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#don't feel like I'm treated as a human being
rubberduckyrye · 3 days
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Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.
It's about how Gonta is treated by the fandom.
As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.
You all need to stop being ableist towards Gonta.
I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.
But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.
This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.
First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.
There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.
Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.
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This is further clarified here:
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It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...
It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.
He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?
Because Gonta is a young man.
Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)
I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.
To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.
But.
You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.
This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.
So again, ask yourself this: Why are you treating this young adult like he's a toddler?
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yandere-romanticaa · 2 days
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I've had a very fun and fruitful conversation with @allfearstofallto and she had some very strong reactions for a story about yandere Diluc and Tartaglia that has been marinating in my mind for a while now. I'll just give you a brief version of my idea.
You and the 11th Fatui Harbinger are to be wed. With your freedom stripped away from you and with your wedding date fast approaching, you are working tirelessly to escape the Harbinger's grasp.
However, even with your freedom stripped away, even if you have no autonomy on your own, there's an inkling in your heart in which you cannot hate your captor. He is far too kind and gentle towards you, the way in which he treats you makes your heart swell with a plethora of emotions.
But enough is enough.
You need to leave. Fast.
One evening, you act sweeter, more submissive than usual. Your fiancee eats it up and is delighted by this change in attitude. His happiness is evident because now things can proceed without a hitch. Don't worry darling, you won't be anywhere near his work. He'll keep you safe, fed and loved.
All he asks in return is to be in your heart. Love him. Love him, please. It's a hard request, a selfish one even, he knows this.
He can make it up to you. He can and he will.
He promises.
You kiss him in bed, telling him that you understand. Your eyes shift towards the hidden suitcase in the corner as you feel the drugs start to kick in. Tartaglia is fast asleep, and you finally taste the sweetness of freedom.
The man wakes up the next morning in a daze. The bed is empty and cold.
His heart shatters into a million pieces. He roars out your name like a wounded animal, his throat sore and bleeding from the pain.
He must find you.
Meanwhile, you made your way towards the City of Freedom.
You settle in, find a job, a place to live in. It's hard but you manage.
You ignore the lingering presence that you feel behind you when you're alone at night. You're making it all up, you keep telling yourself.
No one is following you.
One evening, you enter a cozy tavern. You order a drink and it is prepared by a handsome, albeit stoic bartender. You manage to get him to open up. He introduces himself as Diluc, the owner of the fine establishment in which you sat in.
How neat.
Due to various different factors, after a short while Diluc takes you in. He is patient and strict. It's an improvement.
You don't know about his ever growing obsession with you. You don't know about the endless sea of portraits he has of you. He keeps it all hidden well under wraps.
Regardless, Diluc is still only human. It's only natural that his jealousy would bubble up and rear in its ugly head from time to time.
Dawn Winery is in a way, forced to attend a massive social gathering. Diplomats from the North are everywhere and, of course, Tartaglia spots you in the crowd.
Even if his eyes were to be plucked out, he would always manage to recognize you.
Tensions rise and the danger of bloodlust reeks in the air. Much to his chagrin, Childe cannot simply just kill Diluc and be done with it.
He is being forced to play Mr Nice Diplomat.
Oh the horror, being stuck between these two.
Now, since this has the potential to be long as fuck, I was thinking of making it into a multiple part story. The best name I could come up with it so far was "A Song of Ice and Fire". I'm open to title names, if someone has better ideas. An important note to add would be that this would be a serious commitment for me as I haven't done a story like this in years. Chapter updates would probably take me a long time due to my job and potential lack of energy, but this idea has been in my brain for years now, which is a clear sign that I'm passionate about it. And, my question is - would you like for me to make this story come to life?
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ofallthingsnasty · 2 days
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tw: yandere, kidnapping/basement spousery, depression, mentions of noncon, gn reader characters: Crocodile, Sanji, Doflamingo, Law word count: 1.3k
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One thing I learned recently is that I'm definitely a social creature and would get horribly, horribly depressed as someone's basement wife, even a well entertained one. All the books, the crafts, the soft music in the world couldn't prevent me from sobbing into my pillows, couldn't get me to crawl out of bed and to paint a smile on my face. Oh, but how would your captor react? For some, it's definitely a necessary evil - Crocodile comes to mind here. Annoyed by your lethargy, by your random tears and your meek, taciturn responses, he finds himself frustrated at times. This state of mind really isn’t ideal - he wanted you docile, sure, but not lifeless. Yet it's also awfully convenient when you just let him push you around, let him caress and touch you - and not out of fear of him, simply because you don't care to struggle. He discovers that he can forgive a lot when you're especially shaken and cling to him, bury your head in his chest because he's the only human you'll ever know again and the world is so bleak around you and you just need him right now. Of course, it would be nicer if you didn't do it because he's the only warm-blooded creature that you interact with, but he'll take what he can get. (And with time, it weirdly grows on him: him turning into the center of your life, the way your eyes seem to light up the tiniest bit when he comes home to you, something he thought mildly annoying at first turning out to be awfully convenient.)
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To others, it's devastating. Sanji lives for your smiles, your warmth, the way your eyes crinkle and you jut your head forward when you fully, genuinely laugh - total apathy is worse than antagonism to him. If you were to scream, shout, put your fingers around his neck and squeeze with the desperation of a cornered prey animal, he'd at least get a reaction, some signs of life out of you. But you don't even do that. You just sit and try to suppress tears while he holds your hand. Sometimes he just cries with you, letting himself fall into the same hole you're being pulled into. It makes him regret taking you so utterly, bitterly, makes him feel all those memories from when he was a child bubble up in his stomach until they force themselves out and he has to vomit to be rid of them. He’s just like his father, he thinks, and it makes him sick. He’s rotten down to the very core, cursed from birth and now he has gone and soiled you, too - he’ll end up sobbing into the crook of your neck more than once, full of genuine remorse. And all you’ll be able to do is absentmindedly pat his hair, thoughts spilling like an knocked over ink well. No, you slipping into a deeply depressive state is only going to worsen the hatred he has for himself, is going to poison him slowly and steadily until he’ll be in agony. Maybe it’s his just punishment.
Then there are the ones like Doflamingo who simply don’t care. You don’t crawl out of bed until noon? You just stare into space or bury yourself in books when you finally do? You’re just lifeless by his side, just blink, shrug your shoulders when spoken to, just exist? Whatever, he has always treated you like a doll from the start. He can even weather the elusive bouts of sobbing and crying (even if he hates it when they happen), because most of the time you’re just his poseable thing and he is nothing if not generous to allow you a tantrum here and there. He doesn't feel bad about you being a more of a hollowed out shell of a person than a fully-fledged human with a rich inner life and doesn't care that most of it is his fault - his fault that you fester and rot beneath the surface, his fault that all the opulent, vibrant clothing and the scorching hot days by the pool still leave you frosty and weirdly bloodless, like a cold-blooded creature in winter. Food is ash in your mouth and only sours your stomach but you still eat when he tells you to, touches feel foreign and loveless but you still let him fuck you if he so wishes. Why should he care what circles around in your head when he gets to do anything he wants to you? That you feel like life is no luster, only desperation? The truly bothersome parts are taken care of by his myriad of servants and the family. Messes left behind get cleaned up, baths are forced on you regularly, as are grooming sessions. If you don’t get dressed on your own either someone else will see to it or he will - and he’ll have his payment for his time, trust me. The solemn mood, the non-existent smiles… he doesn't care for that. You’re not here for your entertainment, you’re here for his. And you just accepting your fate and letting him do whatever it is he wants… That’s just perfect, isn’t it?
