#he's decent at writing them when they are/were villains though

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

[hana-no-seiiki]

Good news. Did some decent progress on What’s Up Danger so you guys will finally get fed this Wednesday! Bad news, the quality might not be the best since I’m fasting while writing it oTL

Anyways, here are some Batfam w/ Cat Villain! Reader moments/snippets.

TW YANDERE AND MENTION OF NONCON/SOMNO

Both Jason and Reader’s first words to each other were, “What the fuck.”

Reader referring to Jason being a giant, and violent asf esp in comparison to Dick. While Jason was confused at his heart beating so fast and mildly crushing on you while you were fighting.

Bonus points: You guys did the spiderman point meme.

You have the biggest age gap with Dick. I headcannon the boys to be close in age so there wouldn’t be any not so good implications when it comes to relationships, but it’s almost unavoidable unless Batman switches sidekicks every year or so. (You are younger than Jason but older than Tim)

But that is also another reason why you two didn’t click as well as you did with Jason

You’d often make jokes or use slang and Dick would just be “???” He tried his best though.

On the reverse side of things, and like I mention before Tim and you got along too well as friends. He’s one of the few people you could gush to about literally any fandom and he somehow (through stalking your searches and literally every gadget/appliance you owned) knew everything about it already.

You two have written several theses on fellow vigilantes and villains (mostly ‘dumb’ ones like who has the best cake based on so and so criteria)

Damian is the best when it comes to bantering with you mid-fight. It’s the combined years of sass and assassin training. Went from plain insults to whole ass (not so) subtly being horny when you beat each other down.

He’s also the worst (best?) when it comes to your nicknames. He insists that you two use it on each other. Some exclusive while others he’s usually fine hearing from other mouths.

There was one point in time where you were called Kitten while the boys forced/bribed you to call them Daddy

Tim and Jason have tattoos of you/related to you.

For Jason it’s your name with a few paw prints, and for Tim it’s when he first fought you (and got his ass whooped)

After Jason came back and revealed himself to you, he tattooed the scratch marks you left him on his back after doing the deed.

Damian secretly practices doing henna so he can draw on you during your “wedding” since he doesn’t want anyone touching you. Sort of defeats the purpose, but go off king.

Being the thorough guy he is, he uses lab equipment to make his own blends.

Bruce? Bruce hates your ass. Sometimes it’s in a hatefuckey way but most of the time he blames you for corrupting his kids.

So he corrupted you in turn.

I feel like he gets off to cucking them honestly (blame that one comic) but if Reader is AFAB I wouldn’t be surprised if he impregnated them.

He’s a softie at heart when it comes to you though, courtesy of your similarities with Selina.

Speaking of, Talia adores you.

Like if there was anyone she would want with her son it was you.

She thinks the fact that you haven’t been put behind bars is a testament to your skill, and after getting over your similarity to her “rival in love” she would actively get you to be with her son.

Eventually she realizes she loves you more than Bruce and well, that’s a story for another fic.

You have at least a dozen trackers on you at all times.

Most of them you’ve ingested and pooped out.

It’s mostly Tim of course. But the duty of actually feeding you that stuff usually goes to Dick.

Dick has uh- somnophillia’ed you a fair bit after the break up.

He really, and I mean really likes to watch you sleep.

It reminds him of those ‘catnaps’ you’d take while watching over the Titans.

There would be times where he’d just be in a daze/in autopilot for hours reminiscing about your past together

His favorite memories to go back to were your first fight together, first kiss, and times under the sheets, and a date you guys had before in a festival/circus.

He never takes the antidote for Poison Ivy’s sex pollen and always comes to you for it, regardless of his or your relationship status.

Tim has at least a million typewritten chats with AI you, and around a few hundred hours of voice chats.

You did eventually take his virginity.

He came as soon as he was inside you/you were inside him.

You have been offered to be a part of the bat crew or a vigilante. But,

you massacred many after Jason’s supposed death and feel too guilty to call yourself anything other than a villain.

Chokers with bells. It’s a popular gift to give you. Especially ones that are custom made with expensive ass materials and engraving.

Sometimes Tim just gives you weapons.

Alfred is your best source of blackmail material.

You’ve actively tried cursing him (with immortality). You love the man.

He’s secretly the president of your official fanclub/fansite but you didn’t hear that from me.

You fight a lot with Damian’s pets. Like in a way that you turn into a literal cat and hiss at them.

And last but not least, you’re vv close with every member of the Teen Titans (besties with Rachel and Garfield)

NOT PROOFREAD!!!

@sophiethewitch1

#yandere x reader #yandere x you #yandere imagine #yandere fic #Rachel helps you a lot with countering the stalking fr #yandere scenario #yandere best friend #yandere writing #yanderecore #tw yandere #yandere prompts #yandere core #yandere batfam #batfam #yandere batfam x reader #jason todd #jason todd x reader #yandere jason todd #yandere jason todd x reader #yandere tim drake x reader #yandere tim drake #yandere damian wayne #damian wayne #dick grayson #batman #dc #yandere dick grayson #yandere dick grayson x reader #yandere damian wayne x reader #bruce wayne

[nothomegal]

Mmm, this isnt a fic request (or maybe yes) but i NEED for reader to break and finally give in for their cuddle session with Danny, oh! And finally start to fall in love with him

Aww you're right anon! I guess it's only the matter of time for the reader to eventually give in and accept the weird ghost guy that keeps sneaking into their life (and house).

And I know it took me way too long to do your request, I apologize for the wait, had some trouble writing this since I never liked how it turned out -.-' Luckily though, I think I finally got something decent!

"Favorite person"

(Ghostface x GN Reader)

Summary: everyone has a limit, and unfortunately today is the day you reached yours as life wasn't all too kind to you for the last 24 hours... But hey, at least your dear intruder has your back, so not everything is that bad! Right, doll?

Warnings: mild example of unhealthy and obsessive behavior, the rest it's all fluff.

Word count: 2.2k

The grip around (Y/N) remained tight. The intruder kept holding their tied form closely in complete silence, something very out of his character.

But such oddness didn’t come from nowhere, and (Y/N) was the one who indirectly caused it. Today was probably the worst day of their life, everything that could’ve gone wrong, went wrong. It's honestly incredible they still had the emotional strength to return home without bursting into tears on their way.

They’re not quite sure how or when they fell asleep, their mind been a mush of blur since they entered their home. All they can remember is waking up already laying in bed with their arms tied behind their back and their body pressed against the chest of the masked man, the same one that would often come to mess with them.

Sometimes he would reveal himself willingly and others just stay in the shadows and observe them from afar or straight from the corner while they’re in a deep sleep.

This night however, apart from tying their hands, he haven't done anything from his previous visits. No cheeky remarks about anything specific they did that day, no rants about some random topic and no attempts to scare or tease them... Heck, he didn't even run his hand through their hair or body. Absolutely no additional touches beside holding them close.

This really threw (Y/N) off. Ghostface, who's been a huge pain for them, the authorities and basically everyone in the town, was... Acting so thoughtful, nothing like the selfish villain he's been portraying himself as for the past numerous nights.

It's not the first time he hugs and holds them in his arms, he's actually super touchy with them and never fails to express his amusement of how helpless they always look. But now?... Now it doesn't feel like any of his shenanigans, but a genuine attempt to comfort them while not pushing too much, though the effectiveness of said attempt remains questionable.

Their thoughts and wonders were interrupted when they feel movement and then something grab their chin to then gently move their head up until they're face to face with that unsettling mask that resembled a ghost.

—“Feeling better?"—

They don't make a sound, quite the opposite, they press their lips in a thin line as they stare into the dark eyes of his mask.

—"If I take off the tape, will you talk to me?"—

Their body tensed at such question. Is he... Is he actually going to?...

—"Of course as long as you don't try anything funny... But you know better."— he leans closer to your face. —"Right, (Y/N)?"—

They gulp nervously, but Ghostface is right, they do know better than to gamble with their luck. Besides, they have no energy to fight or struggle anyways, so of course they'll play along... For now, at least.

With a more defeated look, they slowly nod.

The man releases a pleased hum and without a warning yanks the tape off of their moth, making them yelp from the pain and surprise.

—“There you go, hope it didn’t hurt too much.”— he snorts at your cringed expression.

—“It… It did… A bit.”— you mutter quietly. —“But not as much as a stab would…”—

The killer paused at the sound of their voice, but the calm was short as out the sudden he grabbed them by the chin again and squeezed their face a bit.

