#i mean at the beginning they were basically quoting the manga

[superpointlesschicken]

These live action movies are crazy.

#they aren't good like in the sense that they don't follow any plot #i mean at the beginning they were basically quoting the manga #it progressively got worse and worse #i don't have a clue whats gonna happen now #aside from major plot points #fullmetal alchemist movie

[floareadeaur]

Chapter 134 Flashback detailed analysis ( A documentary about Ferid Bathory )

— The second part —

This is a continuation of this analysis about Ferid. I am basically studying every panel in the flashback that Ferid recalls in chapter 134, because I feel that each scene conveys a certain message and is a key to Ferid's character.

We were at this sequence in the second panel of the flashback:

And I explain how Ferid makes this facial expression as soon as his older brother appears on the scene.

How from the desolate look of a few seconds ago, his expression turns thoughtful. Ferid, again, seems very "small" here, like he is been caught by someone and has to think about how to react in order not to be somehow vulnerable.

And that is exactly what he does next.

For immediately Ferid's expression changes radically, approaching an enthusiastic and childish smile.

A mechanical smile, a learned one, which is just a mask.

The reality of Ferid versus the façade he shows to his elder brother:

"Ah! Elder Brother!

Or should I be calling you 'your majesty' now? I can't remember. "

" I can't remember. "

Ferid can not forget anything no matter how much he wants to. This very reply of his is a lie, as is the mask he adopts.

Further, we observe this behavior perpetuated. This "adorable, silly little brother" attitude:

His older brother begins to tell him about the fate of their kingdom, about the responsibilities they both have.

It is very, very interesting how this brother's presentation begins. He seems very altruistic and "good" at first.

But if we analyze this panel well, we can see how the older brother is the one who is standing, who tells Ferid to let him go, who does not lean towards Ferid. He is the one looking down at Ferid.

And that symbolizes the power dynamic between them very well.

For the elder brother is the heir, the prince of the crown, the one who is now king, and Ferid is only the second born, born to serve this king.

This idea is greatly emphasized in the next panel:

Here Ferid is literally on his knees in front of his older brother:

The way Ferid keeps his hands on his knees, the way he talks from that kneeling position to his brother.

It was not the older brother who bent down to give Ferid his hand to get up. But Ferid is the one who gets up by himself and ends up kneeling in front of this brother.

And what does Ferid say when he is on his knees?

" Naaah. You're so much more talented than I am, I'll stay out of the way."

It is a mockery of his own capabilities, of his own person, a continuous humiliation.

Ferid humiliates himself in front of this older brother.

And it is worth mentioning what Ferid confesses in chapter 91 of the manga.

"I've always been perfectly normal. Especially for someone who was second in line for a royal throne."

"I had such a strict upbringing. They were teaching me to be a saint."

This self-humiliation was induced to Ferid. Because he was born to serve his brother, not to be himself.

Especially, it is another quote.

"How scary. But, ever since I was born, I have never been silent. As Papa and Mama have said. Ever since I came out of the womb, I had an incorrigible mouth. Even so, they were still my parents. What was it again. What were we talking about~ Anyways──" ( Wrat 19, volume 1, chapter 1 )

"Incorrigible" meaning "uncontrollable", "impossible to correct".

So Ferid was seen this way for who he really was, starting from the moment of his birth. And this strict, repressive education was forced upon him.

Ferid was thus depersonalized all his life.

This sequence is telling. His older brother points out Ferid's intelligence, how if he did not visibly help him, then the court was splitting into two warring faction.

Practically, Ferid, this younger brother, the second born, was the one capable of politically directing an entire kingdom, better than the heir.

But Ferid was reduced to the level of a shadow, a servant of this heir.

And that is why Ferid acts like this.

The way he is drawn here, with this mechanical smile. I think this sequence best conveys the "obedient saint" role Ferid was forced to play.

His expression shows very well the corset Ferid is in, how those lines he says are a learned behavior in his family. Because through this humble, obedient attitude, he is validated, accepted.

His older brother shows him kindness, but, if I may say so, this "kindness" resembles that offered to a dog.

In this panel we have the older brother talking about his dream of doing what their father could not, that of conquering the world.

Ferid listens and even claps, again, just like a dog barking approval at his master's words.

And the big brother continues, first saying that Ferid could make this "dream" come true, then correcting himself that they both can do it.

Is this what it is about?

" No, you're smarter than I am.

You have a lot of powerful support too.

If you weren't clearly helping me...

...the court might've split into two warring factions. "

The fact that the older brother is somehow aware that Ferid is smarter than him as a leader, that he is better than him.

And that is why this brother wants Ferid to be his "helper" in achieving this dream

A dream that belongs only to the older brother.

Again Tumblr limits my images. But I will continue in the next post.

Small advertising break and do not forget that kind feedback is welcome!

#ferid bathory #owari no seraph #seraph of the end #ons #sote #owari no seraph chapter 134 #seraph of the end chapter 134 #ferid bathory chapter 134 #ferid bathory character analysis

[byakuwan]

actually i’m going to put the way i interpret byakuran here instead, including where in canon some of it comes from.

-

the basics of interpretation for post-canon/manga

- 15-16. - attends high school. - plans to be back in university with sho-chan in 5 years. - still has the sky mare ring. - has major depression. - rarely takes anything seriously. - still kinda scary and intimidating, even if he's being nice. - clingy, gets unintentionally physically affectionate. - very whimsical. fun-loving. chaotic. life of the party. - loves to be around humans people again.

-

where in canon this stuff comes from

 - i put him at 15-16 based on shoichi and him being in that university together 5 yrs later (ep 174)

- he has the mare ring visibly in ch. 409 (as well as his white dragon box weapon.)

- major depression hc comes from ch. 368, pg.16.

note: there are 2 translations of this page, the literal one and a reinterpreted/rephrased one. i go with the literal one:

"In that dream, I've defeated you and cleared the game. All that I've wished for came true... but I forgot the true objective, and became "nothing".

- being friendly and wanting to be around other people is from ep 202's backstory drop:

"When I was with other people, I felt warm and fuzzy at times. And I wasn't being pessimistic. I was good at finding things that were fun to do. And I tried my best to have fun."

he's trying to have fun and be with other people now that he has a fresh perspective on life.

^ also: ch. 368, pg 16:

"From the start, I had that personality that doesn't want any connections. Whatever... wherever I may be... I've only waited for death."

this time, he's chasing those connections.

- he runs himself into the ground in pursuit of his goals, then and now. see: exhaustion from visiting parallel worlds inside the cocoon.

- actually wants the best for the world. here's where i get this one.

starting with a tiny detail: "world peace" is his favorite quote from the interview mentioned on the wiki page.

why did he start trying to take over the universe and become a god?

when being given the sky mare ring in the ep 202 backstory drop: "I've been waiting for something crazy like this to happen, since I lost faith in the real world long ago."

why did he lose faith in the real world?

ep 202 rant: "Individual desires will trump collective hypocrisy every time! That's the world we live in!"

ep 202, just before he was vaporized/died: "But something about this world just didn't feel right. You know what I mean? Doesn't it make you feel sick?"

really small detail: the american engineering university he met shoichi at (ep 174) had a paper "world oil reserves almost depleted" in the screenshot.

what was he even at an engineering university to do to begin with?

-

me interpreting canon into a “backstory”

- though byakuran didn't really find a value in being alive as a person, he tried to have fun with life anyway! he always has! he feels so warm and fuzzy around other people. he liked people. he really did.

... until he noticed how messed up humanity/society generally is by nature. he's always felt distant from everyone else, but attending an american university and seeing the state of the wider world... humanity is really messed up.

once he started to see that, it was too hard to see the good in people. everyone's selfish by nature, acts based on their emotions without regarding what anyone else wants. it's not interesting anymore. without fun, why bother?

- enter the mare rings. he's so bored with life and being human. now that he has something interesting to do... of course he's going to mess around with it. let's go, world domination! let's get control of the trinisette and do something about the human race being so bad! and he almost did!

he also completely forgot why he bothered with life in the first place.

- uni, somehow, understood how he felt. even after everything he did to her, she still sat next to him and encouraged him to not give up on life, not give up on being human, not give up on humanity itself.

she fully understands how humans feel-- why they're selfish, only act on their own emotions, why that isn't necessarily a bad thing... she's very trustworthy on this topic. and he understands her perspective now. it's not much different from the one he had before.

- ... he can try to have fun again. see the world like she does. he doubts he'll ever be able to wrap his head around emotions as a whole, but it sounds fun to try.the moment someone smiles, things just feel right in a way byakuran never saw before. sometimes it's hard to get them to feel like smiling, but he usually manages eventually. the warm, fuzzy feeling is worth it every single time.

(he realized that he is selfish too, just like other humans, who aren't inherently terrible for it.)

- byakuran would never have thought being human would feel so nice, but it does.

it's surprisingly fun-- and having fun is what he's always wanted from life, so it works out. :)

#this is just a tl;dr #i don't WRITE like this dont worry

[pefa-blog]

Lemme ramble for a second

So. Niche AUs, ey? 

For hxh-only readers: loona consists of 12 girls. The story built in their music videos (loonaverse) is not the base for this story, nor this is a dimension-travel case - each of them grew in this world. Some bits of lore and loonaverse girls (as characters of their videos) were used, but no familiarity required

For loona-only: shorter end of the stick, as some things would be confusing without any prior knowledge of hxh worldbuilding. But the anime has only 40 or so hours of pure content overall. And, technically, you only need understanding of the basics of hxh world 12 main characters and each of them has to have a character arc?! Pfffft, what a fool would bring such a curse upon themselves! Haha! Ha... That said, each girl will have time to shine and a character arc. It will take A While, but we will get there. Their arcs don't begin nor end at the same time, so focal characters and plotlines would take turns shining in each act

I do not write this with any ships in mind, except the… thing that chuuyves dynamic is. I am not interested in shipping, so don't expect anything (my own hxh ships are impossible here, so, whatever, if you see what you want to see - have fun)

Loona characters are mainly based on their mv and loonaverse representation, but there are also differences

Gon and crew are certainly great and important, however it’s not about them. But hoo boy, are they trying to weasel in. And, partially, succeeding Also, none of the girls replaced any characters from the canon. They aren't living in a vacuum, but no sticking to known families and backstories

This is based on the 2011 anime version with heavy lean on manga - some tidbits were lost in adaptation (and I am going to weaponize them) For all orbits, who are desperate for a non-shippy fanfiction, but do not yet have time or appetite to watch hxh - I see you. I know how it feels to settle for crossovers with completely unknown fandoms just to get some crumbs. So here you go! Wrote some basic information about Hunters here, no spoilers and not too detailed, just to roughly get what the title means But, seriously, hxh is good, go watch it when you have time Spotify playlist! It is for the fic in general, no spoilery songs, no specific character or relationships songs. Some of them are for the mood they creating, some are there for the text (DAY6 - WARNING! is a song for both readers and characters for the beginning of the wabrw, hehe)

Title is inspired by a quote from my favorite Richard Siken poem "War of the foxes" but taken from the second one (not as favourite, but somehow fitting): "He knows that when you snap a mast it's time to get a set of oars or learn to breathe underwater."

"If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water."

All chapters | First chapter

#misc #fanfiction

[codenamesazanka]

I feel like I can’t stress enough how important Spinner is to the ‘My Villain Academia’ arc, and how badly I need BONES to give him the attention and care in portraying him that he deserves. BONES have been pretty faithful to the manga, they’ve followed the story and brought each scene on the page to the screen... Except for some reason not when it comes to the Villains. Maybe it’s because arguably the Villains wasn’t the focal point of the show and they weren’t what most viewers watched the show to see; fine, but that was the case in the beginning and no longer.

Shigaraki Tomura, his exploits, his character, his story *is* the manga: the Heroes and protag react mainly to him and his actions, his past and motivations is one of the main factors that caused the current central conflict, and resolving his character arc is what will probably bring the whole series - to its end or near end. Yeah, imo I argue that everything about him moves the plot along.

Unfortunately(?), I think Horikoshi-sensei realized/decided/planned this a bit too late in his pacing. He said himself during the Stain arc or so that at first, he wasn’t planning on doing villain profiles - he wanted the villains to be scary.

But for the time being, I have no intention of writing about [the villains]. I do the introductions because l personally like those sorts of behind-the-scenes things, and also because I want my readers to feel a connection to the characters. But with villains, I decided I can't have them too likable. They're supposed to be terrifying.

Often it’s what we don’t know/understand/predict/expect (and therefore can’t get a grasp on) that makes things scary/uncomfortable/dislikable. The Villains were strange, seemingly erratic and incomprehensible in their behavior and motivations, malicious without rhyme or reason. Even now, I think a lot of people still think they’re just ‘completely evil crazy psychopaths’.

Anyways, the quote from him is from Volume 7. A whole bunch of volumes later in Vol. 23, he decided nvm: “The story has evolved beyond that point, so I'm ready to start doing villain profiles.” As he said himself, the profiles are to help the readers connect with the characters, make them relatable and likable. That’s what My Villain Academia is all about in the meta sense - to demystify Shigaraki Tomura and his ragtag chaos friends, to give them depth, and to induce interest in their stories, if not sympathy. Hype them up for the rather major roles they play in this ‘final arc’ of the series.

Enter Spinner, the lizard ninja guy.

Besides his unusual looks, Spinner is really, truly nothing special. He’s got a weak quirk, he holds no title of being the strongest or smartest or whatever member of the League, he’s not related by blood or thematically to any major players in the main conflicts, and his ‘tragic’ backstory is completely mundane compared to his allies - he was bullied as a child, and so is fueled by resentment. In the events leading up to the start of the arc, Spinner is the most moral and understandable of the Villains - has a ‘good’ reason for his crimes (eradicate corrupted Heroes), has standards on who he’s willing to fight (questions attacking the police and anyone with a ‘true heroic spirit’), and wants a concrete game plan instead of aimless discord the rest of the League seems alright with.

Once the arc starts, we immediately learn the basics of his character - he’s got a heteromorph quirk that makes his appearance a humanoid gecko and it’s something he was born with that he can’t control, and yet he faces discrimination from literal KKK-type cultists who refuse to see him as human. This was more or less his life in his small, rural hometown, harsh enough that his heart had become ‘completely empty’. It’s simple, it’s relatable and an realistic analogy anyone who has faced prejudice and harassment and been hurt by it can understand.

