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#tw drama
ririchonne · 2 months
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It started with a kiss (and a pizza)😂
New Korean drama airing on Sunday at 9pm starring Danaï Gurira and Andrew *not so slick*Lincoln on AMC
https://x.com/TWDU_Fans/status/1761816748721140097?s=20
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gloomylace · 2 months
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hii!! debunking cluvunies post because it is the SAME terrible excuse from their discord server! no tq, very long under cut. tw for rape && perhaps other things, be cautious
Establishing boundaries is hard, especially if you've been shut down multiple times. As well as the fact cluvunies had IGNORED previous attempts to establish boundaries. That's quite discouraging, ain't it? Plus other beings ignored my boundaries or just blatantly was an asshole about it. You wouldn't wanna keep trying if you were constantly ignored or hurt trying to do so, right?
The fact you never said anything about being an impulsive liar before is an issue as well. It's not hard to say 'I impulsively lie a lot, please don't believe everything I say.' But, you didn't do that and ended up causing more damage. Honestly, I don't even believe it's a lie. None of your stories ever add up. There's always contradicting information or pieces of the story missing. You also said something about doing things with your 11 year old cousin && turning the blame onto the little cousin? That's gross.
Pathological lying is not okay and that really really should be in your BYF or as a warning. Lying like that isn't okay especially since you could get in legal trouble for your lies. I could've easily told authorities that somebody was crushing on me and asking me sexual questions online but I didn't.
Also, asking sexual questions or anything like that is not okay. You never asked me, or anybeing else for that matter if it was okay. I am not okay with that, it makes me uncomfortable because I am a victim of sexual abuse && grooming myself. Sexual topics is not something I am comfortable with unless we're very close. As in like you've seen my face, heard my voice, etc.
Lying is not an excuse and it never will be. Lies aren't a justifiable reason for any of this. You can't justify half of this. You need to own up to the fact you've done some shitty things and apologize for it. You can't avoid this forever.
You also failed to mention the following: Your kokoa alter suddenly appearing after learning I was kokoa (&& all of my identity that they have basically taken from me, especially my typing quirk && editing style), your consistent trauma dumping on basically everybeing you talk to, especially me and another being, and you ignoring my boundaries on multiple occasions.
And again, establishing boundaries is hard. I get shut down every single time I try to && often try to hint at boundaries in other ways (showing a thing i made with the thing i'm uncomfy w mentioned && such), if I have something on my boundaries rentry (.co/smiled) it should be obvious if i'm okay with it or not, right?
Just 'wanting to see a reaction' is NOT an acceptable reason to do something. That's like bullying somebeing and then trying to justify it by saying 'I didn't mean it! I just wanted to see what would happen!!' Doesn't sound like a good reason, right? That's because it ISN'T a good reason.
Also, saying you'd want to die from r//pe is absolutely disgusting? I've been r//ped, it is not a fun thing nor is it something to wish to happen. It hurts physically and mentally. Wishing to be r//ped is not okay, especially if you haven't been r//ped at all before. If you haven't, you don't know how it feels both on your body and on your mind. Just because you're mentally hurting does not make that an okay thing to say. R//pe is never a fun thing.
You consistently avoid topics that make you seem bad to keep your image up. But you need to own up to the fact you messed up and stop avoiding it. Copy pasting a message from discord won't change anything. Please at least put some effort into it.
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fictive-culture · 1 month
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fictive culture is finding out your source (youtuber/streamer) is apparently a terrible abusive person, and knowing that you can't even introduce yourself by name anymore, because between that and your accent, anyone's sure to clock exactly who you are, and they're gonna think you're just as horrible as your source, even when you're nothing like that.
fictive culture is just... being tired of being a fictive sometimes.
We know who this is about and have a fictive and factive of the same man and it sucks so much. We hope the victim gets the support they need and that the abusers ex friends have each other through this and we hope all introjects fictive and factive alike love and wish for your safety and no one treats you like your source.
