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#end of list.
future-crab · 7 months
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The fact that there are no recordings on the internet of Ray Toro performing with the muppets at the 2016 fundraiser for puppets and puppetry is a crime and a tragedy on par with the burning of the Library of Alexandria
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soyalexnajera · 1 year
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THE AUDACITY OF THEM TO SAY THIS, FUCK NETFLIX FR
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marisatomay · 1 year
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there should be an oscar category called “movie my dad completed without falling asleep on the couch” and it’s more prestigious and contentious than best picture
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nothorses · 21 days
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after having an entire hour long conversation with my coworkers about what "degendering" is, and the importance of using trans people's pronouns when you know them- rather than always defaulting to "they/them" no matter what- and still getting "they/them"ed by people I trusted not to fucking do that to me, I have decided that the name and pronouns circle of introductions for new additions to the group will now include the very clearly stated boundary that they do not use "they/them" pronouns for me.
your move, cowards!
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attyattlaw · 3 months
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commission for @lawsbbygirl
posting the grey version bc i am biased
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foxofninetales · 2 years
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I want to thank all the gif-makers of tumblr for allowing me to experience all of the best, funniest, hottest, most poignant, most romantic, most intensely heart-tugging moments of shows that I will absolutely never watch.
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hedgehog-moss · 6 months
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Last Sunday in October, a story in five parts :)
i. The guy who owns the pasture next to mine took his cows back to their winter lodgings the other day, and told me I could let my llamas eat what was left of the grass if I wanted. That was sweet of him but his pasture's fence is cow-proof, not llama-proof, so I had to wait for a sunny day, so I could sit with a book nearby and keep an eye on the llamas Pampe. Today was the day!
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Pampy looked happy about this unexpected change of scenery and started grazing peacefully, meanwhile Pampe started with exploring the whole pasture, including the patch of woods at the back, hoping to find a flaw in the fence.
(Note Poldine below, desperately running after her mum so she won't be left behind if Pampe does find an opportunity to escape)
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ii. I found some impressive coulemelles in this new pasture (I don't know any mushroom names in English sorry.) I cut one to take to the pharmacy and ask if they're the good kind (here with my hand for scale)
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They're also known as nez de chat, cat's nose mushrooms, in some regions...
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I found some girolles nearby last year, but not this time. The llamas seemed to be on their best behaviour so I thought after lunch I'd go look for mushrooms farther away in the woods, down by the torrent, instead of watching them all day.
Poldine, watch your mother.
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I asked Merricat if she was volunteering her services as a llama-sitter (it looked like it)
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—but she suspected I was going home where the fire is, so she followed me. (I don't make a fire on sunny afternoons, though... she had to nap in my cardigan instead. Not as good, but a tolerated second-best option.)
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iii. I took Pan with me after lunch so he wouldn't encourage Pampe in mischief, and he was uncharacteristically audacious in his frolicking! He doesn't like water and he's usually quite prudent when we're near the torrent, even scolding me if I climb on mossy rocks, but today he was jumping from one slippery rock to the other very boldly.
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As I was taking this nice waterfall photo, I heard a very dramatic high-pitched squeal followed by a dramatic splashing sound, and when I turned around Pandolf was dragging himself out of the torrent, looking, as we say in french, honteux et confus.
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I'm sorry that his bout of audacious frolicking had to end this way :( Back to frolicking gingerly for at least a couple of years... (His fur is magical though, he looks like a drowned rat at first but then shakes himself twice and is immediately back to a normal volume of floof. So his dignity doesn't suffer for long, at least.)
iv. I found no mushrooms but something even better!
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I love chestnuts so much, I've been hoping to find chestnut trees for years but was starting to think they just don't grow at this altitude... But I suck at identifying trees so it's very possible I walked past them dozens of times and never recognised them when it wasn't chestnut season.
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You really have to earn every chestnut, even with the crushing-under-your-boot method to squeeze them out you still have to extricate them from their burr going ow ow ow the whole time. The worst thing is when you kill your fingers opening a reticent burr and it resentfully spits out a bunch of sad deflated worthless chestnuts.