Of course, let’s not forget about the ones who secretly love it. Law is a prime example, especially with his medical background. He isn’t surprised that your mood sways - he expected as much when he restricted your every move, declared the outside world to be too unhealthy for you. Of course you’d slip into a depressive episode. And it’s not a flaw, it’s intentional. Because now - now, when you can’t peel yourself out of bed, when everything feels too much, when you can’t feed or move or dress or take care of yourself- he gets to swoop in. He gets to do it for you, gets to tell you that he’s here and that he’ll always catch you when you fall. That his assessment of your condition was accurate - that you always needed him, right from the start. Dependency is worth more than all the love in the world to him. It simply doesn’t matter if you’d rather slit his throat than to behave for him out of your own volition - as long as you can’t leave. Even if he genuinely loves you, he’s not deluded enough to cling to daydreams of him and you living a quiet, happy life full of reciprocated affection, that ship has long sailed - sailed ever since his childhood got irrevocably destroyed. No. Love is nice and good and makes him wash you gladly, makes him care for you with delicate hands and with a patient brow - but your sickness makes you stay, renders you unable to leave him. It’s the only currency he can trade in when it comes to you. He’s your savior and tormentor rolled into one person; but above all he is the only one who cares and will forever care. You could rot yourself into a pathetic, sweat-soaked, disgusting corner, could turn into nothing but a husk and he’d always, always nurse you out of the ditch he’s found you in, just at the right time.  What he doesn’t tell you is that he could help you. At least artificially. Boost your moods with SSRIs until you bounce off the walls with nervousness and sweat thrice as much; make you giddy and shaky until you get used to the dose. Until the world seems worth living in once more, until at least some color returns to your drab eyes. He could get you the medication, even try some speech therapy, could help you like a good boyfriend should. But why? It makes no sense. Why help you only to get some fire back, maybe even for you to slip through his fingers? It’s easier to sit in twosome silence with tired eyes watching him, eyes that one day might be grateful for all the work he has put into them. Until then, it’s of utmost importance that they stay right where they are: in a cramped, dirty corner of a bed, dull and lifeless.
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kdinjenzen · 2 days
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🔥anime
The characters in anime aren't fucking white and I need people to stop pretending they are. 99% of anime characters aren't white or intended to be seen as white. Americans and Europeans only see them as such because that's what they want to see and then disregard the characters names, culture, and the entire plot of the goddamn show.
Most "popular" anime treat their female protagonists like garbage or don't even really have any and I'm tired of people pretending that Dragon Ball, Bleach, Naruto, My Hero, AoT, etc treat women like anything other than something to laugh at, ignore, or objectify.
There are plenty of actual queer manga/anime out there and people just refuse to acknowledge any of it because it's not "right" or "perfect" because they often deal with real queer issues and real queer people but no body wants to see that because they just want "a gay kiss" and will scream "SUCH GOOD REP" when a lot of the popular stuff is watered down bullshit. (Same goes for any mainstream queer stuff tbh, often the fault of the publishing/production companies and not the creators themselves but I stand by my statement)
Dubs are difficult and the reason people don't like them as much is because acting to a dub to match existing lip flap movements means that some lines will always naturally feel stilted even if they have the best translators/localizers working their asses off for pennies to make a good adaptation. It's not the fault of the actors, directors, or localizers... it's the fault that dubs naturally have a more challenging ladder to climb to match up to the original which was animated to the performance of other actors.
"The animation didn't do nearly as cool things as the manga!" - yeah no shit, because the animation industry in Japan is built of such horrible labor practices that people burn out and end up physically, emotionally, and mentally suffering due to the workload, work hours, and below poverty-line pay. The fact that there's such brilliant artists being treated so poorly anywhere is horrifying but the fact that fans then shit all over them for no reason is just stupid as hell.
The popularity of anime and proportions for anime girls has done irreparable damage to the appreciation and love of body diversity in real life. Stop trying to look like an anime girl and start looking at yourselves as human beings.
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triviallytrue · 20 hours
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so yeah i finished NGE
What a show! Can honestly say that I liked it more than I was expecting to. Usually it takes me a couple months to fully decide how I feel about something though.
Let's start with the ending. I had to google some things to tie up loose ends, but once I did I was pretty impressed by how well everything tied together. There were a lot of hidden details that I had missed during the first watch, and the supplementary material cleared a lot of things up for me.
I don't really see how the show's ending and the movie can be reconciled with one another, but it seems like a lot of people regard them as two separate possible endings.
I think the show's ending was unacceptable as a stand-alone, but after watching the movie I appreciate it as a more upbeat end to Shinji's journey. The movie is a lot more complete, but it's also a huge bummer - everyone loses! Instrumentality fails so Seele loses, Gendoh dies and doesn't reunite with his wife, so he loses, the angels all get defeated, and the Third Impact does happen and devastates the planet, so humanity loses. Maybe if Shinji knew how badly the world had been devastated he would've decided instrumentality was the lesser evil.
Or maybe that's too realism-brained and I'm supposed to be thinking about it more metaphorically. Meh.
In retrospect, I find myself unimpressed with Gendoh. He seems to have managed to fail upward by harnessing/exploiting more talented people than himself, all to fail at achieving a selfish and uninspiring final end.
Misato... well. I think I misjudged her initially due to a mixture of internet rep and those early jokes about Shinji being her boyfriend - I don't really think she had any grooming intentions toward Shinji. I think she found herself in the rare "what if a white person had to say the n word to defuse an atomic bomb" scenario. She was dying, she was out of options and faced with the extinction of humanity, and she took what she thought was her best shot. It wasn't pretty, but neither was the Third Impact, and if Shinji had gotten out there before Asuka was beaten, maybe it could've been avoided.
Various parts of the show felt rushed to me. Ritsuko's relationship with Gendoh (how does this man pull this hard? inexplicable), Suzuharu not dying but then essentially being treated as dead the rest of the show, various aspects of Rei's arc, Kaworu only being there for a little over an episode - there's so much to this show, and I think it would've been better if they had more episodes to tease some of the knots out.
I'll talk about Rei, Asuka, and their respective relationships with Shinji on a different post.
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ryin-silverfish · 23 hours
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One nerd's musing about Chinese religion and "respect"
-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".
-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.
-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."
-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."
-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"
-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.
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(Everything below applies more to Daoism + associated folk religions, but by the time when most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)
(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)
(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)
-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.
-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.
-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.
-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.
-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.
-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.
-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.
-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.
-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.
-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!
-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.
-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.
-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"
-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).
-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.
-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.
-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.
-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.
-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.
-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.
-At the risk of being guilty of the same insertion of Abrahamic religion where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.