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lurkingshan · 7 months
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A Time Called You: A Great Reminder to Go Watch Someday or One Day 
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This past weekend Netflix dropped a new kdrama called A Time Called You in its entirety, and I became particularly interested in watching it as soon as I realized what it was: the Korean remake of Someday or One Day I knew had been in the works for awhile. If you’re not familiar, Someday or One Day (SOOD) is a beloved 2019 Taiwanese drama that is widely considered to be among the best dramas the country has ever produced (there is also a 2022 film version of the story, but that’s less relevant to this post). Now, I love Korean dramas, and I know that countries remaking each other’s best shit is very common in the Asian media landscape, but I couldn’t help but feel protective of the original work and a bit resentful of the choice to adapt something that was so original and unique and specific and put that generic kdrama sheen on it. Taiwan has a small film industry, and this is one of its jewels. We didn’t need Korea’s take on it.
And having watched the adaptation in full now, I am feeling pretty justified in that initial feeling. Let me just say upfront: A Time Called You (ATCY) is a perfectly good drama with a solid cast and competent storytelling. Had I seen it absent the knowledge of what it was adapting, I probably would have liked it a lot. But I have already seen and loved Someday or One Day, so I feel compelled to break down why it is the better version of this tale, both for my fellow SOOD devotees who are wondering how this adaptation stacks up and for folks who have only seen the kdrama in the hopes that you’ll decide to watch the original. As usual, I did the most, so reader be advised that this is long (tagging @troubled-mind as promised and @smittenskitten because I saw you were looking for a comparison of the two dramas). TL; DR: if you liked ATCY, or have seen neither version and are wondering which to watch: go find Someday or One Day, because it’s an overall superior and more satisfying execution of the same story.
The Vibe
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Let’s start here because it’s the most obvious and immediately striking thing as someone who has seen both versions. SOOD has a bit of a rough and unpolished feel, which makes it feel more grounded in reality (important when you are getting into fantasy elements like time travel but you still want the characters to feel like real people). We open our story in 1998 in a record shop with a young girl playing Last Dance by Wu Bai and China Blue, a 1996 mando pop rock ballad, and thus setting the tone—this will be a somewhat raw and bittersweet story about grief and hurt and longing that will invite us to wallow in our feelings. And that melancholic vibe stays throughout the drama, even in the explicitly happy scenes, because you are always aware that the joy you are seeing has already been lost. 
By contrast, ATCY feels… emotionally flat. Don’t get me wrong, it is a very faithful adaptation. The early episodes are practically a shot for shot remake of the original drama. But it’s too polished, too shiny. The filmmaking is bog standard kdrama fare; everything is soft focus and warmly lit and too beautiful and consequently nothing feels real. It feels right in line with the standard aesthetics of recent mainstream Korean dramas, and that choice undermines the emotional weight and grit of this story.
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A great example of this can be seen in the way the two dramas handle the iconic scene where our female lead runs in the rain, looking back over her shoulder to smile in delight at the male lead before continuing on her way. This is a moment of realization for him about his feelings for her—one he will later immortalize in a painting that becomes part of the mystery of the past she is trying to unravel. In Someday or One Day, this scene takes place on a regular street, in the utterly mundane surroundings of their everyday lives as they walk home, and she runs down the middle of the road as puddles gather in the uneven pavement; in A Time Called Love, they are in a picturesque park for this scene, surrounded by green and encased within a grove of giant trees, and she runs right down the middle of a tree lane that looks like it came straight out of a fairytale. One story is very much about a love grounded in a reality we can recognize; the other is pure fantasy romance.
The Music 
I already mentioned the song that anchors the Taiwanese drama above. Last Dance is hugely important to the story, both thematically and as a plot device, and in its ability to set the mood and tone of the drama. 
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The Korean remake similarly uses a real 1996 ballad as its main song and time travel mechanism: With My Tears by Seo Ji Won. And, uh, the vibe is a bit different. 
