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#how did me talking about piss jokes turn into character analysis
rivalsilveryuri · 2 months
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let’s him walk around on my palm
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ruby and sapphire
#VOICEMAIL#funny 2 me that viz just. made his reoccuring...........bathroom joke into him pourign a can off of rooftops. but everyone else is still#reacting like he's killing someone while he's likr 'i love recycling :)' and emptying a can of pepsi or somethign#sorry that its what first comes 2 mind with him.#but i DO like emerald.... he's kinda the only hoenn dexholder i ... like??????????????? not in the way i DONT like the other 2 i just don't#have much 2 say on them. but also because reading rs may actually trigger my ptsd i think. a little. ummm. so i dont remember basically any#of rubys half.. i remember saphs just fine thoguh. but yeah what was i on about. umm. oohhh yeah i like emerald thr best#kinda makes me mad how people just infantilise him and look over. basically everythign about him. like his sibling relationship with crys#+ his backstory + the shit under the surface for the way he acts..#+the interaction they have as a trio because i find it kind of fascinating but its honestly the shortest amount of time 2gether a trios had#idk. it feels likr 2. people out there are actually interested in *emerald* himself#and everyone else just likrs. ............how everyone else sees him in universe.... and the rest see him how emerald wants to be seen. idk#always shy about character analysis cause i always worry im pulling at nothign and cooking nothing but i feel decently confident that-#-thats the whole point of emeralds character and his childhood and behaviour n etc.#i have NOT read oras though. umm. heard mixed things about it but who knows. itll take me 50 years 2 get there n e ways...#also emerald and wally. wish they interacted at LEAST cmon. unless ive brain fogged it but whateva........#how did me talking about piss jokes turn into character analysis
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kennyswurvegurl · 4 months
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Thinking about Carlos and trust. How his trustfulness isn't portrayed as being naive or stupid. How it's just as big of a part of his character as his kindness, quips, and good intentions. How that word is often repeated by him in the beginning of the game.
With the environment he grew up in (being a child soldier and all), trust would have to be super important, drilled into his head from a young age. Being able to trust and be trusted by your allies keeps you alive in the field. He trusts his comrades, who fight alongside him. He trusts Umbrella, who saved his life and bought his freedom. He trusts Jill, a woman he just met who very clearly and openly despises who he represents, even if he doesn't trust her word on Umbrella's evil. Not yet at least.
He also appears to value transparency as a part of this, becoming audibly upset when his "search and rescue" mission becomes "find and detain." This is where he sees the curtains start to peel back a little, and we get some small insight into what makes him tick. His main goal on this assignment is to help people, evacuate the innocents. He's happy as long as people make it out alive. He's rebellious against the idea of turning Dr. Bard over to the company to die for this reason. Sure, he takes it in stride when Jill acts verbally hostile towards him (continuing to joke around and assist her without hesitation), but when deception and injustice come into the mix? That makes him angry. It makes me wish we got to see a verbal confrontation between him and Nicholai, the murderous traitor. For now, it's enough to observe that he's willing to risk harm to make sure he won't get away at the end of the game.
When he watches Dr. Bard's confession, he's confronted with the undeniable proof he's been fighting for the wrong side due to his misplaced trust. He's been a fool, unknowingly part of a cover-up. He's understandably pissed, physically lashing out on the nearest object in the room. His anger may even be directed at himself (at least in part, the majority is for Umbrella) for being so blind. He realizes Jill had no reason to put her trust in him, yet she did anyway, even growing to care about him. She told him the truth about the outbreak at the very start, but he didn't believe her. He might even view this as a form of betrayal towards her. In the end, he fights tooth and nail to try and make things right, to repent for the sins of his employers. He wants to truly deserve the trust and care he had been given by someone who had every reason to write him off and turn away. Most importantly, he wants to do what he thought he was doing in the first place, save lives.
End Note: Everything said here could also apply to an analysis on loyalty as well. He starts loyal to Umbrella, but quickly shifts towards Jill and her cause. I would talk further on this, but Capcom has yet to release Carlos from the basement so I don't have much to work off of in terms of post-Umbrella characterization. We just know that's he's very pissed and vengeful towards them. I am once again asking for a Carlos-focused spin-off set between 3 and 4. Please.
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mixu · 11 months
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Naruto and H1n0t0's wedding chapter confirms SNS
For part 4 of Shippuden’s last chapter analysis, and how it actually confirms sns, we’ll go back to the events previous to the wedding.
Pt 4. On how Iruka failed Naruto
As I mentioned on pts. 1-3, the chapters leading to the wedding always seemed odd to me. Something about the flow of dialogue made me feel like there was something I wasn’t understanding. There was one scene in particular in which I felt one of the characters was overreacting about something that shouldn’t be that big of an issue. That scene is where Naruto asks Iruka to attend the wedding as his father.
First, I’ll let you watch the clip (sorry about the quality and lack of sound)
The scene starts with Naruto visiting Iruka. There’s some small talk until Naruto mentions his bachelor days are numbered and wants to make the most of that time, to which Iruka reacts by shouting at him and recriminating him for how hard Hinata has been working for the wedding.
Look at Naruto’s face
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He doesn’t understand Iruka’s reaction, and I agree. Why is Iruka so upset? Naruto’s joke might have been in poor taste, but it was a joke. Granted, planning a wedding is a pain in the ass, but Hinata mentioned in the previous episode that her father had taken care of most of it. Hell, she’s the heiress to the wealthiest most powerful Clan in Konoha. Everything gets done for her (she had fucking bodyguards during the war!) She is not doing the planning alone if at all.
Then, Iruka says he failed to raise Naruto as a decent person (blow #1), which is an overstatement because a couple of ramen bowls and heartfelt conversations don’t equal raising a child, then tries to drag him to Hinata’s house to apologize for raising such a thoughtless man (blow #2). Naruto stops him and says they can’t go to Hinata because if Hinata is present, he can’t say what he wants to say… seriously? Iruka asks what he wants to talk about and Naruto responds he’d like to talk about it over ramen (his comfort food) and some drinks, and Iruka cuts him off.
Look at their faces after that
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Naruto is nervous because of Iruka’s reaction
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Iruka is pissed. I know that face. My mother made that face whenever she was about to tell me how I had fucked up something, and it was never pleasant. But why is Iruka so pissed when Naruto hasn’t even said a thing? What does Iruka suspects or knows Naruto to be guilty about? Then he goes and throws this bomb on Naruto (blow #3):
“I guess I didn’t need to mull over what to say and how to congratulate you.”
「おまえをどう祝ってやるべきか何を伝えればいいのかいろいろ考え必要はなかったな」 I leave the original dialogue too, but it’s pretty much the same:
Like, what? That must have hurt, and it did because look at Naruto’s face when Iruka is walking away.
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As I see it, Iruka’s line can be interpreted two ways. Either he knows about sns and that’s the reason Naruto has neglected Hinata, so Naruto doesn’t deserve the consideration of his words. Or, he suspected Naruto was planning to call off the wedding, in which case there was no need for Iruka to prepare a speech.
There’s a pause before Naruto says he has something to ask from Iruka. This makes Iruka turn back because he wasn’t expecting a request (what were you expecting, Iruka?) and notice we don’t get to see Naruto’s eyes but he’s mouth is tense.
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When we see his eyes again Naruto looks sad. Why? Okay, maybe he doubts Iruka will grant his request after the way he has been treating him. Or, maybe, he has realized he can’t trust Iruka with what he actually had wanted to say.
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Naruto seems lost in thought when he asks Iruka to attend as his father, which softens Iruka’s face like effective immediately. And Iruka is like “Oh, that was it? I thought you were about elope with Sasuke.” And once more, Iruka’s body language doesn’t make sense to me. The tears, ok, it’s an emotive moment, but the clenched fists and the eyes (as if he is containing himself from doing or saying something) before he accepts, don’t add up to me.
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Naruto doesn’t look happy, just relieved. Again, not the right reaction in my opinion if his original plan was to ask Iruka to attend the wedding as his father. Naruto should have launched himself at Iruka like he did after Iruka gave him his headband in the first chapter. Instead, they go all formal and thank each other, then Naruto makes a haste exit. Where is he going? Just before the conversation went awry, he was insisting on them having ramen and drinks. Shouldn’t they be celebrating? Moreover, why couldn’t Hinata be present when Naruto presented his request to Iruka? Just a couple of scenes later, Hinata herself says she knew about Naruto making his request.
And why does Iruka starts sobbing when Naruto gets out of sight when they have seen each other cry before? This reeks of guilt and explains why he was behaving the way he did during the wedding.
Imagine being Naruto full of doubts, searching for the support and understanding of the person he trusts the most, the closest thing he ever had to a family and getting this reaction. No wonder their relationship is inexistent in Boruto.
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Stay tuned for pt.5
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hcneymilkks · 3 years
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Month
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A fake dating au but make it marriage. Two best friends scroll on social media and notice a trend where newlyweds send invites to famous celebrities to see what will happen? An appearance? A gift? Who knows. For the two best friends, as a joke, set up a fake wedding and request the most expensive gifts with the option of money. Sending invites to celebrities ranging from Kim Kardashian to even the Queen, they are surprised and shocked to realize that not only were gifts being delivered nearing the “big day” but a request to be part of the celebration causes the two friends to create a fake marriage in the smallest amount of time they have. 
University AU! Aged-up Haikyuu Characters!
Fashion Designer/Psychologist Oikawa
Humanities Y/N
Rain splattered on the window, causing little droplets here and there to roll down with no hesitation. The quiet hums of lo-fi music made its way around the little bedroom, with vigorous typing accompanying it. 
Backspace.
Enter. 
Click and delete. 
Brain throbbing, a sigh escaping from the lips.
It was no use, the longer the computer was stared at, the more your brain felt like mush.
“Damn him and using me to do his research analysis.”
Speak of the devil.
“Y/n!”
You stood up, turning around and crossing your arms with a glare. There he stood, crossing his arms and leaning against the doorframe with a sly smirk on his face.
Tooru Oikawa.
“How’s the report going? I hope to see it done by tomorrow?”
“Fuck you,” you strided over and pushed his arms, causing him to slightly lose balance. “Just tell me how you managed not getting kicked out yet. I swear you casted a spell on your professors or something. It's like you don’t do anything.”
He feigned hurt. “I do!” He whined. “Just not class related.” He pushed past you and flung yourself onto the bed, burying his face into your freshly washed sheets. “I’m designing a new clothing line inspired by the different volleyball team colours.”
“Is this your way at relieving the pain from not making it to nationals?” you snickered, remembering how pissed off he was after Ushijima told him he should have gone to Shiratorizawa.
“I-you little shit. This is why I never tell you things.”
“Shut up shittykawa you literally are making me do your research proposal. I know nothing about psychology!”
“I’m helping you learn a new subject! It’s time to look into your own brain and see what’s wrong with you!”
Three.
Two.
One.
“OIKAWA YOU LITTLE SHIT!” you flung yourself on top of him, garnering an oomph! sound. You smacked his back repeatedly. 
He let it have your way, already coming up with a counterattack. 
With stinging hands and shallow breaths after saying nothing but curses, you stopped and climbed off of him. Immediately, he’s on top of you. Pinning your wrists and getting dangerously closer to your neck. You couldn’t lie, he was attractive, but knowing him and his two-faced personality, you’d rather stay friends. 
But did you really want to?
A part of him knew you wanted him, but was that a risk you were willing to take?
Deep breaths. 
A low chuckle. “You love me y/n. I know you do, and I also know you’d do anything for me.” He smirked and pressed a kiss oh so close to your lips, getting up and dusting off his black shirt.
“I’m leaving! Remember, the paper has to be done by tomorrow!”
The door closed and for a moment you looked at your ceiling.
Eyes wide. 
Taking a pillow, you screamed into it.
“SHITTYKAWA!”
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“Here you hoe, now for once in your life do your own work.”
You stomped into one of the many University studios, aiming the folder at Oikawa’s head much to his dismay.
“Thank you love you!”
You glared at him and waved a hand. “You definitely owe me like five bowls of ramen after what you put me through. I can’t believe you made me read so much on children’s brains and development.”
“I mean they said to choose something I liked, so children and volleyball worked together. Plus, if I actually had to conduct the research, my nephew’s volleyball club would have been perfect.” He finally turned around after pinning the teal fabric to the mannequin, striding towards you and ruffling your hair.
You mumbled incoherent curses as Oikawa picked up his sketchbook, writing down a quick note before closing it.
“Let’s go, I’m starving.”
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The fragrant air of spices and creamy broth filled the little shop, making you drool. Grateful that Oikawa was rich, you took the opportunity to order almost everything on the menu.
“Y/n isn’t that-” you growled at him and he smirked.
“Feisty, you know I love that.” he winked and you gagged.
While waiting for the food, both of you were scrolling on Instagram. Having most of the same friends, it was no surprise that your timelines almost looked identical. Rolling his eyes, Oikawa saw a group photo of most of the volleyball players Hinata was pictured with, wanting nothing more than to squish the little one. 
But then something caught your eyes. 
You looked up at Oikawa who seemingly had the same expression, eyes wide, yet confused.
The dead groupchat came back to life with a link sent by Matsukawa, something about a bet.
matthewkawa 
Look at this lol
Sent a link
[Youtube storytime: The Time I Invited Drake to My Wedding (Spoiler Alert: He Came!)]
hannamaki
Wait why would someone invite a celebrity? Aren’t they hard to ask?
nishinoyya
Wait that’s cool! Asahi-san can we invite Jason Derulo to our wedding?
acai
Wait...what? What wedding?
y/n
Waittt i’ve seen that video
Apparently as a joke the person sent lots of invites to different celebrities. Most of them gave gifts or money but I guess Drake went
iwachew
LOOL IMAGINE Y/N AND CRAPPYKAWA DOING THAT
yoyoinata
I can see that woah!
milkyama
Psh! Flattykawa and y/n. I can’t see it. y/n deserves better lol
fabkawa
OI TAKE THAT BACK STUPID
y/n
Oi don’t talk back to my child like that shittykawa
fabkawa
Shut up y/n and eat your ramen
You glared at him before saying thank you to the waiter. Both minds now occupied with the creamy ramen and soft boiled egg. 
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Flipping a page, you smiled. There it was, the fake couple who both fell for each other, breaking so many rules. But who couldn’t resist?
Oikawa scrolled on the computer, typing and clicking. He swiveled around in his seat and went over to you, peering over your shoulder.
You smacked his arm. “Personal space excuse me!” He put his arm up in defence, smirking.
“Remember the post Matsukawa sent?
“Yeah. So what?”
“I made the wedding on May 14th and invited some celebrities. Who did you want to send an invite to?”
You dropped the book. “Say what?”
Oikawa dragged you from his bed and sat you down on his uncomfy chair. Indeed, the computer screen showed a cheesy website where people rsvp to weddings. Already half of the groupchat accepted and you know this had to be a joke.
“Oikawa are you dumb? Who are you marrying? Wait no, who would want to marry you?” you looked at him and he pouted.
“Iwa-chan said no, Mad Dog scares me, Ushijima is definitely a no, so you’re left.”
“Who said I would do it?”
“I invited Stray Kids.”
Are you kidding me?
“This isn’t real, we’re not gonna really get married right? I mean if we were technically speaking, the wedding is less than a month away and we don’t have money, a reception place or any other sappy wedding shit.” You looked at the list and sure enough, Stray Kids was there.
“No y/n nothing is going to happen trust me. Plus, who doesn’t like free gifts? I tried to ask for expensive gifts and money because someone’s wardrobe and apartment looks ugly as hell.”
“You better not be talking about me bitch. I’m gonna set that sketchbook on fire.”
Oikawa chuckled. “Add some more people on the list, I wanna see how far this can get.”
“I never said I agreed to it,” you mumbled but nonetheless added in a few of your favourite celebrities, including the queen. 
After all, if this worked, free money. What’s the harm in that?”
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A lot went wrong after that.
It was three am a week after the planning and your phone wouldn’t stop ringing. Grumbling, you answered the call without looking at the number…..which was a stupid mistake.
“Y/N! HOW DO I CANCEL THE WEDDING?!”
“Relax Papi you said nothing would happen? Free money right?” you yawned not even realizing what you said.
Oikawa sputtered on the other line, shaking his head and ignoring how you called him Papi for some reason. “Yeah but uh...we have a little problem.” 
“Hm…”
“Jason Derulo accepted the invite ...and he can’t wait to see the ceremony.”
From that moment, you were fully awake. “WHAT?!!”
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“What do you mean you can’t cancel the wedding?” you rubbed at your temples, losing more brain cells by the minute.
"Okay so apparently my last name is common around celebrities, seeing as my father owns different restaurants. So it’s not a surprise to them that they wouldn’t attend the wedding.’
“Fuck.” you breathed out. How did the both of you not realize this?
“Okay so um..what now?”
Oikawa ruffled his air. “We go through with it.”
"Fuck no.” 
“What why?”
You’re the one who thought of this crazy idea! It’s all your fault!” 
“But you’re the one who put Jason Derulo in there!”’
You smacked your forehead. “It was a joke and for free money! Look what you got us into.”
Yells back and forth, each blaming the other. It was like the night wasn’t going to end soon. Tired from the arguing, you smacked Oikawa’s chest. “Stupid,” you mumbled. “I don’t want to do this!”
Oikawa scratched the back of his neck. “But what if I want to?” You looked up at him confused. “You know, like how Hinata and Tobio fake dated but then became boyfriends.”
“Oikawa, that’s different. That’s dating, this is marriage. It’s adult stuff, I can barely cook!”
“I’ll cook for you.”
You walked away from him, going towards his balcony. The view was beautiful, seeing various stars and the lights shining from Tokyo. “This is too much for me to handle. You're a pain, you know that?”
He wrapped his arms around you and instinctively you snuggled closer to his chest, facing the view so he wouldn’t see your red cheeks.
"Remember when we were children? And we had a whole promise that we would be with each other forever?” you laughed. The classic child marriage pact. It was as if almost all friendships started with that promise. A promise to love and stay with each other no matter what.
“That’s child play.”
He started to rub circles with his thumbs on your arms, you feeling relaxed. “One month. Give me one month after the wedding. We’ll go on a honeymoon to London, I'll teach you how to cook, you can live with me, we can adopt a puppy.” Oikawa gulped and looked at you. “And if you don’t like it, we can pretend none of this happened. In fact i’ll stop bothering you with my assignments and my presence.”
One month. That sounded like a challenge. A challenge that Oikawa was willing to risk everything for. A month to make you fall for him.
“...so we’re splitting the gifts and money equally then, right?”
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A/N: I’m back! This has been in my drafts for months. At first it was supposed to be Yuto from Pentagon but after getting into Haikyuu I was like fuck it and changed it to Oikawa. Also because yes LMAO. I hope you all liked it and let me know your comments! Part two will be in the works if people want it, for now its a oneshot aha. 
Much love!
tags: @babyworld , @bakuhoes-dumbass
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hello hello hello!  and welcome to Season 12 of Supernatural. 
I admit that initially I STRUGGLED WITH SEASON 12.  I LOATHED the British Men of Letters (other than Lady Antonia Bevell; her hot working mom energy can get it); I have...mixed feelings about Mary; overall it was not a stellar season for me the first go-round.  HOWEVER I shall now give it a second chance,  and look for the subtext within the bad (and if my theory tracks, there will be much subtext as...there is much bad).  Maybe I’ll even develop Ketch appreciation.  **ONWARDS ONCE MORE INTO THE BREACH, MY FRIENDS:
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When we last left Dean, I neglected to mention that Amara brought his mom back (this is how much I repressed Mary Winchester I guess?)  We cut to Mary, confused, in a nightgown (I get this is part of the character and that’s why she is wearing it sO wE kNOw iTS rEAlLy MaRY WinCHEstEr because of her nightgown and not Sam Smith’s exquisite face, but honestly WHY - LIKE DID SHE WEAR THE DAMN THING IN HEAVEN THE ENTIRE TIME TOO?).
