kind of had a crush on him when they were younger), he very well could have had developed them later. I know a lot of people irl that have known each other for years and never felt any slight romantic attraction to each other and then years later they started talking more, etc. and started liking each other. It can happen. More so if you’re already close? Of course I would have loved to have more explicit moments, but I feel like the author A) decided that Taichi would develop romantic attraction/feelings only later (in that time skip) or B) did want to include more but wasn’t allowed to because shounen genre. This is just my opinion, of course. But, yeah. I think it was already hard to make that ending happen (main reason of why I think it wasn’t THAT explicit either that it was Touma/Taichi and why the author didn’t show Touma’s face), and that they showed a lot of subtle moments of Taichi’s deep feelings respecting Touma around the story. I really, really, really, absolutely loved Taichi’s turmoil/conflict by the end after Touma confessed to him. Raw, realistic, emotional, deep... I love everything about it. I always cry like a baby when he reads the message inside the charm of “best friend power”, I tell you. I have that panel of him crying and smiling saved in my phone because I’m a fucking masochist aksdjlsdfjk. IT BREAKS ME. Everything about him breaking down, too, with that dream, throwing things in his room, EVERYTHING about his turmoil felt incredibly crude and real to me. Never ever fails to make me cry. And I really liked how he did thought a lot about his feelings and what he wanted and what Touma felt, instead of just going “no, I accept his feelings and I love him, but not in that way. Not like Futaba”. Of course, by the end (before the time-skip), that’s basically what he tells him, but I liked how it didn’t only went with that without showing all of Taichi’s inner conflict.

As a bonus, two more things about the final final chapter:

1) I’m assuming this, but I think I’m right, haha: I really, seriously love how the author knew the ending was going to be controversial and threw some lines that made it seem like (for me, at least) “I get it, most of you won’t get it but I’m fine with this ending myself”. With the whole “Friend or lover? Which will it be?” poster thing, Taichi’s comment about the ending like “the characters’ final decisions didn’t sit well with me”, the “oh, but then again... form someone’s else point of view, my decisions might also seem...” (ASJDLDSFJ it’s like the author is saying, ‘ahaha, yeah, ik, you might not get this, ik’, and I find it so incredibly endearing and satisfying and funny? I absolutely love it when authors make subtle mentions to their [probably] controversial/uncommon/or even cliché decisions in their own story).

2) I absolutely love the final panels of the chapters because they always manage to make me cry my eyes out? The simple but oh so realistic that I absolutely die for line of “life is a series of choices. Even if you pick, hoping for the best... You might hurt someone, or yourself, and regret it. And even if, you do gain happiness, you might be afraid of the next choice that comes, because you don’t want to lose it. Nevertheless, we continue to make choices forever. That’s why I pray that... the future that lies beyond this myriad of choices...” GAH, I LOVE IT. It’s so painfully real; and just... the underlying beauty of the hopeful open ending of the line, too? -- Also, the “hey, if it were you...” followed by the “haha, you’re so annoying!” panel of TAICHI SMILING AND LAUGHING SO FREAKING HAPPY, LIKE THAT’S EVERYTHING I WANTED FOR HIM, Y E AH. IT MAKES ME SO GODDAMN EMOTIONAL. AND TH EN, THE FOLLOWING PANELS, FUTABA BEING SO HAPPY WITH HER HUSBAND, MASUMI AND HER PARTNER, AGHHHHHHH, MY GODDAMN HEART, THEY’RE SO HAPPY AS WELL AND THAT’S EVERYTHING I NEEDED, AND AND AND THEIR CLASSMATES ALL HAPPY AND GOING ON WITH THEIR LIFES, AND THE FUCKING. ENDEARING, LOVELY DOMESTICY OF THAT LAST DIALOGUE OF TAICHI BEFORE THE “let’s go home”, thE FUCKI N G R I N G, I SCR E AMED (like i knew they were married, or i THOUGHT so before -- buT BU TT B UUU T AAAAAAAA), AND ALSO THAT PANEL OF TAICHI IS ONE OF THE BEST, MOST BEAUTIFUL, HEARTWARMING PANELS I’VE EVER SEEN IN MY ENTIRE LIFE?????????????????????????? The way he looks so goddamn SOFT and SO FOND and the way he’s just in the middle and focus on the panel, like it’s everything Touma sees, and and and just how HAPPY TAICHI LOOKS, and the way the hand kind of... “goes out” of the panel, I ABSOLUTELY LOVE WHEN AUTHORS DO THAT IN IMPORTANT SCENES, AND THEN THE LINKED HANDS????????????????? BR O. I seriously was crying my eyes out. It was absolutely breathtakingly beautiful for me.

SO YEAH. All in all, I was satisfied! Of course, I would’ve loved more of Touma and Taichi’s explicit romantic development, and I understand that people felt the ending was rushed. But for me, the manga was more than just... couples and endgames, you know? The manga itself was so beautiful and wholesome and it had so many good points that the ending just felt like a beautiful closure and, at the same time, a hopeful, amazingly beautiful and touching opening for more of this heartwarming, real, so beautiful coming-of-age story. I think it matches with the tone of the rest of the manga of chasing your happiness and making the decisions that sit best for you and for what you want, even if others don’t understand. I think it matches with the theme of how complex and beautifully amazing relationships and feelings are. I think it suits with the beauty of the manga in general.

And in conclusion, I’m going to show you a pic of this comment on reddit (of a discussion of the ending) that pretty much sums up what I think and said in this:

#ao no flag #blue flag #toumatai #AKSFJLDSJF is that the ship name #OOF THIS TRULY WAS SO LONG ACK #I'M SO SO SO DEEPLY SORRY I HAVE TROUBLE SHUTING UP TALKING ABOUT THINGS I LIKE YOU SEE #i'm so embarrassed #i talk a lot........... #sorry........... #already said it but #ALSO GALAXY (audrey? can i call you that? aksdjladj) FEEL FREE TO RANT ABOUT YOUR OPINION ON MY ASKS. OR ON A POST AND TAG ME. OR IN THE - #COMMENTS. OR IN MY DMS. OR LIKE AKSDJLASDJ WHATEVER #i would love to hear your opinion on this!! #ALSO SORRY FOR TYPOS/GRAMMAR MISTAKES I DIDN'T EVEN CHECKED THIS AFTER I WROTE IT BC IM TIRED #and also sorry for the lack of. coherency on this akdjljad #and JUST IN CASE SOMEONE ELSE READS THIS. THIS IS JUST MY OPINION PLEASE DON'T ATTACK ME #also no discourse okay. i understand if you don't agree with me i don't want to explain more about MY opinion skdjlsdjf #feel free to disagree #but don't attack me i'm fragile #ANYWAYS HAVE A LOVELY NIGHT/DAY <3 #THANK YOU SO MUCH FOR THE ASK!!!!!!!!!!!!!!!!! #i love getting asks!!!!! #and this was such a good question. never thought someone would be interested in my opinion on this when i sent a 1-hour-length audio to my #friends about this manga just after i finished it aksdjlasjd #truly a pleasure to answer this #and an honor to be asked this asdlkasdj tyvm <3 #and forgot to mention but i truly think touma and taichi becoming a couple by the end is a BIG step in shounen genre and it makes so so so #goddamn emotional. i hope this opens more for lgbt representation in other genres in manga/anime and hopefully we can get it more openly #since the start. (i mean the couples). like i said i think there were hints everywhere but i hope yk what i mean with 'more openly since the #start'

[idlecreature]

the buried fic comment from hell (it's so long i'm SO SORRY, I GOT EXCITED)

DEL.. I WASN’T SURE IF IT WAS APPROPRIATE TO LEAVE A LONG ASS COMMENT ON UR BURIED FIC IN PUBLIC….. SO I’M DROPPING IT HERE i’m so sorry in advance this is about to be a mess,, i’m so fucking emotional right now

((the review under the cut is in response to my fic which can b read here))

okay first –

The mental image of tiny gangly Barnabas and Jonah crouched with their hands in the dirt….. is so fucking cute?? I could feel Jonah’s jealousy just burning off of him. You had me right away. Fuck. You know how to open a story and I’m deeply envious, I’ve always struggled with it. Also, you threw in that little hook:

Despite what Jonah believes, there are some things that just can’t be explained in words.

Barnabas’ voice is so fucking good… guh… you know. I didn’t much care about Barnabas in any deep way before I joined the Jonah server and you guys have all just completely GUTTED me, I can’t believe how much I care about this highly-strung bastard,, he is so GOOD. HE’S SO GOOD???? HE’S SUCH A SWEETIE. LIKE. BARNABAS FEELING GUILTY AND HORRIFIED THAT PEOPLE ARE GRATEFUL TO HIM AND WANT HIM AROUND???? AAAAAAAAAA. And the melancholy aspect, too, which I imagine is how Mordechai was able to relate to him, get attached to him… Barnabas being bitter about how useless his tears are while he’s crying anxiously at the prospect that he might not be able to help those families after all…….

All of those scraps of Barnabas’ letter to Jonah made such EXCELLENT transitions, holy hell. Again I am inspired by your storytelling prowess. I am taking notes, for whenever my ability to write longform fic returns from war. This one was my favorite, made my heart clench:

A good world starts with a good person and a few choices that are made with the heart—

He’s so earnest I’m going to weep ;_; Barny.. you can’t make Jonah a better person he’s AWFUL,,

(Side note, super digging that I can indent stuff, block quoting makes this SO much easier.)

Also really digging that Jonah doesn’t have as nice a reputation as Barnabas… Jonah is the bad influence friend lmfao. AND JONAH’S CAT… I LOVE HIM…

And then you delivered a swift blow straight to the religion kink, as promised… “There’s something undeniably old testament about Jonah; the fire and fury of creation, the self-annihilating stare of Lot’s wife.“ LOSING IT I’M LOSING IT… WHAT A WAY OF DESCRIBING HIM God, here I thought I couldn’t possibly be more attracted to this bastard man. I am aghast at myself.

LOSING IT EVEN MORE OVER BARNABAS STACKING TEACUPS ON JONAH’S HEAD???? Why must you make them so fucking cute oh NO this is going to hurt isn’t it. ((This was the note I stuck in the Word doc while I was reading it and I thought I’d leave it as was for your enjoyment))

“Taking cues from your dreams?” Barnabas replies. “You know only the desperately mad do that?” 

“Or desperately inspired—savants and prophets and visionaries.”

And then you continued to try to kill me… Jonah thinking of himself as a prophet……. hhhhh canon-typical overambitious zealotry I’m HERE FOR IT………

“Are you trying to make me angry with you by playing the devil’s advocate?” 

“Just testing you,” Jonah says in his alloyed voice, silver-and-honey-gold. 

Del I cannot stress enough… My religion kink………. It’s been SO VERY ACTIVATED.

“Your morality has only ever been a thin cover for your shame.”

OUCH, JONAH, JESUS

Every bit of their dialogue was so familiar and tinged with bittersweetness and I owe you my entire life… Sincerely. Ugh. Like, how you described Barnabas’ internal angst about it later on – when he’s thinking of Mordechai, and he refers to "his many dog-eared fantasies” about Jonah it just really vividly conjured the thought of he and Jonah having a sort of? Queer solidarity, ESPECIALLY having grown up together. And that makes Jonah’s flash of betrayal at Barnabas not wanting to be SEEN with him that much more agonizing, personally. Like. I’ve had that happen to me more than once in real life. And much as Jonah is a piece of shit who is absolutely manipulating him………. still, ouch. Ouch. (Barnabas’ thoughts on the company Jonah keeps also made me wince. You did an AMAZING job with all of the internalized shame and frantic rationalizations, hooooooboy.)

The Lukases being colorblind is such an interesting piece of lore by the way I love it????? Now I have. Some questions, about Peter. Mordechai’s characterization in this is so fascinating to me. I’m enTRANCED by how you reverse-Uno’d it so that Barnabas was the reason Mordechai lost himself to the Lonely… the power dynamics……. so tasty. Ugh. And all of the sensual descriptions, especially of that first visit Barnabas had at Moorland house?? I didn’t clip any because I would have ended up clipping the whole fucking thing. It was aching, haunting, beautiful, holyshit. Their romance is somehow more fucked up than Barnabas and Jonah’s…

Also, I was so eager to read this I skipped the tags/warnings and completely didn’t realize Mordechai was going to be an actual vampire so that was a VERY fun surprise lmfao.

Barnabas feels like he’s close to learning something about violence and desire, how close they are, how the wires can get crossed.

THIS QUOTE IS EVERYTHING TO MEEEEEE ugh I’m having an aneurysm over how Jonah managed to fashion Barnabas into a creature that could understand him by gifting him to Mordechai for a while… letting Mordechai crack him open at the points where he was already brittle and experience an influx of some of the true darkness of the world. Just a tasty taste. That way when he discovers the truth of Jonah’s occult interests he won’t run away, because he’s already got his own fingers in the mess. He’s already given himself to one horror, why not Jonah? Shave some of the shine off of his morality, make him nice and gray so he won’t contrast so much with Jonah… And satisfying his curiosity at the same time. Two birds.