—"Aww, look, your first words.”— he remarks playfully before tilting his head. —“Well? Isn’t it just sweet to finally be able to talk, hmm?”—

(Y/N) remains quiet for a couple of seconds, unsure if they should speak again or not. But when It became clear that the interaction wouldn't progress without their contribution, they force themselves to talk.

—"I… Y-Yeah… It is nice."— you answer while studying his masked face. —"But… Please, don’t get too mad at me for replying slow... I'm not used to talk to... Killers, after all. {Or people in general...}”—

—"...Mad? At you? Oh silly..."—

His head then straightened and he squeezed their face a bit tighter.

—"You're so comically shy that I wish I could just cut you up and pull out some confidence out of your body."— he says in a playful tone, though it sounded way more sinister than intended. —"But it's not that you aren't good at speaking, it's the people you call 'friends' that made you believe that..."—

His tone then became significantly colder at the last part, which made (Y/N) tense and go quiet. But despite the dread, they couldn't help but agree with the killer, their friends indeed aren't as good as they thought.

It's another of the many bad things that happened to them today. They weren't supposed to discover it, they just got in the wrong place at the wrong time and ended up overhearing the few people they thought they were close with talk about them. Nasty comment after comment, disgust and disrespect lingering in their tones as they said their name between insults and cruel jokes…

They didn't even bother to listen to the end of the conversation, they just fled the scene and did their best to not cry until they arrived home. And in the entire day, in this whole period of time they looked so pathetic and miserable, none of their other ‘friends’ bothered to see if they're alright or help with any other issue. Absolutely no one took a moment to even say 'hello', and that made (Y/N) feel the loneliest, like they're just a ghost in other people's life, being acknowledged only when they announce their presence.

They get pulled back to reality when the hand lets go of their face and their body is pressed closer to the masked man, making the embrace feel more intimate.

—"...Sorry I can't take the angst as easily as I take people out."— he mutters, his hand slowly traveling up and down your head. —"But I can prevent said angst in the future. These assholes will not disturb you again, I made sure they won't..."— his grip tightens, turning almost possessive.

A shiver traveled down their spine at his words.

They should be afraid, panic that this stranger so deliberately admitted of harming, and most likely murdering, their friends like it’s the most mundane thing to do. They definitely should at least freak out or give any other kind of distressed reaction, they should… But they don’t.

To be completely honest, they weren't even upset at what Ghostface did. After today's interaction their view on his character changed quite drastically. Though he still had that playful and cocky behavior, they now know that whenever he says or shows them care... It's genuine, or so they think. Could this be a trick to make them let their guard down? Definitely. Does it make sense? Uh... Not really, but this man likes to do odd things to throw off any bystander with his shenanigans.

But even if their strange relationship is just a game to him, then damn he's good at it. They almost feel like them matter, like they can be loved and it's just bad luck people around them can't see or appreciate them... Unfortunately though... They know it's not true, it can't be true, they're too pathetic for that, so much that even a psycho killer had pity over them to pretend-

A surprised gasp escaped (Y/N) when their body was suddenly flipped and tackled against the mattress, with Ghostface now looming over them.

They didn't even need to see his face to know what type of expression he had, the atmosphere was all it took to know he was upset.

—"I am not pleased with how you keep viewing yourself, (Y/N)."— he finally says after a pause. —"And I am certainly pissed that you're doing it around me."—

All (Y/N) could do is stare at the ghastly mask in dead silence. Despite having their mouth untapped, they couldn't bring themselves to make a sound, as if paralyzed from fear and anticipation of what he would do if they happen to upset him more.

When the killer began to lean down lowly, they held their breath by instinct.

—"I'll say this one time, and you better not force me to repeat it."— he said in a low and slow tone. —"You are my favorite person in this whole cursed world. And I swear if you dare to think badly about yourself again, I'll fucking stab you."—

He pauses, either letting his words sink in or re-evaluating what he just said or is about to say.

After not coming to a clear conclusion, he sighs with mild frustration.

—"I... Look. I'm aware of my reputation and the image you have of me. And though I do like to amuse myself with these visits of mine, not ones I did it to mess with you, not in the way you think..."—

He pauses again, the eyes of his mask staring directly into theirs, either studying their expression or thinking.

—"I wanted to end you ones..."—

As he speaks again in a lower voice as he extends his hand, aiming for their neck.

—"...But I don’t want it anymore."—

The hand was drastically redirected towards their face, covering their eyes in a quick movement. Whatever sound of surprise or confusion (Y/N) was about to make is shushed when something soft and warm was pressed against their lips, the sensation sending shivers through their body.

—"{Or ever again.}"—

That's all they heard before their eyes were uncovered and Ghostface plopped on the mattress right next to them, his head placed on his hand as he waits for their reaction.

(Y/N) can only cluelessly blink while staring at the ceiling, wondering if the warm sensation they just felt on their lips was actually Ghostface-...

Their face starts to get progressively redder as the realization kicks in. My god. Ghostface, from all people, actually!-

Their head snaps at his direction when that famous deep raspy chuckle left him, clearly entertained by the fifty shades of red their face is going through.

—"What? Never had a kiss stolen before?"— he teases.

—"I- Uh... No. Not really..."— you answer as you look away, face even redder.

—"Good, all for me then."—

Now it's (Y/N) who lets out a snort, finding his behavior silly yet quite charming. Huh, strange how quickly they moved on, the previous dread and fear they felt when he pinned them was now like a long forgotten dream...

Is the famous Stockholm syndrome affecting them already? Why are they suddenly so okay with his presence? Even when knowing about his mood swings they can't shake off this strange sensation of comfort...

Is it because his actions and intentions are now confirmed to be genuine? Because he really seems to like and cherish their company? Cherish them?...

...

...You know?

Fuck everything.

They're too tired for this 'BS' about morality and shit. It will be a tomorrow problem to overthink, now they should just give in and take this night to relax and... Well, maybe even put into use this little freedom of speech they got and actually chat to the man, maybe even get to know more about him.

They look at killer again, the dark eyes of his mask still fixated on their form as he observes them in silence, almost like he's looking at a piece of art rather than another person.

—"So... Are you going to stay here all night?"— you finally ask.

He's silent for a little while.

—"You want me to?"—

—"Kinda. You... You're not too bad of a company, I guess."— you shoot him a timid smile. —"And even if I didn't I doubt you would've leave."—

He lets out a snort at their last comment and then lies down, a bit closer to them.

—"You're right, you're now haunted by me either you want it or not."—

There is a small pause between them, both just laying and looking at each other, a strange atmosphere of calm now lingered in the room, making this moment feel oddly right.

Out of the sudden, they feel a pair of arms snake around their form and bring them ones again into that warm and intimate hug. And this time, they welcome the gesture by snuggling closer to the man and letting out a content sigh.

—"So."— he then says as he tilts his head to look at you, now in his arms. —"What's your favorite scary movie? I never got an answer to this question."—

—"Huh? Aren't you supposed to know that?"— you arch your brow. —"Y'know cuz of the whole stalker thing and all..."—

—"Yes, but want to hear you tell me that. I just really like the sound of your voice."—

They can feel their cheeks warm up, and they can't avoid to get even shyer when the man chuckles at their expression.

—"W-Well... I have a couple."—

At first they sounded awkward while speaking, as if expecting him to interrupt them or laugh at their preferences. Nevertheless, he never made a sound and seemed to pay close attention to what they're saying, sometimes even asking more things about the movies when given the opportunity. Overall, Ghostface is a very nice guy to talk about any kind of nerdy horror stuff!

At some point, they even forgot that the man holding them was a serial murder. It actually felt like talking to an old dear friend rather than a criminal.

And as they talk through the night, (Y/N) finally understands why Ghostface always became so touchy and clingy whenever he had a bad day.

Cuddles and rants indeed help, especially if done with your favorite person.

And though they're certain he's not one yet... Just by seeing how the night progresses.

They wouldn't be too surprised if he somehow sneaks his way into such spot.

#nothomegal ask reply #nothomegal fic #ghostface #ghostface x reader #danny johnson #danny johnson x reader #gn reader #nothomegal oneshot

[vhstown]

hobie brown ★ general headcanons

content/warnings: mentions of drinking, mentions of violence, implied abandonment (?), depictions of fictional dystopian govt + police

a/n: it's about time innit 😭😭😭 a couple little thoughts about the guy that has taken over my brain for the past 6 months give it up for spider punk ‼️ very much inspired by @qiupachups's hcs go check em out here

Hobie tends to code-switch a lot depending on who he's around. At the Spider-society, he tones his accent down so people can understand him, but speaks in his natural accent around the mandem & people he likes (e.g. Miles 😁) He's the menace EVER though so he dials the Cockney up to 100 when he's fighting cops outside of the East End because they don't understand it 💀

Even though his handwriting is... atrocious, it's actually because he's picked up the style of ransom notes. In his universe, any sort of communication can be intercepted, so it's better that he can't be identified by his handwriting. That's why it's always changing, and he's half-decent at forgery too.