All this is so Spinner ends up being the most normal and typical sympathetic of the League of Villains, which sets him up to be a sort of ‘gateway Villain’. It’s why he’s narrator. He doesn’t understand at all the crazy All For One shenanigans, he’s thinks Shigaraki is an incompetent weirdo, and he asks what we were all thinking: “Shigaraki Tomura, what the fuck are you doing.” Quite obviously, Spinner’s meant the audience surrogate and so he is. That being a core of the way the story of My Villain Academia is told means it needs be followed by the anime adaption.

This core sets up the rest of the arc - sets up how we will come to view Shigaraki Tomura and his backstory, alongside the rest of the League Villains, their relationships and dynamics with each other, and who they are at heart. Shigaraki’s telling of his distorted origins in Chapter 222 is horrifying as it is already; but it’s Spinner’s worried-facial-expressions reactions littered throughout the chapter that adds to it by telling us one major thing: Spinner’s an empathetic guy, because he immediately feels a kindred spirit with Shigaraki when the latter talks about the hollowness he feels. So begins the audience surrogate’s change of opinion and us readers going along with it, and also: that Shigaraki Tomura now has Spinner’s concern and attention - and is deserving of it.

Pardon the sudden heavily edited quote, but CS Lewis says,

Friendship arises...when two or more of the companions discover that they have in common...which, till that moment, each believed to be his own unique [burden]. The typical expression of opening Friendship would be something like, "What? You too? I thought I was the only one." ...And instantly they stand together in an immense solitude.

That’s almost word for word Spinner in that moment, suddenly realizing he’s no longer as alone as he thought. He’s no longer as alone, and this means perhaps neither should Shigaraki. Because established in that very chapter, too, is the hate in Shigaraki’s heart fueled by his grief and despair, the loss of his family, past, and faith in others, his misery of thinking he’ll never feel good again. Yet - there’s Spinner, willing to extend some empathy and care, the very antidote to all that Shigaraki had revealed. Because the desire for companionship (or at least the lessening of the pain of loneliness) is universal, even among villains - maybe especially among these villains - we probably love to see it. Want to see it.

On that basis - friendship borne out of empathy - Spinner puts his faith his leader, puts his trust and support, and the rest of the arc is us following the tension of whether he was right to do so. Whether Shigaraki would live up to what Spinner expects of him, whether Spinner will side with Shigaraki despite their earlier conflict. Whether they could become friends, or something like that. And once they do, the consequences of this as things spiral more and more out of control, beyond this arc - that Spinner would know Shigaraki well enough to do something crucial at the turn of a battle later, that Spinner would stick by Shigaraki’s side when he’s in danger, that Spinner is loyal enough to Shigaraki to help him as a friend should.

Through Spinner, we come to see Shigaraki, originally incomprehensible and terrifying, as someone beyond a Villain or a leader, but rather someone valued as a person, a friend, a fellow silly gamer nerd. He’s still scary, of course - just less so, with a seed of doubt of his doom that Spinner - and only Spinner, by virtue of his specific narrative and emotional role in this arc - planted in their characters and the story.

It’s because of Spinner that MVA works, by itself, and as a stepping stone towards the rest of the series. So he really needs to be everything he is, was, and more in the anime adaption please BONES oh my god please

#long post #nalslastworkingbraincell #shigaraki tomura #bnha #mha #heroaca #Spinner #Iguchi Shuuichi #my interpretation of course #but like #everything I said is right there in the text and can be convincingly argued for #so I’m right and it’s mandatory that BONES listens to me

[labarch]

Attempt at a Witch Hat Atelier timeline

We are still missing a lot of backstory for our main cast, but I thought I’d try and write a timeline based on what we know so far, and explore where their storylines might intersect.

I am pulling these numbers out of my hat for convenience sake, but here are some approximate ages for the characters: at the start of the manga, let’s say Coco, Tetia and Agott are all 12, Riche is 11, and Qifrey and Olruggio are 28.

20-23 years ago: Olruggio leaves his birth town Godley and moves to the Great Hall, maybe as young as 5 years old.

While many witches are born in the Great Hall, Olruggio comes from a town called Godley in the North. Yet he doesn’t remember Utowin, who came from the same place. We know that young witches usually start their training between the age of 7 and 10, but since witch society is awfully elitist, Olruggio would have been sent there as soon as his talent for magic became apparent.

Being ripped from his home at an extremely young age could explain his fear of being unwanted and left behind: he overworks himself as a way to feel useful and validated, is defensive about his own feelings, and he gets agitated and sometimes aggressive whenever Qifrey hides things from him.

20 years ago: arrival of Qifrey at the Great Hall at age 8. Olruggio befriends him soon afterwards. The both of them start sneaking out at night to chase Brimhats.

8 year old Qifrey was one fierce little thing, you have to give him that. His abuse at the hands of the Brimhats was brutal enough to break a grown man, but he picks himself up and goes right after them like “Alright jerks, you’ve got some explaining to do and I want my eyeball back!”.

Also it cracks me up that Olruggio was carrying this massive book in their flashback. Gotta love that his reaction to Qifrey’s “Let’s go chase some terrorists!” was “Sure, let me just pack my homework =>”.

Finally, there might be a slightly more selfish motivation for Olruggio’s fast friendship and devotion to Qifrey. Olruggio’s self-esteem lies in his ability to help people, so he would naturally be drawn to someone helpless. It’s unclear how much of Qifrey’s memory was missing: apparently he didn’t know about birthdays. How many other basic concepts was he missing? Did he know how to read? Between that, his lack of knowledge about magic and his injury, he was probably completely dependent on Olruggio at the beginning. Given Olruggio’s wish that they go back to “the good old times” when they were always together, I am wondering whether some hidden part of him misses being essential to someone. It’s well-intentioned, but not entirely healthy, especially if he is using Qifrey as a coping mechanism for his own insecurities.

14 years ago: Olruggio and Qifrey make a pledge of (betrothal) friendship, exchange tassels and attempt the Librarian test at age 14. It is their last adventure together, but Qifrey will continue his investigations on his own, to Olruggio’s disappointment and betrayal. Qifrey starts wearing his half-tinted glasses.

In the pledge flashback, they are wearing their old tassels, but they have swapped them by the time they undertake the third test. Also, when he remembers that pledge, Olruggio says that Qifrey’s investigation “should have ended at the Tower of Books”. The tower is the last likely place where Qifrey could have found answers about his past and a non-forbidden way of getting his eye back. Olruggio probably made him promise that he would stop his search afterwards.

Beldaruit says that he thought Qifrey had given up on his search after the third test, but Olruggio tells a slightly different story. Apparently he thought Qifrey “finally stopped causing trouble” after taking in apprentices, which means he was still behaving suspiciously right up until he became a teacher. Alaira also comments on Qifrey’s interest in the Brimhats in the first volume, so clearly his investigations were common knowledge among his friends, even as an adult.

Olruggio’s anger whenever the Brimhats are mentioned would then be caused not just by his own fear of forbidden magic, but by the reminder that Qifrey broke his promise to him, and refused to leave his past behind. Naturally, Olruggio doesn’t know about Qifrey’s change in circumstances: he is no longer looking to retrieve what he lost, but trying to stop an impending threat.

Qifrey’s discoveries in the Tower of Books also seem to have renewed his disgust towards his own scar: he starts wearing glasses shortly afterwards, even though his eyesight hasn’t yet started deteriorating.

14-5 years ago: in that interval, Coco’s father dies of illness. Olruggio becomes more and more famous for his magical items, and is given the title “Shining Torch” / “Master of Lights”. His glowstone paths become widely popular, and are installed around the castle near Coco’s mom. Both Qifrey and Olruggio pass the fourth test and complete their training.

At this stage, I really doubt that Qifrey intended to become a teacher. Whatever information he found at the Tower of Books convinced him he had to stop the Brimhats’ plan. He was probably planning to complete his training and then go straight on to his quest, not really expecting to return alive.

There are also hints that this was a strained period for Qifrey and Olruggio: Olruggio mentions that he would like them to confide in each other “just like old times”, which implies that they grew more distant after the Librarian test. I’m suspecting that Qifrey was trying to slowly remove himself from Olruggio’s life, hoping Olruggio would be so famous and beloved by the time they graduated that he would forget about Qifrey and barely notice his disappearance. Qifrey’s self-esteem isn’t the best y’all.

5 years ago: Coco receives the magic picture book from Iguin at age 7 at the Silver Night Festival. The Brimhats stop showing signs of activity. Qifrey takes on his first apprentice (probably Tetia, age 7). He interrupts his investigation of the Brimhats and creates the atelier. Olruggio becomes his Watchful Eye.

We don’t know exactly how old Coco was when she got her book, but her tiny chubby face makes me think she was 6-7. Alaira also tells us in the first volume that the incident with Coco’s mother is the first sign of Brimhat activity in five years. I am thinking that after Iguin gave away the book, he instructed the other Brimhats to keep a low profile until his scheme could hatch.

I also wonder whether Coco getting her book might coincide with Qifrey becoming a teacher and creating his atelier. Given that Qifrey is probably tied to Iguin’s schemes, how coincidental is it that Qifrey wandered into Coco’s village and set her fate in motion? Perhaps Iguin contrived for them to live in the same area so that they would meet eventually. Either he somehow influenced Qifrey’s choice of location for his atelier, or he selected Coco as his “child of hope” because of her relative proximity as well as her love for magic.    

7 years old is when we could expect Tetia to have passed the first test. For now we know little about her backstory, but we can guess a few things: she is enthusiastic and ambitious, but gets easily side-tracked by pet projects and struggles to stick to the curriculum. She craves positive feedback and is worried her spells and interests will be condemned as frivolous. It makes me think that she passed her first test early, but was then mistreated by her first teachers for being too childish.

We’ve seen that Qifrey has a compulsive tendency to adopt children in distress. It would fit his character if he became a teacher on impulse. Maybe he had to pass the fifth test in a rush to be allowed to keep Tetia by his side. This also brought Olruggio back into his life, as he was the only one willing to follow him away from the atelier as Watchful Eye.

The complicity between Tetia and Qifrey, and Tetia taking on the role of a big sister for both Riche and Coco, also make me think she was Qifrey’s first apprentice. Tetia is often shown teasing Qifrey, quoting both Qifrey and Olruggio, and imitating Qifrey’s teaching style: I can totally see them as a little family of three at some point in the past.  

4 years ago: Riche starts training under her brother’s master, a creepy asshole, at age 7.

We actually have a clear timestamp for that one in chapter 25, woohoo! Riche’s old teacher can eat a brick.

3-2 years ago: Qifrey and Olruggio learn about Riche’s mistreatment in her old atelier and promptly adopt her. Beldaruit takes on Ririfin as an apprentice. Qifrey’s eyesight starts deteriorating. He adds the light protection glyph to his glasses.

Before that time, Qifrey might have intended to put his quest on hold until after Tetia’s graduation, but now his impending blindness puts him on a time limit. He can’t do a lot about it however, since the Brimhats have been keeping a low profile for years and are not leaving him any clue.

It’s unclear how long Riche stayed at her old atelier, and whether she joined Qifrey before or after Agott. I’m hoping she made it out as soon as possible.

2 years ago: Agott passes the first test at age 10. She gets accused of stealing someone else’s spell, is rejected from her prestigious family’s apprenticeship, and joins Qifrey’s atelier.

Agott has been treated harshly by her family for not being enough of a genius. She mentions passing the first test at 10, the upper end of the normal age range. She was probably given a hard time for starting her apprenticeship so “late”, which explains why she is now adamant about passing the other tests as quickly as possible.

I wonder whether she felt ambivalent about joining Qifrey’s atelier at first. On the one hand, Qifrey was taught by the Sage of Education himself and is clearly very powerful. On the other hand, he has only a couple students and lives in a weird little school in the middle of nowhere, a big fall from grace compared to her prestigious upbringing. I wonder whether Qifrey went to find her after he heard she was the object of nasty rumours (he knows a thing or two about those), and Agott didn’t feel like she had other options.

0 year ago: Coco and Qifrey meet. Iguin goes “F***ing finally, I thought I’d have to watch that humdrum one-eyed twink bake potatoes for another five years. It’s dragon-slaying time now baby!!!”  

#witch hat atelier #witch hat meta #qifrey #olruggio #tbna #coco #riche #agott #everyone has a horrible time at the Great Hall: a wha timeline #Olruggio the wonder child arriving at the Great Hall at age 5 wrapped in an anxiety blanket and clinging to a plush toy #protect him #no mention of treefrey this time what are the odds

[linkspooky]

Wild Tiger - Gojo and Yuji

If Megumi and Geto together represesent the black yin, then their respective counterparts Yuji and Gojo both embody the white yang. Thus, Yuji and Gojo as mentor and student are two characters who are very similiar in nature. Rather than passive, feminine,  yin standing in the shadows they both are active, masculine yang standing in the light. More on the foiling between Yuji and Gojo underneath the cut. 

1. The Strongest

There are a lot of similarities between both Yuji and Gojo you can point out right away. They are both light haired. They are both the more lighthearted person in the duo, the cheerful, silly ones in comparison to their dark haired more self serious counterparts. Yuji and Gojo both tend to come off as normal teenagers, they drop pop culture references, flirt with girls, read manga. If Geto and Megumi tend to be the more brooding ones, removed from the world around them and stuck inside their own heads it’s Gojo and Megumi who are actively taking part in the world as much as they can.

Basically, in any situation they’ll be the ones less inclined to take that situation seriously, whereas Geto and Megumi are prone to be the ones to take the situation too seriously. Despite the fact that Yuji and Gojo are the more childish of the duo and act like teenagers (Gojo acts like a teenager even as an adult, isn’t he impressive) and more prone to being emotional rather than overthinking there’s also a serious level of distance between themselves and their feelings. 

Gojo notices this about Yuji right away, despite the fact that curses are by some definition “alive”, Yuji doesn’t show any hesitation at all in fighting against them and killing them. It’s odd for what was a normal teenager before this point to act this way, to not even be a little scared by curses. Gojo marks Yuji out as one of the “crazy ones” like him right away because they both suffer from this disconnect between their head and their heart. 

Yuji and Gojo are parallel. Yuji’s craziness is Gojo’s craziness. They even go on similiar journeys before becoming the strongest. In the beginning of Yuji’s character development, and the flashback chapter for Gojo they both experience the same thing. First, a near death happens at the hands of an enemy. Until this point Yuji and Gojo have always been the strongest. Yuji has always been like olympic levels of athletic (for some reason), both Yuji and Gojo were always good at whatever they tried when they were younger and never tasted a serious defeat. 

That is until they experience their near-death and taste weakness for the first time. 

