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#i am thinking about my original stories now aND WHY THE FUCK ARE MOST OF THEM HORROR????
campfam4lyfe · 2 days
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Got any campfam aus or ideas in the works?
hey anon! I wouldn’t say I have any ideas in the works, because I have what I like to call commitment issues when it comes to writing fic.
This means that while I have an abundance of ideas, outlines, and wips in my Google docs for the fandoms I’ve been in. I’ve never actually finished a fic and posted it.
In fact, the only single time I have, (diff fandom!) I am not counting properly, because it was a collab with a close mutual, and a lot of the legwork was them. I had the initial plot bunny and was going to leave it as a one off tumblr post, but my mutual rlly liked the idea and we bounced drabbles and such back and forth. We wrote a bunch of snippets and put them together in a doc, until we had cohesive chapters, as we filled the empty spaces with more and more work, ending up to a total of 18 chapters. It took us a year and a half to post it, and that was mostly my fault, as where my mutual had finished most of their allotted sections, different hyperfixations kept pulling me to other unfinished works. This is why I won’t promise anything—I don’t want to disappoint anyone.
But, that being said. I do have ideas, hcs, and aus! One that is currently consuming me, was actually inspired by this one other post I saw recently. (When I find the post ima link it dw!) OP of the post was saying that there should be a Carmen Sandiego au for CC and I jumped on that SO fucking fast anon. I LOVE Carmen Sandiego, and have since it first aired when I was in HS.
So. Here’s some of the Carmen Sandiego au thoughts copy/pasted from my Google docs. (Yes I do always write out my outlines as if I’m taking to someone but that’s bc i sometimes end up sharing the doc link with some friends)
JWCC Carmen Sandiego AU:
Y’all know Kenlynn is my JAM and so is RedCrackle. So obvi I thought of mixing the two right? But here’s the thing. While I love Carmen/Gray, I am also in love with Carmen/Ivy and Carmen/Julia.
So with that in mind. Kenlynn is going to take a backseat for a second (meaning tho they'll become a thing and obvi they will bc they are a constant to me, theyre not the center of this), and my fave girls YASAMMY will be at the forefront of this au.
I’m thinking. Carmen Sammy. But I’m not entirely sure about whether or not that’s what I want? It could be argued that Sammy’s love for her family is a core driving force in her character, and Carmen doesn’t KNOW her family. But also—a huge plot point is that she’s looking for her mom. So. Tentative Carmen Sammy.
MANTAH CORP AS VILE MANTAH CORP AS V.I.L.E MANTAH CORP AS V.I.L.E
So I figure not everything is going to be one-to-one. This means I am placing Kenji in the role of Gray/Crackle. His story is going to be different tho, bc whereas Gray was a recruit, with MANTAH CORP AS V.I.L.E that means Daniel is already on the board. So kenji trying to make his dad proud? More likely than you think.
(I just wanted my Sammy&Kenji besties. Bestie betrayal can be just as good as romantic betrayal)
I’m sure you know where I’m going with this if we’re not going the redcrackle route. Thats right. YASMINA JULIA.
I considered at first, YASMINA CARMEN and SAMMY IVY, but in the end the need for Sammy Carmen was too great.
So I also considered Dave and Roxxie as Chase and Julia but, I decided to scrap that idea for now. You know me, at some point I might revamp most of the au anyways lol, now is not a time for fine tuning it’s just a tentative starting point.
Torn between DARIUS as Player or Brooklynn as Player. I considered Ben of course, but I think we need to put him on an island at some point—he needs a Bumpy, no matter the universe.
WAIT. REVISITING BEN AS PLAYER. BECAUSE DARIUS AND BRAND AS ZACK AND IVY. This means no Carmen/Ivy vibes but since we ditched the Gray/Carmen as well in this au I think it’s fine.
Ben still has to end up with Bumpy somehow tho? Original Ben plan, when Darius was a Player candidate, was Ben is also a V.I.L.E recruit.
V.I.L.E having a faction that deals with genetics and cloning (in addition to like. Kash and his robots) and ending up with a dinosaur—Bumpy! And that being Ben’s flip to the other side/Team Sammy. He defects and steals Bumpy on his way out.
Okay I’m a little too attached to that, so yeah. V.I.L.E recruit Ben, so Brooklynn as player??
Oh! She doesn’t have!!! IRL friends!! Brooklynn being an Internet famous vlogger as in canon. So we get that running gag of Sammy and Brooklynn always being in contact and Brooklynn being a big part of the heists through investigative work and such, yet she’s constantly on the other side of the globe? Sammy needs to be in Sydney but Brooklynn is in New Orleans. That kinda stuff.
Works with Brooklynn having traveled all over the world, she can also do those factoids player does—she’s got the deets.
Oh!???? THATS HOW WE GET MY FAVE DUO OF DINOSTAR BESTIES!!! They both love their facts. They’re nerds.
Mae as shadowsan? Tentatively?
Okay. Player Brooklynn. Except instead of being home most of the time, she’s usually on the go. She’s talked to kenji a few times during Sammy and Kenji’s V.I.L.E recruit era.
Kenji as the Gray of this au. he’s a V.I.L.E legacy. he became friends with sammy his recruitment year, and he'd talked to brooklynn a few times, due to sammy introducing them because kenji was curious about whether or not sammy has friends in the outside world, and sammy noticing brooklynn feeling a little left out/jealous that sammy had friends she was hanging with in person rather than over a phone call.
kenlynn kenlynn kenlynn
does he recognize her voice from her vlogs? does he even watch them? i dont think hed be a brooklander, guys got a lot on his plate and thats impressing his dad
ben is a V.I.L.E. recruit. maybe a bit of mime bomb, in that he was. not as close? with the other recruits. i do think having ben come in as a recruit the year sammy defects would be cool tho. so he doesn't know her as "black sheep" or whatever code name V.I.L.E refers to her as. he'll first meet her as Sammy.
yaz as JULIA!!!!! a junior agent? a former athlete. trying to make it make sense, but i think it fits.
omg. yaz. is alex rider basically holy shit
was thinking of dave as chase, and decided that i was going to keep it.
roxxie as the Chief.
mae as shadowsan.
yes. it IS because i want a roxxie/mae/dave love triangle and that need's final form was ot3
DARIUS AND BRAND AS ZACK AND IVY. i dont want their mom to be dead. but i dont know WHAT happened to her and why theyre involved in this life of crime? i love the og carmen&ivy&zack meeting. and i love that they were involved with racing. trying to find a way to incorporate it and make it make sense
important question.....is darius and his dad's great shared love still dinosaurs?
OR IS IT CARS? RACING?????? BRAND BEING INVOLVED IN THE RACES BC IT WAS IMPORTANT TO DARIUS AND THEIR DAD AND DARIUS CANT DRIVE YET
AND. SAMMY. AS CARMEN!!!!!!
okay so carmen's dad was a former V.I.L.E. agent who left it all behind for the woman he fell in love with right? well. obvi this au isnt a one to one. like there clearly have been changes in characters and dynamics. but i think involving elements from this could work. lemme map it out to make sense
okay so in cc sammy spies for mantah corp despite her parents not wanting her to. meanwhie carmen's dad defects from V.I.L.E., i think shadowsan was there and so was the chief and he dies.
okay so--sammy's dad was a V.I.L.E. agent, fell in love, defected. V.I.L.E. catches up with him, and does A.C.M.E. and in the fallout, the house collapses. A fire? an explosion? they think sammy died. (im not killing off sammy's dad bc damnit she needs a happy ending)
yaz losing faith in the system and having her hot girl summer being romanced by the pretty thief she's supposed to be catching
ben ditches VILE/Mantah Corp with Bumpy and meets Darius at some point--oh!!!
mae/shadowsan joins Team Sammy at the end of s1 i think? okay, so, when she joins, she brings ben, a fresh defector with her.
obvi ben left after he stole bumpy from them
at some point during their occasional talks, kenlynn became friendly with each other. then The Train scene happens. and kenji is promptly deemed a disappointment and dealt with the way gray is.
brooklynn ends up coming across a memory-wiped kenji during one of her vlogs. he doesnt know he knows her, just that something about her voice seems familiar.
brooklynn brings it up and the other are Concerned but also have a lot on their plate rn/dont truly trust him again or are unclear on whether or not they should. darius/brand bc their experiences havent been good so far, and sammy doesnt want to risk them. but he was still one of her first friends. shes torn
brooklynn making contact with him. smth smth she ends up needing a camera man for one of her vlogs and kenji volunteers. they grow closer during her sporadic visits. he asks her out.