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Still, I ended up going home with chestnuts in every single one of my pockets. When we got out of the woods and back on the road Pandolf and I ran into a woman we don't know (so, not a close neighbour) and we started talking about foraging and I wondered if I should tell her about the nearby chestnut spot. But those things are private. No one told me about the chestnut spot even after I made increasingly heavy casual hints about how much I love chestnuts. After a while though I started suspecting this lady knew about the spot and was on her way there. Or on her way back, through a different path. She looked shifty. So did I. It's very possible that we were both standing there in the middle of the road with our coat pockets crammed with chestnuts, making pointedly non-chestnut-related small talk.
v. I went home and started making chestnut-pumpkin soup while dodging constant coordinated chicken attacks. At first they act like they're napping on a conveniently-nearby chair, or looking the other way, and as soon as you stop distrusting their intentions, they pounce, often from two different directions.
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Side plot: Pandolf spent this whole time desperately trying to catch a cat, to restore his self-confidence after falling in the torrent.
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Morille went from strolling casually on top of the fence to lounging casually in the hazel tree above my head, making it look like she hadn't even noticed she was being chased, which was very frustrating for Pandolf. Nothing wounds a dog like going unnoticed.
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I told Morille it would make him happy if she let him catch her, and she was like eh, fine, and elegantly jumped from the hazel tree to the top of the stone wall.
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Pandolf immediately followed, poked her a bit brutally with his big nose, and then he didn't know what else to do with her once he caught her so he just wagged his tail like "Well played, cat!! It was nice chasing you" and left.
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v. bis (or ter) I want to reassure Pirlouit fans (who might have noticed that he wasn't allowed to graze in the neighbour's pasture with the llamas) that he knows he's entitled to fair compensation as a donkey, and he stood behind the fence the whole time I was preparing my soup, patiently waiting for his pumpkin benefits. Which he did get.
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I found some leftover chestnuts in my trouser pocket tonight, that I'd forgotten about, so I'm having stove-roasted chestnuts for dessert after the chestnut soup! Chestnuts were 90% of my dinner and were also the reason Pandolf got dinner. I ran out of dog kibble and I was thinking of giving him a hard-boiled egg and some rice tonight, and go buy kibble tomorrow, but on our way back this afternoon we stopped by our closest neighbour's house and I humbly offered a handful of chestnuts in exchange for one serving of kibble. The neighbour's dog didn't look enchanted with our offer but his human agreed. I usually trade with my chicken's eggs but this woman has hens so I'm glad chestnuts are also accepted as valid currency.
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little-sw33tie · 10 months
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I LOVE TRANS PEOPLE
I LOVE SKINNY TRANS PEOPLE
I LOVE FAT TRANS PEOPLE
I LOVE MUSCULAR TRANS PEOPLE
I LOVE DISABLED TRANS PEOPLE
I LOVE TRANS PEOPLE WHO DON’T OR WANT TO TAKE HORMONES
I LOVE TRANS PEOPLE WHO CAN’T TAKE HORMONES
I LOVE TRANS PEOPLE WHO TAKE HORMONES
I LOVE TRANS PEOPLE WHO HAVE AFFIRMING SURGERIES
I LOVE TRANS PEOPLE WHO DON’T WANT OR NEED AFFIRMING SURGERIES
I LOVE TRANS PEOPLE WHO CAN’T HAVE AFFIRMING SURGERIES
I LOVE TRANS PEOPLE THAT ARE APART OF SYSTEMS
I LOVE NON-HUMAN TRANS PEOPLE
I LOVE TRANS POC (THIS INCLUDES MIXED POC OF COURSE!)