Oh, also, still sobbing about this line:

he realises that he doesn’t want to wear any colours that Mordechai can’t properly see.

EVERY TIME I let my guard down for ten seconds you smacked me with more of Barnabas being the most precious bleeding heart in the universe!!!!!! He aches so much for the people he’s trying to help and he hates people like Mordechai but part of him also wants to save Mordechai, somehow… maybe recognizes the parts of him that are like these people, still. Nearly faded but not quite gone yet. And as you’ve already established, Barnabas simply cannot let things go. Can’t disappoint people… can’t leave them when he could be doing something. Anything. Augh, FEELINGS.

Of course he knew Mordechai and Jonah were friends, he’d just temporarily believed in a sane and fair universe where things like this don’t happen. 

AND YOU HAD SUCH A PERFECT BALANCE OF HUMOR… This could have been such a feelbad fic, and tbh it still would have been spectacular. But you always eased it at just the right moment to keep it from going off the rails into irretrievable deepdark territory. Fed me little soft moments so I’d still be vulnerable enough to have my HEART RIPPED OUT LATER…

I’m not super interested in the Buried canon-wise but I love how you’ve written Barnabas’ natural affiliation with it… so subtle but powerful? (Of COURSE Jonah was jealous, lmao. He had to work so hard and he’s still not on Barnabas’ level. There’s some kinda beautiful commentary on ambition versus goodwill in there somewhere but I’m too busy nursing my battered little heart right now to articulate it.) It wove its way in and out of the rest of the plot so naturally, too. For some reason it compliments Barnabas’ temperament as I read it in canon just… so well. Was there a discussion about this on the server, and if so, PLEASE tell me about it sometime I’m so fascinated.

Jonah wasn’t even present for a lot of the fic but his characterization was so INTENSE and luminous, Christ… I know I already praised it a bit but. Woof. I wasn’t expecting to get a taste of his POV at the end and I was so excited I kicked my feet (my cat was very disgruntled) like, this line!!!

Now, he thinks there’s some truth in those false statements, in the lies we tell and why we want to be believed.

GOD, YOU’RE REALLY GONNA GIVE ME FEELINGS ABOUT JONAH AND FUTURE-JONAHLIAS IN THE SAME FIC?????? EVIL… I’m so so so fucking here for it, oh my God, Jonah with an amplifying anxiety disorder, THE PRICE OF IMMORTALITY… too bad the Eye doesn’t let you see the future, Jonah, lmao… the line “immortality just made his anxiety turn nuclear” is SEARED into my brain now, I am NOT accepting canon to contradict this ever again. I’ve always wondered how Jonah’s neuroses might have worsened in two entire fucking CENTURIES and I love the way you wrote it. I am fucking. Losing my mind.

There’s so many other things I could comment on, like. The brief but glorious Jonah-grinding-himself-off-on-Barnabas’-thigh shenanigans. Was incredibly hot, and Mordechai’s poor fragile heart breaking, and Barnabas telling Isabel that it’s fine to call him Barny…….. I’m hhhhhhhhHHHH fuck, fuck, fuck. I’m just!! I am incomprehensible!!! Everyone told me this fic was amazing but it’s fucking amazing, Del, what the hell. I’m never gonna be the same after this. The end was SHOCKINGLY sweet and I have WHIPLASH.

………… So, now that I’ve made you read a novel. Hah. Sorry. My point is. I loved every bit of this. It deserved heaps more praise but my eyes are starting to cross. Thx for sharing :’) 

Love,

Tony xx

TONY. TONY THIS MEANS EVERYTHING TO ME. FIRSTLY I’M SO GLAD YOU LIKED THIS. SECOND OF ALL, THANKS TO YOU I’LL BE SCREAMING FROM THE ROOFTOPS FOREVER HAVE YOU ANY IDEA HOW THIS REVIEW HAS AFFECTED ME? IT’S THE BEST FEEDBACK I’VE EVER RECIEVED IN MY LIFE I FEEL LIKE A FIRSTGRADER GETTING THEIR FIRST GOLD STAR I FEEL ON TOP OF THE WORLD LIKE I COULD THROW THE JEWEL OF THE SEA OFF THE SHIP AND LEAN OVER THE RAILINGS BECAUSE YOUR ARMS ARE AROUND ME TONY IT’S BEEN MONTHS AND THIS REVIEW HAS BEEN A FIREPLACE KEEPING ME WARM THROUGH THE WINTER MONTHS I LOVE YOU DEARLY FOR THIS YOU ARE AN ABSOLUTE CHAMPION IF YOU WERE IN FRONT OF ME RIGHT NOW I WOULD FRENCH KISS YOU WITHOUT HESISTATION UNTIL THE BOTH OF US HAVE RUN OUT OF AIR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! FUCKING BLESS YOU TONY!!!!!!!!!!!!!!!!! 

#fic review #mayormurdock #what the fuckkkkkk tony when are you getting your sainthood #long post #submission

[laufire]

Supernatural s1

my dash: decries Supernatural every five posts.

me: time to watch it seriously for the first time in my life.

-First thing first: it’s an amazingly well-crafted season of tv. I’m a character-focused watcher, not a plot-focused one; I never connected emotionally to the Winchesters (still haven’t and likely never will, as interesting I might find them as character constructs), so I feared I’d be bored and would want to skip scenes. Nuh huh. I was many things, but none of them were bored xDD. Each episode was a lesson in good pacing and the entire season another in proper build-up. There are one or two or a few dozen tv-writers I would like to show it to, ngl.

-Another thing it excelled at was in its portrayal in abusive family dynamics. The way Dean went mellow and so unlike himself when John gave an order (and what a SHOCK it is in the later episodes when he finally stands up to him!!). How Sam said HE would apologize to his father when they saw each other again, or how he made apologies for his father because “it could have been worse” (at least John didn’t beat them up, like it happened to that poor kid!). John showing Sam more “““respect””” (as far as he’s able at least) simply because Sam already proved he’s capable of leaving him; the way John controls the information he gives them and when and how and how much and how small they feel when they reunite with him. Dean knowing his father had been possessed by a demon because it wasn’t reprimanding him and belittling him. Dean’s psychic shapeshifter (?) expressing his resentment towards Sam for getting to escape. Dean’s quickness to resort to violence when Sam says something that makes him angry, or how he tries to severe ties between Sam and his college friends, or how he guilt trips him when Sam says he plans on returning to his studies, or how he minimizes Sam’s experiences with John or how Sam criticizes Dean’s compliance... (I don’t think Dean’s being consciously manipulative. I think it’s intuitive. Which is far, far scarier. He’s the Elena Gilbert of Supernatural and a walking red flag for controlling behavior). How it’s paired with ~honeymoon periods. The way they use the families around them to highlight their issues. It’s... chilling and terrifying and I can’t look away. I won’t get into the shit John pulls in 2x01 because that’s for the s2 POV, but oh my god I’m so happy he’s dead.

I wasn’t all that sure of how self-aware the creators were about this trend (especially because of how centralized and validated Dean’s POV is in his conflicts with Sam IMO. OTOH... characters like Dean and actors like Ackles are the type to take over a show by charisma alone tbf. The way he swoops in in the pilot and starts disrupting everything, including Sam’s relationship, reminding me of both Angel in BTVS and Chuck in Gossip Girl, Doylist-wise. This comparison is going to make sense to like three people I talk with regularly xDD). At least on early seasons, since certain spoilers about the later ones make me think it grew over time. I’m still unsure but I think they are a little self-aware because of this quote:

Eric Kripke said of Buffy: “I loved ‘Hush’ and ‘Once More, With Feeling,’ but overall, Buffy really taught me about effectively using metaphor in genre. For Buffy, it was ‘high school is hell (literally),’ and Joss Whedon did such a masterful job of grounding his horror and fantasy concepts in this notion, and ultimately telling allegories about high school, which turned what could’ve been B-Movie material into an all-time classic. I used that same philosophy on my run of Supernatural, with the mantra ‘family is hell (literally),’ and always grounded my horror episodes around the notion of families, to the show’s benefit. So thanks, Joss Whedon. I owe you a beer. (Credit: The WB)

everyone wants to be Buffy lol.

-My absolute favourite thing was how competent the Winchesters are (I’m even reluctantly including John here. That bastard). They’re sneaky with local authorities, crafty about fake IDs, credit scams, research abilities, DIY supernatural detectors xDD... I loved the lack of an audience proxy, the fact that the story throws you into the deep end with people that already know their shit. And that the other side is competent too, like when Meg & YED’s plan to trap John relied on the Winchester being competent; on Sam immediately going into the defensive because, what are the chances of finding that cute weird girl a second time, miles away?; on John suspecting it was a trap and only revealing himself after Meg appears to be dead... Another scene that I loved in that sense, from 2x01 (I watched until 2x03, I wanted to see Sterling K. Brown’s first appearance lol) was how upon discovering Reapers are shapeshifters, Dean immediately knew that cute ghost he’d befriended was the one after him. I get the feeling this aspect will get lost in future season and it’s a pity, tbh.

-Related to that, some of my favourite moments: Sam straight up bribing a guy to get into the morgue when Dean’s arguments are failing (with Dean’s money!); Dean’s plan of “well, if this guy is haunting the house and there’s no other way to kill him, we burn the house. No house no haunting”; Dean telling that kid to fake appendicitis to get his parents out of the house; John blessing the tank of water knowing he’s walking into a trap with demons... I dig this stuff.

-I get whiplash sometimes, with the show making a point of (very briefly) telling you racism, homophobia or pro-life attitudes are Bad(TM) and the brothers are Against them (the Racist Truck episode, the one where a woman used a Reaper to exchange “virtuous” lives for those of sinners...), when the rest of the show is err... what it is lol. Dean is toxic masculinity’s poster boy (I was so disgusted by how he acted with Jess omfg), in s2 we don’t get the monsters’ perspective on hunters until we’ve conveniently met our first black one (I love the episode AND the character but it’s fucking true)...

-I need to make a note of paying attention to the writers credits/Bts stuff because I find this show’s progression fascinating on a metatextual level. The only problem is that audience reaction seems to have played a big role (which is a problem on one or two different levels imo xD), and tracking that down is sliiiiightly more difficult lol. Oh well (I don’t even think I want to see too much of this fandom, even to satisfy my curiosity. Some of the glimpses I’ve caught of it are disturbing to the extreme).

-The detail about dead people’s blood being toxic to vampires is SO COOL OMG. I’m tempted to steal it xD

Some random stuff:

-The monsters of the week were some legit creepy stuff.

-I love that Meg has her own hellhounds. Is that still a thing when she returns?

-Dean: you and dad are reckless and I’m going to have to be the one that buries you. / Me, with the power of foresight: 👀

-Also Dean: sometimes it scares me how good I am at killing. / Me: it scares the shit out of me how good you are at killing, too, fam.

-I get the impression Sam loses his demonic-in-origin powers later on, right? What a waste, I love those.

-I’m pretty sure at one point it’s implied John used Dean to honeytrap monsters (when he sends him as a trap for the lady vampire that stole the Colt) and I really don’t know what to do with this information.

-Cassie was GORGEOUS and even make Dean likeable for me while they lasted xDD. But given this show’s track record I’m considering the lack of more appearances a blessing.

-So many guest stars. Everyone’s been on SPN. Especially if they were on the Buffyverse first (I totally get the impulse of casting Buffy actor after Buffy actor lmfao).

-Funny how Luther Hargreeves is exactly who a lot of fans think Dean was (Dean is far, far colder imo), and yet one is constantly called pathetic and evil and the other woobified. Very Funny Indeed *coughs* (funnier still that the character I often see Dean compared to is Wynonna Earp when the parallels are kids-pool deep at best and offensive at worst. Dean is not a Wynonna. Again, Dean is an Elena Gilbert xDD).

-The two paranormal investigators were dumb as rocks, but their motto was “What Would Buffy Do” so I like them (if they ever change that to What Would the Winchesters Do or something like that I’m going to be furious lmao).

-When I want to ~chill I dress about exactly like Dean (minus the flannel I’ve seen in later seasons, you can’t pay me to wear flannel). Like, I think I have a couple of shirts that look exactly like ones of his. I don’t know how I feel about this xDD

-IDK how I’ll feel about Bobby later on (I get the impression every long-term character on this show has their hateful phases xD), but in his introduction he said the last time he saw John he threatened to shoot him (“he causes that reaction in people”), so he’s so far the most relatable character around lol.

#talking to the void #my thoughts #spn thoughts #the writing tm #sam winchester #dean winchester #john winchester #and others #abuse mention cw #here be negativity warning lol #spn s1 #the winchesters get to have a tag I GUESS

[reachexceedinggrasp]

Fated to Love You here reaffirming my long held conviction that no pure romance drama should be 20+ episodes.

This show is... really something. It is, in the fullest possible sense, A Lot. It starts out as an all-out screwball comedy wrapped around a troperiffic romance fluff plot. Wall to wall clichés, but not in a bad way; in a meta, self-aware, peak performance, finest Velveeta way. And if you’re not familiar with screwball comedy, think ‘light-hearted crack fic with slapstick and farce’. There is nothing believable or grounded about any aspect of it, it starts at Bonkers Level: Platinum and it only climbs higher as it goes on.