DANIEL KON HAS ENTERED THE CHAT. SAMMY NEEDS BROOKLYNN TO DO HER THING. SHE MISSES THE DATE.
Meanwhile, that entire interactive ep??? of carmen sandiego with the julia/carmen??? THAT. THAT HAPPENS. YASAMMY DANCE AND WE GET THAT SCENE YOU KNOW THE ONE
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lunar-wandering · 10 months
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robot/android named Axis that gets tossed out by his creator (Dr.X) on day 1 for being glitched, ends up in the trash heap, was meant to be deactivated but for some reason (possible meteorite in the trash heap?) he reactivated.
ends up in the middle of a town, finds out that Dr. X frequently sends x-bots to attack to try and take over, said attacks are usually felled by humans or z-bots.
Axis figures that there's probably a stigma around the letter x in general and so when asked for his name starts going by "Access" instead.
part of the identifying x-mark on him got damaged/smudged when he was tossed, so the people/person that finds him assume he's a y-model bot, an old prototype model that hasn't been used in ages. (a y-bot shouldn't have been this advanced, but yknow they're still finding out more about the robot testing sites so it's not that far out of the realm of possibility).
somehow, Access ends up fighting off x-bots, and kinda accidentally becomes like, a town hero??
...basically the plot here is that Access has to protect this town while hiding the fact that he's actually an x-model bot while also hiding that he's glitched. shenanigans ensue.
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blizzardfluffykpop · 2 months
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You sent me an ask so I shall return the favor! What is the most recent Kpop group you’ve gotten into and how did you find out about them? I always love hearing fan “origin stories” lol
Thank you for returning the favor~ That would be The Boyz 🥰💖 I love hearing fan "origin stories" too hehe (This is gonna get long I love them sm)
Anyways I've known about them since debut? I loved Bloom Bloom Pow with my whole heart when it came out and tried to fall for them then- It didn't work. The next time was when The Stealer (TS) came out~ I had watched them perform for Road to Kingdom- because ptg was on the show too- But I really loved TS cb- sm so that I bought the album about 6 mos later with my favorite members as inclusions at the time (Eric, Kevin and Hyunjae). But nothing came about of it even after watching the weekly idol episodes... Then came Whisper era and I ended up biasing Changmin (Q) and loving that song but again nothing came out of it.
(A little backstory is that Changkyun (I.M) got me into Dominic Fike's music-) Thus, when tiktok showed me Juyeon, Changmin, and Sunwoo dancing to Babydoll earlier this year as a dance cover: I fell. And then I finally checked out Watch It~ But Hui had his solo and it distracted me completely from falling further. Then I had gotten sick and decided 'well, what if I watch their content?' And I did... I watched their hello82 interview and their reaction to fanart of them, and lastly their mafia dance. And I loved each sm that I decided to check out more.
It was the first time I had watched their content and wanted to see more. And now, I watch their content almost daily. It's kind of like they revived the joy of kpop for me? My (old) ult of ults has been on hiatus due to the military so it's been stagnant content lately for me. But then they came in like a breath of fresh air- and I simply can't get enough. This month will be 3 mos and I honestly hope I'll follow them for a long time. (I think they're my new ult of ults tbh)
And lastly now here I am as a Younghoon and Juyeon bias (with bias wrecker: Changmin... he's doing everything to be bias again). And with them having a comeback I loved with my whole heart this past month, I think it really solidified them with me. Honestly, I'm so happy with them.
#my 'fan origin story' hehe#lovely mutuals#asks#kate rambles from here#i even started a new kpop journal just dedicated to them and my thoughts- it's a 200 page journal and i have nearly 50 pages about them#and i started it in february ebhbha-#it's so funny because i saw one of my ults' concerts in theater the month before they should have became the ult of ults and here tbz comes#if the theory is true that you fall in love with certain people/groups/things at certain time then that means even when#i wanted to fall in love with them- that i had to wait until now to fall for them even if i wanted to fast forward it- i think now is a#perfect time- it's when i need them most i think- and fuck i could go on about them forever and why they mean sm to me in such little#time but oh how i love these guys-#no seriously everything i wish they could do- i find out they've done or will do- or for like pcs i like them a certain way and by golly#does yh do my favorite poses- and their music is just ?!?! i love it sm- ofc i've listened to them before a lot but ?? it's my speed rn#kate rambles#did i drag my close friend into them too? yes- yes I did- but she had full free will- she could have stayed on the happy mbb boat instead#of jumping into the water and swimming to lip gloss island with me- but alas she didn't so it's even more fun cause i get to be a new#deobi with her- and it's literally the best experiance i could have ever asked for- she prolly won't see these (i'm banking on it) and#honestly i'm so thankful for her- for joining me in this 'insanity' we've gotten ourselves into- i'm glad we were both stolen from our mbb#home together- it's sm fun to talk about tbz with her- because she's experiencing them new just like i am- i could go on here too#but i won't- so i'll stop here- i love these boyz sm tbh (every time i say it even if it's a lot- it doesn't feel enough)
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nonuggetshere · 7 months
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I might post FaaF AU next gen / oc content actually, because the reason I am taking a break from posting is because I started doing it for validation and compliments instead of for myself like I used to, but my oc content has the target audience of One (me) ((and maybe my friends))
It's a maybe though
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disdaidal · 10 months
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Sometimes I really kind of envy you native English speakers who make writing and posting fics seem so fucking easy. With near perfect grammar and hardly any typos. Or those of you who are capable of writing & updating your fics whenever the muse hits you just right... and not like, once in six months. Actually, try two years lol.
Whereas me, a non-native speaker, who occasionally struggles even with basic English grammar:
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I'm fine. Totally.
#personal#okay so i've been writing this one piece of fiction for a while now#actually two but i've seemed to put the other one on hold for a while at least#(i may have mentioned this already like five times during the past two weeks but my point is i'm still working on it)#many thanks to @ihni who recently gave me some words of encouragement <3 and ofc @catzy88 who gave me even more insp *saatananauru*#and i'm actually really kind of enjoying it because there's no pressure to write it and post it#i write it in small sections. whenever i feel like it. giving myself enough time to plan it and think about it. even getting new ideas#and for once i'm trying not to keep editing and fixing it as i go. i just write whatever crap comes to my mind and just let it flow#i try not to think about how many mistakes and typos i make because that way i'm never gonna get it finished#but at the same time... when it's finally time to go through it#fix typos. missing words. possibly poor grammar. i know i'm just gonna hate it so fucking much lmao#but i'm really trying my best here okay. and i'm trying not to rush it. for once#because i used to write like this as a teenager. when there was nowhere really to post your original stories (thank god for that)#so i did it in my notebooks. and i quite enjoyed it doing that way#and i'm not sure why i'm even rambling this because most of you are never gonna read it anyway lol. so who gives right#but it matters to me and i'm feeling good about writing again so here i am rambling about it. no matter if you care not. so cheers mateys <
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wilwheaton · 11 months
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When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.
This was originally published on my blog in August, 2022.
I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.
I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.
A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.
I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.
I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.
To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.
But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.
After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.
River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.
I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.
At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).
I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.
My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.
It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.
Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)
But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.
Okay. Back to The Curse.
This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.
That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.
One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.
No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.
At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”
It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.
I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.
It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).
So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.
My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.
In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.
The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.
But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.
Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.
My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.
The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?
My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.
My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.
Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.
She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.
“You don’t have a choice,” my father commanded. “You are doing this movie.”
“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.
Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.
But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.
There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.
I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.
The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.
I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.
This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.
As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.
Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.
There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.
The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.
This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).
Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.
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thestargayzingheroine · 3 months
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Why A Better World is my favourite "Evil Superman" Story
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So in the last two decades or so, there's been a notable amount of dark and edgy stories around superheroes turning evil and whatnot and most of them really love to do their own expies of Superman. I've never been the biggest fans of these kinds of stories.
And then there's the actual stories of Superman and other heroes being outright villains or at least just massive assholes. In recent years, this has been largely thanks to the influence of media like the Injustice Games or the Synderverse DC movies. It's... honestly become a trope I am tired of.
