I've said before that the synth thing would work better with a McCarthyism allegory, but for Danse specifically, its so similar to autism that it has to be intentional??
Like. The thing that really solidified that Danse in particular is just straight up about autism is Piper's line in Blind Betrayal. Paraphrased, it goes something like, "I mean...yeah, of course he's a synth. It was kind of obvious, wasn't it? I mean, have you heard him talk?"
The autism accent is a concept that seems to be popping up more recently, but its a real thing, and in my own experience, everyone in my life has been able to clock that there was something different about me from my speech. People thought it was weird that I used "adult" words as a kid, and was very technical and exact when speaking. I was often mistaken as being from places like Brooklyn because I had a weird affectation to my voice.
And there's just. This fucking line. "Have you heard him talk?". Piper is also the person who clicked McDonough as a synth. It's worth noting that McDonough and Danse both use words like "rabble".
But seriously.
Danse goes through his life being respected for his work ethic, intelligence, and strong sense of duty and morals, but he never really bonds with anyone, he doesn't make friends. He's respected, not liked. People want to work with him, but the best they have to say about him is about his work. He makes one single friend in his entire life, and never tries again after that guy dies. And no one tries to befriend him. He's their brother. He's not their friend. And he takes his job too seriously as a commanding officer to attempt emotional connection. He apologizes for overstepping on the few occasions he does.
He talks like a thesaurus, and no one is sure if its to sound smarter, or if that's just genuinely how he thinks. It's strongly implied to be the latter. He's incredibly knowledgeable and passionate about various topics. He sounds like a kid on Christmas when you risk life and limb cracking open a vault that's supposed to have riches, but instead, just has some historical items. He throws his Brotherhood prejudice away the moment he finds a farm run by ghouls that uses pre-war structures in a creative way, and scolds you if you do the Brotherhood thing and insult them. He also seemingly forgets that he's in the Brotherhood when meeting a child ghoul, that kid's parents, a shy, insecure ghoul who clings to children's media (despite Danse finding children's entertainment stupid and a waste of time), and Daisy.
And then there's the synth thing.
Danse has always been Danse, but one little word gets attached to him and his life turns upside down. His work ethic is no longer a work ethic, it's viewed as a perversion. His intelligence and manner of speech are no longer of his own merit and education he had to have given himself, they become inevitable, things he had no say in. His existence is both erased and explained by one word, and anything else is irrelevant or in question. People who once respected him want nothing to do with him, because this one word puts him in a context they find unnatural, corrupted, inhuman. There's even something there with the Institute. Autism is (incorrectly) associated with vaccines, the government, science gone wrong. It's a man-made horror.
And then you have the people he gets lumped in with, after being thrown out for this one word. They take schadenfreude in it. This is comeuppance, this is deserved. This one word, something they take pride in or have sympathy for and want to protect, suddenly becomes weaponized. It's a source of pride for others, but for this one person, we're going to use it as punishment. You weren't with us from the start, so now you really are on your own. It's not that there isn't a right way to be this one word, it's just that there's a wrong way, and even if you change accordingly, you will never belong with the rest of us.
Its. Autism is about exclusion, from everyone and everything. Always being an outsider, often too polite or nervous or jaded to even bother looking in. And at every point in Danse's life he didn't belong. He was a rogue synth, so he didn't belong in the Institute. He naturally thrives as a soldier, so he didn't belong as a junk seller in Rivet City. He was a synth and considerably more kind and compassionate than the rest of the BOS, so he didn't belong there. And because he was a BOS soldier and is still working out some bad traits after his exile, he isn't welcomed by the people who he was thrown to. Everywhere he goes, there's a big neon sign over his head that changes to whatever word will ward off everyone around him and he's so used to it, the thing that makes him angriest about being a synth is that he doesn't even have parents. He doesn't even have that connection to the world, of being born into it. There is nothing he can connect himself to beyond the Institute (which he hates) and the Brotherhood (which, if he continues to connect himself to, will drive him to suicide out of sense of duty, and he already agreed to not do that)
Its just. His entire story is one of absolute isolation and the final dickpunch of "You've always hated yourself, right? Good news, here's a reason to kill yourself that's professional and won't illicit pity from your peers, so no one will judge you for doing it or grieve you."
628 notes
·
View notes
"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
222 notes
·
View notes
I'm so sorry, I'm kinda drunk and dropping another idea, do with it whatever ye will.
Yknow how in the beginning of the game, Sojiro tells Ren he won't take care of him when he gets sick?
Consider: he's not used to city germs/being that closely shoved against other people on the train. He DOES start to get sick around Kamoshida's Palace, powers through it, and then is SUPER sick just after it's over.
He plans on sucking it up and hiding it, but Futaba hears his hacking coughs over her bug even when he's upstairs, followed by wheezing, maybe even a little weeping. He's constantly in and out of the bathroom, and he's starting to run out of tissues.