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Discerning listeners might recognize this as one of the many classic love ballads performed by our favorite doctors by day, rock stars by night over on Hospital Playlist. It’s a perfectly fine song. But it sets quite a different tone for our story, doesn’t it? It also is meant to be a song that a teenage boy is hankering to listen to on cassette, and listen, I wasn’t living in Korea in 1996. I have no idea how culturally accurate that may be. I’m sure there were in fact baby Lee Ik Juns running around trying to get their hands on this cheesy love song. But the edgier sound of Last Dance definitely sounds more in line with something the teenage male lead would listen to and what the music is meant to convey. And frankly, since we hear this song about 30 times in the drama, it matters that Last Dance is just an objectively better song. 
And that’s just the tip of the iceberg, because beyond the classic song each version chose to use as its centerpiece, there is also a stark difference in the quality and tone of each drama’s OSTs. Here is a compilation of the Someday or One Day tracks, including the utterly gorgeous main theme by Shi Shi. The music is hugely important in the Taiwanese drama and is used to set the mood as well as emphasize its themes, and the tracks feel specific to this story.
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And here is a compilation of A Time Called You OSTs.
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If you’re familiar with kdrama OSTs, you will recognize most of the artists on here, as well as some new covers of old songs. And again, the vibes are quite different. Whereas SOOD was very intentional and specific in its music choices, ATCY just sounds like every other kdrama. There is nothing on this tracklist that stands out or evokes the kind of feeling that the SOOD tracks do.
The Main Couple
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The name and timeline situation in this show makes this section unnecessarily difficult, so let me just make a little reference sheet here: 
Someday or One Day
Alice Ke plays Yu Xuan (2019) and Yun Ru (1998)
Greg Hsu plays Quan Sheng (2019) and Zi Wei (1998)
A Time Called You
Jeon Yeo Been plays Jun Hee (2023) and Min Yu (1998)
Ahn Hyo Seop plays Yeun Jun (2023) and Si Heon (1998)
All of the actors here are seasoned and very good at their jobs, so I am not casting shade on any of them—they are executing their performances based on writing and directorial choices. But I cannot deny that the Taiwanese version of these characters are more compelling all around. In SOOD, the main characters have a real spark; despite the melancholic undertone of the story, there are moments of genuine joy and when they connect with each other, you feel why this bond is strong enough for them to find each other through time and despite all the trauma they endure. In ATCY, however, the characterizations are muted.
This is most evident in the difference between Quan Sheng/Zi Wei and Yeon Jun/Si Heon. Greg Hsu plays Zi Wei as magnetic, playful, mischievous, utterly lovable, and very intense about his feelings for his lady. He has a real joie de vivre about him that clearly brightens up Yu Xuan’s life considerably, and his devotion to her is not just shown, but deeply felt. Experiencing their memories, you understand immediately why Yu Xuan can’t move on from his death; he was the joyful, relaxed counterpoint to her more ambitious and serious personality. Si Heon, though? He is a nice dude and a generous partner and he is very good looking. But he doesn’t have the playfulness or the intensity that his Taiwanese counterpart does. His personality is just more moderate all around. One great example of this: upon discovering that he has traveled forward into the body of the person that would become Yu Xuan/Jun Hee’s boyfriend, Zi Wei (in Quan Sheng’s body now, are you still with me?) actively decides to find her, love her, and try to solve this time loop quagmire they are in; Si Heon (in Yeon Jun’s body) waits for a moment of fate to give him a sign, and only makes the decision to pursue Jun Hee after running into her by coincidence.
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Similarly, Jun Hee is not quite as spunky and sassy as Yu Xuan and Min Yu is not as dark and awkward as Yun Ru; when Jun Hee travels to the past and takes up residence in Min Yu’s body, the differences between the two characters she is playing are not as evident. In SOOD, I could tell at a glance who is in Yun Ru’s body; in ATCY I need more context to be sure. Where Yun Ru had more of an edge, Min Yu simply reads very shy. It’s not as compelling. One scene that really stands out as an example of this: when Yun Ru is pretending to be Yu Xuan in 1998 and looks in the mirror to practice smiling, it looks downright creepy and sinister; when Min Yu is masquerading as Jun Hee and looks at herself in the mirror, she just looks awed and happy, if a bit awkward. It’s subtle, but it changes the way you feel about the characters. 
