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biconickyoshi · 2 months

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NAtLA first impressions (eps 1 & 2)

Here are my thoughts as someone who has been a superfan of the original series since 2007 (spoiler-free first, then spoilers below)!

Honestly, I'm feeling pretty middle of the road about this adaptation so far. I like a lot of the costuming, and some of the actors are good, while others have felt a bit lackluster. There's also some characterization choices I didn't like too much for certain characters (which I will get into in the spoiler sections below). The score is definitely not as good as the original series - I don't particularly like the new elements of the score, and when themes and motifs from the original score are used, I feel like they aren't used enough. The bending, while better than the 2010 version, still feels a bit fake and clunky, as do a lot of the special effects. There's also a problem with a reliance on exposition dialogue, moreso in the first ep than the second.

Now we'll get into the spoiler section. Don't read below this if you do not wanna be spoiled.

EP 1: "Aang"

What I liked:

Getting to see a bit more of the Air Nomads (which makes the genocide feel even more devastating)

The design of the Southern Air Temple felt very warm and inviting - I liked that there were lots of trees and whatnot

The added details about the Sozin purposefully allowing news of the war to be leaked to the Earth Kingdom to throw everyone off their trail of planning to attack the Air Nomads

Making the comet a special event for the Air Nomads, which brings them all together at the Southern Air Temple for Sozin's attack to happen

I like that Wolf Cove was actually called Wolf Cove (since it's never name dropped in the actual show)

Zuko and Iroh did a good job - I think Dallas is capturing Zuko's energy pretty well, and while Paul's Iroh feels a bit different than the OG, he's still doing a good job

What I was not so keen on:

Yep... I really didn't like that Aang didn't purposefully run away, and instead went to "clear his head" after Monk Gyatso told him he was the Avatar, fully intending to return before getting caught in the storm.

They really weren't kidding about removing Sokka's sexism. Instead of Aang being released bc of Katara's anger at this, they just happen upon the iceberg, and somehow while trying to waterbend their canoe closer she waterbends the iceberg open behind her??

Exposition dump from Gran Gran... and her basically just straight up telling Aang to his face "You're the last airbender! All your people are dead! And you're probably the Avatar too!" It all felt very wooden and definitely a bad change from how Aang realizes he's in the future in the OG series.

I had high hopes for a lot of the actors, and I hate to say it (especially considering Sokka's actor is likely not even indigenous at all), but Sokka has felt like the best actor so far. His lines come across a lot more naturally than Katara's and Aang's often do. Aang is alright, and of course looks and acts the part, but the way he speaks his lines sometimes feels too quick/unnatural. Sadly, I think Katara's acting has been the worst so far - in this episode I didn't see any of the emotion in her eyes that I felt like I should've been seeing. I will say I think she got a bit better in ep 2.

Aang, Katara, and Sokka just don't feel close. They never got time to go penguin sledding, to hang out with the village kids, etc. They still feel like strangers.

Speaking of, I guess Aang went out of the Avatar State by thinking about Gyatso? Again, that distance between him and the siblings (especially Katara) is glaring. Katara in general just seems to lack the spark she has in the OG.

EP 2: "Warriors"

What I liked:

Seeing the Fire Navy port - it felt very SEA-inspired, and that street food looked delicious lol.

Kyoshi Island being run by a woman (Suki's mom). Just makes more sense to me lol.

Suki - I looooved how they portrayed her as this kind of socially awkward character who wants to talk to Sokka but doesn't know how. It makes so much sense with her being isolated her whole life. I also felt like her and Sokka had quite a bit of chemistry.

The final Kyoshi battle was pretty cool

I kinda liked Zhao and Zuko both being at Kyoshi Island

Zuko's desperation to find Aang - he really felt like a kid to me in this ep with the acting choices Dallas made.

Strangely, I don't hate them nerfing the Avatar State a bit by making it to where Aang can only enter it when he's in an Avatar shrine. I didn't even realize it at first but the reason he goes into the Avatar State in the SAT is because Gyatso's skeleton was in Yangchen's shrine. I still prefer OG series Avatar State though.

I like that Kyoshi warns Aang with the vision about the Fire Nation's attack on the Northern Water Tribe. It gives him an incentive to get there faster instead of meandering.

What I was not so keen on:

Zhao seems to be a much less arrogant character here, at least outwardly. I know he was probably a bit cartoon villain-y in the OG series, but this dude just feels like another commander. Maybe that will change as I watch more. He's definitely conniving.

The goofy ass high beam lights from the Kyoshi statue's eyes

Kyoshi's characterization... This Kyoshi feels like the caricature all the casual fans perceive her to be (i.e. violence and strength are the best way, smite my enemies type of thing). I also didn't like how she just kept berating Aang for running away (which is weird that everyone keeps accusing him of this bc this version of Aang literally didn't even run away).

Aang is very driven to master the elements and defeat the Fire Lord in this version, which isn't necessarily a bad thing... But I feel like if anything, they could have at least kept it to where he ran away the night of the genocide, even if they didn't want to show him ignoring his responsibilities to go on adventures in the bulk of the show. A major part of Aang's character arc is him learning to accept his destiny and stop running/avoiding.

Once again, no Sokka sexism arc. This ep in the OG series was very important for him, but that's nonexistent here.

Once again, Katara's acting, while better than ep 1, feels like it's lacking emotion.

Overall, it's obviously better than the 2010 movie so far, and I enjoyed the eps to a degree, but there's still a lot of things that I wasn't super fond of. The changes that they seem to have made so far aren't too extreme yet, and I'm actually looking forward to seeing how far they end up deviating from the original show.

The whole time I was watching, I just couldn't stop thinking about how much better the original show is. I just kept missing the characters I knew and loved. Also, I still firmly believe this world and story truly works best in animation.

#natla #netflix atla #netflix avatar the last airbender #atla #avatar the last airbender #natla spoilers #netflix atla spoilers #atla meta #natla meta

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goodbysunball · 6 months

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Fresh trimmings

Alienator, World of Hate 7" (Convulse)

New recording from Portland, OR's Alienator following a 2021 demo. The band plays a sort of mid-tempo hardcore, burly almost-metal riffs and gruff vocals filling out the space afforded by the lower speeds. Passes surface level inspection, especially "I'm Nothing" or the stomping outro of "Social Disease," but all of the parts here don't really coalesce into the total package as advertised. Lyrics are clunky and hackneyed, even by hardcore's low standards, and I'm annoyed on each subsequent listen at how chugging death metal riffs are teased at the beginning of "Senseless Violence" and the title track but not fleshed out. It's all competent and fashionable, from the artwork to the execution, but doesn't really distinguish itself and, at worst, inflicts some secondhand embarrassment.

Delco MF's, March of the M.F.'s 7" EP (MF Records)

Seems recently any hardcore that catches my ear has to be verging on grindcore tempos, and Delco MF's do it better than most. The first 7" was great, and March of the M.F.'s continues the winning streak. There are some strong riffs on here, most potent on the title track, but this is a band primarily carried by the vocals and the drumming. "Future World" is a prime example, the vocals and violent tom fills racing and tripping over each other, until "Death of Me" pleases the crowd waiting to mosh. Six songs in six minutes, no room for filler (or, perhaps thankfully, a lyric sheet) - almost makes me agree with the "Hardcore Rules / Fuck Off" banner pictured on the back of the sleeve.

Mark Van Fleet, Vordenal CS (Refulgent Sepulchre)

I saw Mark perform as Face Place a few years ago, and it was cool, but felt very restrained and almost academic in its approach to noise. I was hoping for something a little closer to the heaving noisescapes he created as 1/2 of Sword Heaven, and now Vordenal comes close to fulfilling that wish: syrupy thick loops are urged to disintegrate, harsh sounds reflect off thin metal walls and a general unease presides. There are tracks, but this works as two side-long pieces. Side A's a little roomier, sounding like a high rise construction site on a windy day, creaking metal-on-metal and eerie whistling, until bolts shear and welds fracture during the swirling fever pitch of "Vordenal Slurp." Side B is just two tracks, and here's where the anxiety begins to burrow under your skin. The chomping and pounding of "Volume Fog" is particularly effective, and its guts are poured into the atonal drone of "Dungeon Summer," a drone that begins to pile on itself and buckle. When I listened to Vordenal on an airplane recently, it felt as if the plane were being ripped apart until the abrupt end of "Dungeon Summer" allowed the oppressive hum of steady cruising back in. What Mark's doing is in the league of Tom Darksmith and Aaron Dilloway, albeit a bit less polished than their recent works, but the stitches showing works in Vordenal's favor.

Life Expectancy, Decline CS (Iron Lung)

One of maybe three hardcore releases to leave a mark this year, Life Expectancy's Decline is a cavernous, feedback-ridden bullet train ride, except you're strapped on the outside like Mad Max in Fury Road. Plenty of noise here, including intro/outro on/off ramps, but the middle section is a pretty potent slurry of metal and punk, a combo that just doesn't add up for most bands. Vocals are a vicious black metal caterwaul, becoming more and more prominent as the tape plays, fully emerging on "Liquidated Flesh" and "S.M.R.A." where the tempo slows just enough for things to get really grimy. Blinding, blown-out, bleak: all applicable here, even if they curiously titled a track "Eggz." Completely unassuming packaging and quietly released, Decline sets a new bar for the skulls-and-chains crowd to gawk at.

Romance, Seven Inches of... 7" EP (self-released)

Hastily assembled sorta-supergroup from Sydney mows down the corny "murder punk" genre tag and reclaims the violent moniker for themselves. The band plays well - bass and drums thump and wallop, guitar slashes with abandon - but the draw here is the feral vocals of Jane, who must've had blisters on her vocal cords after the performance here. "Romance," "Fast Car" and "Surprise" are almost uncomfortable, blurring the line between performance and actual malice, and it's chilling in the best way. Nothing polished here, and all the better for it; you can definitely see why the band chose to self-release these tracks even after a couple of years. There is a palpable ferocity and recklessness across Seven Inches of..., and whoever says "fuckin' nailed it" at the end of "Sex Pact" ain't wrong.

Tàrrega 91', Fill de la Merda 7" EP (La Vida Es Un Mus)

The punk LVEUM mines from Spain almost always hits home with me, and Tàrrega 91' aren't about to break that streak. Fill de la Merda sports a bass-heavy recording, Discharge-style ripping guitars, but makes plenty of room for a prominent Rudimentary Peni influence to show its head, too. Not sure that there's anything groundbreaking to be heard across Fill de la Merda, but it's all performed as if they were the first band to stumble onto this confluence of sounds; that genuine excitement pushes a track like "Autoproclama De L'esclavitut Total" into a burner. Nice quick-hit 7" that checks a lot of boxes for me, especially that little guitar solo on the title track. Yeah, it's comfort food in a sense, but who better to serve it than one of the preeminent labels in punk and hardcore worldwide?