I LOVE TRANS WOMEN
I LOVE TRANS MEN
I LOVE TRANS PEOPLE OUTSIDE THAT BINARY
I LOVE PEOPLE WHO CALL THEMSELVES TRANSEXUAL
I LOVE STRAIGHT TRANS PEOPLE
I LOVE GAY TRANS PEOPLE
I LOVE AROMANTIC SPECTRUM TRANS PEOPLE
I LOVE ASEXUAL SPECTRUM TRANS PEOPLE
I LOVE NEURODIVERGENT TRANS PEOPLE
I LOVE BEING TRANSEXUAL
I LOVE HOW DIFFERENT WE ALL ARE
I LOVE TRANS PEOPLE
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mizgnomer · 3 months
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Parallels - Good Omens & Staged
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inhonoredglory · 9 months
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Defining Ineffable Love (or, Aziracrow Learn the Rules of Romance)
(In response to this ask about ineffables and asexuality)
One of the major threads this season was Aziraphale and Crowley asking themselves what exactly is their relationship. Not what it is in terms of how much they love each other. (That's a given.) But what it is in terms of the human implications of their love.
Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms. –David Tennant (source)
For 6000 years, they’ve never put a name on their relationship. They didn’t, because they’re inhuman, genderless, sexless beings and they didn’t grow up (as it were) with labels. And even when they did learn them, they couldn’t say it was love, because admitting that was a death sentence.
All of Aziraphale’s heart eyes and pining could live comfortably in his mind if he never admitted what that said about him as an angel (trauma compartmentalization). Crowley tries desperately to be cruel and nasty to add white noise around the blatant reality of his constant loyalty to Aziraphale. If you don’t put a word to it, it’s not real and they can’t punish you.
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After the Not-pocalypse, for all rights and purposes, Aziraphale and Crowley chose humanity as their identity. We see Aziraphale “playing house” in various human roles (as a landlord, a private eye, a magician).
We even see Crowley intentionally taking on human behavior to handle emotional issues: “Just breathe, that’s what humans do.” They’re slowly and intentionally enculturating themselves into the world they want to belong––earth.
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Yet it’s setting up Maggie and Nina that makes Aziraphale and Crowley start thinking about their relationship as a human construct.
Because fundamentally, Aziraphale and Crowley are not human. Like Neil Gaiman tells us constantly, they can’t be defined in human terms when it comes to gender and sexuality. They can shift and move through each and any of those markers at will, purely for the pleasure of the thing: “angels are sexless unless they really want to make an effort.”
IMO that makes them originally asexual, in the sense they were created without the need for sex. And it makes them fundamentally transgender and genderfluid, because while on earth, their sexless, eldritch spiritual bodies take on human, gendered forms and clothing. What gender (and sexuality) they identify with while on earth varies through the eras. Crowley definitely has a fluid gender identity, while Aziraphale appears to have settled on gay man (aka THE southern pansy) for his internal typology (although all of these identities are subject to change).
In the midst of all this fluidity, it’s no wonder Aziraphale and Crowley haven’t thought of their relationship in human terms before. There’s just so much different in them and their bodies than what they see in humanity. And there are no books and songs that show the kind of love they have, in the malleable, sexless bodies they have, with the background they have; it’s all ineffable.
Aziraphale and Crowley didn’t start out thinking they were in a romantic relationship. Whatever feelings they had were long repressed, redefined, and shuttled away. But they did love each other, without question. And it was that love which scared them, because it was bigger than anything they saw among humans, a love that was beautiful and blasphemous and unfathomable.
Kinda like what David Duchovny said about Mulder and Scully in The X-Files, “I don’t know if they’re in love. In a way, their relationship is deeper than that, because they cannot live without each other.”
Now take this profound, ineffable love and drop it into the little boxes and labels human culture has created for itself.
Full disclosure: I’m an asexual demiromantic person in a queerplatonic relationship, so I’ve done a fair bit of research on what romance is and how the rituals of romance are, in many ways, social inventions that vary from culture to culture. There’s love and then there’s romance, and they don’t always overlap. So my interpretation of Aziraphale and Crowley comes through this lens and the fact that Neil Gaiman has affirmed the validity of an ace-spec reading on our ineffables.