DEAN [breathing heavily] 
Mom. Listen to me. Your name – your name is Mary Sandra Campbell, okay? You were born December 5, 1954, to Samuel and Deanna Campbell. Your father, he bounced around a lot for, uh, work, and you bounced right along with him, and you ended up in Lawrence, Kansas.
MARY 
How do you know all that?
DEAN 
Dad told me. March 23, 1972, you walked out of a movie theater – Slaughterhouse-Five. You loved it, and you bumped into a big Marine and you knocked him flat on his ass. You were embarrassed, and he laughed it off, said you could make it up to him with a cup of coffee. So, you went to, uh, Mulroney's and you talked and he was cute and he knew the words to every Zeppelin song, so when he asked you for your number, you gave it to him, even though you knew your dad would be pissed. That was the night that – that you met –
MARY 
John Winchester.
DEAN 
August 19, 1975, you were married... in Reno. Your idea. A few years later, I came along, then Sammy.
***DEAN DESCRIBING EVERY DAMN DETAIL OF THIS HAS MURDERED ME.  Also, I know John Winchester “told him the story,” but something about this retelling - these are NOT John Winchester’s words (other than maybe “big Marine”).  The emotions, the feelings, the “you talked and he was cute” Dean is describing is Dean’s retelling, the version he created in his mind of this damn meet-cute, this little love story he played over and over in his head, and that makes me feel warm and tingly and also want to ingest sharp knives.  
***Everyone already knows about the damn Zeppelin reference but just in case you wanted to be tortured, please recall that later on we will get
THIS FUCKING SHIT
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Nothing to see here other than Dean using a reference from this LOVE STORY on Cas.  I HATE it here in super hell.  Next rounds on you, Sam.
Anyway, Mary has caught on:
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I paused here just now because I had a tHoUGHt.  This season is all about exploring Dean and Sam in their role as sons (this is discussed at the SDCC panel prior to the season; btw they are all free on Prime and I recommend watching before you start each new season for little “reveals” behind some of the plot lines).  We know Sam has no relationship to Mary really, he was a baby when she died, but Dean was a little boy - with a personality, character traits, identifying characteristics that his mother probably knew like the back of her hand.  That’s why my first run-in with Mary left a bad taste in mouth during this season - LIKE THIS IS YOUR KID, and there is NO inkling or recognition until THIS moment?  In a show that just spent an entire season exploring the “unexplained connection” between Dean and GODS SISTER, there no immediate “OH” from his own mother?!
But then I realized why she only connected at this very moment.  This particular moment - and not the moment where he lists the factual details about her before the story of the night she met John.  That little story with all those cute details - that’s the part of Dean that Mary knew before she died - when that part was ALL of Dean.  Before hunting, before John’s quest for revenge turned him into the person he is today, before he saw himself as a blunt little instrument.  That’s why initially Mary has no recognition that this is her son - because the Dean she knew was sensitive, and kind, and OPEN, and liked love stories, and laughing, and warm hugs and maybe flowers. Because if you think about it WE DONT KNOW THAT DEAN.  We only know Dean AMD. (After Mary’s Death).
*****************************************************************************************************
So maybe Mary represents Dean Before Mary’s Death, and whatever part of that Dean remains, no matter how deep he has been buried.  The part that connects with people; the part that doesn’t want to be alone.  The part that helped Amara.  The part that loves Cas.  And that’s why Amara brought her back.  
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Ok, if I think of it this way, I may like Mary a little better now.
BUT ALSO MY BABY:
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Cut to Cas.
[THE MAN WALKS OVER TO THE EDGE OF THE CRATER MADE BY THE LANDING AND SEES CASTIEL PULLING HIMSELF OUT.]
MAN 
Holy mother.
[CASTIEL STANDS UP AND LOOKS AROUND]
CASTIEL 
Where am I?
MAN
Uh...Earth?
CASTIEL 
No. How far am I from Lebanon, Kansas?
MAN 
Uh... Th-three hours, maybe. Wait, wait, wait, wait. Who – What are you, man?
[CASTIEL WALKS TOWARDS THE MAN AND TOUCHES HIM ON THE FOREHEAD. THE MAN DROPS TO THE GROUND. CASTIEL LEAVES HIM THERE AS HE DRIVES OFF IN THE TRUCK]
***I spy a Season 11 random parallel
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And Cas says, “Earth - 
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***Also, I often wonder if in his mind’s inner GPS, Cas bases distances on how far he is from Dean. 
In the meantime, Bad Things Are Happening to Sam.
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***Toni Bevell, don’t join the British Men of Letters you’re so sexy hahah
Other than noting that this is yet another too oft- repeated Sam, the Victim, Always Gets Tortured scenario, I see no point in recapping these parts.
I will just continue to post Toni Bevell hotness for these portions of the episode. Ok?  Ok.  You’re welcome.
BACK TO THE BUNKER:
I already posted this sweet baby reunion in my final Season 11 analysis/recap, but lets see it again at another angle and from Mary’s perspective CAUSE CLEARLY she has...*thoughts*
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Poor Cas had no idea he was about to MEET THE PARENT 
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It melts my little heart that Dean uses Cas’s full name to introduce him to people.  Especially members of his family who are trying to kill him.
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Anyway, then we get a much longed for gem of typical Cas deadpan:
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(*I still miss Casifer a little bit though*)
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And then we have 
A MOMENT OF CONNECTION!  
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At the SDCC panel, Misha specifically noted that both Mary and Cas are outsiders, so this tracks. 
They head to the garage:
[Exhaling sharply, Mary walks towards Baby. She runs her hand lightly over the car.]
MARY This was John's car. Oh, she's still beautiful.
DEAN Hell, yeah, she is.
MARY Hi, sweetheart. Remember me?
[MARY LEANS DOWN AND LOOKS INTO THE CAR SMILING. SHE STARTS LOOKING AT THE FRONT SEAT BUT HER EYES AND HER THOUGHTS LINGER ON THE BACK SEAT. DEAN LEANS DOWN LOOKING AT THE INTERIOR OF THE CAR WITH PRIDE. DEAN LOOKS AT HIS MOM AND REALIZES SHE’S HAVING VERY SPECIFIC MEMORIES OF TIME IN THE BACK SEAT. DEAN LOOKS AROUND THE CAR, AND LOOKS AT HIS MOM.]
***this is where you truly see that Sam Smith is a genius because she took those directions and put them all into THIS:
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And then THIS:
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DEAN 
Oh…
[MARY LOOKS UP AT DEAN. DEAN REALIZES HE MIGHT HAVE BEEN CONCEIVED IN THAT CAR, STANDS UP QUICKLY AND LOOKS OVER THE CAR. DEAN SWALLOWS HARD, AND GLANCES AT CASTIEL WHO GIVES HIM A QUIZZICAL LOOK.]
DEAN 
We should go.
***At this time I would like to remind everyone that Cas is also generally in the back seat of this car.  
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MOVING ON
Meanwhile-
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Back at the bunker, Cas is Continuing to Connect with his boyfriend’s mother:
[EXTERIOR DAY; INDISTINCT CONVERSATIONS AND THE NOISE OF VIDEO GAMES ARE HEARD. THE CAMERA PANS TO MARY WHO’S WATCHING THE SCENE. CASTIEL IS PICKING UP COFFEE.]
CASTIEL 
Thank you.
[CASTIEL TAKES THE COFFEE TO MARY AND SITS DOWN.]
CASTIEL
This must be difficult for you. I remember my first moments on Earth. It was jarring.
MARY 
One word for it. I grew up with Hunters. I've heard of people coming back from the dead before. But to actually do it... after 30 years. A lot's changed.
[MARY LOOKS AROUND.]
MARY A lot.
Cas:
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This is usually a look Reserved For Dean, so its interesting Cas is looking at Mary here [they also weirdly joked about Cas hitting on Mary at the SDCC panel and now I'm giggling because if Mary represents the soft part of Dean this all makes PERFECT SENSE).
BONUS
Actual footage of Sam in super hell
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The Cas/Mary bonding worked BTW:
[INTERIOR: GREGORY IS SITTING IN FRONT OF HIS DESK WITH CASTIEL, DEAN, AND MARY STANDING BEFORE HIM.]
DEAN 
So, you dug the bullet out of his leg, no questions asked?
GREGORY 
She offered me 100 grand.
MARY 
And you took it?
GREGORY 
Student loans were a bitch, okay?
[ANGRILY CASTIEL STARTS TOWARDS GREGORY.]
DEAN 
Cas! Cas! Cas! Don't hurt him. Not yet.
**Disclosure: I do not accept the “Cass” spelling and take creative license to change it in the script whenever it appears**
GREGORY 
All right, look, she didn't give me her name. When we were done, the driver bailed, I got paid, and then some other chick shows up, and they all drive away.
MARY 
And that's everything you know?
GREGORY 
(insincerely) Yeah. Totally.
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****Um, Mom that’s my boyfriend you don’t order him around like tha-
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Oh, well, ok then.
***This is important, because Cas doesn’t obey anyone (other than Dean) blindly ever since he invented free will and all that.  Hence Dean’s surprised/impressed look to Mary above.  
Meanwhile:
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I recall that I spent most of my first watch of Season 12 gushing over Toni Bevell, so I’m glad to know this won’t be changing.  You’ve been warned.
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Next up, Sam is again sex tortured, Cas is a Helpful Boyfriend, and for some reason, Rick Springfield.  
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eyrieofsynapses · 3 years
Text
so today I just watched the first episode of Almost Paradise! And I’ve gotta say, I am impressed. I already had it on my watchlist but I was planning to wait to watch it for a while until I could let Eliot fade a bit from memory, just so I wouldn’t automatically think of him while watching Kane. But I ran into an article this weekend about how it was filmed in the Philippines and the details of that, and my curiosity was piqued considerably more, so I figured... why not? 
(I also started White Collar this weekend and that was very enjoyable, but that’s a post for another day.) 
Anyway, my brain’s buzzing now, so have some first impressions and reactions, plus initial meta-analysis because I am intrigued. In hindsight I probably should have recorded first impressions while I was watching, but I’ll do my best to remember the bits that stuck out. Warning for... exceedingly long post.
ooo, okay, so he’s got a medical condition. I faaaaintly remember reading about this in the summary but I didn’t pay much attention to that, oops.
telling a guy played by Chris Kane not to get his heartrate up! that’s definitely gonna happen. definitely. one hundred percent. not like this guy loves fighting or anything
(also tbh the joke about, ah, sexual dysfunction admittedly left a sour taste in my mouth, because I do not go for that kind of thing, but... this is Devlin and Kane, so I’m trusting, based off Leverage experience, that they aren’t gonna be too inappropriate. [In hindsight there are actually interesting meta reasons for this so the sour taste has dissipated somewhat.])
this poor doctor. she’s so done with him. 
...he’s definitely not gonna pay attention to the monitor is he
that journal’s gonna get zero use oop
(I was duly impressed when he actually did use it later)
huh, liking how we immediately dive into the effect tourism has had on the Philippines. so we’re getting some commentary here too? I can deal with that
...wow. bad shop. eek
I’m sorry but I am loving the touch with the floorboards and such breaking beneath Alex. the look on his face is just perfect
and the monitor goes off! for tbh the last reason I expected it to first go off for, excellent 
MOTORCYLE? did they give him a motorcycle?!
awww no it’s the baddies who have the motorcycle :(
hmm this should be interesting. loving the look of this leader guy tho
--aaaand good asthetic guy is dead! with an ice pick! creepy and creative! 
bar. no way this could go wrong
internal battle! understandable that Alex wants out, buuuuuuut if he’s anything like I suspect he is--
--yup, picking a fight, with a damn pool cue--
--not picking a fight?
...picking a fight. by being friendly. *sigh*
yuuuuuuuup. that’s definitely good for your heart
badass fighting scene! with a pool cue, that’s a new one! love seeing Kane take ordinary objects and turn them into fighting tools
(ngl this had Eliot vibes. that said I am thrilled to see how damn good these fight scenes are and this is making me even more excited for Redemption)
aaaaaaaaaand oh fuck this was a police setup. which. I actually did not see coming, huh
ahahah they’re pissed! because he messed up their bust? or because he just saved their asses? 
...probably technically the former but I suspect the latter is also true
refusing to get Involved being foreshadowed by his indecision earlier! of course he’s going to get Involved anyway, only question is how
“hitter” I SEE YOU. I SEE YOU AND YOUR REFERENCES. I SEE YOU DEVLIN AND KANE
pfffffffffffFFFFFT the meditation, oh gods
that voice. oh Alex. 
I genuinely cannot tell if this is him actually trying or if this is him begrudgingly making an attempt because he has to
lacquering(?) the doors, which, hey, actually look pretty nice--this place is gonna look good when it’s done isn’t iii--
oh fuck Alex is being attacked
(this is definitely something to be concerned about. yes. totally. not like we haven’t already seen him take down a bunch of guys.)
with a garrot! this is definitely totally not how he’s gonna get Involved
oh my gods the detail with the paint. nothing says Competent like getting irritated at how the baddie interrupted your house restoration
hehehehe Involved
oooh, hmm, he thinks they sent the guy after him? what kind of corruption has Alex faced? I mean it’s not an unreasonable fear, but jeez, it sounds like this has happened to him before. doesn’t say much good about the DEA...
huh, this is a level of disturbed I haven’t seen from Kane before. which, granted, I have only seen him in Leverage, but I’ve never seen him pull this out before. the voice crack is an excellent touch
also, worth noting, Alex is definitely a notable level of... hmm, paranoid? this is just a tad bit frantic, though that’s understandable from a guy who almost got killed while in the middle of an attempted meditation
oh god being cocky in the middle of a briefing. poor Kai 
--being cocky and competence porn! of course he takes the watch and turns it into a lesson
...he must be a hell of a teacher
(also, bonus points for actually using the journal. maybe he’s taking this health thing more seriously than I thought he would?)
may I repeat: COMPETENCE PORN
uh-huh, you’re so not involved, definitely, Alex, not like you’re gonna get pulled straight into this or anything
Ernesto is just watching to see how things play out, Kai is... trying to do things the right way, and Alex...
...Alex gives precisely zero fucks. buddy you are so not subtle
right, walking straight into the lion’s den! radiating confidence! terrifying
this is a disturbing level of truth he’s sharing for this lie. I mean, best lies are crafted from truth, but... jeez
hm. so is Alex also a “I don’t like guns” type guy? 
(probably not for the same reasons as Eliot doesn’t [his is definitely more in the “they make it too easy to kill” department whereas I would guess Alex has either more tactical or PTSD reasons], but, hmm. this is something to watch for)
(did they know they were bringing back Leverage when they set up Almost Paradise? I’m genuinely wondering if they didn’t write some Eliot traits into Alex specifically bc they knew Kane missed playing him)
this is a fantastically confident level of grifting--what exactly did he do in the DEA, precisely?
...ah. cool asthetic guy. stuffed in the freezer. gotta admit, I definitely didn’t see that one coming. creepy! 
(and it looks like you actually managed to shake Alex a little, hah)
aaaaaand in the meantime we have Kai following his advice! in an... interesting way. hm. 
(surprisingly this does not annoy me that much in hindsight. not sure why)
and understandably, this does not go over well! except, oh, fuck, DEA guy. this ain’t gonna be good
...worse. worse than I thought. what happened to you, Alex? former partner? whaaat
“attacks”? 
this gonna be the typical “traumatized white dude has Anger Attacks” type thing? 
honestly I immediately went “probably not” given how it was handled in Leverage. wasn’t sure though. but that does leave the question of what sort of attacks? it doesn’t seem like it’d be meltdowns, so what does that leave? 
hmmm. DEA guy is an Ass. we Do Not Like him. I’ve known Alex for less than half an hour but you do not do that to him. you do not use trauma against your guy, Jerkface. 
cutting a deal? this should be interesting
...well shit. I. am sincerely hoping Kai isn’t about to walk in on anything too bad
this definitely isn’t gonna be a fight though, that I called right off the bat
--bottles. dammit
oh, Christ. attempted OD or just drunk?
just drunk! good! well, very Not Good, but better than the other thing
pffffft dunking him in the water and then him going straight back to the water when he sees her, that is both absolutely hilarious and deeply concerning
aaand I’m agreeing with Kai but also, poor guy just got confronted with a hell of a lot of things that would raise his trau--
...mm. yeah. that’d be it. 
...I. was. not expecting that much backstory info straight off. holy cow, Alex. that is. messed up. someone get this man a hug
“one of the guys that cared too much”
(...like you?)
(or is that why you won’t let yourself care now?)
fuck, there was a lot more to that boat scene than I thought. ow
partner who betrayed him like that? I’m just. gods. 
Trust Issues is definitely gonna be a Thing isn’t it
can we just take a second to appreciate how Christian Kane is playing the absolute hell out of this character
aaaand Kai brings him back to the city for a Heartwarming Reminder of why he was in the game! this is very tropey but it is, as John Rogers has pointed out, an instance of the “well-worn writing tool” rather than feeling cheesy! 
holy crap Kai has lost. a lot of people. oh man
ahahahaha classic “why did you bring me here?” line! you know why, Alex. you know why
oh, and Ernesto gets a chance to help him out! I’m already enjoying this so much
awww and Kai shows up to help encourage him! with coffee! supportive friend and very obvious but honestly okay love interest! good!!!
(what the heck is with Devlin and his crew and sticking Kane with two besties? based on Ernesto’s dynamic with him I’m guessing this isn’t gonna be an OT3 but. I am loving the trend)
“I’m gonna regret this in the morning” pfft
huh, working with the DEA agents. not like he’s gonna go off script or anything. that’s totally not gonna happen is it
hehe irritated look while they’re putting on the mic. he is so very unimpressed
--”little episodes”--episodes? 
moment of appreciation for the un-forced-feeling diversity in these police squads
“how’s the anxiety?” I’m sorry what
hold up, when we say “episodes”--are we talking panic attacks? does Alex have actual goddamn anxiety? 
...actually with PTSD? that would make complete sense. I am... intrigued. I am really hoping that that’s the case, actually, because having seen how well they handled Parker and her PTSD in Leverage (as well as Nate’s and Eliot’s) I have a lot of faith that they could pull that off really well, actually. That would be good. 
ppFFFT TAKING OFF THE WIRES RIGHT OFF THE BAT
wait what. you’re telling them everything? what’s your game here? 
“get that frikkin gun outta my face!” yup, not a fan of guns! no disarming though? huh
(also can we just. appreciate how Kane manages to make “frikkin” sound just as much like the cuss it’s replacing?)
(LET ALEX SAY FUCK)
oh. OH
hi Ernesto! hi Kai! I see what y’all doing
ohhhhhhhhhh Alex you goddamn genius. Getting rid of all of the drugs so there’s no way the precise thing he was claiming to be doing can happen. I like this
THE MEDITATION COMING ON ON THE RECORDING I CAN’T--OH MY GODS
Alex please tell me you know how to disarm a gun. please. guns are not effective at that distance
OH. OH I DID NOT SEE KAI COMING. 
got ‘em! murder confession, how did I not see that coming? good stuff
Kai can fight! 
KAI CAN FUCKING FIGHT WOW
I am very much appreciating Kai right now
also is that a FLYING KICK from Ernesto?
they better give these people more fight scenes
aaaaand straight into the water, oh god. I’m assuming this was a choice made because Alex is familiar with this territory? ...I do not think I want to know where Alex learned to fight underwater.