(On a side note, this results in the leading man being possibly the most memorable love interest in romcom history. His introduction scene is nothing short of batshit insane and you can't reliably predict how he will respond to anything. I have never seen a main character like this, he is all over the shop and utterly singular. Your first reaction to him is ‘wtf?’, your second and third reactions are ‘really?! this guy??’, your fourth reaction is ‘okay he do be mad hot tho’, your fifth and final reaction is ‘I cannot believe this performance exists, I have no idea what he is doing, but it is amazing.’

Appropriately(?) the actor who plays him is an uncanny Korean doppelgänger of Johnny Depp and- between the resemblance, the mannerisms, and the fearless total commitment to a bold as fuck acting choice with the very serious chops to back it up- I’m not convinced they aren’t half brothers separated at birth.

They do sabotage my happiness several times by starting to randomly style his (long, beautiful) hair very weird, fixing it right when the plot is rapidly circling the drain so he looks his hottest just as the show becomes briefly unwatchable, and then ruining him for the entire second half of the series by shearing it all off. WHY, my anguished cry goes up. Why do you do this?! Why does he have like seven hairstyles over the course of the show? Much later they even briefly give him that ubiquitous Kdrama Second Lead haircut with weirdly forward combed fringe in a solid straight line across the brow all the way back from the crown. It looks terrible on everyone and I hate it so much. This version was less bad than most but it is still bad. Anyway.)

So it’s an incredibly fun time to start but there are some problems with the tone and plot even in the first 9 episodes, including when the lovers start getting along really well right away and they’re both thoroughly decent people so there’s nothing keeping them from having a lovely time together making the best of the circumstances (forced/fake marriage). And, instead of introducing new conflict or advancing one of the dozen conflicts previously established and actually moving forward, there is a painfully contrived rehash of something they already dealt with which is then just never resolved. They make the hero leap to a conclusion his wife is nefarious after he’d already decided once that she isn’t (though it was completely reasonable for him to think she was- the fact that he decided to trust her so quickly just speaks to what kind of person he is), never try to find out more or talk to anyone about it, start pushing her away because of it, and have all this come to absolutely nothing. It only exists so he’ll stop being so incredibly nice to her and they won’t fall in love too fast.

You’d think they would have to eventually clear the air before the romance advances right? No. It wasn’t a real plot point, it was just a reset button to get them estranged and hostile again after they connect over their kindred spirits and we’ve spent a bunch of time showing how profoundly supportive and honourable our hero is. He’s being beautifully mature and selfless because he’s a really good dude (unusual for a romcom drama, right? for the main guy to be nice and considerate? to accept responsibility even if he doesn’t have to? Gun’s weird but he’s wonderful), but the writers need him to be cold and standoffish, so they just make him act like an unreasonable idiot for a while. He’s been thus far hugely proactive and direct and honest about everything, it’s one of his most prominent character traits, but suddenly he’s going to avoid confrontation in favour of being super passive aggressive?? Then the writers never solve it. Never! It just goes away. He got over it, I guess? He decided he doesn’t care if she’s a gold digger who deliberately trapped him? God forbid we have motivations that make sense and organic character drama, right? It's not like he didn't have totally valid reasons to be suspicious that could have led to legitimate conflict our heroine would struggle to vindicate herself from.

But anyway, apart from that kind of lazy bullshit, it’s a fine romance plot with extremely endearing characters who have great chemistry. They are fun and well-rounded and incredibly human despite all the silliness and OTT antics. Their relationship is hugely, hugely engaging and the dynamic is perfect, they really complement each other as characters and organically drive each other's arcs. There's the genuine depth and warmth and quiet pathos so often lacking from this kind of show. Things progress at a semi-reasonable pace. They work up to confessing their mutual feelings and get into some cute shenanigans before making out. It happens soon enough that you are not frustrated, but there's still plenty of build-up. Then- uh oh! We’re only 9 eps in and we have another 11 hours to fill with this fluffy plot!

Time for a bunch of absolute fucking nonsense. Time for our show, which has been so goofy and removed from reality it occasionally resembles a Monty Python skit, which has been so light it asks you to ignore the frankly incredibly fucked up implications of its premise for the sake of comedy (they were both drugged and proxy raped resulting in a pregnancy- the FL was a virgin prior to this and Gun had a girlfriend he wanted to propose to- and it was the FL’s family who did this to them: SUPER FUCKED UP), so farcical that it makes Some Like it Hot look like a gritty crime drama, that show to cover a bunch of serious heavy shit.

First, the rankest of melodrama. The families and the world all turn on our couple, but their love is true and will conquer all- UNTIL, he randomly collapses and gets convenient Soap Opera Amnesia. He’s forgotten their entire relationship and a series of coincidental pieces of misconstrued evidence, the machinations of his scheming ex girlfriend, the Soap Opera Doctor’s advice, and his closest confidants all going along with this conspire to make him believe (AGAIN) that his wife just wants his money.

This whole terrible episode is mercifully brief, but it just gets worse after his memory returns. This is where we get into the Noble Idiocy. The ‘pretend you don’t love them to “save them” from getting hurt by hurting them and making their important life decisions for them as if they don’t have a basic fucking right to decide that themselves’ kind. Which goes on for three FUCK years in the show. He wastes three years of their lives they could have spent together because he’s worried he might die young (in a terrible way) and doesn’t want to put her through that. And, of course, they inevitably get together later, so all he did was make it infinitely worse for her either way. To say nothing of how he thus couldn’t be there for her through the loss of their child. Possibly my most hated fucking trope of all time when done this way.

And, yep, you read that right. This show that has the single most batshit bonkers over the top slapstick I have ever seen in a kdrama, this show has a storyline where the fluffy romcom trope accidental pregnancy ends in massive trauma. Because she was standing around in the street after realising he does remember her (he continued to pretend he had amnesia after his memories came back, it’s all part of the stupid noble idiocy so I glossed over it) and gets hit by a car in the middle of their angst staring.

It is nearly Meet Joe Black levels of hilariously abrupt and incongruous.

so, blah blah, they lose their baby (there’s a very stupid whole thing about her telling everyone to save the baby instead of her- the baby is not far enough along for this to have been remotely viable. She is like 3 months pregnant. They all act like there’s a choice to be made between them and she’s mad at her husband for choosing to save her, but there was NO CHOICE. Either she lives or they both die! ffs I’m so irritated about this) and then he dumps her ~for her own good~~ because he loves her too much to make her go through losing him? So she loses him sooner?? right after their baby died???

Why do people in these stories always think being betrayed and abandoned for no reason and being incredibly angry at someone you love while also not getting to be with them is somehow less painful than making the best of your life together and then losing them against their will? ‘I will make her hate me and then she won’t be sad we broke up/I died!!!!’ is such a fucking galaxy brain take and I despise it with the heat of ten thousand suns. Fuck you, Spider-Man. You aren’t protecting anyone, the villains still know you love MJ and will still use her against you, you clod. Emotionally torturing the person you love is not going to make them not a target because the villains are not as fucking stupid as you two. Anyway.

Amnesia was right where I started fast-forwarding and skipping around (because I couldn’t bear it), but it only goes downhill from there. Maybe I would have toughed out more of the wretched middle part plot twist if they hadn’t cut all the hot guy’s hair off. If I’m going to watch total nonsense tedious melodrama, I need it to at least be pretty. I understand it was a Symbolic Haircut but damnit! Let me have this!

And it ultimately does the thing that kdramas seem obsessed with and which makes me want to claw out my own eyeballs with frustration. There’s a giant time skip, the female lead gets a personality transplant, all narrative momentum is lost, and the characters who eventually (at ENORMOUS length) get together permanently are essentially completely different characters with a completely different dynamic than the couple you were shipping for 90% of the story. It is so FUCKING unsatisfying and it is EVERYWHERE.

Not so much with this one because this one still had a lot of very romantic scenes late in the game, but most that do this, it’s also like all the romance is sucked out of the post-time skip episodes and the ending is a consolation prize instead of a triumphant culmination. Inevitably, the heroine abruptly cools off and is suddenly wary of the hero and wants this Important New Career she never mentioned until the penultimate episode but is now her one true life’s dream. What the apparently irresistible appeal is of these contrived separations and demure conclusions is I CANNOT FATHOM. I’m here for the fucking romance guys, you have not made Citizen Kane, please just indulge me with a big schmoopy finale.

And if not that, it’s frequently that there’s been so many random mood swings and so much shitty behaviour by the end that the relationship doesn’t make sense and you don’t know why they even bother to get back together.

I’m not inherently against all misunderstandings (they are the bread and butter of low stakes romance let’s be real) or attempts at noble idiocy from misguided characters, but the duration and seriousness of the drama these generate needs to be in proportion to how ridiculous they are. If your entire plot can be solved by a thirty second conversation there is NO REASON not to have and the continuation of the misunderstanding is a result of someone just NOT SPEAKING UP when any functional human being would have spoken up seven times by now IT’S BAD.

Do little cliff-hangers, whatever, but don’t draaaaagg out silly misconceptions into Shakespearean tragedy, it’s just wearying. It makes me hate the characters for acting like emotionally constipated toddlers with terminal stupidity. If there is so little trust, so little understanding, and so little basic patience between these people, they probably shouldn’t be dating, so try fucking harder, writers. And noble idiocy that is more than an impulse they fairly quickly see the error of is just insulting. You are not helping the other person, you are being domineering and selfish. I have a whole complex about wasting time and seeing endless parades of characters flushing years down the toilet for literally no reason gives me hives. Especially when the whole issue is about time!

(And, btw, so much of the plot is about how desperately the family needs an heir and everyone still wanting them to have kids the second time they get together- while the ~dilemma used to keep them apart is a GENETIC DISEASE which could STRIKE AT ANY TIME. Do you SEE THE PROBLEM WITH THIS WRITERS????? NO, I KNOW YOU DON’T. ommmmmmmmggggg that’s awful! So they’re just dooming more kids to Soap Opera Brain Disease? And maybe growing up without a father just as Gun did? And no one even considers suggesting adoption??? He never considers that he shouldn’t have biological children despite thinking he shouldn’t have a wife?)

ANYWAY. Please do watch the first nine episodes and the last three, it’s bananas. They are cute as fuck, Gun is The Best, and the tropey romance scenes are top quality. You don't get those things executed so well, it doesn't happen, so you need this in your life. The acting is of a calibre you never usually see in modern romcoms; these are people at the top of their game committing utterly and taking these characters completely seriously. In that way it is pure wish fulfilment for me as someone who loves romance and is almost always disappointed by popular romance media, and thus the show is incalculably special. But skip the middle. Just skip it. It's not worth the suffering. I find the tone whiplash honestly just this side of crass.

I’ve been thinking about it for over a week and I truly love the main characters so it did plenty right, but I just cannot with wedding the two things this show is trying to be together, especially when it goes so hard in two mutually exclusive directions. but also the Meet Joe Black sudden car accident device is not redeemable under any circumstances. Can we never do that again, please.

#fated to love you #kdrama #jang hyuk #writing

[confringo-]

A Blog About My Feelings on Jesy Leaving Little Mix So That My Mind Will Hopefully Shut Up About It!!

It’s been, like, 21? 22 days? Since Jesy left Little Mix and it’s still got me fucked up. I can’t listen to any of their songs without being covered in grief and it’s honestly gotten out of hand. I’m writing this because I feel like I’ve talked about it to my friends, vented about it EVERYWHERE ELSE except here and it’s all in bite sized pieces and I still cant get over it already. 

And I know that I shouldn’t be over it yet but it’s just...it feels so petty. I understand why it had to happen logically. I’d much rather hear that Jesy left Little Mix to focus on her mental health than hear that Jesy fucking killed herself because it got too much. I watched the documentary. I know that Jesy could’ve done so. I should be happy for her. I should be happy that Little Mix hasn’t disbanded completely. But I’m not. I’m sad. I’m like super sad about it, to the point that I would have outbursts in my lonesome about how I wish Jesy hadn’t left. It’s so pathetic but also healthy, in a way, that I’m not bottling it up and live in constant denial about it. What’s bothering me about it is that I’m focusing so much on the negative aspect of it than I am the positives. Like, the FACT the mere FACT that Little Mix stayed together for NINE FUCKING YEARS and released SIX full studio albums and showed us nothing but unity and friendship and served us vocals for days should be something I should CELEBRATE not MOURN as though it didn’t mean anything. 

I believe this is all only stemming from Little Mix being the first band that I loved this much to have a member leave. 

I’ve listened to plenty of groups over my years and many of them have since disbanded or something to that extent but none of them have affected me the way Little Mix affected me. 

Spice Girls, Destiny’s Child, the Pussycat Dolls, Fifth Harmony, Jonas Brothers, S Club 7, One Direction - listened to them a lot, but when they announced that they were parting ways or when I found out that they parted ways, I didn’t SCREAM and CRY the way I did when I read Little Mix’s tweet. 