-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.
-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.
-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.
-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.
-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.
-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.
-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.
-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.
-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.
-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!
TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.
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i know that as a catholic you just have to believe with what the church says but i really dont like the belief of the original sin, i feel like its such a horrible thing to believe about yourself and about other human beings too
There are actually ways of legitimately dissenting from Church teaching from less essential teachings in a way that leaves you in good standing with the Church; I'm not sure if Original Sin is one of those things, though, to be honest.
But, anon, I'm going to offer another perspective here, starting from a quote (perhaps ironically?) from my favorite heretic. One of the things that James Carroll believes is that Original Sin has been given a bad wrap. In Constantine's Sword, he says:
I referred to Augustine’s assertion of the idea that the human condition implies a perennial state of finitude, weakness, and sin, all of which will be overcome, even for the Church, only with the end of time. [...] Augustine is thus regarded as the father of a severe, flesh-hating, sin-obsessed theology, but that dark characterization misses the point of his insight. His honest admission of the universality of human woundedness is a precondition for both self-acceptance and the forgiveness of the other, which for Augustine always involved the operation of God’s grace, God’s gift. Only humans capable of confronting the moral tragedy of existence, matched to God’s offer of repairing grace, are capable of community, and community is the antidote to human woundedness. Augustine sensed that relationship as being at the heart of God, and he saw it as being at the heart of human hope, too. This is a profoundly humane vision.
I wish I had understood the spirit of this quote when I was in high school. I remember learning in my World History class that Islam teaches that all children are born good, and then the world makes them evil. And I remember my teacher asking how that compares with Christianity, and I raised my hand and said that Christianity teaches that all of us are born evil. Because I believed that at the time. And, really, the whole framing of that question was wrong and gave really simplistic representations of what Islam and Christianity teaches, but I don't think we're alone in having internalized that understanding, anon. And that's a shame.
I thin it's important to remember the worldview that the doctrine of Original Sin is actively defending us against; there was an idea, that gets called "Pelagianism" (the poor guy it got named after may not even have believed it), that said that humans were capable of being saved on their own, by their own power. Someone on this site recently asked what people's thoughts on Pelagianism were, so you can read my thoughts here. But to keep it short and sweet, I think Original Sin is an important doctrine because it saves you from the need to be perfect.
There are ways to treat Original Sin that I think are certainly unhealthy, and I think the doctrine can be a source of anxiety and fear. But I also think, very deeply, that Original Sin should be a reason why we treat ourselves and especially our neighbor with kindness and understanding. I can look at myself and say "What I do, I do not understand. For I do not do what I want, but I do what I hate. […] For I do not do the good that I want, but I do the evil I do not want" (Romans 7:15, 19). And I can say that because I know I am ontologically wounded; that all of us have our weaknesses. That while we may still be in the moral wrong for committing a morally wrong action, our wills are compromised in a way that causes us to incline towards the comfortable and the easy rather than the good.
I wish I could go back in time and tell that class that Christianity does not teach that people are born evil. I wish I could go back and tell them that it teaches that we are born in a state of dis-integration, that we are wounded beings yearning for wholeness; alienated beings seeking everlasting belonging; beings lost in darkness, seeking the light. But I can say it now: the doctrine of Original Sin doesn't have to be an occasion to think you're depraved and without value, but it can be an invitation to come to terms with your own woundedness, because doing that (to use the words of Lutheran theologian Nancy Eiesland) "opens a space for the inflowing of grace and acceptance."
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katkit-42 · 2 days
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Ok I'm trying again. I've gotten over the dungeon master pun so I'm gonna say what I actually meant to.
Anime onlys don't look.
So the thing about the dungeon masters is, I know we saw dungeon masters of different races in the epilogue, but I think Rui-sensei was trying to make a point in having three of the four dungeon masters we know best being elves, and the one to actually defeat the demon being a human.
Elves are the longest lived species and they have a habit of treating everyone else as children or pets. They also have the greatest grasp on magic. And it's explicitly said that the elves are the ones who hide the true nature of dungeons and demons from the other races, because they think the other races can't handle it. But it is Marcille, Thistle, and Mithrun who fall to the demon's tricks. Even though the elves think of themselves as above the other races, these three fall to the demon. You could argue that they didn't realize that the demon was dangerous, and it's true, they didn't know. But I'm talking from a meta-perspective--why was it that it's the *elves* who fall for the demon? Because the elves have always been prideful. They think they know better than any other race.
And then we have Laois. And he too falls to the demon. First, I love that because throughout the story, we've had this dichotomy of "Laois loves monsters" and "Laois wants to protect the people he loves". And they have always been treated as mutually exclusive--Laois can't indulge in his monster love without hurting his friends. But then, we see that once his friends give his monster obsession a chance, they can find things they like about it too. Marcille is still creeped out when she thinks too hard about where the food comes from, but she's willing to eat the finished product (which, lbr, is most modern peoples reactions to food). Chilchuck started thinking Senshi and Laois were crazy, but by the end of it, he was ok with it. Even Izutsumi comes around.
And then, Laois gets his wish. To become his super cool original monster oc donut steal. And everyone is prepared for the worst. Everyone thinks this is Laois' betrayal--he couldn't hold back against his monster obsession and thus he will kill all the humans.
Only, he doesn't. It is by becoming this monster that he gains his power to defeat the winged lion. It is his love of monsters and his want to be one that creates his ability to protect the ones he loves. Even though they still don't fully understand him, even though the lion offered him what he always wanted--he used his love of monsters for his friends and family. And really.... That's what he's always been doing. No one else saw it at first, but he has always been using his obsession to help the people he loves. And even at the very end, he did the same.
And anyway, I think that's an important reason why the elves kept falling to the demon. The elves are magical and long lived and wise, but from what we see, they're.... Lonely. They have their strict hierarchy and their stuffy rules with each other, and with other races, they take on the role of sole caretaker to these little things who can't possibly understand the "real world." Even Marcille falls to this. But Laois, who has always been on the outside, never stopped trying to empathize with others. He calls Chilchuck "Chil" (something extremely personal to halflings); he doesn't hold a grudge when Namari leaves the group after Falin dies; hell, even though it didn't end well, his insistence on being friendly with Toshiro was probably him trying to avoid doing to Toshiro what others have always done to him. He adores Senshi and Izutsumi. His succubus is Marcille smiling. He isn't lonely anymore.
And the elves who become dungeon masters, don't seem to have that. Mithrun felt alone due to his lover and brother. Marcille and Thistle both felt like they had to protect their shorter lived family. But Laois didn't feel that isolation. Well, he did in his village. But when meeting with his friends and forming their little party, he realized he wasn't alone anymore. And that became more important than even being a monster.
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ivaspinoza · 2 days
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Does a writer love to write?
Oh, to be a writer! A poet, an artist. What a blessing — or a curse? I said this before, as a joke, that "writers are cursed to write, no matter what" happens or how long it takes between intervals. Writers will write. They might struggle, mostly inside their own heads, but they will write. And they will feel accomplished for doing that.
