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vulgarvulcan · 3 months

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i adore in fics when people find out about julian’s enhancements and then julian lets down his guard and people can see an actual a change, like suddenly there’s something unfamiliar about him? something much deeper and mature? not because everything about julian before the revelation has been a SHAM or anything, i just like the idea of all these intelligent people having totally underestimated julian, the young, naive doctor, when really julian’s been one step ahead of them the whole time, letting them see him a certain way. the concept of others finally getting to see they had the wrong idea, especially back when they sort of saw julian as somewhat less than, the whole time. it’s about that moment of oh. he’s been the smartest guy in the room the whole time. them suddenly not seeing naivety, but seeing power. that. i like that.

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sleepynegress · 8 months

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A COMPREHENSIVE & AUTHENTIC UHURA LOVE/HISTORY POST

The above is where Roddenberry 1st employed Nichelle Nichols [click to watch the full clip]. It was a military show based on Roddenberry's own experiences, the episode is called To Set it Right (I highly suggest reading the wiki article about it).

You should note two other actors, whom he later pegged for Star Trek are in the episode.

They dated briefly and then became good friends way before Trek came about.

Miss Nichols was already an accomplished singer and dancer who performed regularly w/ Billy Eckstine and Duke Ellington

Roddenberry's 1st show, The Lieutenant, was canceled/pulled from the air before these scenes bluntly dealing with racism could air (there's blackface as punishment for the racists at the end of the show, in a case of 'he 'a little confused but got the spirit' for the times, so tw)

He created Star Trek to try to soften the blow of all the social messaging he wanted to insert from his military experience. Star Trek was basically, a submarine drama placed in a sci-fi setting. He made it diverse on purpose because the military helped him travel and serve with all kinds of people. Roddenberry was inspired by that.

Uhura was the first person to read for Spock and in fact, helped to shape the character with her reading and based many of the traits of Uhura (formerly Uhuru) on Spock.

She was basically a glorified secretary. She played the part with poise, joy, and the 60's style womanism she got to play out for those times... Everything from her mini-skirt (which Nichelle herself called very comfortable) to her smile, and teasing lines, and quips were about her playing "big" in a small role. She made every moment, every look, every line, and movement count:

Roddenberry cracked jokes about the fact that the network never figured out that Uhura was fourth in command.

Nichelle was the only main cast member who was not salaried. She was paid by the hour. This attempt at marginalization actually resulted in her being the highest paid at times, because of the long hours.

Nichelle was not let in the front entrance at times, her fan-mail was kept from her, and she grew frustrated with the constant cutting of her scenes, lines and storylines. This is why she justifiably attempted to leave. The bigots in production did not like her being there (and if we're being real, were it not for Janice Rand's actress Grace Lee Whitney having gone through so much and thus losing her job in the 1st season...Uhura might have had even LESS presence)

The lost context in MLK convincing her to stay was that YES she was minimized and could make more money and be more fulfilled on broadway, but her symbolism and presence meant so much at a time when Black women weren't on TV unless as a racist caricature cleaning a house, and even that was rare...that she stayed.

One of her best allies was DeForest Kelly, who threatened to quit if they fired Nichelle. George Takei was her absolute best friend on the show and in life (she served as his Best Woman at his wedding).

There was an unfilmed episode in which Uhura and Deforest would have played reverse roles in "racial dynamics" on a planet they visit

Spock and Uhura were originally supposed to kiss in the alien mind control episode, but Shatner demanded to do so for the publiicity.

Her work to recruit marginalized people as astronauts, as in personally going to colleges and talking to candidates after the show is a staggering achievement that arguably is the most potent of any castmember in any of the Trek series post-show. Sally Ride, Guy Bluford (she personally recruited the 1st woman and 1st black astronaut), Mae Jemison (the 1st black woman credits her for inspiring her to become an astronaut).

Uhura did finally command the ship in the animated series. She would not have gotten to voice the role, but for Leonard Nimoy making it an obligation that all the original actors voice their parts for him to come on.