Speaking of writing, he can do a bunch of pen tricks. It's almost annoying how good he is at it, and if you were to ask him how, he'd just shrug. He's just that guy, you know?

His universe's Aunt May is a lovely lady from the West Indies and she runs F.E.A.S.T in Camden. They're not actually related, but he'll always see her as his aunt. She definitely helped him out after a rough patch in his life, and he volunteers often at the shelter. Everyone there has just accepted the 7ft punk walking around a couple days a week giving out breakfast and coffee.

Hobie is also bizarrely resourceful. He has a LOT of plants in his boat, and some of them grow vegetables! He knows all about gardening and makes the best preserves and soups. It's a good time to be at F.E.A.S.T when Hobie comes in with his little cloth bag full of veggie goodness.

About the rest of his family, Hobie's parents... He doesn't even know who they are himself, to be honest — not like he wants to. However, he does have siblings and a few close cousins. They're all separated, but Hobie does his best to find them. He's the oldest of them all (so far, at least?) and though they don't see him much like a brother at first, he makes sure they're taken care of, regardless of how much younger they are than him. They're always running around F.E.A.S.T, so on the days where Hobie isn't there, he can be sure that Aunt May has a few little helpers (though they're quickly growing taller than her...)

Good with animals. Even the ones that seem a bit rabid warm up to him after a little while. He knows when to leave them alone, when to give them attention, what to feed them, etc. That's why it's not unusual to see them following him around, and a bunch of kittens at his feet eating while he eats his own lunch.

Not actually a big drinker. I like to think he only has a couple of drinks or is just an insane heavyweight because there's no way he's gonna be dismantling the dictatorship if he's piss drunk. There's been a couple times where he's knackered after a night out, though. Just another reason to hate mornings, it looks like.

Most of the stickers on his guitar are from different shows and rallies he's been to, and/or organised, but only a few out of the hundreds he's been to (there's only so much space on a guitar, after all.) It's almost like a little look through his life since he joined the punk scene. Besides, who wouldn't want to beat your local government-made villain over the head with a picture of a cartoon dog?

Absolutely, utterly, undeniably terrible at singing — or is he? Not exactly. He can hum just fine, so singing should be a piece of cake, right? He's alright at a few songs, but "happy birthday" isn't exactly something you'd be performing at the Royal Opera House (he does anyway, but that's a story for another day. Fisk's 56th birthday goes just swimmingly with Spider-Punk on the front of the news.)

Despite that, he's not particularly fond of being known as "Spider-Punk". His Spider identity isn't really meant to be identified, despite how loud his whole get-up is. He's got a lot of people depending on him, and he's careful to never leave a trace of his real identity. That also means, however, that pretty much every punk in the area has a target on their back — let's just say Hobie's got a little "BEATING UP BLUE BOTTLES 101" on a Saturday morning for all his punk friends.

Since the government's got little recording devices and cameras everywhere, Hobie's taken it upon himself to... "borrow" them. He's got a couple mates good with tech, so he's on the scene pretty fast with his own crime-tracking network — pretty sick.

In fact, Hobie's friends (in his universe and others) are pretty useful for more than a few things. For pretty much every situation, he "knows a guy", whether that's related to tech, music, clothing, art, putting together a bunch of random stolen parts to make a dimension watch...

iN CAse

it dON'T

WoRK ouT

— HoBie

🎸💫🕸️

@phoenixinthefiles (since i alr tagged chewy lol)

hey hey hi these r a bit shorter than usual but i just wanted to put these little thoughts out there ^^ might make a part 2 if i have any more thoughts idk we'll see!

rbs super appreciated have a good day and check out my atsv masterlist here!

#hobie brown #hobart brown #spider punk #hobie brown headcanons #atsv hobie #hobie spiderverse #spiderverse #across the spiderverse #spiderman across the spiderverse #atsv #atsv headcanons #vhstown

[kanzakurawrites]

Do you have any headcanons about the other parents of the VKs?

YES

Evil Queen used Evie as a servant for most of her life, only stopping when she realized how dirty Evie was getting

Cruella tried to train Carlos with a dog whistle and a spray bottle - but with the water on the Isle being so dirty and likely toxic it caused Carlos to get sick. While Cruella didn't care about that, she didn't want to get sick, so she stopped with the spray bottle, and then with the whistle after finally realizing that he couldn't hear it. (The Isle made her a lot more unstable)

Jafar has tried to arrange marriages for Jay with those on the Isle who might be able to have wealth in Auradon, such as the Evil Step-Granddaughters and the Queen of Hearts daughter, but it never worked out. He's tried multiple times to pair Jay off with Mal.

Gaston takes his boys out "hunting"... make of that what you will.

Gaston also managed to bribe one of the Auradon guards to bring over some chickens and a rooster so each of his boys, and himself, can have five dozen eggs a day.

Hans is actually a pretty decent father. If you ignore the fact that he's taught his kid(s) all his manipulation tactics. That aside, he's also taught them how to read, write, mathmatics, history, etiquet, etc.

Smee loves his kids, but he isn't exactly always there for them. Because of this, Sammy took care of his brothers growing up more than his father did.

Anastasia is a good mom. Along with taking care of her own kids, she takes care of a lot of the orphans on the island. And Dizzy has practically become hers.

On a similar note, Drizella is not a good mother and has A LOT of children, all girls. Some of her girls are as high-strung and rotten as she is, but the younger ones (like Dizzy) have become little "Cinderella's".

Surprisingly, Lady Tremaine tried to stop it, but never succeeded.

Ursula taught Uma all the Greek myths and legends, and would repeatedly tell her that one day they'd get off the island.

While he's an amazing father to Celia, Dr. Facilier wasn't the greatest dad to Freddie and does regret it (even if he won't admit it)

Like Hans, Captain Hook made sure his kids knew how to read and write. He also taught Harriet and Harry how to read maps, create maps, as many constellations as he could remember (many drawn out on paper), swordfighting, and pretty much everything that goes along with being a pirate. (He would have taught CJ, but after his wife's death he pulled away from her - CJ looks the most like the siblings mother)

Mother Gothel treats Ginny like a maid, but isn't the worst parent. The worst she's done is drag on Ginny's appearance to make herself look better (which is bad, but on an island of villains, better than a lot of kids get). Somewhere in her, she might love Ginny, but at the end of the day Mother Gothel is an incredibly selfish woman.

(A similar headcanon that can also be true is that Mother Gothel is actually Ginny's grandmother, and Ginny is Cassandra's daughter only Cassandra willingly let her mother raise Ginny in order to protect her as Cass isn't the most popular on the Isle)

The Huntsman has taught his kids everything he knows and they do animal control - they can't really harm the original hyenas who were thrown on the Isle, but they can take care of the never ones.

Morgana kept having children in hopes that eventually one would transform while under the barrier, but it never happened. Over the course of twenty years, she managed to have 15 children and had to open up her own school.

Edgar lives quietly in his very run down apartment in the square where he and his son run an animal grooming business. With how many "evil animal sidekicks" there are, it goes surprisingly well. He has to leave the room whenever a cat comes in, though, so Eddie does a lot of the word.

Yzma tends to conduct very dangerous experiments in her attempt to do magic.

The Stabbington Brothers have raised their children together, so the Stabbington Cousins are really more like siblings. With that said, the brothers have been determined to raise children who will become better thieves than Flynn Rider, and better fighters than themselves. The fighting has gone good, but the they're never satisfied with the Cousins thievery thanks to Jay always managing to beat them.

#disney descendants #descendants #descendants headcanons #disney villains #mother gothel #lady tremaine #disney gaston #jafar aladdin #the evil queen #cruella de vil #prince hans #captain hook #the isle of the lost

[fractiflos]

For the ask game: En, Banjo, and Hikage babysit a young Izuku. Thank you!

I made a meme about this, so let's see how it goes when their skills vary.

Yoichi was AFOs first choice, but he was out of town with his boyfriends, so Inko asked her co-worker and fellow secretary at All Might's agency, Toshinori Yagi, who agreed. Unfortunately, literal seconds after AFO and Inko left, All Might was needed, so in a rush, he accidentally scrolled too far on his contacts and called Lariat instead of Eraserhead without noticing. He tried to backtrack, but too late, Lariat shows up.