After this point they both flip. Rather than being humbled by their near defeat they become arrogant. Yuji’s flip is more literal, he flips from the dominant personality Yuji, to the other personality within him the curse Sukuna. Gojo, after unlocking the secrets of reverse jutsushiki and perfecting the unlimited becomes more arrogant. These moments are meant to be paralleled to each other, we’re supposed to see Sukuna’s arrogance in Gojo’s apparent flip after becoming the strongest because they both quote the same text “ Tenjou tenge yuiga dokuson. It means “Above heaven, under heaven, I am alone worthy of honor”.

These scenes are further paralleled, because they also fail to save someone. Gojo fails to save Riko, because he let Toji through when he promised Geto that he would cover his back as the strongest.

Yuji similiarly fails to save Junpei, after offering him a chance to come back to Jujutsu High with him and fight together. They also both fail to save the person they wanted to save for the same reason, because they failed to take the situation seriously enough and got sloppy. Yuji forgot Nanami’s warning to him to watch out for the patchwork faced spirit, and Gojo got so arrogant he dropped his guard around Toji.

After these failures however, Yuji and Gojo’s solutions is always to become prouder rather than to humble themselves. They always end up seeking out more and more strength. When Yuji loses Junpei, his response is to flip to being angry and killing Mahito. When Gojo loses Riko, his response is to go on a power trip. They always both double back on strength. This is a parallel to this. 

Which is why Gojo and Yuji click and get along so well, they think the exact same way, they both are convinced the solution to every problem is to just try to be the strongest so you will never lose. Yuji and Gojo have this weird understanding of each other, Yuji thinks Gojo is an admirable person and is always listening to him just because he’s the strongest, Gojo thinks Megumi should learn to swing for the fences more like Yuji. 

2. I Alone Am the Honored One

Yuji and Gojo’s strongest character trait is both their pride, the pride they take in themselves, the pride they take in being the strongest. However, pride isn’t a sin. It is for the both of them a strength and a weakness. Yuji and Gojo are both people dedicated to improving themselves, to lifting themselves up to be the best individuals they can be. While they’re obsessed with becoming stronger, they also use their strength pretty unselfishly. Megumi and Geto are both people who choose who to save. Geto only cares about sorcerers, Megumi only cares about what he arbitrarily deems as good people.

 Gojo is someone who is constantly working to save the masses, he does the most missions out of all the jujutsu sorcerers and is constantly busy exorcising curses for the sake of everyone to the point where his job is his whole life. He also, doesn’t just force everyone to submit to his strength by killing all the higher ups until he’s left. He’s not a tyrant. He works within the system to help people because he’s always choosing his actions along the lines of what will help the most people possible. 

Gojo and Yuji are both self centered people who use their strength in an unselfish manner, though for different reasons. Yuji is emotionally moved to helping people, and Gojo is tied down by using his powers responsibly. However, despite using their strength for the sake of other people they are also both strongest when they are alone and this is a weakness for them. 

They both make the same decision and the same mistake in the Shibuya arc, which is to run off ahead alone even when they have back up they could have waited for because they assume that everything will just be better if they handle it entirely by themselves.

Gojo goes all the way down to the subway alone and gets boxed. Every fight that Yuji faces alone in Shibuya arc (against a name character that matters) he loses. He loses to Choso, as a result of deciding to run ahead of Megumi instead of waiting for backup. He was completely losing to Mahito, and would have died had Todo not shown up to give him backup. Kamo Noritoshi Sr. even tells this to Yuji directly to his face, you alone are not enough. 

Yuji fails to get Gojo’s box back by himself, and once again has to be saved by people working together as a team, the Kyoto students led by Utahime (somebody Gojo dubbed as weak) showing up to interrupt the fight. Yuji and Gojo are both the most active characters always running off to save people, however strength isn’t enough to save people, especially when they’re acting alone. This leaves both of them feeling insecure, because they try alone, and fail alone, they believe that they themselves are not enough. 

These scenes once again are parallels. They try to save people, and then when they fail hold themselves entirely responsible. Their habit of acting alone also comes from this distance between themselves and their emotions which I described earlier. Yuji and Gojo only see themselves in their utility to the other people around them. Yuji has to be doing something in order to help others. 

Both Yuji and Gojo are consumed by what I am going to dub the “chosen one complex” where they have to believe there’s a reason that they’re given such tremendous strength. They have to use their strength in order to help others. Otherwise, why do they exist? Neither of them allow themselves to exist unless it’s in service of others. Yuji can’t live on unless he’s helping people like his grandfather told him. Gojo HAS to hold the whole Jujutsu World on his shoulders. 

In other words they see themselves and their relationships with others in this way. People can’t simply like Yuji and Gojo, they need to need them. Yuji is surrounded by allies because he is useful to them, because he’s strong enough to be around them. They see everything even themselves through the lens of strength. Nobody would want to be with them if they were weak. Geto didn’t like Gojo, they were only together because they were the strongest together.

If you’re not strong people will leave you behind. That is the only way Yuji and Gojo can comprehend their tangible connection to other people. That’s also why we see a similar emotional denseness for both Gojo and Yuji. It’s not that Gojo is uncaring, he does actually take notice of people’s feelings and tries to be considerate in his own way.

They both notice small little details about people while missing huge ones. Gojo noticed something was off about Geto because he was interested in him and observing him that close, but he took him at his words that he was fine when he was in the middle of his mental breakdown and was caught completely offguard by it. There’s an entire chapter about the small little details that Yuji notices about people. 

However, Yuji and Megumi fail at basic communication and are constantly hiding secrets from each other, the same way that Geto and Gojo once did.

They are at the same time extremely observant, and emotionally dense, and this is entirely about how they see themselves. Yuji and Gojo can only exist in service to others. They’re only going to be surrounded by people if they are strong enough. Which is why they also wish for what is exactly the same thing. Yuji wants to die surrounded by people, and Gojo wants allies that are just as strong as he is. However, they both go about it in the entirely wrong way. What Gojo wants is people who are as strong as him to be equal with him. However what Gojo needs is to emotionally open up to people and allow other people to be equals with him on an emotional level because they don’t need to pass some physical test of strength. 

Gojo and Yuji are both characters who want to be surrounded by people, and yet they’re always running off ahead of everyone else to die alone. That’s the contradiction about themselves they need to fix, in order to keep living as more well balanced people. That’s why they both need Geto and Megumi as the other halves of the equation, because they can’t solve it on their own. 

#itadori yuji #yuji itadori #gojou satoru #satoru gojou #jujutsu kaisen #jujutsu kaisen meta #jjk meta #jujutsu kaisen theory #jjk theory #megumi fushigoro #suguru getou

[telehxhtrash]

I tend to see a lot of people say that Togashi will leave things uncertain and ambiguous in between Killua and Gon, and while it’s a possibility, I honestly don’t think it’s the most likely thing to happen, and if it did, ambiguous wouldn’t be the correct term to call it.

People often say that Togashi likes to play with ambiguity when it comes to queer matters. Yes, Togashi likes to play with gender. We get to see that through Kite, Pitou and Kalluto in HxH (although its arguable because Kite is definitely not cis). But when Togashi decides that a character is queer, or that there is a relationship going on between two characters, he doesn’t leave it ambiguous.

Togashi has created queer characters in 3 of his main works : Yu Yu Hakusho, Level E and Hunter x Hunter. And everytime he created those characters, he made damn sure that everyone knew that these characters were queer. No room for any sort of ambiguity.

The first examples I have are from Yu Yu Hakusho, with a character named Miyuki, and the other is from Level E, with a character named Kyoko Mikihisa.

For these two characters, Togashi made it so that they emphasized themselves that they were trans. It’s painted extremely clearly, that they were born in the wrong body. There’s literally no room for any sort of ambiguity here.

Togashi could’ve easily kept things ambiguous. There are plenty of ways he could’ve done it, keeping the character’s gender confusing. But he didn’t. He made it EXTRA clear that these characters were trans. This is mostly why I genuinely don’t believe you can describe Togashi’s queer rep as “ambiguous”. Because when the characters tell you themselves that they are, it’s canon. It’s not ambiguous.

Now, sometimes, Togashi likes to play it more subtle. He doesn’t make his characters say “I’m gay” or “I’m trans”, but he finds another way to say it.

In YYH, Togashi wrote a gay character : Itsuki. And he’s canonically gay, because when talking about another man, Sensui, he mentions that he sees him as a lover.

It’s subtle. It’s not ambiguous.

Same thing for Alluka, Alluka never comes on screen and says “I’m a trans girl !”. The reason we know that Alluka is canonically a trans girl is because the Zoldycks insist on misgendering her, while Killua emphasizes that she’s a girl.

And once again, it’s subtle. Not ambiguous. Even though I’ve seen a lot of redditors say that “Alluka’s gender is ambiguous”, Togashi is literally doing his utmost to highlight subtly that yes, Alluka is a trans girl.

But subtlety is not canon’s enemy. Not everything has to be painted clearly for it to be canon. Sometimes, you just have to piece every little clue together yourself. Just because the word “trans” is never canonically stated in HxH concerning Alluka, it doesn’t make her any less of a trans girl. Because as the audience, we UNDERSTOOD from the subtext and from the clash in gendering that she is trans.

So, yes, Togashi likes to be subtle. But subtlety doesn’t make things any less canon.

I’m drifting a bit to non-queer matters, but I also want to talk about two relationships in Togashi’s work that were canonically romantic, but subtle.

The first is Meruem and Komugi. It’s canon that the nature of their relationship was romantic. They never did couple-y things, or even kissed. But it doesn’t make the nature of their relationship ambiguous. Because it was once again, subtle, but drowning in subtext that Togashi deliberately put there.

Togashi paralleled Killua saying that him dying with Gon would be a shinjuu (lover’s suicide), only for it to not happen in the end - but Togashi wanted to throw that word in. So we could have it at the back of our heads. Because when Meruem and Komugi died, it was a shinjuu. It was two lovers dying by the same method with the belief that they’d be united in the afterlife. Meruem only cared about spending his last moments playing with Komugi. They both said that they were only born to experience this moment, of being in pure bliss as they die together. When Komugi replies to Meruem and says that she’ll join him in death, she uses an old phrasing used to accept marriages proposals. They died holding hands.

It was subtle, but canon. Because of all these clues and all the subtext Togashi planted, it is undeniable that their relationship was romantic. And they never kissed, never said “i love you”, but we still know : and that’s the beauty of subtlety.

Because yes, romance can be subtle AND canon.

Another example of a canon romantic relationship that was never officialized by a kiss : Keiko and Yusuke in Yu Yu Hakusho. Correct me if I’m wrong, but while they kissed in the anime, they never kiss in the manga.

But a relationship doesn’t need to be canonized by a kiss. I’ve never seen/read YYH, but while I was doing research, I read that their relationship grew naturally over the course of the manga. That they grew together, were affectionate with each other, but never told each other the nature of their feelings. Until one specific moment towards the end of the manga where this happens:

All of this came naturally. No big confession, just a confirmation of what they both felt. And no kiss either ! No hand holding, no true “romantic” actions, either before or after that chapter. Just feelings. I’m quoting one of the post I used as reference, but “On one hand it's beautiful to finally hear it, but on the other, it's not even surprising. You find yourself caught off guard by how easily you're willing to accept that these two have felt this way throughout the entire series.”

And while it’s subtle, because you’d expect at least a kiss or something, it’s canon and undeniable that their relationship is romantic. It’s clear that the two of them are in love, even if they never kissed. Because it was clear from the beginning that this was where their relationship was going : all the building up to that one moment where they both basically tell each other “oh yeah, btw, i love you”. A simple confirmation of what they both knew, and of what we as readers knew too.

I guess my point is that Togashi can insist on the nature of his characters and relationships. He insisted that Miyuki, Mikihisa and Alluka were trans. But sometimes he also likes to be subtle, and not put everything plainly. But the subtlety doesn’t discredit its the canon legitimacy.

Now, onto what it means for Killua and Gon. 

I emphasized that Togashi liked to highlight when his characters are queer. There are absolutely NO DOUBTS that Miyuki and Alluka are trans girls, Mikihisa a trans man and that Itsuki was gay. It’s in canon. But they were all brought up differently, and it was either confirmed by them saying it themselves or by the context and subtext surrounding their queer identity.

But Togashi never left it ambiguous. We always had canon confirmation that they were queer. What I’m saying is, there’s a very, very high probability that Killua is gay and in love with Gon. We’ve seen it in the incredible amount of subtext deliberately placed by Togashi. And like I said, Togashi never left the nature of his queer characters ambiguous. So it’s highly likely that Togashi will confirm in canon at some point that Killua is gay. 

Now, while it’s likely Togashi will canonize Killua being queer plainly by either him saying it or subtext (just like Alluka), it doesn’t mean that his relationship with Gon will be canonized plainly too.

I mentioned earlier that Komugi/Meruem and Keiko/Yusuke’s relationships were subtle, while undeniably romantic. So maybe this will be the case for Killua and Gon’s relationship too. It looks like Togashi’s style for writing romance is show, not tell, thus making it a possibility that it’ll be the same for Killua and Gon.

But I can assert with 100% certainty that Togashi will NOT leave their relationship ambiguous. Maybe it’ll be subtle, but NOT ambiguous. Just like Meruem/Komugi and Yusuke/Keiko.

Killua and Gon’s relationship is the backbone of HxH, and it’s very clear that Togashi’s intent from the beginning of the story was to canonize it as a love story. When Togashi wrote Killua, he incorporated elements of Tanabata, a legend about two lovers, in his story, and made Tanabata his birthday. Togashi queer coded Killua from the beginning, and I honestly doubt that he would never canonize it, when it was his intent to queer code him from the beginning. He made the both of them have an extremely deep relationship, being each other’s most important person. Combine this with all the subtext, and yeah, it’s pretty clear that HxH is a love story.

So yes, Togashi wouldn’t leave ambiguous something he planned from the beginning of the story. Especially since HxH is his first chance at writing a manga and being able to do everything he wants with it. Especially when Togashi’s gay manga got turned down 30 years ago.

I mentioned Togashi never leaving stuff ambiguous, but rather either putting it plainly or more subtly. And honestly, I’m thinking it’s going to be a mix of both for Killua and Gon. A mix of subtlety and undeniable proof of the romantic nature of their relationship. Exactly like Yusuke and Keiko’s relationship. 

I feel like Killua and Gon’s relationship perfectly mirrors Yusuke and Keiko’s, and I can totally picture it following the same patterns. By having their relationship grow even deeper as they reunite, with no explicit romantic gestures, just deep, deep feelings. Until ultimately, they both confirm it one way or another. 