Scotty and Uhura in the film was definitely a pair the spares situation, in which both were the leftover senior citizens with the writers just going "why not?"

it was beyond insulting and she did protest about the scene where she's bumbling through a giant translation book to speak to klingons for laughs in trek 5 ...but her best moment IMO is her pulling a gun on the young ensign in the transporter room in Trek 3...sadly her ONLY scene in the damn movie.

Miss Saldana got to play to MANY corrections in JJ Abrams rebooted Trek, from being amazing at languages to having an actual life & love, to confidently turning down Kirk at every turn.

FUN FACT!! Both JJ and Bob Orci both expressed disappointed shock that the love story between Spock & Uhura got more hatred from fans than BLOWING UP PLANET VULCAN.

another FUN FACT!! The love story between Spock & Uhura is what grabbed the old school Star Wars fan (JJ Abrams) enough to come aboard to direct. Yep. JJ ships Spock & Uhura.

Zoe's iteration became the 1st version of Uhura to speak confidently in Klingon

Celia Rose Gooding becoming Uhura brings around a lot of Uhura's qualities full circle, IMO. As she is also from theatre (like Nichelle) and has a beautiful singing voice as well as the charm. Zoe's iteration was sharper, and much more protective, professional, & mature, about her life and love.

Celia Rose has the youthful curiousity and stars in her eyes and had vulnerability from her first intro... I loved the eagerness the crew showed to being in her orbit, seeing the glow of her talent and being drawn to that, to have a part in nurturing that.

As I've said... Celia IMO has the most dazzling smile, giant warm brown eyes, fantastic curves, and an energy that feels essentially Uhura, & that is all light, joy, a bit of uncertainty, -from the light singing (!) and the growth to her joy in discovery... I'd love to see her writing move away from serving and be more about her wants needs and growing in friendships/loves.

But Celia is a gift and is perfectly cast.

Essentially Uhura = femininity, graceful carriage, gorgeous smile, excellence in engineering and translation (canon!), ability to sing and play the Vulcan lyre, sharp womanist wit, love for her U.S. of African-Kenyan culture and being beloved by all crew...

When Miss Celia hummed those gorgeous notes to the alien entity on that comet?? That Solidified that she IS Uhura IMO.

I 100% think they fucked up by killing Hemmer, because that mentor-mentee relationship was giving marginalized coming together and bonding over everybody else's bullshit and I was here for it...it was giving me Data and Geordi updated...and since then, IMO they've lost track and given us the same kinda backwards wingwoman role BS, that people who like to pretend to be her fan shoehorn her into.

...but I have high hopes that they'll course-correct.

All this to say ALL OF THE ABOVE is Uhura and anyone calling her ugly, bossy, pushy, annoying, whatever is just sad little hater who doesn't know wtf they are talking about.

#uhura #celia rose gooding #zoe saldana #nichelle nichols #nyota uhura #star trek #star trek 2009 #st: snw #star trek: strange new worlds #star trek strange new worlds #strange new worlds #meta #anti-misogynoir #see how easy it is to talk up Uhura w/o pretending the only reason she's allowed to be is to get two dudes together?#see how easy it is to post something about who she is beyond a photo and just claiming she's your fave?#Youtube #another tidbit is that my man karl urban who gave the most direct and authentic playing of his reiteration IMO...#IS a true trekkie who spoke up for canon moments Spock and Uhura share in TOS when they got questions about Spock/Uhura in the reboot #p.s. yall got scammed by the gofundme for nichelle #her son moved her to new mexico and sold her house out from under the grifter because he was squatting there #yall just gave that fanclub lady free money #fanclub lady was making her work and sign autographs through dementia for the grift too #note yall aint see where 70k went since her passing have you?#sadly

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findafight · 2 years

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Okay i think Eddie should convince Steve to play a nice clean little oneshot with the party, and because it's just a oneshot he decides he can use the plot of the star trek episode "the devil in the dark". (Blob monster in mines) because 1) when asked the kids have said they've "seen the movies" but aren't as invested in it as star wars 2) it's quick to whip up and not a bad way to start a newbie (investigate these weird deaths! Oh no monster!) 3) no way would Steve know Star Trek aside from what the kids tell him so he doesn't even bother asking to make sure.