Which brings me back to my thesis: That only now are Aziraphale and Crowley thinking of themselves as a romantic couple, precisely because they are interfacing with humans and taking on their social rules.
I like this one asexual person’s description of their experience, which feels very much like our ineffables (from a very good article, I def recommend):
If there is a border between friendship and romance, then in my internal landscape, it goes right through a misty forest where no one has ever bothered to place signs.... Neither of us had intended to start anything even vaguely romantic, but the activities we did and the intense kind of immediate connection we had was coded as romantic in our culture.
That’s what Crowley realizes when Nina confronts him about his relationship to Aziraphale.
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“It looks like that from here.” What Crowley and Aziraphale share is beyond definition, but Nina cannot imagine the anything beyond the human labels she was taught. The tragedy of an everlasting love is that it can only be conveyed properly to other humans if it is cast in such small human words––partner, boyfriend, husband.
Because when Crowley denied those human roles for Aziraphale, Nina slid down the path of thinking Aziraphale was just his “bit on the side,” because there were no labels left she could imagine for them. If you don’t put a word to it, it’s not real.
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That’s the purpose of labels, to culturally validate a person's identity. Labels, of course, DO NOT create reality; people's experiences are always real, in all their varied ineffability. But labels allow a space for culture (ie other humans and political and legal society) to recognize formally your lived reality.
So Crowley started really thinking about him and Aziraphale, about the ineffable love between them and realized that in human terms, those would be the things he’d call Aziraphale, because those were the words that gave Aziraphale that place of importance in his life.
But with that realization comes all the human trappings and behavioral patterns around those words (the candlelit dinners, dramatic rescues, drinks at the Ritz, etc.) which Crowley had never thought of before, and yet… maybe romance is what he and Aziraphale have been doing all along.
That’s why this season centered so much around Aziraphale and Crowley using cultural artifacts (film and literature) to understand romance, because romance is so deeply socially-defined.
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Aziraphale himself has been leaning hard into the romantic social cues (he’s more well-read in the cultural trappings of romance than Crowley is), especially post-Blitz. But when he watches Maggie and Nina dancing, he works up the courage to do something with Crowley that’s even more explicitly loaded as “traditionally romantic” than anything he’s done up to that point.
Because while risking their lives for each other and defying everything for each other is love in its purest form, dancing (specifically in Jane Austen’s world) is a public performance coded for potential marriage partners. It's an intimate ritual of the entire body. (And in British slang, dancing has been used as a euphemism for sex.)
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Crowley's "We don't dance" is really telling, because it shows Crowley’s awareness of the unknowable devotion between them vs the human roles Aziraphale is asking him to fill, specifically its physical aspects. Aziraphale is asking to make their relationship more public, more physically explicit, more coded as romantic in a setting specifically intended to couple individuals.
While Maggie and Nina inspired Aziraphale to progress their relationship into a publicly physical direction, Maggie and Nina inspired Crowley to think of the emotional implications of their human roles: the commitment, security, and monogamy of a husband, a partner, an us.
That’s what he decides after Maggie and Nina confront him in the end. “You never say what you’re really thinking.” He wants to codify his relationship so they each become responsible to one another. Aziraphale has always been his soulmate, the one he could always rely on. But he wants to place a word and a role to their love that will bring with it Aziraphale’s commitment and dedication to him.
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And that's another reason why Crowley kisses Aziraphale, because he knows Aziraphale was willing to make their relationship physical, and he wants that, too. To consummate this bond in the way humans do.
But Crowley doesn’t really know how to kiss; he’s not as worldly as he makes out to be. (It’s Aziraphale who owns the gun, and Crowley who’s never fired one.) He uses the kiss as a tool to get across to Aziraphale what he wants for them, in the physical language Aziraphale has been using, because "one fabulous kiss and we're good," right?
But it doesn’t work, because real life and real emotions don’t work like that; life and love don’t follow a script, despite the novels and plays and songs.
Aziraphale and Crowley spent this entire season trying to figure out what their relationship is and what they wanted out of it, trying to make sense of the unfathomable thing they share and the human implications of it, and not quite landing on the same page.