I could literally picture Gon turning to Killua, telling him out of the blue something they’ll do when they get married, Killua being confused but Gon saying something like “Well, I wanna get married to you Killua. Don’t you want to?” and Killua almost choking but saying that yeah, he’d like that. Plain and simple. No romantic gesture. No kiss, no hand holding, no feelings confession under the stars. Just a mutual assessment of what they both already knew.

But honestly, I’m saying all this to try and be objective, but I’m not in Togashi’s head. Togashi could also very much go absolutely crazy and make Killua and Gon share a kiss, hold hands, affirm their love out loud, Because it’s his first chance at being free to do what he wants with his manga. And because he’s been wanting to draw a gay manga for a while, he might want to emphasize that HxH is queer.

Especially when it seems like Togashi likes to incorporate shoujo elements in his work.

And as @/sincerelysamedt mentioned in her wonderful post, queer relationships are often dismissed as platonic in media, and that it’s important to overplay it to canonize it efficiently. And Togashi is probably aware of this. Hence Killua’s stuttering, blushing, the constant gay poetic lines Gon tells Killua about how he’s so glad he met him, Killua’s inner monologues comparing Gon to light itself, multiple characters highlighting their mutual love, a date under the stars where they mutually affirm their want to stay together and travel the world while they both blush.........Togashi didn’t have to go THIS hard, but he did.

These panels highlight the difference between the subtle relationships I talked about above. Correct me if I’m wrong, but I don’t think Togashi represented Yusuke or Keiko having internal monologues about how they wanted to stay with the other forever or poetically comparing each other to light. It proves that while Togashi likes to play it subtle, he's also not afraid to put extremely cliché shoujo tropes and heartfelt moments in his narrative too. Maybe he’s aware that internalized homophobia might pose a problem to the narrative he’s trying to convey, and thus he might be enclined to overplay it. 

When you keep in mind that Togashi most likely wrote Killua and Gon with the intent of making their relationship a love story, you can see that he’s never really written with the intent of being ambiguous or even subtle, providing us with multiple intense scenes of mutual devotion. And that’s one thing that’s leading me to believe he wouldn’t shy away from delivering highly emotional scenes that would canonize their mutual love. Because their relationship has never truly been portrayed as subtle, or ambiguous, it’s just.... developing.

So yeah, it could go either way ! Either Togashi will decide to paint it subtly like every relationship he’s painted in the past, or he’ll either decide to go all out and maybe show us an extremely heartfelt confession under the stars, maybe even an on-screen kiss (the latter option being highly likely considering all the very emotional scenes between them we’ve already had) - (EDIT : i wrote a post on why i believe there’ll be an explicit confession if you want to read it !)

But one thing is certain : it will never stay ambiguous, because Togashi has never painted any of his queer characters or the relationships between his characters as ambiguous, Subtle, yes. Ambiguous, no. 

#hxh #hxh meta #meta #my meta #killugon #ok hi hello this is my attempt at trying to stay optimistic #full disclaimer that i am not togashi and therefore i dont know wtf is gonna happen #but im pretty sure that togashi wouldnt leave this ambiguous #when u look at his past history and writing style and the context of hxh #when u see how apeshit he went with all the romantic scenes in hxh #imo killugon is not ambiguous its literally just developing #and togashi has NEVER left major relationships ambiguous in his works #he wouldnt leave the backbone of his manga ambiguous #especially when hes planned to canonize it from the beginning #hes just taking his time to portray it in a very heartfelt and natural way #but i have no doubt in my mind that by the end of hxh itll be undeniable #just like his past portrayal of relationships and queer characters #im HOPEFUL #and he might do like his wife did : emphasize the canon legitimacy in an interview

[godofsexdrugsandrocknroll]

Green Lantern Jaune!AU

*In the middle of the Fall of Beacon*

Jaune: *To Cinder* In Brightest Day, In Blackest Night--

Cinder: *Hopped up on her ego* Really? This is the best you have, Nikos? A cheat who’s read too much manga?

Pyrrha: *Staring in horror*

Jaune: --No Evil Shall Escape My Sight!

Cinder: *Rolls her eyes, aims arrow at Jaune instead*

Jaune: Let Those Who Worship Evil’s Might, Beware My Power--

Cinder: *Shoots arrow*

Jaune: Green Lantern’s Light!

*A flash of green and Jaune’s wearing Alan Scott’s Kingdom Come Green Lantern suit*

Cinder: What!?

Pyrrha: *Gapes*

Cinder’s Arrow: *Disintegrates*

Jaune: Don’t worry Pyrrha, I got this!

-----------------

Jacques Schnee: *Blinded by Jaune’s transformation* What the devil!?

Weiss: *Sees her chance, kicks her father in the groin* That dolt, what does he think he’s doing? *Worriedly, poorly mimicking Jaune’s voice* ‘Oh no, I can’t do that Snow Angel, it’s bad enough I let you know but Remnant’s nowhere near ready for the attention of the rest of the galaxy!’ How is transforming in front of all of Vale supposed to be keeping that a secret!? *Stalks off worriedly in Jaune’s direction*

Jacques Schnee: *Rolls on the ground in agony*

-----------------

Blake: *Stemming Yang’s bleeding* I’m so sorry, I’m so sorry, I’m so--

*Jaune transforms, Blake yelps*

Blake: *Gapes at the barely visible figure of Jaune* W-what!? Jaune’s the Emerald Knight!?

Yang: *Waking, weakly* B-Blake?

Blake: *Still stunned but realizes she can’t run now, not with Yang looking like at her like that*

----------------- 

Adam Taurus: *Seething in apocalyptic fury* You again. You bastard, you just won’t stop interfering where you don’t belong!

White Fang Grunt: *Terrified of the emerald glow* Sir? What do we do? The last time we fought the Emerald Knight he nearly killed you.

Adam Taurus: *Audibly grinds teeth* We retreat.

White Fang Grunt: Sir!?

Adam Taurus: Don't make me repeat myself. We retreat. The only way we live to fight another day is if we live and that accursed blight on faunuskind won’t hesitate to kill our brothers and sisters in droves if we fight him now!

----------------- 

Nora: --EEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Ren: *Sighs in defeat*

Nora: *Stops, cackling maniacally* If fearless leader’s a superhero then that means we are too, Renny! *Pink electricity crackles, Nora’s eyes begin glowing pink* Call me Thundermaiden! *Lifts Magnhild*

Worried Beowolf: Aroo?

----------------- 

Velvet: *Breathes* Bloody rippa.

----------------- 

Coco: *Lips pressed together, exhales explosively* Nine out of ten. That armor is sleek, aesthetically pleasing from any angle, those pauldrons are just muah and if Arc had been born with just one more X chromosome I’d have my head buried in his thighs and he’d be screaming my name for that fucking cape. *Sighs wistfully*

Neptune: *To himself* Oh yeah, because now’s the time for a boner.

Reese Chloris: *Zipping about* Maybe focus on the badass armor later, cause if you haven’t noticed-- *Is cut off by the roar of Coco’s minigun*

Coco: Yeah, yeah.

----------------- 

Emerald: Get back here you traitorous coward!

Mercury: *Running away* Nope, fuck that! My old man fought the Emerald Knight last year, got his ass whooped up and down the Purple River and the Emerald Knight just straight up disappeared the fucker! Not only is fighting that dude suicide but I owe him one!

Emerald: You traitor! How dare you turn your back on Cinder, after all she’s done for you!

Mercury: *Rolls his eyes, kicks a Beringel at a now shrieking Emerald* Cinder offers me the chance to kill my old man. Emerald Knight wipes him off the face of Remnant. And these are the people I worked with.

----------------- 

Ruby: Pyrrha, don’t worry, I’m holy guacamole with a side of chips. *Stares at Jaune in awe* OMIGOSH YOUR ARMOR IS SO COOL!

Cinder: *Incoherent screaming*

Ruby: *Gasps at Jaune’s massive emerald longsword* Th-th-th-th-- *Goes into a pitch only dogs can hear*

Jaune: *Cuts through two more of Cinder’s swords, creates a massive riot shield to block fire* Like Crocea Mors, Rubes? *Ruby shatters glass with her voice* Just a bit of my power. Alright, enough of you.

Cinder: You dare!? I am the Fall Maiden and I will have your girlfriend’s soul!

Jaune: Uh, Weiss is nowhere near--

Pyrrha: *Slumps, mutters* Thank you for reminding me Jaune, I had almost forgotten.

Jaune: You say something Pyr?

Cinder: *Flabbergasted* Then why!? Why stand in my path!? This will only end one way, you cheat! You’re a nobody! Nothing you have can stand before the powers of the Maidens! Not your strange aura or your paltry armor!

Jaune: Because. Pyrrha’s my friend. *Pyrrha gets teary eyed*  It's not about where you were born or the powers you have or what you wear on your chest; it's about what you do. It’s about your actions. And I refuse to let innocent people be hurt in your lust for power! *Disappears Crocea Mors, creates heavy shackle constructs on Cinder and a muzzle construct over her mouth* And you’re right. The Guardians of Oa will be your judgment.

Cinder: *Wide eyed, stunned at her immediate defeat*

Ruby: *Gapes, is inspired by his words*

Pyrrha: *Stunned, happy to be alive, touched*

Weiss: *Arrives* Our hero. *Smiles* So much for secrecy, huh?

Jaune: *Sheepishly* Heh, yeah. Not sure Remnant’s really ready for the Corps. and all that comes with it but no way could I call myself a Lantern if I let Pyro Lady here get her way.

Weiss: *Haughtily* Yes, quite. *Smiles cheerfully* Well the good news is you seem to have given the others a second wind. *Gestures, strokes Jaune’s cheek*

Jaune: *Stares blankly as Huntsmen and Huntress tear through Grimm like they’re barely there, sees retreating White Fang and Atlas making arrests, mowing down Grimm; Grins* All in a--

Grimm Dragon: *Roars*

Cinder: *Eyes widen in glee*

Weiss: *Clutches Jaune’s side, aims Myrtenaster*

Jaune: AAAHHH! DRAGON! Trust in instincts!

*Giant green penis construct forms above the Dragon and slams down onto it, crushing the body*

Cinder: *Goes into catatonic shock*

Jaune: *Ignores Weiss pounding on his chest as she blushes furiously* Instincts bad!

Grimm Dragon: *Dies feeling oddly humiliated*

Weiss: Why!? Of all the things, why t-t-t-t-t-t-t-that!

Jaune: *Embarrassed, not making eye contact with a stunned Ruby or Pyrrha, defends himself* I didn’t hear you complaining last night when I made to-scale copies of Jaune Jr. so you could get spitroasted by your boyfriend! I *realizes what he just said* Oops.

Weiss: *Mortified beyond belief* I-I, you, n-no... *Sees gaping Ruby and Pyrrha, buries her face in his cape* H-he’s lying! I-I, noooo, I hate yoooooouuu!!!!!!

Jaune: I love you too, Snow Angel. *Blushes* Well, as far as official debuts go that could have been worse.

Winter: *Sounding angry and embarrassed as she stomps up the CCT stairs* W-Weiss, I’m well aware of how happy you are in your relationship but that is no reason to allow your boyfriend to advertise to the world in s-s-such lewd detail his p-p-p-his dingaling!

Yang: *Further down the stairs, sounding pained* BAHAHAHAHAHAHA!!!!!!!!

Weiss: *Face is a tomato and she starts kicking an embarrassed Jaune’s armored shin*

------------------------------------------------------------------------------

One: Look my Homelander avatar in the eyes and tell me Alan Scott’s armor in Kingdom Come wasn’t just made for a GL!Jaune story.

Two: Yes, that is a (very lightly) paraphrased Superman quote Jaune used.

Three: Instincts bad is a reference to a Spider-Man panel.

Four: Velvet is terribly accurate. My girlfriend is Australian and she uses ‘ripper’ regularly. It’s basically Australian for awesome.

#rwby #jaune arc #green lantern #alan scott #weiss schnee #rwby vol 3 #au #white knight #jaune x weiss #team rwby #team jnpr #pyrrha nikos #jacques schnee #coco adel #velvet scarlatina #superman #spider-man #this is what happens when you let a drunk type #what's crack-a-lackin' #shitpost

[canmom]

PMMM?

Oooh, OK then. So I actually wrote an Animation Night post on Madoka, back on Animation Night 10 - hard to believe that's 81 weeks ago now. Back then, though, my posts were much shorter and I didn't discuss the production in much detail. However I did end up talking about SHAFT again later in the post about Kizumonogatari on Animation Night 51.

Anyway, I love Madoka. I admit, my engagement with the series has just been the original anime and Rebellion, and not any of the expanded world of gacha games and manga and the spinoff anime adapting the gacha - but I would rank Rebellion as one of my favourite animated films and I can't wait to see what they do with the upcoming sequel.

Last time I wrote about Madoka, I mostly wrote about Gen Urobuchi. I generally speaking think he's an immensely talented writer and I've enjoyed basically all the stuff he's worked on from Psycho-Pass to Fate Zero (yet to watch through Kamen Rider Gaim or play Sayo no Uta but I hear great things), but Madoka wouldn't be half the show it is without the incredible design work of Ume Aoki, distinctive direction of Yukihiro Miyamoto [and Akiyuki Shinbo overseeing all SHAFT projects, but see below], fantastic animation of too many key animators to name, gorgeous music of Kalafina and of course the absolutely brilliant Jan Švankmajer-influenced [Animation Night 50] collage animation of the incredibly talented duo Gekidan Inu Curry [see sakugablog for a nice retrospective of them].

The Madoka series excels in choreography and storyboarding - the classic austere, geometric SHAFT environments and striking camera angles, and the abstracted dance-like action sequences in which aesthetic elements and symbols flow into each other. And then they kick that up another notch or several in the movie, which indulges fully in Inu Curry's style. I still consider it some of the most beautiful sequences of animation set to music I've ever seen.