Number three is a mistake.

Because Steve's great aunt loved Trek and Steve loved his auntie, so he has watched every episode multiple times. He owns some of the novels. He's seen the movies on opening weekend. There is a box of zines from the sixties and seventies that his auntie passed down to him. Steve, by all accounts, is a Trekkie.

He just thinks it's old lady grandma stuff so doesn't really mention it except to Robin. He likes sci Fi, he's not into fantasy.

So once the session gets rolling an hour in Steve is Suspicious. He recognizes some stuff happening from his Auntie's Programs.

Eventually he decides to test the waters. He's pretty confident he knows what's going on. At some point Dustin is nagging his character and he snaps "dammit! I'm fighter, not a cleric!" And turns to look Eddie dead in the eye. (This episode is the first in which Bones' iconic line is used)

Eddie has realized that he's made a Mistake.

Steve just raises his eyebrows in challenge.

#steddie #steve harrington #eddie munson #trekkie steve Harrington #eddie is confused and turned in and flabbergasted by steve not only knowing st but knowing it well enough #to recognize a bteir episode through the curtain of dnd. he must find an explanation.#stranger things

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worflesbian · 9 months

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Klingons & Racialisation - the Long Post

This post is an overview of the racial coding of the Klingons from their first appearance to the present day, illustrated by quotes from Trek writers, actors and crew members taken from the Memory Alpha article Depicting Klingons, with my own interjected summaries and explanations. It is by no means comprehensive (I likely missed some stuff), and does not offer critical analysis of the quotes provided, but nonetheless is intended to demonstrate irreproachably the open fact that Klingons have always been intentionally written and designed as non-white -- something that fandom consistently fails to take into account when perpetuating racist stereotypes and reiterating racist canon content. I recommend reading the whole article for a more in-depth understanding of the subject, as well as seeking out the existing writing of fans of colour. This post is primarily for reference purposes so I've tried to limit my own analysis and opinions, but I do post those in my Klingon tag as well as more general headcanons and worldbuilding and I'm happy to answer any (good faith) questions this post may raise.

As always, if I have overstepped in any way as a white fan in making this post, I am grateful to be informed and will make any required changes.

Content warning for outdated and offensive language under the cut.

The Original Series

"There is some suggestion that the Klingons represent a Cold Warrior's view of China in the 1960s – swarthy, brutally repressive." (Star Trek Magazine issue 153, p. 66) "And I think he was basing a lot of it on the kind of attitude of the Japanese in World War II...." ("Errand of Mercy" Starfleet Access, TOS Season 1 Blu-ray) The script of "Errand of Mercy" introduces the Klingon look by saying, "We see the Klingons are Orientals," "Spray my hair black, give me a kind of swamp creature green olivey mud reptilian make-up, and we'll borrow some stuff from Fu Manchu, and put a long moustache and eyebrows on me." ("The Sword of Colicos", Star Trek: Deep Space Nine - The Official Poster Magazine, No. 8) "I think the makeup was called 'Mexican #1 or #2.' That was the name of the original makeup foundation – they actually had kind of racist names at the time, like 'Negro #1' and 'Mexican #2' – which was the basis for the original Star Trek makeups." (Star Trek Magazine issue 172, p. 59) "In the original series, all they wore was a dark face and their black hair," Michael Westmore observed. ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) The Klingons' appearance changed within the original Star Trek series; although dark makeup and heavy eyebrows were the norm, the Klingons of "The Trouble with Tribbles" were much lighter-skinned and more Human-like in appearance.... He noticed that they are not only less like Mongol warriors by having less of a swarthy appearance but also by being slightly not as fierce... ("The Trouble with Tribbles" Starfleet Access, TOS Season 2 Blu-ray) "...they were meant to represent the Communist foes of the United States specifically during the Vietnam War, which was being controversially fought at that time. (Star Trek: The Original Series 365, p. 222) "...let us never set up a situation whereby those adversaries of ours [Klingons] give any indication of ever being anything but highly aggressive and self-seeking opponents." (These Are the Voyages: TOS Season Three)

Here it is explicitly stated that the Klingons were based on various Asian cultures, with the USSR also being mentioned heavily in the article. This influence and the use of "yellowface" is covered more comprehensively in this youtube video Klingons & The History Of Racial Coding. However, the video has some notable gaps which I hope to cover in this post.