#Alienator #Convulse #Delco MF's #Mark Van Fleet #refulgent sepulchre #Life Expectancy #iron lung records #Romance #Tarrega 91'#La Vida Es Un Mus

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sothischickshe · 1 year

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Truly… what season 3 could have been. Speaking of, what would’ve been your ideal ending for it? 💭

👋👋👋👋👋👋👋��😘😘😘😘😘😘

I feel like I'm def overly romanticising the potential of/s3 bc my immediate thought is that my ideal s3 would've wrapped up the storylines I found annoying ASAP so I didn't have to suffer through them all the way into s4 😂

I primarily mean the Annie's terrible therapist stuff (literally makes me violent though I quite like how the conclusion underlines how rubbish he is, couldve maybe stomached it better were it not sandwiched btwn annie/Noah & annie/Kevin 🤮🤮🤮🤮) & the hills + the donor family stuff (painfully annoying).

I would include the hitman plot too, at a distant third place, cos it felt very lazy -- as a device for why the girls made no money that season, for provision of 😲twists, and in terms of the characters' motivations (particularly re Ruby & annie, but also Fitz at times) around it.

BUT some of the brio stuff was so angsty & delicious!!! It's deffo a strong contender for fave season generally and brio content specifically for me (in part cos of the 🥺Potential, but also bc s1 2 & 4 are all strong contenders for worst season for me sfgfff).

With the context of s4, I do also think my ~ideal s3 would ~end with setting up some of the s4 stuff -- particularly the existence of nick (who seemed to arrive from planet zorbo suddenly) & the Beth-stan conflict (espec cos otherwise stan's response to Ruby being shot comes across as belated). I also would've liked some more annie-nancy content, s4 made the terrible therapist storyline feel ~relevant to annie & nancy repairing their relationship, so it would have been nice to see that seeded in more 😊

& I think I couldve def enjoyed a true to form season finale of Beth + rio + some man + gun! I did enjoy the resolution of the hitman plot overall (and that brio bar scene was fantastic!) but the execution (of the execution lol) was kinda lacklustre, and didn't really feel particularly in conversation with the s2 (& indeed s1) finale, which I think is a waste.

But mostly my ideal ending to s3 would have been after the number of eps we were supposed to see 😭😭😭😭 and then with a long break before s4 started 😭😭😭😭

espec cos as it is beth & Rio's relationship just seems reset, but like in an unearned way! I appreciate what they were trying to do with the next time empty the clip line in the scavenged s3 finale, but I don't like it much :/ and the bit (in the s4 approximation of the s3 finale) abt rio maybe semi realising the hitman was a hitman seemed to just peter out...? I can totally forgive s4 a bunch of clunkiness cos it had to pick up after AND reset from the aborted prev season but I wish we'd had a dramatic brio semi accidental pair up against a common enemy season finale which got a realllll chance to breathe before eg the (genuinely too silly, and that's ME saying it🤯) brio pool playing scene in s4.

...like ugh can you imagine if they actually got to finally yell @ each other after a season of low energy glaring?! 😭😭😭😭 uNfAiR

Similarly I def appreciate that they chose to leave Ruby & stan in a good place for the cobbled together s3 finale, but it does make the ~retreading in s4 feel pretty 2 steps forwards 1 step back♻️♻️♻️♻️♻️🙃😭

...I feel like this is a v boring answer in essence 😂 but yea I think my ideal s3 ending would have been getting to see the full s3 as it was intended 😭 & even if it sucked, at least I'd be able to judge it on its merits!!!

#nbc good girls #tv #Ty for asking 🥰🥰🥰🥰🥰🥰🥰🥰🥰#I doooooo think maybe the intention was to have some kind of big outpouring of emotion #Vs how emotionally tamped down a lot of the acting in the brio scenes was #But idk perhaps logic doesn't belong here lol #Anyway what would your ideal ending have been???

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unnursvanablog · 8 months

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now I checked out of the first season of Arthdal Chronicles around the middle mainly due to it's flimsy and clunky setup and fantasy worldbuilding and very slow character development. It was doing my head it, it was confusing but mostly it was just quite boring and stiff to sit through. It felt like the usual brilliant writers that gave us Six Flying Dragons (best kdrama ever) and Deep Rooted Tree and Queen Seonduk (which I struggled through for a long time because of the unfunny side characters and the utterly charmless male lead that was Uhm Tae-woong) were trying to do too much at once and failing in introducing characters and their motives, the political side of things and the worldbuilding. So none of it was done to justice.

Now, usually that would mean that one would not pick up the second season of Arthdal Chronicles once it airs… but I am nothing but a simple girl who has been waiting for too long for Lee Junki to get back to sageuks where he truly shines (he does do some good thrillers tho, can't forget Flower of Evil). And I do have hopes that with the clunky worldbuilding and all of that vague fantasy stuff has been left in season 1 and we can actually enjoy some good writing, characters and political maneuvering and intrigue in season 2.

Or at the very least get to see Lee Junki look good in historical clothing and swinging a sword around and doing cool stunts.

It is a bit hard to comment on this show due to the nature of the subs that I found… which were decent enough, but it sort of felt like it had been google translated from korean to english and then very roughly read through. And not everything was subbed yet, so I am going to wait a day more before I head on into ep 2.

Episode one had some clunky re-introduction going on. I remember roughly which characters were witch, even if I only watched like half of season 1 in 2019… but I also read so recaps to know what's going on and catch up on things.

The vague fantasy worldbuilding is still there, but it's much more in the background this time around because, like I had hoped, some of it had just been left behind in season 1. They expect everyone to sort of get it by now. And I do think the character motivations are very clear and solid this time around, since the characters don't have to wait for the setup of the story to have finished and all of that to have something to do.

I don't find myself being terribly invested in anything happening as of now, but that's okay. Not every story can manage that right away. And I got plenty of Lee Junki swinging a sword and stuff. He flew up in the air and kicked people and I enjoyed it. But I sort of was mending two socks while some of the other stuff in the episode were happening… so it's probably going to be one of those shows. Ether it hooks me at some point where it get's my full attention, it entertains me enough for me to watch it without all of my braincells turned on, or I drop it… like I did with season 1… about half way through.

I don't see this show being a high priority for me, but I don't see it boring me to death or anything… yet.

#arthdal chronicles #first impressions #Arthdal Chronicles season 2 #Arthdal Chronicles 2

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loganslowdown4 · 2 years

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{edit note: I’m going to compile a list of every single Doctor Who episode, short, mini, special & spin-off in one place that I started back in 2019. These posts are going to be by season, I’ll be working on getting caught up and then go back and transfer my posts here…}

Doctor Who Season 12 (13th)

DW 1201-Spyfall Pt 1

Oh. My. God. I won’t spoil it, but the ending of this episode is BONKERS. 😭 I am SO PROUD of Chibnall for actually writing a decent episode with STAKES AGAIN!😭 I warms my 2 hearts so much! Decent build up too. Still wish the gang all had more downtime but 🤷🏼‍♀️

DW 1202-Spyfall Pt 2

Sacha Dhawan as the Master is my kind of energy. I ❤️ his chemistry with the Doctor. I definitely appreciated the female representation of history, but the story itself was a bit clunky. Still, fun! Who is this timeless child anyway? I’ve heard of it before but 🤷🏼‍♀️

DW 1203-Orphan 55

Come for the twist, stay for the guilt!

To be fair, Jodie has gathered a whole young fanbase that probably needs a tiny lesson shoehorned in for their own good. Probably. It’ll be better if they tied this ep to a future one, so we’ll see I guess. Bonus: Sassy Doctor is back!

DW 1204-Nikola Tesla’s Night of Terror

This one is just ok, but this usually happens midseason. I kept thinking the scorpion aliens were the Racnoss & got excited; they aren’t.😒 OMG, scorpion queen? Our own Anj Mohindra back in the Whoniverse! She rocked it! I miss Rani & SJA 😢

DW 1205-Fugitive of the Judoon

Still, as shocking as the climax was, it still felt a bit...done before? I dunno. We had the war doctor. We had the chameleon circuit. I’m glad for the call backs. I guess I’m happy they didn’t already replace the Master!

DW 1206-Praxeus

So...um ok? We just aren’t going to address the last ep? We’re gonna get another shoehorned environmental message? Cool, cool. Except this ep was balls. The story was so sloppy, I hated it. It really should have been Autons, that would have been so much better.

DW 1207-Can You Hear Me?

This was a better ep for sure. We got a little more backstory on each of our mains (why is it so hard to write for them? Why do the writers insist on keeping them dull and one dimensional?) and the villain was very good. But still no answers? Cmon!

DW 1208 - The Haunting of Villa Diodati

I did like this one. I think after my 2 year hiatus of watching Doctor Who, I have a bit different perspective. Still not a massive fan of Jodie’s Doctor, but that’s mostly because she doesn’t ever give this serious air when things in the story get grim. It never feels like there are any stakes. This one was good though. Not a fan of the cyberman plot at all, but liked the Mary Shelley/Lord Byron plot. To see them as just flippant rich people (which they were irl) is really funny to me. Creative and brilliant yes, but also a tad shallow at times. Nobody’s perfect haha.

DW 1209 - Ascension of the Cybermen

#doctor who #doctor who season 12 #13th doctor #the haunting of villa diodati

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cabbageslost · 2 months

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Reacting to live action AtLA - ep 5

Spoilers, everywhere. (But it's getting harder to avoid them everywhere too. Gonna try my best to get this second half knocked out over the next two days so I can stop ignoring the internet. lol)

Well, before I start, based on the first half of this book, my thoughts are pretty solidly meh. The fight scenes look cool. I would love to say it's neat to see my favorite characters brought to life, except a lot of them don't feel like the same characters. The characters don't have that obvious bond that was there, and not the layers of complexity that I loved. I think I would be enjoying this more if I hadn't seen the original.. I didn't expect it to be the same, but this doesn't feel like it's the same spirit of the original even. If I had seen only this live-action, it wouldn't have pushed me to need to seek out "more" - fanfic, other people to obsess with lol, etc. The original absolutely did. Maybe the second half of the season can redeem it, but I'm not holding my breath. But onward we go anyway...

Katara getting better at bending. I sure hope they still let her wail on Pakku.

The setup for Hei Bai village seems a little clunky.

It is kind of cool to see Ozai absolutely pitting the two fire sibs against either other.

They can see the spirit body? Wait, both of them are with him? Hm, okay.. let's see how this goes.

Wan Shi Tong? Now? WHY ARE THEY BRINGING SEASON 2?? He does look dope though.

Azula is as good at throwing a tantrum as her brother is. Weird to see her cracking now though. Meh. I guess they didn't know if they'd get other seasons, or want to put hints of it in early. I liked it when it was triggered by her support leaving her, but then again Ozai in this is making her feel not good enough where she was golden child before so I guess that could work. Not the biggest issue anyway.

There's Hei Bai. Aaand, they're all split up in the forest. Spirit fog. More book 2 stuff. It's getting pretty obvious why a lot of this has felt rushed despite having about the same run time as original book 1 - they're just pulling book 2 bits in right and left. This flashback though. And holy crap, Koh?

Okay so.. he got to do ice dodging? I liked the ritual including Katara and Aang as a bit of bonding and cementing Aang as an honorary part of their tribe.

Aang's better at this. And there's Koh! All these flashback are definite heartstring-tuggers.

Fog of Lost Souls? So... not the Book 2 swamp? Or.. oh I give up trying to figure out what they're doing. LOL At least he gets to have one adult figure tell him it's not his fault.