Anyway, I've only seen a bit of the SHAFT oeuvre (alongside Madoka, that's Bake- and Kizumonogatari), although the story of the studio is fascinating, like something out of a play - the charismatic Akiyuki Shinbo and his friends reorganising a fairly minor studio into one of the most distinctive of its time. Let me quote kVin (who else?):

The task Shinbo received at SHAFT wasn’t simple: he wasn’t going to direct a new series, but rather the whole studio. He became an overall supervisor of their entire output, while also guiding younger artists to make sure this style would live on. This marked the beginning of his unusual moonlighting, juggling jobs in a way that didn’t really allow him to do as much classic directorial work. To date, Shinbo has never been the sole director of a SHAFT series because he can’t. But he didn’t face this crazy challenge all by himself, of course. With his good pals Tatsuya Oishi and Shin Oonuma they formed the appropriately nicknamed Team Shinbo; a group of artists with compatible sensibilities, who had worked together in the past, and shared the desire to construct a new SHAFT.

kVin notes that the SHAFT style is an heir, through the influence of artist Nobuyuki Takeuchi who had had a significant role on Utena, to an incredibly influential director I've still yet to give a proper discussion on Animation Night, Osamu Dezaki, by way of - of course - the master of symbolism-dense, technically avant-garde anime, Kunihiko Ikuhara. I'll save a full discussion of that for another time, though. In any case, this was successful - perhaps too successful. Many of their best animators got caught up for years in the sprawling Kizumonogatari project, while kVin and other commenters more familiar with their work say the SHAFT style, once bold and innovative, became frozen in and lost its original contextual meaning, and some years later many SHAFT staff ended up leaving the studio for less overbearing work environment.

Madoka came just two years after Bakemonogatari, though, so the Team Shinbo style was still plenty fresh. Not surprisingly, it was quickly a huge hit. In Western fandom, it kind of became that meme show, where the magical girls have guns and being meguca is suffering. There's a bunch of extremely bad misreadings out there (it's grimdark! it's a 'deconstruction'! and the backlash to that - didn't you hear, gen urobuchi wants little girls to not have hope!) but that's just how anime fandom is I guess. It's certainly in dialogue with other magical girl shows, but to me it seems in a clearly appreciative way. Thematically, it's frankly not too far afield from something like Sailor Moon.

But you've asked for me to answer an ask meme, so let me do that instead :p

haven’t heard of it | absolutely never watching | might watch | currently watching | dropped | hated it | meh | a positive okay | liked it | liked it a lot! | loved it | a favorite

don’t watch period | drop if not interested within 2-3 episodes | give it a go, could be your thing | 5 star recommendation

fav characters: Homura - more on that when we get to 'unpopular opinion'! - and Kyōko, I generally really like the concept of a burned out cynical traumatised magical girl lol

least fav characters: is it too easy to say Sayaka's cardboard violin-playing boyfriend with nonspecific anime disease whose name I can't even be bothered to look up? I guess that's the whole tragedy of her character, she wants to save this boy who just resents her for it, but you can do so much better Sayaka!

fav relationship: haha well Homura/Madoka is obviously the central framing one innit, but actually there are dynamics I really like here, especially in Rebellion. again, more on that in 'unpopular opinions'. outside of that, I think you could write pretty good fic of just about any pair of girls. They hint a bit at Sayaka/Kyōko during the last big fight sequence in Rebellion (possibly more earlier? it's been a while?) and that's cute. I admit I'm not much of a shipper these days.

fav moment: There's many I could name, but one I keep coming back to is the sequence in Rebellion when the magical girl squad deploys and each of the girls gets a brief abstract sequence illustrating their vibe. The music and imagery is sooo good here. I also love the gunfight later in the film with the time-frozen bullet trails. And the incredible climactic battle when the whole world breaks down around Homura as she realises the truth of what's going on and becomes a witch again. Am I just naming the whole of Rebellion at this rate? OK, I admit it, years on in which I've watched literally hundreds more animated films, I still think this one's great.

headcanons/theories: This is clearly a redemptive headcanon that's not especially well signalled by the text, but the reason for all the nonsensical stuff about entropy and ancient aliens is that Kyubey is a low-level functionary who doesn't understand anything half as well as it pretends. The Incubators didn't cultivate human civilisation over the centuries and give us technologies, that's just a convenient lie in the moment, and Kyubey doesn't really understand what it is that they're harvesting from the magical girls very well at all. But because the girls are like, what, middle schoolers, they don't have the background to pull Kyubey up on his misunderstanding of thermodynamics lol.

unpopular opinion: OK. oKAY. let's do this again shall we. strap in. I went over this some time previously when I first watched Rebellion (good god that was hard to find, tumblr's search functions are a travesty) but my comments amounted mostly to *gestures at Stirner, who I hadn't read and still haven't*, so let's have another shot at justifying this Take...

Here we go: I still don't think Homura is the bad guy at the end of Rebellion. Which seems to be the shared opinion of every girl I know who's seen the film but in wider fandom is basically nonexistent as a take. I don't necessarily think Homura has the answer, but I don't think Madoka permanently sacrificing herself for the sake of every hurting person in the universe was a happy ending in the first place - Homura's insistence on being the one to save Madoka and her lack of imagination in trying to reconstruct the pantomime of a 'normal' life is surely an unhealthy fixation, but she's right that the situation was intolerable and something did have to be done about it. The tension between Madoka's agency and Homura's, and whether their desires and self-sacrificing impulses can be reconciled, is a productive one.

Now, the end of Madoka is something that produces endless interpretations. Back in May last year there was a fascinating discussion on here between @azdoine, @businesstiramisu and @anarcha-catgirlism getting into the characters' various saviour complexes and the possible religious readings of their arcs in the series's broadly Buddhist cosmology.

Visually, the film pulls out all the symbols in the SHAFT toolkit to suggest that Homura is as evil as she makes out - the mouth closeups, the headtilts, the cadence and tone of the dialogue. But it also gives us quite a few lines of evidence that Homura is onto something. Notably, it makes clear that Homura has not saved Madoka at the expense of all the other Magical Girls - outside her pocket universe, the Law of the Cycle still exists. Whether Madoka can truly be happy there is another question. It also gives us a very blatant image that Madoka as 'Madokami' is still suffering with an arm covered in self-harm scars:

Admittedly this film is about as visually dense as an Ikuhara anime and I don't blame anyone for not reading the implications in this very brief cut but it's fairly important, I think. Madokami may be taking the girls up to heaven, but it's a very impersonal heaven, and the strain it's placing on her is evident. Because I've increasingly caught on that a universal self-sacrificing impulse to save everyone, however understandable, isn't actually a great thing.

Even if you can't sympathise with Homura - and I admit, a lot of my sympathy comes for her rhetoric (desire over rules) more than her actions, and you could make an argument that trapping Madoka in a false pocket universe after struggling to escape one made by the Incubators and herself across the whole film is deeply ironic - overall, in any case, I feel that the ending of Rebellion is at least a very apt extension of the tragic arcs of the two characters. Not to mention a fascinating discussion point and far richer than the happy ending that was, I believe I read at one point, originally planned before Shinbo requested a darker ending.

Yeah, it is very sudden, probably too much so - that presentation does make it seem like a 'shocking twist! Homura's bad now' which is perhaps one reason why a lot of people reacted badly to it. I'm not exactly sure where they should have foreshadowed it; at least it's not like they don't spend a lot of time on it afterwards showing you just where Homura is coming from.

how’d you find it: Without Rebellion, I feel like Madoka is 'merely' a very good magical girl anime with excellent art direction, some creative twists on the format, and a darker tone than usual... with Rebellion, it's something fascinating that has completely hooked me.

So I really can't wait to see if they can keep the ball rolling in the Rebellion sequel, whenever that lands. Although the breakup of Kalafina will be a tragic blow. I don't know how you do Madoka without Kalafina.

random thoughts: More a bit of trivia than anything, but as far as one of the lasting influences of Madoka, Yoko Taro asked Kimihiko Fujisaka to think of the series when designing the Intoners for Drakengard 3. Which proved to be a great decision.

I admit, there's a whole side of Madoka which I am not familiar with. I tried starting Magia Record once but bounced off what seemed to be a simple recap of the opening beats of the series - I need to give it another shot some time because there are some spectacular clips from season 2. Per some of @azdoine's posts which I only vaguely recall, it sounds like they've been monkeying around a bit with retconning some of the themes and logic of the series which would be a shame but whatever, I don't believe in 'canon'.

Hope that satisfies you as an answer, anon!

#puella magi madoka magica #anime #madoka rebellion spoilers #solicit bryn's anime opinions

[slightlyobsessedwitheverything]

ok so. i want to talk about bakugo katsuki for a moment

spoilers for mha manga ch 303

mainly about the way he is treated and the fact that it is largely disregarded by people around him in universe and in a large portion of the fandom and specifically regarding the sports festival, his mother, and most recently in the hospital and how horikoshi uses these “gag scenes” as a catalyst for more serious moments in the future

the first example of this is of course with the sports festival. todoroki essentially blows the fight and bakugo wins by default, so he throws a fit.

and of course this is supposed to be comedic right? i mean, it’s over the top and wacky and bakugo doesn’t mention it later so it’s fine

right?

except that shigaraki was watching as it was televised. not only does he see his power and aggression, but he sees that bakugo, much like himself and the rest of the LOV, is mistreated by the heroes. restrained and treated like an animal needing to be contained. i highly doubt the LOV would have been as interested in recruiting bakugo if they didn’t think he had a reason to hate the heroes.

from this we then get the kamino battle, the return of all for one, and the fall of all might

a comedic scene that ends up having serious consequences

now directly following this, we are introduced to bakugo mitsuki. she is shown cheerfully smacking her son around and saying if he wasn’t so weak, he wouldn’t have gotten kidnapped in the first place. bakugo just seems annoyed. once again, it’s largely played for laughs as katsuki and mitsuki yell at each other, as is seemingly their dynamic.

however, once again, in deku v kacchan 2, we are shown that bakugo is not unaffected by this. we see that he views himself as weak, that he sees the fall of all might as entirely his doing. if only he’d been stronger.

this leads to bakugo having a full emotional meltdown in which he basically quotes his mothers words from that earlier scene, and triggers arguably the biggest turning point in his character (realizing deku was never looking down on him, beginning to treat/see him as an equal, his involvement with ofa and deku’s training; which all inevitably lead to him sacrificing himself for deku)

comedic scene. serious consequences.

now, we have the hospital scene. based on past moments with similar set ups, this could be leading up to another big moment with bakugo concerning his relationship with deku

so the fact that people are disregarding this scene as simply “a gag scene” is completely ignoring the way horikoshi has set up these big moments for bakugo in the past

(edit: i realized after i posted this that most of it just ended up being about how these scenes were kind of foreshadowing and less about how the other characters + fandom actually treats bakugo but. i still think i got most of my point across lol ✌️)

#thank you for coming to my ted talk #bnha 303 #bakugo katsuki #katsuki bakugo #bakugou katsuki #katsuki bakugou #mha spoilers #bnha spoilers #mha #bnha #my hero academia #boku no hero academia #long post #bnha 304

[astralwaifu]

congrats on 50 followers u deserve way more!!!!

id like a best friend match up from mha but id prefer if it was someone from the lov(i love them sm)

uhh so ive got a VERY big ego and i love tk be praised🤩 im extroverted and cheerful and i like to think i'm funny. i talk a lot but i also like to listen to ppl talk. if i like someone i'm very nice and caring to them but i can be brutally honest at times(my friends say im kind of mean) i like to gossip(ik it's bad but still😭) also im an enfj(im pretty sure not mistyped) and my zodiac sign is a leo.

i'm interested in crystals! i like reading literature and i like to read classics the most. i love baking and cooking but i can't cook or bake to save my life. i have a sweet tooth. i like watching anime and reading manga. my love language is phsycial touch and im touch starved😭

some of my kins are teruhashi,ranpo,hange, sasha,armin,reki.

im very scared of dogs and animals in general tbh. i like cats but im too scared to get close to one😭 i also don't like infps.

i love to talk about mbti and my obsessions!

i either wear all white or all black there is no in between and im 156 cms with long red hair.

i love to go out with my friends and i love parks and play grounds.

I HAVE NO IDEA WHAT ELSE TO SAY I THINK THATS ALL ABOUT MYSELF😭 HAVE A NICE DAY!

hii! ah, this is quite hard to pinpoint, bc I see you being friends with everyone in the league(i think i’ll add that to the hc), but i kinda have a hunch who your bestie would be…

I match you with your MHA best friend …

Toga Himiko!

Hc:

- I’m just going to say that she knew from the beginning you will be her bestie for life (accentuate the words FOR LIFE)

- You two really clicked in an instant, which kinda annoyed the other members of the league ( “Since when became the League a kindergarten?” yes, Dabi, thank you for your sarcasm)

- On mission, around the hideout, or simply going out to steal shop some clothes, the two of you are always together, basically joined to the hip at this point.

- You have weekly sleepovers, that in time became daily. You start by doing eachother’s hair (Toga especially loves your red locks, she thinks they are so beautiful and she is right), then painting your nails and bitching about literally anyone.

- Expect a lot of praise from her, you know how she is with people she loves!

- She likes that you are someone that understands her and you always have her back with your upbeat and funny personality. Really, she couldn’t even dream of a better friend!

- The others of the league were pretty worried about you two, since you took the expression: “partners in crime” to literally. The most suspicious were Shigaraki and Dabi.

- Really, what did a sunshine ball like yourself did there with them? At first you seemed so chatty and talkative, basically glowing in anyone’s presence.

- It was also weird, since you had mixed views over a lot of things, really! Shigaraki heard you saying that you like cats, but during a mission you got so scared by one of them. Man was kinda shocked and that says a lot.

- I’m not even starting on Dabi, you know how he is…

- Anyway, all the suspicions vanished into thin air when you started to quote from Dostoevsky during one of your weekly hangouts with Toga.

- Dabi was so impressed, he couldn’t articulate any words (and yes he knew what you were talking about, Endeavour made him read the book when he was 10). Shigaraki however thought that Fyodor Dostoevsky was an anime character (mind his poor soul).

- After that, they started to see how intelligent you are and how your opinions and ideas helped them in their plans so much. (Tbh you saved their asses a lot of times)

- Now they’re all your friends. Deal with it, you have like 6 criminals that are whipped after your bright, kind and smart aura. 😌

- Also expect random sweets from all of them after missions. They started to stock them up in a cupboard and just give you one daily, for existing in their lives.

bonus song: Stockholm Syndrome by 1D

#bnha #mha #bnha imagines #my hero academia #my hero academia x reader #toga himiko x reader #toga himiko #mha matchup #my hero academia matchup #bnha matchup

[doreamu-san]

An analysis of SolKy

Hello! Thank you so much for clicking on this. A while ago, I was asked to do an essay explaining why people ship SolKy other than the whole rivals/opposites attract reason, and I got a lot of feedback stating it was useful for newcomers to the ship! As a result I’ve decided to post this on tumblr, but just on the ship’s tag as to not bother uninterested people.

A couple of disclaimers before I begin. This is firstly just my own opinion, so whilst it makes sense for me, other shippers may disagree with my points. I’m also not claiming they are canon because they are not. But I do hope it’ll give some insight into why some people like me enjoy them together.