Post-TOS (movies)

The Star Trek III portrayal of Klingons took inspiration from Japanese history. "Harve [Bennett] had the notion that the Klingons were like Samurai warriors," explained linguist Marc Okrand. (Star Trek: Communicator issue 114, p. 27) Robert Fletcher agreed with Bennett, later saying of the Klingons, "I always liked to think of them as authoritarian, almost feudal, like Japan had been." (The Making of the Trek Films, UK 3rd ed., p. 52) Regarding the make-up, Michael Westmore observed, "Until now, Klingons were brown. Some had a bony ridge running down the middle of their foreheads, long black wigs and facial hair." (Star Trek: The Next Generation Makeup FX Journal, p. 28) "I thought it was an ideal way for us to have our closure too, because the Klingons for us have always been the Communist Block, the Evil Empire. It just made sense to do that story." (The Making of the Trek Films, UK 3rd ed., p. 100) "Gene was really bothered by the Klingons in VI [....] [They] were, in his words, 'too civilized, too decent, too much of the good guys in the story.' [....] [The Klingon detente] was not the way Gene would have handled it. He would have reversed it, he would have had the Klingons being the ones who couldn't handle the peace, with the Federation saying, 'Come on, let's try and work this out.'" (Star Trek Movie Memories, hardback ed., p. 289) "The story never explored the Klingon culture the way I'd hoped it would [....] I was hoping for greater insight into the Klingons." (I Am Spock) Nimoy hoped, in specific, that the movie would provide some important insight into why the Klingons had "always been so angry, such nasty, vicious murderers." Nimoy wanted the insightful knowledge to be an intellectually transformational force, changing the thinking of Kirk and the audience. (Star Trek Movie Memories, hardback ed., pp. 287-288) In an interview in the DS9 Season 7 DVD, Robert O'Reilly observed that a long-running joke among actors who have played Klingons is that they do not want to appear in the Star Trek films as, he believes, the only purpose of a Klingon in one of the films was to be killed off.

Although these last three quotes may not seem relevant, I believe they highlight an important facet of the racialisation of the Klingons. It reads as though Gene Roddenberry was against depicting the Klingons in a more sympathetic light than the Federation, and considering that the Klingons are intended to be non-white, refusing to give depth or motive to their anger in favour of keeping them "nasty, vicious murderers" comes across as fairly racist, especially when these kind of reductive and harmful stereotypes could've been challenged as Nimoy suggests. The treatment of Klingons as disposable villains is also concerning in this context.