The difference in Jun Hee and Yeon Jun’s characterization also affects the couple chemistry, which is just not nearly as strong in ATCY. The characters are more muted and thus the expected sparks are more like smoldering embers. The relationship feels cozy and warm and nurturing, but it doesn’t feel vital. It doesn’t feel like the kind of relationship you would fight through time or break the rules of the universe to return to. I recall gasping or crying or laughing out loud throughout SOOD because I was constantly taken aback by Greg Hsu’s arresting presence and the chemistry he and Alice Ke generated was just emotionally riveting. When Yu Xuan told Zi Wei (as Quan Sheng) that they were officially together, that man literally jumped for joy and shouted out his love for her; Si Heon (as Yeon Jun) reacts to the same moment with a quiet smile and a hug. When Zi Wei saw Yu Xuan in Yun Ru’s body again in the finale, he knew instantly that it was her and the smile overtook his face as he reached for her; Si Heon initially called Min Ju’s name before getting closer and taking several beats to realize it was Jun Hee (ruining this iconic moment is perhaps this remake’s greatest sin against romance, my god). 
Everything between the couple in SOOD was just more, both in happiness and in despair. I liked Jun Hee and Si Heon, and Ahn Hyo Seop and Jeon Yeo Been are very competent actors whose performances I have loved in other dramas, but they didn’t achieve that level of chemistry here, the writing and directing choices worked against them, and I didn’t feel that same desperation for them to figure this out that I did with Yu Xuan and Zi Wei. 
The Story 
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The Korean version is a very faithful adaptation overall (I haven’t mentioned Jun Jie and In Gyuk because his character and story is more consistent across the two shows), but does make some small tweaks to the story, some of which seem to be out of necessity due to a shorter run time (one episode and a couple hours total less than the Taiwanese original) and some just… because? The shorter amount of story time does lead to them having to cut corners on some aspects of the mythology and time travel lore, making it all a bit less clear for folks who don’t already understand what’s going on, and they put in a few nods to typical kdrama tropes like amusement park dates and hand of fate stuff that we really didn’t need—they are already trapped in a time loop together, we get it!
ATCY also messed with the timelines and ages for reasons I don’t really understand and that don’t really track. In SOOD, Zi Wei traveled forward from 2002 to Quan Sheng’s body in 2010, met Yu Xuan, and then died in 2018. In ATCY, Si Heon traveled forward from 2002 only to 2007 and did not die until 2022—but the relationship dynamics are all the same. It made sense for a young couple who had been together about 7 years and who were in their mid-20s to be having the kind of relationship problems they did—fighting about prioritizing careers and time abroad and whether it was time to get married. But a couple who has been together nearly 15 years? Who are in their mid-30s? They would have already been married probably and had a couple kids to boot. The choice to change the timeline like this had me scratching my head and accomplished nothing for the story. 
But neither of those things are the change to the story that is weighing on me most. That occurs in a very small and brief backstory for the real Yeon Jun, where the drama introduces an original character who has no counterpart in SOOD: Tae Ha. 
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In SOOD, the real Quan Sheng is a closeted gay teenager who meets a tragic end: he confesses to his crush, gets brutally rejected, then gets bullied when the crush tells others about his sexuality, and ultimately decides to walk into the sea in an attempt to end his life, a choice that leaves his body in a coma until Zi Wei’s consciousness takes it over. In ATCY, this backstory changes and Rowoon is brought in for a brief but impactful cameo as Tae Ha, Yeon Jun’s cram school friend. We see that the two have mutual feelings for each other but are both struggling to confess. One day as they are driving together, they finally explicitly acknowledge their feelings, holding hands and smiling at one another—and then immediately get hit by a Truck of Doom (easily one of the most tired kdrama tropes), Tae Ha dying on impact and Yeon Jun ending up in a coma with Si Heon’s consciousness eventually taking over his body like in the original story. 