Seriously though, going to the Roku temple alone? Leaving Appa to guard the two sibs. They sure like to split the group in this adaptation.

Not gonna bother with overall thoughts here. Mainly it just keeps being a cycle of something happening in the show and me thinking "Well that was certainly.. a choice."

#atla #natla #live action atla #reaction

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pixie-mask · 8 months

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Netflix’s One Piece [ 1 / 8 ]ptExtra

So....overall I kind of like what I'm seeing. I was already going to keep a bit of an open mind to this but the changes I've seen, given the season length, aren't bad by any means. The CG was weird at first but in the rest of the episode it was used better.

I think the camerawork could relax on the close-ups, but other than it's good. Loving the soundtrack and set design, but also really digging the coreography, save Zoro's first fight which just felt clunky, but I also know trying to get those character movements down would be weird in live-action.

Luffy is still the one factor I'm not sure about. I have no comments on his actor, but the performance comes off stitled, but I think it's because of how Luffy was changed so much. He had his energy toned down a lot and he's been made to put more thought into what he does and doesn't do.

And yet this show still feels like it was made with love so I'm looking forward to the next 7 eps when I can get to them.

#One Piece (Netflix)#One Piece (2023)#really hope that I see some comparison (made with love) gif sets between this and the show #won't know or be able to find on my own as I sadly have given up on going into the One Piece tags #And that's just sort of how I've come to treat tags in general

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alphabet-mafietta · 2 years

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A little rant about the DW season 13 finale…

Not being funny but it’s taken to Jodie’s last episode of her last full season for Chibnall to actually watch Who and write her as the doctor we all knew and loved (and clearly, we could see from that episode, Jodie could play, perfectly).

Jodie is a cracking actress and I love that she’s the doctor and when she gets to shine, boy does she shine!

I think she’s got exactly the same qualities Tennant brought to the role, equally able to play the dramatic as the comedic (and she’s genuinely really funny - we caught a glimpse of cheeky Ten in that final ep which was brilliant!) BUT the writing post her first ever episode has just been a bit crap and that’s on Chibnall. Chibnall insisting on having different writers with no Who experience write each episode to diversify the writing room made the previous 2 seasons really clunky with little in the way of stand out episodes and minimal character development. It’s like the writers sat down, read a brief synopsis of the characters and were then allowed to write an episode and it really didn’t work.

I haven’t recognised this doctor for the past 2 seasons I didn’t recognise the dynamic between the companions and the doctor (why did we need Yaz AND Graham AND Ryan?!) - I just couldn’t stomach the doctor needing her “fam” to get things done/save the universe etc when 9, 10, 11 and 12 were able to do this, in the most part, single handed.

Don’t get me wrong, I like Yaz, she’s a good companion (she’s obvs not up there with Donna or Clara but hey) but they gave that character far too much of the hero action when she should have been there supporting the doctor and keeping her morals in check not piloting the Tardis and coming up with clever solutions to mind bending problems only a Time Lord would know. Let’s not forget, Yaz is a human ex-police officer, not an alien with experience of the universe, space travel or Time Lords for that matter! this didn’t work either.

What did work was separating the doctor from her “fam” and letting her get on with saving the universe in her own clever way and it was brilliant! this is the doctor I was waiting for! honestly, if Murray Gold’s score came in at the end too I genuinely would’ve cried!

Anyway, this is only a mini rant, I’m not dissing 13 or Yaz so don’t come at me, I’m just pissed off Jodie’s on her exit arc and it’s only now Chibnall’s got his head around the character and how to write her/a good episode of Doctor Who!

Jodie was the perfect choice for the doctor but Chibnall was not the right choice for show runner, it’s very telling that they’ve asked RTD back…

Side note, I really liked Dan, probably because he reminded me of Donna…anyway…

Also, before I sign off, why bring Kate Stewart back only for her to have naff all screen time and actually do bugger all in the episode? did I miss something? what did Unit/Kate actually do? I love me some Kate Stewart/New Unit too but that was a slap in the face!

What? they couldn’t give Osgood/Ingrid Oliver a bit of screen time? no, let’s give a load of screen time to two new random, 1 season characters instead! I’m looking at you Vinder and Bel - I don’t really care for your race across the universe to find each other, naff off I want to see what Unit were up to when Kate went dark!

Also, just lastly, is Thasmin real?! It felt like they were going to go there but I’ve been so confused with the previous writing, I’m not quite sure what they’re trying to say about Yaz or the doctor… or their relationship?…perhaps we’ll see in the last 4 specials of Jodie’s doctor, although I wouldn’t put money on it…

#thirteeth doctor #doctor who #thasmin #the doctor #yasmin khan #dan lewis #chris chibnall #jodie whittaker #kate stewart #jemma redgrave #petronella osgood #ingrid oliver #mandip gill #john bishop #russell t davies #bbc doctor who

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chainofclovers · 3 years

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Grace and Frankie 7x1 - 7x4 thoughts

Meh? Like...I love them so much, but...meh?

(I did enjoy this line about brunch.)

I really loved season 6 of Grace and Frankie. I thought it was well-paced, largely very well-acted, generally well-written, and it culminated in a massive moment of character development for the title characters, who, having spent years growing closer and being there for each other when others could not or would not be, finally articulate to each other that they are the primary person in each other’s lives. Platonic gal pal soulmate BFF emotional support witches 4 lyfe!

I know progress isn’t always linear, and in fact is very rarely linear, but after a moment that significant, you’d think the writers on this show would maybe come up with some more interesting things for these characters to do than spin in circles?

@bristler and I watched on Friday night, and just this morning over breakfast had a good conversation about the first four episodes of the new season now that they have settled in our brains a bit. We concluded that the writing (often noticeably clunky, like the dialogue is responsible for more narration than usual) and the tone (aggressively wacky) feel really off, especially compared to the prior season. I think we diagnosed the big issue, which is that Lily Tomlin and Jane Fonda are by far the most talented actors on this show (if you disagree, fight me in the parking lot) and it feels surprisingly unfortunate that their characters have, to this point in the new season, pretty much figured out their perspectives on each other. No matter how people feel about Grace and Frankie’s sexualities, the whole show has been about them finding each other and getting in deeper and deeper, and it’s less interesting to watch other characters have realizations about that than it is to watch Grace and Frankie having realizations about themselves. If the title characters are now limited to reacting to other people’s actions, and the title characters are played by the best actors on the show, the whole show’s gonna suffer. And is suffering, very much so, at least for these first four episodes. I’m definitely still excited for the final twelve in 2022 (twelve! I cannot believe this season will have sixteen eps!), but I’m pretty disappointed so far.

Stuff I Loved:

The family brunch. These families have been entwined for so long, and the backstory for this particular brunch was so fun (even though I didn’t care for the effects they did to depict Grace and Robert 25 years ago; there was no need for a visual flashback in the scene). I love that Grace hit Frankie with a wiffle ball bat. I love that the two couples realized some of the emotional reasons behind their decisions to lie to each other about Bud’s Bunny and about M’Challah. I love the way Jane Fonda sounds uttering the phrase “Bud’s Bunny” with little to no irony. I love that Grace is able to recognize and articulate just how deep and miserable her anger issues were, albeit with the continued help of her omnipresent martini, and that Frankie told her she’d now make up a holiday in order to spend more time with Grace. I really, really hope Frankie does exactly this at some point in the remaining episodes of the season. I love that Grace is generally a pretty good person now, with aspirations of being a delightful person. I love that she and Frankie don’t have it in them to stay angry with each other, and I love all the evidence that they really, really talk to each other about everything now.

Frankie talking to the man at the office (I don’t remember who he was supposed to be? A toilet manufacturer? I didn’t mention this before, but I actually got pretty high while watching?!? Believe it or not, this was the first time I smoked pot and watched Grace and Frankie at the same time despite having enjoyed both activities on their own for quite some time. I would recommend the combo! And I think I still pretty much got what was happening) about paying for the toilet parts with candy. This whole subplot with the money laundering was absurd and not that interesting, but I loved this particular scene because it was finally evidence of some really thoughtful writing. The concepts aren’t enough! You have to write them into good dialogue! And the whole cash/candy thing was a moment of dialogue that only someone as hilarious as Lily Tomlin could pull off. Which she did, IMO.

In a show about super messy people, Coyote has stayed sober this entire time. He is sober, employed, in love, and preparing to buy a full-sized house with his partner. He hasn’t murdered anyone in his family. Hasn’t even attempted murder once.

In 2017 or whatever, Grace Hanson would have been furious about Frankie using obscure Beatles references like a treasure map when hiding the cash. But here in 2021, she cooperates and even gets in on the fun. The writing is very unsubtle this season, but that did feel like a reasonably subtle moment that shows how good of a partner she is for Frankie. (Platonic, of course! So platonic. Female friendship, amirite?)

Stuff I Did NOT Love and Felt Incredibly Negative About:

Brianna. I can only conclude that June Diane Raphael has decided she’s happy with playing a character whose primary role in life is to be hot and mean. She succeeds at being hot and mean, but I have reached my limit with this character. I realize we’re only a quarter of the way into the season, but I don’t think I can take another arc about her learning to compromise only to reveal to Barry that she never intended to compromise at all. At this point, it’s both abusive and boring. How?! The Grace/Brianna parallels aren’t interesting anymore, because one character has grown and the other is stagnant. I get that Brianna was raised in an emotionally stilted environment by two unhealthy people. But I think it would be very cool if she could learn something from her mother at this point. Grace has put a ton of effort into dealing with her “rabbit-killing, mad-at-the-world anger.” She’s put a ton of effort into figuring out what makes her happy, what she wants her life to look like. She’s even started accepting her age and abilities without shame. And that growth is believable; Grace is still short-tempered and she still slugs back way too many martinis and she struggles to articulate certain things, but she’s grown into a truly lovely human. And while, as a daughter with a mother, I can absolutely attest to the fact that it can be difficult and uncomfortable to learn lessons from one’s mother, Brianna really, really should. Grace spent decades letting anger and shame trap her in a small, miserable life. Brianna—and even Mallory, who just seems like a vapid idiot this season—are traveling that same path, but there’s someone right there who could really help, maybe even more than Frankie helped when the Hanson girls were first growing up.

The arraignment. The scene might’ve been salvageable if it was filmed from Grace’s perspective, and filmed to reflect how surreal and improbable it all was. But speaking of non-linear progress, this scene erased everything Nick Skolka has done to put himself in my good graces (LOL) over the past couple seasons. I mean, I tried, man. I even wrote fic about Nick, Grace, and Frankie making a genuine effort at polyamory. But the arraignment is so emotionally manipulative, such a slap in the face of everything Grace has worked for, and while we’re certainly “supposed” to feel the weight of the moment, I mean, it’s not like we’re supposed to be like, “Oh, cool, we’re in a rom com now! This is adorable!” it still felt bad and unearned and slapdash.

And I want Frankie to process these things with her! Frankie seems so happy to have all this information about Grace and how Grace feels, but I want to see scenes in which we can gain an understanding of how Frankie actually feels. Hearing Frankie talk to other people about how Grace feels is interesting, but it’s like there’s no room in these episodes for us to learn anything new about Frankie herself.