Let’s dissect this further: 

Spice Girls/Destiny’s Child/S Club 7 - I was a kid. I didn’t stan people. Out of these three, I was most saddened to hear that S Club 7 was disbanding because they were the first group I bought a CASSETTE TAPE for and would listen to them on every car ride. When I heard it happening, I had other kid things to distract me and other things that caught my attention so I guess that I wasn’t too pressed. Now, I look back fondly at the songs these groups released. Despite the drama, despite whatever happened next, I just thought, hey this was a good song by them, let’s listen to it again and bop. 

I wish I could be like this. It’s been more than a decade but I can’t really relate them to how I feel about Little Mix because while these people were part of my childhood, I didn’t attach myself to them the way I attached to Little Mix in my twenties. These groups have nostalgia pillowing the break. I consumed their content, their art, when I was still a child and had no thoughts other than “nice sounds i love.”

The Pussycat Dolls - If you know, you know. PCD...what a group. I lived for them. I think, out of all of these groups, I stanned PCD the most. They gave a teenage gay like me everything I ever asked for. The bops, the choreography, the lewks. I figured out, right away: Oh, Nicole’s...singing...all of this...? And I didn’t expect much out of them, really? Like, I didn’t live under any illusion that this was anything more than Nicole and the Girls. I was excited for Doll Domination, the second album, because each girl had a solo song on the album and Melody definitely had a few more lines in it, but when they disbanded, I was like It’s Better This Way because, you know, it sounded like being in the band sucked. When I listen to PCD now, I do feel the tiniest pang for the girls. Like, the songs still rock but I’m still thinking like “Nicole let the girls sing!” or like “Oop, let’s listen to Nicole and the Girls again!” instead of referring to them as the Pussycat Dolls. 

That’s why I’m not too pressed with their disbandment. It’s because they weren’t so much a group as they were an act, if that makes a little bit of sense. I loved them but it wasn’t like I expected much out of them, you know? I’m a little pressed about their reformation and hope, HOPE, that Nicole lets the others shine like a proper band instead of letting them all fade into the background. 

Jonas Brothers - Okay. So. I was a Disney Channel bitch as a teenager. I’m not embarrassed. I loved the Jonas Brothers. My favorite was Kevin because I didn’t have to fight anyone for him (you know, except his WIFE). I loved the dynamic, I loved their music, I loved their faces. When they disbanded, I was kinda turning into the angsty teen I was meant to be and I was going through the throes of being a teenager so I was rather too preoccupied with myself to care if the Jonas Brothers were making new music or not. I was also at this point in my life where I’m like “Oh I listen to all kinds of music. My taste spans all kinds of genre and I listen to so many artists, you would not believe” that the Jonas Brothers disbandment didn’t send me to tears. 

Fifth Harmony/One Direction - We all know where this is going. The one member who leaves because they want to go solo. This has happened to plenty of bands/groups before them, and I’m sure they aren’t the last. Here’s the thing with these two. I wasn’t IN it. Like, I listened to like full One Direction albums, and I listen to a lot of Fifth Harmony. But they were more of a background thing for me. I liked them but I didn’t LOVE them, you know? And that’s probably why, when I heard that they were parting ways, I was like, okay. That makes sense for you, I wish you well, and then keep listening to their old songs like it’s nothing. Because I didn’t stan them the full 100%. 

This is all to say that I’ve had bands/groups that I like disband and all for valid reasons. 

Then why, when Jesy leaves Little Mix -  in what could be the most graceful and honest way possible - why am I so sad about it? Why am I so angry? Why am I grieving as though I can never listen to their music ever again? Like it’s right there? Why can’t I just listen to the fucking albums?! 

As I was writing, I realized something: Little Mix is connected to my happiest moments. That’s why it’s so hard for me to reconcile this sadness. It’s because I’ve never been sad when I listen to Little Mix. I listen to them when I want to be in a good mood, and now that’s been soured by Jesy’s departure. 

And why would it be soured by Jesy’s departure? When Jesy’s reasoning for it is mental health. It wasn’t a feud. It wasn’t creative differences. It wasn’t because she wanted to fly solo. She left because she couldn’t handle it anymore and she was doing what was best for her. She is focusing on making herself happy instead of making other people happy. I love that for her. 

I guess I’m angry at the people who made her this way. I’m angry at the people who tore her apart, tore her down, to the point that she wasn’t happy anymore doing what was supposed to love the most doing. I want to kill them. I wish them all the ill in the world and I hope they all suffer miserable lives for what they’ve done to Jesy. That’s how angry I am. Truly. I want to go to each of their homes and kill them for catharsis. 

That’s extreme. And, to the government person reading this, we’re in a pandemic and I don’t have enough money or clout to pull this off. Don’t worry. No massacres are being planned in the making of this dumb blog about feelings. 

Anyway.

It was so unnecessary. So needless. 

What I hate about this is that the girls will continue without Jesy and maybe people are going to start saying that they sound better without her. I almost don’t want Little Mix to succeed because I want everyone to know that they’re much better as a four than a three, which is INCREDIBLY unfair to the other girls and trust that I will be supporting every succeeding performance and album and song that they’ll come out with. It’s just...

I don’t want the haters to be proven right in a way? It’s stupid. It’s so stupid. But that’s how my brain processed this. I also don’t want to prove Jesy’s demons right. I don’t want her to look at Little Mix and be like “Oh they’re better without me” because she made Little Mix special as much as the other girls. I don’t know how to CONVEY that to her in the following months or years. I want her to know, that no matter what, she’s special. She brought something to Little Mix. That her voice was everything. Her look was everything. They all tied it together and that’s what made Little Mix so wonderful. The unity! The cohesiveness! 

I would hate to think that Jesy would watch their next songs and performances and think that she has no place in it anymore and therefore, maybe never ever return, you know? I would hate that. 

I avoided listening or watching any performance when there were only three of them because then I’d be curious about the comments and then the comments will affect me in a weird way and I just don’t want to feel those feelings in YouTube comments. 

I don’t know where I’m going with this anymore. 

Confetti was my favorite album. Out of all of them, Confetti was their peak for me. It’s honestly the first album that I had without any skips. Glory Days had its skips, for sure, and so did LM5, but Confetti. Damn. 

I guess I’m also bitter that I won’t get to hear them sing some of the songs live. Like, we got Break Up Song and Holiday. We got Sweet Melody, kinda, but I’m still bummed that we didn’t get all 4 of them at least once on a live Sweet Melody. 

But I would’ve loved to hear more. Like. Rendezvous. A Mess. Happiness. Not a Pop Song. I would’ve loved to hear those live. Confetti. God. I would’ve loved to see Confetti performed. 

Again. These are all MY feelings. My selfish little feelings about Jesy’s departure. Jesy Nelson doesn’t owe me shit. I don’t own her. I respect her departure. 

It’s just...

It’s just so hard to wrestle these feelings into submission. Now, I see Perrie, Jade, and Leigh posting shit. I see them as a three piece. I listened to a few performances JUST TO GET USED TO IT and I’m so proud of them for continuing but I’m going to miss Jesy so much. So fucking much. 

God. The amount of times I’ve cried writing this. 

These intrusive thoughts are coming in, telling me that the girls are no longer friends, and they’re happier without Jesy, that Jesy will disappear and never be heard from ever again. God I’m going to miss the sound of her voice. Fuck. I’m going to miss their dynamic as a four. 

It’s not going to be the same. No one’s expecting it to be the same. I’m sad. I’m sad that it’s not going to be the same and I’m sad that I won’t hear Jesy’s part of the harmony in new songs again. 

I’m fucking sad and I don’t want to be anymore because Little Mix is so entrenched in my happiness that it’s really fucking up the emotional equilibrium that I struggle to maintain. 

I want to be able to listen to their songs again and celebrate that it even happened at all and not grapple with how I feel about this huge change in something I held so dear for so long. I wish that I had other experiences like this to lean back on and remember that “Hey, you got through this disbandment, you’ll get through this one too!” But I don’t. This is the first departure of a member from a band I loved and it’s really hitting me hard. All I want is for it to stop because I want Jesy to be happy. If that means not being in Little Mix, I should be able to understand and accept that. Why can’t I just accept it? 

Which stage of grief am I on? 

Somewhere between anger and depression. I don’t know how far acceptance is but I want to be there already. Out of everything that I could grieve about, this should be the least of my problems. There are other problems in the world, in my life, that require my energy. I can’t keep spending it on a girl group. The break wasn’t even that fucking bad. 

But I have to remember that I’m allowed to feel sadness. I’m allowed to feel grief. I’m allowed to feel anger. At the very least, this will pass and it will be an easier transition than most. 

I want to hug Jesy. so much. I want her to know that she’s loved and that she brought so much to the group and she’s given me so much joy and that she’s helped people and that she’s still part of Little Mix even though she’s left it. An integral part of Little Mix. And that I will fucking kill everyone who’s wronged her or said anything bad about her with my bear hands if I could. 

That’s all I have to say right now. Fuckin. To the Mixer reaching this to the end, thank you. I hope you feel better too. Here’s a virtual hug: (virtual hug). We’ll get through this. For the girls, we’ll get through this. 

#Little Mix #Joey's diary

[last-of-the-jaded]

After having willingly given the last month of my life over to MDZS and it’s Live Action counterpart I wanted to compile a list of my favorite aspects of both (including spoilers). Both the original Chinese Novel and it’s stunning 2019 Summer Release counterpart are breathtaking in different manners, but if you are looking for a quick recommendation, I do recommend going for the drama first as it will simplify the further consumption of content if you decide you want to partake in more.

What I love about THE UNTAMED:

The symbolism of the cliff at Nightless City, and how that entire scene marks a clear shift in Wuxian’s mental state as well as the overarching story. Similarly, how in the end it is Wuxian who throws himself off that precipice to sure death. This detail provides a direct comparison between his mental state at this moments and Cheng’s after his core was squashed, while also touching on an unique level of disparity and regret that is unrealized in the novel at this point (considering how this isn’t how Wuxian dies in the written version)

Xiao Zhan and Wang Yibo. I’ve made posts about this already so I’ll spare you another essay (Here and Here)

Jiang Cheng’s entire character arc. Seeing him fully fleshed out, utilized, and properly human within the drama made it hard for me to swallow how shallow he often felt on paper, especially in the early chapters. I get that this is partially due to the youth sequences in the book being written completely from Wuxian’s POV, but for me there is something incredibly human and genuine just lacking from the version of Cheng on paper that stood out so gorgeously for me in terms of his drama counterpart. Wang Zhou Cheng did an amazing job bringing out his raw emotion and anger on screen, lines were delivered in a manner that truly solidified this characters growth and vulnerability to me. For such a new actor within his field he did a brilliant job, and is the reason I have so many damn emotions concerning Jiang Cheng’s character arc. (I have a million analysis pieces typed up on my blog if that interests you)

The sequential order for the flashbacks was incredibly easy to consume. It helped to keep events and motivations clear. I understand why the book was able to skip around in a more winding mysterious manner, but from a drama standpoint I massively appreciated being able to consume the events leading up to Wuxian’s demise in consecutive order. The first few episodes were initially extremely confusing to me as a new watcher, and it’s only when the flashbacks hit that the plot-line solidified as well.

The female leads! Yanli, Qing, and Mianmian having larger roles and development was absolutely a plus. Everyone had the same intentions and feel as they did in the original, just more fully fleshed out since they were given time to interact within the world. As a bonus note seeing Madam Yu and hearing her bullshit on screen, said out-loud in the bitchy tone her actress gave her, made her 10X worse and from an antagonist perspective I massively appreciate that they were able to make me despise her so damn much.

Everyone important to the past storyline being involved in the Gusulan Study Sessions under Lan Qiren. This was a simple and effective manner of introducing everyone and having characters feel involved and interactive from the get-go. I was honestly a little disappointed that not everyone was included when I went on to read the novel.

Ning and Wuxian’s interactions early on. Their dynamic in the show was given life, and felt genuine in how it shifted over the course of Wuxian’s trails and misfortune. I love how they included Ning in the early on portions of the series, especially the Caiyi Town waterborn abyss debacle where Wuxian saved his life. It just added more layers to an already intriguing dynamic that plays a massive role overall.

The wolf torture scene. This added a whole new layer to Wuxian’s fear of dogs, while still completing its job of giving Ning and Wuxian a reason to interact and grow. Not to mention the example of Wen Sect Torture Tactics really added to the inhumanity of the sect while sparking our main character’s growth and self-sacrificing nature.

The symbolism behind Yanli’s and Cheng’s dreams. These dream sequences give a glimpse into the heads of two complex character’s and honestly added so much background motivation to their storylines. I loved these details and how much analysis us all as viewers can put into them.

The rain scene. Wuxian telling Wangji he would prefer to die by his hands. The first tears watchers see from an incredibly strong and willful young man who has always appeared stoic. (I cannot express to you enough how sad I was that this scene didn’t take place in the novel)

Wuxian’s mask. I understand logistically why they had to do this from a filming perspective (I mean if you have someone as good looking and Xiao Zhan, damnit you are going to let him look like him as much as you can) but I honestly really enjoyed the smaller details they included to make it work plot-wise. I also appreciate how it was designed as a prop considering it actually altered Wuxian’s features in a manner that made him harder to recognize due to its bulky and carved nature.