It goes well, for the most part. He's energetic enough to keep up with a four-year-old and Izuku is well-behaved enough that he doesn't cause problems. He just asks for an autograph and questions about hero work, writing it all down in the new notebook he got (along with some doodles). Then it's dinnertime. Banjo mainly relies on microwavable food for energy and doesn't really know how to cook, but figures that a kid should get something healthier. He tries to do something simple and homemade and sets the kitchen on fire. (Izuku was in the living room and is fine) Needing an excuse for all the smoke, he calls his fellow hero Gaen and begs him to cover for him. En does him one better and shows up to help babysit. Hikage shows up at the same time as En. He wasn't invited, he just sensed that Banjo was doing something stupid.

En is a great babysitter, in that he knows how to cook dinner and "for the love of All Might, just because there's no drugs or sex does not make it appropriate, give me the remote-" Izuku somehow manages to realize he was an underground hero and begged for an autograph, which he gave. (He tried to hide how pleased he was and failed). But it was a great opportunity for him to get to know Hikage, having only heard of him through stories. They get along great.

Hikage is... Ok. He's not a hero so he doesn't peak Izuku's interest as much and he can't really match the wild energy a toddler has, but he still does a decent job keeping Banjo from cussing in front of a kid and he's a lot more observant, so he manages to catch Izuku before he hits the ground after rocking back in his chair a little too far.

He also manages to get Izuku to bed quickly. But that's because he bored him to sleep by talking about how trees grow and what they need for it and all that. Though to be fair, anything not hero related would have made him fall asleep. All in all, a success. Until Hisashi (aka, one of the newer villains AFO) walks in with his wife to see two heroes and a weirdo he didn't invite sitting on his couch watching TV. They were lucky Inko was there to keep him from killing them. As for Toshinori... Well, he was unlucky enough to have Inko be the one to chastise him.

Thankfully for them, Izuku did not know Toshinori was All Might. Otherwise Banjo would've been walking in to a full on meltdown.

#middle may ask game #daigoro banjo #hikage shinomori #en tayutai #Having a last name for him feels weird

[sepublic]

Thinking of how the first year of Ninjago is framed around the original conflict between two siblings who inherited a father's legacy of four Golden Weapons, fought over how to use said legacy, and it ended with one of them being trapped in the Underworld.

And then in the present day, we have two siblings who inherited their father's legacy, the Four Weapons shop, and one of them ends up trapped in the Underworld. Because of that original conflict between siblings, because of the sibling who was also trapped in the Underworld, and inhabits that same realm with her; Even as the other sibling is scouted by the original victor, and recruited.

Ggooodddddd imagine an AU where Garmadon and Nya actually interact while in the Underworld, where these parallels are explored! And the mixed feelings that Wu and Garm have seeing these two other siblings, who still get along and aren't at each other's throats. Wu feeling resolve to help Kai get his sister back too, because he doesn't want Kai to lose a sibling under any circumstances as he did, all while Garmadon tries to pull Nya to his side by feeding into any frustrations she might have towards Kai and Ray.

On a similar note, I get why Day of the Departed lumped Kai and Nya together when fighting Chen; They share a mutual connection towards Chen knowing what happened to Ray and Maya, who are THEIR parents, plus this transitions into the siblings as the mutual stars of the next season. And I think the way the villains were paired with the heroes mostly made sense, with the exception of Jay and Samukai, which the writing itself admits was because they were left over.

But MAN I think it'd have been cool to have Nya paired up with Samukai instead, given him kidnapping her is what starts off the entire series; Nya was trapped in the Underworld for all of 2011's storyline, so it makes you wonder what interactions she might've had with the Skulkin during that time. While non-canon, Lego Battles: Ninjago does show Nya being interrogated by Samukai and his lieutenants Kruncha and Nuckal. It'd have been a cool character moment to have Samukai go after Nya, reasoning he already kidnapped this 'helpless girl' once, only for Nya to show she's grown beyond anything he could imagine since then.

Of course, this again leaves the question of Jay... Who if we're being honest, DOES have a villain prior to Day of the Departed that he actually pairs decently with: Nadakhan, but alas Nadakhan's whole beef with him has been retconned out of existence. Still, it makes me imagine another timeline or AU where Nadakhan still shows up despite being alive, the way Pythor did; Like through some convoluted antics, the Teapot of Tyrahn is opened up and Yang wishes for idk for Nadakhan to fight Jay or something. Due to Nadakhan not having the Sword of Souls and Jay knowing his opponent well (while Nadakhan himself doesn’t, not remembering what happened), it gives him just the edge he needs to defeat Nadakhan before he can really become a threat.

If two ninja need to be paired together, maybe it can be Jay and Nya both against Samukai; Though, it makes more sense for Nya to be with Kai when everything goes wrong, because they're mourning their parents together and all that. Maybe Nya's on her way from Jay's to meet up with Kai for their Day of the Departed rituals, only for Samukai to show up.

#Ninjago #Nya #Kai #Garmadon #Master Wu #Sensei Wu #Samukai #Day of the Departed

[thishazbinamistake]

*Mild spoilers*

I watched the first episode, so here are my kind of disjointed thoughts if anyone is interested in hearing them:

So first off, I thought it was okay visually. I tried to ignore the weird animation errors, like how in one scene I noticed Charlie has five fingers on one of her hands instead of her usual four, and that they never fixed that one scene where Vaggie just... disappears in the background (you know the one), because I try not to be too harsh the animators for these sorts of things. But it definitely felt amateurish in places. Other than that, Viv definitely wasn't lying when she said it looked "fine". I've seen worse, for sure.

The voice acting ranges from pretty good to honestly terrible. Stephanie sounded like she could not give less of a shit about being there, and had some weird annunciation, making her kind of hard to understand in places. I was optimistic about Keith, and he sounded great, but honestly did not fit the character of Husk very well. Charlie was actually quite good, she has a great singing voice and overall I thought Erika did a good job for her. Alastor was decent, Amir definitely did a better job than I was expecting, considering how iconic Edward's performance was in the pilot. Niffty didn't talk nearly enough in the first episode for me to even form an opinion on her voice acting, but she's fine, I guess? Katie is literally just Brandon Rogers doing his Brandon Rogers voice.

Blake was super annoying, and he did not make Angel's constant sex jokes endearing or funny in the slightest. For the record, I didn't even like pilot Angel in the first place, but now, compared to this, I'm honestly starting to miss him. And I'm not even going to touch that "this body was made to be exploited" line with a ten foot pole.

Adam, though... God, he was easily the worst part of this first episode. His surfer-dude voice was annoying as shit, and his lines were so cringeworthy. He is not an entertaining or engaging villain in the slightest. Literally, every time he was on screen I was just waiting desperately for the scene to change.

In the first episode, we hardly get any glimpse into the personalities of honestly most of the characters besides Adam and maybe Angel, which is unfortunate because they're the two most annoying characters.

With Lucifer and Lilith's backstory, in typical Vivzie fashion, Lucifer is the sad uwu boy while Lilith is treated as being the one responsible for everything. Not really surprising.

As for the writing, it's 30% boring exposition, and 70% unfunny sex jokes. Literally most of Adam's dialogue is sex related. I hate him so much it's unreal.

And the songs... they sounded fine, but they don't feel like something you would want to casually listen to on their own. They just feel like they're meant to be transitions from one scene to the next and nothing more.

For as little as we saw her, I think my favorite part of the first episode was Niffty. She's honestly a super cute and fun character, and the scenes with her were the few times I actually cracked a smile. She's such a little freak and I love her. Everyone else was either boring or made me want to shove a screwdriver in my ears.

Finally, one of the most glaring issues to me (aside from Adam) is that the show didn't really give much of a setup for what was happening. We got a little exposition about Lucifer and Lilith and the fall of man and all that, but aside from Charlie, we aren't reintroduced to any of the characters from the pilot. This feels like a really dumb move because it's alienating to new viewers. If you were someone with no knowledge of the pilot scrolling through Amazon Prime looking for a new show to watch, and Hazbin caught your eye, you'd probably get confused about who all these characters are and what it is they're actually doing, so you'd probably just click off and look for something different. It's obvious the writers just assumed that everyone watching had already seen the pilot, I guess because they think only longtime fans would be interested in the show, which is honestly really sad. You'd think they'd want to try and grow their audience more, but it just feels like they only want to pander to the people who are already fans, which feels like a bad desicion from both a storytelling standpoint as well as a business one. A show, especially one that migrated from an internet pilot to a full series on a paid streaming platform, should be able to stand on its own two legs without needing the pilot to do all the explaining. Especially considering the designs and voice actors changing between the pilot and the series. I didn't expect them to completely remake the pilot, but they could have at least done a better job establishing the characters.