Grace’s transitional wig. Is so. Bad. It is. Such a. Bad wig. Oof. I mean, I like what they’re doing with Grace’s hair from a plot perspective, although (see one bullet up) I would really like to get more of an understanding of what’s happening in Grace’s head, not just on top of her head. And gosh, Frankie would be a really good person to talk to about this in a conversation that lasts longer than 30 seconds. But the wig! She’s in a wig in all four episodes, of course, since Jane Fonda went grey and cut her hair short before they started filming this season. The wig for episodes 1 and 2 is fine; it’s a good approximation of Grace’s typical hair, and of course we know that canonically Grace’s hair isn’t 100% her own hair anyway. But the wig with grey roots looks so weird. The part that’s growing out doesn’t look the same as the hair on the wig from 1 and 2. And the grey roots look like a yarmulke. I cannot wait to get to the point in the season when Grace goes all the way grey.

(One more thing about the hair. I can’t let it go. I paused the show while we were watching to rant, but I’m not done.) I had the great privilege of seeing Jane Fonda in person at a protest in 2019. She is an insanely beautiful human. She was growing her hair out and it was partially dyed blonde and partially grey. It looked really cool. I am not ashamed to say I spent that day learning many things about the climate crisis and about Jane Fonda’s hair. Having seen her in real life with her real hair looking that fucking great, I just have a an extra-large grudge against everyone involved in that horrible wig. The wig is necessary, but it didn’t have to be this bad.

What Do I Care About Now?

I am pretty intrigued by the way Grace threw out her real age in a conversation with Nick and Elena. She has nothing to fear anymore! She’s so chill about aging! What could go wrong? I assume that Nick and Elena maneuvering for Nick to be on house arrest in Grace's house specifically has to do with the fact that Grace is 82. She’s gonna find out that Nick is allowed to be with her because she’s ancient and helpless and the court took pity. Or something like that. She’s going to feel betrayed on top of feeling stifled and overwhelmed by Nick’s presence. I want to see where this goes for sure.

Other than that, and other than the fact that I really do continue to believe this show is moving in a direction in which Grace and Frankie will choose each other, I feel very whatever about this whole thing. I love this show and I will always appreciate this show for giving me some incredible characters to spend years of my life writing about, and for bringing me some pretty amazing friendships. Speaking of those friendships, yesterday @ellydash and @telanu and I were talking about some of the incredible TV we’ve watched recently, like Ted Lasso and Hacks and Fleabag and Killing Eve, and how great it feels to watch beautifully written TV crafted by writers who are profoundly—organically yet intentionally—attuned to even the most minor character’s rhythm. The disappointment of these first few episodes of the new G&F season feels like a mild disappointment rather than a sharp heartbreak, and that has a lot to do with being deeply invested in other shows that could also go in all kinds of different directions but with writing I fundamentally trust.

Also Jane Fonda and Lily Tomlin are my forever faves and my appreciation for their performances and general awesomeness onscreen and in life is undiminished. So that’s pretty cool.

#grace and frankie #meta by me #grace and frankie s7 spoilers #a lesbian watches ted lasso #grace hanson is a gay disaster #except #she's not even a disaster anymore #she's totally fine and men keep bothering her!#frankie bergstein is a bisexual mess

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chalkrevelations · 3 years

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OK, Word of Honor, Episode 9, and I know last time I got deep in the weeds about symbolism, but this week, I’m getting back to basics and rambling on (and on) about what this show is really about: Zhou Zishou and Wen Kexing and their relationship.

First, though, the usual warning: SPOILERS. Not just for this episode, but potentially for the entire show, so drive past and circle back around later if you want to watch all 36.5 eps unspoiled.

Bear with me on this one, because this ep spends a LOT of time on ZZS and WKX, and I think a lot of that time is ZZS making some Monumental Life Decisions, including how he’s going to proceed in this relationship and how he’s going to approach his life moving forward. But I’m finding myself needing to work through it chronologically, and it’s. A Lot. Also, let’s face it, ZZS has been my ride-or-die at least since he dropped to his knees and started disrobing in the middle of the throne room in Ep 1, so a chance to wallow in his emotional journey is a chance I’m gonna take.

So, we do have a brief opener when we find out Dead Guy who the Yueyang disciple was shrieking about at the end of the last ep is Fang Buzhi, AKA the Nine Clawed Fox, the guy who lifted WKX’s (Danyang) Glazed Armor (along with some replicas). He got got by mysterious somebodies in the previous episode, and we find out now that he has three tiny needles in his neck, which ZZS recognizes as a Tian Chuang technique. This leads ZZS to 1) assume it must have been Han Ying who did it, so the (Danyang) Glazed Armor is now in the hands of Tian Chuang, and 2) realize that maybe this is not the best place for the former leader of Tian Chuang to be hanging out right now, so he makes their excuses, because he knows that Gao Chong must be VERY BUSY now that he’s got this corpse on his hands, so they’ll just BE GOING, thanks so much. Gao Chong hopes to see them at the Hero’s Conference, and WKX responds in a Significant Tone that of course he’ll be at the Hero’s Conference, and now ZZS has his Thinky Face on again, because WKX is not nearly as subtle as he seems to think he is when he’s making Pronouncements.

The ZZS/WKX Show really starts kicking into gear that night, at the Getting Lucky Good Luck Inn, where we open on ZZS wandering contemplatively around his room, looking beautiful in the soft light of evening (your FACE, Zhang Zhehan) and ruminating on Prince Jin’s motives for wanting the Glazed Armor, like he’s never met this power-hungry asshole before. Also, he thinks to himself, wtf was that, with Gao Chong keeping anybody from seeing Chengling in the last ep? There’s a knock on the door, which momentarily confuses him - understandably, because as we’ll see, WKX doesn’t generally get the concept of announcing yourself and waiting to be invited in by knocking first, preferring to dramatically bust open doors (at least to ZZS’s bedroom) and grace you with his presence, whatever your thoughts on the matter are. He’s accompanied by waiters and dinner, and ZZS realizes his senses are going, presumably because he can’t smell this spread that WKX has procured in an attempt to prove what a good provider he is (what did I say about food and bonding? ZZS fed him in the market, and now it’s his turn to feed ZZS). WKX tells us that life is just three hots and a cot - which gives away more about your life than you would likely be comfortable with us knowing, Lao Wen, given how close to the vest you’re holding your cards – and that everything else can wait if you can have a meal with someone you like. :coff: (Also, remember this, it will come around again.)

Cut to dinner by flickering candlelight, the better for soft lighting to caress ZZH’s exquisite face, but ZZS isn’t into it at all, staring into space instead of eating WKX’s proffered Courtship Delicacies. This earns what’s possibly WKX’s most hypocritical and amusing comment yet, which is to ask ZZS, “What is it that you can’t tell me?” ZZS - apparently - is still feeling soft about WKX’s help against Tian Chuang’s Chengling-kidnapping attempt - or maybe he’s thinking that a little bit of opening up on his part will soften up WKX - because he hardly has to have a spoon dug into his ribs at all to admit that he’s wondering if it was a mistake to bring Chengling to Five Lakes Alliance. My dude, just steal him back, then. WKX laughs at him and tells him he’s got such a handsome face (true) along with a kind and innocent heart (false, he’s a former government spook and assassin, a part-time ill-tempered gremlin, and a whole-ass troll), and therefore girls will clearly go crazy for him (true, just ask me). ANYWAY, A-Xu, (WKX continues) now that the requisite random no-homo boilerplate is out of the way, are you really thinking of taking on Chengling as a disciple, because now is apparently not too soon to have the adoption conversation about Our Son. I almost expect him to pull out the adoption papers then and there. Instead, he pulls out a story - which is awkwardly placed and kind of clunky, actually, despite being thematically important - of a dog he had once, given to him by Someone Very Important, although of course he’s not going to say who that was (:facepalm:), and his mother warning him that he’d have to take care of it for life, and then he betrayed it.

So, there’s a lot going on here. We’ll eventually find out that ZZS gave Zhen Yan a puppy, so will this story of a gift dog jog ZZS’s memory into realizing that WKX is Zhen Yan without WKX actually telling him, so that WKX can tell his Bundle of Neuroses that it’s not reeeaaallly WKX’s fault ZZS figured it out? Also, WKX sees ZZS being like this about Chengling, and in the Chengling = Zhen Yan equation we’ve already established, is it possible this will prime ZZS to remember another disciple/young boy he took responsibility for, at one point? Of course, on ZZS’s side of things, it’s possible that hearing about this dog that WKX failed is likely to remind him of the way he failed his own responsibility to all the other disciples of Siji Manor, so, excellent way to take a stab at his heart, WKX! However, ZZS breaks the miserable tone we’ve become mired in by smacking WKX, chiding him for comparing their son to a dog, and getting them drinking. See, here, Chengling is the dog. Earlier, the two sisters A-Xiang rescued were the dog. Later, A-Xiang will be the dog. Unfortunately, WKX is going to have a blind spot and never quite realize that, in the Ghost Valley schema he’s set up, the Department of the Unfaithful is also the dog, but we’ll get to that in later eps. For now, cut to later that night: After dinner and a washup, ZZS sits on his bed, and we get some special effects to indicate that his hearing is also giving him problems, so he deploys his special Nightly Nails Torment meditation pose, and then we get the second instance of WKX playing the xiao to help him meditate and rest. (Junjun, your hands on that xiao …) ANYWAY, we get a gorgeous little bit of physical acting from ZZH here that could easily have been overplayed but is nicely restrained and subtle, with just the slightest smile when ZZS realizes WKX is playing, and then his whole body visibly relaxing as he allows himself to sink into WKX’s now-familiar musical embrace the meditation. It is :chef’s kiss:

Cut to next AM, when ZZS is now a very cranky boy, and I get this, because I also am exceedingly irritated when people bust into the room where I’m sleeping with an abundance of cheerfulness and try to get me to interact and do things without at least half an hour to creep my way out of bed, two cups of coffee, and an hour of silence before any attempts to converse like a reasonable human being (I’m looking at YOU, mom), and I don’t even have the excuse of seven Nails pinning me. Also, when WKX whips off the blankets, we learn that ZZH dresses to the right. :hands: I’m just making an observation. So, WKX wants to go to Yuefan Tower like some kind of wide-eyed tourist, and despite some smacking and scowling and death threats, we then smash-cut to the Tower, where ZZS has apparently come to the conclusion that the only way to deal with the ADHD gremlin crawling into his bed is to humor him about this daytrip. I think you could have come up with some more creative ideas that didn’t involve leaving bed, but I guess you’re not the fast one in this relationship, Zhou-ge. Srsly, though, I’m sure WKX would have been happy to do all the work, my dude. (I don’t always have strong top-bottom preferences, but you probably aren’t going to have much luck convincing me that ZZS is not a pillow princess who wants to just lay back and be spoiled. “Aren’t you a very capable man?” indeed. WKX has to do ALL THE WORK, god. I don’t know if I’m swimming against the current here – god knows I was in Inception fandom, where I felt the same way about Eames - but here we are.) Also, I can’t believe WKX didn’t just sit in the bedroom and creep on A-Xu’s beautiful sleeping profile for at least the amount of time it would have taken to drink a pot of tea, another viable option if it was me in this scenario. Tch. What kind of stalker are you, Lao Wen?