Now on first glance, you might be inclined to give the show some credit for including a new gay character and giving the original Yeon Jun a happier experience with his crush. Explicit gay representation? In a mainstream kdrama? Still very rare and a big deal if done right. But if you think for a moment longer you’ll realize we can’t give the show credit for this, because this is a textbook execution of the Bury Your Gays trope and the narrative punishment that befalls gay characters who act on their attraction. Essentially, what the Korean remake did here was reveal these two characters are gay, killed them both immediately after they decided to pursue a relationship with each other, and then had the het male lead character take over the body of this gay man and use it to enter into a relationship with a woman. Some aspects of this plot were present in the original tale, but this choice to add an additional gay character only to kill him and tie it to their moment of acknowledging their mutual attraction? Made it significantly worse. It was badly done and I will not applaud the drama for representation when they did it in such a cruel way. 
The Ending
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SOOD ends on a hopeful but somewhat ambiguous note, with Yu Xuan in 2020 finding a way to go back and save Yun Ru (and Jun Jie by extension) and then breaking the time loop, sacrificing her relationship with Zi Wei in the process even as it breaks her heart (because the only way for them to meet and fall in love in 2010 was to stay in the loop). She sacrifices their romance, and all their memories together, because it’s the right thing to do—she inadvertently destroyed Yun Ru’s life with her time traveling, and she couldn’t live with that knowing there was a way to fix it. We are left with a broken time loop, original teen Zi Wei meeting child Yu Xuan again in 1998, and the hope that they will find a way to make their fates align again and be together without time travel complications. It’s just the right bittersweet touch to end the story on; their previous relationship was lost and their sacrifice was real, but there is hope for another version of a happy life together, someday.
By contrast, ATCY goes for a more explicit happy ending: Jun Hee makes the same choice to go back and save Min Ju, and to break the time loop and sacrifice her relationship with Si Heon, but in ATCY we then jump forward to 2011 to a happy epilogue to see Si Heon and Jun Hee meet as adults. And look, I love a happy ending! But what I said above about the sacrifice Yu Xuan and Zi Wei made in SOOD really resonating because of its bittersweet ending? That’s absent here, because ATCY decided they needed to put a bow on it and reassure us they would get back together. ATCY was just never willing to let us stay in the grief or commit to the darker and sadder aspects of this story, and as a result, the whole thing loses some of its impact.
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radqueer-empire · 8 days
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Another hate anon discussing the trauma dumping done by antis! It’s located under the cut
Anyways, I’ll say this as a victim myself, if your trauma effects you to the point you can’t let people live their own lives and instead resort to sending them unwarranted messages that give your extremely triggering life story, you are a bad person. Their issue is transharmed and transharmful folk, that’s fine, they have a lot of their own tags that those folk can block so they don’t have to see this stuff! Sending these asks that release a bunch of trauma can not just be blocked until after they’re sent. You are not morally superior for doing this and you aren’t helping yourself or other victims. If you want to do something good for yourself, block tags and get the help you need to recover, or don’t. I can’t tell you what to do but Radqueers will not baby you. There will always be people who accidentally trigger you by existing, that is not their problem. It is your responsibility to work through your trauma, not ours to shelter you. Transharm folk do nothing that is harming abuse victims ability to get help or be taken seriously and most don’t identify with these things as a “fetish” or “aesthetic”. Even if they did identify for those reasons, it’s not their job to cater their identity to make sure you’re comfortable online.
Block people, block tags, and take responsibility for your own life. Your trauma is not an excuse to lash out or disrespect others just because their identity bothers you. I will not feel bad for people who continue to put themselves in triggering situations and then cry about how those situations continue to trigger them. You are not required to interact with these folk at all, they are not hurting you, you are just hurting yourself.
If I am triggered by someone for just existing, I either remove myself from the situation or I continue to endure it while understanding it’s not the person’s fault. It takes practice and often isn’t pleasant, but it’s possible and it is the respectable thing to do.
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its-a-me-mango · 2 months
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By saying that support shouldn’t be given to glitch rn, does that include not watching newer SMG4 episodes and other Glitch related stuff? (I’m trying to know whether i should continue to watch them for now)
If you don't support what Glitch is doing in regards to the Tari's VA situation right now, then yes not watching what they produce is how you can show that you don't support them, that also includes not buying their merch for now (I know they just released a bunch of TADC merch which they've been promoting like crazy since this whole situation started (also you don't need to get rid of anything you've already brought, this is about buying their stuff currently)). Striking is one of the best ways to show a company that you don't support their actions, if done en mass it can send a very powerful message.