(I really really really want to know.) 
how the fuck has your monitor not gone off by now Alex
choking him out underwater, okay, wow 
what size are your lungs? this is long
extra kudos for excellent underwater filming and wow I am hoping the actors actually came up for air
(this is also unreasonably beautiful for a scene where you’re choking out a drug lord. the water is so pretty)
Evil DEA guy (no I am not going to learn his name, he doesn’t deserve it) is gonna be Alex’s Agent Sterling, isn’t he? this should be interesting
heh, police chief is taking his side! good stuff, good stuff
(it is very nice to see Alex getting some people in his corner after knowing what hell the DEA put him through)
Alex has fallen so damn hard for Kai. this is very very adorable actually
awww he’s really getting into fixing up the shop, isn’t he? I’m sincerely looking forward to seeing how he gets this up and going, it really looks like he’s enjoying himself
somehow I am starting to wonder if the cocky “oh yeah I’m opening up a gift shop how exciting huh” thing at the start wasn’t... actually genuine. he... is enjoying this, isn’t he? good. very good
I am unreasonably invested in this man’s wellbeing for one episode in
!!!!!!!!! HE GETS HIS PARADE
AWWWWWWWWWWWWWWW
AWWWWWWWWWWWWWWWWW
giving him his reason to keep going! yes! yessss
oh Alex you are attached now. you are very attached. good luck my dude and don’t let the trust issues get in the way
this is a good show. this is a heckin awesome show. 
also, side note, it is SO PRETTY
I am just loving loving loving all of the scenery. competence porn AND landscape and city porn. beautiful. perfection. excellent
...that was. much longer than I anticipated oops 
anyway, conclusion: hot damn this is a fun show! I am very excited to keep watching this. Alex officially has my heart, even if he’s a bit of a cocky bastard sometimes. Kane is fucking hilarious. (More reasons to be excited for Redemption!) Kai and Ernesto also have my heart, and I am extremely interested to see their character development. 
Honestly, the beauty is surprising. I didn’t expect to just enjoy how pretty it is. The blues of the ocean, the intense tropical colors, even the run-down gift shop--there’s such a gorgeous aesthetic to it all. If I wasn’t already invested in the characters and plot, I’d be invested for that alone. 
So... I have some thoughts on Alex and the show structure.
He’s obviously very disillusioned. There’s a lot of nods to the idea of war--he’s commonly referring to himself as a soldier, as a veteran, maybe as a casualty. I’m gonna take a totally wild guess here and say this show is going to be focused on the drug issues in the Philippines. (Wow, Synapse, how the heck’d you guess that?) I do find describing the war on drugs as a war, and going into the terminology that comes with it, very appropriate, and I like how this show is actively calling this to attention rather than using it as a convenient plot. They’re actually addressing the issue and discussing its impact. And given how overlooked certain aspects of the impact of the drug war on the Philippines is, this is a good choice, especially in order to alert American viewers to the issue. I’m curious to see how they handle that.
Again, interesting drawing parallels to war, too, and comparing it against the likes of WWI and Vietnam. It really gives that sense of weight to the issue and defines a vital aspect of it: the impact of the war on drugs on the people involved. It emphasizes that the people who are fighting it suffer consequences and PTSD just as a soldier in the field does, and it also emphasizes, with Kai, that it isn’t just the people actively fighting who bear the consequences. It’s also the people on the sidelines--it’s the families, the people on the streets by the gunfights, the economical impact, etcetera. 
But there’s also an element to Alex’s character that automatically makes him relatable to a lot of people... and it has nothing to do with the PTSD, nothing to do with the war on drugs, nothing really to do with the main issues. It is, simply, the intense hopelessness and depression that comes with trying to make a difference. In his case it’s making a difference on a severe worldwide issue. But the vast majority, if not all, of Almost Paradise’s audience should be able to relate to a feeling of never doing enough. And there’s certainly a large section of that group who can relate to being part of a fight that never seems to end. Doesn’t matter what you’re doing--if it’s driven at helping, it rarely ever feels like you ever do enough. But the advice given is excellent. One of the best things to do, when you’re feeling hopeless over this, is to focus on and take deep joy in the impact you do make. 
Alex is an expression of a frustration that a lot of people deal with. This, I think, is one of the reasons why he instantly drew me--and presumably the rest of the audience--in (outside of a fantastic actor and great humor). He’s relatable. He’s something that most people can see a part of themselves in. 
Anyway, symbolism and real-world talk aside, this is just... fun. It’s genuine fun. We’re covering rough issues, but there’s a lot of well-written tropes in here too that are written in that way that makes them enjoyable to relive rather than painful. The humor is delightful and plentiful. There’s a lot of beautiful feel-good moments. I’m suspecting this’ll be a comfort show, and I am perfectly all right with that. 
Onto the next episode!
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yourdesertsunflower · 3 years
Text
Analysis/Opinion, Boruto Episode 178
Cause when they do something right that is worth watching I got to give them credit. 
Okay, okay, okay.  What the hell did just happen? Boruto almost made me tear up? Yes, almost.  I know I’m late (way too late, and I haven’t seen this weeks episode to be honest) but I needed to speak about this episode because, causing me to almost tear up is somthing that both OG Naruto and Naruto Shippuden only did in other occasion which, uncoincidentally, involving the same two characters. But well, we get more into it later but before starting with the analysis, which will be done in chronological order, I will just warn you: SPOILERS! Now yes, let’s get into it. 
At the beginning of the chapter I already knew this was going to be good. Like, really good. The first shot showing Shikadai tying up his hairs lacks of subtlety yet is a very good symbol and a clear indicator of what will come up next. Nara’s pineapple hair is quite a staple for the clan, it show us the tradition passed down from generation to generation. It’s, also, something that connects, both in a visual but also symbolical level, all three grandfather, father and son. Having Shikadai tie up his hair at the beginning of the chapter just was a sneak peak of all to come, how in some moment Shikamaru will have to do the same as his father and entrust everything of Shikadai knowing that he’ll be able to make things right. Really short and sweet. 
The “breakfast scene”, that’s how I called it. Well, this is the only moment we actively was Temari which is sad because I’m craving for moments with her and actually thought this was a good opportunity to do so. Yet, I respect the decision that Studio Pierrot made to focus primarily on Shikamaru and secondarily on Ino, though I would have loved to see a little bit more of the later but I’ll talk about that later. 
I think the gesture of Temari talking to Shikadai before hand about everything is very telling of Temari as a character and her relationship with Shikamaru. It does not only show a deep bond between the couple, created through a deep comprehension of and care for each other which is nice. Both Temari and Shikamaru know about loss and it’s really nice that they know what each other need during the times of grieving. She doing the dishes, talking to Shikadai or giving him the space during that day feels fitting as Shikamaru is known to be someone who needs to process things on his own. However, Temari always is there, and through little acts she shows it (even I liked the strict parenting that it was displayed here, is more of what I’ll imagine Temari doing). But, yes there is no need of flashy displays she just does it everyday which, is beautiful.
I got no particular dislike of Shikadai not remembering the date. He is almost a teenager born and raised in a period of peace and it shows. Probably he had other things in his head but, boy, you are supposedly a quick thinker! If you saw not only your father unusually late at home but both your parents are dressed all in black. I really don’t think that connecting the dots was so difficult. Still, it was passable since it gave the excuse for Temari to talk (which though sad, it’s true). 
Shikamaru in this scene is anticipating what will happen through the chapter. This is an important date not only to them but the whole of the villages but, also the change between the sequences to the monument of those who died in the line of duty, the Will of Fire also sujested the grate importance that it has to him even though he doesn’t like to admit it that openly. There is something that kept ruminating in his mind since that day; something that makes that day even more than a commemoration day towards his father.
Okay now, having finished with that opening scene, let’s get into the second scene. Before entering into the more detailed thing let’s get through this first. I know people were pissed about Hinata not being part of the group while being present at the commemoration ceremony. I find this to be understandable in terms that Hinata is no longer a active jonin, and that all the once that were up in the stage were people who thought at the Fourth Great Ninja War for Konoha and still are active ninja. Does this justifies it? No, but it gives us some sort of explanation. I personally was way more focused on having Hinata bringing Neji’s portrait. I found this enduring and a really nice gesture that just makes me want to have seen more of their relationship and development in Naruto Shippuden. In the same manner though I was pissed of that Choji wasn’t that present I understand the necessity to fill a story in a 22 minute timelapse so, even though I think Choji could be easily added better within the chapter, I understand the decision to not involve him that much. In the same manner it would have been nice to see Yoshino and Choza within the people of Konoha, a real missed opportunity.
Shikamaru looking above to the sky is a lovely gesture that carries a lot through it. I often talk about how beautifully written is Shikamaru’s arc through Naruto. He is the pivotal character that I would put a focus if a coming of age story is what you are looking for. And this character arc left us with one solid idea in my opinion, sometimes what you always wanted won’t be what is given or what is needed from you. Growing up is about taking responsibilities about following the path you consider to be right and not the easiest. However in this little moment we can see a really human Shikamaru that, is not only looking up into the sky towards his lost father but his lost dreams. There is almost a melancholic tint to all this scene, because we all have times in which we wish we could be kids again and really don’t care. It’s really humanising and it is done with such a subtlety that it surprised me.
Ao coming back is still something I don’t end up getting used to, even with two rewatches of the episode. But I got to say it, even though I find it quite convenient, he fufills the role that is needed from him in this chapter being the only person that can answer the question that’ll bring peace to Ino and Shikamaru so, even though a little bit crappy in its execution I really don’t mind he survived.
Shikamaru and Ino and their talk was really fresh and something I never knew I needed. As I always said, I love Team 10 and their dynamic. There is an undying love, support and care for each team member to the others that is so wholesmome and sweet. And in this scene they were able to replicate this perfectly. The friendship between Ino and Shikamaru was always a beautiful element within the narrative because they are, in my opinion, a really good representation of a female-male friendship. And no, this doesn’t mean that you can’t ship them (I mean you do you) but it means that I think that it was a really nice scene between two friends, one a woman and the other a man, that care about each other like family and that I am sure would do anything for each other and I think that is beautiful. Friendships between men and women should be normalised on screen and I think that Ino and Shikamaru, beyond the Ino-Shika-Cho as a whole, are a really true example of what a healthy friendship can be. They joke around with each other but also don’t shy of being vulnerable and supportive.
Here enters the well known “Survivor Syndrome”, also called Survivor Guilt, something that all three main characters within the chapter have, meaning, Shikamaru, Ao and Ino. This is a mental condition that occurs when a person believes they have done something wrong by surviving a traumatic or tragic event when others did not, often feeling self-guilt. Obviously all characters show it in different degrees; for someone like Ao that guilt is turned into the inspiration to move foward with his rehabilitation in order to live for those who died but in the case of Shikamaru and Ino it is explored completely diffeng through one element, key for this chapter.
The Recurrent Question, is basically a lovely way to introduce us to syche of this two characters and better understand the weight this two characters carry beyond the leadership of their clans. Their parents died at a fairly young age and their kids were inexperienced as it regards a war of this magnitude beyond being basically teenagers. Taking all this into account, beyond Shikamaru’s characterisation which goes alonb with it, it really isn’t weird the question they have. It fairly logical, give the situation they found themselves in years ago but also nowadays as parents to the next generation. It is really a ver humanising question as it reminds us that, before being incredibly talented ninjas they are people. This is something they need to understand for personal reasons: both as son and daughter but also as parents. Compeleting that piece of the puzzle is what something will give them a much needed peace and, also the key to move foward as it’ll be gaining a better understanding of, not only their parents, but themselves
The Next Generations, is a theme that was always reinforced through all the series but specially in Team 10. This is not only given the importance the Will of Fire had for the characters that conform it but also in the genesis of the team itself. The formation of the Ino-Shika-Cho is a strategic one that is built and reinforced through tradition. Hence the strong bonds between the different he generations of these clans because, by the passing of the torch they are entrusting there lives and legacy to the following in line. They importance of trust and time become apparent as they show us the new generation of the Ino-Shika-Cho as Shikamaru says that one day they’ll entrust everything to them, unknowingly, providing him with the answer to they question he asks. But, why he doesn’t notice this? Because he had to hear it himself, showing the respect and admiration they had as shinobi. As Ino said they were heroes, real shinobi till the very end, but is that really so? I don’t think so.
Then we go to the sequence in which Ao leaves a flower to greet farewell to Inoichi and Shikaku which I think is a really nice yet simple moment. He also had the weight of never having said goodbye to them and through this gesture he is finally coming together and giving himself a much needed peace; he finally forgave himself for being the sole survivor of that division and of the destruction.
“You look just like your father”  Well that hit me on a personal level. All people since I can remember always told me I look exactly like my mother. And, as many people that also where told so may know is not something you particularly like to hear when you are a child. You want to your own individual unbound of you parents and their lives but, when you grow and loss that special someone, well it hits differently. I can imagine what those words would mean for Shikamaru, probably some needed words that we all saw coming. It’s the idea that, somehow, he is able to keep with his father’s legacy which transcends the looks. It’s nice and sweet.
And here the question comes. Since Ao was introduced it was obvious he’ll fufill this role; answer the question. It was so brave for Shikamaru to ask it, knowing the answer may not be what he may wanted. The fact he says he “sometimes” thinks about this, shows us that the question tormented him for quite some while, fifteen years. It’s really sad if you think about the uncertainty that covered this vital part of his life that would go on to affect everything, his role as an advisor, as a Shinobi and as a father. But the answer was definitely something way needed for this two, and deserved. Seeing Ino and Shikamaru (well Shikamaru almost) cry made me almost tear up. And that’s what I said previously, Inoichi and Shikamaru as so many pointed out weren’t shinobi in their last breaths but fathers. And great ones, that entrusted without doubt and absolute trust everything to Ino and Shikamaru. It was a really beautiful moment that really felt gained and I couldn’t help but smile, though it always been obvious to me, I still was nice to hear it.
I would have loved to see more of Ino and her point of view through the chapter. I think we followed Shikamaru all through it, and don’t get me wrong I am a sucker for any Shikamaru-centric episode, but it would have been lovely to see the other side of the coin, the complete story and view. So yes, my main complain with this chapter as a whole would be that.
And we get to the ending. First of all we see Shikamaru watching the clouds as he used to do when he was a child, for me a clear indicator that a big weight had been taken away from him. It’s a lovely remainder that we can still dream and recall the child we once were.
Temari sending Shikadai to find Shikamaru is really fitting and a good gesture of Temari to be honest. I think she knew he’ll need Shikadai, as I said before this two know each other so much, so I doubt this was arbitrary.
Shikamaru and Shikdai are really such great father-son duo, I really like their interactions and how Shikamaru is able to reflect himself in Shikadai, hoping that one day his son can learn something from him as he did with his father and knowing he’ll be able to entrust everything when the time comes. And, who I am lying saying that the time will come? Some people say that this was a the anime anticipating Shikamaru’s death but, to be honest, that’s something I already knew since nothing of his dream come true. He never had two children and the first was a boy, he married a stunning and troublesome woman he truly loves, he is the Hokage’s advisor and one of the most important figures in the Shinobi world. Besides, Asuma’s and Shikau’s death I think showed Shikamaru that there is a way more fitting way for a shinobi, but even more importantly for a human, to die than peacefully which will be protecting what he loves. Yes, that moment will probably break my heart but, if done correctly, it’ll be a perfect end for this character.
The only thing I got left to say, because I won’t analyse the last scene cause (being honest) I was completely taken by surprise is, what happened to Temari? I got to say, that wasn’t really nice of Shikamaru and neither of Shikadai. Shikadai was looking for Shikamaru in order to go home to Temari, who was waiting for them. I just gonna set this clear - now Studio Pierrot owes us a Nara Family Moment/ShikaTema for doing dirty at last second lmao.
Well this is my opinion/analysis of this episode of Boruto. I hope I didn’t bore you that much when reading my opinion and that you enjoyed the episode as much as I did. Have a nice day! ❤️
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gallavictorious · 3 years
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11x01 Reaction Post
Random thoughts on and reactions to 11x01; no careful analysis or anything, just the bits and pieces that's not likely to make it into meta proper but which I still want to make note of so I can go back later and remember what my initial reaction to the episode was (since my impressions are likely to change as the season unfolds). Mostly Gallavich related, because duh, but there's disordered rambling on a bit of everything. Under a cut (God I miss LJ sometimes) because this got long.
Ian looks damned good as the homocidal muscle. I don't do AU:s, but if I did... On the other hand, Frank as a member of the Chicago “Eight” looks like a werewolf. Less interested in that AU. And listen, I get that they couldn't get Emmy Rossum for this, but I really miss Fiona showing up in a few random olden day pictures. She's gone, but she's still a Gallagher dammit! Carl at the slaughter house looked weird – and part of me thought that was appropriate because slightly off editing would be a sweet way of communicating that it's all bollocks, but the rest of shots looked okay (Debbie as a milk maid and Frank as the aforementioned werewolf) or good (everything else) so no.
The sound of a baby crying is a horror matched only by persistent lack of sleep so I feel for Lip and Tami so much. Here's to all parents who managed to get through the first year without murdering anybody! I think that maybe you don't get enough credit... I, for instance, want to kill someone just hearing Freddie cry in the background for half a minute. Not sure it bodes too well for their relationship for them to be so ready to spend every night apart like Lip suggests, but a, what wouldn't you do for a good night's sleep, and b, love the thought of Lip spending more time at the old house. Could see them breaking up during the course of the season, though. Not sure how I feel about that – Tami's my favourite out of Lip's love interests, but having too many of the couples staying together all through the finale wouldn't feel quite right (for Shameless) and I don't see them breaking up Ian and Mickey or Kev and V. Don't really expect Sandy or Debbie to last either, but since it's more of a casual thing it might have more of a casual end.
Do you remember when the promo dropped and there was Concern about That Look on Ian's face after he kisses Mickey, and I tag theorized about it being because Mickey stole his coffee? Turns out there wasn't really A Look in the actual episode, but I sure as hell was right about the coffee, and I want noted somewhere. Maybe there should also be a small diploma? A golden statue seems a little over the top, but I mean, if you insist...
I appreciate that Ian is very adament about it being their money but when Mickey thinks it's their breakfast it's suddenly every man for himself. Do you share or not, Ian? Hmm? (Let the record show that I'm joking, please. Ian is damned right to take his toast back, and I say this as a “person most likely to steal their partner's toast right out of their hand”. I also love that Mickey completely gives up on breakfast when he can't have Ian's toast and just grabs a beer instead.) The kitchen scene is glorious and I just really like their dynamic here; the casual kiss, “I only make breakfast for husbands who have jobs”, how relaxed it is even when Ian's a bit annoyed, Mickey being so... Mickey. I do wonder what went through his head when Ian started talking about their wedding present money, though – he seems worried for a moment, but then shrugs it off, and that could be either bravado or just actual lack of concern. I tend mostly towards the latter, since Mickey quite genuinely figures this isn't a big deal (even though he still recognizes that Ian will probably think it one). Please note that he immediately offers to get money when Ian mentions that they need more of it coming in. Not his fault Ian vetoes his methods, right? (Also love that Ian's objection is due to him not wanting to be separated from Mickey, rather than any moral qualms about robbing stores.)
Okay, the gag ball. Would they really keep it like that if they were actually using it? Maybe either of them just tossed it there after taking it off, I suppose... Yeah, I don't know. Not what I'd imagined them being into, but that might be my own extreme lack of enthusiasm for gag balls and harnesses talking. Either they're into it and if so, you do you, boys, or it was a gift and they're keeping it around and semi-prominently on display for shits and giggles. (But if it was a gift, they did try it at least once, right?)
Mickey in the bath remains stupidly and surprisingly gorgerous. Incidentally, I really don't think his question about the meds is any indication of him not thinking them important, but there's little wonder that Ian bristles at the mention of them. Maybe not be an ass just to prove a point, eh, Mick?
I've already talked about how hard Ian is trying here but let's just take another moment to congratulate our boy on his persistent attempts at mature communication. Though he might have given some actual consideration to Mickey not wanting to save the money if he's really serious about them making decisions together... But he gets there! I think this whole situation – which would royally piss most people, including me, off – is actually particularly difficult for Ian, because he might well see Mickey's behavior as uncomfortably reminiscent of Frank and Monica's destructive habits and yeah, that would fuck him up. And still! He forces himself to calm down! He takes Mickey's hand! He refuses to let himself be distracted by Mickey looking SO INSANELY PRETTY I CANNOT EVEN UNDERSTAND IT! Ian, I salute you!