All in all, episode one was at best a 5/10. Like I said, I've seen far worse but this just felt like a bad note to start this all off on. For newcomers, it's confusing and downright unappealing, and for longtime fans it's just disappointing. I can really only see diehard Vivzie fans getting a ton of enjoyment out of it.

Still need to watch episode two, maybe things will improve from there.

#hazbin hotel critical #hazbin hotel spoilers #long post

[crusherthedoctor]

I like how Sonic 06’s defenders and their arguments never conform or line up with one another, like each of them has a different interpretation and headcanon to the game’s plot and characters.

Some say the Time Travel works in X way, others say it works in Y way, and so on, even though it’s never outright stated in the game any of this, and their own theories have their share of inconsistencies and holes with what the game shows us. Then there are the ones who say Mephiles is a 400 IQ villain whose actions were all according to his masterful and sadistic plan (despite all the other characters becoming fucking dumbass for all the ass plot to happen), and there are ones who says he’s supposed to be a dumbass and a coward, even though Eggman in the end props him up like a master manipulator who trolled them all, so I’m not exactly sure if the game confirms this view.

There is never a consensus on what exactly is the case on these things and it’s so funny to me. Maybe someone could say that because the story is so complex, deep and masterful, one could draw many interpretations from it. Like, yeah, it’s totally not because everything in the story is poorly explained, established, shown and executed, making everyone have the chance to fill in the gaps with any kind of bullshit the game shows and establishes or even what it doesn’t show and establishes lol.

Surge might have dethroned him as my least favourite Sonic villain of all time (funny how it didn't really take that much effort beyond simply being as annoying as possible for my tastes...), but Leslie the Dark is still a shoddy result who similarly did not earn his fandom acclaim. Much like how my personal distaste for Frontiers doesn't mean I'm suddenly going to start fawning over '06, or any other game I consider too flawed to consider good in the unironic sense.

You can tell Mephiles was set up to be the ultimate mastermind, and that him failing to line up with that role was not intentional. Notice you'll get fans gushing over how brilliant he is, but once you point out the issues with him, then they'll switch gears and act as though his flaws were deliberately woven into his portrayal. Either that, or that you can't expect perfection from a Sonic story (which is hilarious since most fans make a big deal about how they care more about the story than the gameplay, to the point of excusing certain installments of their non-nitpick shortcomings if they find the story to be halfway decent). It's no different to claiming Scourge was always meant to be a parody, despite how he would frequently be presented as the biggest and baddest threat with no irony whatsoever: it's a lazy excuse to justify bad writing, and very obviously such.

The only reason you could give Mephiles for going out of his way to convince Silver to kill Sonic is that he couldn't do so himself for whatever reason... which goes out the window when he ends up doing the deed himself anyway. It's not like he was too busy either, since up to that point, he spent the rest of his time fooling around with Shadow in ways that didn't really contribute anything to his ultimate plan. Or that he could have teleported all the Chaos Emeralds to his destination from the start, since it turns out he can do that as well, with no reason provided in the game as to why he didn't do so beforehand. While you can write a villain whose indulgements might occasionally drift from their overall scheme, you need to be smart about it, and provide context that doesn't compromise the story's structure.

This is what happens when prioritizing cheap power level thrills overwrites the plotting. To my dismay, this would not be the last time it becomes an issue in a Sonic game. *looks at Frontiers' shortsighted milking of super forms*

The recent push to retcon '06 in general as secretly brilliant is always going to be an example of why I don't take a statement as gospel just because it's a popular one. Yes, '06 does have some moments worthy of praise, and some ideas did have potential, but that doesn't mean the final overall product is actually good. The humans still look uncanny. The world still leans too far into realism for realism's sake. The gameplay remains as broken as ever, and no amount of praise given to Project '06 will change that the original game remains broken. Elise's character being reevaluated and appreciated is nice, but she was still used poorly in the plot. Silver might be powerful, but on top of being made to piggyback off of Shadow's popularity (and the majority of his creative process being little more than "think Trunks"), he was ultimately portrayed as a total idiot, and the way they framed him beating Sonic was just as unearned as Mephiles' kill, and contributed to Sonic's poor treatment in the game as a whole. Do I even need to go on, given what game that nearly killed the franchise we're talking about?

It's frustrating for me because not only can I express fondness for a less than stellar product while also acknowledging its quality with no issue at all (I am fully trained in the ways of Enter the Dragonfly and its lip flapping muppet models), I also happen to love stories that deliberately keep some of the details ambiguous in a way that's satisfying and intriguing instead of coming off as a cop out. So for people to hold up '06 as an example of that offends me lol, especially after so many years of later games being beaten over the head because fans cried up and down about not settling for mediocrity.

So we won't settle for perceived mediocrity, but outright shit is fair game?

#Crusher's Asks #Opinion #Mephiles the Dark #Sonic the Hedgehog 2006

[consumeronionbulletin]

Marry My Husband (2024)

This show is not perfect, and it is certainly not Perfect Marriage Revenge, but it does have its charms.

What Worked

Like that other show about a time traveling wife who was betrayed by her family and goes back in time to get her revenge, this show was good because of its villains. Song Ha-yoon who plays the evil best friend Jung Soo-min was the most fun to watch of the baddies. She was believably bad while pretending to be nice, and watching her spiral out of control over the course of the series was a treat.

The show also made the most of its side characters, giving them interesting plots and bringing in a solid cast. I especially loved watching young actor Choi Gyu-ri bring this delightful manic energy to Yoo Hui-yeon (the younger sister / bestie). I could have used more scenes with her, and hopefully she'll break into a lead role in a future series.

What DIdn't Work

Though it had a solid final two episodes, the show sagged a bit in the last third. They brought in an evil-ex fiance character that just wasn't interesting to watch.

Also, there were a few moments where the show went from "Over the Top" to "Completely Unbelievable". Like the end of episode 13 (aka the "slowest truck of doom ever") and the end of episode 14 (aka "WTF Ji-won, don't just stand there, Kick him in the nuts, FFS!").

The Performances

Park Min-Young as ("Time Traveling Wife") Kang Ji-won. I've been kind of disappointed in PMY's choices lately, so it was nice to see her in a somewhat better role. There were moments when I felt pathos, or enjoyed the romance, but not that many. Mostly, it was the moments in the show where she got to be angry—and even a little ruthless—that I remember. Which is part of the appeal for any good revenge show.

Na In-woo as ("Future CEO") Yoo Ji-hyuk. I think he was a little wooden in this, but alot of that was the writing. The show was really focused on the FL and on her relationships, and it didn't have much space for him. I didn't really mind that, but it did make those few moments where he got to cut loose a little (like the ice cream scene) more memorable.

Lee Yi-kyung as ("The terrible ex-") Park Min-hwan. This guy was great at playing a mediocre man completely out of his depth. He was like one of those clown punching bags that just pop right up after you hit them. And it was fun watching him get beaten down and come right back up for more.

Song Ha-yoon as ("The evil bestie") Jung Soo-min. I liked watching her slowly get more evil and more crazy as the show went on. The actor did a great job making her contemptible, while pretending to be kind and thoughtful.

Lee Ji-kwang as ("The chef") Baek Eun-ho. Probably the most sympathetic character in the show. He just wants to run his restaurant and feed all his friends and get a cute girlfriend and all of these crazy people keep coming in and messing with things. Would have liked to see more of him, and his loveline, but what we got was nice.

Choi Gyu-ri as ("The Best Sister in the World") Yoo Hui-yeon. This actor had golden retriever energy and it was so much fun watching her in the middle of this craziness. I want to see an entire show with her just running around living her best life. We needed more of Hui-yeon and chef's story than we got, for sure.

Gong Min-jeung as ("Sad boss") Assistant Manager Yang. I've seen this actor a few times and I always enjoy her, though they rarely give her a good loveline. She got a pretty decent one here, despite all the other crazy stuff that happened, so that was nice. Again, could have used a few more scenes with her and Lee Seok-joon.

Ha Do-kwon as ("The Salaryman") Lawyer Lee Seok-joon. He did a good job bringing some gravity to this crazy show. Was able to be funny too (in a Butler Jeeves kind of way). Not enough time spent on him and Manager Yang's story, but what we got was good.