The Next Generation

African-American actors were often cast as Klingons in TNG and subsequent Star Trek productions. This practice wasn't racially motivated but was instead carried out because it lessened makeup time, as the performers already had a brown complexion without having to have their skin painted that color. (Stardate Revisited: The Origin of Star Trek: TNG, Part 2: Launch, TNG Season 1 Blu-ray) Tony Todd, who portrayed the recurring Klingon character Kurn, stated, "I don't look at the Klingons necessarily as African-Americans, but it's about tapping into something–they're certainly an alienated people, so maybe that's why African-American actors can identify with those characters. But that doesn't mean it's exclusive to them." (Star Trek: Communicator issue 116, p. 54) Michael Westmore actually changed the Klingon facial design in numerous ways, though. He stated, "I added a Shakespearean style of facial hair and a forehead bone structure based on dinosaur vertebrae and I was able to modify motion picture Klingons for television." (Star Trek: Aliens & Artifacts, p. 59) In "A Matter Of Honor", the Klingons were intended to be used to shed some light on a common social problem prevalent at the time of the episode's making. This was, namely, what it was like to be the only person of either white or black skin coloration while surrounded by people of the other color. The Klingons were selected to illustrate this theme as a spin on the usual arrangement of a predominantly Human crew serving aboard the Enterprise-D alongside Worf. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 176) Two historical societies, the Samurai and Vikings, served as other inspirations, Moore perceiving about Klingon culture, "There was the calm, elegant reserve associated with the Samurai but there was the 'party-down' like the Vikings." (Star Trek: Communicator issue 114, p. 58) "I stopped thinking of the Klingons as the Cold War adversary," he explained. "I didn't think it fit [....] The place where the Russians were when I was doing the Klingon shows just wasn't as relevant any more." (Star Trek: The Magazine Volume 1, Issue 19, pp. 64-65) "The Klingons are not evil, tyrannical pirates bent only on pillage and plunder. They have a strict, almost unyielding code of ethics and honor and take their responsibilities as rulers seriously." Following a description of the Klingon homeworld, the memo continued by saying, "Klingon society could most closely be compared to that of Sparta or feudal Japan." ("Sins of the Father" audio commentary, TNG Season 3 Blu-ray) Having recently seen the film Malcolm X, he imagined the Klingons in the "Birthright" duology as metaphors for black people. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 274; Star Trek: Communicator issue 105, p. 16) "There's a certain way you have to carry yourself. You have to really be able to project the violence and the anger [....] All you have to do is think of the Spartans. They say, 'They'd rather have you come home dead on your shield than come home a coward.' [18]

This is where I feel the video essay previously mentioned falls short -- in the next gen era, Klingons are now explicitly black-coded. While some Asian cultural influences are still cited, they learn more towards the historical and are intermixed with other historical European influences (Spartans, Vikings, Shakespeare) rather than being fueled by contemporary prejudices towards the political enemies of the US as they were in the TOS era.

Deep Space Nine

Fields also generally based the Klingon group on American Western prototypes from the film The Magnificent Seven or, to a lesser extent, Japanese prototypes from The Magnificent Seven's movie source material, Seven Samurai. (Star Trek: Deep Space Nine Companion (pp. 131-132)) "So, the hair [...] was permed. So, it had more of a curl instead of the straight type look, and by perming it, they were able to kind of give them larger, bigger hair, so it was more like a mane." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) "I don't know how you could equate Klingons with what's going on in the world today," he admitted. "I think the intention was to make them like samurai. That hairdo they gave them is very much a samurai hairdo. A lot of the fight sequences, the moves with the bat'telh, are very much taken out of the Asian martial arts [....] It's very romantic you know, these three old guys, the Klingon over-the-hill gang." (The Official Star Trek: Deep Space Nine Magazine issue 15, pp. 17-18) "It was different for them to get into this makeup, because [...] [the makeup was more elaborate and] the beards were bigger, and they were greyer, and they had curls to them, and the moustaches, they had the Fu Manchu look to them. So, they weren't used to sitting that long to be a Klingon." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) For recreating some old-style Klingons in "Trials and Tribble-ations", the Klingon-playing actors had to be made up with the same swarthy, shiny brown makeup as used in the original series. (The Magic of Tribbles: The Making of Trials and Tribble-ations) ...he had them unite in song, thinking this was "just the kind of thing that Klingons do" because they are, in his opinion, similar to Vikings. (Star Trek: Deep Space Nine Companion (p. 449)) "I always saw the Klingons as a combination of Japanese Samurai who haven't had their morning coffee (or tea!) and African Zulu warriors." [25]

In DS9 the only inspirations cited seem to be historical, once again leaning towards feudal Japan and the Vikings. Interestingly although the Klingons here are predominantly dark-skinned, I don't think that J.G. Hertzler, who is white, had his skin significantly darkened to play Martok (at least, not compared to the obvious brown makeup worn by other white actors playing Klingons). Having a white actor play a Klingon without dark makeup could've set a precedent decreasing the use of such practices later on, but no one seems to have picked up on it.