[starwars_eu_nerd_mode]KORRIBAN! YES! HA! TAKE THAT DISNEY! You take your new so-called “canon” and your “Moraband” and you fuck right off. I salute you, Bitcoin Boy![/starwars_eu_nerd_mode]
Ah, the porch scene... This one I do have a bunch of thoughs on that will probably make it into meta proper one day, so I'll leave it for now. It was the one that took the most thinking about for me to square (still not a lot, it should be noted), but now I'm actually very happy about it. (Full disclosure: none of their scenes feel quite right the first time I see them these days, because I'm just so very on edge about what's to come that I kind of miss the forest for all the trees you know? It's not a Shameless thing – it's always like this when I'm extremely invested in something and have waited for it for some time. Will it fit with how I see the characters? Will it be cringey? Will Mickey suddenly profess a love for hideous Hawaii shirts? Also, what are they saying because English is hard... But then I watch them a couple of times and they sink in and I start to get giddy over them. I guess watching actual canon unfold always requires a little bit of re-calibration if you've been busy fanoning while waiting for it to arrive, and while I love that sort of interpretative work, there’s also the fear that the show will veer off into a direction I cannot easily follow.)
Mickey's insistence that he spelled monogamy wrong does genuinely amuse me. Not to mention the whole “No more parking tickets for me!” - “You don't have a car, dumbass.” Also, Mickey being friendly with Carl kills me, in a good way. Family FTW!
Frank's storyline fails to stir even the vaguest hint of interest in me, as per usual. For all his talk of family in this episode, the lack of interaction with any of his kids is striking. If he's to have any value at all this season I'll need him to get involved in the rest of the Gallagher's storylines (which seems like it might be happening at least for a bit later on, so I'm vaguely hopeful?). I find but faint intrigue in Carl's and Debbie's stuff, but it doesn’t annoy me either so I'll call it a win. Kev and V are (almost) always a delight, but do anyone else feel like their kids are only props, even to them? I don't know... I just don't think there's a connection or sense of realness to their relationship, you know? Maybe it's just me... Anyway, here's to hoping V turning pageant mom changes all that! Oh, and I'll need Liam to have some more screentime and stuff to do.
The Tommy and Kermit thing was weird. Eh. Whatever.
Sandy is so gorgerous. I can't. The Milkoviches really be bringing it this episode.
This is only the second season I've watched episode by episode as it airs (other one was S6) and it's a curiuos experience. I think that by and large, and particularly in later seasons, Shameless works better when you binge it, but I love the delightful anticipation of waiting for a new episode and the feverent discussion that follows. Sometimes I also despair over the ferverent discussion that follows, but... you know. It is what it is. Admittedly, any attempts at meta this early in the season is a precarious venture at best, since we don't have the whole story, and it might be wiser to abstain but it's just so much fun, so I'm not very likely to stop.
All in all, I love the Gallavich stuff, am intrigued by Lip & Tami and Kev & V's lives, okay with whatever Debbie and Carl's got going on, hot for Sandy, bored by Frank, and missing Liam. It sets up a lot of promising things, but as an episode all unto itself it felt a bit empty – probably because there were no real plots and the storylines didn't intersect as much as I would have liked them to. Shameless is best when it's about family, which both the show and Frank seems to recognize, but there's little narrative follow-through on that realization in this episode; everyone is pretty much doing their own thing. Adored the Lip and Ian convo, and that house party scene was wonderful, but so short. Think we'll get more of all of them together going forward, though, and more actual plots too, so I'm very excited about it all. Can't wait for Sunday!
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ace-reviews · 3 years
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Whelp, HIGEHIRO Shit the Bed (But Not In The Way We All Thought It Would)
So, originally this was going to be a review/analysis of Futility, the really crappy novella that people only remember because it “predicted” the sinking of the Titanic in much the same way Blues Brothers “predicted” this guy crashing his SUV into the Woodfield Mall. It was going to be a lot of fun and I was going to make many funny jokes at the expense of some dead guy and his shitty proto-Incel protagonist, but then I watched this week’s episode of Higehiro and so instead of having fun taking the piss out of a 130 year old book, I’m going to be angrily yelling an anime no one is watching except me, Charlie, and some guy over at ANN.
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this is your probably unnecessary spoiler warning
So, for the everybody who hasn’t been keeping up since the premier, the last few episodes have revolved around Sayu’s brother showing up out of nowhere to bring her back home. After two weeks of moping around, Yoshida decided to go with her so he could talk to her mom and assure her he’s not a creepy scumbag sex pest so please don’t call the police, ma’am, and then last week’s episode ended with Sayu’s mother slapping her as soon as she walked through the door, which is pretty much #1 on the list of things not to do when your runaway child returns home.
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this is bad parenting
Now, for the first half of the episode, things were going well enough. They sat around to talk things out over drinks, and Sayu got a chance to give her mother a piece of her mind for not supporting her while she was grieving her friend. Then Sayu’s mother tells Sayu that she never should’ve given birth to her…
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…and Yoshida muses on things for a moment before saying he’d like to adopt Sayu…
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…only to immediately walk it back with this bullshit:
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Now, I am well aware that Japan is not great about taking care of children who can’t or shouldn’t live with their biological parents, but Sayu has a brother, and her brother is an adult with job that pays a lot more than Yoshida’s job. And unlike their mother, Issa loves Sayu and genuinely wants what’s best for her. If Yoshida insists that Sayu must be taken care of by her biological family, there are other options. She doesn’t need to be left in the care of a woman who doesn’t want her and just rejected her very existence.
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THIS IS NOT A POSITIVE OUTCOME, HIGEHIRO
Another issue arises with just how easy it is to read Sayu as queer. While her sexual history with men was an important factor early in the series, it’s clearly shown to be a result of desperation before moving in with Yoshida, and her early attempts to seduce Yoshida were a result of trauma and insecurity. The distinct lack of genuine interest on her part in something many members of the queer community will relate to, especially those who are asexual or aromantic.
In an age and society where 40% of homeless youth are queer, it comes across as dangerously tone-deaf to send the message be that the people who have rejected and abused you are the only ones who can be relied on to raise you properly.
Sayu’s mom has the resources to care for her, but doesn’t want her. Yoshida wants Sayu, but doesn’t have the resources to properly care for her (she needs her own room, and also therapy). There is a very obvious solution to this problem that doesn’t involve leaving the depressed and grieving child in the care of her emotionally unavailable and thoroughly unsupportive mother, and several other very good alternatives (like her living with her brother, for example) they could have considered. But instead, they went diving headlong into the worst possible outcome that’s all but guaranteed to resolve literally none of the underlying issues that led to Sayu running away in the first place.
There’s one more episode, but it seems unlikely to involve Yoshida going “Oh, wait, that was a bad thing I just did, actually. I better go back and do something significantly less dumb.” It really sucks, too, because up until this episode I really liked Higehiro. It has some issues with framing that often had me bracing myself for the worst during scenes that should’ve been cute moments of familial bonding, but was overall a sweet, found family story full of characters that feel like real people. But then it had to go and fuck it all up with a shitty take that minimizes Sayu’s past struggles with her mother and replacing these reasonable, realistic characters with props that can be convinced to change their entire personalities just by being asked nicely, all while potentially doing actual harm to any queer kids in the audience. It reminded me a bit of the resolution to Dr. Ramune‘s first episode, and I didn't care for it there, either.
This is still a better way for it to shit the bed than by having Yoshida and Sayu’s relationship turn romantic, but not much better. Even my anger toward it has worn off, to be replaced mainly by disappointment and the sense that caring about these characters and this story was a waste of time. And that’s just not good.
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seadramonster · 4 years
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Thistleclaw Analysis
So a long time ago I made a post about this, but I decided to go back through and rewrite it since I reread through Bluestar’s Prophecy a while ago and have been thinking a bit more about it.
Before we get into this; the old claim that Bluestar chased Thistleclaw out of StarClan was later confirmed to be a joke. It isn’t, and likely never was, canon. I also think that Thistleclaw was a really good character who had his potential as a good villain wasted in canon and in a novella that wrecked the timeline and told us nothing we didn’t already know about him.
TLDR: Thistleclaw didn’t know his mate as well as people think, broke many, many codes, wanted to murder all of the other Clans and even kits, and was borderline abusive to his apprentice and own son. Even if Spottedleaf’s Heart never happened, he was still an evil cat. He should have been given a far more detailed death than what we were given, which was just a single sentence after a time skip.
So, Spottedleaf’s Heart happened. A lot of people don’t consider it canon and that’s fine. I don’t like it either. Unfortunately, until they decide to retcon it or say it isn’t, which they should, it still is technically canon in the series, even if it’s not canon to the fandom. The only thing I consider good about this novella is that it confirmed my theory that Thistleclaw chose to go to the Dark Forest.
Thistleclaw was the type who was so loyal to his own Clan, that he was willing to kill the others to keep it safe. When he was young, he watched his mother mourn over the loss of another Clanmate, one who had been a queen just the day before. A cat who had been killed in the battle with WindClan. I wonder if maybe that’s one of the reasons he turned out the way he did. That he didn’t want to see another Clanmate die in battle like that, but he, or perhaps even the Dark Forest, twisted him into thinking the only way to do that was to destroy the other Clans. He’s a good character and a good sympathetic villain.
And yet, ever since Bluestar’s Prophecy there’s been a little mini debate or war in the fandom of whether or not he’s truly a villain.
I think the reason for this is because that’s what we’re told by Bluestar, who is arguably an unreliable narrarator, and what we’re shown of Thistleclaw doesn’t give enough evidence for the latter, or people think his love for Snowfur negates anything bad he’s done. We’re not given enough of him being bloodthirsty, and we’re shown a lot of him with Snowfur, which led a lot of people to believe her death is what caused him to go evil.
It wasn’t. He loved her, but he did not know her as well as people think. A majority of what we see is her chasing after him, and I’m pretty sure there’s maybe only one or two lines, if any, of him liking her back before they become mates.
“Thistleclaw curled his lip. ‘He takes after his mother,’ he spat. 'There’s no fire in his belly, no hunger for battle.’ -Thistleclaw, Crookedstar’s Promise page 328 (hard cover version)
Fun fact! This is wrong. Out of the two sisters, Snowfur was the one who liked to fight the most. She was always getting excited and was eager to fight whenever a battle was announced. You know, the exact opposite of what Thistleclaw is claiming here. Thistleclaw, as her mate, should know this. And it makes me think that part of the reason he agreed to be her mate was because he knew it would piss off Bluestar. I do think he loved Snowfur, but there’s a small chance that only happened after he agreed to be her mate.
He also goes on to call StarClan “smug, toothless fools” in Crookedstar’s Promise. He knows Snowfur is in StarClan. Maybe he didn’t mean her specifically, but since he didn’t exclude her verbally, she’s still grouped into there as far as anyone else knows.
Thistleclaw was also talking about Whitestorm, his son, in that paragraph. Maybe he was just upset that Whitestorm wasn’t taking after him, but here’s the thing. Thistleclaw was forcing his son to train claws unsheathed with Tigerclaw, who it was implied he was an almost abusive mentor towards. It’s mentioned that Whitestorm was given a scar from one of these sessions, meaning, yeah. Whitestorm got hurt and Thistleclaw kept doing it regardless.
It should be noted that training claws unsheathed is strictly banned. Things could go seriously wrong. An apprentice might mess up and seriously injure or even kill another by accident. Wounds could get infected and the medicine cat would have to waste herbs treating injuries that shouldn’t have happened. It’s dangerous and irresponsible. A cat who forces apprentices to train claws unsheathed so often, should not have an apprentice or be anywhere near the training of them.
He also, you know. Told Tigerclaw to murder an innocent kittypet kit, and Tiger would have succeeded had Bluestar not stepped in and stopped it. He also attempted to murder Oakheart, who I’m pretty sure was RiverClan’s deputy at that point.
Goosefeather and Bluestar literally had a vision about Thistleclaw covered in blood. I feel like in this situation, people turn a blind eye to or outright forget the fact that Goosefeather can see a cat’s entire life by touching them. We didn’t know this back when this book was released, but we do now. Thistleclaw was evil and Goosefeather knew it. He knew the Clans would be stuck in war with ThunderClan until ThunderClan or the rest were destroyed if Thistleclaw ever became leader. That’s why he pushed Bluestar so hard to become deputy, practically forcing her to give up her kits.
Another thing I should point out is that we don’t get to see much of Thistleclaw on his own, since the books he’s appeared in have all been in the POV of other cats. We know he killed cats in the Dark Forest during his training there, which likely started when he was an apprentice. Who’s to say that he didn’t kill other cats out of sight of his Clanmates? Considering his bloodthirsty attitude and drive to “mark the borders in the blood of his enemies” as he claimed ThunderClan should do, it’s more likely than not that he killed cats off screen and we just never saw or heard of it.
He died fighting against a RiverClan patrol. It’s likely he could have killed or caused the death of at least one of those cats, and I doubt it would have been the first time he pulled something like that. It’s possible he was the one who started the fight as well, just so he could have an excuse to kill them.
He should have gone out with a bang, damit. Show us the battle where he died, dammit! Show us more of him trying to become deputy! So far in this series, we’ve only had one instance of a cat killing their deputy to take their place and that was in the first arc. Thistleclaw could have killed Bluestar’s first deputy to try and take that spot. Maybe he set up the RiverClan fight in hopes the second might have been killed, but it went terribly wrong and he was the one killed instead. Maybe he could have taken a life from Bluestar herself in the battle, thinking that if she lost her lives in a battle against RiverClan, he would be chosen to be deputy and it could lead to war against the other Clan. Maybe Crookedstar could have saved her, acknowledging how they had nearly become friends as apprentices, or even one of her now grown-up kits! Anything we got would have been better than a couple of short sentences thrown it at the end.
Thistleclaw was always a villain, but was never given the proper time and villain arc he deserved, and his reputation in the fandom suffered for it.
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n-ugg · 3 years
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I didn't expect to get tagged but here we are. As you all will be able to tell in a bit, I am a massive Quackity fan
Thank you for tagging me @skeetlehands!
who is your favourite member on the smp?
Look, I love them all but these have a special place in my heart.
Quackity, Slimecicle (I am fully aware he just joined but I still love him), Schlatt, Tubbo, Eret, AweSamdude, and Ponk.
They're just great in and out of character and just have comforting vibes.
when did you first start watching the smp and what made you get into it?
I gotten in during the Pogtopia era since it took me a while to get access to the streams.
I mainly gotten in with the Sad-ist War animatics along with me trying to catch up on Quackity's VODS. Just someone that I was already familiar with being an easier shift into story and learning others through him
what is your favourite part about watching the smp?
Just watching everyone interact with other and just seeing the plot progress in real time. Its literally just dnd but with extra steps but I enjoy it so much
The improv that they all do is amazing and how everyone have different approaches to their characters makes my writer's side so happy with dissecting everything.
What piece of cursed lore is your favourite
That Wilbur canonically fucked a fish and Philza canonically fucked a Samasung fridge and just seeing the fanbase try to change into something that will at least make a bit more sense.
Im included in this, I basically joined the side that has Sally being a mermaid shapeshifting pirate. Mainly because of pirate Fundy
Who is your favorite duo on the smp
Slimecicle and Ranboo: They're the same person but in different fonts, you can convince me otherwise
Schlatt and Quackity: They managed to be super funny together with all of the jokes and balanced with making a very realistic abusive relationship work. It was always fun seeing them flirt with each other for a joke then get hit with whiplash when canon comes in to remind me that this isnt healthy
Tubbo and Tommy: They're two dumbasses who share the same braincell but then they constantly lose it and Tubbo mainly has custody of it
Wilbur and Schlatt: I just enjoy seeing Schlatt messing with Wilbur and occasionally flirts with him to get Wilbur more pissed off
Who are your comfort streamers
Quackity and Slimecicle are comfort streamers
Eret, Fundy, and AweSamdude are my comfort people (meaning I dont watch them as much but I find comfort in their presence. And the other two are also under this category)
Who is your favorite character
Quackity due to how complex his character is and yet how it looks so simple
Schlatt because is just a villian who knows how to play the game without getting caught
Tubbo, watching him trying to be hopeful with everything destroy around him and he just slowly become used to everything going wrong
AweSamdude because he is just trying his best to be a father figure others and I just got family issues
Who do you think the best actor(s) on the smp
Imma skip over the ones that we all already said and get into the ones that dont get enough praise
Quackity: Just how he managed to make his character seem so basic but in reality its really complex. And just seeing the shift from him being a chaotic force of nature to being a serious character that is trying his best to reach something that has been hanging over his head is just *chefs kiss* and he always delivers amazing lines on the spot.
BadBoyHalo: He is doing great right now, even though he is a bit rusty with starting he still manages to get into character and stay in character the entire time. When slowly easing in, you can tell its a bit forced but once he finds his footing, he knows how to deliver his lines.
AweSamdude: His entire bit where he was getting rescued from the egg fucking hurt. How he sounded weak from the entire thing and tired to where he just wanted to rest was so well. And I know he can act more energetic when he was accidentally dragged into playing a cop during Quackity's and Bad's date
Fundy: You guys need to give him more praise for his acting because he is fucking amazing at it. The little touches to how he voice when speaks is so good along with his body language in game. He knows what he's fucking doing and I love him for that. And when he snapped, it made complete sense if you payed attention to his character
I didnt add Ranboo because he's automatically at the top section due to him being a dnd player. Same goes to Slimecicle even though he hasnt acted yet. I dont make the rules. You play dnd, you know how to act
What are your favorite quotes
I dont have favorite quotes, just dialog heavy scenes.
Before Doomsday, Quackity going to take his horse far away from L'Manberg, it being the one thing he cares about. It was just so good
The entire Schlatt and Quackity argument in front of the white house
The meeting between Schlatt and Quackity with Schlatt yelling out to him in a taunting way to where Tommy and Quackity are trying to figure out what happened to the tnt. I constantly rewatch it to feel the adrinaline pumping to feel something
Wilbur's slow descend into insanity and talking to Tommy. Just showing his paranoia and fears consuming him, him projecting his fears into Tommy as an attempt of manipulation, and his hero complex shift into villian one
Schlatt's winning speech of him projecting it as something that was bound to happen no matter what. The amount of charisma and confidence that was in his voice as I was watching Tommy hiding underground in fear was just a perfect scene
Tommy's argument with Dream when everyone is protecting Tommy. Its the small details of Tommy taunting Dream to kill him, knowing he wont no matter what. Him telling everyone to protect Tubbo and everyone listening without hesitation.
The debate that Quackity and Dream had for like 11 or 14 minutes. All of that was completely unprompted unscripted, it was just so satisfying seeing someone stand up against Dream for the first time and actually beating him. Sure it was in a verble conflict but it still counts as a defeat
Be honest, who do you simp for? (Ayo if anyone says Tommy or Tubbo I will🗡)
Schlatt, Quackity, and Slimecicle
Its pretty obvious, I dont really try to hide it
Whats your favorite stream
Uhhhh I dont exactly have one so none I guess
Whats your least favorite streams
Im sorry, but all of the Jackbox stream. You need a specific group of people to play together in order to actually make it funny and keeping the energy throughout the entire thing.
After a bit later, everyone has a tendency of pandering to the audience and repeat jokes. They managed to beat jokes to the ground faster than Tiktok AND Twitter.
Dont get me started with DreamTeam being in there. They're funny in thier own rights but the shipping jokes get so unfunny so quick and they dont know how bounce off of others well. The only exception to this is when Quackity, Velvet, and Ant were playing with Sapnap and Dream. And thats because they decided to mess with the straight white guys into accidently saying offensive shit and seeing those two suffer with trying tiptoe around was so amusing
Whats something about the smp fandom thay makes you sad
This doesnt get me sad, just frustrated and its mostly towards dsmptok and dsmptwt but sometimes this fandom doesnt fucking know how to analyze characters. Like when everyone jumped on Tubbo on being the bad guy when he was a kid trying to use old tatics that knows that worked before and stand up for himself
How when one person decides to do something that they believe is right, everyone just throws the term villian arc around
When one person does one good thing the suddenly everyone accepts into them being good and not ever looking into it.
For fucks sakes, I saw people keep saying that Quackity was turning into Dream or Wilbur and I just sat there being confused on how they conntected those dots that were in different books.
Its so frustrating to read through. But here on dsmpblr, you guys actually understand character analysis, are able to critique them and able to love whoever you enjoy.