BoA as ("The Evil Ex-") Oh Yu-ra. This character felt more like a plot device than anything. There were a few moments where she could have felt menacing or crazy, but I don't think the actor was quite up to it. They needed to cast a real Mean Girl, but they didn't have enough story for that kind of character.

Ha Do-kwon as ("Bad Manager") Lee Seok-joon. They brought in a really good character actor and this guy made the most of the part. He felt like someone I could have met in real life, and I despised him. Which means the actor did a great job.

Everyone Else. The high school bully girls were fun to watch. Yang's husband did an okay job being despicable. The judo teammates were funny. Even the grandfather had a couple of good moments. Show did a good job taking care of its minor characters.

TL; DR:

If you liked Perfect Marriage Revenge, you'll probably like this too (and vice-versa). It's different enough that you don't feel like you're watching the same show twice. It's also not quite as good as that other show, which means people likely judged it a little harder than they otherwise might have done.

#my kdrama notes #marry my husband #bonkers

[catiuapavel]

I completed every main mission and sidequests in Cornia (excluding the forbidden level 40 area)

This game is so fun and refreshing to play. When I played Ogre Battle March of the Black Queen a few years back, I dreamt of a game in the same vein that could grant you more control over how battles play out and Unicorn Overlord is a far more layered iteration of the timid concept I imagined. Going through all these menus and setting all these conditions, testing them out, doing it all over again to optimize them... This is so thrilling. I love micromanagement.

The more gameplay devices are introduced (like watchtowers, catapults, balistaes, rams, units to rescue in the middle of nowhere), the more fun it gets. Thanks to these elements coming into play one at a time, the stages never feel dull or the same.

I'll say Cornia on expert mode was hardly that difficult. It provided fun challenges so I don't mind. I'm just surprised that the highest level of difficulty feels like a normal mode. That being said I'm not a good judge of strategy games difficulty because I'm pretty much like that:

The presentation of the game is sooo beautiful. The hud, style and environments all fit so perfectly together. So few games seem to understand the value of these things nowadays and it's refreshing playing such a well-crafted one. I just wish there were more parity in character design: men with sillier outfits and animations and (a handful more) women with... let's say more pragmatic ones.

The soundtrack has been alright so far but I'll say: BOY am I glad to get out of Cornia. I think the area could have used 1 or 2 more songs for diversity (even if they kept a similar style or leitmotiv). Drakenhold is delivering in terms of music already!

Unfortunately the only tar so far is that the story is just so very... mid. At best, It's simple and serviceable even though you feel like you've seen it a hundred times before. At worst it's... mind control to handwave morality and responsibility away. However, I don't want to judge it too hastily and I hope to be surprised eventually.

Mostly, I'm genuinely, desperately, hopeful that recruiting everyone merrily will have dire consequences at one point or another. As much as I enjoy collecting every little guy on the continent, defeating a boss set on murdering you and/or terrorizing the countryside and having Alain choose between executing them or recruiting(/releasing) them after hearing their tragically lukewarm backstory (and everything ends well and fine) is becoming jarring. I want to feel regret, I want to feel pain. I want my decisions to come back to haunt me. I want to be crushed under the weight of my actions.

(DON'T tell me whether that's the case or not)

But so far the characters are just bad until they're good and once they join your ranks, they are unconditionally loyal. It lacks conflict and makes everyone far less interesting as a result.

(side note: this one isn't recruitable (thankfully) but Gaston in "Province of Famine" was one of the worst parts so far. You've got a tyrant pillaging his subjects' reserves, depriving them of food while bragging he's enjoying several lavish meals in a row with the most episodic cartoon villain presentation, but when you defeat him suddenly he wasn't actually that bad and was just keeping a reserve in case of famine. Surely... There was a way to write this with a bit more nuance and with less contradictions. The worst part? I called that one as soon as the stage began so it wasn't even shockingly bad, just disappointingly so.)

Still, the characters themselves feel engaging enough. The writing is decent when it comes to interpersonal relationships. I've set one foot in Drakenhold and I was delighted to see Travis and Aubin come into the picture once again. It makes me hopeful the greater cast will develop outside of rapport conversations. And if the narrative truly doesn't deliver later on... I will have these lively and diverse characters to fall back on at least.

#lou plays unicorn overlord

[tariah23]

Genuinely curious: how bad did jujutsu kaisen get (i dropped off prettyyyy early but i thought it had potential! And i heard great things about it! But now it's like...hmmm not so good 🗿)

I wouldn’t say it’s completely BOOTY (It’s still pretty decent actually even though I do complain a lot about my grievances that I have with it!) After the Shibuya incident (the arc is fucking amazing btw. Idk how far you’d gotten but the Hidden Inventory was also sick as well!!! Two of the best arcs back to back! Gege was absolutely feeling himself when he wrote these 😭) the writing had definitely begun to noticeably take a nosedive.

I remember Gege often getting sick, resulting in him having to take multiple hiatus after finishing up with Shibuya and it had even gotten to the point where he’d put out rushed chapters (he never used to do this so whenever he’d do so, it was pretty noticeable because his writing had always been pretty entertaining and fairly good (imo) up to this point…) and even incomplete chapters…. (When I first read that very specific, incomplete chapter, I legit thought that it had been drawn that way on purpose??? Like maybe it was drawn in a sketchy way for stylistic purposes! It was pretty cool to me at the time until I’d learned that he just couldn’t finish drawing the chapter and had to put it out as is… then this is where the hiatus had began. Because he’d take a break (great! His health is more important than anything after all) and then come back with half assed chapters from time to time? (I believe all of the breaks definitely effected the momentum that he’d built up for himself tbh. But I’m glad that he put himself first regardless.)

Enemy curse users during both the Colony and the Culling Game arcs felt more like “villains of the week,” over than anything else and were just there to be defeated by the MC’s and to extract little pieces of information at a time. Most of them didn’t even stand out all too much outside of a few. Incidents that took place throughout these two arcs felt completely pointless and added nothing to the story whatsoever. Then there’d be long stretches of time in between the story where important characters like for instance: Megumi and Yuuji, would be absent from the story for unnecessarily long periods of time for no reason at all because Gege’s pacing had begun to take a toll on the writing side of things???

There would be instances where important and genuinely EXCITING things would happen only for the story to go back to feeling like a bunch of nonsense again and then this would become a sort of rinse and repeat type of thing. Don’t even get me started on the Gojo VS Sukuna fight…… both my fucking head and heart still hurts over what happened if I’m being honest because HOLY SHIT, Gege fucking sucks 😭!!! How do you do THIS to such an important character in the series bro. It still doesn’t even feel right like. What was even the fucking POINT of this 3 month long ass fight 😭😭😭!???!? Quite a few other slightly major deaths were poorly executed as well… there’s just…. SO MANY INCONSISTENCIES and plot points that felt as if they were going to MATTER in the end; become important later on, only for them to end up not mattering at all…

The plot is still unfolding but UHHH… Also, depending on how far you’d gotten into reading or watching it, things do become extremely depressing after a certain point in the story like, the characters have not had a good time ever since the students played baseball with each other in that one episode/ manga chapter before ALL of the bullshit started 😭. Everyone is a wreck! Everything is a mess! What is the point!!! JJK is definitely misery porn. It excels in it.

#I’d still rec reading and watching it tho because it really is a fun series #it’s just #I feel like gege is really trying to rush to the ending of jjk rn or some shit because he’s just been writing any damn thing now 😭… #and he is getting his rocks off I just know it!!! #when jjk is good it’s GOOD!!! #the writing has just been pretty all over the place as of lately though #the pacing goes from stagnant to fast then back to stagnant then fast then normal a lot though #but again #these are problems mainly associated with literally everything after the shibuya arc #if you gave it another go you’d see what I mean but it’s not the worst #I feel like gege needs to pace himself better idk if his editors have been getting on his ass or what because I swear to god jjk was not #written so carelessly before #I’m so serious #tkf replies #b1uetrees

[flower-boi16]

Why "The Life and Crimes of Scrooge McDuck"'s Message Doesn't Work

Ducktales 2017 is one of my favorite cartoons of all time and used to be my No. 1 favorite until I saw TOH, but I still hold a very deep love for the show, especially when it comes to a lot of the character writing. That being said, the show…isn’t perfect, and I think the third season has a few problems that make it weaker than the first two (though I’ll have to finish rewatching the season to be fully sure).

The Life and Crimes of Scrooge Mcduck especially isn’t a particularly good episode with how it handles it’s whole message about "accepting responsibility for your actions" and in this post I’m going to analyze why it falls apart.