Because you know the damnest thing? There is a story that does all these ideas really damn well and arguably better. It is the two-parter from the Justice League cartoon "A Better World".
Now, I am aware how most people favouring the DCAU has become a bit of toxic nostalgia at times and it's something I myself am trying to work through a bit. But in this case, I do think it's the best idea of doing an evil DC story, much better and more interesting than the Crime Syndicate, who if you ask me are not very interesting, though I do remember liking the Crisis On Two Earths movie a lot, which funny enough, was originally going to be this two parter before various things led to it being canned and then later repurposed as a direct to DVD movie.
Anyway, my main crux of why I love this story is simple... The entire Justice League turns evil... and the reasons are very much in-character for all of them. You look at the scene with Justice Lord Batman for example.
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As fucking evil as the Justice Lords are... Batman can't quite fully hate his alternate self for his reason for taking part in all this being basically one-step further than his own mission, that no child should ever go through what he did. Hell, I recall reading that the reason the writers had Batman drop his batarang at the end of this scene... was because he genuinely wouldn't be able to come up with an argument to that.
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Superman likewise kills Lex Luthor because yeah, Luthor literally exploited the flaws in Democracy and became president of the US, threatening to kinda basically start world war 3. It's obviously horrible... but Superman is a character whose main motivation is making the world a better place. And if people who abuse the systems of power of the world are hurting people, why shouldn't Superman put a stop to that?
And yeah, Superman should obviously never kill, he's the most paragon of paragons of the DC universe, a man committed to always being better than the villains he fights... but this is him pushed to his most logical extreme. Hell, the main Superman knows this and its why Lex used his knowledge of this alternate universe as part of his plan in the season after this, to goad our Superman into crossing the line because yeah, there's a part of him that could go this far.
But right as Superman is about to apparently finish him, the big guy says this.
"I'm not the man who killed President Luthor. I wish to heaven that I were but I'm not."
Because Superman like everyone else, obviously would have those same thoughts and same urges. He's human.
I've kinda gone off Injustice a bit because to be honest... the injustice games were kinda just this but a bit too edgelordy. Hell, in A Better World, Lois Lane still lives and the whole genesis of it doesn't revolve around her getting fridged.
So yeah, A Better World is probably one of my favourite mirror universe stories because of the fact that well... it really is like looking in a mirror and seeing just how easy the greatest heroes can become evil and how they wouldn't be massively out of character doing so. But also it reminds us that as much as this darkness can tempt some of our finest, the ones who don't go down this dark path are stronger in heart than anyone else. Because when the world becomes a dark and horrible place, it becomes very easy to be just as dark. But even though it can be hard to still try and be a good person even in dark times, it's ultimately worth it. Because good always triumphs over evil.
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bunnliix · 3 months
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The Invisible Strings that Bind Us - Chapter One
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Hiii! I hope this is an enjoyable start to the story.
And to anyone that's reading this and wondering if it feels familiar, I was given permission to adapt another fanfic that was discontinued, to give it a new life! I didn't change much here in the first chapter, but the story from here on out is much different than the original first chapter. So basically, I'm not stealing anything!
word count: 3.2k
masterlist
warnings: panic attack, anxiety, I think that's it?
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Italicized - Korean
Y/n's POV
I sighed and laid back in bed after my class finished for the day, waiting to see how long this strike would go on. It felt weird to not have school other than the one online class, but for now it's a nice break from the long days at school. I sat up and grabbed my headphones from the foot of my bed, hoping that listening to my music for a bit will help speed the day along. While listening to said music, I started reading some fanfiction, having felt an abnormal want to read k-pop fanfics. This wasn't totally out of place, however it was odd for me to be unable to read one genre of fanfic for this long, as I had been focused on this for a couple weeks already. This week's fixation was Stray Kids, and particularly OT8 fanfic. I had read fanfic for the group before, however it was primarily members by themselves and not as one large group. Which is why this fixation is classified as odd in my mind. 
I passed the day by while reading fanfiction, and it was late at night by this time. I may have fixated on reading a bit too much as I had forgotten to eat food, though it could have been caused by the increasingly odd and realistic visions I had been daydreaming throughout the day. These daydreams had been occuring more often lately, and while some seemed to be of the same people sometimes, it was not always the case. These daydreams also seemed to carry into my dreams, which as I remembered them, seemed to catch my attention as it was very unusual. I had been having odder sensations, in addition to the strange dreams and daydreams. When I searched on the internet, everything pointed to the soulmate bond trying to pull me to my soulmate, however very little of what was happening to me, was really any help to point me in the direction of my soulmate or soulmates? All I could tell was that there were a lot of men in these visions, and that they may speak Korean, or at least most of them do.
Shrugging off that train of thought, I moved to get out of my regular clothes and into my sleep/comfy clothes, and hopped into bed afterwards, quickly forgetting about the daydreams and focusing on a new fanfiction I had found. A while after settling into bed, I found myself getting dizzy out of the blue, and decided that it was better to stay in bed and close my eyes, hoping that it would pass soon. Unfortunately, the universe did not agree with my hopes and soon I felt the bed disappear from under me, and the feeling of falling replaced it. Panicking, as one would in this situation, I open my eyes to try and find a way out of this situation, only to find myself falling into the lap of someone. I look up and recognize the face of the person whose lap I'm in. Of course, being the panicky person I am, my brain decided the best course of action is not to say "hi" or anything else, but to scramble off of his lap and run away from my soulmate. I somehow managed to open the door and run out of it, running around until I found a bathroom, running inside and hiding inside one of the stalls. I patted myself down, trying to find my phone and freaking out when it's nowhere to be found. 'Fuck!' I thought as I sit here in a stall in a strange place and I have nothing to help me get out of here and I'm not even wearing suitable clothes either. I started hyperventilating and found myself spiraling into a panic attack, unable to stop myself. Eventually, due to my panic attack and the lack of food I ate, I passed out in the bathroom stall.
Chan's POV
Today so far has been normal, nothing terribly unusual has occurred yet. Nothing is that unusual when it comes to my members, the chaos is eternal, but very amusing. I'm working on very little sleep, however I was able to finish up writing a couple songs for our next album, so that was a plus. Currently, the group and I are waiting on our choreographers to show up so that we can practice the dance for the title tracks of our upcoming comeback.
"Man, the dreams I've had lately have been kinda weird. There's been one girl I've seen more than a couple times, and I've seen her work on what look like essays as well. I wonder if this is due to the soulmate bond, but maybe it's just my overactive imagination." I hear Han say, and look up at him. That is fairly strange, and he isn't the first to have voiced about strange dreams or other occurrences they've had. However, I have no time to think about this as out of thin air, someone lands in my lap who is clearly none of my members. I look down to see a girl land in my lap, who quickly makes eye contact with me. I see her panic clear on her face, and I have no time to react before she scrambles away from me and runs out of the room. 
Han quickly leaps up as does everyone else who wasn't already standing. He shouts out, "That's the girl I saw in my dreams! How is she here?!" and before anyone can stop him, runs off after her. I'm in shock and look up to see Han run off, standing up quickly and calling after him. I look to the rest of the boys to try and figure out what to do now, as there was no way for that girl to have gotten in, with the exception of her being our soulmate, which I suspect to be true based on how I felt looking down at her. I look down at my lap only to find a phone that I know belongs to none of us, and figure out that it's her phone. I hold onto it and turn it over to find a Nayeon photocard inside the case on the back. "So it seems our soulmate likes k-pop." I remark and show the others the back of her phone case. "Now we just have to find her and Han, where they both went." We all leave the practice room and head off to try and find the two of them.
Han's POV
I watch the girl from my dreams run out the door and my body reacts, jumping up, yelling out that I knew her, before I run out the door behind her. I see her round the corner, but lose her once I turn the corner. I look around to see if I could find her, but the only rooms around here are a couple closets and the bathrooms. I open the closet door to find nothing but cleaning materials, and then search the men's bathroom in case she has run in here. The only option left is the women's bathroom, however it would not be good if I’m caught in there by someone. I lean back against the wall and try to think of what I was going to do next. 'I could call out to her and see if she hears me. But I don't know her name so what would I even call out.' 