Another thing is how this fanbase really puts everyone on a pedestal or objectify them. Just completely forgetting that they're human and treat the streamer as a character. Like, yeah they're playing up a persona whenever they're making content but theres a difference and you shouldn't hold them up like that.
You cant use the argument of "They're young, they dont know any better", when I first entered my first fandom (I was like 11/12), I fully understood that theres a boundary between me and the creator. What they are on screen is a persona but they're still human and I should treat them as such. Its just something that bugs me and its unnerving to see whenever people start getting wierd about it
Final bit is just how the twitch chat acts. They all force the streamer to follow the 'main' plot of it being Tommy or Techno or whoever the fandom chooses to have a favorite, completely ignoring the fact that they are their own character. No one wants to meta game because where is the fun in that but the fucking chat gets so annoying when the streamer goes against fanfavorite of the week. It drains the fun of it being multiple pov's and different characters.
When Slimecicle was barely starting stream I saw so many people spam "Go with Ranboo" and not let him even get into lore first. I hated that I knew it was coming but it was still so fucking frustrating seeing them try to boss him around. Please just let people live outside of the 'main' plot, not everything revolves around your favorites. Now shut the fuck up and let them play
What about the smp fandom that makes you happy?
The people that create art, animatics, theories, playlist, or write oneshots
All of you creators are great and deserve so much more respect then what the fandom gives you because jesus fucking christ they're all so fucking rude. You guys are the ones that are carrying this fandom on your backs and I fucking respect yall for that
________________
Time for da spead: @nixavia @dambette404 and @mocha-is-lost yall dont need to join.....unless😳😳😳
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To The Bone (2017) - Analysis and Charting
Let’s go! I’m NOT excited because life is hard but what better way to distract myself than to do this kind of shit. No one cares, anyways.
Since this is the first one, let me tell you what we’re gonna do here. I’ll include the IMDB summary, a summary with spoilers, the placements in the chart, we’ll go over each item (also, spoilers abound) and finally my review and final thoughts. Yes, it’s gonna be long. Read at your own risk.
IMDB summary:  A young woman, dealing with anorexia, meets an unconventional doctor who challenges her to face her condition and embrace life.
Summary with spoilers: Lily Collins plays Ellen/Eli and from the start of the movie she is on the brink of her disease. She was just kicked out of a recovery center and she gets an appointment with a ~cool unconventional doctor~ played by Keanu Reeves. She goes into ANOTHER inpatient treatment home to be treated by him. Shit happens, she seems to be getting better somehow, but then she spirals down, runs away, and after a... near death experience (I wish this was an euphemism) she decides to try recovery again and goes back to the treatment home. That’s where the movie ends.
Chart placements!
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Now for each item:
White: Ellen or Eli is played by Lily Collins, who once played Sandra Bullock’s daughter in that movie were she was a Karen. It doesn’t get whiter than that.
Female: She changes her name to Eli mid film (which is how I’ll be calling her here bc we respect chosen names in this household) but she still seems to identify as female and be referred to as such, so here we have it. We do have a guy in the treatment home, but we’ll come back to him later.
Teenager/Young adult: I’m pretty sure she is 19 but every review I see says she’s 20. Either way, she dropped out of college even though she just started it. The actress, however, was 28 at the time the movie was released.
Wealthy/seemingly well-off: Her family has the money to send her to inpatient a bunch of times, and they make a point to mention how they have connections so she didn’t have to wait in line to see this new doctor. Case closed.
Skinny actress from the start: As we know, Lily Collins is already thin and she did struggle with anorexia in the past. Why, however, did she lose weight for this movie? They said it was her decision “to make the character more authentic”. As if not being skin and bones wouldn’t be enough. As if eating disorders don’t come in every size. They shouldn’t let her. The need to shock people is a very dangerous sign to me.
No distinctive personality or hobbies/interests: I’m glad Eli has a thing she loves. It’s not super present, but it’s there, and it’s plot relevant. She loves art and in the story, she had a tumblr (look, it’s us!) where she shared drawings related to her ED and a girl liked her drawings so much that, when she killed herself, she mentioned Eli by name in a note. But that isn’t really explored too much and I kind of got disappointed by that.
Good student: We don’t really know about that... and I don’t think it matter, it’s ok.
Seemingly irrelevant love interest: Why? Just why do we need Luke? Luke is the only guy in the home, and we can SEE that he’s only there to be Eli’s love interest. He wasn’t needed. None of the important plot points have anything to do with him. Make her date a girl. Make her date NO ONE. This is about eating disorders. She could have closer friends in the house. Why was this necessary. Her whole speech about how love is a lie could come from a friendship but no. They had to shove pretty white boy there.
Daddy issues (sometimes coupled with mommy issues): I find this extremely funny but her dad isn’t in the movie. At all. He’s alive and well, but he makes a point to never come home when Eli is even awake. I don’t think they cast an actor for that. As for mothers, she has three, and it’s a trip. Her stepmom on her dad’s side is very out of touch but she wants what’s best for Eli, but she really hates Eli’s biological mom. Bio mom, in turn, is described as a “bipolar lesbian” and the stereotypes are just... ugh. Bio mom has a wife and she is a bit weird too. They sent Eli to live with her absent dad bc “they couldn’t deal with it anymore”. This brings us to a great scene where we can see Eli shrinking in her seat and when the psychiatrist asks her what she is feeling she says “I’m sorry I’m not a person anymore. I’m a problem.” And that’s great to see. But at the same time, I hate that her whole issue in this movie seems to come from her family and anorexia is just a thing that happened, with some vague references to control. 
*Triggering event*: We never see it and it’s okay - but I kind of wanted some more explorations of motives because we have ZERO.
Anorexia as diagnosis: As I always say, what is even the point of making a cool looking movie about EDs if your protagonist is not only anorexic, but also terminally anorexic? Ugh. That’s the only portrayal of anorexia that happens in media and I’m fucking tired.
Checklist of habits (manual for those looking for one): I mean, I mark this down but as I always say: everything is a manual if you’re looking for one. But if you’re doing more than not eating or purging or exercising I’ll judge it as a new tip. A lot of us already thought of/did most of them probably. But the marking remains.
Inpatient treatment (or extended hospital stay): As I said, she is kicked out of one treatment center and goes straight into another. What fucks me up is that the movie HAS other characters with other diagnosis, but we never see anything about them. We don’t see their journey. We only know Luke is a dancer bc he is the love interest. We only know Megan is pregnant and then she’s not bc this sends Eli in a spiral. We only know Kendra is not straight bc she makes a joke about it (and Doctor Beckham follows with a horrible joke about conversion therapy). Did you notice Ciara Bravo was in this movie? I didn’t on first viewing. She has like two lines. The whole movie is centered around Eli and every scene in the house feels like all the other patients only care about her too.
Emotional tipping point: Megan loses her baby and for some reason this affects Eli. Luke kisses Eli and for some reason she’s pissed. At that point, I was annoyed. She has a bad session with Doctor Beckham who basically tells her to grow a pair and stop complaining (which is insensitive as a doctor, but as a person I wanted to do the same) and she decides to quit and leave. She has to go to her mother’s home and I’m supposed to care. Stepmom is mad but doctor says she needs to hit rock bottom. She weights like 70 pounds dude. Rock bottom was about ten pounds ago, next stop is a coffin, mate.
Mom hugs: And here we have the emotional turn around of the movie and it’s just... make it make sense. She goes to her bio mom’s ranch. Her stepmom # 2 tells they’ll have therapy with horses (?). Eli goes sleep in a tent and bio mom cries and says she accepts if Eli wants to die. Very supportive I guess. They have this weird bonding moment where the mom feeds her a bottle like a baby and look, if you liked that, good for you, but I don’t get what I was supposed to feel about it (but that’s mom hug #1). She goes on a hike next morning and... dies? Either way she has an out of body experience where she talks to Luke and sees how she looks - which is weird to me. Didn’t we go over this in the beggining of the movie? Didn’t we establish that she does know what she looks like and doesn’t care? But still she seems shocked and they have a cryptical conversation and she wakes up. And just like that, she’s ok now. She meets up with the other stepmom (mom hug # 2) and goes back to the home.
Happy ending: In the last scene Eli is back to the home and we understand she’s going to try to recover for real this time. I’m okay with that specifically, I think it would be bad if they pretended she just got better with no relapses and everything is fine, but it’s a hopeful ending. Despite the fact that we have no idea if she won’t have a fit and leave in two days and that we never know anything about anyone else and Megan, who lost the baby, never comes back. It’s fine. At that point, I didn’t expect much.
Analysis: I was hesitant to be critical bc this movie was based on the real life experiences of the director and Lily Collins. But fuck it, this is my circus and I’ll clown as much as I want. While I do understand that, I have a lot of thoughts.
Mainly, I need to say that while I understand this is her story, this is a story that was told so many times. I’m tired.
The general public that wants to defend the movie says “well you can’t tell ALL stories”, and while I agree, these people probably only saw this movie about the subject. If you HAVE (or had) and eating disorder, you probably saw tons. And they ALL tell the same story. Which is why I started that chart in the first place.
This movie does have good moments. I do like the acting, I saw people complaining about Keanu Reeves performance - but I do know these were people who disliked the movie entirely. I think his performance was great, Lily Collins performance was great, and their chemistry was great. The best scenes in the movie happened between the two of them. The one thing that I LOVED was their first interaction when he calls her on her bullshit. “You’re not thin, you scare people, and I think you like that.” YES. I never heard anyone talk about that. And I guess I’ll never will, bc the movie itself never talk about this again either. Also when she justifies the tumblr where her art triggered a girl so much, she says that she was just drawing what she knows, he calmly tells her that she can draw, but she doesn’t have to share it online tho. I liked their interactions because often ED patients are treated with silk gloves (is that the expression?) and sometimes there is a need for some though love. I also love Liana Liberato who plays her sister and that’s about it.
The problem with the doctor ends up being: what’s his method? How are you going to cure her? The method makes no sense. I don’t see the reasoning. I don’t think anyone does. And somehow it works and she goes back there. 
I think my major problem with the movie is that it has the same issues every ED portrayal before it. It’s the same story again. I think it shines the most in the whole “it’s not about food, it’s about control!”. It IS about food though. For a lot of people, it is. Maybe not for this director or for Lily Collins, but for so many people it is about food. It’s about control as well, and it is possible that there is other factors related to it, but you can’t chalk it all up to a control issue and pretend it’s just whatever. If the food didn’t matter, it wouldn’t be an eating disorder.
Because of that, we have this heavy focus on her family issues and nothing to do with food. We have people trying to rationalize - maybe it’s bc your mom is a lesbian, maybe it’s bc i didn’t bond with you as a baby - and all that does is to make her lesbian bipolar mother seem like a crazy asshole and her dad seem like an absent asshole as if this is the only factor here. Give me SOMETHING. Any connection to food. Any sense. Nope. She just won’t eat bc her family is fucked up. Hoe, that’s all of us.
And I think the movie unintentionally DOES glamourize anorexia. Subtly, yes, but it does. Eli has SUCH an easy time refusing food. She doesn’t seem to think about food as much as she thinks about herself and her family and Luke and being annoying. She knows a bunch of calories and she overexercises. Idk.  Not to mention that moment when Kendra asks her about purging and she says “it’s not her thing”. I mean. It is no one’s thing. No one likes it. It’s a compulsion. And if you have anorexia that severe and you are not with a feeding tube, you do eat every now and then, and you do have purging mechanisms. If she had said she prefers overexercising as a purging mechanism than to throw up, I would believe her. But the movie acts as if she just never eats ever and somehow she’s still standing. Give her a feeding tube then. It would be more believable.
I know it sounds kind of ranty, but my point here is: this extremely anorexic girl, that looks like a sack of bones, and gets that by never eating and doing crunches all the time, it is the wet dream of a fatphobic society with a 71 billion weight loss industry. This is the dreamy and frugal idea of anorexia that people have when they are deep into the illness - not when they recovered as the people involved say they did. I get that this is a very personal project. But it’s flawed. It doesn’t do anyone any favors. It just tells the same story, for the millionth time, but since this time it was in a big platform, more people saw it, and it was better done, with a better budget and with a good enough resolution so I can see every bone in Lily Collins body.
Anyway, that’s it for today. If you read all of that, thanks. Since this is Netflix, I’m assuming everyone saw, but the other movies are out there and if you need liks, hit me up. Be back soon.
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bladekindeyewear · 4 years
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HS^2 bloggin’ mainline 2020-08-23
More homestuuuuuck
I’m a little tired today so I don’t expect much intelligent analysis out of myself, but if anything classpecty happens I doubt I’ll be able to help myself regardless.
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oh, always
(EDITS: added note on horn colors, link to ask on potential Blood powers reference)
> CHAPTER 12. Really Convoluted Metaphorical Horseshit
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cuuute
In the bowels of a different ship, at a moment in time that is not pinpointable in either direction from the previous interaction, another Dave raps quietly to himself.
another dave raps quietly to himself.  i am glad that phrase exists it brings me joy
(LATER EDIT: A friend on Discord pointed out that throughout this entire update, Karkat's horns are #FF0000 red. They were normal candy-corn colors in previous glimpses at the ship crew, though they used a dark single-color shortcut typical of old Homestuck at one point... but THIS time it stays STARK red even when we zoom in close later. Is this just artistic liberty? Did Karkat color his horns for fashion? Does this happen to red-bloods like the Sufferer after a certain age? Just how much time has actually passed, here? We might have to wait for the commentary for this one.)
KARKAT: I WAS SAYING I THOUGHT WE MIGHT GO, I DUNNO, ANYWHERE ELSE ON THE ENTIRE SHIP WHILE THE CLOTHES WERE WASHING. KARKAT: SEEING AS THIS DECREPIT MACHINE WE WERE SO BLESSEDLY PROVIDED WITH MAKES A WHIRRING SOUND SO PANCHAFINGLY ARHYTHMIC THAT IT THREATENS TO ERADICATE THE ENTIRE CONCEPT OF TEMPO FROM THE UNIVERSE.
Karkat really has chilled out hasnt he?  like this is surprisingly level for him, and that fact is hilarious.
KARKAT: AND YET SOMEHOW BASICALLY ALL THAT HAS HAPPENED SINCE WE STARTED THE LOAD IS THAT YOU’VE BEEN USING IT AS A FUCKED UP BEAT TO WHISPER TO YOURSELF ABOUT FLOWERS TO.
oh gosh that’s why he’s rapping
> ==>
DAVE: kanaya was telling me this kids story the other day about this dude who didnt cherish a flower enough until it peaced out to do flower stuff idk its not pertinent to the story DAVE: except the flower was a person DAVE: because it was a metaphor
Oh right, coming back to the Little Prince stuff I was too lazy to metaphor-deep-dive into, and literally asking the same questions we were asking about who the Little Prince’s story applies to mapped here if anyone at all, like Dirk and such, or what biases were in the retelling of it and the way Kanaya phrased it.  So now we’re practically mocking it by deep diving it here, hence the last page’s “DAVE: i was just thinking through some really convoluted metaphorical horseshit”, which means we’re both about to further explore AND shit all over the existence of this story metaphor until it doesn’t mean anything and most of the meaning we drew from it earlier is made a joke~
well, not “we”, cause I was too lazy, so... y’all
DAVE: anyway what goes down in the story is that once the flower lady is out of the picture DAVE: the main character goes around making all these connections between her and everything else in the universe until every damn thing feels like a symbol for how much he fucked up and how much he will never see her again KARKAT: THIS SEEMS PRETTY FUCKING INTENSE FOR A KID'S STORY DAVE: yea thats pretty much what i said
Oh holy shit.  That’s yet another way to put it.  Are we doing a whole moral takedown of the Light aspect today?  cause it sounds like we’re taking a dump on the Light aspect and RoboRose getting too obsessed and immersed in it, which would be excellent
DAVE: but i guess its not so much what the story was technically textually about but more like the version of it kanaya internalized and then told me when we were talkin about how she misses rose
exactly
DAVE: so like now im taking the story she told me she was projecting her feelings onto and projecting my feelings on top of that
yes absolutely, you just rephrased it a different way with that exact same bias
DAVE: this is just one big game of emotional projection telephone so feel free to go paraphrase it to roxy later and make it about whatever fuckin thing youre currently missing
perfect. i need an emoji for that Italian thing for when you pinch your thumb and forefinger together and kiss it
ah this’ll do:
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its like the expression “choice” but in nonverbal form
[...] whatever fuckin thing youre currently missing KARKAT: YOUR ABILITY TO GET TO THE POINT DAVE: gotem DAVE: anyway you’re not gonna have to miss that skill of mine for long DAVE: get ready for this shit because i am about to slap you with the point so hard youll fall ass first into the washer DAVE: just scrambling around in there getting all sudsy DAVE: but your brain is gonna be so blasted from the mindfreak of a point im about to make that there wont be anything left to clean
Anytime dave is told to get to the point he is contractually obligated to spend at least 20 seconds talking about how he’ll get to the point in a way that is not getting to the point
DAVE: so its genuinely cool that kanaya can go around creating meaning that may or may not be actually present in every little thing DAVE: connecting every feeling she has to the idea of her wife existing out there DAVE: so i told her she should keep that shit up DAVE: but im having the opposite issue where im struggling to find anything to be that kind of tether because every single thing i could possibly consider about what it is were doing just reminds me of yet another thing to be afraid about
Great examples of Light being good and bad!  Attaching strands of connective meaning to everything.  --though, in Dave’s case AND Kanaya’s case you could argue it’s both bad in terms of effects.  That it’s great for Kanaya to care, but that she should be able to divest herself and live on her own terms without idealizing Rose literally everywhere she looks, personal growth which would be useful in helping bring Rose back to her in the first place.  The struggle they’re looking forward to is largely philosophical, not just physical, and until Rosebot acknowledges that she was wrong it’s not over.
DAVE: everything fuckin sucks huge cosmic donkey sack and im terrified KARKAT: OK, SO I FEEL LIKE YOU SKIPPED A COUPLE NECESSARY STEPS IN YOUR POINT CLARIFICATION PROCESS.
Pretty sure Dave was on the same page as most Epilogue and start-of-HS2 readers.  This situation is pretty bleak to dump our heroes into, no matter how much we believe will be resolved in the long run.
DAVE: ok but were you going with sweet or savory please give me that much at least KARKAT: YEAH IT WAS GOING TO BE SUNDAE-BASED. DAVE: nice KARKAT: YEAH. KARKAT: DO YOU WANNA WATCH MORE GBBO AFTER THIS? DAVE: absolutely
--ah, Great British Bake-Off, can’t say I’ve indulged
do they still have that?? did they save it from old Earth?  or did they go where unflooded Britain used to be and say hey, new show reboot
KARKAT: GREAT. ANYWAY, LIKE I WAS SAYING, FOR THE LOVE OF SWEET HUMAN CHRIST, PLEASE BACK UP TO WHATEVER THE FUCK YOU’RE ACTUALLY SCARED OF. KARKAT: ALSO COME HERE, IDIOT.
That last line is like, exactly as fucking sweet and awesome as we imagined their relationship to be.  :)
> ==>
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OH MY GOD THAT’S ADORABLE
DAVE: ok yeah this is a better position to unleash all my inner fears n anxieties from
indisputably.
DAVE: those times its like my mouth was saying words about the situation wherein our friends are AWOL and maybe dead but my brain wasnt fully letting me experience the emotion that goes along with them DAVE: man its like i cant even start genuinely thinking about how afraid i actually am for rose and john without my brain flippin its wad and whiting out DAVE: like haha fuck i hope theyre ok DAVE: now i better make a fuckin joke before i succumb to the gaping mouth of despair waiting for me to fall in it as soon as i look down and acknowledge that its there ogling how juicy my ass looks as it trembles with terror
I really hope that the writers of HS2 know full well that this feeling? the one Dave is describing here? is what many of us who got way overinvested in the well-being of Homestuck’s surviving characters felt reading the Epilogues and Homestuck^2.  So I really hope they’re working through it in a way that will result in a preponderance of GOOD THINGS happening and hope-filled situations.  Cause that “can’t even think about X” feeling is too familiar, and if they understand it as well as it LOOKS like they’re getting to, I’d really like them to give us a helping hand healing.