As I said before, this episode’s message that its trying to send is that you should take responsibility for your actions rather than make excuses for it. The premise of the episode is that Scrooge and Louie are transported to a magical courtroom thingy where Scrooge is accused of being responsible for Glomgold, Ma Beagle and Magica’s turn to villainy, and Louie has to prove Scrooge innocent.

The episode has Glomgold and Beagle show proof of how Scrooge "made them evil" and Louie refuting those claims, proving Scrooge’s innocence…until Magica comes along and shows her first time facing Scrooge, where, he ended up getting Magica to accidentally turn her brother into a bird and refused to catch him for her, leading Magica to lose her brother forever and never be able to find him.

The show treats this as a big moment where, Louie CAN’T defend Scrooge here, being an example where Scrooge DID have a part in one of his enemies turning evil because of him, and after that, he says that he might have some influence on each of his enemies becoming evil…

…except for the fact that Scrooge did not make Magica evil. Scrooge had no effect on Magica turning evil; Magica was already directly shown to be evil to begin with, mainly with how she and her brother…ya know…literally in slaved a town into giving their goods to them and then made a spell that attracted money directly to them?

Was Scrooge not catching Po a dick move? Yes. Does that mean he is inherently responsible for Magica turning evil? No, because Magica was already evil to begin with and Scrooge changed nothing about her.

Same thing goes for the other villains as well, who the episode also tries to say that Scrooge might’ve had an influence in becoming evil as well after saying the exact opposite up until this point…?

Scrooge is not responsible for turning Glomgold or Ma Beagle evil either, Scrooge was trying to give good advice to Glomgold, its not Scrooge’s fault Glomgold was a brat, and Scrooge won the wrestling match far and square, and, like the episode shows, Ma Beagle was also always a brat from the start.

So the episode’s message of accepting responsibility for your actions doesn’t work because Scrooge was not responsible for any of them turning evil, they were ALWAYS bad people from the start.

The same thing applies to Louie who the episode has learn this same message, with him accepting responsibility for how his actions might have hurt Doofus Drake, which would be fine if it weren’t for the fact that Doofus was shown to a spoiled brat from the beginning and the first time him and Louie met he literally tried making him his "best friend".

I’m sorry, is Louie seriously supposed to apologize to Doofus for getting his parents to grow a spine discipline him just a tincy bit? Cuz I don’t think so.

Really, The Life and Crimes of Scrooge McDuck has a decent message on paper but it falls apart when you actually think about it for more than five minutes. The episode has other issues like introducing a major revelation near the end of the show, or just how underwhelming it is as the penultimate episode of the show which just further solidifies it as my least favourite episode of the show, but this is the biggest issue with it to me.

So ya, that’s why this episode’s lesson doesn’t work…goodbye.

#ducktales #ducktales 2017 #ducktales critical #ducktales analysis

[mdhwrites]

How sick are you of the "TOH season 3 was bad because of Disney" argument?

I feel bad that I've been talking about the shortening as much as I have lately and this ask feels like a part of that. XD It's probably the one thing that the troll from a bit ago really got under my skin with and what seemed to piss them off the hardest. The idea that I was 'blatantly ignoring the circumstances' that led to the problems in the show.

But frankly, I just don't hear the argument being used much anymore. That might just partially be because at this point, I feel like I see more Amphibia art than I see Owl House art on my timeline because... Who is really defending this show at this point? It seems like even die hards are glancing back and fidgeting about it, like that person who I reblogged about the glyphs. That was a decently popular post for something that should have been controversial considering how theoretically important the glyphs are to at least the branding of the show.

S3 in general seems to have left a really bad taste in people's mouths and it's not hard to see why. When you had two and a half hours of content to give your story a proper bang of a finish, even if you can't make it all cohere thematically or the like, you should be able to do SOMETHING. That's WAY longer than most movies and TOH didn't have to do the first two act of establishment that most movies need to do. They had their players, they had their villains, they had their stakes and they never have to find an answer on their own to the Collector or Belos so they effectively already had their solution. They were setup to have payoff after payoff after payoff.

But I made an entire blog about how S3 could never have been great... Because what was there to payoff? Beating Belos is about the ONLY thing S2 left for the cast to do, especially once the second special came around and the interesting elements of the Collector were killed. He's just a sad but playful boy, just like Hunter was sad but mad and Amity was sad but smart. We had no other villains that we as an audience were connected to, all the character arcs were done, to the point where they have to make shit up for Willow so they can do SOMETHING with her and even that feels like shipping fodder, and the thematics were left so far down the road that... What can you say about the ending positively besides "I'm happy everyone is alive and seems happy where they are"?

None of these issues only arose in S3 of TOH though and I think that's the real problem for the fandom right now. Literally the longer the show has gone on, the more its inherent flaws in its writing become obvious as well as the fact that these writers simply aren't good enough to improvise off of the flaws in their own writing to make it better. We have no one who is Toriyama during the Cell Arc here where they can change on the fly and actually build off of what has to now be discarded. Or, hell, me, because I don't plan my stories from go but I take GREAT pride in being able to build on surprises I leave for myself on accident. Remember: The Power of Love did not start even with that title or Boscha planned to ever make more than joke appearances. Now it has a lot of people's favorite versions of both Boscha and Amity.

And that story is over a hundred chapters long. I had at least another hundred chapters of plans in mind. But when my brain stopped working for it and I decided I needed to write an ending so readers could be satisfied, I managed to do one in six parts that word count wise was probably at most 15k words. Not that long frankly but I was able to highlight the mended relationship between Amity and Boscha, how far Boscha had come socially as to be able to ignore those who might have gotten under her skin before, her better relationship with Luz, tie up the biggest loose ends and get them all together.

Was it entirely coherent? No. Was it as impactful as it could have been had I done all my plans? Of course not. But it was satisfying and true to the story and none of it wasted my audiences' time while still giving them an ending that was not only poignant to what had come because of how far Boscha had come but also just give the audience what they wanted. I knew what to cut and I knew what was important.

The Owl House never knew what was important to it though. Never met an idea it didn't like. So... How do you end a story that has never had a focus, clear thematics, plot, world or even characters? That throws everything into the kitchen sink and just waves away the elements in the sink that will stop them from adding new elements that will never get past the surface?

In a lot of spectacle that shows you were always a lot more shallow than you claimed and that's gonna leave a lot of people cold. I know it did for me, even well before the finale.

=========

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead, If you want to hang out with me, I stream from time to time and love to chat with chat.

And finally a Twitter you can follow too!

#toh critical #the owl house criticism

[sapphickatpoet]

My Issues with Portia’s Route

(Spoilers)

I’m gonna cut straight to the chase: Portia doesn’t go through any significant character development. Now, I know that some may say that in her Upright ending, she no longer keeps secrets. Sure, that may be true, but the devs ignored something about her character that was established early on in her route. She felt like she was the side character in her own story. She felt small, like she couldn’t do anything to help. All she wants to do is to save her brother, and for a moment, she felt as though she couldn’t even do that. She doesn’t know her worth

Those secrets of hers were all kept so that she could get closer and closer to finding her brother and bringing him home safe. Everything she did was based around that hope. Well, aside from inviting the whole Satrinava family to the masquerade. That was out of her starting to care for Nadia. Yes, Portia’s secrets did get out of hand, but it seems that the devs ignored the reason why she kept those secrets in the first place.

Then, there’s the deal with Tasya. I understand why the devs did what they did. All the LIs had some sort of connection to Lucio, the main villain. All of them, that is, except for Portia. Tasya was added so that Portia could have a personal connection with the villain of the story. Tasya is a great character, but I personally don’t like her addition to Portia’s route. It took everything the story established about Lucio being the villain and twisted it on its head. Now, Julian turns himself in to…protect Portia? The whole shtick with the Hanged Man was completely erased. It was addressed in the route, sure, but that was about it. Tasya’s addition to the story reminds me of how Disney was writing twist villains for a while. She twisted everything on its head until the story was too different than how it was originally laid out to be. Lucio and his many crimes weren’t even addressed when he was brought back to life! We don’t even know what happened to him in Portia’s Upright ending

I feel as though Lucio could’ve still worked as the villain in Portia’s route if the devs remembered how Portia saw herself as the side character in her own story. Lucio wouldn’t know who she is, but The Devil would. This could lead to The Devil trying to tempt Portia into deals, and at the very end, him brutally taunting her and telling her that she’s weak. That she’s powerless to save anyone.