ANYWAY, at Yuefang Tower, ZZS tells us about the Four Sages of Anji, a senior-citizen polycule of soulmates who are, conveniently, at this very moment, on a boat in the lake beside the tower, playing music and sword-dancing. This is the first time they’ve been seen in 10+ years, after they put down their various swords and ran off together to live like hippies off-the-grid in the woods, probably skipping around naked, drinking “tea,” and having lots of sex. ZZS sighs wistfully while recounting this tale and calls them “a breath of fresh air.” There’s some discussion and poetry quoting and literary references to soulmates, and somewhere in here we get a shot of ZZS and WKX from behind which makes it super-obvious how hard they’re working the costumes to make Gong Jun look as broad as possible. He’s got the power shoulders on this set of robes, compared to Laopo ZZS’s soft, unstructured, flowing robes, and with those shoulders tapering down to the belted waist, they’ve got Junjun seriously working the Chris Evans Dorito silhouette. Meanwhile, focus back on their conversation: ZZS thinks that “the world is not important, finding a soulmate is,” giving some MAJOR FORESHADOWING for the end of the show (which we are accepting as “Ep” 37 because WE ARE), when we get that icy separation from the rest of the world but they have each other. WKX gives him a yearning look. ZZS looks back … there’s really no other way to put this … coyly, not meeting WKX’s gaze directly. This offers WKX and us a chance to admire his profile once again, thank you, Laopo. ZZS waits until WKX looks back out at the lake before looking at him directly, and his face journey, y’all. He’s thinking that it might not be bad to spend his remaining time with this soulmate, I think he’s starting to re-think the slow suicide, and he’s also thisclose to just letting WKX have him. Y’all, he seriously wants WKX so bad, here. It may be the first time we’ve seen this level of interest from him - it may be the first time, in all that we’ve seen of him, that he allows himself to even have that kind of interest. I think this is the next big step from Ep 6, when he allowed himself to enjoy being desired - now he’s allowing himself to desire, to want something again, other than a chance to drink himself to death in the gutter. This, right here, is a crucial point when he makes the decision to spend whatever time he’s got left living rather than just dying, and I’m flailing on the couch. This is the face of a man who’s ready to Make Some Declarations while getting railed within an inch of his life. SOMEONE IS GETTING SOME TONIGHT. Or he would if he wasn’t going to turn out to be such a fuckup. FFS, WKX.

But first, we cut to a scene of them back at the marketplace, wandering through as WKX mocks various sects in town for the conference – including the Mount Hua boys, who apparently look like virgins make their first trip to a brothel – and ZZS supplies background info on them. WKX asks if ZZS can tell what sect WKX is from, and ZZS calls him a messy bitch before asking if WKX can please stop making him play guessing games about everything and just tell him what WKX so clearly wants ZZS to know. (I know, right? But no, because then WKX might get what he wants, and he’s way too terrified for that, so you have to guess. That way, it’s not his fault when you figure out who he is and reject him, as anyone clearly will do because he’s unlovable and unforgiveable and not even really human, A-Xu.) WKX immediately changes the subject to ramble about the Hero’s Conference and how laughable all the sects are for wanting to be seen as heroes, blah blah blah, rinse and repeat. ZZS comments that only inexperienced people want to be heroes, that experienced people know “every character of the word hero is written in blood,” and yes, the character they’re using for hero, “ying,” is still the same character used in Han Ying’s name (which is not, by the way, the “ying” used in Wei Ying’s name, to cross streams for a moment). ZZS says he’s too old to be a hero (I and my knees feel you, my dude), now he’s just a wanderer, and he asks if WKX wants to be a hero or a wanderer, and WKX says that as a wanderer, all he needs is ZZS, and I’m telling you, someone absolutely would be getting some tonight if only he wasn’t such a fuckup, Lao Wen.

I’m’a try to wrap this up soon, because it’s gotten v. long, but we then cut to that night at the Getting Lucky Inn, ZZS drinking in his room, WKX busting in with his usual dramatic flair, with wine, inviting ZZS up to the roof to drink and look at the moon. He clearly has ulterior motives, but unfortunately for everyone, we’re going to discover they’re not the ulterior motives ZZS is expecting. As they lean back on the roof together, hands almost-but-not-quite touching, a romantic tune playing, WKX tells ZZS that he’s like, really happy! Just super happy! So happy! Ask me why I’m so happy, A-Xu! Spoiler alert: It is, unfortunately, not because he’s getting ready to get some from his laopo. This is particularly unfortunate, because ZZS chooses this moment to take another big step in this relationship, telling WKX that he’s not going to ask about things WKX doesn’t want to tell him, that he’ll wait for whatever WKX wants to tell him. On the surface, this comes off a little bit like, I’m done with asking when you’re not going to answer anyway, but in context – particularly on the back of the earlier scene when ZZS watched WKX turn on a dime and immediately change the subject to avoid exposing anything when ZZS asked WKX to stop making him guess everything – this is as good as a declaration of going all-in. ZZS is committing to this relationship on faith, without having all – or even most – of the answers about WKX, and his approach is going to be to wait until WKX is ready to reveal whatever information he feels safe and comfortable revealing. In practice, he’s going to end up being better or worse at this, depending on the day, but what it reminds me of, already, is that moment in the 20s (Ep 21? 22?) when A-Xiang and Cao Weining are arguing about her killing the beggar guy, he approaches her, she yells at him and points to the ground to indicate exactly how close he’s allowed to get to her, and his respect of that boundary she lays down is instantaneous and absolute. That’s what ZZS is saying he’s going to at least try to do, here. It also reminds me of the way he’s going to respect WKX’s decision on whether or not WKX is going to claim his place as a disciple of Siji Manor, without it affecting their relationship, so we really are starting as ZZS means to go on, here.

Unfortunately, we then find out that what WKX is actually so happy about is that his plan to burn down the jianghu is starting its next big step, and their romantic evening is interrupted by a bunch of dudes fighting and killing each other over a bunch of fake Glazed Armor. WKX mentions that he’s so happy the show’s started; he’s alternately amused, satisfied, and smug as they watch various fights; he seems to be expecting ZZS to also be amused; and I feel like the implication is that this was his real motive for inviting ZZS out onto the roof, to be able to watch this show with him. ZZS – who’s spent enough time standing ankle-deep in blood for six lifetimes and was working hard just a few weeks ago at drinking himself to death to try to forget what that feels like - is displeased and horrified, rather than very proud of what WKX has accomplished; he pushes WKX away from him when WKX approaches him to ask if he doesn’t think it’s all so very amusing; and he calls WKX crazy, then turns his back on him and walks away. To make things worse, the next morning, after WKX brings breakfast to ZZS’s room and actually knocks, only to find that ZZS has left in the middle of the night, WKX will witness an angry mob gathered outside the house in the woods where the Four Sages of Anji are staying for the Hero’s Conference, demanding a piece of the Glazed Armor the Sages are supposedly holding for Gao Chong, and eventually leading to the deaths of all four of these peaceful aging hippies whose commune in the woods was ZZS’s ultimate dream, leaving WKX horrified by the fact that his actions have consequences, including some that are going to make his boyfriend even more pissed off at him.

SO. All that happened. There were some other people in the episode, too:

We see A-Xiang and Cao Weining having lunch. She asks him why he’s not eating, calls him fat and cute, then proceeds to tell him about Ghoul, who likes to eat the faces of pretty boys. Her conversation skills could still use some work. Cao Weining vows to kill the ghosts of Ghost Valley who would do such awful things. A-Xiang actually ignores this slander about the evil of the residents of the Ghost Valley in a way that she doesn’t usually – usually she looks kind of unhappy when the Evilness of the Evil Inhabitants of the Evil Ghost Valley comes up, going all the way back to ZZS’s comments in Ep 2. Right now, she’s too busy pumping Pooh Bear for information, asking about why the Ghost Valley would have left a pile of heads on Yueyang’s doorstep if the Five Lakes Alliance is so great, so what is Five Lakes going to maybe, perhaps, do about this? Cao-dage is suspicious … that A-Xiang might be scared, but don’t worry, he’ll protect her. Oh, sweetheart. I could eat you up with a spoon, right along with Ghoul. Also, it finally registers that A-Xiang called him cute, but she has to step away for a quick confab with a henchwoman.

We also have to watch Chengling get bullied some more by a Yueyang shixiong who I think is Gao Shan, who we’ll later see bullying some prisoners in the Yueyang dungeon as he admits that he’s doing it to relieve his own frustrations and make himself feel better - fantastic disciples you’ve got there, Gao Chong, I’m super-impressed by the morality and ethics you’re instilling as a sect. Once again, I have to consider WKX’s position on the jianghu as a hive of scum and villainy. Anyway, once Bullying Hour is over, Chengling runs into A-Xiang, and he can’t manage to prevent the waterworks as he confesses that he thought he’d never see any of them again and that ZZS didn’t want him. UGH. Zhou Zishu, come and get your child back. He’s at least somewhat mollified by Xiang-jie telling him she’s been sent to take care of him, and god knows she’s managed to keep WKX fed and clothed this long, so she has some experience as a minder, as counterintuitive as that seems.

We get a quick shot of Han Ying (My Beloved) with two identical pieces of Glazed Armor, apparently realizing that there are fakes out there.

Deng Kuan shows up, beaten and stumbling, and nearly gets turned away at the front gates of his own sect as a beggar – have I mentioned how unimpressed I am by the Yueyang disciples? Deng Kuan appears to be the only one of them worth anything – before they realize who he is. He is put to bed and tenderly nursed by Gao Xiaolian, who cries over him as he won’t wake up.

Finally, Gao Chong, Shen Shen and Zhao Jing (uh-huh) are horrified to discover that there’s fake Glazed Armor fk’n everywhere in town, making Five Lakes Alliance look ridiculous, which is just fabulous as the Hero’s Conference is coming up, guys. Shen Shen, because everything is a nail, vows to kill anyone who makes problems. Later, Hei Zi, who plays Gao Chong, has an utterly fantastic moment after the deaths of the Four Sages (wow, I did not remember that we wrapped up their entire storyline within a single ep), when he’s haranguing Beggar Gang Chief and is literally all, “You want the Glazed Armor? :pulls a piece out of his robe: HERE. You want some more? :pulls another piece out of his robe: TAKE IT.” It’s a great acting moment, his delivery is perfection.

#zhou zishu #wen kexing #zhang chengling #gu xiang #cao weining #han ying #deng kuan #gao chong #word of honor #word of honor episode reax

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nikibogwater · 2 years

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Niki Blethers: The Book of Boba Fett--ep. 3

Oh boy. This episode was uh....well it was certainly a thing. Many things. Actually it kind of felt like it couldn't decide which thing it wanted to be, so it ended up trying to be everything. Which only worked in its favor a handful of times.

Also I'm beginning to think that maaaaaaybe Robert Rodriguez needs to work on something....not Star Wars? But I'll elaborate under the cut. Non-spoilery version is ep. 3 felt a little too chaotic and cluttered for me, and once again the action was noticeably clunky and slow. But there were a few good moments scattered in here and there, so I don't feel like it was a complete waste of my time.