I think that’s what they’re going for?  Seems hopeful for me to think so, but they HAVE been doing better as HS2 has been going forward, from an emotional standpoint anyway; definitely better than the Epilogues.  And I’ve worked through some of that stuff with the help of that, because it’s MUCH easier nowadays to think about Homestuck without my gut clenching.
DAVE: i guess im just fucked up about how to worry about dirk and be angry at him at the same time DAVE: because if i get as unholy pissed at him as i sometimes wanna be i also gotta admit to myself that maybe i coulda done something different there
Mhmm, Karkat’s potentially a pretty good person to speak with here since he’s done so much work trying not to feel responsible for everything that’s ever gone wrong.
DAVE: also like DAVE: and this by the way adds a whole other layer of guilt on there that i dont really know how to fuckin reckon with but DAVE: even with all the shit hes pulled and the fact that we are more or less heading toward having to take him down DAVE: whatever that is gonna mean and whether or not he planned it like that DAVE: i just DAVE: me and him had come so far with each other and it was really cool for a while to have him and i DAVE: ugh DAVE: i dont WANT to hate him
Yeah, Dirk and Jane’s heel-turns were really shitty for anyone who was a fan of them in the fanbase, as well.
KARKAT: WELL THEN QUIT FUCKING PICKING AT THE SEAM ON MY SHORTS AND SPIT IT OUT. THEY'RE BARELY HANGING ON TO THE DEFINITION OF "SHORTS" AS IT IS.
That is an adorably real boyfriend-laying-in-boyfriend’s-lap thing to do
DAVE: the part i mentioned before about how we really have no goddamn clue how long this trip is even gonna take DAVE: i cant help but feel like its barely getting revved up DAVE: and for me and roxy and jade and callie and kan thats normal shit at best and boring at worst but we all have our immortality to thank for that DAVE: we can just dick around in space for near-eternity waiting to catch up to our friends who may or may not be our enemies now and itll be fine DAVE: i mean no itll be categorically miserable DAVE: but well survive it KARKAT: HOLD THE FUCK ON. DAVE: but you KARKAT: DAVE. DAVE: no lemme say this
Oh god damnit.  Karkat’s limited lifespan.  As if we hadn’t ALREADY covered a nauseatingly extensive gamut of disheartening topics of conversation.  We really have to confront every shred of misery in their past, present and future one after the other after the other in the Epilogues and HS2, don’t we?  >:(
I guess it had to be discussed, though.
DAVE: we dont talk about it much and i got shit to say about it DAVE: its not like i never thought about how youre mortal before but i just thought wed be able to figure it out before it mattered DAVE: come up with some kind of plan DAVE: i was just distracted being happy with you i fucking guess and so i didnt think up a way to fix it DAVE: and now thanks to dirk we have to work it out right the fuck now DAVE: because i cant spend this trip just sitting around watching you get old and die
Jesus.  I mean, WE know(?) that it’s not gonna be THAT many years, but THEY don’t know that.
Unless it really IS going to be that many years and HS2 is going to shamelessly take a fucking sledgehammer to our feelings for no goddamn good reason.  Which it won’t!  Right???  >:T
> ==>
Dishwasher ding
> Dave: Grapple with the clean, soggy consequences of the passage of time.
Hey, don’t make it a metaphor here. --though, fuck.  I suppose we are dealing with everyones dirty laundry.  God damnit.  SURE, deal with it all story but then GET IT OUT OF THE WAY AND PUT SOME SERIOUS FUN AND LAUGHS IN HERE so we don’t feel like we’re wading through an entire garbage dump!!!  *click*
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Karkat’s eyebrows-only mouthless frown is really cute.
> ==>
okay Karkat explain the nope you’re lodging
> ==>
*put*
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*foot*
> ==>
DAVE: ok go on
I mean I at least appreciate the time investment in adorable boyfriends.  That’s definitely something of SOME good value they’re giving us in exchange for this misery
> ==>
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That Karkat image makes me wanna do that red-shaky-gif-thing with it
KARKAT: IT'S NOT LIKE I'M NEW TO THE PARTICULAR MOOBEAST WRANGLING EVENT OF SOMEONE I PREVIOUSLY LOVED BRUTALLY TURNING ON ME AND LEAVING ME TO TRY AND CRAM MY FEELINGS ABOUT THE SITUATION BACK TOGETHER ALL ON MY OWN.
True
KARKAT: HE DID THAT ON HIS OWN. AND WE MADE THE CHOICE TO GO AFTER HIM ON OUR OWN.
Yes, and you’ll possibly convince him more of that over time, though not in this short conversation
KARKAT: I WAS FOLLOWING YOUR LITTLE TRAIL OF COOKIE CRUMB FEARS UNTIL IT LEAD TO THE BIG SNACK FINALE OF WORRY ABOUT MY FRAGILE MORTAL MEATSACK. KARKAT: IF I HAVE SOMEHOW NOT BEEN CLEAR ABOUT THIS WITH YOU YET, LET ME GO AHEAD AND RECTIFY THE SITUATION RIGHT THE FUCK NOW. KARKAT: HANGING OUT WITH YOU ON THIS LONG TRIP TO WHO THE SHITTING FUCK KNOWS WHERE IS QUITE LITERALLY THE HAPPIEST I HAVE EVER BEEN IN MY ENTIRE MEAGER EXISTENCE. KARKAT: I'M SO ABSOLUTELY BLISSED THE FUCK OUT OF MY MIND TO BE ABLE TO LOOK AT YOUR STUPID IMMORTALLY SMOOTH HUMAN FACE SKIN EVERY DAY AND NOT HAVE A COMPLEX ABOUT IT.
D’AWWW
And with that darkly angry expression too, that’s PERFECT
I mean it’s true.  What exactly would they be doing DIFFERENTLY on Earth C other than enjoying each other like this?  It’s pretty fucking great.
...hm.  Isn’t this journey-not-the-destination stuff pretty Breathy?  Karkat’s proving more balanced by the moment.
KARKAT: AND I'LL BE STRAIGHT WITH YOU. IT'S NOT LIKE I HAVEN'T BEEN EXPERIENCING SOME COMPLICATED GUILT, MYSELF. KARKAT: THE FACT THAT I'M HAVING THE TIME OF MY LIFE JUST FUCKING CHILLAXING AND BEING IN LOVE IN SPACE IS A CLEARLY INCONGRUOUS WITH THE REASON I'M ACTUALLY HERE CHILLAXING TO BEGIN WITH, AND I'M NOT LETTING MYSELF FORGET THAT, EITHER.
Pff.  He feels guilty for ENJOYING IT so much.  <3
KARKAT: BUT I RESENT THE IMPLICATION THAT MY HAPPINESS IS REGISTERING FOR YOU AS YOU HAVING TO JUST "SIT AROUND AND WATCH ME GET OLD," BECAUSE I KNOW YOU KNOW IT'S MORE THAN THAT.
I’m glad Karkat knows that DAVE knows somewhere in him that it’s more than that, because yeah, if Karkat thought he DIDN’T know that at some level that’d be a reason to take MUCH MORE SERIOUS offense.
KARKAT: LIKE, JESUS, DAVE. YOU KNOW I'M AFRAID FOR YOU, TOO, RIGHT? KARKAT: OR DID YOU FORGET THE WHOLE HEROIC DEATH THING? KARKAT: I WORRY ABOUT LOSING YOU FAIRLY FUCKING REGULARLY.
Hah!!!  Point taken.  Karkat must view Dave as practically more fragile than HIM.
KARKAT: ONE: WE'VE BEEN THROUGH SO MUCH HELLACIOUS PANWARPING TRAUMA THAT I REFUSE TO NOT ENJOY THIS SHIT WHEN I FINALLY FUCKING GET IT, NO MATTER HOW LONG IT MAY OR MAY NOT LAST. KARKAT: TWO: IT'S NOT LIKE WE'RE DOING NOTHING. WE’RE MOVING. WE’RE WORKING. WE’RE HEADED SPECIFICALLY TO A PLACE WHERE WE WILL UNDOUBTLEDLY ENDURE YET MORE FUCKING HELLACIOUS PANWARPING TRAUMA. KARKAT: AND THREE: WE'RE DOING THAT BECAUSE WE HAVE FRIENDS WHO WE CARE ABOUT THAT NEED US. THAT IS OUR FOCUS, HERE. NOT OUR FEAR. IT'S ABOUT THE PEOPLE WE HAVE TO SAVE. KARKAT: SO DON'T FUCKING WORRY ABOUT ME, DAVE. I'M FINE.
Okay, this is great and wholesome.  I am now retroactively GLAD that this topic got brought up.  :)
> ==>
Dave is still afraid. There is a part of him that will always be, he thinks. He has accepted this about himself. There is another feeling coursing through him too, though. It’s something he's felt before, though never quite so intensely. He looks up at Karkat and understands, viscerally, the simple power his words have. They pump through Dave’s own body, alive and warm and true.
He wonders if Karkat realizes it, or if he’s just, as always, saying what he feels as he feels it. Dave doesn’t attempt to dissect it further. There will be time for that later.
Every really loving moment like this is sort of undercut by the fact that it’s also, in some senses, part of alt!Calliope’s narration and, by extension, her fanfiction.
EDIT 2: There's also either a hint to potential Blood powers or even an explicit Blood power use here that I didn't recognize. I'm leaning towards it's-laying-the-groundwork-for-future-use-of-Blood-powers-but-isnt-magical-in-this-case.
> ==>
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Smooooch!
That was nice.  Still gonna wait on doing any commentary til next time or a Bonus update or two, cause I’m beat.  See y’all next time!
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writingstruggles · 4 years
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Ben Solo/Kylo Ren: a character analysis
OK, first things first: THIS ISN’T A STAN OR ANTI POST. This is a character study, and if you can’t handle this character getting impartial concrit, just don’t read. If, however, you don’t agree with some of the points I’m going to make and want to have a healthy discussion about it, then I’m all ears. I don’t think my opinion is the only valid one, so feel free to try and change my mind.
And second things second: I tried so hard to love the sequel trilogy, but when it became clear after TROS that the studio had no plan other than making money, it became very difficult. I’m aware that the main problem for all the characters is the lack of general planing in this whole mess of trilogy, so keep this always in mind while reading this post: the first problem of this character was that the studio didn’t even know what to do with him.
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1. Does Ben Solo becoming Kylo Ren make sense?
I checked the comics to get his background better. He had a happy childhood traveling a lot with Han and Leia, but when she discovered about the First Order, she sent him to train with Luke while Han and Chewie ran undercover missions for her. This is important: up to this point, he had a good relationship with his family, even if he was already being pulled by the dark side of the Force. It was during his adolescence that he started to be really seduced by Snoke, hearing the voice he thought belonged to Darth Vader. After the Luke incident, he did explode the cabin and thought he had killed his uncle, but he was not the one who killed all the other students and destroyed the temple: that was Snoke’s thing. He did kill some of his fellow Jedi apprentices later on, though. So, his turning points were Luke’s treason and Snoke’s coordinated abduction. And I would like to point out: the Sith training involves torture and brainwashing, so the first wrong impression I would like to correct about this character is that he was not simply a dick and revolted teen who ran away to join a cult.
BUT, there are some huge problems here. The first one is that when you watch the movies, you don’t learn anything about that aside from Luke’s part. In the way he’s presented in TFA, he’s Leia and Han’s son who betrayed his family, destroyed his uncles’ dream and joined the dark side for no reason. OF COURSE half of the audience wouldn’t like him. That wouldn’t be a problem if they just wanted him to be a villain like Darth Vader was, but it’s very clear that there was a plan (at least for one director) to make him a supposedly redeemable character. And how can we sympathize with his character like that? Even after we get to know what Luke almost did, the next question is simple: ok, so why he didn’t go back to Han and Leia?
And here is the second huge problem: we learned that after Ben leaves Yavin IV, Luke vanished, and Han and Leia broke up and went back to smuggling/leading a rebellion. And I can’t stress this enough, this doesn’t make any sense. The sequel trilogy killed Luke, Han, and Leia’s characters. These three characters that we have known for years would never, ever, had abandoned Ben Solo. Leia F*cking Organa and Han shot-first Solo would have brought their son back or die trying. Luke Skywalker is not a coward, he wouldn’t go into hiding and abandoned his only sister to clean up his mess during another war, let alone close himself to the Force, knowing full well he wouldn’t be able to feel if she was in danger. Just remember Han risking his life to save Luke in Hoth; or Leia leaving the rebellion to rescue Han from Jabba; or Luke straight-up disobeying ghost Obi-Wan and ghost Yoda to save Han and Leia, even if that costed the war. They were older and different, for sure, but we are talking about the quintessential things, the things that make these beloved characters themselves.  
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(THIS ^^. This right here is the spirit of Star Wars)
So no, in the way it was done in the movies, Ben Solo becoming Kylo Ren doesn’t make sense to the audience, and that’s a huge problem. A friend of mine suggested once that instead of being a rip-off of ANH, TFA should have been a movie about the beginning of the First Order (because after we defeat the Empire on episode VI, episode VII starting with ANOTHER all-powerful evil government already dominating the galaxy and exploding planets just throws away all the previous movies’ efforts) and about how Ben Solo becomes Kylo Ren. Just imagine if Rey, Finn and Poe had interacted with Ben Solo before he becomes evil: the stakes would have been so much higher, and it could have been well done. It would have made this character more human and likable.
2. Kylo Ren’s motivations: what does he want?
If the OT was about hope, I think we can agree that the ST’s themes are legacy and belonging. Having their protagonists, Rey and Ben/Kylo representing two apposite sides of those things was one of the best ideas for the new saga.  Rey looks for belonging in the past she doesn’t know, while Kylo wants to abandon Ben Solo’s past and find his place in his future as Kylo Ren.
In that sense, his character arc was somehow solid. In TFA, it’s clear he’s still struggling with the dark side and feels the temptation of the light: he loses control easily, and he’s not doing anything unless Snoke orders him to. Ok, but why? Why is he clinging to Darth Vader’s ideals and staying in the sith path? Basically because he thinks it’s too late, and he has no other options. Which brings us back to the problem with Han and Leia: his parents didn’t go after him, they chose to go back to their old lives – of course he would think there’s no going back for him now. “But he is an adult man and could make his own decisions.” It’s a fair point, but again: sith training corrupts you and even if he had escaped, the only thing that would happen would be Snoke finding him again. It’s kinda like leaving an addiction: you supposedly can do it by yourself, but it is so much easier if you have help. Not a simple promise or offer, but actual, constant, and present help. I can not stress this enough, but I insist that one of the main problems with the sequel trilogy was not explaining in a satisfactory way HOW and WHY he turned to the dark side and stayed there.
3. Han Solo
Okay, I will admit: maybe my opinion on this specific topic is biased, because Han Solo is my favorite SW character. You may call me out as a fangirl if you don’t agree, but my point is: making Kylo Ren kill Han Solo was a bad idea. They basically killed the character for half of the audience, with zero chance of redemption.
It’s because it’s fratricide. Unless your father is Satan, the Emperor, or someone as equally villainous, fratricide is just that bad. It’s not easy to redeem a character who commits murder, but one that kills his own father? Who happens to be one of the good guys? And one of the most iconic and beloved characters in the franchise? There were other options to give Kylo Ren a tipping point, a conflicted moment that didn’t involve killing Han Solo. But they did, and he killed him. And now he’s no longer a villain we can sympathize with: now we think he’s a monster.
4. His interactions with Rey in TLJ
(I’m not wearing shipper goggles for this. I don’t even own shipper goggles when we are talking about Star Wars.)
Kylo Ren is conflicted after killing Han Solo, (and I will make a small pause here to reinforce how good Adam Driver’s acting was. He’s the only responsible for all the likable parts of Kylo Ren, especially in this movie). Kylo is once again unstable and Snoke is displeased with him, and for a moment we think he finally turned completely to the dark side, until he pauses before shooting Leia’s ship.
The force bond was the most interesting part of the movie. I don’t agree that he used it to manipulate Rey: if anything, he was completely harsh and blunt and kind of a dick to her, but he didn’t lie. He told her things how he saw it, with so much conviction that she started to see his side of the story. And since she was probably the first person in years that actually listened to him, his decision of murdering Snoke and inviting her to join the dark side makes very much sense.
We are talking about motivations and his are simple: let the past die, forge a new path. When he kills Snoke and no longer has a master, he only has one option: to become the master. That’s why he takes over the FO, and wants Rey to be his apprentice. Does the character suffer from sith-tunnel-vision? Definitely. But it makes sense. His decision-making is not overly complicated: he feels alone, and he wants a purpose: he decides that the solution for both is Rey joining him in the dark side. When she refuses, he still has one purpose: the FO.
This is, however, the point where he turns his back to the light completely: on Crait, he orders the FO to explode the Rebel Base and kill everyone, knowing full well his mother was in there. He orders them to exploded the Falcon out of the sky, once again knowing that Chewie and Rey are on board. When facing Luke, he repeats that he will kill Rey and the rebels. His transition from conflicted sith apprentice to the new villain of the franchise was actually well done.
And exactly because of that, the next topic pisses me off so much.
5. The continuity problem between episodes VIII and IX
Introducing Palpatine here was bad for so many reasons: backtracking Rey’s arc, making us think about Palps’ sex life, insisting on beating a literal dead horse when there were new things to explore, etc etc. And it was also bad for Kylo Ren’ arc. As I said before, the way they finished episode VIII, everything pointed to Kylo becoming the final evil Rey would have to face, and that would have been awesome. We didn’t need Palps, or ANOTHER all-powerful evil army ready to conquer the galaxy with exploding-planets-tech (seriously, is Alderaan a joke to you, Disn*y?).
  But, in the third movie, they went back and decided they didn’t want Kylo Ren to be the ultimate villain anymore. They wanted him to be redeemed. And that’s not bad per se, but an actual redemption arc needs to be planned, and I think we can all agree, there was no planning in the sequels. And again, FRATRICIDE. So they introduced an old, more powerful evil to make Kylo Ren less evil and less of a threat in comparison. And evil so definitive, and with such a bullshit connection to Rey, that it makes Kylo reconsider his previous promises of killing the last jedi and going back to the plan of making her turn.
And so, his character spends the movie going after Rey, to tell her the bullshit truth about her parents, to convince her to join him. At least his arc is still somehow solid, because once he’s decided on his path, he doesn’t lose control like in the previous movies, and his body language is more firm and lethal. Which, honestly, thanks Adam Driver, he knew the character way better than the director at this point.
He finally comes back to the light when Leia dies. Although it was rushed, I agree that, at that point, it was literally the only thing that could have made him turn. Rey reminding him that he wouldn’t be alone if he hadn’t chosen the dark side helped, too. It was clear that the moment with Han Solo was supposed to be with Leia, but I’m really glad Harrison Ford agreed to come back to fill in the role for his old friend.
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6. Ben Solo
Okay, there’s so much to unpack here. When Ben Solo finally comes out to play, it’s very good. We can finally see some things that explain Kylo Ren better – it’s so obvious how awkward he was in his own body trying to be an evil sith lord when he is clearly a natural disaster. He still suffers from tunnel vision, but at least now it’s Skywalker-do-or-die tunnel vision. It’s like a weight was lifted from his shoulders, and the way his actions scream Han Solo makes me, once again, wish the first movie had been about him, and not the whole “find a map/ Star Killer base was ANOTHER ridiculous idea / I know R2’s alignment is chaotic bastard but COME ON”.
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Star Wars has a notorious story with pulling Force powers out of nowhere, and I’m not going to pretend to be an expert in SW lore, so I won’t complain about the dyad thing (and the weird stuff with the light sabers). I honestly liked the concept. There’s a lot I have to say about the final battle against Palpatine, but I think it would fit better in a future character study about Rey (God, that’s going to be another long ass post). I just want to add that after Luke insisted on her taking both light sabers to Exegol, and after all the crazy stuff Ben did to get to her, they should have, you know, actually fought side by side against 85% dead Palpatine? Aren’t these two idiots supposed to be stronger than that?? I’m not complaining about Rey bringing him down “alone” since she is the protagonist yada yada, I just wished that Ben had done something, instead of being thrown into a hole.