I took a chance and looked around to see if there was anyone around. Seeing no one, I headed into the bathroom quickly, checking that there was no one in there. I saw that all but one of the stalls were open, so I went to check that stall. I knocked on it and get no answer. I took a risk and looked under it to find the girl, and wondered if she's so freaked out that she's not answering me. I found a way to unlock the stall and open it to find that she's passed out. I started panicking slightly because I don't know what to do in this situation. Do I call Chan? Do I try to carry her back to the practice room or our studio? Well the first thing I should do is make sure she's okay and alive. I knelt down in the stall and checked her pulse, finding that it's strong and well, if a little fast still. 'She must have had a panic attack or something to have a heart rate this fast after passing out who knows how long ago.' I figure that the best thing to do is to bring her to the studio so that when she wakes up, she won't be too shocked at least. I carefully reach under her knees and back and lift her up slowly, aware about the lack of space around us. Somehow, I managed to get the both of us to the studio without running into anyone. I lay her down on the couch, and sit down on the floor next to the couch, waiting till she wakes up. I texted the boys that I had found her and that both of us were safe. I also informed them that maybe it was better if all of us weren't here when she woke up, in order not to frighten her. If I was in her shoes, I would have reacted similarly, I'm sure.
Chan's POV
I felt my phone vibrate and saw that Han had messaged our group chat. I sighed in relief that he had found our soulmate, but frowned as I read that she had passed out in the bathroom, and that Han wants only a few of us to come see her once she's awake, fearing that she may freak out once again. I understood his idea, as it was logical, and quickly thought of who was best for her to meet first. Probably Minho, Felix and myself, as Felix and myself can speak English, and Minho will want to make sure that she's okay. I sent these thoughts to the group chat, and while the others protested, they ultimately understood where I am coming from. I started heading towards our studio and met up with the others outside, and we all entered the studio quietly and waited for her to wake up. 
Y/n's POV
I slowly started to wake up, feeling a soft surface underneath my body. I opened my eyes to find an unfamiliar ceiling above me, and my memories from before came back to me and I shot up into a sitting position. I heard noise from around me and looked around to find that my memories had in fact, not been a dream. There were half of the members of Stray Kids sitting or standing in various places around the room. "Umm, hi." I said quietly, still not sure what the hell I'm supposed to do in this situation. I looked down at my lap, feeling as if looking away would make it easier on myself. I saw and heard movement next to me and before I could look to see who it was, I heard someone speak to me.
"Hey, are you alright? There's no need to be shy, honestly." I looked up to see that it was Chan who had moved next to me, kneeling on the floor so that he was able to look at me. 'Should I say I'm fine when I'm really not? I don't want to worry them, that wouldn't be fair to them, and I'm sure they're busy enough already without me popping into their lives randomly.' I keep going down that rabbit hole until I feel a hand on my leg, bringing me back to the present. What I hadn't seen while spiraling was the four members trading concerned looks between them. I then looked to see that it's Chan's hand and that he looks more worried. I quickly opened my mouth to respond to his original question. "I'm fine, I'm totally fine. No need to worry about me." I try and laugh his concern off, I don't need to be a bother to them. 
I hadn't realized that I had said that last thought out loud until I felt someone sit behind me and wrap their arms around me as they talked. "You could never be a bother to us, you're our soulmate and we want to be there for you, even though we may have just met. We want you to lean on us for help when you need it, just as we will lean on you from time to time, okay?" I teared up unknowingly as he said that, looking up to see that it's Lee Know who was embracing me. He reaches a hand up to wipe the tears from my eyes, which I only noticed had fallen at that moment. I nodded silently, not really knowing what to say at that moment. I tensed up slightly in his arms, feeling conflicted as I was both comfortable and uncomfortable in his hold. 
One of the boys grabbed my hands again, before I looked up I knew it was Chan. He smiled at me, though he still looked slightly concerned. "Are we making you uncomfortable? Please tell us if we are and we'll back off a bit." I rushed to reply, in doing so also jumbling my words a bit, "No, no, you're all fine, um it's fine you're not makin' me unfomfy, fuck, I mean uncomfy. I just don't know what to do in this sorta situation and so I don't know how to act and you're all cute and y'know, idols and just I- aaaaaaaaaaaaaa" I ended up cutting myself off to spare myself the embarrassment and look back down at my hands that Chan is still holding. While I'm looking down, I heard laughter coming from Felix and Han and I'm not sure if they're laughing at me or not, and I scrunch my shoulders up to my ears, as if it would somehow protect me from them. 
"Hey, knock it off guys! You're making them uncomfortable, can't you see that? " I heard Lee Know speak up from behind me in Korean, talking to the two younger ones. I'm not sure what he said, but it stopped the boy's laughter and soon enough they came over, apologizing for laughing and Han explaining why they laughed in the first place. "I'm sorry, we weren't laughing at you, well not exactly. You sound like me when I get anxious and flustered so Lixie and I were laughing about the fact that I wouldn't be the only one who rambles and gets clumsy with their words. We're sorry that we hurt you with our actions, and hope that you are able to forgive us."
I looked up at Han and Felix, who clearly looked apologetic, and nodded. "Now that you've explained why you both laughed, I understand that you were not laughing at my inability to talk, but that I am not the only one that gets like that. So you both are forgiven, it's okay." I smiled at them, hoping that my forgiveness was clearly translated. They both smiled back at me, and I can see Chan smiling from the corner of my eye, seemingly happy that the situation was resolved. He then spoke up, "So maybe we should do introductions, though it seems you already know who we are."  I blush, nodding my head. "I do know who you all are, and who's missing from this group right now as well. Though shouldn't they be here so that I don't have to introduce myself twice? It would be easier to only do it once." 
Chan's POV
I laughed quickly and nodded, "Yes, that would be much easier. Han, would you text them to come here quickly? " I looked over to see that Han was already doing that. " No worries hyung, already done. They're all on their way ." Not even a minute or so later, the other half of SKZ barged through the door, just as I had hoped they wouldn't. " Guys, really? There's no need to barge in like that. " They all bowed apologetically to both myself and our last soulmate. She giggled at their actions and smiled and waved at them. I looked over at her to see if she was ready to introduce herself and after she looked at me and nodded, I smiled.
Y/N's POV
After the chaos that was the other half of Stray Kids barging into the room, I was ready to introduce myself to my soulmates for the first and only time. I turned to face everyone, "안녕하세요" I smiled and bowed to them as much as I am able to, as I introduced myself. I heard various reactions to my words, including a couple that I can make out as them calling me cute. 
I heard Chan say, "Well, our last soulmate, it's a pleasure to meet you." I looked up and smiled at him brightly as I responded, "I'm very glad to have met all of you as well, my eight soulmates. Though I already technically know all of you by being a Stay, would it be a bother to ask you to introduce yourselves as if I had never met any of you before?" 
3rd Person POV
Felix smiled as their soulmate asked them to introduce themselves to her, as if they were strangers. 'She's adorable, and I can already see how she fits in with us, though I know I'll have to wait and see the full extent of how well we'll get along,' he thought.
 He then decided to introduce himself first, "Hello, I'm Felix, it's nice to meet you!" the younger Aussie waved and smiled at her.
 "It's Seungmin in the building, it's amazing to meet our final soulmate." She giggled at Seungmin's introduction, which in turn makes the man happy that he got a laugh out of her. 
"Hi noona, I'm Jeongin." and eventually the introductions ended with Chan, "Hello, I'm Chris or Chan." 
The young girl smiled at the eight of them, happy to meet them all finally. The boys, as they were bound to do, started getting distracted and eventually Chan came to sit beside her. She looked over at him, still smiling as she almost always is, and asked him if he wanted anything. The Aussie shook his head, just wanting to be near her, telling her as much. They were both happy to watch the rest of the men fool around and have fun with each other. Soon enough, she was feeling tired again, and started to lean into Chris's side, laying her head on his shoulder. Chris smiled at her actions and moved to pull her closer into his side, enjoying the close contact. 
He felt her fall asleep, hearing her breaths even out. In order to make her feel a bit comfier while asleep, he moved her body to lay down across the couch again, with Minho's help. Her head rested in his lap, and he quietly talked with the boys as they let her sleep more.