Even once you’ve read this essay, you can still dislike SolKy. This isn’t an essay stating you have to ship them.

This will be extremely long as I basically cover every single interaction they’ve ever had with each other since I know some people sort of gloss over their dialogue, so grab yourself a drink, get comfy, and I hope you enjoy reading!

(Last edited: 09/05/2021. This will be updated again when Strive releases!)

How this all began

If we’re starting right at the beginning, it’s common knowledge that Ky and Sol weren’t exactly on great terms and often clashed most of the time due to their conflicting beliefs. Ky saw the world in terms of black and white, and had very strict rules on what constituted as right and wrong. Sol seemed to think differently and went against that, which was a stark contrast compared to the other Order members at the time.

Considering that they were in fact, in the middle of a war, you would think that generally people would be willing to put their differences aside and work together.

But Sol wasn’t like everyone else, going off and doing his own thing instead of actually listening to orders, so it’s understandable why Ky found him rather irritating.

However, Ky did grow curious of Sol. Obviously curiosity does not equate to love, but it is the basis of Ky wanting to become more friendly with and know more about Sol. There seemed to be something that Sol knew but Ky didn’t, but how was that possible..? As a result, despite how infuriating he could be, Ky sought to seek out the truth and so fought him for answers.

In regards to why exactly they fight (aside from the fact that this is a fighting game), Ishiwatari wrote something called ‘Hostility is Akin to Love’ right above a picture of them fighting:

Hostility is akin to love Thinking of your opponent’s actions to fight, Reading your opponent’s inner thoughts to fight, Planning attacks that will hit your opponent to fight, And then transmitting your thoughts with those attacks, The more you think of your own advantage, at the same time you think of your opponent, In the instant you mix with your opponent, a passionate feeling arises, and blood boils, Reality is hurt, and you wound your opponent, Hostility is akin to love. — Guilty Gear Isuka Mook

It states how fighting someone can be close to feelings of love because you have to think about what your opponent is doing, as well as how you’re going to respond to your opponent. Overtime, you start to memorise how your opponent thinks, and as a result you’ll know them on a deeper level.

So considering the above, this explains how even though they weren’t on friendly terms, they still formed a bond with one another.

Now we’ve established how exactly their relationship started, and why Ky was curious about Sol in the first place, let’s look at things from Sol’s perspective.

Sol’s attitude towards Ky

We know that Sol was also pretty annoyed by Ky, which was totally justifiable given the extreme way in which Ky thought the world worked. But Sol didn’t exactly dislike Ky.

In order to provide some evidence that Sol cares about Ky, let’s cover that infamous scene everyone likes to reference which shows Sol crying over Ky’s dead body:

Sol:     "I came to pick you up." Ky:      "Always coming late... you never could fix that..." Sol:     "You..." Ky:      "As to be expected... until the very end... I could never beat you..." Sol:     "Don't say anything!" Ky:      "I have... a request..." Sol:     "I said shut up!" Ky:      "After Commander Kliff... carry on... the Holy Order..." Sol:     "Stop it... that's your job!" Ky:      "Please... promise me..." Sol:     "Dammit..." Ky:      "If it's you... you can do..." Sol:     "Hey.... what's wrong. Hey! KYYYYYY!" — Guilty Gear XX Drama CD Side Red, Battle of Rome — Deathmatch

A lot of people bring this quote up when discussing SolKy and yes, it does show Sol cares about Ky considering how Sol never really cares about anyone in general, but the fact that Ky’s death managed to make him emotional shows what an impact Ky had on him. There are however more quotes that show Sol’s feelings.

There’s this scene in the GG Xtra manga, Ky and Sol get attacked by a mountain-sized gear. In order to save them, Sol rips off his limiter and Dragon Installs. This scene is very poignant when you take into consideration what Sol said in After Story A:

Sol:     "Back during the Crusades, before we met... Kliff told me this rumour about a prodigy swordsman." Sol:     "If you couldn't guess, that was you. I didn't give a shit at the time..." Sol:     "But then I saw you on the battlefield." Sol:     "I saw someone out there who surpassed all of my expectations. Or perhaps I should say 'something.'" Sol:     "No openings, no wasted movements, no carelessness, no hesitation, no embarrassment, not even any honor. No chivalry or mercy. A being unaffected by emotion." Sol:     "You were a killing machine. Taking down gears with brutal efficiency." Ky:      "...That was a long time ago." Sol:     "I'm not done talking. I've seen the face of the 'serious' Ky." Sol:     "Then one day, you challenged me." Sol:     "You wanna know what I thought right then?" Ky:      "..." Sol:     "I was afraid. Hell, I was scared shitless." Sol:     "'He figured out that I'm a Gear, and he's come to kill me.' That's what I thought." — Guilty Gear Xrd -REVELATOR-, After Story A

Sol admits that he knows just how scary Ky can be. Since Ky was extremely against Gears, if Ky found out that Sol was a Gear, then Ky would have most likely attempted to kill him. But Sol knew this and was willing to die for Ky’s sake, and transformed anyway:

Ky:      "Sol..." Ky:      (Really... that's really..) Ky:      (That's really you!?) Ky:      "SOL!" Sol:     "Shut it..." Sol:     "I didn't do it..." Sol:     "To help you out—...." — Guilty Gear Xtra, Chapter 5: Unspeakable Thoughts

Going off on a bit of a tangent from Sol’s feelings, but I just want to point out Ky’s state of mind at this point. Ky in this time period was still very anti-Gear, as it was only through this moment and his encounters with Solaria and Dizzy later that made him change his way of thinking. It took a long time for Ky to accept Gears, and he still had the remains of that mindset in him when he had Sin, as he refused to make eye contact with him because Ky was ashamed of having a Gear child. So the fact that Ky knew Sol was a Gear, believed all Gears were evil, but still decided to accept Sol into his life and wanted to support him regardless of that, is interesting.

Back to Sol, another small quote that manages to show Sol’s feelings towards Ky is this:

Sol:     (Maybe I'll finish them off while I'm at it...) Sol:     (But that would mean breaking my promise to Ky...) — Guilty Gear XX Accent Core Plus R, Sol Badguy Path 2

Now, Sol doesn’t care about 99% of what other people do as long as they don’t get in his way. The fact that he intends to keep his promise with Ky suggests that he holds Ky in somewhat ‘high’ regards compared to others.

There’s also this quote that shows Sol is thinking about Ky in Overture:

The frustrations of the man wielding a giant sword were piling day by day, and a familiar face appeared in his head. What’s he up to right now? “Hmph, whatever…” With a feeling of self-contempt, Sol Badguy shook his head. What am I getting sentimental for? — Guilty Gear 2: Overture, #0 “Noise”

And when Sol encounters Raven later on after seeing Ky incapacitated, Raven points out how he can tell Sol is upset, meaning Sol’s not really doing a good job of pretending he’s still indifferent to Ky.

Raven: "You're as ruthless as ever, huh, monster?" Sol:      "Look who's talking." Raven: "Can you not put down your sword and talk? I understand you're upset with Ky Kiske defeated." Sol:      "I'll ask your corpse for answers." — Guilty Gear 2: Overture, #5 "Gaze of the Chronicle"

Sol’s thoughts about Ky become even clearer during his confrontation with Sin when he’s under the influence of Valentine, where Sol defends Ky’s actions and tries to make Sin understand Ky is not 100% at fault:

Sin:     "Can you see it? Can you feel it? This is my real power. This is my mother's strength." Sol:     "But it's light. It must be from your father." Sin:     "Shut up! Don't ever mention him!" Sin:     "He abandoned my mother and me using justice as an excuse!" Sin:     "Who cares about the King!? Who cares about the people!? That man, and that Kingdom, not one of them can protect a damn thing!" Sol:     "I don't give a damn about your family." Sol:     "But you know what, Ky may be a stubborn idiot, but at least he's true to his beliefs." Sol:     "A punk like you is still alive thanks to his justice." — Guilty Gear 2: Overture, #15 "Roaring Compass"

Okay, that’s the pre-Xrd era for Sol done, now to focus on Ky’s pre-Xrd’s emotions.

Ky’s attitude towards Sol

We’ve established earlier that Ky was annoyed by Sol and disliked him in the Crusades. However, afterwards it seems as if Ky saw himself as friends with Sol:

Ofc1:   "All of them seem to have been destroyed by... fire?" Ofc2:  "Yeah... why could that be?" Ky:      "........" Ky:      "Change our course!" Ky:      "Head towards the Eastern United States!" Ofc1:   "May I ask why, Chief Ky?" Ky:      "To meet an old friend." — Guilty Gear Xtra, Chapter 4: Former Friends

We know that Ky outwardly expressed his first signs of liking Sol when Sol stole the Fuuenken and Ky chased after him, only for Sol to win in their duel, and Ky says this:

Ky:      "Promise me one thing..." Sol:     "..What?" Ky:      "We'll meet again." Sol:     "Hmph... Well, if fate brings us together..." Ky:      "..That's fine." — Guilty Gear XX Accent Core Plus R, Sol Badguy Path 1

It’s pretty interesting that Ky wanted to see Sol again despite how Sol never used to listen to his orders, and how Sol never even tried to act like what the Order expected their men to act like (chivalrous, putting the people first, etc). It at least shows us that Ky saw possibly the potential of becoming friends with Sol. And Sol didn’t even say straight up ‘no’ or ‘in your dreams’ or whatever Badguy-esque notion he usually would’ve done, so we can assume he doesn’t mind seeing Ky again either.

Then they don’t speak to each other properly for 5 years until the tournament that Testament holds, though they have probably ran into each other a few times within those years.

A common misconception people have is that during those 5 years, Ky was obsessed with Sol and would constantly try to find him. Obviously, this is not true. Ky was busy with IPF stuff and Sol was hunting Gears down.

However, it’s not as if Ky completely forgot about Sol — he was just probably at the back of his mind, and Ky does admit that he has been chasing after Sol the most more than anyone else:

Ky:      (Waiting outside for me when I left the ship... burning red flames. Soon, they seem to take the shape of a man... and he appears before me. Yes... it's him. The one I've been after the most... it's him.) — Guilty Gear X Drama CD, Vol. 1: Track Seven — Crater

There’s also these two other quotes:

Ky:      (Sol...) Ky:      (Why are you so stubborn about doing things alone?) — Guilty Gear Xtra, Chapter 5: Unspeakable Thoughts

You can interpret this in two ways: either Ky wants to help Sol out and/or he’s curious as to why Sol always does stuff alone.

And then there’s this:

Ky:      "Maintaining peace, law, and order. That is my duty." Sol:     "Whatever..." Ky:      "You and I, we are cut from the same cloth." Ky:      "How long are you going to keep that facade?" Sol:     "..." Ky:      "Answer me Sol!" — Guilty Gear Judgment, Sol and Ky Ending

Being ‘cut from the same cloth’ is quite a strong statement. The phrase means that Ky thought he and Sol were similar somehow, and that he shared something with Sol. Regardless, the ‘how long are you going to keep that facade’ at least shows that Ky knows Sol is intentionally acting distant/rough/etc. and that its not actually who he is.

Jumping to pre-Overture, just before Ky gives Sin to Sol, Ky is in a really depressive state due to all of the stress he’s been going through. This leads Dizzy to contact Sol. The fact that Sol is called means that Dizzy knows that Sol is possibly the only person who can help Ky at that point, which puts some emphasis on just how much Sol means to Ky or at least affects him.

Before I move onto Xrd, there’s this part where Ky gives his son to Sol. This proves he trusts Sol so much considering he was asking him to take care of Sin for a long period of time.

Ky:      “Sol....I want to request something...” Sol:     “...hnn?” Ky:      “My son....Sin..can you take care of him for a while?” Sol:     “...what did you say?” Ky:      “I know it’s unreasonable but...I still want to ask...” — GG2: Overture Story, Sol's Story

The Xrd era (because it is so long, it needs its own section)

The Xrd era is extremely interesting to me, because Sol and Ky have some more in-depth conversations, and boy, do they have a lot of conversations.

Focusing on Sol first, theres a scene in REV where Sol asks Ky why he isn’t interested in his past:

Sol:     "Why don't you ask me already?" Ky:      "Ask you what?" Sol:     "About my past." Ky:      "I can ask you?" Sol:     "I guarantee, it won't be interesting." Sol:     "Every other word that came out of your mouth was 'Duel me,' or 'I challenge you!' You were so eager to fight and..." Ky:      "........" — Guilty Gear Xrd -REVELATOR-, Story Mode: Chapter 03, Sense A

Given that Ky was constantly pestering Sol about his background in the past, it makes sense why Sol is suddenly a bit confused about Ky’s sudden change in behaviour. But it also shows that Sol wants Ky to know about his past. After ~170+ years of being alive, Sol wants to finally open up to someone again, and he specifically chose Ky for this. It shows in the very least Sol trusts Ky and knows him well enough to decide to let him know about who he used to be.

And then Ky says this, which is basically him just showing Sol how much he cares and understands him:

Ky:      "Sol. Of course I have an interest in your past." Ky:      "But wanting to understand someone and trying to understand everything is completely different." Ky:      "Right now, Sol Badguy's future matters much more to me, than Frederick's past." — Guilty Gear Xrd -REVELATOR-, Story Mode: Chapter 03, Sense A

There’s also this scene in SIGN:

Ky:      "I don't know your history." Ky:      "I don't know if you had friends once, or if you fell in love, or why you burn with such hatred for That Man and the Gears..." Ky:      "I don't even know your real name." Sol:     "..." Ky:      "But I do know a great deal about a man named Sol Badguy." Ky:      "Blinded by vengeance, he lost sight of himself, and now he runs from the truth that frightens him." Sol:     "...Say that again." Ky:      "Tomorrow always comes, Sol." Sol:     "..!" Ky:      "If tomorrow promises to be cold and dark, I cannot stand idly by... even if I know my efforts will come to nothing." Sol:     "... The self-righteous apple doesn't fall far from the tree." Ky:      "I don't expect the world to change tomorrow, but I do hope that, today, perhaps my words will reach you." Ky:      "Sol..." Ky:      "I'll be waiting for you. We'll all be waiting for you. Sin, Dizzy..." Ky:      "Once all this is over... come home." — Guilty Gear Xrd -SIGN-, Story Mode: Chapter 04, Kaleidoscope B

Three things to take away from this:

Ky admits that he doesn’t know anything about Sol’s background, but that he knows a lot about the current Sol, and then goes on to explain how Sol acts. Which to expand on, means that although Ky used to care about Sol’s past, he doesn’t really mind about it anymore because Sol’s past won’t really change much who Sol is to Ky now. Also, the part where Ky explains how Sol was ‘blinded by vengeance,’etc. shows that Ky knows Sol’s current personality well enough in order to be able to distinguish his behaviours. Which is interesting because nobody has been around Sol long enough to be able to know him really well unlike Ky (Aria and Asuka count too, but they were around Sol when he was Frederick, and Sol seems pretty adamant on the idea that he’s a separate person from Frederick.)