(Palps did that out of spite because of his grandfather? I bet he did.)
I won’t say I didn’t cry hearing the voices of the past jedi talking to Rey, because I definitely did. If anything, it was great to see so many beloved actors getting a chance to honor such iconic characters. But are you freaking shitting on us? Where were ANY of those assholes when Luke, Leia and Ben needed them, like, ten years ago?? “Well, force ghosts should not be used as ex machinas, and they don’t see the future” Tell that to episodes IV, V and VI. Anakin, Obi Wan and Yoda can show up for Vader weird funeral/party with ewoks but they can’t send a jedi signal for the Skywalkers to warn them about Sith bullshit about to happen? “They were probably ahead in the world the comes next and they didn’t have a way to come back, they just talked to Rey because Exegol is a Force nexus and-” And so is Ach-To. And so is Yavin IV. And so is Dagoba (Yes, Snoke sent Ben there for training). Look, I have no problems with Force Ghosts, I love them bastards. I’m just so freaking mad with the lack of coherence in this trilogy. If they did not talk to the Skywalkers – and I’m sure at least Luke and Ben asked Obi Wan/Anakin to show themselves A LOT – they should not have talked to Rey. It was a crowd please moment, for sure, but it was another gigantic middle finger to Ben Solo (before he becomes Kylo Ren).
And then Rey died, and Ben brings her back. I know how many funny jokes are going around in the fandom about how resurrecting Qui-Gon or Padme would have saved the galaxy so much trouble, but again, I’m okay with that. It was previously established that since they were a dyad, they had this living Force between them (although it was rushed in the final like everything else). And it does make sense Ben doing that: he had just come back to the light, and his parents were both dead. Han and Leia were gone because of him, the last time he saw Chewie was as his captor, and before that, he got shot by him, etc, you get the idea. He had nothing else, only this: the chance to make it right by a person that genuinely cared for him. Exchanging his life for Rey’s was nothing: he knew that his family would be waiting for him in the world that comes after.
So, did I like the Bendemption? It. Was. Not. A. Redemption. It was the right choice, and it made things right between him and Rey, because she forgave him for everything. But that’s it. He did not face the consequence of any of his previous actions. “But he died for her!” And we just established that it was not a difficult choice, considering that he had literally no reasons to stay alive if Rey was dead. If you want to see an actual redemption arc, go watch Avatar the Legend of Aang.
And finally, the kiss and the death. Okay, I know I’m digging my own grave by addressing that, but my mama raised no coward. Here it goes: it was fan service, pure and simple. It’s there to make part of the fanbase happy. Good for you, reylos, but to us, not shippers, it came out of nowhere. And I’m not questioning if they had feelings for each other or not: I’m talking about pacing and characterization. I’m not 100% convinced that Rey, as a character, as she was presented to us so far, would have done that. It felt out of place, and it broke the immersion of the scene. I was emotionally invested on what was going on, I was happy to see Ben smiling at her and everything, but then suddenly they were sucking faces and the “FAN SERVICE” alarm was so loud in my mind that I immediately lost interest. If they wanted that in the movie so much, there was probably a better way to do that.
It makes sense that Ben had to die to bring Rey back: one life for another and everything. I still think that, story-wise, it would have been better if none of them had died a ridiculous death, and Ben had faced the consequences of his actions as Kylo Ren, but okay, moving on.  The main problem here is what happens after he dies: nothing. Absolute-effing-nothing. He dies, he disappears – which, again, I won’t question because Leia was involved and Skywalkers do whatever they want with the Force and I’m no expert – but that’s it. Rey, the same Rey that had just jumped his bones fifteen seconds earlier, doesn’t even mourn him. She doesn’t cry, she doesn’t do anything for him in the end, she just goes to Tattooine because it makes sense to the Skywalker saga to end where it started. She sees more of those Force Ghosts who never appear when they freaking should and that’s it.
Why is it bad? Well, first, like it or not, Ben Solo/Kylo Ren was one of the main characters and he deserved an actual final. Finn and Poe too, but those are long posts for another day. And second, it makes the fan-service in that kiss scene more evident. You can’t have the girl kiss him and in the next scene act like it didn’t matter at all. “Ok, then it was a thank-you kiss and there were no real feelings of loved involved”. But that makes it worse, it would be even more completely out of character for Rey – who avoids physical contact with people on the regular – to just kiss someone as a thank-you. Do you see how the math does not compute? If she had feelings for him, and therefore kissed him, she should have mourned him. If anything, she should at least miss her other part of the dyad thing. And if she didn’t mourn him because she didn’t have actual feelings, then she should not have kissed him. A little consistency, it’s all I’m asking.
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7. Conclusions (aka tl;dr)
He was a somehow consistent character, but the lack of plot for the sequels was a huge problem. If the trilogy had been about Ben Solo becomes Kylo Ren – Kylo Ren kills Snoke and becomes the real villain – Rey faces Kylo Ren and she either saves him or kills him, it would have been so much better than the mess the studio did.
His story in the comics is so much more complex than what it is shown in the movies, but what they did to Han, Leia and Luke was a crime.
It was clear that one director had a vision to give him a redemption, and the other to make him the ultimate villain.
Adam Driver did what he could to make this character solid and somehow likable, let’s thank him for that.
There was no reason to bring Palps back,
Rey’s actions in the final are contradictory,
He should have stayed alive to face the consequences of his actions,
and the studio is charged guilt for getting our hopes up just to crush them with their lack of interest in doing something descent for the fans.
But again, that’s just my analysis of this character. Feel free to disagree with me, I would love to see what other people think about Ben Solo/Kylo Ren.
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ddaenghoney · 4 years
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chapter eleven
masterlist link in blog description.
As a successful songwriter, you want nothing more than the acknowledgment that the chart-topping musical pieces are your own creations. But contracts, relationships, and the difficulty of facing the stakes involved head on, keep your mouth shut until pressure builds too much.
Pairing(s): Park Jimin x Y/N, Min Yoongi x Y/N
disclaimer: any characters depicted do not represent the actual personality of the respected idol in real life.
Series warning(s)/genre(s): Chapter-based written fic, Slow-burn relationship(s), Fake-dating, Unrequited love, Songwriter/producer!oc, idol!Jimin, idol/songwriter/producer!Yoongi, friends with benefits, drama, romance, smut, angst, fluff (updated as needed)
Chapter warning(s): none; just that sweet, sweet character growth.
Word count: 5302
if you enjoy please, please let me know!
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You slide two fingers along the trackpad of your laptop, scrolling to the next page of song lyrics that you just finished the evening before. A more somber mix of words to fit the ballad that the group needed for their next album. You rub your jaw as you count syllables, checking the rhyme scheme, then your head tilts as you begin to discern whether the whole thing sounds understandable. Though the track’s ambiguous nature gives it character, deluding the true intention entirely isn’t what you want.
“You know,” Your eyes narrow at the interruption Namjoon’s voice brings, along with some cups of variously colored froths. He hunches over the bartop casually doodling art atop the latte’s white foam top as he continues along, “I think you should take a lawyer with you this time around.”
“What’s the point if I’m just going to resign to, likely, the same terms as before?” You sigh, curling a lock of hair around your finger as you think about the meeting upcoming in a few days. If it was like the first one there would only be Yerin, her secretary, and the company’s primary lawyer that wrote out the first contract.
“But that’s what I’m saying; if you bring along your own lawyer, then they can help argue some change.” He says in a small voice that’s mostly focused with perfecting the lines of a dog image. “It can’t hurt to try, right?”
“She’s just so dead set against any of what I’ve said about receiving credit before though.” You mumble, trying to get back to your own work with hope that he’ll drop the topic that he’s been bringing up periodically ever since you received notice of the meeting.
“You’ve worked for them for five years now.” Namjoon lifts up his head from the design, eyes decisively staring into your own as he speaks with conviction, “They owe you change, even if it isn’t a complete one-eighty from how things have gone so far. They’re shitty people if they don’t treat you like a human by this point.”
You smile at him, dryly speaking the reality, “They’re a business.”
“They’re only doing well because of you. That’s undeniable.” He smiles in return, bringing forth a bit of pride for you as his friend. Namjoon straightens up, stretching his arms as he nudges the drink towards you, “If you threaten to leave then maybe they’ll change their mind about the contract? Here take this, I’m still not good at this kind of latte art.”
Your chin rests on your palm while you glance to the drink. It presents a cute fluffy blue dog, with admittedly oddly positioned eyes. You refrain from laughter. “Looks better than the flower you tried last week. Thanks, Joon.”
Namjoon nods, moving the cups off with a smile as he turns to the sink behind him. Figuring he’s bugged you enough about the lawyer idea for the day he leaves it be, returning to the atmosphere before as he turns down the bar while Jinsol exits with two plates of food for customers.
“Yoongi was also telling me that I should get a lawyer.” You say on your own, not thinking that you could potentially give Namjoon hope that you’ll eventually agree with the two of them by keeping the conversation going. He turns back to you, wiping his hands dry on a rag. “Even said he’d get his lawyer friend to go with me if I wanted. Someone named Kim Taehyung.”  
“How much does he charge?”
“Yoongi said he’d do it for free as a favor to him,” You shrug, taking a slow sip of the drink to see if it was too hot. “They’re good friends and have known each other for awhile.” Namjoon nods, arms crossing as his eyebrows furrow in consideration to the news. “But you and Yoongi need to stop acting like Yerin won’t just drop me if I start talking about changing the contract this seriously.”
“Y/N, you’ve given them more than ninety percent of their musical repertoire. That’d be the most idiotic business decision she could make.” Namjoon frowns, trying to find a reason for why you’re unable to see how much of an asset you are for SoundWave even though they treat you oppositely.
“And I’d take away one hundred percent of their reputation if the public finds out how much I have to do with that, Joon.” You trace the circumference of the ceramic with your index finger, eyeing the art that had further disfigured after you took a sip. “They can go on without me involved, and there’s no reason to keep me if I’m just going to destroy everything they’ve worked for. Cost-benefit analysis is what they call it in the business world, right?”
“Well, no, but close enough,” Namjoon leans back against the counter. “To be honest, even if they give you just a few pieces credited here and there, that would be a big improvement, don’t you think? You could start there.”
You nod, hearing your phone vibrate beside your laptop to alert you of a text, but ignoring it so you can explain the most recent nail in your coffin. “But since I’m now ‘Yoongi’s girlfriend’ any credits they give to me are going to look suspicious as hell.” You watch Namjoon blink evidently not considering that idea before. He all the sudden sighs gruffly and rubs his neck,
“Fuck, I bet that CEO did that on purpose too.” You nod as his bitterly spoken assessment, having come to that conclusion previously. Considering how frighteningly calculative Yerin is, that’s definitely within the scope of possibility. “She really pisses me off, Y/N.”
“Me too, but, fuck, she does her job well, right?” You huff and then take another long gulp of the latte while Namjoon’s head shakes slowly in contemplation. “I can see why the board lets her handle so much stuff independently of them. She has everything figured out.”
A part of you is willing to believe she set the past five years up like a chess board, strategizing from the advent of their song contest. Perhaps only looking for one or two interesting enough songwriters to trap into the pawn slots and lead the company to success at exponential rates. The lens that seemed clairvoyant and absent of illusion in the pitch to work longer in the company, all selected carefully to tie into the bigger picture Yerin created.
With how finely woven the company is, collectively seemed together to stop the outside from seeing what truly goes on behind the scenes, it’s almost believable in retrospect that Yerin had this picture in mind from the beginning.
You’d like to think there are things unforeseeable, however. Hopeful in that respect, though you can’t grasp a thought of what would shake up Yerin’s disposition so that she would agree to new terms in your contract.
“Maybe I’ll take Yoongi up on his offer…” You ponder aloud, not catching Namjoon’s eyes open wider with excitement at your voice. You finally go to your phone, checking it to see a new message,
Yoongi, 4:56pm: If you’re not busy can you call me?
“You should.” Namjoon’s blurt is out into the air as an uncontainable rambling. One loud enough to catch the attention of other patrons if only for a quick glance. You smile at your friend’s eagerness to jump onto that little sway of opinion, watching him nod longer. “If you’re dealing with legal stuff you should involve a lawyer-- even if you don’t think it’ll help. Why not, right?”
“Legal ‘stuff’, huh?” You giggle when Namjoon rolls his eyes smiling despite you cutting him off to tease. “He wants me to call him, so I’ll ask.”
“Wants you to?” Namjoon raises an eyebrow, though the lightness of his lips insinuate he’s somehow pleased with your news. It’s your turn to roll your eyes, and then attempt shooing Namjoon off with your hand, but he doesn’t budge as he questions with a large smile forming, “Bet he misses you like you miss him-”
“Stop, you know it isn’t like that.” Your lips frown, wishing he wouldn’t bring that subject up even as a joke. Namjoon’s lips clamp, but his teasing expression remains, seemingly undeterred by your weak rebuttal. “Not actually dating, Joon.” Namjoon only nods to which you sigh, shifting on the stool to face slightly away from him. “He probably just wants to complain about it being cold where he’s at.”
“Okay,” Namjoon nods again, stepping once down the bar to start assisting with a newly entered party. “Warm him up with your voice then-”
“Fuck off!” You watch him scamper off like a startled cat, and shake your head at him hitting his hip against the corner of the bar. You bite your lip when Namjoon glances back at you with a pained expression from the collision, but nonetheless gives you a thumbs up to cheer you on in your phone call endeavor even though you think he’s acting ridiculous.
It takes only a moment to open the message thread with Yoongi, then click into the contact information to call. You skim through the lines on your laptop screen as quickly as you are able to while the line buzzes in wait. Three beeps and Yoongi’s voice registers in an answer,
“Hello?” He sounds somewhat puzzled and surprised and there’s a small moment that you think you should’ve texted him first, but you go ahead and respond,
“Hey, you wanted me to call?” The screen before you becomes a blur, its shine leading you to shut it close as you listen in on Yoongi’s voice when he says back sheepishly,
“I did, yeah. Just because I’m kind of bored here,” His volume lowers into a mumble as he goes on, making you smile gently. “Ah, but if you’re busy then don’t worry about it.”
“I’m not. Just looking over some lyrics, but I’ve been messing with them since yesterday practically nonstop, so I should probably take a break.”
Yoongi hums, recalling the texts back and forth the day before where you’d mentioned the words not sounding just right. Lying back into the armchair in the green room, he stretches an arm, voice as comforting to your ears as usual, “You at least went to sleep though, right?”
“Yeah,” You tighten your lips after the response, feeling a beat pass as you try and mumble the next part quickly and quietly, “At four, but-”
“Four?” Yoongi chuckles begrudgingly, rubbing his face with his hand, and then sighs in discontentment, “You’re worse than I am.”
“Is that a compliment?” You ask him innocently, trying to navigate away from the potential reprimand for your sleeping habits as if you hadn’t done the same in response to some of the unruly hours Yoongi has said he’s fallen asleep at too. He just laughs on the other side of the line, causing you to bite your lip and try a new conversation that you’re sure would be something he’d react to like Namjoon, “About the lawyer friend of yours… Do you think he’d still be available for the meeting?”
---
Kim Taehyung stands pleasantly in the lobby of the company when you arrive days later. He greets you with a bright smile that makes you wonder if he can actually be as intimidating as Yoongi stated he is in contractual meetings. With his perfectly wrinkle-free suit, clearly tailored for himself, and luxuriously bronze leather suitcase, you can at least say his appearance is telling enough that his finances at least back-up a success record.
“So just to make sure we’re on the same page from the conversation on the phone,” He gestures for you to enter the elevator before himself as he speaks, following you along inside. “I’m here mostly for appearances, correct?”
“Well,” Your voice is high, smile sheepish from the verbiage used to describe Taehyung’s involvement, “Yeah-- but I’d still like to argue a little for it, but,” You pause, thinking that your own disposition seems weak and not positive for the outlook you want to search for in this meeting. “I just don’t want them to fire me for arguing too much, if that makes sense.”
“Although it’s certainly not proper for them to fire you for something as common as negotiating the terms of your contract, I understand why you’re apprehensive to speaking up about it because of the inherent hierarchical differences between you and the CEO. Nevertheless, I’ll take your lead for how much you would like to push for adjustments.” Taehyung speaks with ease, words flowing like silk. Relaxing as it is to have someone like him ready to discuss details on your behalf, you still find the idea daunting.
Even if by some grand means you succeed in somehow regaining all the rights to songs you write and music produced, what will that make the company think of you? Beyond Yerin and the board of directors, exists coworkers you know fondly, some as friends, and some simply respected. People with their own ambitions and work that they try to build high like yourself, and now you stand in an elevator on the way to an office to potentially crack the glass of the established.
As you exit from the elevator on the top floor, Yerin’s head secretary rises from her desk with a smile of familiarity. She gestures across from her to empty waiting chairs, stating pleasantly that Yerin is currently busy, but the meeting is expected to go on as scheduled. You simply nod at her words, sitting in the seats with Taehyung while your mind wraps around the situation about to unfold.
You aren’t so naive to believe that she’ll shut you up from the first word of contention, but where beyond that she’ll let it wander is unknown to you. It’s unimaginable that Yerin’s face would even concave with any shock or fret about this topic, because there’s never been a moment that you’ve witnessed her out of control. The way that the company operates, is organized, stays on top is thanks to her collectiveness. Ethical or not.
Your phone buzzes, jolting nerves across your spine that collected in tense shoulders.
Yoongi, 1:57pm: Hopefully you’re not already in the meeting room, but I just wanted to tell you it’ll all be okay no matter what happens.
You exhale through your lips, reaching to fiddle with your hair as a smile tries to force its way on your lips.
Y/N, 1:58pm: About to go in. Thank you so much Yoon.
“Ms. Y/N,” Your eyes lift from your phone as the secretary calls out to you, “She’ll be ready in just a moment.”
You begin to nod, smile politely in return though the action freezes when the doors to Yerin’s office open. Because of the oddness of coincidences, you stare in a stunned silence as black boots clatter on the tile while Jimin walks out of the office, bowing his head in goodbye to those in the room as he does so. Profanity of different calibers jumble around in your mind, rising in internal volume as the door behind him shuts and Jimin’s eyes find your person.
A moment feels like it freezes, as though crossing paths is unheard of to the both of you. In reality, you’ve both spoken to one another since the party, as short and dismissive the comments in various meetings were. But outside of that space, there’s something unnatural about passing along each other still. You know it’s mutually felt, because Jimin’s eyes remain on you longer than they should, returning your stare that unconsciously questioned what he would do.
Then you wonder why he left Yerin’s office to begin with. Though she is not absent of communication with employees, the setting appears more formal, rather than a casual check on how he’s been. With his manager nowhere to be seen, it leaves the question unanswered as Jimin finally steps along.
Returning focuz from you, he goes to the elevator unspoken. Like he would’ve months ago while you were both secretly involved, but in the current time, it leaves your throat with a tiny knot. Words and actions of the party flash through your mind, and you try to shake it off when the sound of the elevator dings off to your side. You just look at your phone,
Yoongi, 2:00pm: Let me know how things go afterwards, I’ll be here to listen.
Jimin steps into the elevator, turning on his heel to face the front and reach to click the button to his floor. His eyes moves reflexively towards you once more, curious of why you sit evidently waiting to speak to Yerin. He bites his lip, worrying in his thoughts of what she had just mentioned to him, but the tension in his jaw subsides as he takes in your expression. A soft curl of your lips gazing down at your phone, reminiscent of times in the past, Jimin can’t help but remember in that moment.
As the elevator door shuts, he feels every morsel of air filling in his chest that wants to be expelled, but his lips stay in a blank line, while Jimin stares at his blurry silhouette reflected in the elevator door. He has no right to feel the prickling that fights with the oxygen in his lungs, but the image of your brightened expression is infectious to his focus in a way that doesn’t feel good. Regretful.