Spoilers under the cut:

Gosh darn it, give this poor man a break. You're not even going to give him one full episode as a fully-initiated honorary Tusken before you murder the entire tribe???

Honestly, the sudden eradication of the Tuskens really did feel like Favreau just....didn't need them anymore, and decided to ditch them with a conveniently-timed tragic death. Since the series is still ongoing, I guess there's a possibility that this will be expanded on later, that this event will be given more weight. But as it is, it kind of felt like an afterthought, like something the plot just swept aside so we could get on with other things.

Also felt like this episode was trying a bit too hard to emulate the same kinds of emotional beats that season 1 of The Mandalorian hit so masterfully. Which is disappointing, because a) this show was never going to be The Mandalorian--that's a doomed attempt from the beginning. And b) I really want Book of Boba Fett to have its own unique flavor within the Star Wars canon. We already watched The Mandalorian. Give us something new, please.

That scummy water-dealer made me chuckle a bit. He's not exactly a new type of character, but there's just something amusing about slimy little businessmen trying to suck up to the local rich guy, whilst simultaneously doing nothing to hide the fact that they are indeed little pieces of slime.

So funny story--I was actually low-key expecting Boba Fett to adopt some kind of moody teenager at some point in the series. I wasn't expecting it to be four moody teenagers, but I'm not complaining.

. . . Okay, yes I am complaining because oh my sweet cheese and crackers, these are some of the worst character designs I've ever seen.

Seriously, these kids look like they were yoinked right off the set of Disney's Descendants and given no time to change costumes. They look jarringly out-of-place in the Star Wars universe, especially on a planet like Tatooine. You expect me to believe these poor little street waifs can't afford water? When they look like they've just gone on a massive Hot Topic shopping spree??? That girl's eyeliner is so distracting, I completely missed entire segments of action scenes.

Not that there was much to miss....Yeah the action in this episode was....pretty slow. Boba wrestling with the deranged Wookie looked more fake than your average WWE production. The "high-speed chase" felt more like we were cruising along at a chill 15 mph. None of the new kids did anything particularly cool or interesting, in spite of all the opportunities their cybernetic implants present from a creative standpoint.

This is all incredibly frustrating because I know Lucasfilm can do good action sequences. I love the idea of Boba employing a street gang of ragtag youngsters. I've been excited to see Temuera Morrison throw down with a Wookie. But this episode just...can't seem to figure out how to do any of those things properly.

I am beginning to think that perhaps this is all due to Robert Rodriguez' style of directing and filming. Because every episode he's directed (both in this series and in The Mandalorian) suffered from a lot of the same problems. And with last week's episode being directed by someone else, and feeling perfectly fine, it just makes me think that Rodriguez' style doesn't fit well with Star Wars.

That being said, I am 100% in support of Boba Fett being a stereotypical Horse Girl.

Seriously. The Rancor scene was a blessing I never knew I needed. Boba Fett is now a Grandpa With a Dog, and I love it so much. The absurdity of Boba giving the flesh-eating godzilla-spawn a scritch behind the ear-holes is exactly my brand of humor and I can't wait to find out what he names it.

So yeah, this episode is definitely my least favorite so far, but I can't say it's truly terrible. Again, I'm on board with pretty much every new concept they introduced here, but the way they went about executing said concepts was really rushed and clunky. I'm trying to be as nice to this show as possible (even though I'm REALLY starting to miss Din Djarin), so I'm going to hope that future episodes manage to smooth out all these problems.

. . . . . .Oh shoot, the Rancor's gonna die too, isn't it--

#star wars #book of boba fett #niki blethers #semi-review

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lethal-liability · 3 years

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Ari's ranking of Imagine Dragon's discography

Here's something literally no one asked for! Anyway rankings are out of 10 and I'll have album stats at the end. Also any songs in the EPs that would later appear on Night Visions are just going under the album. I know that'll screw with their averages but I don't really care.

Imagine Dragons (2009) average rating: 7.2

I Need A Minute: 6/10 A nice fun song I used to like dancing around my room to. The lyrics are completely incomprehensible but I guess that's the point, I like it. The vocals are just a little bit too low

Uptight: 7/10 Funky beat, I really like the synth. I didn't listen to this one much as a kid but I really missed out this song kinda fucks.

Cover Up: 7/10 Some more funky bass and synth, getting into some of the more poetic lyrics that I like from them. Pretty solid.

Curse: 9/10 This 👏 was 👏 my 👏 favorite 👏 song 👏 back 👏 in 👏 the 👏 day 👏 Here's where my bias comes in cause this one gets an extra point purely for that. The lyrics don't really make sense but I would lay up at night coming up with complex amvs in my head to go along with it :) Still holds up to 11 y/o Ari's love.

Drive: 7/10 Again, another one I never really listened to as a kid. It's a pretty good, relaxing song, really different from the rest of the upbeat songs on the EP.

Hell and Silence (2010) average rating: 6.75

All Eyes: 6/10 Another funky song, nothing really special but pretty solid

I Don't Mind: 4/10 Honestly not a fan of this one, the synth is kinda annoying and the lyrics are kinda irritating

Selene: 8/10 Idk what to say I just like this song :)

Emma: 9/10 Honestly pretty much the same as Selene but with a chiller vibe, I like the raspier vocals. Extra points for that nearly yelled bridge HELL AND SILENCE I CAN FIGHT IT

It's Time (2011) average rating: 4.2

Tokyo: 3/10 Look I'm a sucker for funky synth OKAY. I don't speak Japanese but I don't have to to tell you Dan's pronunciation is really cringy. Deducting points for the kinda fetishy lyrics too.

The River: 8/10 This is one of those songs I like to listen to when I'm sad to make myself sadder so I can cry my feelings out. It's got a pretty, soothing melody and nice lyrics.

Leave Me: 2/10 This song used to make the feminism leave my body as a kid but I just can't bring myself to really do that anymore lmao. Come on Dan, that's two kinda gross songs on one album :/

Pantomime: 2/10 I. Really did not like this song as a kid. Like I had a playlist on youtube of all their music except this song. I was right.

Look How Far We've Come: 6/10 Hearing this song for the first time in like nine years was an experience. Not a bad song but dome of the lines are a little clunky.

Night Visions (2012) average rating: 7.33

Radioactive: 9/10 Ya know this is the song that got them famous and for good reason. It's a good song and great amv fodder.

Tiptoe: 8/10 It's gonna be harder to write about these songs going forward because these are ones I listen to regularly so I know I like them but yeah. Good song.

It's Time: 10/10 Radioactive may have been what got them famous but this was their first real big single and it was my favorite. I'm a big sucker for a mandolin and I think this is where they started to lean more into the folky sound than the synthy sound.

Demons: 9/10 Another one of their songs I used to listen to to cry and I don't listen to it much anymore because of that but it's still a good, poetic song that hits me in the feels.

On Top Of The World: 6/10 My mom had this as her alarm when I was in middle school so I couldn't listen to it for a long time. The lyrics are a little heavy handed sometimes and a little incomprehensible at others but it's an alright little tune.

Hear Me: 8/10 This album is a little confusing because they include some of their older synth heavy songs alongside their newer folky songs, but I won't complain with this song. Frustrated 13 year old me loved this song because I, too, felt that no one ever heard me when I talked. Ya know, 13 y/o things.

Amsterdam: 7/10 I have no idea what this song is about but it's pretty good.

Every Night: 5/10 This was their first and last try at what I call a "first dance bait" song. Ya know like Perfect by Ed Sheeren or Marry Me by Train? It's alright, just really heavy handed.

Bleeding Out: 10/10 Oh emo eleven year old me ate this edgy shit up. Is it a grimdark? Yes. But that's a plus for this song. This song makes me wanna scream every time I listen to it I BARE MY SKIN AND I COUNT MY SINS AND I CLOSE MY EYES AND I TAKE IT IN

Underdog: 6/10 Another cute song, not much to say about this one, it's alright.

Nothing Left To Say: 9/10 ANOTHER another song I cry to, this one still hits home for me. It's pretty and soothing but the lyrics are still heart wrenching. The instrumental at the end is nice and I like to fall asleep to it.

Rocks: 8/10 A nice upbeat song that is a little repetative but it's only about a minute long so it doesn't over stay its welcome.

Working Man: 5/10 This song isn't on spotify so I don't get to hear it often and I actually hadn't heard it in a while when I listened to it to do this. It's kinda trying to be a 9 to 5 type song but it doesn't really do it for me.

Fallen: 8/10 Another song I hadn't heard in a while since it's not on spotify but I'm more of a fan of this one. Another amv bait song to me but one with more of a triumphant vibe to it. I really like the vocals in the chorus.

Cha-Ching ('Til We Grow Older): 8/10 The hook of this song, cha-ching x3, has a big potential to become really annoying like some of their later songs (cough cough, Thunder) but they actually somhow make it work. This song hits me a lot harder now than it did as a kid cause god. Yeah. They're so right. We are all living until we grow older.

Smoke + Mirrors (2015) average rating: 9.06

Shots: 9/10 Hell YES my favorite album finally let's get into this shit. Anyway songs that make me wanna lay in a field of wildflowers. Well the music, the lyrics are pretty depressing. But that's what makes a great song ya know.

Gold: 9/10 Songs about the rich losing their humanity? Hell yeah. I fucking love the percussion and the synth in this one too.

Smoke and Mirrors: 10/10 The under appreciated masterpiece of this album in my humble opinion. Everyone always talks about Dream as the best song on the album but I really think it's this one. That yelled OPEN UP MY EYES gets me all the time I just really really love this song.

I'm So Sorry: 9/10 Real sexy bassline on this one. I can't tell what the fuck this song is about but I don't care because it goes pretty hard.

I Bet My Life: 8/10 I like the gospel vibes, especially the backing vocals, some of them out-sing Dan a little bit. This one also hits a little harder now that I'm grown up a bit.

Polaroid: 8/10 Another one with cool percussion, some of the lyrics are lost on me but I get the overall vibe of it.

Friction: 10/10 I have no clue what that string is at the beginning of the song but man does it fuck hard. God actually everything in this song goes pretty hard, I'm especially a fan of the vocals.

It Comes Back To You: 8/10 Nice chill song, I feel like this is one that's gonna hit in a few years. Not much to say about it tbh besides I like it.

Dream: 10/10 This song really does live up to the hype even if I like other songs better. It's really poetic and well composed. You really just have to listen to it to get it tbh.

Trouble: 8/10 The piano at the beginning is a little grating but it gets better. Again not much to say about this one, it's solid, just not one of my favorites.

Summer: 8/10 Another sexy baseline, another set of incomprehensible lyrics. I like it.

Hopeless Opus: 10/10 This one's a little weird but it was my favorite for a while. I like weird. Idk if anyone would agree with me but this one was kind of a self fulfilling prophecy, this really was a hopeless opus since, in my opinion, they've yet to make album as good as this one. Also. Guitar solo.

The Fall: 10/10 I like to put this song on when we get the first cold snap of the year after summer :) It's just really chill and I like the vibes and the vocals

Thief: 10/10 AAAAHHHHHH SONGS THAT MAKE ME WANNA RUN THROUGH THE WOODS IN THE MIDDLE OF THE NIGHT

The Unknown: 9/10 Cool percussion, I like the intermediate piano, it's a nice touch.