The secret underground cave in Cloud Recess under the bathing pool. The whole meeting between Wangxian and the female sect leader. I enjoyed this detail and how they expanded upon it when it came to the burning of their sect home and the survival of their people.

Wangxian’s relationship. Their subtle, trusting, gentle way of showing love. On an additional note I appreciate how it never once felt like I needed to discuss consent with the characters (coughNOVELcough) because everything between them was healthy and playful.

The soundtrack, costuming, and bts. I understand that this was a low budget production (compared to the majority of traditional dramas) and honestly I appreciate what we were given taking that into account. They stayed true to the essence and message of the story. I love the manner in which the costumes became a part of the characters and everyone had a clear style. The soundtrack flowed amazingly well with the scene and tone shifts (this is disregarding how fake their instrument playing looked because I’m still not over how off the finger movements appeared at points). The behind the scenes content on its own could win an award - it made completing the show a million times more satisfying because I do believe that the people working on set had fun (somehow even while filming during the hottest time of the year)

The name of the drama. When you reach that moment when you understand why it is called such - it’s a tale of the rise and fall of Wuxian.

The ending scene. I know it’s not the ‘stereotypical happy ending’ fans wanted, but it perfectly fit the tone and message of the piece as a whole. I love the ending. It felt right.

What I love about MDZS (NOVEL):

The Yi City Arc. It’s worth reading for this part alone. Motivations, logic, and everything just hit so much harder. I do appreciate what the drama gave us, but like, once you’ve tasted this version it’s really hard to go back.

Empathy. In general seeing Wuxian use empathy within the novel just works so much smoother. His little anecdotes and analysis while in stasis reliving ghost’s lives gives it a realism that it’s lacking on camera.

Second Siege of the Burial Mounds. The way the novel sets up this part and actually makes it feel scary with hoard mentality makes it work so much better. It feels like there is a weight to this moment. The waves of corpses are terrifying, and the exhaustion of fighting for hours gives it a level of humanity that makes what Wuxian and Wangji selflessly do stand out even more. Not to mention, the leftovers of the Wen Sect fucked me up. I bawled. This is another detail that I would legitimately read the entire novel over for just to experience.

Wuxian being fucking terrifying at points. Playing with demonic energy and losing control is supposed to be scary. In the novel it honestly felt that way. Seeing him slowly get worse was heartbreaking. Watching how people’s opinions on him skewed, and how he dealt with looks, pressure, and weight on his shoulders, took this arc to a whole new level. The way demons and ghosts flocked to and around him in public added a level of horror that was unsettling and necessary.

Wuxian actually losing control. In the drama they added another flute player to sort of work around Wuxian having to accept the result of his failure. In the novel, there is no such thing -  and I love it. It’s another dowsing to the pain and suffering Wuxian has to accept and learn to overcome.  It makes him coming back a decade later - to live and achieve and get revenge - feel different.

Action scenes and gore. If something is called “The Grandmaster of Demonic Cultivation” you expect some blood, and damn do I appreciate that the author made stuff have impact. I wish the drama had a bigger budget so they could have done the wounds and cgi more justice.

Wangji rescuing Wuxian after the first raid on yiling, and choosing to suffer together, hated by the world, rather than lose the love of his life. I love the use of the cliff in the drama, especially the imagery of Wangji trying to hold Wei Ying up before ultimately falling, but the route the author took in the novel is so much fucking worse. Like I cannot even imagine the pain Wangji went through.

Lan Xichen opening Wuxian’s oblivious eyes. Best brother ever. This entire scene, leading up to the final battle, is like downing a shot and waiting for it to hit. It deserves a standing ovation.

The details in the Xuanyu of Slaughter cave sequence. Every little tell that Wangji gave - he really did fall in love young.

Mingjue’s corpse. The separated limbs, angry spirit, holding bags, and everything made sense because of description.

Wangji explaining how he got the brand mark over his heart. All of his scars. Fuck. There’s inferring, and then there is having it described to you from the person directly and feeling as your own heart dies.

Lan Zhan’s insane arm strength. This is a detail that deserves recognition.

Wuxian’s inner analysis of Nei Huaisang at the end. This was fully formed and actually had some payoff.

The clear comparisons between Mengyao’s fate and what happened to Wuxian himself. Once again you can infer in the drama, but having it clearly implied in the book hits different because when someone becomes a public pariah it’s easier to go with the public outcry than try and defend them. “Nobody knew with more clarity than Wei WuXian that nobody would care and nobody would believe”

Ning protecting Jin Ling and Jiang Cheng in a manner directly parallel to how he killed the people they cared for.

Jin Ling’s realization about being unable to hate anyone in the end. You feel for this kid. You want to see him grow up well.

The beginning set up chapter. Hearing what happened in the past vaguely through spreading rumors and small talk without seeing it for yourself adds a level of intrigue. It has greater mystery than just seeing the scene play-out and cutting away.

Everything making sense in general with no plot holes. It’s one of those things where in television no matter how well you do, you can’t possibly include all the needed details. With the drama you have to infer a lot, and sometimes you will get it wrong. In the novel it really is just much easier to make sense of. This also included the pacing as well. Timeskips make sense.

Kissing. Smut. Damn, it’s so nice to have actual payoff for the slow burn.

#mdzs #mo dao zu shi #the untamed #wei wuxian #cql #the grandmaster of demonic cultivation #mo dao zu shi spoilers #mdzs spoilers #mdzs reaction #mdzs novel #my thoughts #little scene analysis #I love them both for different reasons idk #jiang cheng #lan zhan #wen ning #jiang yanli #the untamed netflix #reupload because tumblr messed up my tags #sorry if this is long the read more button wouldnt work #i wrote this for myself cuz im a sucker for lists

[ellohcee]

Okay let’s try this again long AU (The Mad Ones) under the cut (not mine these were sent in by @jubilantscribbler / @jubilantwriter )

yeah samE i said that about hadestown too fkldsf anYWAY im sending this in multiple asks so that you can hide it under a readmore okayy here i GOO- SO. It starts with David driving away from the city and heading out to somewhere - maybe to see the ocean, maybe to go hiking in the mountains, maybe to take a trek in the great plains, maybe to venture out into the countryside - he's not sure yet, but he's hyping himself as he drives and drives, just watching the city fly by. (1)

BUT. He blinks and he's still in the city. Even worse, he's still in his mom's driveway, sitting in a car with the key still in his hand, and his foot is still firmly on the brake. He blinks and feels crushed under the fact that he's not going away to go hiking forever in nature, but instead, he's supposed to be getting ready for college because he just graduated, and just as he's about to start crying, he hears Jasper speak up like, "Damn, and here I thought you wouldn't choke." (2)

David turns and sees his best friend, his childhood friend, sitting in the passenger seat and grinning like he always does, and David nearly cracks and whispers, "What are you doing here? You're not supposed to be here." And Jasper just shrugs and rolls his eyes like, "Sure, but I'm here anyways." And David's like, "You're not real, I'm sitting alone i-in a car-" and Jasper's like, "Yeah, my car. Alone. What are *you* doing?" (3)

GHHH what a cold open, David in his happy daydream and suddenly snapping back to a cold terrible reality. AHH I ALREADY LOVEHATE IT.

(4) And David's sputtering and trying to convince himself and Jasper that David's supposed to be getting ready for college, and he just needed a moment, he's stressed, he knows what he wants, stop questioning him, stop doubting him, this is what he's supposed to do, this is what he needs to do, so leave him alone like he's supposed to be, and suddenly there's too many thoughts, too many memories happening at once- and then Jasper snaps him out of it for just a minute.

(5) Jasper calms him down by reminding him of the one time he managed David to skip school, and it's enough for David to just relive the moment with Jasper vividly, and he remembers feeling that freedom, of being happy and alive and enjoying the moment with Jasper. It's all to calm David down and getting him to cheer up as David remembers that good time and reminding him of what he really wants, and David gets lost in the memory until reality breaks the memory and he's stuck in the present.

(6) Now with his "imaginary" Jasper, as Jasper calls himself, and him back in the car, David remembers that he lost something irreplaceable and can't get over it, and now he's sitting in Jasper's car without Jasper with his future looming over him. But Jasper gently nudges him and reminds him to remember why he's in the car in the first place, and why he has the keys in his hands in the first place. Because he had a plan, and maybe all it takes is a little bit of remembering.

This is already so awful, they had plans together AAHFHHD. But Jasp is always so good at calming David down, bringing him back. As much as I hate that Jasper’s dead this is one of my favorite kinds of setups. Like someone’s heartbroken and it’s kind of a “but how can I go on without you?” feeling and it’s like “You can, you HAVE to.”

(7) Jasper puts the key in the ignition for David and has David go through his memories of his senior year. David remembers Jasper, when he was still alive and bright and in the midst of his rebellious streak, and Jasper laughs as David chastises him for all those times he skipped class and nearly dragged David along with him. But David wanted to go with him. They had dreams - David had dreams that only Jasper knew, and as the end of the crept closer he grew more and more anxious.

(8) David isn't at odds with him mom, but his mom wants the best for him, even if it means pushing him towards a future he doesn't really want, but is stable and ensures he'll live an okay life. Gwen is the voice of reason in their friend group, always telling them off for having their delusions of grandeur, especially Jasper as he seems to lead David into living life based on impulses. He cares about them both tho, and wants to take their advice to heart... when it doesn't stress him out.

(9??) Jasper's the only one who really gets David, and he encourages David at every chance he gets which reveals David's deep seated love for nature, and how he yearns to get out of the city, and not be trapped by gray walls and mediocrity and studying a major he doesn't care for and living paycheck by paycheck, and also he really needs to get his license because he can't depend on everyone all the time or else he'll never truly be independent.

I love all this dynamic it’s so fitting, so perfect. Especially Gwen, she’s so down to earth and she has to be the one with her head on and thinking logically. So fitting. But David and Jasper just wanna be FREE AND IN LOVE DAMNIT FUCK

(10) Despite his internal conflicts, he still applies to colleges and even manages to get into the same one as Jasper, with mixed feelings. They end up touring the college together and partake in a party that leads to David exploding and saying that Jasper doesn't *do* college, Jasper is wild and free and exciting and takes them on roadtrips and is amazing and incredible and doesn't trap himself in the status quo and WOW he's drunk, no he's not, stop laughing, Jasper!

bWABAAHAHA FUCK YOU TUMBLR. (11) Jasper convinces David to recite one of David's favorite passages from his favorite book (because the book is important in the musical but let's pretend it's about the mystique of the wilderness and the freedom of exploration and freedom), and David recites and hypes them both up because of how excitedly he recites it with passion, and Jasper suggests that they do it, that they run off together and explore and Be the Mad Ones and Live Free and Wild.

(12) Jasper gets more and more excited by the aspect of just... going on the road, just the two of them, doing whatever the hell they want without anyone telling them what to do. And David's trying to be like, "Okay but we need to be prepared and stuff-!" but he's getting more and more hyped by it, and they both start getting excited- up until Jasper gets into his car and begs David to get in. And David freezes and panics and realizes he's... not ready to run yet.

Not crying bc they wanted to run off together NOT ME. BUT LIKE. YOU KINDA DO NEED TO GRAB SOME ShIT FOR THE ROAD JASP WHAT DO YOU HAVE WITH YOU??? AN EXTRA HOODIE AND SOME CRAP IN YOUR CAR? COME ON. Give him a little time you can take off in a few days just don’t tell people about your plans to elope???

(13) Jasper gets upset because they need to leave now before someone stops, but David feels unprepared and they argue and snap and- the memory breaks, and David's facing off imaginary?Jasper and blaming him and saying that Jasper never plans anything and it would have gotten them no where, and Jasper blames him back saying that David put the breaks on, and they keep blaming each other until Jasper yells that if they'd just left that night, he wouldn't be fucking DEAD!

nnoonOIFIDH wHy they figting WJHY ARE THEY FIGHTING I HATE IT. DON’T SAY THAT SHIT JASPER. What’s ten times worse is that this is David’s projection of Jasper therefore his own thoughts so he’s blaming himself through Jasper I hate it???

(14) David storms away from Jasper in tears as Jasper tries to call back to David and apologize, but David just runs to his room and locks himself in there and inevitably buries himself in more memories, but none with Jasper in it. He remembers that after their fight at the party, he went to his other best friend's house - Gwen. She asks about the college visit, and David, still running off his anger fumes, says that maybe college isn't for him, and he should do something else.

(15) Gwen tries to talk some sense into him, telling him that life isn't about always about having fun, that college is the way to go or else they'll NEVER achieve their dreams, and David snaps back that maybe he doesn't NEED college to achieve his dreams, and Gwen yells that real life isn't some fucking book, and if he thinks that's how life works, then he needs to get his head out of the fucking clouds and look around them.

(16) Life isn't like it was back then, it's labor and capitalism, and it's a fucking struggle, but that's the hand they were dealt, and they have to live with what they got. She gets upset and cries because she doesn't want to live like everyday sucks, but that's how it is, and she doesn't get to dream like David does, because she has to work harder to even begin to carve out a dream like David's. She implores him for once to stop trying to live ideally, but to live realistically.