During my block time, I used to try and try to write, not because I had to, but because I couldn't help but to keep trying and writing the weirdest words, absolutely nonsense shit — until one day, I went back on track. Not writing was never an option. I tried to give up this, many times when I was at a bad place mentally. I felt that I wasn't a writer because I wasn't writing, but this only led me to this previously shared conclusion I keep as a mantra:
"I do not write because I want to be a writer, I write because I am one."
Some people will lick an artist's shoes and treat them as their saviour. This is the same type of people who might think having a degree makes them automatically smart, that every doctor knows what they are doing, and that artists are somehow a superior class of people. I was talking with my beloved @goodluckclove about it today (the main reason I'm writing this), about how being an Artist, or a Writer, is just another job, like being a Teacher, a Baker, a Parent, a CEO or a Janitor. Some artists will even tell you they had no "talent" at all, they just decided to commit and learn. I can draw and I always tell people that it is pure muscle memory. Just practice. Just commit.
But there is also that sparkle, that inspiration, that epiphany, right? That thing that art causes. What makes some works of art shine and hit you with eternal impact? Just practice? This is a long, deep, crazy, boring, infinite debate, but to me the answer is simple.
It's the soul.
That's why AI will never be able to do it. The soul carries memory, information, patterns, feelings, mysteries, and language (unspoken, holy, different languages, that we don't know much about). Some works are technically fantastic but soulless. Some are full of soul, but lack skill. However, the soul is always a part of it, as it is for a doctor when their soul shakes in grief after putting everything they had in for a 72-hour surgery just to lose their patient. Everything goes through the soul. Have you met a soulless doctor? I have.
What about a teacher helping a student to overcome their difficulties? A mother in a 72-hour labour to deliver her baby, with a father who didn't leave her side? Parents that actually take their time and energy to raise conscious, cared for and loved human beings? When a CEO thinks of what is best for the team, and comes up with a brilliant idea, instead of just caring about money? When a janitor makes a place clean and tidy for others, instead of neglecting it? It is not the job itself that is important, but the motivation, the intention, and the heart behind it. That is what makes it valuable.
Our trades will always affect the ones around us. Human nature is deeply connected to the desire to be useful and serve. Not to be stuck at this point forever, but to me, a big reason for so much pain and depression in the modern world is how self-centred our culture pushes us to be. "All about me"! Too much thinking in your head will make you crazy (I would know). But when we are useful, we find peace and rest from ourselves, we connect, and we are in reality, grounded in the present.
Will you love it every time? Nope. Not naturally. But do we have to hate it?
As an artist, poetess, writer, I can tell you that I didn't always love to do it. Sometimes, it was painful. Sometimes, it brings me physical discomfort or it can be disturbing because of my own limitations and issues — the artist himself is in his work (I will die on this hill, because of the soul). But I don't believe and I won't ever advocate for the tortured artist figure, for the "I hate being a poet", although I can't think I ever got these words from any poet.
"I hate making art!" "I hate my kids!" "I hate to live!"
I think it's time to wake up to the levels of desensitisation we have come to. These contemporary times unfold in absolute glorification of evil as if everything painful and ugly was "more artistic". We don't have to avoid hard themes and make it taboo out of them, but we do need a counterbalance. We also need responsibility and honesty when choosing our themes and our artistic or literary approach. And we do need to stop hating things all the time. We need a mature creative world.
It is easier and faster to break than it is to build. It's easier to hurt than to heal. Look around. We have almost nothing left to "break" at this point. I'm in search of beauty again. Out with lanterns. The beauty in you and in me. Not for the glorification of the artist, or of the art itself, but for the Love that keeps me going, that designed me for a particular job, and that I plan to execute in love.
"Let all you do be done in love", it's written. But because I know Love is not only feeling, even when I don't feel like doing it, I will go back into Love, into humility, and do it to the best of my strength. I will do it so that when I have the opportunity to serve someone by it, they feel love. We put our soul into it, and it's not an aesthetic, not a fancy ethereal trend; there is no need for applause. I will do it like that because in that doing is the reward itself, not in the praise or the prize.
All is vanity. Love is the reward.
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salmon-bagel · 2 days
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Tf2 mercenaries x Seductress! Class! Reader
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Warning: nsfw content, female reader, sexism
Scout
When Scout heard that there's a woman who's a professional at seduction, he had already started plotting.
"Hello, name is Y/n L/n, but you can call me the Seductress. It's nice to meet you."
"Heya, nice to meet cha' mommy- Oh, i mean mommy i mean mommy i mean mommy i mean mommy-"
Constantly hits on you. Scout believes that you're the type of girl that's 'easy', someone who will let anyone bang them regardless of who they are.
That boy isn't going to leave you alone until you let him into your pants.
Even when he's not busy trying to get in between your legs, Scout is asking you for advice on how to woo the ladies. Considering you're a professional at flirting with people.
You go back and forth on giving him good advice and bad advice. Sometimes you feel bad that he can't get a girlfriend. Then again, you think to yourself that no woman should be within three feet of Scout because of how much of a horny asshole he is.
After some time, you did grow to have a soft spot for him. Since he's bullied a lot by the other mercenaries. He can be kinda cute when he's not being a complete jerk.
Soldier
Soldier treats you like the other mercenaries. Ruthlessly bleating in your ear when you're doing something wrong.
"GIVE ME ONE HUNDRED SQUATS NOW! I WANT THAT AMERICAN ASS NICE AND PERKY BY THE TIME YOU'RE DONE!"
He wants the best from you. Regardless of your gender, he'll push you to the limit until he's proud enough to call you a warrior.
Soldier tests that you're a good seductress by making you flirt with him. It's an ego boost on his part, but he's genuinely trying to make sure you're hot enough for the enemy.
"YOU CALL THAT FLIRTING!? I'VE HEARD BETTER FLIRTING FROM A MONKEY! AT LEAST THEY CAN PUCKER THEIR LIPS BETTER UNLIKE YOURS!"
Buys you clothing that he believes would work well when you're seducing the enemies. It's always american themed swimwear or lingerie. You began to believe he's just buying that for himself for you to try.
Whenever the team successfully wins for the day, Soldier immediately rushes towards and smacks your ass as hard as he can.
"NOW THAT IS AN ASS I'M PROUD TO CALL AMERICAN!"
Sniper
Sniper believes your work is very unprofessional. Considering he believes you have to whore yourself out to the enemy team. Instead of using your actual skills.
He says he has nothing against prostitution or sex work in general. Sniper just thinks that stuff you do should be kept behind doors and not on the battlefield. He says it causes too much of a distraction. However, you claim that 'distraction' is the point. Sniper doesn't seem to get it.
You honestly could care less what he thinks. Snipers throws jars of piss for a living, and he really thinks he has the right to judge other people?
The truth is you're good at seducing people. Too good. That it distracts him from doing his own job. Sniper has a tendency to watch you through the scope of his gun.
The way your body gets all hot and sweaty from the terrible heat, oh it does something to him. Sniper has imagined licking your sweat off your tits while you degrade him for being such a filthy fuck.
You are his go-to jerk off material. The women in his porno magazines don't get him off like they used. The only way he can relieve himself now is by imagining your fat ass bouncing on his cock.