Second Chances: 9/10 I like the strings and the vocals. Another nice chill song.

Release: 9/10 I like that this one is completely acoustic, it's a nice send off for a great album, if a little depressing.

Evolve (2017) average rating: 5.5

I Don't Know Why: 10/10 I have wanted to choreograph something to this song for the fucking longest time oh my god. I really love the vocals and the synth in this one.

Whatever It Takes: 5/10 This one's alright. It's not great but it's definitely not the worst. Perfectly average pop song.

Believer: 10/10 I am a little bit biased with this one because I use it for my OCs a lot but like. It's a really good song. And I don't watch TV so I haven't gotten it ruined for me by commercials.

Walking The Wire: 6/10 I hadn't listened to this song in a while and it's really not as bad as I remember. I guess you can really tell that he was having marital issues when they made this album and that didn't really connect with me back then. But I'm kinda into a little bit of it now.

Rise Up: 4/10 Another really average, inspirational pop song. I like the raspiness of Dan's voice in most songs but it sounds so over processed in this song I can't stand it.

I'll Make It Up To You: 3/10 Wow okay never mind the marital issues vibe is coming back real heavily in this one. Idk it's just such Straight People vibes, I don't like it :/

Yesterday: 1/10 I associate this song with someone I don't talk to anymore and really wanna forget so it's kinda running at a deficit already. But. Um. It's not a good song otherwise. It's another weird song but something about this one just doesn't work.

Mouth Of The River: 7/10 I think I liked this one when it came out, idk why I stopped listening to it. It's pretty good. Not great. But I like the river imagery. Well. I like river imagery in general.

Thunder: 2/10 hhhhhhhhhhhh why did they think this was a good idea. Probably their most notorious song, I know a lot of people cite it when they say Imagine Dragons makes shitty music. I just think it's tragic that this is one of the ones that got super popular for some reason. However as someone who teaches children's dance classes, however annoying you think this version is, you haven't heard anything until you have to listen to the KidzBop version twice a week for a year. Not a complete 0 because I do like some of the vocals that aren't. That Part.

Start Over: 6/10 Another one I hadn't heard in a while, but it's pretty groovy. Not as heavy handed as some of the other songs, and that flute in the chorus is pretty cool.

Dancing In The Dark: 8/10 I like this one a lot, the processing on the vocals is a little wonky but I like the vibes.

Next To Me: 4/10 Yeah this was the "please don't divorce me" song. It's. alright. Really heavy handed, they probably should've waited to release this one but you know.

Origins (2018) average rating: 4.8

Natural: 10/10 Another one I'm biased for because I associate it with a beloved OC. But It's still a good song. I like it.

Boomerang: 5/10 Another song that just has an awkward hook with awkward delivery.

Machine: 9/10 I like this song a lot more now that I know the band is really outspoken about their experiences with mormanism and escaping it. But the irony of a song with a nonconformist message from a pop band is not lost on me.

Cool Out: 5/10 Idk I don't have much to say about this one. It's alright.

Bad Liar: 4/10 Oh boy more divorced dad energy. Hhhhhh I'm getting burnt out on this. For the record I have no problem with people going through things like this, I'm just not into these vibes in my music, especially when they're super desperate like this.

West Coast: 3/10 East coast supremacy. Also why are you trying to be Mumford and Sons.

Zero: 4/10 You know, the Ralph Breaks the internet song? God. That sure was a movie. The song is better, but not by much. It is fun and bouncy but I don't like listening to it too often.

Bullet In A Gun: 5/10 I used to really like this song but now I just associate it with an embarrassing character I used to stan so :/ I do still like the lyrics even if I don't listen to it anymore.

Digital: 3/10 I can't tell if this song is pro or anti technology??? And the electronic melody is annoying.

Only: 4/10 Hhhhhh I'm so tired. I don't like this one.

Stuck: 2/10 idk man. bad.

Love: 3/10 Really trying hard to be the Beatles here. :/ That's really not a compliment.

Birds: 5/10 This one's kinda nice, a little more original but like. I'm so burned out on this theme. hhhhhhhh

Burn Out: 10/10 Speaking of burn out. lmao, no I actually really like this one. I just recently listened to it kinda intently for the first time and I just. Wow. The second verse really gets to me. I feel like this song has a lot of the poeticness I liked from Smoke + Mirrors.

Real Life: 0/10 Hhhhhhhhhhhhhhhh obligatory "PHONES BAD" song from the folk pop band. At least when Bastille does it they don't literally say "turn your phone off!" in the song. I'm so tired. I'm gonna take a nap before I listen to the next album.

Mercury - Act 1 (2021) average rating: 7.46

Okay I'm still tired but let's do this. Also I've only heard this album like three times so far so this ranking is most definitely gonna change as I listen to it more.

My Life: 9/10 Holy shit this song is fucking heart wrenching and I first listened to it at like just the perfect time for me to ball like a baby listening to it. Literally my only gripe is I wish the tempo would've picked up a little bit earlier.

Lonely: 9/10 This song is equally fucking depressing but it's upbeat and I eat that shit up. The vocals are a little weird sometimes but I really like the pre-chorus a lot.

Wrecked: 8/10 Okay so this album is just gonna be gut punch after gut punch huh? Look, I was really going through some shit when they dropped this album so I like really connected with a lot of it. But yeah I like this song.

Monday: 4/10 Alright. Not a fan of this one. The metaphor is kinda cute I guess, even if it implies that like literally everyone else things your sweetheart is fucking insufferable. Actually. Who tf thinks monday is the best day of the week? Like what kind of person? But, uh, musically, it's kinda annoying.

#1: 7/10 Self-care babie!!!!!!! Okay but this is a nice song. Yes we all need to learn self love it's a fucking journey babe.

Easy Come Easy Go: 9/10 I really like this one, it might be my favorite on the album. My only gripe is the bridge/3rd verse/whatever it's called is a little bit clunky

Giants: 8/10 god DAMN those vocals. This is another kinda weird song but I'm into this one like I am with Hopeless Opus.

It's Okay: 7/10 Honestly I'm kinda tired of hearing "it's okay to be not okay" Like yeah I've been depressed for most of my life now I think I got that at this point. But I am a fan of "I don't want this body, I don't want this voice, I don't wanna be here but I guess I have no choice." Like damn even my gender crisis? Y'all are really just hitting all my nails from the past year right on the head huh?

Dull Knives: 9/10 OKAY ROCK RIFF I HEAR YOU, I just wish it would've lasted through the song instead of going slow again during the second chorus. But yeah, songs that make me wanna scream in the woods in the middle of the night.

Follow You: 8/10 ME AND WHO???????

Cutthroat: 9/10 HELLO AMV BAIT I MISSED YOU I wish it was longer. Also, love Dan's screamo debut I wish he'd just fucking scream his throat raw more often.

No Time For Toxic People: 4/10 okay I think we've established that I'm not a fan of completely unsubtle songs so I don't think it should be a shock that I'm not a fan of this one. The music doesn't really save it either.

One Day: 6/10 M E A N D W H O ? ? ? Not as much of a fan of this one as Follow You though.

Additional Singles but only one's I've already heard because fuck you there are so many of these

Battle Cry: 6/10 I thought this one was from some soundtrack but idk. A transformers movie I think? I can't find anything on it. Anyway, okay song. I like the line stars are only visible in darkness. The rest of the song is kinda repetitive

Born To Be Yours: 8/10 I like this song a lot. I have no idea who Kygo is but I'm a fan of this beat. For the record, this is more something I would use for my first dance.

Destination: 6/10 Another song I haven't hear in a while. I enjoy the vocals from the other band members. But it is an itunes sessions song so it's a little messy, probably could have been better if they'd recorded it as a regular song.

I Was Me: 7/10 A nice sad acoustic song, not much to say, I like it

Levitate: 6/10 This one is from that Jennifer Lawrence Crisp Rat movie no one saw. It's okay. I like the sci-fi vibes.

Lost Cause: 4/10 This one is from the Frankenweenie soundtrack of all things. This is another grimdark edgy song, but it just doesn't have the staying power to me that Bleeding Out did.

Monster: 8/10 This song was my fucking jam as a kid and was the song that got me into Nightcore in middle school so you know it's important to me. Still a big fan of it.

Not Today: 7/10 I actually saw the movie this was from, Me Before You. I would say this is another first dance bait song but I think they were just trying to match the vibes of the movie. The song is better than the movie though. In case you were wondering.

Ready! Aim! Fire!: 7/10 continuing the trend of songs from soundtracks, apparently this song is from Iron Man 3? Seems kinda weird to put a song about rebellion and revolution in a movie about a billionaire 🤔🤔🤔. Anyway it has a more electronic, industrial sound than most of their stuff which i appreciate. Still have to deduct points for being from a marvel movie though oops.

Roots: 10/10 Aaaaaaaaaaaahhhhhh I love this song. Another another biased one because I associate it with one of my OCs but like. It's a good song.

Sucker For Pain: 5/10 Ya know that song from the Suicide Squad soundtrack? The masochist anthem? It's alright, I mean Dan's part is probably the best, the rap is okay I guess, I'm not a huge rap fan so I don't really know what constitutes a good rap. I guess the appeal of this song was all the big names but it just gets tiresome that there's a new voice every 30 seconds. Really gimmicky but Lil Wayne's part is kinda funny so I'll give it that.

Warriors: 8/10 More amv bait, another one I could've sworn this was from some soundtrack but I can't find anything on it. Pretty solid song.

Who We Are: 6/10 This sing is from one of the Hunger Games Movies, I can't remember which one though. Anyway it's fucking incomprehensible but I like it.

Conclusion

Okay so in order from Highest to Lowest ranked the albums and EPs are

Smoke + Mirrors: 9.06

Mercury - Act 1: 7.46

Night Visions: 7.33

Self Titled: 7.2

Hell and Silence: 6.75

Evolve: 5.5

Origins: 4.8

It's Time: 4.2

See and this is completly objective because if you had asked me to rank my favorite albums I would've put Night Visions above Mercury 😠 I did have a good time going back and listening to a lot of old songs I hadn't heard in forever

anyway I'm tired and this post no one asked for is over 3k words so I am going to bed good fucking night

#long post #even with the read more hhhhhh #oh well #anyway #enjoy the most basic band that I like lmao #imagine dragons #ari screams into the void

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pasiphile · 3 years

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idk if this is something you've either a) ever felt the desire to talk about (if not, please excuse the curiosity!) or b) talked about before, but how do you go about writing your ep(f)ics? it's one of those things i've always been curious about because there's plenty of chat about how to start an original novel and plot it etc but usually a good chunk of those hypothetical word counts come down to character building, which is less relevant in fic. any thoughts?

I don’t mind at all! Especially because after writing four (five?) of these fuckers I finally feel like I got the hang of how I actually tackle them.

(that is, the general method. If you're asking about knowing what scenes to write/how to decide what actually happens, there I can't help you. Imo, that's just a case of having imagination)

First a caveat, though: I don’t write chronologically. I know people who do, and honestly it seriously impresses me, but it’s not something that I can do. If you can write chronologically, please do, because you’ll save yourself a lot of headaches. But if you’re like me and you just hop around...