Withholding your support until accountability is given is how it should be done for companies like Glitch, they're a company after all, they're not gonna read your callout posts in a 83 part twitter thread lol. Obviously openly harassing Glitch and singling out employees to harass ISN'T the right thing to do and doesn't show anything other than you're a hateful person. If you don't agree with what Glitch is doing, I'd suggest striking.
However if you choose to keep watching SMG4 or anything else Glitch make, then that's your choice to make, its up to you to decide if this situation is worth ceasing your support towards Glitch over. I'm not gonna sit here and tell you what you should be doing, nor am I going to judge anyone who isn't doing the same thing as me and neither should anyone else. Ultimately, I don't care whether you watch Glitch productions or not, its my personal choice to stop supporting Glitch by not watching SMG4 and its up to you if you want to do the same.
I think it's most important to stay up to date with everything that's happening and to keep talking about it, we can't just let this be forgotten about because it may cause it to happen again. Keep informed and keep spreading awareness about it until something is done if nothing else. Don't be afraid to change your mind later one once new information is revealed or even admit fault where needed, this is still and ongoing situation so people's views will change as time goes on.
Anyway take care, remember it's up to you to decide how you handled this situation, do it in whatever way feels best for you and for the people you want to stand with.
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chillychive · 2 months
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TW: mentions of domestic abuse, mcyt discourse:
Everyone please remember that supporting Shubble is NOT Just commenting support, it’s NOT attacking Wilbur (although that’s not a bad thing), it’s NOT flocking to her channel to see the drama.
Go watch her videos. Go watch her series. Recent or old, it doesn’t matter. Go support her. Support her channel. Show appreciation for her content.
If you’re someone who only knows her from this situation, please go look at her other content. She’s an amazing creator.
Let’s not reduce her to this Wilbur situation. She’s incredibly talented as an artist, so don’t just go, watch her videos, comment your appreciation for her content.
When the dust settles, lets let Shubble come back to a wave of love and comments, not just for her speaking out but for her as a creator.
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ibreathhere · 6 days
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It's the weekend and my teacher expects me to do shit and finish projects. But like it's the weekend! I got kdramas to watch, my Queen of tears is waiting every afternoon, and my Unknown brothers what about them ? Like in the morning I wait for the episode, in the afternoon I watch them and at night I cry myself to sleep to their ost. And next day I repeat, there's no time for school shit.
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uweiy · 8 months
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!!!! Warning !!! I have finished a show. I will now go into the tag and probably going to go on a reblogging spree and neither god nor the devil and not even I myself can stop me. Good luck.
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anartisticalniche · 2 months
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Spoilers for the new episode
Okay, before getting into the new episode review, i wanna address something real quick, and I believe you all know what it is.
So before anyone asks, yes, I have been staying up to date on the drama situation.
Imma just say that what Glitch did is awful and very unbecoming of an Indie company for animation, and the employees did not deserve this kind of treatment.
However, this will not stop me from watching SMG4 as a show and draw fanarts of it.
Joining this fandom was the best decision I ever took, and I've meet so many wonderful people that inspired me so much during these past few months, taking me out of an art block and lack of inspiration to do art projects that I had ever since 2020.
So for me to just leave isn't really on my plans, at all, and I will keep doing what makes me happy, and I also have to thank SMG4 for it.
I will not obviously support Glitch by buying their merch, as I do believe they need to apologize for their awful behaviour towards those that didn't deserve this.
Once done that, and once they try to better themselves, I might try to rethink on my decision, but for now, this is my stance on it.
And now, onto the review!