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padawansuggest · 12 days
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Real take: I like Star Wars. I like the prequels because they have more fleshed out world building than the originals. I like the originals because it has a compelling storyline and character building. I like the cartoons because they do things that live action cannot. I like the children’s show Young Jedi Adventures and I think it’s both cute, extremely full of world building, and it’s designed to bring back the cartoon storyline of learning a lesson every episode that young children can relate to. I like the Mandalorian because it took a species with exactly two known people from it, and added a third, but made them a baby, and they were cute, and it shows the morals of Mandalorian adoption and love for children. I love Ahsoka because it took a favorite cartoon series and not only brought it to life, but also it’s funny and very full of world building for both the New Republic Rebellion scene, as well as more Dathomirian nightsister lore. I love a lot of other Star Wars off-shoots because they gave good storylines, they try to bridge plotholes, and a lot of amazing characters and new places to play with. I adore, fucking love, would give my life for Star Wars Visions; the lore and new concepts alone have captivated me and I can and HAVE made posts about things Visions did that no other SW series has touched and I’m so obsessed with the force and it’s aspects as well as just species and such you have no idea I would sell any of you for SW Visions. In fact, I would sell any of you for Young Jedi Adventures too. The worldbuilding alone for those two series is enough to have me vibrating with excitement with every episode. Sometimes I rewatch episodes of them just for random juicy facts that I can use for fics.
But you know why I don’t tell people I like Star Wars in real life? People always lookin at something they hate, and the most incel take on it is that it’s got too many women now. But irl non-fandom people who just want to ‘enjoy the ambiance of the original trilogy’ and me do not get along because they actually hate Star Wars. They genuinely hate Star Wars.
I can give you 50 plot lines in various sections of canon and legends that boiled my blood (tho not that one time Anakin at 12 literally boiled a man’s blood inside his body, that was hilarious his eyes turned black like a demons I’m so obsessed with him), but I’m not gonna talk about those.
Aren’t you exhausted? Wouldn’t it be nicer to gush about how amazing a certain costume design was? How the implications of a certain species makes you so excited you could burst? Wouldn’t you like to talk about how that one character just doesn’t get enough love and it wasn’t because they were fridged it was just because they didn’t get enough love from the fans for being black or female or disabled or something?
I am going to tell you this now, and you’re gonna hate me for it but I’m right: if you didn’t like Mortis because you think the force Doesn’t Work Like That? You don’t like Star Wars.
I’m tired of interacting with comments on commercials because it’s full of idiots crying about more women, a black character, the fact that ‘oh that wouldn’t happen’ as if the High Republic era didn’t literally have some sort of fucked up midichlorian vampire roaming the outer rim killing anyone force sensitive. Obviously they def would have acolytes set before the prequels shove it up your ass.
Anyways. Stop talking about what you hate. Yes, I get it. We are tired of rote pumped stories, but that doesn’t change the fact that there will ALWAYS be someone who hates the story you love, and loves the story you hate. You cannot please everyone, and I for one have found just about all off-shoot SW series individualized and compelling in some way or another.
You know what I did when I starting hating about 90% of all new Marvel movies? I stopped watching them. If I want back in the fandom I have older ones I can watch or simply only interact with fics.
Because Marvel, as much as they Need To Calm Their Shit, isn’t about me, and it isn’t for me anymore.
But I think a lot of you hate so much Star Wars content that you truly need to stop interacting with the series. It’s not for you anymore. And just because you didn’t like it doesn’t mean it’s not real SW. Not sorry, but this ain’t your scene anymore and you need to find a new one.
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shadowqueenjude · 1 month
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Look, I'll say it one last time:
I knew discussing Tamlin in canon would upset people and that my interpretation may differ from others, but the thing is that I believe that Tamlin did a great job ruling until ACOMAF even if he didn't want it. Would he have been able to do half as good a job without Lucien? Absolutely not. Please don't come and try to dispute this with me because it's simply factual.
Y'all, Tamlin already recovered from his family's abuse and lesser education to become a ruler. He already had to embrace power even when he didn't want it. It didn't end well. What he needs now is time to think about himself for once. When was the last time anyone took care of him? Oh...right. Literally never. The closest thing we get is Lucien, and it's obvious that Tamlin keeps him at a little bit of a distance because of his position and because he believes he's protecting Lucien from his own darkness.
I don't think it's wrong of me to want the same thing Tamlin wants, which is simply...a fucking break. Some peace. A nice home to himself. No more burdens crushing his mind.
And I have no idea which court Lucien will be taking over, but I do know that Lucien will become a High Lord/King in some capacity. It has been planned since fucking book 1, before anyone says this is just SJM's retcons. Originally, he was supposed to take over Autumn; now I'm uncertain which court it will be. Personally, I'm all for High King Lucien but I will stay calm. Lucien loves the grind. Ruling is something he would actually enjoy rather than a burden to accept with Tamlin.
It's not about capability. It's about character arcs and the desires of each characters. I am not sure why everyone wants Lucien to be shunted to the side because he's very obviously going to be a main and honestly, Tamlin's story will most likely be a side arc in Lucien's story.
Before anyone calls me biased, we're all going to be fucking biased. But this is the last thing I'll be saying on this matter.
Keep calm and love Lucien.
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lno-x · 1 year
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What about character design in Tristamp?
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A person had a question for me, what is it about character designs in tristamp? It's like Vash from Tristamp and Vash from Trimax/98 adaptation are COMPLETELY different characters, and my answer to that is: they are REALLY DIFFERENT CHARACTERS, and I'll explain why right now.
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To begin with, I would like to note that I have a great deal of trust in the Orange studio and its co-founder, Eiji Inomoto. Orange is one of the best CG studios in Japan, known for such acclaimed adaptations as "Beastars" and "Land of the Lustrous". These are not just some studio, but a really big guys, and by big I mean that Inomoto's experiments with the frame rate in the film adaptation of Lustrous at one time were a revolutionary thing in animation, which was picked up by the animators of the spiderverse and then that's all led to the beloved dynamic animation of the "Puss in Boots" sequel. I mean, these are THAT big guys. I'm not talking about the fact that Inomoto boosts the development of 3D in the anime industry as much as possible and literally shits from a high bell tower on the fact that everything is spitting with 3D animation purely out of principle.
Okay, the studio is cool, it is unlikely that they will make a bad product, we figured it out, but what about the designs? They don't even look like themselves! Vash does not look like a mop at all, he has lost his leather pants and berets, and looks like some kind of sucker in sweatpants and a windbreaker, and Meryl gives the impression of a schoolgirl who has strayed from the school excursion, instead of the stately lady in caprons, as we used to seeing her. Only Wolfwood hasn't changed much, except that he doesn't know how to tuck his shirt into his pants and has undergone whitewashing (which, by the way, I'm not ironically upset about). So, is that mean designs is bad as hell? Nope. Just because things look different doesn't mean it's inherently worse. Again, remember that tristamp is a REMAKE, and their task is not to stupidly repeat the same thing, but to breathe new life into the franchise, looking at it from a different angle. And I think they did a FUCKING GOOD job on it.
In interviews and at conventions, director Kenji Muto and producer Katsuhiro Takei have repeatedly said that they are big fans of the original manga and the film adaptation of 98, but it was important for them to touch and reveal those aspects of the story that their predecessors did not reach their hands on.
That is why, despite the fact that the Tristamp is very close to the original source (manga), the studio plays out many details differently or even saves them for later, so that the audience can fully experience the development of the characters. Therefore, in Tristamp, everyone looks much younger than their previous versions and / or very different from them.
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The easiest way to prove this, however strange and unexpected it may seem, is by the example of Meryl. In the manga and anime 98, we immediately see her as a stately lady with a bunch of derringers under her cloak, but they don’t tell us how she came to this and what led to this. Yes, there is literally a page in the manga about some colleague who told her about self-defense and sort of taught her how to shoot, but finally he is drawn on one frame and, in general, we don’t give a shit about him.
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While in Tristamp, this colleague has a name and is one of the most main characters - this is Roberto. Throughout the series, he acts as Meryl's senior mentor, protecting her whenever possible and pulling her out of trouble by the scruff of the neck like a kitten. That is why she looks so youthful and charmingly stupid compared to her previous version. Throughout the series, she literally hits herself with her heel in the chest, saying I AM!!! MERYL!!! STRIFE!!! I AM NOT NEWBIE!!! while Roberto calls her the same way, ignoring all her protests in this regard, and I think this was done for a reason. Specifically, in Tristamp we see her almost in the past, when she has not yet learned to protect herself and be fully responsible for her decisions, although she is very eager to do so. Although Roberto is a character, for the most part he is still a crutch and trigger for the development of Meryl. Through his death and the transfer of HIS gun to her, we see right before our eyes how she changes and from a shy "newbie" turns into the confident Meryl Strife. And after the timeskip, they generally show us the scene of exactly how she becomes the senior and takes Millie under her wing. And by the way, her image visually changes too.