WHY IS EVERYONE FIGHITNG STOP IT

(17) He ends up leaving and going back to his mom's, where his mom worries about her son and the state of his being, and tries to get him to open up to her, and it takes a while, but after some coaxing and cookies, and he opens and tells him about his argument with Jasper and Gwen. She's disappointed that David feels that way about college, but suggests that he finds a compromise - one that's realistic, but still gives him what he wants. He weakly agrees to her because he's tired of fighting.

(18) David goes to bed, only to wake to the sound of a phone ringing. His heart leaps, and David's stuck between the past and present, unsure of where he is. As he stares at his phone, Jasper sits down next to him and suggests he pick it up. It's then that David realizes that he's in the present, but still stuck in the past. Instead of living in the present, he suggests that he doesn't pick up the phone, because like, that'd mean like it never happened. Which means that Jasper... is alive.

David needs THERAPY it sounds like he’s having some serious issues with reality and stress and loss please he needs hterapy hahddha

(19) Jasper plays along and is like, "Okay, if I'm alive now, then we're doing senior year *my way*." So they craft an amazing, fun, incredible senior year filled with laughter and highs and love, and David gets to experience a year with Jasper by his side, and maybe he finally confesses, and maybe they go on a million roadtrips, and he's happy, he's so happy because Jasper's here, and he's alive, and- the phone rings. And the fantasy breaks, and he's in the past again. And he picks up.

FHDShHF THEY COULD’VE HAD IT ALL THEY COULD’VE BEEN SO STUPID IN LOVE TOGETHER

(20) Jasper's mom was the one who called him to tell him that Jasper had died. He'd been crossing the street to return a book - the book he read for David, because it was his favorite book - to the library, and didn't see the car in time. David's world collapses around him, and all he can remember is that night at the party, and why didn't he say yes, why did he say no, and it crushes him as he remembers it over and over again, and he realizes that he can't remember the rest of senior year.

SOBBING HE READ DAVID”S BOOK

(21:) For once, Jasper isn't there to snap him out of it. David has to snap himself out of it, and he digs through his memories of that horrible senior year and remembers the one thing that broke him out of his depressed stupor - Gwen. Gwen was dropping him off at the DMV to take his driving test (again). She's holding a familiar book, and she's trying to smile and talk to him while he's stuck in his head, and finally her voice gets through to him when she suggests something.

(22) While they're waiting for his turn, she says that she read the book he loves, and she kinda gets it now, wanting to explore and see the world, and she suggests that they take a roadtrip together before college, and they can go anywhere, and be anywhere, and it'll just be them two, and he won't have to worry about anything because she'll take care of things for him, and he can just... enjoy. And she smiles, desperate but hopeful, because she wants to see him smile again. But he doesn't.

(23) It breaks him out of his stupor, but only because her words make it sound like it's what he wants (what does he want?), but it's not what he wants, and he remembers Jasper's words of how someone's always gonna come along and try to assume they know what he wants, instead of letting him decide for himself. Gwen's doing it here, even if it's in good faith, he knows this isn't what he wants. He doesn't answer, and she looks heartbroken. Before he can get a word out, his # is called.

SOBBING SHE READ DAVID’S BOOK. SHE’s TRYING GOD SHE’s TRYING BUT THAT WAS THEIR THING THE ROADTRIP

(24) She tells him to go take his test and wishes him good luck. He gets in the car and starts his driving test, stressed out and mind a mess. Suddenly it's Jasper in the passenger seat pretending to be the DMV lady and telling him to listen to him, and that he can help David. He wants Jasper to go away, but suddenly it's his mom, telling him to be careful and slow down, and he needs to take less risks and stay in his lane, where he needs to be. Jasper's voice grows frantic and then it's Gwen.

(25??) Gwen is telling him to follow her instructions, and she can keep him on track and safe, so just keep going straight and drive. David argues that he doesn't want to be safe, and Jasper asks if he wants to take a risk instead. His mom says that risk is fine, if he prepares for it and plans for it. David says he doesn't want to plan for once, and Jasper gently tells him that he can take whatever path he wants as long as it feels right to him, before Gwen says that they need to move on.

Therapy therapy therapy please DAvid I’m beGGING YOU you have so much shit in your head babe please. Fighting to figure out what he wants vs what everyone else wants it’s too much

(26) She begs to him to go with her, even if it's hard, they need to make the right choice. David argues with himself, tries to figure out what he wants as everyone talks over his thoughts and words, his mom begging him to slow down, Jasper begging him to remember, and Gwen begging him to go, before David snaps and tells everyone to listen to him. Finally, he tells them what he wants. He never wanted to go to college, never wanted stay, never wanted to run away. But he wanted to go out and live.

(27) He wants to drive with no clear destination, drive to see and feel and live and nothing else, just by himself. Even if, even if he wishes... he wishes that Jasper was with him. But he knows that he's alone in Jasper's car, talking to himself and remembering, and he hears Jasper say to remember, his mom saying she'll let him go, and Gwen saying she'll step back. And David tells himself to look ahead, don't stop, and don't look back in the rearview mirror. He blinks, and it's just Jasper.

SOBBING

(28) It's just Jasper and David, sitting in Jasper's car in his mom's driveway. Jasper smiles, and reminds David that he passed. He's free. He can leave now. David cries and says that his mom will hate him, and Jasper shakes his head. He worries about Gwen, and Jasper says she'll understand. Jasper encourages him to be wild and free and mad and happy, and to NOT crash his car or he WILL haunt him, smiling through his tears as David reaches for him.

(30) David sobs. "I never got to say goodbye." Jasper takes a deep breath, looking away for a moment before turning back to David with a broken smile. "Sometimes you don't get to say goodbye." "...I miss you." "...I know. Total bummer, right?" David grabs onto Jasper and hugs him tight and begs, "Can't we stay like this?" And Jasper clings to him and says, "You know we can't." "Just for a little longer?" and after a moment of silence, Jasper asks with a soft cry, "What do you want, Davey?"

(FIN) David finally says that he wants to feel the wind in his hair with the windows down, the crunch of dirt under his boots, the smell of the pines, of living just to live. Jasper pulls away with a smile and reminds David that he'll live in David's wants and actions now that he's gone, and when David blinks, Jasper is finally gone. And he's finally moved on. And David finally puts the key into the ignition and starts the car. And he drives away.

NNNGNNDJ I HATE THIS BUT I LOVE IT. I hate every time you kill Jasper and make me love it. My poor boys I’m sO SAD FOR THEM> THEY HAD PLANS THEY WERE IN LOVE THEY WERE GOING TO DO ALL THE SHIT THEY WANTED. Jasper didn’t even get to see SENIOR YEAR IT’s NOT FAIRhFH And poor David just like BLANKED OUT that year of his life and WHO COULD BLAME HIM

When I do listen to this I’m going to have to prepare myself hardcore because I’m going to be a fucking wreck mess especially now that it’s firmly attached to Jaspvid in my head UHHHHH HTHANK YOU

#ellotalks #begging the readmore to work this time please this is so long #i haven't even had my coffee yet please spare me #the mad ones au #and i'm sorry hope it's okay that i tagged you #credit where credit is due YKNOW

[uzuuzuking]

so this started out as just a general post about why i like cinderella adaptations, but slowly spiraled into a ranking/review of all the cinderella adaptations i’ve seen in my short, young life. so strap in for possibly the longest post i’ve ever made on this blog. (look, i never know how much i have to say about something until i really get going lmao)

idk why i like cinderella adaptations/remakes/spinoffs so much? most of them are garbage (especially the ones within the last 10 years don’t @ me) but fuck it i like this brand of garbage. it’s fun to watch these movies and rework the bad plotlines and dialogue in my head as i go along.

i guess i like the source material and some of the aspects of all the different adaptations, but honestly i just like re-imagining them because there’s only so much cringey script-written-for-teens-but-clearly-written-by-40-year-old-adults-who-have-no-idea-how-teens-or-even-people-for-that-matter-actually-talk-and-interact i can take in one excruciating sitting.

anyway here’s my personal ranking of all the cinderella adaptations i’ve seen that no one asked for. (not including stage productions because i haven’t seen any and have no opinion of them. also not including into the woods because that’s not just cinderella, but a spectacular amalgamation of fairytale mishap and shenanigan.) and reviews because apparently i had more to say than i originally thought when i first started constructing this list:

cinderella (1997) - the absolute best cinderella adaptation of all time, hands down, this is non-negotiable. this movie has it all: an excellent and diverse cast, gorgeous costume design, beautiful sets, some of the most dazzling dance numbers i ever witnessed when i first watched it at the wee age of 4, and a positive, progressive message that was accurate for its time yet also so ahead of its time. i cannot praise this version of cinderella enough, it is my all time favorite and one of my top 3 feel-good movies. if you watched it today, the effects might not be as magical compared to what we have now, but keep in mind it was released in 1997. anyway, the cast is truly amazing and so effortlessly inclusive (and honestly the fact that the prince was asian with a black mother and white father and they literally never addressed it was such a power move). i could go on about this movie forever (i’ll probably make a whole post dedicated to it in the future) and what it meant to me and many others as young, impressionable poc. in conclusion, this movie set an exceedingly high standard for me and destroyed the chances of any other cinderella adaptation even hoping to live up to that. i love it! so! much!

ever after: a cinderella story (1998) - tbh i never saw this until i was in college but i immediately fell in love. i love the flow of the story as a whole - i never felt like anything was missing. i love the costumes and i especially love how danielle and henry’s relationship progressed throughout the film. slow-burn comes to mind when i watch their interactions and we all love a sweet, sweet slow-burn. it’s romance babes! it’s Dramatic in a few scenes and all i can say is that it really works because drew barrymore’s performance is exceptional, fantastic, engaging, more adjectives to describe how enthralled by her i was. above all, her character is compassionate - she uses her voice to speak in support for those who are suppressed by the flawed government systems and law enforcers, and influences the prince to use his status and power to better his people who lack the privileges of the nobility. she’s such a strong female lead (emotionally and physically - she literally fireman carries her love interest, who is taller than her and definitely exceeds her own bodyweight) and truly the mvp of this adaptation. watch it. watch it for Her.

enchanted (2007) - amy adams and idina menzel - ‘nuff said. okay but for real this one is so unique with its transition from classic d*sney 2D animation style to the real three-dimensional world and i adore it to the ends of the earth. the music? slaps! the story? slaps! the development of the main character? slaps!! she’s so princess-y and d*sney cartoon-y and struggles in the real world, but she adapts at a good pace and i love that she learns to be realistic while also keeping hope and love close to her heart. also her mother figure / daughter figure bond with morgan is so so precious. the only constructive criticism i have for this movie is the fact that we were robbed of idina menzel singing!!! did they know all along she was destined to play the frozen queen years in the future and decided against her singing in this one?? is that it? ridiculous. it’s been over a decade and i’m still seething over this. other than that this movie is *chef’s kiss*

ella enchanted (2004) - anne hathaway’s back must still be hurting from carrying this film. (no shade to the other cast members, they’re good, but anne is a queen and i forever love her.) this is another childhood favorite of mine. the story itself is a refreshing take - hats off to gail carson levine for the source material! i’ve talked about the differences between the movie and book before in the midst of my reread of the book a few months ago, but i don’t remember how much i focused on the movie. it’s so different from the book that it might as well be its own thing. on its own, the movie is pretty decent! again, mostly because of anne. it’s funny, it’s sad (especially that scene towards the beginning between ella and areida, i’m in stupid tears every time), and it gets weird but it’s a fun time. the chemistry between char and ella is so zesty i can feel it through the screen, i swoon over both of them. tbh i probably wouldn’t like this movie so much if not for the fact that anne hathaway is truly talented and i spend most of my time watching it just looking at her. 

cinderella 3: a twist in time (2007) - i genuinely enjoyed and appreciated how the characters were written in this one. they all had clear motives and became much more dynamic through their lines and actions (drizella is arguably the most static character here but she still amuses me so it’s fine i guess). cinderella has more agency since the stakes are higher. prince charming actually has a gotdamn personality and has some of the funniest scenes and dialogue. good for him. i was kind of sad that anastasia’s story with the sweet baker boy was thanos snapped by the stepmother, but she and baker boy get a cute credits illustration together so it’s still canon! maybe i’m more biased on this one because i grew up rewatching it A Lot, but i definitely prefer it to the first and second movies.

cinderella (2000) - this one is kind of weird but i like it? the film has a really interesting vibe that i’m still trying to figure out how to describe even after seeing it like 5 times. wikipedia refers to the aesthetic style as “the glamour of the 1950s” which just might be as close as we can get. it follows the general guidelines of the cinderella plot, but the main differences were: zezolla (cinderella) was already helping with the chores before her father remarried, claudette (stepmother) was actively trying to murder zezolla’s father during their marriage, the stepsisters were much more violent and crass (they hunted zezolla’s beloved farm animals for sport and talked about getting “a man in [their] bed”), zezolla’s father was manipulated by everything claudette did and said and treated his own daughter poorly as a result, and prince valiant is honestly kind of a douchebag but seems willing to improve himself after meeting zezolla (basically his vibes are iffy but he’s willing to learn). this whole movie is pretty niche and i have yet to interact with someone who’s also seen it. and the only reason i’ve seen it so many times is because i just like listening to how the dialogue is delivered. (except for prince valiant’s random song at the ball, i kind of hated that and i skip through it every time lol).