When he noticed a pair of your panties in the laundry basket, Sniper couldn't help himself to inhale the sweet scent of your panties before putting them back.
Sniper knows he's a damn hypocrite.
He slut shames you for what you do, only to get off to you afterwards. The post nut clarity consumes him with guilt and shame.
Sniper still hasn't built up the courage to apologize to you.
Heavy
Heavy is one of the very few people who treat you like an actual human being. He was raised by a single mother alongside three sisters. Heavy knows to treat a woman right. Less he wishes to face their fury.
Heavy doesn't understand why you seduce the enemy. You're supposed to shoot at the enemy, not bat your eyelashes and wink! However, after watching your work on the battlefield, he gets to more of an understanding.
"Oh, I see. You lie to enemy and lure them in like fish? HA! Very clever!"
Absolutely loves gunning down the enemy that is distracted by you.
Is one of the few men who genuinely falls for you for your personality. Heavy knows you're drop-dead gorgeous, but he knows that beneath all that beauty is a truly intelligent woman. You earned your place on the team by impressing Mann Co., with your skills instead of batting your eyelashes and begging to be a part of the team. You make his heart swoon like no other woman has.
He likes to write you poetry. It helps convey how he feels for you because he's too bashful to put it into simple words.
Heavy is not afraid of anything. Nothing, not even death itself. However, it took him a lot of courage and constant rehearsal to ask you out on a date.
He hopes to start a genuine relationship with you. Heavy doesn't want a one-night stand or be friends-with-benefits with you. He wants you to be his girlfriend and maybe possibly his wife later down the line.
Engineer
"Well, I'll be! Aren't you the prettiest thing I've ever seen."
Engineer is taken aback by your good looks and sauve personality. He genuinely questions why you wanted to be a mercenary. A beautiful lady like yourself is too of high risk to get hurt!
Will always be there to help you if it gets too much for you to handle.
However, he can be very overprotective over you on the battlefield. Engineer thinks it would be safer for you to stay on the rancho relaxo than getting shot at by the enemy. As much as you'd like to not do anything on the job, Mann Co. isn't paying you to be lazy. They see everything and will tell you to get off your ass and start fighting.
You have to beg Engineer that you can do it on your own. He understands your point of view and begrudgingly lets you fight with the others. Even if it means going against his code of defending and protecting a lady when she needs it.
While putting up dispensers and sentries, he can't help to admire you from afar. Engie believes that a guy like him has no chance with a girl like you. What woman would be interested in a bald man who has a robotic hand and locks himself away in his work? No gal that's who.
Engie fantasizes about working up the courage to flirt with you and ask you out, which would eventually lead to a rather sensual night spent together. He did try to ask you out once but miserably failed. Engie kept stuttering and mispronouncing words out of nervousness while attempting to seduce you. You couldn't make out what he was trying to say. Thankfully, Demo had the heart to pull Engie out of that mess of a conversation and save him from further embarrassing himself.
So now, he just admires you from afar. Dreaming that one day he'll get to win your heart.
Spy
Surprisingly, he wants to get to know you as soon as possible. It's not every day you get to meet a lovely lady.
When he learns of your class type, oh boy, this man will make you question if you're even meant to be the Seductress.
"Mademoiselle, you are the most beautiful creature I've ever laid my eyes on."
"Do you know why they call Paris the city of love? Why don't I take you there and show you?"
"If the verb ‘to love’ didn’t exist, I would have invented it upon seeing you."
Spy leaves your entire face red and completely frozen after he's done talking to you. He's so flattering and charismatic. In comparison to the other men, he makes it seem like they're not trying at all. It isn't their fault, though, Spy is a natural at wooing the ladies.
You're surprised when Spy gifts you things that you really like. You never shared these intimate details with him before or with the other mercenaries. When you asked him how he knew what you specifically liked, Spy merely winks at you and grins. He has a way of receiving information without anyone knowing.
He has a tendency to kiss the back of your hand whenever you two are greeting each other. Spy is a gentleman and can't help himself to be sweet to a beautiful woman.
When Spy asks you out on a date, you agree to it because you have been meaning to go out. You felt like you'd go insane if you stayed in the base any longer. You put on your best dress and left with Spy into town.
After having a nice meal and a few glasses of wine, both of you give into temptation. Spy could hardly keep his hands off you when he drove you both back to the base. All your clothes came off the moment you reached his bedroom. You found it a little strange he refused to take off his mask. Oh, what the hell. He's hot and treated you to a nice date.
In the morning, you receive uncomfortable stares from the other mercenaries. Let's just say you and Spy weren't exactly quiet during your lovemaking. Unfortunately for the others, you decided Spy would become your fuck buddy.
Medic
He's been meaning to include a female subject in his experiments- I mean, he's glad to meet you!
You try your best to steer clear of him. However, on the front lines, it isn't so easy. When you're constantly getting shot at and stabbed by enemies, you'll need the Medic's help to get better.
When he sees you in action, Medic feels a new emotion that he's never felt before. Is this.. love? Maybe it is. Or maybe it's just lust.
Medic has never been infatuated with any woman. Except you. The way you lure in these pathetic men with your good looks and false promises, only to kill them afterwards- oh God, it makes him giddy. He feels like a schoolboy all over again!
Medic does routine check-ups on you. To make sure all your lady parts are in working order. In reality, this perverted fuck wants to have an excuse to grope you. Always gaslights you into believing he's not being a degenerate.
"Is this really necessary?"
"Why, of course! Breast cancer isn't something to take lightly!" He'd respond. You would understand, but after thirty minutes of him fondling your breasts, you knew what his true intentions were.
Medic writes you love letters and his dove, Archimedes, deliver them to you.
The letters start off relatively sweet. Medic writes that he views you as a Goddess, a truly ethereal being that is too perfect for this world filled with lesser mortals. And how he's the only man truly worthy for you.
Then, the letters take a complete turn the more you read it. He writes how he wishes to fulfill every filthy fantasy he's ever had with you. Oh boy, the list is long. For one, Medic wants to tie you down, gag you, and breed you like the filthy whore you are. Another consited of how he wants to fuck you on the battlefield while you're bleeding out and fingering your open wound as if it was your pussy.
You've stopped reading his letters and tend to light them on fire.
Demoman
"So, how much do you regularly charge for a quick shag?" He'd ask you before laughing his ass off.
Demo will never take you or your work seriously. Even if you politely ask him to.
He doesn't see what's so hard about showing off your tits and saying how much you love to suck cock. Demo believes you should've been a stripper if you wanted to tease men so desperately.
You frequently explain to him in detail how you help and provide for the team. You honestly can't tell if Demo deliberately forgets or because he gets drunk so often, he hardly pays attention to you while you talk.
Don't worry, though. After you've instilled the fear of women into him, he'll be gladly reminded that he shouldn't judge or ridicule a woman. If his mother were here, she'd knock some sense into him.
Demo apologizes to you, drinks, gets drunk, and apologies some more
"I'm sorry, lassie! It's just that I just get so lonely sometimes! What woman would give me, a one-eyed freak, a chance!"