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I repeat once again, there was no such development of the character of Meryl in the manga, in the 1998 film adaptation nether.
Orange build her development completely differently and in their own way, despite the fact that she, in fact, is the same Meryl Strife no less than other versions of her. She just a little different character, which goes to the image already familiar to us, passing through kind of other events
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The same thing happens with Vash! At first, he doesn't look like himself at all, but towards the end, we see how he takes on a more recognizable image. I think that in fact by the second season they will all mature and look much more "canonical", this can be seen from the concept art but in general
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Tristump characters go a different way and get a different development, as happened with Meryl above, therefore, I I think we should perceive them rather as completely different characters that have common roots
And by the way, the studio Orange discussed everything very closely with Yasuhiro Nightou (author of the manga) and he gave her green light and creative freedom, because he saw how reverent people are about their job and want to develop the story. He even drew his and studio designs together!!!
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All in all, the tristamp designs are really quite different from the original, but I don't think that's a bad thing, as the studio does it purposefully and cleverly to give them the development that the manga or the '98 film adaptation lacked.
Again, this is my personal opinion, and it’s worth notice here that I’m far from being an old fan and I flew into the fandom just a month and a half ago, so the character design initially did not cause me rejection, like many old fans.
But in this tirade, I tried to be as objective as possible and describe what was what, thanks to come in my ted talk
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darkbluekies · 15 days
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This is just me happy ranting, I'm in my feels don't mind me
I'm so happy that I created these characters and this blog, I really am.
I had been on wattpad for 4 years when I started this account and I could feel how things had started to change.my kpop fanfictions weren't doing as well as they once had and I felt limited in my writing. Although the stories and my imagination weren't that much different from what I'm writing now, writing these stuff (especially Silas's things) felt wrong to do since I was writing about real people so I didn't. I watered down my works so that I wouldn't feel bad, but eventually, those also felt too much. I officially left that account, and took down everything, a year ago.
So, in November 2022, I decided to create a new space, where I could start over. I wrote "intruder" and had it in my drafts for a few days, hesitating. I then published it but privated it because I was scared lol. I'm so happy I decided to make it public again.
I still remember creating Hedwig, specifically. I was out on my daily walk, it was dark outside and I was thinking of the characters I should use, a set amount. I had Silas, Kry and had in my plans to introduce Jerry as the last character. I was actually writing a character that was supposed to be the "quiet kid" in school, but i thought that using a girl in a school atmosphere would be more interesting. I wanted this "typical" yandere setting. I thought about different appearances for her, different characteristics. I had made Jerry 2 or 3 years earlier and thought "why not make someone completely opposite?" Hedwig wasn't meant to be rich from the beginning, just a normal girl. But I added it to have a bigger play field. I remember coming up with it and being like "fuck yes, write that down she's now rich".
I remember how Edmund came to life too. I was watching an old music video that I liked when I was a kid (Masquerade by Eric Saade), it was a Friday night and I was in bed. I got so inspired to write the Masquerade Massacre one-shot that I wrote it in one sitting. If you read the story, you'll notice that Edmund doesn't have a name in it. I hadn't chosen one and wasn't planning on making him one of the set characters, but it quickly became my most popular and liked one shot and people wanted continuations so I decided to make him the fifth and final character. His name was originally Edward, I had put that in his character masterlist and in the full masterlist, but changed it since one of my main characters in one of my private novels is called Edward ... and they're quite similar in both looks and behavior. I wanted something similar ... and decided upon Edmund.
I have gone out of my comfort zone on this account and I couldn't be happier, the people on here have been very supportive of me and my writing and it makes me so happy. I love you all a lot<333333
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sgiandubh · 1 month
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Although MPCs website clear about bring a business which contributes a portion of profits post admin costs, Sam regularly in videos and in print interviews misrepresents. He's says my charity abd he says 59% of signup fee goes to charity. If there is a problem l, it's on Sam, who according to original members, basically sold MPC control, in 2017. Your statement of knowing what he's doing with his MPC, is questionable, post corporate change of MPC. It's not just his alone. MPC has sketchy history, since Alex's involvement, and the rumors, look more as truths that a good portion of the administrative costs go to Alex pre-whisky, for a working, guaranteed salary before sales came in. It also begs the question, if Sam is interested in supporting charity with a portion of income sales, why hasn't 10% of whisky sales went to charity partners? The whisky is part of the GGC, Sam and Alex's business. Why wouldn't he plug a Newman Products design? Maybe he's not as interested in charity?
Dear MPC Anon,
It has always been 50%, which is logical. 59% sounds like a demented Asian astrologist suggestion - but you might be unfamiliar with Burmese recent history, so I shall give you a pass, on that one.
Who are the 'original members' who told you MPC was sold? To whom was it sold? When did that happen? I need paperwork to support this statement: the current corporate documents still list ONE officer - pay away from your wallet to find out it's very probably SRH: I am not doing it for you.
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Like it or not, Norouzi's involvement in MPC is a reality since at least its creation. You will have to prove me the 'sketchy' part with much more than a stinking grenade thrown by Anon or fandom illiterate gossip.
I will have to see contracts between MPC, AN, SH proving that pre-whisky launching costs of The Sassenach were drawn from the MPC accounts. I will also have to see bank and accounting documents proving so. According to US law, I would also have to be a Court and have enough reasons to subpoena these people and entities to show me those. Stop spreading the shite written by Pufflander once upon a time and ask Puffy, in her retreat, what the fuck did she do with the crowdfunded money for the Harassment PI Report (you know, *urv and co). Now that would be a really interesting question, right? No answer? Bad day, baby. Bad day.
Whisky sales under the umbrella of Great Glen Company LLC, a different legal entity with no charitable mission, were never designed to represent a charitable endeavor. I think you know the difference between a charity and a company, right? Suggesting he should give 10% of all his earnings to charity is akin to a church tithe. This argument is, of course, ridiculous, in the business world, unless there is an explicit and public vow to do so, with a particular company's benefits.
Newman's Own and the Newman's Own Foundation represent Paul Newman's personal commitment to give away 100% of Newman's Own LLC profits to charity: the Foundation serves to direct the funds to the projects its trustees deem the most appropriate, according to the Foundation's values.
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This is a different story and I also hope you know the difference between Great Glen Company, a business who wants to remain a business and a ground-breaking CSR commitment like Paul Newman's. Great Glen Company and MPC are separate projects - AN's loud involvement in both does not help, though, especially with an uneducated bigot, such as yourself, Anon.
Assuming he must give 100% of all his profits to charity is absolutely ridiculous, Anon. Why don't you give away all the profits of your lemonade stand to charity and set a blazing, luminous example in this fandom?
Unless you quickly substantiate what you wrote in anger on your phone, with links, facts and names, I am forced to tell you to kindly, slowly, but surely...
FUCK OFF MY PAGE!
[Later edit:] Should I start a US Tax Law 101 course for you, Anon? To me, this rather crude company/charity montage sounds legit. Also, MPC is not a charity, as shown in my previous post.
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slasher-key · 1 year
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Stay With Me (Charlie Walker)
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Pairing: Charlie Walker x Fem!! Reader 
Warnings: The usual curse word here and there
This is a lil enemies to lover for you. I hope you enjoy thanks for reading ❤️❤️I really appreciate it.
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I never really liked Charlie Walker. When I first moved to Woodsboro he would tease and taunt me until I broke, all so he could impress his friends. He spread a rumor about how I gave it up to him at some party once, and everyone would call me these horrible names. That was my breaking point, that was the first time I stood up for myself for once, and the first time I ever punched someone in the face. Since that day we have been at each other’s throats.
Our hatred for each other was so bad I couldn’t even go to Cinema Club, and I fucking love movies. But I already have to see him in two of my classes and lunch, so why would I want to be around him after school as well. Kirby tried to convince me to come but I couldn’t stand it. So now I just go home and watch TV alone. Since my grandma is working at the hospital all the time. I’m home alone a lot.