a cinderella story (2004) - the classic hilary duff version. very cliche early 2000s high school romance, but it works for the cinderella narrative. not particularly diverse. a classic nonetheless. in my mind this is the pinnacle of the “modern cinderella movie” type. this is one of the most iconic movies for us zillennials and i’d like to think it’s known well enough for me to not go into a lot of detail about it. basically it was fresh and new for its time, had plenty of memorable scenes, and did i mention hilary duff? the film kind of plays into the “not like other girls” trope - as do a couple of the movies i listed above - but i’m just going to acknowledge that the early 2000s were Wack and simply move on. all in all, i like this movie for the nostalgia, iconic scenes, and hilary duff. also jennifer coolidge is pretty funny as the stepmother.

another cinderella story (2008) - again, an early 2000s classic, but this time with selena gomez. i liked the dancing in this one. i like selena’s quiet, somewhat timid characterization of her character, mary. and jane lynch in the stepmother role is perfection. she’s so fun to watch and is always hilarious. the story is nothing remarkable, but it’s okay and i liked it as a kid. after the hilary duff version, this one still managed to feel fresh because, though it was similar in its modern era approach, it focused more on the performing arts and dance. “cinderella” is an aspiring dancer, rather than the 2004 aspiring scholar. the “prince” is a famous popstar, not a football player. the stepmother is an outdated popstar desperate to stay Hip and Relevant with the kids, not a cranky botox lady. honestly i just love watching this one for the dancing, mary’s genuine and innocent love for the “prince”, and literally everything that comes out of jane lynch’s mouth. that woman is a dialogue gold mine.

a cinderella story: once upon a song (2011) - lucy hale is good. missi pyle is good. they play their roles and lines that they’re given fairly well. over all, it’s entertaining. lucy, of course, has them Pipes and i do like the songs in this movie. the only major downside for me was the “token best friend of color” trope. lucy’s best friend is an asian girl who’s good at sports and is there for one liners and support. the prince charming character’s best friend is a black guy who he only knew for probably a month at the most. he can beatbox, sing, and dj. basically he’s also just there as support. they really don’t do much for the plot but they’re there for diversity and whatnot. this movie is.. fine.

cinderella (1950) - the only reason this ranks so low for me is because i watched it a lot as a child when it was on vhs and it always felt like a fever dream to me. i was just really young and didn’t feel invested in any of the characters. it is a classic, though, and i would watch it again and be able to enjoy it.

cinderella 2: dreams come true (2002) - i liked cinderella’s and anastasia’s stories from this one. jaq’s was meh. it was fine.

dj cinderella or cinderella pop (2019) - netflix knows i like cinderella adaptations so, naturally, they shoved this into my recommended and, naturally, i watched it. twice. which is more than i can say for the following review... so this movie is brazillian and is pretty much the cut & mold of modern cinderella movies. but she wants to be a dj. she stars out living a perfect life as a wealthy girl with a loving family, but turns out her dad is cheating on her mom with his secretary. that’s when she “stops believing in love”. which is actually valid bc if i saw one of my parental figures cheating on the other, i honestly wouldn’t know what to believe in anymore. anyway, cíntia dorella (yes. that’s her full name.) and her mom move into her aunt’s place. a year or so passes. stepmother/secretary/cheating lady is throwing an extravagant birthday party for her daughters and hires freddy prince, a popular musician who cíntia doesn’t really like. meanwhile, cíntia gets a dj gig she’s excited for until she finds out she’s the opener for freddy prince at her stepsisters’ party. she ends up disguising herself as “dj cinderella” and freddy is super into her. it’s pretty generic from there but i was entertained enough to watch it twice. take from that what you will.

cinderella (2015) - ok so we been knew that d*sney’s live action remakes ain’t shit, and this one is no exception. d*sney within the last few years has been like 99% aesthetics and marketing. this movie was visually stunning, especially with the settings and costumes. those were the only 2 things i truly liked. everything else was forgettable. in its defense, i did read a post about the “have courage and be kind” message which is something wonderful to hold onto, especially for anyone in an abusive situation like ella. that’s valid and i respect that. i still lowkey hate this movie tho. i started getting a headache about 4 reviews ago, but remembering how much praise this movie got has reignited my fighting spirit. honestly if you like it, that’s good, you like what you like and that’s that. but this is my review and i hated how proper ella’s posture was (she’s been doing physical labor hunched on the floor for years now, how does she not slump around in exhaustion at the end of the day??), i hated how perfectly curated the whole thing was (again, that’s mostly because of d*sney and their aesthetics), and i hated how hollow everything felt. i can’t perfectly describe it, but i never felt emotionally invested in any of the characters. something about their performance was lacking and yet again i blame d*sney. i actually really like lily james, but something about the way she was directed left me devoid of emotional attachment to ella. i remember nothing about ella’s step family or the prince. that’s how much of an impact this adaptation had on me. also i just remembered the fairy godmother as i type this. i ADORE helena bonham carter, but this movie does a horrible disservice to her. if she liked working on this movie, then i’m happy for her, but even she wasn’t strong enough to sell this to me. i saw this movie in theaters and came out of it lamenting my waste of money that i could have spent on something i would have actually enjoyed. but the thing that enraged me the most, the thing i despised, i detested, the thing i seethed over and rant about to this day was the ONE (1) token black character. i don’t even know if he had a name but he was captain of the guard or some shit. if i remember correctly (but probably not tbh this movie was so forgettable), he was the one who heard ella singing and was the whole reason the prince was able to have her try on the glass slipper. this man, who had zero character development, zero relevance to the plot, an insignificant amount of screen time, is suddenly the reason the main character is able to finally connect with her love interest. um. What. i hate how the writers treated him and i will forever be filled with every last grain of salt over this. anyway he’s my favorite character and everyone else is just eh. to conclude this ungodly long review, i don’t like this movie. i tried to watch it again once but got so bored i quit 10 minutes in. do yourself a favor and watch cinderella (1997) instead. (the only reason this movie is ranked above the remaining 5 is the production quality. but i guess that’s unfair bc d*sney has the big bucks. and maybe i wouldn’t be so harsh if i weren’t sleep deprived and grumpy from a sugar-induced headache, but these feelings still come from my Chest so idk.)

a cinderella story: a christmas wish (2019) - i think we all secretly enjoy christmas-themed movies and this has got to be someone’s guilty pleasure. i was mildly entertained (but again with the cringey dialogue written by people clearly not in high school...) and i do like laura marano. but they autotuned her to hell and back - which i loathed - because the woman can actually sing and she has a lovely voice. she got to sing candidly one (1) time and i relished the experience. my ears thank her beautiful, un-autotuned voice. other than that it was.. fine. i didn’t hate it but i didn’t like it either. laura marano deserves better than this. (can’t say the same for the other actors tho because their roles were unmemorable.) also laura marano was super cute in her elf costume!

not cinderella’s type (2018) - i legit forgot about this one until after i compiled the entire list lol. i saw it on youtube and it was decent as far as i remember. it’s another modern day cinderella. i think the “prince” runs over “cinderella’s” cat or something?? i’m pretty sure it was her mom’s cat so now she has nothing left to remember her mom by. prince boy feels awful and tries to befriend her or do something to make it up to her, but she just doesn’t really like him. i think her aunt and uncle are emotionally abusive to her and prince boy does his best to be there for her without making things worse. if i remember correctly, i liked that aspect of the movie because it’s hard to be there for a victim of any kind of abuse if trying to help them could potentially hurt them more, especially minors still under the care of abusive guardians. anyway i think cinderella girl’s best friend is in love with her or something but she ends up not being into him and slowly gets together with prince boy. she eventually moves out of her guardians’ house and into the spare house at prince boy’s home (he’s rich or something). i need to rewatch this movie tbh i could be wrong about everything here lol.

rags (2012) - not amazing, definitely not memorable because i have nothing to say about its plot or writing, but it has keke palmer which is its one redeeming quality. also it’s the only one on this list where the male protagonist is the cinderella. so that’s solid i guess.

a cinderella story: if the shoe fits (2016) - this was a movie. it happened. i vaguely remember how ridiculous it was and sometimes i felt secondhand embarrassment. i don’t remember what about specifically, but i remember the emotion. sofia carson is a talented singer. i think she’s a decent actor but this script was Bad.

elle: a modern cinderella tale (2010) - i only watched this one because i was bored out of my damn mind and saw it on youtube. i felt bad for all the actors because this script was terrible. i don’t recommend this unless you’re about to sit down with your squad and make fun of it.

apparently descendants is on the “cinderella adaptations and references” list on imdb but i refuse to put it on my list because it’s not a cinderella-specific adaptation and i don’t like the descendants franchise. now, if we’re going to discuss a quality series about the children of fairytale characters, that would hands down be ever after high. but that’s a different topic for a different day.

thus concludes the ranking no one asked for but i felt compelled to make. thank you and goodnight

#summer.txt #cinderella #longpost #if anyone reads through this whole thing congrats! #i'll get u a gold star from the esteemed dollar store and bequeath it to you via uploaded photo #i didn't think i'd be typing for 4 hours straight but apparently i have a lot to say #i started falling apart at the end there lol #and around the middle bc i forgot to add cinderella 1 and 2 #god my head fucking hurts #i had a craving for sugar today but i went overboard and now i'm paying the price

[luminisvii]

okay im gonna go black out and write some bullshit about my Thoughts on Literary Analysis and Character Writing bc i love writing and i love trying to figure out what works and what doesn’t. i am an unfortunate fan of fire emblem, so the real joke is on me, but let’s do this anyway. using a lot of bold as always! it makes me feel special.

Why is Leonie such a divisive character? 

as per usual, here is my disclaimer that it’s okay to like Leonie. it’s also okay to dislike her, as long as you’re not being a massive dick about it. lord knows people are rude to me about lorenz and i didn’t ask for their opinions. if you like leonie, i am not out to get you, i’m not going to tell you that you shouldn’t, i’m not even mad at you. Neat! you like a character i don’t! and that’s just fine. i honestly don’t care! go have fun! 

so let’s talk. theres a TL;DR at the end so be ready.

i’ll make no bones about it: i’m in the camp that dislikes her. i don’t have the energy to hate her as i do for faye, but leonie is pretty obnoxious as a character and it’s an uphill battle to like her. i’ve played VW like three times since i’m a self professed GD stan so i’ve dealt with her a lot, read most of her supports, and seen her as a character in actual cutscenes and stuff.

the short answer: making a character obsessed with another one and having that be most of their personality is really annoying. 

the long answer: let’s start on that now! these are my personal thoughts and analysis, so you’re free to disagree with me if you think i’m falling short.

one statement i will make right away is that i’m not offended by leonie being mean to the player. a lot of people who stan leonie like to argue that people dislike her because she’s one of the few characters who doesn’t kiss byleth’s ass immediately. that’s fine. that doesn’t bother me. after all, seteth and hapi are mean to byleth at first too, and those two are far more beloved… in fact, it’s funny that they’re mean to byleth. i would also argue that my favorite lord claude is not buddy buddy with byleth at first either, but if these popular opinion threads have proven anything to me, people love taking claude’s lying ass at face value. that’s besides the point—it’s okay that leonie isn’t immediately friendly to byleth. that is not an objective character flaw. characters need something to conflict over in the narrative, and not being instantly friendly to a player insert is not a problem in the slightest.

the major flaw in leonie’s character, imo, is that the writers decided it was a brilliant idea to make her obsessed with a man who barely seems to acknowledge her. this is an extremely unfortunate reoccurring character trope in fire emblem. notable other victims that more modern fe fans may recognize are faye and cordelia, faye being the worst offender. luckily, leonie isn’t as bad as faye. but it really is irritating that leonie, along with these other women, seem entirely driven by men who cannot acknowledge them. within three houses, you have similar traits in male characters as well: cyril is another notable offender, and to a lesser extent, dedue’s fixation on dimitri. now, we do see jeralt talking to leonie at the very least, and he does speak about her at least once in my memory, and positively at that. so it’s not as pathetic as the likes of faye. 

outside of that, leonie cannot stop fucking reminding everyone she comes across: she loves captain jeralt. she’s his only apprentice. and you, dear player, who is his child, are not good enough, because you don’t love him as much as she does. practically all her convos with byleth are about how they don’t love jeralt enough, save for a slight turn around in the A support where she talks about her promise to protect byleth in jeralt’s place. to be honest, i usually ditch her in any run i’m forced to take her (hello sylvain, the superior idiot redhead cavalier) so this promise is just cute.

the arrogance in this attitude is insensitive at best, and as seen in her B support with byleth, potentially malicious and self centered at worst. 

let’s not beat around the bush. the main point of contention for leonie is her B support with byleth, which is locked to jeralt’s death. you cannot get this support until jeralt has kicked it. and if you’re on GD, chances are you have gotten enough support points with leonie to get it immediately upon his death. the man’s grave is still fresh. what does she have the gall to say to her beloved mentor’s child?