Enterprise

The Klingons of ENT: "Sleeping Dogs" were based on the crew of the Russian submarine Kursk. "For me," said Dekker, "the point was to acknowledge the Klingons as 'people' – to find them in a clear position of distress [....] The idea to 'humanize' their plight was mine, and it wasn't anything I thought about as far as canon. It just seemed right." (Star Trek: The Official Starships Collection, issue 41, pp. 10-12) In the final draft script of "Affliction", the altered Klingons were initially referred to as "fierce-looking aliens" and were further described thus; "The aliens have a swarthy complexion, and dark facial hair... they could easily be mistaken for Humans. We'll eventually learn these are Klinqons... but their cranial ridges have disappeared."

At this point in time it seems the Klingons had essentially done a 180 from one-dimensional villains to sympathetic fan favourites, while still retaining the skin-darkening aspect of their makeup and "barbaric" characterisation. Although this is not mentioned in the article's section on the Abrams films, the images provided do demonstrate a level of skin darkening for the Klingons' brief appearance in Into Darkness.

The final section of the article is incomplete, meaning I don't have a lot of information for Discovery's redesign of the Klingons. The sources I can find cite ancient civilisations such as the Byzantines as well as Islamic architecture as inspiration for the set design, with a baroque influence on the costumes. I have heard rumours that the crew of Discovery have cited North African cultures as their inspiration for the Klingons but I can't currently find a source for this. Despite the lack of direct quotes, it's visibly clear that the Klingon makeup is still darkening the skin of white actors, although this time also to non-human blue and purple colours, as well as altering certain features in a racialised way. To elaborate: Mary Chieffo, who plays L'Rell on Discovery, is white and has a very thin nose and small lips, but in costume these are broadened in a way that seems imitative of African ethnic features.

As of the making of this post (early August 2023) I haven't seen any of Strange New Worlds, but from some cursory research its latest episode (Subspace Rhapsody) seems to have put a white actor (Bruce Horak) in brown makeup to play a Klingon. I am deeply disappointed that on a television set in 2023 people can still be darkening an actors skin like this without questioning the racial implications of what they're doing.

Thank you for reading to the end of this post. Please feel free to link to it if you found it useful enough to cite in another context. I would like to reiterate that I am white and while this is an issue I care deeply about it is not one I have an emic understanding of, and if anything I've said here is inappropriate I would be very grateful to be made aware.

#ive tried to make this like. really formal to cover the fact that im fuckin Ragin at snw for doing literal fucking brownface in 2023 #next up top ten things fans should Fucking Reconsider saying about klingon characters #anyway #i feel like as a white trekkie who's big into klingons there's this insane blindspot when it comes to The Racism #that ive only ever seen fans of colour talk about #so if i have one goal for this post its to try and reduce that blindspot a bit and give people something concrete to point to #when some fuckwits in their notes acting as tho ~theyre aliens so it cant be racist~#tlhIngan #ghItlhpu'wIj

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oof-i-did-it-agaaiiin · 2 years

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It’s so funny how Star Trek acts like in the future the only music people listen to is like classical, orchestral, and civilized. I’m sorry but I refuse to believe that. I refuse to believe that in 300 years we will have forgotten how to make shitty club remixes, angsty rock, and disco. Fuck Klingon opera I wanna hear Klingon metal, I wanna hear Betazoid pop, I wanna hear Bajoran bluegrass GOD I wanna hear Bajoran bluegrass SO BAD.

#I mean riker likes jazz but that’s sorta in the middle I think #post i made #star trek #ds9 #tng #those are the only two I can speak to because I haven’t seen anything else.#if any well studies trekkies wanna correct me and say there is more diverse genres featured in st lemme know #*studied #greatest hits

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mamawasatesttube · 1 year

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Do Jon’s friends crushing on Kon think Kon is only with Tim because he has money lol?