He bawls on the floor, crying in front of you. You attempt to cheer him up by comforting him. Instead, you end up getting drunk with him.
Did you shag him in the heat of the moment? That's all up to you ;)
Pyro
Has no idea what you're doing to the enemy. Anything sexual you do is translated as innocent in their vision. Will never know what real seduction or sex.
Luckily, they think everything you do is nice and polite!
Regularly gives you grotesque gifts, which are usually human hearts and bones. You begrudgingly take the gifts because you know they mean well and don't wish to be disrespectful.
Pyro has a tendency to go through your closet when you leave your room. Or while you're sleeping. Either why, they steal your clothing and belongings. They pick out outfits and wigs they like along with makeup supplies. You wonder where you placed your dress and immediately begin searching for it. Maybe you left it in the laundry room. As soon as you exit your room, you see Pyro wearing your clothing over their suit. Fake eyelashes have been glued onto their eyes, and lipstick smeared all over the breathing hole.
You can't even be upset with Pyro. They're doing their best.
You let Pyro keep the dress they're wearing, considering it most likely wouldn't fit you anymore.
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hykar · 2 days
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💫🌷Im into you Pt 2•°
Synopsis: Sucheon Kang is your admirer, the way he shows you affection however is in such an odd way... A grumpy(?) Kind of way. At first you thought he was just trying to be more nicer to people not until you noticed that he's only acting this way to you.
You as: Anon [Anonymous]—Anon who doesn't treat Sucheon as any different, Anon who treats him like a human being and just that.
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You and Subin sat down on a wooden platform under a huge tree, sheltering in its shade from the blazing sun, the breeze brought by the lake facing the courtyard outside the campus cooling your bodies down. It's campus clean up day and all of the students are assigned to clean their classrooms and certain places within the school grounds, staff and teachers are included in this activity.
"They should've scheduled the courtyard clean up early in the morning or in the afternoon where the sun isn't cooking us assigned to this task alive." Subin muttered, wiping off her sweat with your towel. You checked todays weather temperature on your phone, 33° Celsius.
"...We're already done with this part at least." You sighed, knowing that the two of you might've passed out from the heat if it took the two of you any longer. "Just the hallway left."
"You got water with you?" Subin asked, "Forgot to take it down with us, its in the classroom." "Fuck.." Subin reached for her pocket "Fuck, I left my card in my bag..." The two of you sat in silence for a moment. "Jisuk?" "Jisuk." Subin stood up and looked for him.
No thoughts, head empty, and staring at the grass. Thats how you looked like as you sat in silence. A cold and moist material jolted you awake when it pressed against your skin. You looked towards the direction of where it came from and faced Sucheon, holding two ice cups of 2 different drinks of some sort.
"Did I scare you?" "Just got surprised thats all." "Ahh okay... Got you something by the way." He handed you the ice cup he pressed against your skin earlier as he sat down beside you. You took the cup with a small smile on your face, "What drink is this?" You asked, looking at the light green liquid. "Green grape ade, thought you might like it.", you smiled again "Thanks."—The two of you sat there in silence, just drinking refreshments.
"We found a big dead ass rat right under the pot, I nearly vomi- HOLY SHIT GO BACK-" "OW WHAT THE FUCK SU-" "SHHH"
Subin pushed Jisuk behind a wall and hid behind it too, peeking at you and Sucheon sitting beside each other.
"You see this shit?" "No, your head full of air is too bi- HOLYYYY-" "SHHH".
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(This is the best one I can find Im sorry TT)
"Oh the storage rooms?" You said, finishing your drink. "Yeah—got assigned with Jisuk and he's making things more difficult, no offense." You chuckled. "Is cleaning the courtyard easier?" "Pretty much, the heat is what makes it difficult." "Ahh..." Sucheon noticed a spray bottle in the cleaning bucket given to you and Subin, he grabbed it and sprayed a bit on you. "What was that for?!" "To cool you down, you said its hot." He said, trying not to smile. You blinked at him. He sprayed again. "Sucheon." He sprayed again, grinning. "Sucheon." He kept spraying then started chasing you around with the spray bottle.
"Stop it!" You squealed, running away from him. "What? I'm just helping you cool down!" He laughed as he ran after you and spraying whenever he gets close.
You saw a hose on the ground and picked it up, Sucheon stopped in his tracks. "[Name]... Please don't-" "What? You don't want me to help you cool down in such a hot weather?" You opened the faucet and chased Sucheon with the hose spraying water. "[NAME]!" He exclaimed, picking up an empty bucket to shield himself then started running away from you as you chased him around laughing.
Subin snapped a picture of the two—Her and Jisuk giggling and feeling on top of the world. "We're gonna have loads of fun with this shit!" "I'll miss teasing Iseul though." They laughed.
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[KDRAMA: Our Beloved Summer]
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Sucheon was walking down the hall, carrying a bucket of dirty water. Subin and Jisuk were walking in the opposite direction as him in same hall, upon seeing Sucheon—the two started snickering.
Jisuk started jogging in a real slow pace while Subin acted as if she was running after him. "Im gonna spray alcohol on you Jisuk!" "Ahh! Subin please no!" Then they started laughing. Sucheon frowned, he knew what they're trying to imply or do, or both. "Oh look Subin a hose! Better start running!" "Jisuk no! Ahh!" The two were laughing and all not until they screamed and ran off, partially laughing when Sucheon turned to them and was about to pour the dirty water onto them.
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"I don't think he understood..."
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You were expecting a notification from Sucheon to arrive sooner or later that says "Outside." When he leaves the stuff he got for you outside your door, a knock isn't what you expected. Nevertheless, you got up and opened the door. He was there. "That's new." "Were you shala?" "...That's not how you use the slang-" "Oh...".
From that day, he would knock on your door instead of sending a message to tell you that he left what he got you in front of your door. He doesn't stay, just hands it to you then smiles—a very tiny one. Then leaves, but the two of you would talk on the phone shortly after.
This day however it was different...
He's sat down with you on the floor of your living room, eating the tteokboki he brought with him for the two of you. "Do you think it needs a bit of spice?" He asked, looking at the tteokboki like something is missing. "I think its good." "Thats good to hear." He smiled—a really soft one, your lips wanting to curve into a smile too seeing it. "Why, did you make it?" You asked—your lips finally curving into a smile, finding the thought of it cute and sweet. Sucheon remained silent for a moment, his ears burning a light shade of red. "So you did make it." "Shut up and eat." "Thats cute." He looked away, his ears getting redder.
A question suddenly dawned into you as you looked at him. "Should I ask or should I not?" You pondered. "Nah Im just jumping to conclusions and assumptions... But what if..."
—To be continued....
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Hate working 10 hours a day for a minimum wage. Like drawing a baby boy
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tcfactory · 5 months
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Please consider: Liu Qingge and Shen Qingqiu role-swap
[LiuJiu, 2300 words]
After the fire, Shen Jiu doesn't sit around, he's aiming straight for Cang Qiong. Wu Yanzi tempts him, but if he is to ever find out what happened to Qi-ge then he can't play around with rogue cultivators, so he ditches the man before Wu Yanzi could take him as a disciple.