‘Come home’ is pretty significant, as it implies that it’s almost like Ky is saying home is with Sin, Dizzy and the Valentines, and so when Sol is done getting revenge on That Man, instead of letting Sol just wander off alone, Ky wants Sol to be a family with them.

The fact that says Ky says ‘I’ll be waiting for you’ separate from ‘we’ll all be waiting for you’ implies that either Ky’s want to wait for Sol is somehow different from everyone else’s or it’s just for the sake of being dramatic. I interpreted this in both ways, as it seems like Ky knows that Sol treats him differently compared to others. So in a sense, by Ky emphasising that he’ll be waiting for Sol, it might make Sol more likely to ‘come home’.

There’s also a scene that shows Ky knows Sol’s personality well:

Ky:      "When I look at you, Sol, I see a man who is afraid." Sol:     "... What?" Ky:      "It became clear when I watched you caring for Sin." Ky:      "You work very hard to keep everyone at arm's length." Sol:     "..." Sol:     "I got Gear blood in my veins, and it ain't friendly. It's always there in the back of my head, whispering that I oughta just destroy all of this." Sol:     "The only way I'm gonna get some closure is tracking down That Man and beating some answers out of him." Sol:     "And if he doesn't have 'em..." Sol:     "Then maybe there really isn't a good way to live." Ky:      "That's why you close your heart off." — Guilty Gear Xrd -SIGN-, Story Mode: Chapter 08, Hope A

There’s also this:

Ky:      "Not all people have the strength to stand on their own." Sol:     "..." Ky:      "If only life were simple, and the right path was laid out before each of us..." Ky:      "But even then some would leave it, and some would struggle with walking it. Such is human nature..." Ky:      "The truth is that no path will ever be 'right' for all people. Each of us must find the one we are meant to walk--and sometimes that is where none exists." Ky:      "That is what I learned from you." — Guilty Gear Xrd -SIGN-, Story Mode: Chapter 08, Hope A

This just shows that Ky actually learnt something from Sol. Which I think is important because Ky is someone who always used to be very strict to his ideals. The fact that he learnt something from Sol that had an impact on his mindset means that Sol actually managed to have a great impact on Ky.

There’s this scene where Sol finds out that Aria isn’t dead when he confronts That Man, and he has somewhat of a mini mental breakdown. So Ky excuses them from the room, and goes outside to talk with Sol:

Ky:      "Sol. The grudge you hold is certainly not something that can be taken lightly. And, whatever answer you think you've found, I doubt any of us will be able to stop you from seeing it through..." Ky:      "But we have very little time left. Right now, we need the Gear Maker's help." Ky:      "So, I'm begging you... Just for now. Why don't you stay outside with me." — Guilty Gear Xrd -REVELATOR-, Story Mode: Chapter 06, Cause A

The last line that Ky says is interesting because it’s obvious that he’s just trying to calm Sol down, and Ky thinks that if he stays with Sol outside for a bit, he’ll be able to help him calm down. Furthermore, Ky thought it was more necessary to pause everything and help Sol out rather than keep listening to the plans of what their next course of action would be.

Ky does have the habit of comforting Sol. One of the more significant moments is whenever Sol refers to himself as a monster:

Ky:      "Yes, he took away some of what makes you human, but that doesn't mean he altered your mind or your soul." Sol:     "So what?" Ky:      "I want to believe that you'll fight for the people of this world." Sol:     "Are we seriously having this conversation?" Sol:     "Look, kid. I'm a monster. I'm here to do two things: Destroy That Man, and kill all the other Gears." — Guilty Gear Xrd -SIGN-, Story Mode: Chapter 04, Kaleidoscope B

To expand a little on Sol’s mindset, it’s common knowledge that Gears were generally in the past regarded as akin to monsters. Now we don’t have any solid proof Sol is referring to himself as a monster because he’s a Gear, or because he feels guilt about the whole Gear Project, etc. But we do know it’s something he’s affected by given that he constantly refers to himself as one.

So the fact that Ky constantly reassures him that he’s not one, and that Ky didn’t treat him differently after finding out he was a Gear, must be comforting to know.

Then at the end of REV, there’s the scene where Daryl is about to shoot Sol, because he (quite rightly) doesn’t trust the fate of the world to be left to Sol. And so, the kids get beamed up, but Ky asks to be left behind:

Ky:      "But, if you plan on targeting Sol, then you must leave me behind, as well." Daryl: "What!?" Zappa:"60 seconds until impact..!" Sol:     "What the hell are you doing?! Stay with Sin!" Ky:      "I am well aware that this is a one in a million chance..." Ky:      "But, if I survive at the expense of my dear friend, then there is little reason left for my ruling this world as king." — Guilty Gear Xrd -REVELATOR-, Story Mode: Final Chapter, Fireworks

This was a really odd moment because Ky’s life was never in danger at that moment. If he had been sent on board Daryl’s ship as originally planned, he would have been safe. But Ky intentionally chose to risk his life, and its kind of startling because Ky has always put his people above everything. There were times when he put the people above his own family, like when he kept his family a secret instead of coming out with the truth about them in order to remain as King to protect his people.

So Ky suddenly going ‘I would rather die with Sol than take care of my people’ is really extreme. Also Ky was willing to leave his family behind, which is even more extreme. So this just really proves how highly Ky regards Sol considering how he would rather die with him than live without him.

Some concluding notes

I think Sol and Ky’s personalities do work really well. Perhaps not in the Crusade era, but if we take a look at the Xrd era, they have shown to get along and have deep conversations with one another that they both enjoy. They know each other extremely well; they know how to support one another when life gets a bit too much and they’re also capable of telling one another when the other is wrong.

Sol teaches Ky that life isn’t as simple as it seems, and that (figuratively speaking) he shouldn’t stick exactly to the textbook. He’s able to see under that perfect image Ky puts up about him being able to cope with everything, acting as a source of stability when you consider how Sol has been the only person who’s been around Ky since the very beginning.

Throughout all of Ky’s life, he’s been under so much pressure. From being Commander in the Crusades, to becoming the Head of the International Police Force, to becoming King. In every situation, people are constantly relying on him, and his environment is changing rapidly. But despite everything, Sol has always remained the same. He looks the same, acts the same, etc. Ky can rely on Sol and trust Sol. He’s like a source of stability for Ky in those hectic times.

And Ky provides something similar to Sol too, given how often he ran into Sol time and time again. When you’ve been alive for so long, it’d feel reassuring in the very least to see a familiar face. And Sol does seem to get less annoyed each time they meet each other again, considering like how in Overture he voluntarily went to go see Ky after seeing himself on a wanted poster.

Ky also gives Sol the chance to open up to people again and form connections with them, something that Sol has been reluctant to do. Sol needs someone to care about him, and Ky proves that by constantly reassuring him and never giving up on trying to help Sol, even though he kept getting pushed away.

They may not be canon but I really do love how they work together. Yes it’s true some people may like them because they are ‘rivals’and seeing rivals get together and bicker is great, but actually I think when people focus more on how much they support and rely on each other, as well as the fact that they do get along, them being in a relationship is more convincing.

Whilst this essay focused on their canon interactions, there’s plenty of other great material out there. For instance, the Guilty Gear 4KomaKINGS manga provides plenty of great SolKy interactions (like the time Ky wanted to have a friendship diary with Sol, only to get rejected and start crying about it. Of course, take these interactions with a pinch of skepticism considering the frivolity of the source material.)

And that, was my very long SolKy essay. I hope you’ve enjoyed reading! Though you may not have agreed with everything I have said, you still continued reading, and I am grateful for that. Thank you for showing such enthusiasm and loving this franchise.

#solky

[meeko-mar]

Can I just compare Bakudeku to Korrasami for just a moment

Not as in, their relationship, but in terms of fandom experience, perception and how it became Canon.

So, some years ago, LOK was on it's 4th and final season. So of course, shipping discourse was high. Who would Korra end up with? Would she end up single, be back with Mako?

Or....there was a big calling for the couple Korrasami, that is, Korra and her female friend Asami, to get together.

Now, up until the point of the finale, (and grant that I haven't watched in a while so I'm speaking in an overall sense and recalling my experience) Asami and Korra had been teaming up more and more. Korra had been really, badly, injured in the last season, leading to her isolating herself in the SWT for about 2 or 3 years to heal with Katara, and upon heading back to Empire City, she takes an abrupt turn to spend more time isolated and on a sort of spirit journey in the wild because she didn't feel ready to face her destiny and her friends and was suffering from PTSD. She later returns to EC, and to Asami, and they are close together for the season.

This all caught the attention of the Korrasami shippers who had, at the time, kind of only been casually shipping them because, hey, wouldn't it be nice? and they were slowly and steadily getting more crumbs, and the ship gathered momentum as the seasons progressed.

But lo and behold, everyone else was saying such things as:

"they're a female/female ship, it will never happen, even if you want it to" (even shippers of Korrasami were resigned to this because the precedent in youth animation in western cartoons at the time, was of course, not inclusive of same sex couplings).

We SAW the subtle development between the two and DARED to hope and dream that it might one day become canon, even though we thought it unlikely because of the trend towards heteronormativity. We saw their interactions and toiled over if they were trying to hint at something more between them.

"They're just friends. You're reading into it"

Because the "just friends" behavior of Korrasami in later seasons were:

-Asami being deeply supportive of Korra when she was injured (and for a time, disabled) Like, literally, getting on a knee, putting her hand into Korra's and saying "I'm here for you, for ANYTHING you need" kind of supportive, even offering to COME to the SWT with her. (Korra sacrificed her desire to have Asami close because she didn't want Asami to drop her duties as basically a CEO to tend to her)

-Korra receiving letters from all of her friends during her healing period, but ONLY responding, in a very beautiful letter, to Asami's.

-Korra honestly apologizing for being gone so long without writing more than one letter or sharing more of what was going on or where she went

-Asami complimenting Korra's new hair and Korra BLUSHING and looking SO charmed(and returning the compliment of how amazing Asami always looks) --there is no hetero explanation for this.

-being battle partners and constantly having each other's backs

-Asami protecting Korra from pursuing enemies while she's in the Spirit World(leaving her physical body vulnerable)

-other characters in their circles being literally like "What's going on with you two??"

-Culminating in the final episode after the final battle with Asami breaking down, confessing that she wouldn't know what she had done if she had lost Korra in that final battle(she'd even lost her father the same day) AND THEN Korra comforting her and suggesting that they, the two of them, alone, take a trip together, to get away from it all for a bit.

-It ends, when They literally walk into the spirit world portal holding hands and staring lovingly into each other's eyes as the camera pans from them into the spirit portal

Which, LET ME TELL YOU, watching this when it first premiered, for the first time, WAS AN ALMOST TRANSCENDENT EXPERIENCE. It was a soft scene, emotional, beautifully animated, and the MUSIC just hit you right in the heart. Like, they didn't even kiss to really hammer it in that THEY ARE IN LOVE, however, it was an EMOTIONAL PAYOFF and there was NO arguing that they were not a couple. Creators soon after confirmed, yes, they are both bisexual women, and they are in love.

And so, you could definitely say that Korrasami could have been interpreted as just "Very Good Friends" behavior, of "Gals being Pals", and many people DID argue that, and would later claim that there wasn't "enough build-up to the relationship". And part of the atmosphere in media back then(esp. Nickelodeon at the time) they really couldn't be blatant about it up until that ending. It was even a thing that Nickelodeon had been kind of shooting them in the foot for a while with switching around air times, and eventually taking it off air and putting it only available to view ON THEIR WEBSITE. There was a lot of fuckery with the studio at the time, and It wouldn't have been far off to think that they had issue with the idea of this series ending with two girls together romantically.

..

It just kind of makes me think of people telling BKDK, not only "They're m/m, it'll never happen in shonen manga" but ALSO anything from "they hate eachother" to "They are toxic because Bakugou bullied him(blatant disregard for any current development of Bakugou's character) and so it can never ever happen" to "Ok sure they're becoming friends again, but that doesn't mean they love each other or will by the end of the story"

When arguably, Korrasami was basically given the same dismissal.

And my dudes, it's only gonna get more intense from here.

Like, Bakugou and Izuku are friends now(again). There's no denying that. They would literally die for one another. Their relationship, and the emotions between the two of them in the coming arcs will only be compounded, with how the last arc left off and how Izuku SUDDENLY left and how Bakugou has so many unresolved feelings, and how, like Korra being the Avatar and having to save the world multiple times over(and the PTSD she got from it), Izuku is carrying a heavy burden that Bakugou is determine to help him see it through to the end without LOSING Izuku in the process. Their stories are so closely tied together and they are SET to return to each other, and it CANNOT end WITHOUT them being together, in some capacity, even if it is just platonic.

So...I wouldn't write BKDK off just yet. We're at the same spot right now that Korrasami shippers were when they were starting to seriously think that there was something canon about Korrasami.

So, Am I saying that I for sure, 100% believe that BKDK will become romantically canon? Not really; the hurdle of it being a Shonen-oriented manga being actively marketed for boys, is admittedly a huge hurdle to overcome, and I, as an American, cannot begin to understand all of the cultural barriers, or implications breaking any of those barriers would have to a Japanese audience or for Horikoshi/his career as a manga-ka.

I still don't know what Horikoshi is thinking when it comes to BKDK, he's obviously very private and all we can do is speculate on what he feels about it; there's still a possibility, however small, that he may actually be the biggest BKDK of us all, and "telling the story he wants to tell" may yet include BKDK becoming canon(that quote may also have nothing whatsoever to do with any romance, but we don't know)...But, much like I was at the point in the Korrasami tale, I'm still painfully aware of the precedent that remains in the way.

Like the Korrasami tale, though, I suppose there is that possibility that we will see something completely amazing and groundbreaking, and I will once again have that transcendent experience where an unlikely ship suddenly becomes reality. At this state in the Korrasami tale, I had NO IDEA that we were shipping the real, canon deal, and it honestly surprised me, being that I usually attach myself to something that never becomes canon, lol(*cough*Zutara).

We're in the thick of it now, we just gotta wait it out and see.