Jimin shakes his head, sighing as long as possible. He watches the reflection’s arm move with his own as he strokes back his hair, suddenly hit with a harder wave of that emotion. The emotion that was never about you and always about himself. Unchanged still, as he learned from that meeting that went absolutely no where he wanted it to but to further doubt his own capabilities in his career.
He blinks, lips pursing into a frown only to stop a groan from escaping. He instead clicks his tongue, stretching his neck as the elevator stops on his floor. No matter what you’re there for, Jimin hopes you get what you want out of it. The thought strikes him into a standstill when he steps through the door. Jimin’s lips part, wondering why the selfishness escaped from his mind just like that.
In the waiting area before Yerin’s office, the secretary rises as a man exits the elevator. You know from past times that he’s the head contract lawyer, and the memories of his snarky way of speaking nearly cause your eyes to roll outright, but you just hold it in exhaling a breath instead. Taehyoung looks through his phone beside you, presumably through his calendar from your vague glimpse to it, so he’s unaware of the lawyer feet away casting him a look that turns into a stunned stair.
Your eyebrow raises in interest, gathering that in one way or another through the lawyer community, you suppose, that he recognizes Taehyung. You leave it be to speculation, not taking the initiative to alert Taehyung to the lawyer’s somewhat hostile stare because he quickly scampers off into Yerin’s office anyways.
Any kind of reputation to garner that reaction you’re happy with, if you’re honest. That lawyer always pissed you off with his disrespectful deposition anyways.
“Ms. Baek is ready for you both now.”
Taehyung stands before you, doing nothing to question the long sigh that you make. Gathering that you loathe the meeting and are evidently nervous, he thinks the reaction is rather common. Still he’s encouraging when you finally stand beside him, smiling optimistically at you with a thumbs up acted out with his free hand.
The contrast of the other lawyer’s reaction to how mellow Taehyung acts towards you makes you snicker, and return the thumbs up. A little lighter on your feet from his easy to along with personality and Yoongi’s gently comforting texts, you lead the way this time, entering through the doorway as the secretary politely opens it for the two of you.
“So he was her to represent Ms. Y/N, after all.” Nam Dohyun greets the two of you before Yerin who sits calmly in her desk chair ignoring the jab-like remark of her lawyer. “Kim Taehyung independently representing two of our employees now. How coincidental, I wonder if you’ve asked your other client to hand out business cards for you.”
You think the argumentative way Dohyun speaks to Taehyung is odd, considering the fact that meetings like this tend to have outside lawyers assist the employees. Up until now, you’ve likely been one of the odd few who have refrained from seeking independent advice, so perhaps there’s animosity in the business relationship between the two that you don’t know about. You assume the other client Dohyun referred to is Yoongi, which allows your mind to speculate shortly that in the merger maybe there had been alterations made in Yoongi’s contract or other negotiations. Definitely something if Taehyung is already seen in a threatening manner as Dohyun leads you to believe.
“Referrals only, actually.” Taehyung smiles pleasantly, though rather feigned as Dohyun and you feel the chill he sends out. Yerin sighs, standing from her desk,
“Mr. Nam, watch your tone.” She gestures with her hand to the long table set aside for smaller meetings such as this one. “Let’s continue this there, since there are more people than anticipated.”
“This should be a short meeting, I believe.” Dohyun speaks first as the two parties sit across from one another. He reaches into his suitcase to bring about the paperwork as he continues along. “Because there’s been no true push for change, I’m happy to assume that the terms of your contract are still very suitable to what you want out of your position here, ma’am. Financially, I’m positive it will only become more lucrative as the company continues to grow and your royalties continue gathering how more money than someone such as yourself would know what to do with.”
Your lips tighten into a line as Dohyun’s insulting, calm voice rambles irritably along. Refraining from showcasing the annoyance, you try to keep your mind occupied on Yerin as she sits across from you poised. Her eyes follow the path the contract makes across the table, and she’s empty of fervent emotions, simply monitoring the ordeal until her voice is needed.
Taehyung slides the top copy in front of you, while he takes the bottom one for himself to skim through. You finally break away from trying to extract any information about the state of Yerin’s attitude from her expressions, and join in a fast read through. Entirely similar to the first one you signed years earlier, but the percentage of earning through royalties is raised by a considerable margin.
You consider its new amount as a move from Yerin. She knows you’re dissatisfied, and even if Dohyun acts oblivious to that fact, you believe the entire board would have information about the fact. So this increase in revenue, which would tremendously strengthen your financial assets is put in place as an attempt to nullify your mouth. Maybe Yerin thinks money is where the discontentment stems from.
“I’m sure you recognize the pay increase you’ll be receiving through royalties in this new version of the contract. All other terms are kept the same. However, because of the assistance your work has done to bring so much success to the company, we believe that you deserve more recognition through improved finances. It’s quite a lucrative opportunity for someone as young as you are.”
Though you pay little attention to the verbal ego stroke of Dohyun, you nod absently to his words, flipping the page as you try to search for any other changes. Even though he said royalty percentage is the only difference, you give a chance that there is more. A surprise alteration that would actually make you ecstatic in the way that money would never do. But there is no such thing.
It makes you bite your inner cheek that you’re so hesitant now to sign again where years earlier you were so eager you barely cared about listening to Dohyun ask you to take a few minutes to consider. Perhaps it’s maturity, or just dissatisfaction.
You glance towards Taehyung who sits waiting for your reactions to the contract. You slide the paper back to him, not catching Yerin’s eyes narrow slightly from your actions.
“My client is actually interested in adjustments to the contract that are unrelated to finances.” He says fluidly, pushing their contracts to the center of the table so that there is space for his briefcase as he sets it down. “Using her last contract, I revised it with new points of what she desires to change.”
Yerin takes the contract from Taehyung as he stands to properly hand them off, while Dohyun snatches it with a small, unhidden glare. She reads through it silently, while you watch with an increasingly heavy heartbeat. Trying your best to ignore the rumblings beside her from the company lawyer, you instead cast all your attention to Yerin who undoubtedly is more important for how this will play out. She sets the contract down, prompting Dohyun to sit upright and ready himself to speak until Yerin raises her hand to keep him quiet,
“Y/N, I’ve told you before that allowing you to receive public credit for songwriting and production will only lead to dissent from the public. It’ll irredeemably tarnish the reputation of SoundWave and every single idol or group that works out of the company, as well as those of us involved in the original terms of your contract from the beginning.” Her hand rests back on the table as she finishes her direct speech, nothing more than the smallest crease of her brows to indicate that Yerin is at the most irritated that you have continued to bring this argument up.
You feel Taehyung’s eyes as he looks to you, waiting further to gauge how far you’re willing to take this attempt. But the indecision of what you want feels like a tormenting battle, because what she says is true. Undeniably, there would be so much negative repercussions for this change, especially if any word gets out that the artists have all been simply lying about how much they work for themselves.
Even if you are rightfully owed acknowledgement that the creations are yours, it’ll come at the cost of so many careers and reputations that it feels greedy. You know it’ll do more harm for SoundWave than good for you in the public’s perspective, but it hurts watching everyone around you claim what you made is theirs.
“I realize that.” You say carefully, hands in your lap knotted into fists to help you maintain composure. “That’s why the contract only specifies that a certain percentage of music would be properly credited to me. The idols will still largely be seen as the songwriters and producers that the public think they are, I’ll just be added in like some of the other names you allow into the credits.”
“Which songs? At your discretion or ours?” Yerin asks rhetorically, earning an irritated glower from Taehyung who still sits beside you in silence to let you lead. “And what happens when this contract’s terms aren’t enough to satisfy your selfish desire to have your name in all of the albums? Are we simply supposed to grandfather out the perception that our idols are self-sufficient until it has transferred to being completely engineering by songwriters and producers behind the scene, and assume the public will simply be on board to go along with such an outrageous idea?”
You sit still, watching as Yerin’s sentences end leaving her with visible scowl. Clearly annoyed now. Similar to the anger that she expressed towards you, Yoongi, and Jimin months earlier, but presently it’s because of your own stubbornness. Though her own unyielding demands are also to blame, so tension releases from your fists and your eyes tighten into a glare,
“Your plan right now is to continue to lie to the public. The reputation of this company is already destroyed, it’s just waiting for them to find out. Keeping me locked in a contract that forces me to lie with you all isn’t my fault. I didn’t make the original contract that puts business gain above public trust. And frankly, I’m not trying to ruin SoundWave right now, I just want my name next to my songs. The artists still sing them, perform them, make money from them-- this whole company capitalizes ridiculously off of my work, and all I’m asking for is my name to be public.”
Beside you Taehyung watches curiously, a bit surprised that the eruption of a speech left you with such an intense disposition opposite to how nervous you were when meeting with him at the lobby. But this closer resembles what Yoongi mentioned about you to him.
Yerin’s erect posture falters as she reclines back into her seat, eyes fixated in angry slits towards you still. Not as menacing, shifting towards a bothered stare as composure appears to regain itself in her.
She examines you, knowing you’re miles from your comfort zone, having never spoken to her like this before. There’s not a single moment in the history of you at the company where you’re appeared so set in the fire of argumentation, and on one hand it’s mutually respected by her because she realizes completely that you’re just trying to fight for what you believe necessary. Yerin can’t fault that when years earlier she’d done the same for herself to get her to where she is today, but at the same time it isn’t a quality that she can reward in this situation.
“With the addition of your public relationship with Min Yoongi, it’s even more unlikely that the public will give positive attribution to your name should you begin to be credited outright. Your first exposure will be put under scrutiny because people will assume you’re using him for the work, or that he’s manipulating the company for his own gain. In either scenario, you won’t be well received. On top of everything else it’ll do to SoundWave’s reputation. For the sake of the company, and all of its employees, including you, I can’t let your terms be agreed to.”
Candidly said as it is polite, Yerin lets her decision take over the ambience. Spilling into every molecule of air, you’re left with no choice but to consider what she says as unchangeable. Just like you expected all along. From the first time you started to ponder the idea, you knew the outcome would be as it is now.
An uncredited employee is the extent of what you can be in SoundWave.
“While I understand you’re upset,” Yerin starts again, entirely calm. Like she’s won. “There can still be made adjustments into your salary and the royalties you earn as a way to mediate your frustration-”
“It’s not about the money.” You’re voice is calm too; flowing like drops into a lake that don’t disrupt the water. And your eye contact into Yerin’s is direct as well. Incomparably challenging from that of any you’ve made with her years earlier. You can tell by her slightest of frowns that Yerin realizes this is different from other times. Unwavering like you would have been even months earlier at the beginning of the year.
Yerin opens her mouth, to try another angle, but your head shaking is enough to make her stay silent, listening as you finish the meeting in a cut,
“I won’t renew my contract then. Once the time stated in it ends, I quit.”
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Text
Turn of Events
Characters: Spencer Reid x Reader, Derek Morgan, Aaron Hotchner, Penelope Garcia, Ramirez Garcia (OMC), minor characters
Word Count: 1,969
Warnings: angst
Summary: You gush to your friend in her native language not knowing that Spencer speaks that language fluently.
Square Filled: Strapped to a bomb
Fandom: Criminal Minds
Author’s Note: This is for @badthingshappenbingo and if you have any requests, please send them in! this is unbeta’d and every mistake is all on me.
Feedback the glue that holds my writing together
Tags at the bottom
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The sun beat down on you on this hot summer day, the wind wasn’t providing the sufficient amount of breeze to cool off your hot skin, and families played at the park across the street with their pets. Today was a good day despite your overprotective boyfriend talking your ear off on the other line of the phone. He had asked for two boxes of police files that he took home to work on, but he conveniently forgot them this morning. Half of you thought he did it on purpose because he really wanted to see you again.
The rest of his teammates were excited you were coming to visit which is why you knew Spencer purposely forgot his case files. That man had an eidetic memory so he couldn’t forget anything even if he wanted to. Knowing what Spencer does every single day makes him a hero in your books. There was no way in Heaven or Hell that you were ever going to be in the BAU because you didn't think you had it in you to do the job correctly. You could barely hurt a fly much less see mangled bodies and blood 24/7. It’s amazing how Spencer keeps himself together due to his erratic memory and the cases he goes on.
“Make sure they’re all there. I left some cases out since I forgot to put them back in the box last night.”
“So, you wait until I arrive at the BAU to tell me this?” you joked as you opened the trunk of your car. “Don’t worry, I got them all.”
“Should I come down and help?”
“Spencer don’t worry about me. I will be up in two minutes. Chill. I love you,” you giggled before hanging up on him. Just as you were about to grab the boxes, you felt a tap on your shoulder and a man who looks like he was in serious need of psychiatric help. His hair was sticking up in all kinds of different directions, but it seems as if he tried to smooth down most of it unsuccessfully. His eyes were wide, and from one look into them, you knew he was on a multitude of medication. His clothes were dirty, and he was fiddling with his hands as if he was nervous. Alarm bells sounded in your head instantly, but you tried to keep things calm.
“Can I help you?” you asked kindly.
“Did you s-say Spencer? As i-in Spencer Reid? Dr. Spencer R-Reid?” he stuttered quickly.
“Yeah, I did. Did you need something? I can get him to come out here.”
“No, no, that’s okay. No,” he whispered. The next few events happened so quickly, you didn't even have time to open your mouth and scream for help or to call Spencer and have him and his team to come down here. The strange man reached into his jacket and produced a gun before slamming the butt of it into the side of your head. That was enough to take you down since he managed to hit you in the exact spot you hit a few days ago on the corner of Spencer’s kitchen counter when you accidentally slipped and fell. Your eyes rolled to the back of your head, and the man picked up your limp body before dragging you over to his van that was parked right behind yours.
If Spencer Reid wasn’t able to protect his daughter, then he was going to take someone very close to him.
“This one’s for you, Spencer,” the man growled as he grabbed the homemade bomb he created for this special event.
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“She should be up here by now,” Spencer worried as he gnawed on his bottom lip nervously.
“Kid, would you relax?”
“She hit her head the other day, Morgan, on the corner of my kitchen counter. I had to take her to the hospital for stitches. So, no, I am not going to relax.”
“At any minute now, she is going to come through those elevator doors, and—oh no,” he said when he finally spotted Spencer’s girlfriend. As soon as you came through the doors, all guns were trained on you and shouts began to litter through the bullpen. Derek whipped his gun out before training it on you, and Spencer turned to see what the commotion was when his eyes widened in fear.
“Spencer,” you cried as your body shook. Your hands were up in defense mode, but the ticking bomb strapped to your body was the reason why everyone was on alert.
“Y/N!” Spencer gasped, but Derek held him back from going to you. “What the hell happened?”
“He set this bomb to explode in four hours and told me that it’ll take you five to stop it. Please, Spencer, I’m scared,” you panicked.
“Hotch!” Spencer yelled.
“Someone get the bomb squad here!” Hotch yelled.
“Already on it!” Jennifer said as she held the phone to her ear.
“What’s going—Y/N!” Penelope gasped when she saw what was happening.
“Spencer please help me,” you cried as the tears cascaded down your hot cheeks.
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The time was ticking down and it seems like time was speeding up just to give you your untimely death. A group of FBI agents was set outside the perimeter of the place no doubt to catch whoever put this on you. It was unlikely that he would still be out there, but if he wanted to see the after-effects, he would be close by.
“What did he look like?” Hotch asked you as a man from the bomb squad tried to figure out how this worked.
“H-He had d-dark hair, a-and scared ey-eyes. Please get this off me,” you shook.
“We’re doing our best to.”
“Let me be with her!” Spencer yelled at an officer holding me back.
“Please, I want Spencer. Please let him in,” you begged.
“Fine,” Hotch sighed and he got up and nodded to the officer. Spencer pushed past into the tiny corner they isolated you in. Derek, Emily, JJ, Rossi, and Penelope watched from the other side of the room with worried looks. Hotch left the space since too many people might set off the bomb too early.
“I’m right here,” Spencer said as he reached for your hand.
“Don’t touch her,” the bomb squad officer said sternly.
“He was a-asking f-for you,” you tried to keep calm.
“Who, the man who did this to you?”
“Y-yeah. I woke u-up just as he w-was strapping th-this on me. He s-said something ab-about,” you paused to take a deep breath which only turned out to be too shaky since you were so scared.
“Just breathe and tell me when you’re ready,” Spencer said in a calming voice.
“He said something about you not being able to protect his daughter and how if you can take someone from his life, he’s going to do the same,” you shook in fear.
“Hotch!” Spencer yelled when he realized who did this to you. His boss approached the corner at a safe distance before your boyfriend continued talking. “Ramirez Garcia did this to her. Remember the case where a bomber held students in a classroom hostage, and I was the one to try and talk to him, but something I said pissed him off so he blew up the classroom with the children inside. One of the kids was Amelia Garcia, Ramirez’s daughter. He blames me for killing her and now he’s trying to take Y/N from me.”
“Garcia!” Hotch snapped, and the tech analysis perked up at the sound of her name.
“Yes, sir?”
“Give me everything on Ramirez Garcia. JJ, have the police put an APB on him.”
“Right away,” Penelope said as she scurried off to her office while JJ got in contact with the head of the police department.
“Brody,” Hotch talked to the man on the bomb squad, “turn that thing off.”
“I’m trying sir, but this is very complicated. Whoever made it definitely knew what he was doing.”
“I don’t want to die,” you cried. Spencer’s heart broke at the state you were in, and he wished he could be in your place.
“You’re not going to die. We’re going to get that off you.”
“When Spencer?” you panicked. “There are two hours left and you’re nowhere near shutting it off.”
“I’ve never seen anything like this,” Brody commented as he gulped nervously. Spencer looked at you before storming away, and Hotch caught his arm right before he had a chance to escape.
“Where are you going?”
“To read everything I can about defusing bombs,” he said before leaving to his desk. He was not going to let this kill you or anyone in this building for that matter.
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“Someone please call my mom,” you whispered as Brody worked on the bomb.
“You’re not going to die,” Derek said since it was his turn to be with you while Spencer read.
“Derek Morgan you call my mother right now because there are thirty minutes left, and Brody’s been this close to me since the beginning so I know the look on his face isn’t good news. Now call her!”
“Okay,” he whispered as he left. Spencer read furiously on his computer before shooting up and rushing over to Brody who looked at him in fear.
“I got the two main wires. One of them will shut it off and the other will make it explode. Red or blue?” Brody asked as the pair of scissors shook in his hand slightly.
“You can’t put this on me to make that decision,” Spencer breathed.
“Spencer, pick one. I know you haven’t been at that computer all this time for nothing. You’re smart. Use that brain of yours and pick one,” you urged as the clock reached only ten minutes.
“We got him!” Jennifer announced as officers brought in Ramirez. They brought the suspect over to you and Brody, and Spencer grew angry as he got in his face.
“Which wire is it? You put this together, so you know how to stop it,” he growled. Your eyes flitted from Spencer to Ramirez to Brody multiple times.
“Red,” Ramirez smirked. The whole place was quiet as Spencer thought about what to do.
“Spencer,” you whimpered when the time hit three minutes.
“Clip the red,” Spencer finally decided.
“Listen to what he says,” you urged Brody who hesitantly reached for the red wire with the scissors. The whole place was silent and the air was thick with tension. Brody took a deep breath before snipping the red, and as soon as the connection was broken, the clock stopped at three minutes and twelve seconds.
“Get him out of here,” Hotch ordered as police took him away.
“How did you know he wasn’t lying?” Jennifer asked as Brody carefully got the bomb off you.
“He wanted to take her from me, so naturally he figured I would think he’s lying which would make me go for the blue which then would kill her. He told the truth because he wanted to try and trick me.”
“Spencer,” you cried as soon as the bomb was off you. Getting up, you rushed into his arms as your body shook in fear.
“You’re okay. I’m right here,” Spencer sighed as he smoothed down your hair. All you could do was cry since words just didn’t want to form in your mouth. Your brain was too stunned to do anything else but cry. The bomb squad got the bomb out of here while the place cleared of police officers. Hotch gave you two some privacy while Rossi and Morgan decided to talk to the guy before they put him away for life.
“You’re okay,” Spencer whispered as he held you as you cried in his chest.
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