This episode made me had a stupid silly grin the entire time ajhjhsjhds
like, I love how this was Luke and James just hanging out and messing around, and then they went: "This could totally be a video lol we should do that in universe-"
So we get SMG4 and 3 hanging out and playfully arguing with each other on their opinions on their friends and what kind of places theyd have on a power tier list XD
The just giggled like idiots and argued, but this has to be the most playful and friendly approach they had in a while, ever since the WOTFI 2023.
They weren't at each others throats, and it was a breath of fresh air, and a way to show how these two interact when theyre cool with each other
Now you're gonna say: "But this was Luke and James interacting, its not similar to how Three and Four interact. So this is just them using the characters to rappresent themselves."
And my answer to that is that no, it isnt.
You could think of it as a meta way of the guys interacting, but including in universe scenes and voice acting at the beginning and end of the video, makes it so that this is something that Four and Three would do, as friends.
Their relationship is growing more and more, and its a clear sign that these many episodes with these two as protagonists makes it so that its hinting at the next short arc being focused on them.
Now I dont know if it could be a good or a bad sign, but it is a sign nonetheless.
And i cant wait to see what it could develop into.
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holyobjected · 1 month
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The truth will get out.
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I just saw a very... Mid take. Now, I'm not gonna name any names here just in case this starts discourse.
It is not your job to go: ermmm that photo isn't your exact kintype 💀💀💀
Why should it matter to YOU, that a wolfdog accidentally posted a picture of a husky mix mistaking it as a wolfdog ((even though not every wolf dog looks like a wolf. Y'all do realize sometimes they just look like dogs right?)) Or that someone mistook a hyena for a canine, or someone can't tell the difference between a Jaguar or a leopard.
Well they shouldn't post it if they're uneducated!!!!
Why do you care? It's not hurting anyone if someone can't tell the difference between a wolfdog and a husky istg.
I am way too salty over a very nothing take ngl. Wasn't intended to be rude just incase it comes off that way
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frog-lover69 · 2 months
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Hello people!! Another Simpbur drawing I did on my school ipad when bored.
I'm going yo try and do as other creators and enjoyer and fansrtists have done and try and separate the person from what they've made.
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TW!! THE WILBUR SHELBY DRAMA!!
[Making this tw cuz I know people who really feels just sick listening to all this]
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All the drama fucking sucks and such but people need to remmeber the three important things.
1. SUPORT SHELBY FOR FUCKS SAKE [some people just says "ohh wilbur this and wilbur that, blah blah" yeah it is wilbur BUT they forget that Shelby is the victim and they need to support her more than need to hate on wilbur]
2. Don't send death threats to ANYONE. [I've seen and heard abou4 both people sending death threats to wilbur but also to people who still tries to support him, sure wilburs bad but doesn't deserve to die, come on.]
3. Don't support wilbur, people can still listen to lovejoy and enjoy music or dsmp or qsmp or wilburs characters he PLAYS. Wilbur isn't his characters nor is he his music, but he is a domestic abuser and people need to support shelby though all this.
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its-a-me-mango · 2 months
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Hey just as an update, Robyn (former VA of SMG2) has released her response to this whole Tari VA situation, would recommend giving it a watch it you want to get an understanding of this situation as of right now.
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Obviously this still sucks and is very disappointing but it's important to wait for Celeste side of the story when she is ready to release it.
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xxlordalexanderxx · 2 months
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Shipping with Alexander moving forward..
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After all that has gone down in the rpc these past two days I'm def going to be super super selective with who I ship with, chemistry or not. The first sign of you taking a ship we have too seriously to the point that you're treating it as if we are actually in a relationship, I'm taking my boy, and peacing out.
Also aside from what I've already got going down with friends I'm no longer going to be entertaining marriage and the possibility of children with Alexander. So anyone who I have already establish stuff like that is fine, we can still go along with our plans but any future possibility of that with new folks is very very slim to not happening.
The fact that one of my good friends nearly got bullied out of the community over a fucking fake relationship with characters that don't exist was enough to traumatize me into no longer wanting to do these things with others anymore.
They can date, they can fuck, they can be cozy, but no more marriages ( other than what I have potentially in the future with another muse) and def no biological kids with anyone, unless Alexander adopts a kid muse of yours and if that kind of dynamic develops.
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