Like at first they don’t realize Kon’s plain looking boyfriend is Tim Drake-Wayne because Tim has the Tony Hawk effect where if he’s not wearing a suit people don’t recognize him

But once they realize they’re like ah ok, so it’s a sugar baby situation

jon's friends don't have any idea who tim drake-wayne is. in high school i promise i would not have been able to recognize bill gates or a kardashian if i ran into them on the street (frankly, i still don't think i would). maybe they'd recognize bruce, but tim isn't so extremely famous especially outside of gotham that they'd put names to faces or anything. they are a group of self-absorbed lil teenaged dipshits, as most high school kids tend to be.

therefore they will actually look at tim and go "lmaoooo nerd." and tim will go "what." because he was popular enough in high school that he has just never dealt with a bunch of teens thinking he's cringe before. and they're like "lmaooo dungeons and dragons ass. do you watch big bang theory" and tim is like "WHAT." he is like twenty-three years old and he doesn't know what to do with teenagers. he's sitting there on kon's sofa with mcr's teenagers blaring on full volume in his head. kon is just laughing. please help him

#he's like you guys know jon and conner are both massive trekkies and nerds too right???#but they're just like. yeah but you're the only one who LOOKS like a massive fucking nerd #and he's like. i clearly work out hello #but it's not like that's about to save him from a horrible terrible teenage vibe check #summerbummin #timkon #answers

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captaincrusher · 1 year

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I'm watching the new series Hello Tomorrow! and for someone that loves the aesthetic of original Star Trek, it's absolutely perfect visually.

It takes place in a retro futuristic, alternate timeline. They have a lot of modern technology but instead of contemporary design it's is exactly as they imagined it in the 50's and 60's with clunky, colorful robots and flying cars. You commute to work with your jet pack while your lovely housewife waves goodbye at the door, you know.

The writing is good too, but currently it's the aesthetic just pulls me in. The vibes of "People in the 1960's envisioning the future" feels very Star Trek sometimes.

#Hello Tomorrow!#Posting this here because I know I'm not the only trekkie that enjoys this aesthetic #I love the clunk #Clunk and chonk

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yeoman-woahman · 1 year

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chakotay and janeway are sooooo!!!! you have no reason to smile big, giddy, dorky smiles at each other every 10 minutes!!! you're killing me <3 it is every goddamn first officer and captain!!! chill for a second!!

#chakotay #kathryn janeway #janeway #captain janeway #janeway/chakotay #j/c #voy #i love being trekkie cuz its multishipper central like i ship everyone together #and yet i have only scraps LMAO #only show where straitbait and queerbait equally are present

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kyurochurro · 25 days

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hey YALL guess WHAT

this is now

A STAR WARS FAN BLOG 😨😨😱😱😱

al man i loooooove Lucas skywalkers and his various trilogies of varying quality. Oooooh man I love. Jaba. And Yoder.

HAAAAAA JUST KIDDING APRIL FOOOLS gotcha real good didn’t i :p

#chatter #not art #so fun fact trekkies are really rare here in Mexico #amongst a world of Star Wars fans I remain the only Trekkie in sight….#also sorry for being dead! I just. came back from. spring break but I ope I’ll be able to draw again soon :p

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fatcultureis · 4 months

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fat trekkie culture is loving the inclusivity of star trek but hating that their only fat representation are the pakleds, a fatmisic caricature that barely gets screen time.

#fat #fat acceptance #fat culture #fat culture is #fat liberation #fat positive #fat pride #star trek #trekkie #fat representation #i mean i've only seen everything up to VOY + films #so maybe especially the newer stuff is better

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arctic-hands · 11 months

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Anyone else think that with the not-at-all-surprising revelation that ChatGPT and other A.I.s are stealing from fanfiction sites like AO3 (and I relish in the fact that people using ChatGPT in Official Things are now being exposed to the concept of knotting), and the already-established thievery of art on the internet, we should go back to home printed and stapled zines delivered via mail?

#granted i entered fandom world a few years after zines were dealt a killing blow by ff dot net #but I've been fascinated by the history of zines and fandom most of my life #and that interest has only increased as i try my hand at mini comics #let's become luddites and get our shippy kicks from catalogs like the Trekkie housewives before us #fandom #zines #chatgpt #ai art #fanfiction

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