Futaba nervously texts Sojiro that the kid they took in sounds awful. Sojiro is gruff at first and says he's not a baby, he can take care of himself. She responds by sending him the audio and suddenly Dad Instincts kick in
y/n
obviously it's a YES, our brainrots continue because early-game ren and sojiro dynamics break my heart every time
how dare you get me so invested in this idea, this post got too long so it's going under a read more
listen listen look i love sojiro and the coffee family okay, but early-game?? sojiro could catch these hands
ren has already been though so much by the time he arrives in tokyo, to then be put into a dusty old attic like a spare part would absolutely fit in with ren's own perception of himself at that stage. it would be almost too easy for him to put his own health on the backburner kinda like he's already used to it
very used to not taking up space, 'not being a bother', and then sojiro really reinforces this message when ren first gets to leblanc- so when ren inevitably gets ill a month into his probation, it's already doomed for maladaption
tokyo would be such a breeding ground for sickness compared to the countryside, and ren just doesn't have the consitution to deal with it. the dusty attic and poor eating habits don't help matters, and then we have the stress of kamoshida and the metaverse?? ren is not having a Good Time™
at first it's something he thinks he can shrug off, and is adamant that ignoring it is the way to go. a cold, it's nothing, he can handle this alone, no need to bother anyone else with it.
inevitably, he gets worse, because that's what happens when you don't rest and let yourself recover. a tickly cough becomes a tightness in his chest, mild congestion shifts into an attack on his senses and blurriness- but maybe that's the dizziness. he's not really sleeping, either.
it's something that's becoming increasingly difficult to brush off and hide, he even relented to finally getting some medicine (nothing as strong as he needs by this point, that would eat too much into his limited funds, but some painkillers to take the edge off). once or twice he's tempted to stay off school, at morgana's insistence, or a too close call where he definitely blacked out for a minute, but then sojiro's voice will ring in his head 'i won't be the one looking after you if you get sick', 'your parents got rid of you for being a pain in the ass', and all his worst insecurities come rushing back and he's resolved to deal with it on his own
meanwhile, futaba's been making use of her hidden audio bugs- normally they're a comfort for her in the daytime, but since the new kid- ren- has been staying at the cafe (part-timer her ass, how gullible does sojiro think she is?!), she's been listening more frequently. when ren gets sick, she figures it out quickly.
time goes on, he's not getting better- he's actually getting worse- and futaba starts to wonder if she's the only one who knows
(there's something in his sharp contrasts- the quiet kid who shuffles through the cafe and takes sojiro's scolding, to the coughing kid who cries into the silence of night when he thinks there's nobody there to see it- that stabs through her numbness. it feels like a companion to her own ghost)
one night she swears the kid gets up to be sick, and there's hardly any sound heard from the attic all night. if nobody's gonna help ren, then she will (futaba used to like helping, once upon a time).
she texts sojiro the next day, when ren doesn't say anything again, and goes off to school with what she bets is a fake assurance on his face
and you're so right, sojiro dismisses her concern really easily, claims the kid can 'take care of himself' and he won't 'baby' the part-timer. insists ren needs to learn some disipline, then maybe he'll stay out of trouble
frustration wells in futaba- if she was less fixated on what was going on with ren, she'd register it's one of the first changes of mood she's had for months- and she responds with nothing but an audio clip, an attached explanation that this is just from the past few days- it's been going on for weeks, then she waits, and hears the distant sound of her compilation through one of the bugs, a hitched breath from sojiro, curse words under his breath-
for all his earlier postulating about not helping ren if he gets sick, sojiro is immeditely struck with a pang of concern- it sounded bad, and if futaba's words were anything to go by, this had been going on for a while.
the kid's at school now (at school, being as ill as that and he was still going to class-), so sojiro will talk to him when he gets back. there's a chance he goes a bit too over the top, between the variation of medicines he purchases, supplies he grabbed from home- if you accused him for over-compensating after maybe being too harsh on the kid in the beginning, you'd be right
and you just know ren would be so resistent at first to help, or even just the offer of staying off school. in his sickness-induced fugue, ren's filter-less in rattling off how he can't stay off, what will the students and teachers think, and he has work that afternoon, and a test soon, and he doesn't want to get in the way-
sojiro's heart just shatters
this kid, whose been silently carring the weight of the world and has apparently been falling to pieces for weeks now and sojiro didn't even notice?
(a part of it reminds him too much of the other kid he's got at home, the countless ways he's already failed futaba, and now ren too? he feels useless)
sojiro focuses on what he can do, and that's making the kid rest. work will understand, school can wait, ren isn't an inconvenience, he guides the kid to bed, calls takemi immediately (who rushes over, despite the fact she's technically closed at this hour, and refuses to take any payment),
even still, there's this stilted awkwardness between them when the quiet pushes on too long- they hardly know each other, afterall. sojiro is still figuring out the 'caring for kids' thing, and ren isn't familiar with any kind of parental affection, so some of sojiro's care veers a bit too close to clinical or mechanic, and ren still struggles to communicate what kind of help he needs, but it's enough for now.
for now, sojiro is there. he's trying, and at least ren's getting some colour back on his skin.
for now, ren's willing to take a few days off and have some medicine, but he's over-apologetic and definitely tries to make up for his sickness once he's healed.
it's gonna take them both a while yet, but luckily there's always their guardian hacker, ready and able to call them out when needed (and maybe some day she'll be able to keep an eye on ren and sojiro in person)
79 notes
·
View notes