So basically I start out with a vague idea. In Laws that was picking up after ACWNR and showing how they got from there to the point at the start of the series, for TVD it was I wanna show Moriarty’s pov for most of the series, and for the Untamed it was what if post-canon someone starts fucking around with the Yin Metal again. Basic, huge ideas, that give me a start, a middle and an ending.

This is also the point where some people outline. Again, if you can, great! do it! give yourself structure! I personally keep trying and it never works so I’ve given up, and try to keep track in my head instead.

Once I’ve got the basic idea, I basically just... start writing. By which I mean, more specifically, that whenever I have a bit of free time I retreat into daydream-land and start imagining things that might happen. Anything might be a jumping-off point there; a thing I read in another story, an interesting meta I read, a detail I saw in canon. Anything that fits the general storyshape.

(A lot of those scenes start their life in the space before I fall asleep).

The trick after that is to get to a keyboard asap, before I forget what I actually had in mind, and write it down (this is also why fic fragments tend to show up in the notes app of my phone). Once I start writing those down, usually I go beyond what I initially thought of - they write themselves, in a way.

If you do that often enough, eventually you’ll end up with a critical mass of scenes. I do try to put those scenes roughly in the right place, chronologically, but that’s only an estimate. This phase two is basically one giant shuffle game: trying to see which scenes can follow on which, whether there’s a logical connection between them, and then cut-paste and adapt all over the place.

I don’t actually edit in this phase, to be clear. I might put in a placeholder and a note if I have an idea what needs to show up to make two scenes link to each other, but I don’t go any deeper. At this point, you need a bird’s view on your story.

Once that’s in place, I start the hard work, which is taking those scenes and turning them into a coherent whole. Basically I just start reading at the start (of the story/chapter) and then run through the story as if I’m watching a series. The bulk of it has been written by now, so I now have room to write in the connective bits, the references to previous happenings, more internal thoughts and reflections...

And at the end of that phase, you’ve got something that resembles a (clunky, messy, occasionally weird) story.

So then I reread. This is usually when the bigger things start showing up, the character arcs and relationship-building. Some of that is already present, but it isn’t until I’ve got the whole thing in front of me that I actually start seeing the patterns. I try not to edit straight in the text at this point (which is why I often put the file in epub on my ereader, so I don’t get tempted) and take notes about general trends. Detailed editing is later.

(sidenote: fanfic needs less character building than original fiction, but you still need character development. if you’re writing an actual long thing instead of series of vignettes or one-shots, the way the characters are at the start can’t be the way they are in the end. Something’s gotta change, both in terms of characterisation as in relationships, otherwise you’re just going to end up with a boring story.)

And once that’s done, the process starts over, basically. Based on the notes, I start writing missing scenes and shuffling around scenes again if needed, and while I’m at it, I also try to edit the more detailed things. Said editing process keeps going until right at the end: I line-edit in AO3 one last time, just before I post, with the chapter copy-pasted from words straight into the drafts there.

Is this an efficient, logical or neat system? Fuck no. But it’s the only one that works for me, and I’ve gotten some good results with it.

It is, however, a rather intuitive system, because I know roughly how stories work, how tension and character building works etc. When I read, I tend to sense where it needs a cliffhanger, or a spanner in the works, or a big dramatic reveal. If you don’t have that sense (which honestly, I think you can only get if you read/watch/consume shitloads of fiction) you’ll need a way more structured approach - but those have never worked for me, tbh.

TL;DR

Phase 0: have an idea. can be as vague as you want, but try to know the beginning, middle and end of the story.

Phase 1: just fucking write. give no fucks about writing ‘complete’ scenes, just put it down on the page, even if it’s just a dialogue fragment. try to put things roughly in the right place but don’t spend too much thought on that. Put all your energy into imagining things, and then scribbling them down as soon as possible before you forget them again.

Phase 2: shuffle. Move the scenes around until you’ve got an idea what happens and in what order. Don’t bother edting. Just try to get one coherent plotline going.

Phase 3: read-and-write. Start from the beginning and walk yourself through the story, writing as much connective bits and embellishing everything you can.

Phase 4: read-and-check. Read your story as if you were a reader, not the author, and try to see if it makes sense, what the characters’ arcs are, what the story tension is like, and what’s happening plotwise.

Phase 5: Adjust accordingly, ie Rinse and repeat.

#Anonymous #Writing #Writing 101

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infinitecrime · 3 years

Text

Spoiler-free TFATWS Ep. 1 review:

A strong and promising set-up episode to reintroduce us to these characters and where they’re at now, with plenty of (sometimes a little clunky...) world building, beautiful cinematography and action sequences, and some really likable new characters. Grounded in reality but it still felt big and like everything could kick off at any time. I have some reservations about Sam’s writing so far but got everything I wanted from Bucky’s. 8/10

Spoiler-heavy review:

Plot/Writing:

No big issues with the plot; it was a set up episode so I wasn’t expecting any huge revelations. Everything was very well done.

Sam’s scenes were meant to show the mundane and realistic aspects of being a superhero and the struggles of post-blip life, but at times they felt a little too mundane and repetitive, particularly the bank stuff. I feel like something more substantial could have been done with Sarah to make that plotline more tense and add real stakes - her car getting towed, an eviction notice, a bailiff coming round, for example? We hear that they’re struggling, but we don’t really see it.

There were a couple of moments of exposition that were so clunky and forced that it really made them stand out, because the rest of the script was so smooth and natural. Particularly Torres explaining who the flag smashers were to Sam, Yori suddenly being reminded of his son, and then some of the lines in the loan scene.

The audience isn’t dumb; we can figure these things out for ourselves. For example, the line from Yori about his son could have been cut entirely because it was already obvious. Bucky seeing the photo in the shrine at the end should have been the reveal for anyone who hadn’t figured it out.

In prior movies we’ve had plenty of backstory for Bucky, but no personality, and plenty of personality for Sam, but no backstory. They needed to fill in those gaps in a way that didn’t have us drowning in constant angst with Bucky, or drowning in constant exposition with Sam. I think we were successful with Bucky because he had some light moments, but Sam’s scenes were just a bit too exposition heavy to feel quite natural. I’m forgiving them because it’s a set up episode, but they need to balance this better in the future.

Sam:

Loved Sam’s action scenes, his relationship with Torres, his interactions with members of the public, all the stuff at the Smithsonian with Rhodey, and his banter with his family. Anthony killed the Smithsonian speech scene and his chemistry with Sarah and Torres is great. But most of the reservations I have about this series after the first episode are about Sam’s scenes, even though I liked them overall.

His writing started very strong but then kind of... fizzled out up until the last 2 minutes? Despite Sam being arguably the most charismatic and likeable and emphatic characters in the MCU, his characterisation just didn’t really come across in the latter half, because he seemed a little too out of touch with what Sarah was going through. Having so many scenes of people hero-worshipping him in one short episode definitely didn’t help with this - we put him in a down to earth, everyman setting but didn’t really see him being that everyman that we know he is, especially when we compare him to Bucky who’s living largely incognito. If I had been a first time MCU viewer I would not have been endeared to him or really gotten what his character was about because it seemed a bit all over the place.

I think this could have been fixed by having a darker scene with his family that would have humbled him to the audience and given Anthony an opportunity to flex his range. Like visiting his parents graves, or being unable to connect with his nephew’s because he’s been gone so long they don’t recognise him, or assuring Sarah that everything’s going to be fine with money then looking at an empty bank account and panicking when she was out of the room. Without that scene it just felt like he was brushing Sarah’s reality and struggles off with an “eh, it’ll be fine!” attitude. We got some range from his character at the Smithsonian, but even that felt like it was more about the shield and the symbol than about Sam and Steve, because we weren’t told whether Steve is alive or dead or still in Sam’s life, so we don’t really know what Sam is feeling.

I’m hoping now that the character set up is done and the fight for the shield gets going, this will get better.

Also, while Sam's opening sequence was awesome and really showed the capabilities of the wings and Red Wing and Sam himself, it felt ever so slightly too OP on the tech front. Unless Redwing has semi-sentient AI like Jarvis the way it works is just too unbelievable, and the wings also seemed to be semi-sentient or controlled by his brain somehow? I think they need to figure out exactly how his tech works because right now we’re leaning into ‘magic wings’ territory.

Bucky:

I love that Sam has been trying to reach out to him as mentioned by the therapist. I wish Sam and Rhodey had paused at his exhibit in the Smithsonian or mentioned him to tie the two storylines together more tightly.

This Bucky is my exact Bucky. This is the absolutely perfect characterisation for me. Snarky, funny, smart, kind of a dork, morally grey, riddled by guilt, trying to do the right thing, depths of sadness and rage and loss, barely holding it together, regaining his old sass and personality and memories but forever a changed man. He wasn’t a totally broken damsel in distress, he wasn’t a completely lawful good hero, he was an independent but traumatised man trying his best to heal.

I’m happy that they mentioned his family and the ‘man out of time’ thing was dealt with very well. He’s wasn’t totally lost, just bemused but adapting well. I was worried they were going to sweep it all under the rug because they felt all ground had been covered with Steve, but they didn’t.

It’s also great that they showed he was capable with technology. The Winter Soldier would absolutely have used all kinds of tech, Bucky was always a science nerd, and he lived in high-tech Wakanda for a few years. He’s likely fine with technology, it’s the people and culture he doesn’t understand.

I love him trying to date and being flirty. I will continue to fight the people who say he shouldn’t be dating because he has PTSD - it’s fucking ableist and patronising. Also, he’s been free from HYDRA for almost 5 years (10 if you count the blip). When is he allowed to start dating if not after 5 whole years?!

Sam has previously been the funny one but I think Bucky had better one liners here. I can’t wait until we see both of them together, their chemistry is unmatched.

Seb does all these conflicting emotions and micro-expressions and feelings hidden in the eyes so, so well. You feel it all - the guilt and shame, the desperation to make amends, but also the rage and need for revenge and killer instinct bubbling under the surface that he’s constantly having to fight down. This is a character with a dark side, and no matter how fandom may characterise him, he always has been. Seb really bought the comedy here too.

Bucky having P.W. Hauser in his book was hilarious.

New Characters:

All the new characters felt very real and likeable. Loved the girl in the restaurant (did they actually say her name? I think from the credits she must be Leah), Sarah Wilson, the no-shit taking therapist, Yori, and particularly Torres, who I have a feeling will die but I really love.

I see from the IMDB that Leah is listed as appearing in all 6 episodes, so maybe there will be an actual relationship between her and Bucky? Or she’s a secret super hero or not who she seems? We didn’t actually see Batroc die, meaning he will likely come back too. He’s listed as only having 1 ep on IMDB but so is the therapist and we know she comes back from the promos - maybe IMDB is just wrong, idk.

Other:

The cinematography was really great, some beautiful shots here, especially around Louisiana and the Tunisia stuff.

It’s such a minor thing but I like when people actually get to speak the languages they would speak in that situation, instead of a room full of French people speaking English for the audiences benefit. It feels so much more real.

Even the end credits were beautiful!

#tfatws spoilers #the falcon and the winter soldier #tfatws

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