He arrives to the sect at a year when they are not doing the disciple selection - the women at the Warm Red Pavilion say it's because the Sect Leader is busy monitoring his cursed head disciple and if the Sect Leader doesn't take part then the rest of the sect has to wait too - but he's tipped off that Bai Zhan is always open to those who are determined enough to climb the mountain and demand admittance.
So that's exactly what he does. The Peak Lord sets him against one of his junior disciples and tells him there are no rules, if he can beat them he's in. It's a test he's not supposed to win, to see his determination and his reaction to failure, as a malnourished slave boy should be no match to someone in good health who has two years of training under his belt. But Shen Jiu doesn't know this, he has come too far to give up now and unlike the scrappy, but well-fed farmer's son he's set up against, he fights dirty.
He sets the basis of his future nickname - The Rabid Wolf of Bai Zhan - that day when he claws the boy's eye out and forces him to yield. His rise among the disciples is almost as meteoric as Yue Qi's and people are on the lookout for when the upstart slave boy will plummet back to the earth, but he never does. When the year is up and the sect is abuzz that Lingxi caves are finally opening again because they are letting the cursed disciple out, he's there in the front row among the curious onlookers and throws himself in his Qi-ge's arms as soon as the other boy steps foot into the light again.
Shen Qingqiu grows up tall and willowy and unpredictable, an unconventional physical cultivator that bends with the wind, but never breaks. With Yue Qingyuan's support as an unshakeable mountain behind his back, he is untouchable. He never bothers to hide what he is, not his scars or his sharp edges or the slave brand burned into the meat of his shoulder, often bared to the world by his choice of outfit; he stands as testament that even the lowest wretches can claw their way up to stand among giants.
Liu Mingqu yields to his rich family and allows himself to be enrolled into Qing Jing. He is not as suited for spiritual cultivation and he has no head for arts, but he is still a prodigy and a really hard working one at that. He learns all there is to learn for a scholar and doesn't rest until he perfects them all - music, calligraphy, painting, poetry - and even if he's ever uninspired about pursuing them, the Peerless Beauty of Qing Jing is a competent teacher who stands head and shoulders over his peers. He masters his temper and his manners and takes to hiding his face behind a fan or sometimes a veil like his sister to discourage people from staring at him.
Their roles may be different, but their nature remains the same. Shen Jiu has always been more clever than he was strong and nothing changed about that now that he's essentially a spiritual cultivator playing at star athlete. He plants a bamboo forest on his mountain - for meditation and ambush practice, he says, but everyone knows he just needed a bubble of calm for himself in the endless war zone of Bai Zhan - and mercilessly beats any disciple who dares to damage the forest. In the serene calm of his little house he hoards books and maps and all the culture he can get his calloused hands on, always thirsty to know more, an endless pit his Qi-ge happily pours obscure knowledge into. He uses the standing feud between Bai Zhan and Qing Jing to spy on them, learn their cultivation methods by sight and listen to the senior disciples do ad hoc concerts, so he can practice music in the brothel or under a silencing array just behind his house.
It's during one of these trips when he discovers Liu Qingge behind the Qing Jing Peak Lord's manor, restlessly shuffling through the steps of a formal dance. Liu Qingge yearns to move, he yearns for the exertion of his wild youth, but there are only so many acceptable options for a scholar and as a cultivator he can't channel his restlessness into hunting or horse riding. That leaves dancing, but Liu Qingge is not a creative person. He sticks to the dances he half-remembers learning as a rich young master and maybe asks his sister for some more, but that's where his resourcefulness runs out on this venture.
Shen Qingqiu watches him go through the steps of the same dozen dances, swap to a few rounds of sword forms - perfectly executed and ethereal, an immortal beauty that earthbound Shen Qingqiu will never be able to replicate - and then swap back to the dances, increasingly frustrated and restless.
"If Peak Lord Qingge wants to learn some better dances, this shidi can introduce you to someone." Liu Qingge startles and almost turns him into a pincushion with a barrage of bamboo leaves.
"What do you want?!" They are secure in their respective positions, but they still don't like each other.
"Peace, shixiong. I'm just looking out for the sect. How would it reflect on me if I let my fellow Peak Lord work himself into a qi deviation and didn't step in?" Shen Qingqiu shrugs and smiles with an easy, predatory grace that makes Liu Qingge wish he had fangs to match the Wolf of Bai Zhan, but there's no malice in the offer. "Come now, shixiong. There's nobody else here. We don't need to do this stupid game of social posturing. Tell you what, as a sign of my goodwill I'm going to teach you a meditation technique to calm your qi after exercise, free of charge."
Almost everything with Shen Qingqiu is a transaction, so Liu Qingge knows better than to pass up the chance to get something from his shidi for free - and the meditation does help settle his roiling qi.
"What do you want in return, then?" It's almost terrifying how intensely Shen Qingqiu's eyes light up.
"That trick with the leaves - teach me how to do it."
Liu Qingge doesn't bother to point out that it's a spiritual technique. It's an unspoken secret that they would be better suited to each other's cultivation styles than that of their own peaks. Shen Qingqiu has a storm of razor sharp leaves dancing in the air before Liu Qingge is even done explaining.
He almost regrets agreeing when Shen Qingqiu takes him down to the brothel, but the women his shidi introduces him to are truly masters of dance - they were stars of an imperial dance troupe before their owner was executed for offending the Emperor and they were sold to the brothel. They take him to the back and teach him dances he could never have imagined, dances that make his heart soar and his blood rush hot in his veins, while Shen Qingqiu lightly dozes among the women in the main reception area, his very presence frightening all but the most unruly patrons into behaving.
Liu Qingge is an honest man and he knows, deep down, that he got much more out of this exchange than his shidi. He’s on the lookout to see how he could repay him, but Shen Qingqiu seems to want for nothing. What he can’t get on his own Yue Qingyuan gifts to him, doting relentlessly on his sharp-edged little brother. So when he hears that Shen Qingqiu is to set out to assist in a night hunt against a particularly dangerous demonic beast that made its way over the to the far shore of the sea, he hops to the opportunity to compile a scroll of all the unspoken rules and etiquette of the island, as well as a short history on the ninja clan that asked for their aid. It’s all information that Shen Qingqiu has no way of learning otherwise, but should ease his time on the hunt.
When he can’t find Shen Qingqiu at the bamboo house he goes looking for him and that’s when he finds the silencing array, that’s when he sees his shidi sitting with his guqin in a clearing, composing music. Liu Qingge’s mouth goes dry, his heart skips a beat - his shidi is like a vision from the heavens and for the first time since he started this scholarly lifestyle, Liu Qingge wants to paint. He wants to etch this scene in his heart and condense it into a poem.