I am sitting in my last class of the day impatiently waiting for the bell to ring. I zone out looking at the clock when I feel a tap on my arm. I already knew who it was because he does it every day. “You coming to Cinema Club today? you know it’s the anniversary.” He says “First off why are you talking to me like we are friends? And second why would I want to celebrate a bunch of teenagers getting murdered?” I reply, a disgusted look plastered on my face “You’re so fucking weird, you know that.” I continue, packing up my things and walking out of the room as the bell rings. But as you walk out of the room you can’t help but notice the slight frown on Charlie’s face. 
On my way to the cemetery I pick up some flowers to put on my mom’s grave it is the anniversary of her death after all. My grandma was gonna come but she got called into work at the last minute so It’s just me. My mom was apart of the original Woodsboro murders. She was killed in our house alone, while my grandma took me to my doctors appointment I was only four when she died. She had me her freshman year after a ‘drunken mistake’ (as my grandma calls it) at her first high school party. She didn’t really know how to raise a child so my grandma did most of it for her, but I don’t love her any less. My grandma tells me lots of stories about her, and how she tried her best for me. I never knew my dad, so I would try to get my grandma to talk about him. But she wouldn’t let up, so after a while I gave up.  
I made it to the cemetery, and found her grave. I sat and talked to her for a little, and cleaned up her grave as well. In the middle of my sentence I pause, as I hear someone walking toward me. I look back and it’s Sidney, I stand up quick and face her. We stand in silence for a while, just staring at each other. “You look just like her.” She says breaking the silence “Yeah I get that a lot.” I reply. I sit in the spot that I was in before, and she walks over and sits next to me. I met Sidney a couple time as a kid, her and my mom were friends all through high school until you know what. I didn’t see her much after my grandma moved us out of Woodsboro, she also moved as well, so it’s been a couple years. 
“I just wish I got more time with her.” I whisper, my voice breaks, and I break down in Sid’s arms. “I know, it’s going to be okay.” She replies holding me tightly in her arms. Sid and I stay at the cemetery and just talk. Everything is going well with our conversation until I bring up my dad. “Hey Sid, do you know who my dad is? My grandma has never told me, and my mom doesn’t seem to have any pictures or anything of him or with him.” I ask, maybe this was the only way I could finally know about my dad, so I was going to try. “I don’t think that’s my place to tell you, but I will say they kept him away from you for a reason sweetheart.” she replies. After she answers she quickly changes the subject to something else. we talk for about another 15 minutes then go our separate ways. The whole drive home I can’t stop thinking about what Sid said about my dad. 
I make it back to the house and walk up to the front door. “Hey y/n, wait.” I hear from across the street I look back to see Charlie getting out of his car, and start to jog towards me. “What do you want now, Charlie?” I ask, not in the mood for his shit at the moment. “I didn’t know she was your mom y/n I’m so sorry for today, Kirby told me after I told her what you said during our last class.” He says, and for once I actually believed him and wasn’t annoyed to be around him. “It’s fine Charlie, but how didn’t you know, we have the same last name? and don’t you know everything about these murders?” I ask “I mean yeah most of it, doesn’t everyone?” He asks “Nope, not me, my grandma kept me away from this town and my mom’s murder for as long as she could.” I reply “But, you could help me with learning about it. you wanna come in?” I ask. if Charlie was going to pity me for the rest of the week why not use it to my advantage. 
“Okay so you’re grandma has never mentioned anything that can give you hints about your dad?” Charlie asks, trying to help me find out what happened to my mom and dad. “Nope she did everything in her will power to keep me away from knowing the truth, but I’m sick of her hiding things from me.” I reply “Do you guys have anything that could hold lot’s of old storage? You know an attic, a little room in the basement, a separate bedroom that no one uses, anything like that?” he asks “Yeah why?” I ask furrowing my eyebrows in confusion. “So we can see if she has any picture or anything that can give us some hints, duh idiot.” he replies “Oh fuck off, but yeah we have an attic.” I say “Have you ever been up there?” he asks “No, I didn’t know about it until recently, and I got to scared to go up there.” I reply “scaredy cat” he coughs out “Anyway, what the hell are we waiting for let’s do this fucker you want my help or not.”
We grab some flashlights from the closet and make our way up the ladder to the attic. “Well it isn’t as dusty and scary as I thought.” I saw shining my flash light around. There is a lot up here, but Charlie and I start to dig our way through. About an hour later Charlie finds a box with my mom’s name on it. We take it and go back to my room. 
I am too nervous to open it, so I make Charlie do it for me. He starts to look through the box, most of it is picture of my mom with grandma, my mom and I, and her with her friends from school. Charlie keeps digging and finds a diary with my mom’s initials written on it. He flips through the diary, and abruptly stops, a large gasp escapes him, and he quickly closes the book. “Charlie what’s wrong?” I ask, he looks at me with sympathy in his eyes. “I don’t think you should be doing this y/n.” He says, he is frozen still. I snatch the book away and start to flip through the pages. I see his name ‘Stu Macher’ I froze, the book falls out of my hand. I don’t know what to do I don’t know what to think. My body goes weak all I can do is fall to the ground and cry. Charlie runs over to me and hugs me tightly. Whispering you’re okay, and it’s going to be okay, over and over again.
After a while of me crying in his arms. Charlie and I are sitting on my bed in silence. “It’s getting pretty late maybe you should go.” I say, my voice horse from all the crying “I’m not going anywhere, I’m staying at least until your grandma get’s home.” he says, moving my face so I can look at him. “Thanks for staying with me Charlie.” I say hugging him once again. Charlie stayed with me that whole night, even when I confronted my grandma about not telling me who my dad was. 
Out of all the people I could’ve had there with me tonight, I never thought I would want it to be Charlie, but her I am cuddled up with him in sweet soothing silence.
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Thank you for reading 💕💕💕 Love You All
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olivsie · 3 months
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Something I like about epic the musical is that it Gives it's changes to the original text an actual Purpose
( The first couple paragraphs are basically a rant regarding retellings. If you only want to hear about epic Skip to paragraph 4)
1. I am a bit annoyed by the lack of. Understanding as to why RETELLINGS aren't the most historicaly accurate things in the world. Sorry to break this to you, but that's both just how they work and I would guess how they reach success. Ancient Greece is a much different culture than our own, And most of us would be terrified to actually live back then. When you are Trying to create content That is based on ancient Greece And you want it to be successful/ At least reach a wide, and notably, MODERN audience. You're likely going to have to take some creative liberty And change a few things. Don't get me wrong, YOU DO NOT HAVE TO LIKE RETELLINGS KNOWING THAT FACT ( Me personally, I'm not the biggest fan of Miller's novels Even though I do like epic) BUT IT IS SOMETHING TO BE AWARE OF. And because of that I don't think I would ever expect a retelling to be perfectly accurate And I don't. I had interest in mythology LONG before epic the musical But I didn't actually read the Odyssey until getting into epic. I did not expect it To be just like the musical, I knew Odysseus was going to be much more of an asshole, along with other characters. The odyssey and epic are different pieces of media to me And I am not less of a mythology nerd for liking epic ( Though I will admit that sometimes I take tiny little fun facts of mythology And like to think of them in the context of epic, but that's just for fun.)
2. The Only time being a fan of retellings is wrong as if you genuinely believe they are perfectly accurate And refuse to listen to anything else ( Which has definitely happened, And mythology nerds have the right to be annoyed at that)
3. Some people only like to consume real mythology media, Others like both real mythology and retellings, Others only like to engage with retellings (I would hope they have the self-awareness to know It's not real mythology, From what I've seen some do and some don't, Unfortunately)
4. Ok. now on to what the title of this long ass rant says
I like that epic the musical Retells the story, Not only to both cater to modern audience But Also with its OWN purpose of man versus monster.
Obviously, this is not the point of the original text. Mythos Odysseus does not give a single fuck About the stuff that epic odysseus does. I don't know why the creator Decided to rewrite it this way, (If he's ever said why let me know) But I would assume he wanted to make something about the oddessy And this was simply a very creative way to Translate that for modern audience.
I like this because, yes, holy damn. It does have changes from the original text. But it's not JUST changing it. It's changing it with a purpose
It feels reminiscent of some kind of Dramatic play. the way that epic characterizes.
Polites' kind nature is Representative of the Concept of being merciful Represented in his lines such as " This life is amazing when you greet it with open arms" /"There is so much guilt inside your heart, So why not replace it?"
