Her beauty drowned me. As I sat in front of her I felt that I would do anything mad for her, anything she asked of me. She was color, brilliance, strangeness.
Anaïs Nin, from a diary entry featured in Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932
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Anaïs Nin, from Henry and June: From “A Journal of Love,” The Unexpurgated Diary (1931-1932) of Anaïs Nin
Text ID: You carry away with you a reflection of me, a part of me. I dreamed you, I wished for your existence. You will always be part of my life. If I love you, it must be because we have shared at some time the same imaginings, the same madness,
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Best Quotes From 'Red, White and Royal Blue'
"David," Alex says. "He's a beagle. I remember because, like, who does that? Who names a dog David? He sounds like a tax attorney. Like a dog tax attorney."
"Christ, you're as thick as it gets," he says, and he grabs Alex's face in both hands and kisses him.
“I don’t give a damn what Joanne has to say, Remus John Lupin is gay as the day is long, and I won’t hear a word against it.” (I know this one isn't technically in the latest version of the book, but it was there when I first read it and I miss it.)
"First you've been, like, Draco Malfoy-level obsessed with Henry for years"
"The next slide is titled: EXPLORING YOUR SEXUALITY: HEALTHY, BUT DOES IT HAVE TO BE WITH THE PRINCE OF ENGLAND?"
"Sometimes you just jump and hope it's not a cliff."
"Your hair in the mornings is truly a wonder to behold," is how he breaks the silence.
"I needed a run," he says. "To clear my head a bit, figure out... what's next. Very Mr. Darcy brooding at Pemberley."
Alex sighs. "I don't think I told you, but she, uh. Well, when she fired me, she told me that if I wasn't a thousand percent sure about you, I needed to break things off." Henry nuzzles his nose behind Alex's ear, "A thousand percent?" "Yeah, don't let it go to your head."
"I'm taking a picture of a national gay landmark," Alex tells him. "And also a statue."
"At cruising altitude, he takes the chain off his neck and slides the ring on next to the old house key. They clink together gently as he ticks them both under his shirt, two homes side by side."
"So," she says. "Do you feel forever about him?" And there's no room left to agonize over it, nothing left to do but say the thing he's known all along. "Yeah," he says, "I do."
"He hates himself, but he doesn't regret anything, and maybe that makes him a bad person and a worse politician, but he doesn't regret Henry."
"Wait. Zahra. Oh my God. I just realized. You're... my friend." "No, I'm not." "Zahra, you're my mean friend." "Am not."
"But the thing is, jumping off cliffs is kinda my thing. That's the choice. I love him, with all that, because of all that. On purpose. I love him on purpose."
"I've been gay as a maypole since the day I came out of Mum, Phillip."
"It's a mural of himself and Henry, facing each other, haloed by a bright yellow sun, depicted as Han and Leia. Henry in all white, starlight in his hair. Alex dressed as a scruffy smuggler, a blaster at his hip. A royal and a rebel, arms around each other. He snaps a photo on his phone, and fingers shaking, types out a tweet: Never tell me the odds."
"When the car door opens, it's June, standing there in a bright yellow T-shirt that says: HISTORY, HUH? "You like it?" she says. "There's a guy selling them down the block. I got his card. Gonna put it in my next column for Vogue."
“So, what?” he asks. “You want me to quit politics and go become a princess? That’s not very feminist of you.” “That’s not how feminism works,” she says, rolling her eyes.
"I am the First Son of the United States, and I'm bisexual. History will remember us."
"History, huh? Bet we could make some."
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“I think, well, I just wanted the pleasure without feeling. But something holds me back. There is in me something untouched, unstirred, which commands me. That will have to be moved if I am to move wholly.”
— Anaïs Nin, from Henry & June; A Journal of Love: The Unexpurgated Diary of Anaïs Nin (1932–1934)
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Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality... I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.
Anaïs Nin, from Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-32
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“I am finished with myself, with my sacrifices and my pity, with what chains me. I am going to make a new beginning. I want passion and pleasure and noise and drunkenness and all evil. I must build a new shell, wear new costumes.”
Henry and June by Anaïs Nin
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