Part 2 of this Analysis, covering a correction in Crowley’s statement (“You don’t dance”) and the further implications of dancing/sex.
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Fic things I will never have enough of/get over:
“Oh no, they’re hot.”
“Great, now there’s two of them.”
See above but with more swearing and feelings of dread and impending doom
BAMFs with swords
Old wise person causing 90% of the chaos
“They’ve never met in canon.” “Actually, they’re dating.”
“They’re mortal enemies.” “Actually, they’re married.”
The keeper of the braincell
Sharing one braincell but they lost it
The cinnamon roll goes feral
Tiny feral child and their supportive, enabling, non-parental background adults
“I’m your problem now”
“Welp, guess I’m a parent now”
Accidental world domination
Competence
Competence kink
Calmly sipping tea while everything behind them is on fire
Trying to be a good, supportive adult but you have no point of reference so you end up giving a sword to a ten-year-old
Time travel
Person A and person B start dating and when they tell everyone persons C-Q are confused because haven’t they been dating for like three years now and persons R-Z thought they were already married
*does something previously thought to be impossible* “What, like it’s hard?”
Platonic besties that will help hide the bodies
Fake dating
Accidental baby acquisition
Accidental baby acquisition but they’re a middle-aged to senior adult with like five thirty-something-year-olds that are now their children
Crossovers that shouldn’t work but do
“I need help” “I’ll grab the shovel” “Not that kind of help”
“I didn’t know where else to go.”
Well-written non-canon pairings for characters that have other firmly established canon pairings. Like, fully alters the entire story line non-canon pairings. But done in a way that feels like a reasonable possible outcome.
A protagonist with a million problems to solve still taking the time to be kind
Forehead kisses
Time traveller going apeshit and fixing everything preferably in as Mary-Sue a way as possible
OP character who is oblivious to the fact that they are indeed OP
Character who spouts off increasingly concerning details of their life while not realizing everyone else’s growing concern or the fact that they’re probably about to be mother-henned for the next decade
Character who chooses a parental figure and informs said parental figure of this new development with little to no forewarning
Strong, stoic character is actually the most chaotic one there
Everything in the chaotic portion of the alignment chart
Getting back at a bad guy in as petty a way as possible
Time travel with two or more time travellers who don’t realize they’re not the only time traveller
The guy everyone thinks is going to beat up all the bad guys sitting back and watching the person previously believed to be as strong as an uncooked noodle absolutely demolish them
Any situation where characters play hot potato with a position of great power. “Congrats, you’re king now.” “Not if you can’t catch me, I’m not.”
Unexpected language skills
Unexpected skills in general, particularly if they’re as niche as hell
Two extremely competent individuals who lose all brain cells when within a close proximity of each other
Fixing problems on accident
Fixing problems on accident while actively trying to cause problems on purpose
Surviving primarily due to spite
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dumplingsjinson · 2 months
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List of “things to say in place of a bittersweet goodbye” prompts
“Thanks for everything. Truly.”
“I’m… Going to miss you.”
“I don’t think I’m ever going to forget you.”
“I’ll always hold a piece of you with me where ever I go.” 
“I guess it wasn’t the right time, was it?”
“You’ve changed me for the better. And I will never, ever forget that.”
“You’ll always be important to me.” 
“I don’t want to say goodbye, so I’m going to say… See you later. Maybe.” 
“I don’t regret anything that’s happened between us.”
“It will always be you.”
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Join my Discord server: Steaming Dumplings Nation
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yesokayiknow · 5 months
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I feel like there’s something with Clara being as unhinged as she is *without* a traumatic backstory, like she’s doing all of this just on sheer power of will/belief in her own bullshit??? And I love her for it
literally!!!! like she's definitely incredibly traumatised don't get me wrong but unlike all the other companions who took their pain and made it so that nobody else would ever feel like that, clara oswald decided to use it to make herself worse. everything she does is half for the bit and half bc she thinks it makes her look hot (unfortunately it does)
like i know 100% that if she'd never travelled with the doctor that woman would've still eventually ended up dying in her 30s, probably after killing someone
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hedgehog-moss · 9 months
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"rn I feel like reading about someone's quiet daily life, maybe a diary or letters, set in a place or context I don't know much about, without turmoil or tragedy" oh! do you have any recommendations for books like this?