He slinks away before his shidi can notice him and leaves the scroll in the bamboo house. In the three years Shen Qingqiu is gone, hunting that elusive monster that decimates one village after another, he becomes a man possessed - or more accurately, a tender hearted young maiden yearning for her first love. He paints picture after picture, sometimes of a wolf stalking among the bamboo, sometimes of Qingqiu with his guqin as the scene lives in his memory. Rarely he paints his shidi stretched out on a couch in the brothel, languid with feigned sleep and one eye opened a crack as he vigilantly watches over his sisters - he gifts one of those to the brothel, much to the ladies’ delight. He starts writing poetry, yearning, horrible poetry his sister mocks relentlessly, but slowly he finds his words and his latest attempts are almost good. He is the first to hound Zhangmen-shixiong for news on Shen shidi and learns every word of every letter by heart, no matter how short or impersonal the progress reports are.
Liu Qingge knows that his martial siblings are not blind to his obsession - he has caught Shang shidi muttering “bro, really?!” under his breath more than once. He’s not familiar with the expression, but he can understand the sentiment. Yue Qingyuan watches him with patient exasperation, but he knows that the man doesn’t disapprove from the mild comment about how Shen Jiu will need a new ceremonial robe for his return celebration because his old one is ten years out of fashion.
Embroidery is, technically, within the skill set of the Qing Jing Peak Lord. He hounds An Ding until someone supplies him with Shen Qingqiu’s measurements and the finest materials he can bully Shang shidi into acquiring - “That’s the same stuff demon royalty wears, try not to waste it, my contact had to go through the royal seamstress of the northern kingdom to get it in that color.” - and sets to work. Bai Zhan’s color is steel blue, but that never fit his shidi, so he picks greens instead to match his striking green eyes. He creates a design that accentuates the deceptive slimness of Qingqiu, then embroiders the robes with bamboo patterns and a wolf on the hunt and when they are done he crafts a matching fan - Shen shidi hides from nothing and nobody, but Liu Qingge thinks he might enjoy being a little mysterious.
He is daydreaming about his shidi during the next Peak Lord meeting when the Sect Leader breaks the news: the beast has finally been slain and Shen Qingqiu will be on the next ship back home. Liu Qingge stays barely long enough to not be impolite at the end of the meeting before he rushes off to finish the last touches on the robes. He wants to leave it all set out for his shidi in the bamboo house.
In his haste he misses the look Shang Qinghua and Yue Qingyuan exchange behind his back.
“So, about those arrangements we made…”
“Yes, please. Let’s get Xiao Jiu home before Liu-shidi pines himself into a qi deviation.”
“Yeah, he’s down bad isn’t he?”
“Are you certain your prince doesn’t mind? If you are in any danger, shidi…”
“No! It’s fine, I’m fine, he already agreed to it! In fact, my Xuebao likes your brother so much I’m almost a little jealous.”
“Really now?”
“Zhangmen-shixiong, please stop looking like you are plotting murder. It’s not like that. As the Mobei prince, he really doesn’t have a lot of friends. Of course he misses A-Jiu.”
“If you say so, shidi.”
Liu Qingge is all jitters when he walks down the path to the bamboo house. He can’t understand why because Shen Qingiu won’t be back for months, but he still feels like a maiden on her way to ask out her love on the first date.
He almost drops the package with the robes when he opens the door and finds Shen Qingqiu standing there in the sunlit room. His shidi is too solid, too real to be an apparition, his clothes worn from travel, his heavy pack still unpacked by the table. He stands with a letter in one hand - Qingge recognizes his sister’s wobbly, childish handwriting - and with Qingge’s notebook in which he wrote all his stumbling, horrible poetry in the other and Liu Qingge wishes nothing more than for the ground to open up and swallow him whole.
“Are those my new robes?” Shen Qingqiu asks, as if they have only met this morning, as if that was a reasonable thing to ask when Qingge’s heart is about to explode from nerves. He can only mutely nod at his shidi. “You know shixiong, I can see that you have put enormous effort into courting me. I would have loved it if it happened when I was here to experience it.”
Shen Qingqiu sets the notebook and the letter down and stalks up to Liu Qingge, his eyes sharp with an emotion he can’t interpret, but it makes Liu Qingge want to bare his throat to his teeth and be devoured.
“So, Liu-shixiong. Are you going to help me try on my new robes?”
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wellfine · 3 months
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Can I take a wild swing at your Childhood friends AU?
I've had a few people reach out and ask if they can write stuff about that AU (or just straight up say they're going to take it without asking, haha..) so I'm gonna answer this one publicly as a blanket answer that's basically "yes"!
I don't own the concept of a childhood friends AU and I'm sure I'm not the first person to think about Usopp & Sanji meeting when they were young, so already I don't feel right telling people they can't take inspo from my AU. And also, I'd love to read more people's takes and interpretations on this AU and sanuso in general!
Sometimes I can be precious about my concepts in case I'd like to work them into my own comics/stories but I think this one is fair game! If you take direct inspiration from my work in your fic then I would appreciate credit/a link back, but like I said, I can't really claim ownership over such a broad concept.
Let me know if you publish it though so I can read it!
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uncanny-tranny · 1 year
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On the topic of hormones, I love trans men, transmasculine people, abinary, multigender people, or whomever else who takes estrogen and trans women, transfeminine, abinary, multigender people, or whomever else who takes testosterone.
There is no "right" way to transition. You don't have to be a perfectly binary, gender conforming trans person in order to take hormones. We all have different levels of estrogen and testosterone, and that means women and nonbinary people don't have to have estrogen-dominant systems and men and nonbinary people don't have to have testosterone-dominant systems. Do what sparks joy and if it's shit, hit the bricks!
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commsroom · 2 years
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there are no visuals in wolf 359, technically, but the sound design is so efficient at evoking such vivid and specific science fiction environments that it's hard not to feel like that, too, serves as some sort of commentary on the humans-without-humanity technological aspirations of cutter & pryce, in contrast with the average people that goddard employs.
the hephaestus is blinking lights and dials and crt monitors and clutter; it has the background noise, the static and jank and creaking metal of old, clunky, cobbled-together retrofuturism. it's a spacecraft that exists in a world where space travel is old enough for all its technology to be out of date. it's the bridge of the nostromo, it's the millennium falcon with its faulty hyperdrive, it's the bebop. it's the paper print-outs; it's their on-board entertainment of one single vhs copy of home alone 2. the hephaestus is falling apart, it's hostile to human life, it's rotting from the inside, but it's both alive and lived in.
the sol is white and sleek and sterile. everything meticulously in place, and all conveniences the hephaestus is too old and too unimportant to qualify for - artificial gravity, cutter's designated smoking section, etc. the sol is also hostile architecture, but not through years of neglect; it's designed that way. it's progress without people. eiffel calling pryce 'lady imacbeth' is funny, but also, like - yes! the sol, and goddard futuristics laboratories, all of that, should look like the inside of an apple store, and pryce is the same thing, personified.
this isn't to romanticize an idealized past, but - aside from the class differential, the corners goddard cuts, the way both the hephaestus and its crew are treated as disposable assets - i think as a form of visual (or auditory) shorthand, there is something to eiffel's attachment to physical, antiquated things, technology he can fix by hand, and what that reflects as resistance to streamlined advancements, the "greater good" with the least concern for the individual. that he's unbearably nostalgia-brained about his pop culture, and that he's an analog man who is concerned with real, genuine, tangible connection and communication in the face of increasingly arcane, "big picture" capitalist-driven digitization and alienation.
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