“I've spent my whole life working to become a great mercenary like your father. There were so many times when I wanted to ask his advice, but I couldn't. I just had to make do. That's how I've made it this far. Just hard work, all on my own. But then you come along... And it's like you don't appreciate Captain Jeralt at all, or how lucky you were to have him around your whole life! Ugh! It still really bothers me! You might be his kid, but I'm still his best apprentice! Got it?!”

YIKES.

no matter how you dice it, saying that to someone whos father just died? NOT GOOD. it doesn’t matter what her reasoning is. a lot of people argue that this is realistic, that she’s acting out of grief. maybe so. however, if the game wants me to like her, they’re failing, no matter how realistic her reaction is. if this was supposed to be seen as a moment of weakness, that would be one thing, but it’s clear leonie never learns anything from this. she never gets better. she spends the rest of her life constantly centered on jeralt, and sees byleth as a competitor and obstacle to his affections, even after he’s dead. 

i don’t want to entirely make this about byleth, because let’s be real, byleth is only one of her many supports. but it is the most easily noticeable, and the least charitable to her character. 

also fun fact i did a basic search for jeralt in her supports and thats 37 times hes mentioned lmao this isn’t even accounting for her non support dialogue! which is still a lot! 

so a decent chunk of her supports still involve her talking about how great jeralt is as if the man is jesus. her better supports don’t involve him at all. i don’t have easy access to a lot of her dialogue by chapter, but quite a bit of her regular dialogue references jeralt too, be it by name or title, and a good chunk of her endings, especially her solo one, have her just taking up his title and job and drinking habits. it’s supposed to be seen as cute.

this woman is in her 20s at the beginning of the game. she’s my age. this kind of behavior is worrying. 

so you’re thinking “tell, you’ve spent a LOT of time talking about how leonie won’t shut the fuck up about jeralt. what about the rest of her character? unlike faye, she actually has one!” right you are! i will concede that. leonie does have things going on for her outside of her constant screeching about jeralt! what are they?

we see that her personality has her as a hard worker and frugal person because she’s grown up in a life that has less than many of her peers. she’s rational and rather keen, capable of assessing her opponents correctly and outsmarting them. she likes to help others. her supports with claude are fairly interesting as they talk about their own perspectives on the world to each other in a friendly manner. she talks to bernadetta and praises her skill in craft and manages to befriend her. in fact, all her supports where she doesn’t mention jeralt at all are pretty good. she can be headstrong and sometimes quick to jump to conclusions, but leonie isn’t one to be too beholden to preset ideas and shows a capability to learn and change.

wait, this sounds like a pretty well rounded and likeable character i’m describing! what happened here? this kind of portrayal is almost contradictory to the side of her that only thinks of jeralt. 

a lot of people who like leonie like her for these aspects. at first, i had thought her to be interesting, since she’s the poorest student in the entire school, here on money raised by her entire village, which must have been extremely difficult for them to do. she doesn’t understand how nobles can be so frivolous, and butts heads with the likes of hilda, who has been raised in luxury her whole life and she clashes even harder with lorenz, who is obsessed with nobility. in a way, leonie is the slap from reality that many of the rich students from garreg mach need. and she also serves an important function in the dynamic of the deer—she’s a bit of a hapless straight man to all their bullshit. they always need one of those! in the lions, that role falls to ingrid, while edelgard plays that to her own house. 

so yes, there is merit in leonie’s character. there’s a lot to like about her here. however, in my opinion, it’s not enough to make up for the incredibly abrasive aspects of her fixation on jeralt. it really just comes back to that—that someone decided that it would be a fantastic character trait to have her never stop thinking about a man, and flaunt this to the man’s child. constantly. almost all her dialogue directed at byleth is about jeralt. post skip, a lot more of her lines become about jeralt and making him proud. it’s like she thinks that he’s her dad. she’s a grown ass woman! leonie is one of the older students! she is an adult by the time the game starts! an adult with some actual worldly experience, unlike her peers! what went wrong? why is she like this? why did they make her so fucking annoying when it comes to jeralt?

so yes, that’s what i think is the major flaw of her character. a flaw that is not easily overcome. cyril is a largely derided character for similar reasons. another simple control+f tells me that rhea is mentioned in cyril’s supports 59 times so uh, woo! he has leonie beat there.

worst of all this is a flaw that narratively, she does not overcome. she never grows and gets better from it. she never changes her single minded determination to impress jeralt, even long after he’s dead. a good chunk of her endings have her taking up his business and acting just like him, taking his title too. somehow lorenz is the more likeable character, and lorenz starts off as a much worse person than her! he starts as a stinky incel classist and somehow, especially over the course of verdant wind, manages to learn and grow and change into a much better person, while leonie remains stagnant in who she is. her own peers outdo her in almost every aspect, in that they appear to be capable of growing up while leonie, already an adult, never seems to show any signs of maturing over the course of the game. we see ignatz turn from a meek nerd to someone who’s willing to do what it takes to protect what he cares about. marianne grows from suicidal and depressed to finding the will to live because it means she’ll be able to spend more time with things she enjoys and people she loves. lorenz goes from snobbish and distant over his complex about nobility to being one of the kindest members of the deer, willing to go against his father for the greater good. even hilda matures! hilda starts the game lazy and unambitious, trying to avoid work, saying she’d never risk her life for her friends, to fighting against some of the strongest forces in the continent and ESPECIALLY on CF we see her refusing to abandon claude in his time of need, no matter how bad it gets, even if it costs her life. what does leonie do? leonie seems to forever be stuck in the mindset that she has to impress jeralt, no matter how far she goes.

this is incredibly nitpicky, i’ll admit, this isn’t really part of the character analysis, but i find she under performs as a unit too. she may have ungodly speed and no weaknesses in her skills, but damage output wise she’s easily outdone in house by the other canon paladin of lorenz and his wonky statline, and out of house sylvain has basically the same ability as her, the same color hair, and a crest + relic that make him way more effective. the man has bulk, too. so, that’s a small ding to leonie as well. i had the same problem with sully in awakening. for all the talk about how these women are just as good as the men, they appear to under perform quite a bit.

and i’m gonna talk real quick in a basic list format of arguments i’ve seen for people defending leonie, since i’m running out of like, a coherent way to talk about some of this stuff.

-She’s realistic.

maybe so, but the game intends for me to find her as likeable and sympathetic, as it is for all recruitable characters. her reactions to byleth and sometimes others may be realistic, but don’t paint a charitable image of her. again, the moment in her B support with byleth is so bad, it makes her seem like she’s acting towards them with cruel intent. while i don’t care about byleth’s feelings since byleth isn’t a real person, what it does is it paints leonie as malicious, no matter what her intent was or how realistic it is. yes, she’s in grief, she’s lost someone important to her, but in what context is telling someone who just lost their dad that they didn’t love him enough supposed to garner anything but hatred? even if she apologizes for it in their A support, that means she basically took years to do so and still seems to think of byleth as an obstacle to her being like jeralt.

although as i have said before, the rest of her personality is fine. i find her non jeralt stuff is much more well written. she’s a down to earth person amidst a sea of lunatics. that’s not a problem.

-People don’t like her because she’s mean to Byleth. 

this is probably true in some regards although i can’t say for certain. because byleth is a player insert and some might take it personally, but otherwise i find this isn’t much of a good universal claim since there’s more to the disdain to that. personally, i think it’s hilarious when video game characters are mean to me, but that’s just My Opinion, so no, i’m really not offended by leonie being mean to me. other characters are also mean to byleth, and that leads into the next point...

-Other characters act similarly towards Byleth and they’re popular.

one, look at those stupid unpopular opinions threads on twitter. they’re not as loved as you think. two, a lot of the characters who are listed for these things are often the likes of seteth and felix, and let’s talk about the context of their actions there. seteth is indeed mean to byleth at first, but his intent is wildly different from leonie’s—he’s suspicious, and rightfully so, of this mercenary who came out of nowhere and rhea is suddenly showing a lot of interest in and is giving a position of power to. seteth is not acting out of malintent or jealousy, he’s acting out of concern for the students and his daughter as well as rhea. because his core intent is “protect everyone around me” it comes off as far more palatable and dare i say, endearing. this is vastly different than “i’m jealous towards byleth because i love their dad and hate that they’re getting attention i can’t.” with a character like felix, this is outright incorrect—felix is not necessarily more rude to byleth more than he would be anyone else. felix is angry with the faerghus four in particular, but everyone else gets the same level of vague disrespect from him otherwise, so his behavior is not centralized to byleth. again, i don’t care about byleth’s feelings. there is also cyril, who is similarly obsessed with rhea, and is just as irritating as leonie for it, if not worse because he gets an extra layer of being a poc character obsessed with a white one who saved him. 

tl;dr: context and intent matters. a lot. i know this is a ton to ask of the fe fandom to consider taking things beyond face value, but please consider the context of characters actions and their intent behind them.

-People who don’t like Leonie are misogynistic.

i won’t discount that there are bad actors who are likely extra critical of leonie because she’s a female character. it could be and has been argued that the reasons that characters like edelgard and ingrid are so controversial is because they are female. but not everyone who raises criticisms is strictly doing so in bad faith. most people i’ve seen criticizing leonie do it for the same reasons i am, which is that she’s an abrasive character. these traits would not be any better on a male character and in some regards could be worse. so for this one, it’s better to take it as a case by case situation, and pay attention to how people are talking. those doing so for less savory reasons often let it slip eventually, somehow. i’ve been avoiding using the word “bitch” in this entire thing for this exact reason.

-Her non-Byleth supports are good.

this is highly subjective imo and comes down to what you personally like in a character. i do like some of her non byleth supports, but she still has an unfortunate habit of bringing up jeralt in non byleth supports, so the only ones that are truly good are the ones where she doesn’t talk about him at all. even then, some like her one with marianne can do the same accidental portrayal of her seeming like a pretty unpleasant person. this isn’t saying that leonie can’t be flawed or short tempered, after all i adore felix and he’s got Some Fuckin Issues, but her portrayal as a kind and bright person clashes with how she’s portrayed surrounding byleth and jeralt. far too much. i like her supports with claude, i like her line with bernadetta, and her seteth one is good too, but i’d also argue that as a personality she doesn’t bring much to the table. she’s a perfectly serviceable character when she’s not dealing with byleth, but i personally fail to see more appeal to her. she isn’t particularly enrapturing like some of the others, and unlike someone like ingrid who has a similar role in BL, doesn’t have the shared history and integration with the deer that grants ingrid a unique perspective on her peers. although again, this is highly subjective, so it’s tough to argue about this. i’ll grant that yes, the writing that doesn’t surround jeralt is WAY better and almost makes leonie a redeemable character.

-Other characters are worse.

very true! i’ll cite faye again as the bottom line for “this is how abysmal this character could be” and in feth itself there is, as stated many times before, cyril. however it doesn’t mean that leonie is better by association. and i also often see people citing seteth as an example over the rudeness to the player too, but once again that’s about context and intent. hapi is a lesser example, due to a similar mistrusting nature, and there’s quite a bit of the cast who are cold and rude because that’s just who they are. now, thank fucking god that leonie actually talks about things that aren’t jeralt. like, seriously, i’d die. she still talks about him too much, but i really should go through all of faye’s dialogue to do a proper count. 

so now you’re probably thinking—if you even got this far—“gee tell, you sure do like running your fuckin mouth, eh? so what’s the point of all this?” let’s wrap it up. 

the TL;DR:

what this all boils down to is that leonie’s got a serious problem in her writing where her entire life revolves around a man, and the way it’s dealt with isn’t particularly great. she doesn’t have a dynamic character arc like some others that redeem them from their problems, and the personality she has outside of her relationship to jeralt and byleth often clashes with the one she has with them, particularly centering on byleth. when dealing with byleth, the image it paints of her is extremely negative, and not one easily shaken—again, the B support moment is just THAT BAD. that is the most cited moment for why people hate her. it just seems like for all the flaws she has, they are not compensated for or grown out of like other characters in the game do for theirs.

theres also that tweet about how we put more thought into these characters than intsys does, so. yeah. definitely doing that right now. thanks, intsys, you did it again.

i will also point to the argument that we should hold the writers accountable, not the fictional characters who aren’t real and don’t have feelings. i don’t think leonie needs to be held accountable for her bullshit. i just wish the writers could have treated her better.

this is personally why i find leonie so difficult, and hopefully if you didn’t understand why people don’t like leonie, this can help enlighten you. i’m willing to hear people out if they have something to say, and as always, if you are a leonie stan, please go enjoy yourself, have fun, and don’t let me ruin your parade. i just enjoy trying to figure things out and talking a lot along the way! so that’s all, here’s hoping that in the future they do better, and remember that GD is the best house okay bye take this picture of me typing up this whole ass thing

#don't tell me tell #i should probably make a separate tag for when i lose my fucking mind like this