While in contrast you have eurylochus with more ruthlessness and cautious nature, this is Found in some of his lines such as "You rely on wit, and people die on it" /"we don't know what's ahead" / "I say we strike first. We don't have time to waste so lets raid the place-" /"Let's just cut our losses, You and I and let's run"
And then you have Odysseus, the man/monster. The first act of this Musical is his internal struggle With what He should be On that scale. And the other characters Represent this struggle in the song monster
" Is the cyclops struck with gilt when he kills, is he up in the middle of the night? Or does he end my men to avenge his friend and then Sleep knowing he has done him right?
When the witch turns men to pigs to protect her nymphs, is she going insane? Or did she learn to be colder when she got older and now she saves them the pain?
When a God comes down and makes a Fleet drown Is he scared that he's doing something wrong? Or does he keep us in check So we must respect him and now no one dares to piss him off"
He then Applies this to himself
" Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? Or does he throw away his remorse and save more lives with guile?"
And this marks his turning point of deciding that Ruthlessness It's ultimately worth it if it means Getting home, as aeolus says "The end Always justifies the means"
It's in my opinion, a very creative way to go about retelling a myth. Is it accurate? Absolutely not. For example, circe (From what we know) is not protecting When she turns men into pigs, For all we know, she could just do it because Shits and giggles.
Her character and most others in epic is changed from the original. But it's not ONLY changing for the sake of apeling to the modern Western audience and being successful like Many other retellings. It is also and mainly changing for the sake of influencing the plot that Jorge Rivera herrans crafted For the sake of Retelling epic. It is creative and I enjoy it despite knowing it's not accurate.
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zhounauts · 7 months
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the countess doesn't give a shit ; l.heeseung x f!reader // y.jungwon x f!reader
a/n the long awaited part two that i promised like months ago…it’s finally here !! going to disappear again after this , but i gotta work on my other stories. ..
warnings: cursing, not proof read
part one
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HEESEUNG SCOFFS, AND THEN HE BURSTS OUT LAUGHING “you don’t care? i find that out to believe y/n. were you not the one who was most openly and actively against sora? were you not the one constantly refusing all her invitations before? why the change of heart now?” unfortunately for heeseung you had stopped listening ten words ago, and you were now snacking on fruit gummies your overworked chef had made you.
“pardon me, your highness could you repeat that?” you ask, the gummy dissolving in your mouth. you hear rina stumble into faye in the background. heeseung narrows his eyes as you chew on another gummy.
“what exactly are you plotting now, y/n?” he seethes.
“what i’m going to eat for dinner?” you respond with full seriousness. heeseung gives you an incredulous look.
“MY LADY!”
“i know you’re plotting something. you’re going to this party to humiliate sora am i right? and right now you’re going to act all innocent and uninterested so i will start to—”
“wow you’re a really big overthinker, anyone ever told you that?” you ask, “you’re really mistake your highness. i’m not plotting anything and don’t care about you and sora. you guys can go make out and get married for all i care,”
“i can’t deal with you any longer,” heeseung mutters, “if i hear one word about you acting up at the tea party i will not be afraid to punish you,”
“m’kay,” you answer, turning around, “rina, faye lets finished getting ready,”
“right away m’lady!” faye exclaims, as heeseung makes his way out of your room. you can’t help the anger that boils through you before you take one last glance.
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“countess! i’m so glad that you are here,” sora says, bowing. you give her a polite smile and nod.
“thank you for your invite saintess,”
“of course!” she exclaims happily, “i hope the tea and snacks are all to your liking, i planned everything carefully when i caught notice your attendance. i was scared what i originally planned would not be to your delicate taste. please enjoy the party,”
“yes of course,” you answer, smiling and eye twitching. you didn’t have any energy to deal with her passive, fake niceness.
as soon as she turns around your face goes blank with boredom. you quite literally STILL did not know all the nefarious, devious acts the original countess had committed, but by the way everyone avoided you it was pretty obvious that what you did was. . .well nefarious and devious?
“god, i wish i could just impale myself and go back home already. . .” you mutter underneath your breath.
“i’ll impale you right now then, don’t worry,” an ominous voice hisses.
“what the f-”
“you thought you got rid of me?!”
“who are you?,” you ask, before you pause and sigh, “oh, crazy writer bitch,”
“what did you just call me!? i’ll eliminate you! eliminate!” she screeches.
“yeah okay do that,” you answer, rolling your eyes.
“while you had fun dilly dallying around ruining MY story” she starts, “hey where the fuck are you going?!”
“to get food,” you answer, walking away from the author and towards the table of pastries.
“get back here!” the author huffs angrily, hurriedly following after you.
“will you leave already? i’ll call the guards,”
“you think you can boss me around!? this is my story”
“GUARDS!” you scream, “oh no! i’m uhm. . .being harassed! nooooooooo boohoo,” you watch as the knights from the door run towards you, quickly grabbing the author.
“YOU BITCH! YOU CAN’T TAKE ME AWAY AGAIN! UNHAND ME YOU UNIMPORTANT SIDE NPC CHARACTERS!” you can only watch in amusement as the author screams. your amusement is VERY much cut short however when she for some reason has a burst of ungodly strength and tackles you.
“HOLY—”
“ruin the story i dare you! just you wait, there will be consequences!” she hisses, a flash of craziness in her eyes “the story has to be completed or else—”
“get her off the countess!” a guard calls, and with that the author’s easily hauled off you, as you stare at her in confusion.
“wait! wait! finish your—” but it’s too late, as the guards drag her away from the party and guards surround you, asking you questions. you don’t listen to anything they say, as you furrow your brows, trying to decipher the author’s message.
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after the rabid authors attack, you had excused yourself from the party and headed to the courtyard to collect your thoughts. you thought the author was just crazy and obsessive about the story being completed the way she wrote it, but with her outburst you could tell there was something deeper.
“but what. . .?” you mutter. you sigh, burying your face into your arms. even though in this life you were rich and had privileges you used to wish for, it didn’t take away from the fact that you missed your family, your friends, and heck even your math teacher. it was lonely in this world, especially with the vendetta everyone had against you because of sora and heeseung. heeseung. the name ignites a rage that you had been supressing and you can’t help but rip up a patch of grass and yeet it.
“that stupid prince! who the hell does he think he is? bursting into my room accusing me of so much shit even though its been months since i’ve done anything! i hope he falls off his fucking stupid ass horse and onto his—” your tirade’s cut off by a laugh and you whip your head around at an ungodly speed. “who’s there?”
“no, no, keep going! this is really funny to listen to,” the voice answers, “I don’t think i’ve ever heard anyone who hated his royal highness, handsome and kind prince heeseung,”
“kind?” you scoff, “he can’t seem to leave me alone,”
“you are countess y/n, no?”
“that’s me, who are you?”
“let’s not worry about that,” the person answers.
“what are you, a wanted criminal?”
“. . .”
“you are!?” you ask excited.
“what??? no! of course not i was just joking!” the voice hastily answers before muttering, “why would you even be excited about that. . .” theres comfortable silence between the two of you as you rebury yourself in your arms. “the prince treats you badly?”
“yes!” you start, “no, well i don’t— yeah. i guess so. i get it, i did stuff back then to sora his little babe or whatever but the past five months, i’ve been leaving him alone! i know that still won’t make up for everything, but he can’t even just. . .treat me atleast slightly politely? it’s frustrating, i have no one to talk to except for my maids and chef mingyu, and i just want to go home,”
“where is home?” the voice asks.
“. . .i don’t know,” you answer truthfully. home was your room back in your own house, with your dad bothering you to practice piano, your mom hovering around your room while you study, and your brother randomly appearing every two hours to remind you of his existence. home was with your friends in school, giggling obnoxiously, changing routes to chase guys, and meeting up at set times in the bathrooms. home certainly wasn’t countess yue’s parents, and it definitely was not this castle.
“well people build their own homes all the time,” the voice says, “if they can you can to,”. you laugh.
“are you some wise old man?”
“uh- excuse me!? i’m 19!” you laugh again.
“no, really, who are you?” the voice hesitates.
“. . . yang jungwon,”
“thanks jungwon,” you hum, “when can i see you again?”
“i’d get my ass beat, i’m not supposed to be here” he answers, “i’m a mage at the research tower,”
“i didn’t ask that,” you reply teasingly.
“well. . .i guess i could shoot you a message orb. . .” he grumbles. you giggle, truly happy for the first time in awhile.
“i’ll be waiting,"
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taglist: @k-films , @soobincantswim
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