The Upright and Reversed endings for each LI correlate to the tarot card they’re associated with. For Portia, it’s The Star. Both endings seem to do a decent job at this, as in her Upright ending, Portia is hopeful for the future ahead of her. Meanwhile, in the Reversed ending, Portia has lost her zest for life. However, I don’t like Portia’s reversed ending. She’s still the main character of her own story, something that (in my opinion) should’ve been focused on in her route. Of course, the outcome of each route also correlates to the character arc of each LI. The reversed meaning of The Star mainly refers to hopelessness. Despite the changes to everything, Portia still seemed pretty hopeful.

It isn’t just Portia’s route with issues like these; both Muriel’s and Lucio’s routes are riddled with plot holes and other problems saved for a different post. Portia was just completely sidelined by the devs in terms of her story, and were simply shoving in plot points for the sake of plot by the end of her route. Portia has more development in Nadia’s route and Julian’s route than in her own.

And we didn’t even have the masquerade in Portia’s route. I’m still salty to this day.

Of course, if you like Portia’s route, that’s completely ok. It’s a fun route, I will say that. However, it just has way more cons than pros.

#the arcana #the arcana game #portia the arcana #julian the arcana #nadia the arcana #muriel the arcana #lucio the arcana #portia devorak #julian devorak #nadia satrinava #muriel of the kokhuri #lucio morgasson

[sagesilentfire]

another toffee analysis by sage h silentfire

I've been sitting on this analysis for a while, and I was going to touch on it briefly in a project I'm working on, but a talk with my therapist allowed me to put it into words and in greater detail than before. So here it is:

Why exactly do I like Toffee so much? It's a genuine question. He's the target of many different questionable writing choices, barely focused on, and forgotten within seconds of his death. We know so little about him he's basically a generic doomsday villain. The fandom is worse to him: popular interpretations paint him as cruel, arrogant, spiteful, and even, surprisingly enough, stupid. The word "sociopath" gets thrown around a lot, which, ableist. He's emotionless. He has no empathy. He's unable to connect with people. While liking villains is somewhat acceptable nowadays, it's always with the expectation that you like them because they're evil, not for any deeper reason. And with Toffee, because he's so poorly written, that should be the reason you like him. Because he's evil, and that's awesome.

But that's not why I like Toffee.

See, I am autistic, and that's never going away. I get more stereotypically autistic by the year, as I grow and become more independent, and my newfound independence clashes with my family and the society I live in. I'm weird, I'm moderately smart, I'm quirky. But more critically, I have no close friends because I literally don't know how to make and maintain friendships. I feel painfully aware of the potential emotions of everyone around me, but I don't know how to act on that awareness and communicate effectively with people, leading me to assume the worst. I have had meltdowns in crowded spaces that went completely unnoticed because I was "too subtle". I even worry that I'll die without any of the stories I want to tell – without my story – being told, because no one wanted to learn it.

Sound familiar?

So yes, I like Toffee. Even think he's a halfway decent person morality-wise, not just a villain. He expresses emotions weirdly, but he does express emotions. He is staunchly not willing to sacrifice his plans for others, but he still takes time to be nice to other people regardless. He didn't kill Moon and Marco when he could have, even though they were trying to kill him. He is empathetic enough to manipulate people and smart enough to take control of any situation, and he does it while not expressing emotions in ways others would expect. He's so much like my dream self fr.

And he dies the unquestioned villain, never getting the chance to tell his side of the story. The only perspective that we do get is filtered through the lens of his murderers. 

"But Sage!" you might be saying. "What about Comet?!"

Well. I do count Comet's death as one of the questionable choices the writers made (it makes very little sense with Toffee's character, wouldn't he manipulate her into a better deal? It feels a little like the writers were like "Oh shoot, we haven't made Toffee evil enough to 'deserve' his graphic death, let's... uh, let's make him kill Moon's mother for no reason!"), but I can understand why Toffee did it, again through an autistic lens.

See, autistic people like me aren't taken seriously. Not about our areas of knowledge, not about our views and beliefs, and especially not about matters of our physical and mental health. We're treated like weird baby dolls that are expected not to have meltdowns or criticize their "superiors". Or we're embarrassments, time bombs just waiting to go off and mortify whoever we're with. Growing up, I was never able to be right, or even have a point. Oh, there were minor disagreements my guardians let me "win" and then would weaponize during the more serious arguments, but whenever we got into screaming matches, I was always the one in the wrong. We didn't even apologize or talk it out after arguments; it was always expected that I would realize I was wrong eventually and it was swept under the rug with all the other skeletons of long-dead arguments and left to simmer into resentment. 

But there was one surefire way to make a dent, one I discovered recently and that has actually saved my life.

In the summer of 2022, I was put on a new medication. Long story short, I did not sleep for two weeks. I was in shambles, and I needed my mother to raise hell from me, because she would not let me do it myself – my psychiatry goes through my guardians, and I didn't even have the psychiatrist's number at the time. But she wouldn't do anything. The psychiatrist thought things would level out eventually, and my mother thought what the psychiatrist thought, nevermind that I was actively getting worse and my sleeping pills were getting less effective by the day. I begged her to raise hell like I knew she could, and she sent a mild phone call gently suggesting that things still weren't ideal. I could feel myself slipping away as everyone who was ostensibly taking care of me sat and twiddled their thumbs.

So I got personal. I deliberately started a big blowout. I convinced her that things weren't going well, and this little game of chicken with my health wouldn't result in the perfect, uncritical, angelic autistic daughter she so desperately wanted. I got into a screaming match, I listed everything she had ever done wrong, and I told her to shut up and stop spewing weak justifications on how my pain wasn't her fault, actually. I hit her where it hurts. I hurt her back. I hurt her.

And it worked. Hurting her made her take me seriously and I was back on my old meds before sunset. I slept well that night. And I will never regret it. 

So maybe Toffee's plan to overthrow his colonizers with the death of Comet didn't end in monster victory. But if it weren't for the eleventh-hour dark magic, it would have. And Toffee's people were oppressed and the victims of genocide for ages. They were the small band of rebels fighting an evil colonizing empire. They were ideologically in the right. They kicked and clawed and bit until they found something to hurt, and then they didn't hesitate. Because no one took them seriously, and they still wouldn't have taken them seriously unless they did something damaging. Comet sure didn't; her chapter is a continually escalating series of microaggressions. Moon didn't; she doesn't seem to care about the conflict at all before Comet's death. Who else would take him seriously? Mina? The High Commission? Glossaryck?

So while I don't think he was totally in character in killing Comet, I do understand more than others why he might have done it. 

Because Toffee is like me, for better or for worse. And he could have been great for me and people like me. But he wasn't. He was assumed to be evil and left to die immediately. Because people like me are always the bad guys.

In short,

Exhibits:

Toffee's emotions, courtesy @butterflyeffectiveless:

Comet's continually escalating microaggressions:

Additional source for Toffee being autistic:

because i'm autistic and i like him

the end.

#when i reread comet's chapter for this i only expected to get the line about monsters being uncivilized for not 'savoring' food or whatever #turns out i got waaay more than that #(and it's so funny because omg the people that you've historically denied food and only give the most disgusting pieces to don't eat slowly #the horror) #but yeah. autistic toffee for the win #i hope you get to kill all the queens again in the afterlife ily <3 #may your revenge be sweet and your conscience clean #*bangs pots and pans* TELL US THE EXACT TERMS OF THE PEACE TREATY BEFORE YOU EXPECT US TO RENDER MORAL JUDGEMENT #FOR ALL WE KNOW IT COULD'VE BEEN UNCONDITIONAL SURRENDER WE GET ALL YOUR FOOD AND YOU HAVE TO SACRIFICE YOUR FIRSTBORN CHILD TO GLOSSARYCK #AND ARCHDUKE BATFACE WAS DESCRIBED BY COMET HERSELF AS SOFT SO HE PROBABLY WOULD'VE SIGNED IT #I COULD KILL QUEEN COMET ON SIGHT AND BE 100% UNQUESTIONABLY MORALLY JUSTIFIED DEPENDING ON THE TERMS #(boosting glossaryck's ego in any way is always morally wrong and the only thing worthy of being sent to hell) #svtfoe #svtfoe negativity #svtfoe critical #svtfoe salt #svtfoe analysis #star vs the forces of evil #actuallyautistic #autistic gaze #actually suprisingly has nothing to do with samatfoe #just canon analysis #analysis #queue queue #(though now that i think of it i'm kind of disappointed my Comet is so different than canon Comet because this could be a great lesson in #fake allyship and racism without racists) #(but dw star fills that quota just fine) #toffee of septarsis