This is one of my favourite types of books! Here are 30(ish) recs...
May Sarton's The House by the Sea or Plant Dreaming Deep
Gyrðir Elíasson's Suðurglugginn / La fenêtre au sud (not translated into English unfortunately!), also Bergsveinn Birgisson's Landslag er aldrei asnalegt / Du temps qu'il fait (exists in German too)
Gretel Ehrlich's The Solace of Open Spaces, which iirc was originally written as journal entries and letters before being adapted into a book
Kenneth White's House of Tides: Letters from Brittany and Other Lands of the West
Sei Shonagon's Pillow Book
The Diary of a Provincial Lady, E. M. Delafield
Growing Up with the Impressionists: The Diary of Julie Manet
Elizabeth and Her German Garden by Elizabeth von Arnim (do not read if you don't like flowers)
The Road Through Miyama by Leila Philip (I've mentioned it before, it feels like this gif)
The Sound of a Wild Snail Eating, I keep recommending this one but it's so nice and I love snails
Epicurean Simplicity, Stephanie Mills
The Light in the Dark: A winter journal by Horatio Clare
The Letters of Rachel Henning
The letters of Tove Jansson, also The Summer Book and Fair Play
The diary of Sylvia Townsend Warner—here's an entry where she describes some big cats at the zoo. "Frank and forthcoming, flirtatious carnivores, [...] guttersnipishly loveable"
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The Letters of Rachel Carson & Dorothy Freeman were very sweet and a little bit gay. I mostly remember from this long book I read years ago that Rachel Carson once described herself as "retiring into her shell like a periwinkle at low tide" and once apologised to Dorothy because she had run out of apple-themed stationery.
Jane Austen's letters (quoting the synopsis, "Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family")
Madame de Sévigné's letters because obviously, and from the same time period, the letters of the Princess Palatine, Louis XIV's sister-in-law. I read them a long time ago and mostly I remember that I enjoyed her priorities. There's a letter where she complains that she hasn't received the sausages she was promised, and then in the next paragraph, mentions the plot to assassinate the King of England and also, the Tartars are walking on Vienna currently.
Wait I found it:
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R.C. Sherriff's The Fortnight in September (quoting the author, "I wanted to write about simple, uncomplicated people doing normal things")
A Tree Grows in Brooklyn, Betty Smith
Pond, Claire-Louise Bennett
Rules for Visiting, Jessica Francis Kane
The following aren't or aren't yet available in English, though some have already been translated in 5-6 languages:
ツバキ文具店 / La papeterie Tsubaki by ito Ogawa
半島へ / La péninsule aux 24 saisons by Mayumi Inaba
Giù la piazza non c'è nessuno, Dolores Prato (for a slightly more conceptual take on the "someone's everyday life" theme—I remember it as quite Proustian in its meticulousness, a bit like Nous les filles by Marie Rouanet which is much shorter and more lighthearted but shows the same extreme attention to childhood details)
Journal d'un homme heureux, Philippe Delerm, my favourite thing about this book is that the goodreads commenter who gave it the lowest rating complained that Delerm misidentified a wine as a grenache when actually it's a cabernet sauvignon. Important review!
Un automne à Kyôto, Corinne Atlan (I find her writing style so lovely)
oh and 西の魔女が死んだ / L’été de la sorcière by Kaho Nashiki —such a little Ghibli film of a book. There's a goodreads review that points out that Japanese slice-of-life films and books have "a certain way of describing small, everyday actions in a soothing, flawless manner that can either wear you out, or make you look at the world with a temporary glaze of calm contentment and introspective understanding [...]"
I'd be happy to get recommendations in this 'genre' as well :)
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