#Korrasami #Bakudeku #antis dni #bkdk #a small essay #bit of a ramble #hope this makes sense #Korrasami crawled so she-ra could run and so voltron could fall face first lmao #all speculative #like do u understand #we had NO IDEA #We had no idea that it would actually become canon we were just like HEY THIS IS ADORABLE AND THEY ARE SO CUTE TOGETHER #and they're battle gfs #there was the added spiciness that these girls were BOTH on opposite sides of a love triangle with mako #so it started out as a J O K E like Korra forget mako and date asami shes so much better #YOU BOTH DESERVE BETTER THAN MAKO #and they DID

[gracemyheart]

KaguMyu Act I ~ RANT REACTION

Okay, so I watched act 1 of the new Sailor Moon Musical "Kaguya Hime no Koibito" and spoiler: it felt like wasted time. Even NewMyu is more exciting to watch and I say that as an official NewMyu-hater-disliker...

You can watch the musical full for free on vk.

I included screenshots to make my little notes a bit more exciting. Disclaimer again: I am and will forever be honest with my opinions. If I think something sucks, I'll say that it sucks. (Spoiler: This was even too boring to suck lmao). Tbh. I have no idea how the manga handeled this story so I will make references from the S-movie.

- The musical starts with the song "You are my universe" and I have to say, it reminds me strongly of Tsukiiro no Chainon. That is not particularly a good thing because those random J-Pop songs these days have a bad thing in common: There is not really a melody in them? Like it feels too mechanical and not like music anymore. I couldn't really follow the melody because it was actually not existing. A good thing is that every Senshi has some solo lines in the song but that doesn't make it better. I am for example not sure if I could sing it with that lack of melody and rhythm.

- Next thing is the costumes. Was there really not enough money to make them look not THAT cheap? Also, Chibimoon's costume looks so baggy? And her wig looks, I quote @vampiru-chan "like a burst sofa cushion" xD.

- What annoys me too is that we got those no-name background-dancer demons again. SO boring like wtf finally get something interesting like in Banitimes again!

- However, the choreography wasn't as bad as it usually is in NewMyu and with that I mean they were not swinging their arms like crazy while running and walking from on end to the other end of the stage. So I grant a bonus point for the choreography.

- Yuuka-Saturn NAILED her solo-line. Good girl.

- I am still annoyed, that we got that all-female cast again! It might be rare, but I am still a straight girl in this fandom and I need real men again xD And I think all the lovely gay fanboys in the fandom agree xP.

- After the dance-fight-song-scene we see how Kakeru finds Snow Princess Kaguya's ice crystal as he does in the movie and then we get to know that it is winter and the Senshi will celebrate Mako's, Mina's and Setsuna's birthdays all together. And I have to say, she doesn't do ANYTHING, she is only a side character and simply...well there - BUT I LOVE Shinjyu-Haruka so much, omg. Finally a good Uranus! Her face reminds me of Asako but she is stronger and her male-like acting does not feel that forced. Too bad she was in a musical that was not about the Senshi at all :(

- Again I have to say, WHO, WHO thought it was a good idea to cast a Sailor Moon with that kind of face? Like, literally wtf. Tbh I would sue the surgeon who is responsible for this.

- Okay, now we found out why the costumes are so cheap: The whole budget was spent on the civilian outfits. They are so sweet and so pretty, omg. I want to have them all!

- But because all the money was spent on the outfits, there was no budget left for Artemis >:( He is only mentioned.

- Then lemme ask why our Usagi-chan is so bitchy here? She pushed Minako to the side in a very-not-Usagi-like style??

- Okay, birthday goes on and we get a birthday song and then some kind of idol-song by Mina and Mako. And the songs are not memorable at all :(

- What I liked was this little scene between Rei and Usagi. Looks like a reference to the anime where both quarrel a lot and it feld refreshing.

- And I have to say, that the lovely voice of Kisara-Mako/Jupiter reminds me SO MUCH of my friend's voice @missemperor you gotta cover her, nobody would notice the difference lol.

- Okay, now Himeko sings a song of how Kakeru developed as a professor or something and it makes no sense because Himeko is just so unimportant. Oh, yes and I never liked her in the movie because she was such a fkn bitch to Luna? I mean, I don't like Luna either but stop bullying the cat, bitch.

- as I mentioned in my last post about KaguMyu - we do not have a real setting again :/ But they tried to compensate that with heavy projections even from thought bubbles. I'd liked it better if there had actually been a setting but okay, we live in the century of technology and not of proper requisites.

- I also wonder why Michiru always has such a cute voice in Nelke productions? Ever watched the anime? She has a normal adult voice which sounds very elegant but not cute. But besides being a side character, Ayana plays a decent Neptune/Michiru.

- The rest of the musical is basically Luna and Kakeru doing stuff? But it feels like nothing happens T_T. Btw. the actress of Kakeru reminds me STRONGLY of a Zuka actress too. Apropos Takarazuka: Riku Sorahana is a cool Mamoru. Maybe a bit too cool for Mamoru but I like her.

- Another thing I noticed: The birthday scene, in the beginning, was just to show that this musical actually has the Senshi in it. Because after that scene... they are gone. There is that one scene with Usagi and Luna à la how does a kiss taste and then Chibiusa sings (very badly, omg. Why not casting a child that can sing?) a very annoying song, of how Luna is in love.

Overall:

- It was so boring. Literally, nothing happened. It felt like wasted time and yes, I know that the story is mainly about Luna but....geez no. I had a bit of hope that this musical might be better than the last ones but I have to say out of the new musicals - NogiMyu stays the best.

- Those songs were really not good and not memorable at all. They feel like the typical mass-production these days. Maybe BaniMyu was so good because back then it was a rare thing for anime/manga to turn into stage plays? I mean, today almost every anime/manga which is a bit popular gets a musical. Plus BaniMyu had Akiko Kosaka for the songs (and Queen Ado for the choreo <3).

- Funny thing: Usually in the new musicals it is that the first act is rather good or at least ok while the second one is boring af - but in this case, I doubt that this can get even more boring - maybe act 2 will be good then? Ewwww, we'll see but I do not have big hopes, tbh.

- If I had to rate it with points while 10 points would be super good and 0 points super bad, I'd give it so far 2 points. (LR, PE and UNV would even get 3 to 4 points, wtf it's really so bad xD. Okay, no they'd get at least 3 but still xD).

Today I'll watch the second act but I doubt it will get any better... :(

BANDAI! GET SERA MYU BACK AND DO GOOD STUFF AGAIN!

#sailor moon #sailor moon musical #sailor moon 2021 #kaguya hime's beloved #kaguya hime no koibito #kagumyu #sera myu #reaction

[starymintss]

Please enjoy an essay on why mitsukou has so much fucking potential and why they’re great together

by Elena~

I don’t think I’ve ever seen such a connection like the one that mitsukou shares. This ship literally has true canon potential. I have hope and believe that we may be victorious in mitsukou becoming canon- I mean god dammit guys they are “SEMI CANON”-

kounene obviously won’t be endgame. In Houkago Shounen Hanako Kun (the spin-off series) they played a game in which the person who pulled a king card was able to get to command a person that was playing the game to do something no matter what. When Kou pulled his card- he literally decided he wanted his brother Teru who was there and Nene to have a romantic connection (hence- him saying and I fucking quote, “This will make senpai happy!”) He could’ve done it to his own benefit- to maybe earn a kiss or do something of his own benefit. But he didn’t, instead choosing to make his senpai happy.

Besides Hananene is basically canon already like what the fuck

As for Mitsuba he’s a gay coded character and hasn’t denied the guys aren’t his type. Some people who deem Mitsuba straight might use the scene where he tells Kou “Is this a love confession? Sorry but lame earrings aren’t really my style.” That still does not confirm that Mitsuba doesn’t swing that way. A really great piece of evidence is the bonus comics at the start and end of a manga- one titled, “Tell Me, Mitsuba Kun,” in which Kou asks if he ever had a crush on other girls- Mitsuba responding that there are simply no other girls cuter than him. In another bonus comic he says the same thing again when he tells Yokoo and Satou he wants to fall in love. When asked to name some girls he thinks are cute, he asks if it's possible that he was the cutest one of all. On the other hand, Kou has stated that he likes someone with a pretty smile (do I have to explain that) which is a pretty open explanation of his type (not denying or confirming he doesn’t like guys). Obviously as a Mitsukou shipper I can point out different actions that I’ll admit looks pretty gay.

It’s not the fact that it’s very common in manga like this that there’s the straight couple and then the other two people in the group are automatically paired together- they are so much more than that. They have a deep connection, and both Kou and Mitsuba are somewhat aware of that themselves. Mitsuba is willing to protect Kou from harm- he’s willing to stop him from getting himself hurt for others because Mitsuba cares, and he knows that he’s too reckless and caring and fearless for others in a way that isn’t healthy?

Kou likes to be everything for everyone and the reader can see in chapter 64 that Mitsuba really did try to talk to him about the behavior. Yes it’s weird to see Mitsuba actually show true concern to people--because it’s his character to be a jerk and an asshole, but that doesn’t mean Mitsuba is incapable of not having true genuine feelings for people he seems as his friends.

Obviously, Mitsuba trying to talk to Kou didn’t happen due to other events that occurred. But I think a lot of people agree that the moment would’ve been so beautifully written and truly played an extremely important part in Kou’s character development.

As for Mitsuba, Kou is generally a sweet guy. It’s stated he will give up his life for anyone, it was what he was taught growing up as an exorcist and a fighter. Those words do not fail his actions, and anyone can see Kou will die for literally anything which is really messed up. He’s 14 for fucks sake.

Someone against Mitsukou could use that as an argument but we see here in the manga that there’s simply something different about this said connection. Kou is first introduced to Mitsuba in chapter 30 something, and he remembers who he is after Yokoo tells him--what happened to Mitsuba that was ultimately the end of his life. Mitsuba does again by his rumor being changed, and being stabbed by Hanako- but it’s the fact he cries and loses sleep and just cannot let him go for anything that moves me. May I point out that he actually decided to process the photos even after Mitsubas death? He didn’t have to do that. Not at all. But he did anyways. It’s seen that Kou wants to find a way to help Mitsuba get away from Tsukasa and help him fit in more- he wants to be a friend. (Note: after he’s reintroduced to Mitsuba; this Mitsuba being a pure apparition with no memories.)

Mitsuba is deeply insecure about himself, and feels he doesn’t fit in. He’s lonely, and doesn’t have friends even as a ghost. But Kou is there. He’s there to be by Mitsubas side.

The deep connection the two of them have is strong and that’s especially shown in the picture perfect arc. At the beginning Kou first sees Mitsuba as a human and obviously it’s freaking him out because-he’s a ghost you know. But once him and Nene meet Shijima Mei, and are told they must kill Hanako (Amane) and Mitsuba, it’s disturbing to them. At this point in the series literally everyone know Hanako and Yashiro share a connection as lovers. I mean- its the couple that the series revolves around. But Kou is deeply disturbed because he doesn’t want to kill Mitsuba. Yet- Mei also reassured them that things will be alright since after all this is a fake world and there’s no need for hesitation. But it’s still affecting Kou and he’s carrying this information on his back as he learns beside Mitsuba in school and has fun with him while cleaning the pool. At night, when the two of them are walking on the school building and watching the stars from the window, Kou confronts Mitsuba about this (note: by now Kou knows that Mitsuba knows). Mitsuba goes on to reveal his true form, and uses his powers to show Kou the past. He tells him about how he learns about his past self. And he states to just feel so… “envious”

Mitsuba grows angry with Kou- because he can see how he’s looking at the true Mitsuba with such a gaze the fake Mitsuba knows he won’t ever get.

Things lead to one another and he smashes the window in fury. (“It’s that Mitsuba you want, right?!” And I dare you to tell me that doesn’t sound like a fucking quote from a bittersweet romance novel.)

Kou insists on getting Mitsuba out of there. And can I please just point out that Mitsuba says: “What are you doing?!” He asks Kou if this isn’t what he wanted- if this isnt the life they want to live from here on out where they can be happy together along with their friends. This reminds me of a direct parallel to Hananene, in which Hanako is confused as to why Nene wouldn’t want to stay here, and Nene tells him that this isn’t what she wants. Kou says the same thing to Mitsuba.

Kou drags out embedded feelings Mitsuba has as they fight, and he says quotes that are really important to their development. Things such as:

“But… who else is there?! Who else could grant my wish?! Even you, Minamoto- Kun!”

“You see… even you don’t care about me. It’s that “Mitsuba,” isn’t it?! I don't even MATTER!!”

“I’m Mitsuba’s fake, but let’s just call it real! This is a world where the “Mitsuba” you were unable to save can live happily! That’s good, isn’t it?”

“Even if it’s only in this world, be my friend, and stay by my side… I’m just thinking scary things. Over there, I’ll be jealous.”

I think the Picture Perfect arc really shows how desperate Mitsuba is to have friends- to fit in with everyone else and to just feel like he belongs and matters. Kou tries to tell him that isn’t true... he’s willing to do everything to let him know that he is so much more than what he deems himself as. He’s so much more than a “fake” of what used to be his original friend, there's so much more to do than wish wishes and hope things will just go the way you want things to go. There’s a better way than to look to evil to bend and defy the laws of existing.

There’s the famous quote Kou says- the “How about I die too. So that we can be together forever.” And how he decided right there this this fake Mitsuba- this apparition who very much will never become human- is worthy. He’s worthy of his life; this is more than the whole “I will die for every life” because Mitsuba is dead- he’s immortal as a ghost. But a human like him... in Mitsubas words someone who will never understand something as ugly and as horrifying as a apparition born from a real persons soul and lesser about to disappear spirits- Kou will give his life up just to know the hell he goes through. Even if it’s just a glimpse- even if it’s just for a second Kou will do anything to just fulfill Mitsubas wish for him to stay by his side. He will do anything for Mitsuba.

I think writing this out also makes me realize they both have their walls up. Kou has his walls up to try and hide his true feelings- his deepest fears and insecurities- feeling as if he isn’t good enough. Mitsuba has his walls up to do the same. He portrays himself as a guy that he deems will get him friends. He hides the ugliness in himself- hides the fact he’s a total fake; doesn’t belong anywhere and his deepest insecurities.

But the two of them together help each other in such a way that it’s unable to truly analyze every single moment they share together.

They help each other but teach the other to bring their walls down. That it’s okay to talk about your feelings and that you don’t have to be everything for everyone. That you don’t have to give up everything you have living- your health and your literal life- for someone. That it’s okay to feel like you don’t fit in. It’s okay to feel like there’s just no other choice of getting what you want and therefore doing the wrong things. That people will love you just for you; what happened in the past put aside.

Mitsuba and Kou are in love.

The end. 💖

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