asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
3K notes
·
View notes
i so badly want one of those fic examinations of steve's relationship with joyce and hopper but solely through eddie's pov like hear me out
steve and eddie chat a lot in the upside down (and later in the hospital, when they learn hop is alive). steve has taken charge of filling eddie in on the rest of their of-age crew without the kids butting in. he never mentions his own parents, but he talks about the rest of the party's a lot, especially joyce and hopper. eddie knows what it's like to desperately want someone to be your parent and trying to hide it from his own childhood, when he would try to be cool about wayne dropping him off at his dad's house. steve obviously adores joyce and hopper, thinks the world of them and legitimately looks up to them.
eddie isn't sure what he expects from a cop who came back to life and the world's most determined housewife, but he's excited to meet them as someone steve loves.
cue eddie's horror when he realizes that neither of them really feel much for steve rather than annoyance and vague distrust. that joyce trusts will with eddie, an accused murderer, in a heartbeat and still hesitates to leave him with steve. that hopper brushes off every ounce of steve's hero worship and joy.
he tries to broach the topic with steve, gently, and is heartbroken when steve genuinely has no idea what he's talking about. and not because he's oblivious, but because steve thinks that's what he deserves. he thinks that's the parental love that someone who was an asshole in high school needs, because that's what would make him a good person. he needs people to call him out constantly, obviously, because why else would they keep doing it? why would nancy? at least they're here. at least they're not ignoring him. at least they're not forcing him into a box. they just want him to be better.
like, this is the man who thanked a girl for calling him bullshit and telling him she never loved him. he doesn't Know that's not how you're supposed to handle things. no one ever taught him that.
and now eddie's gotta figure out how he can teach steve how to be loved the right way without outing himself and his huge crush on his love-starved dork of a friend.
1K notes
·
View notes
A devastating and confusing thing about the Fallout setting, when you explore the pre-war aspects, is what the creators think about pre-war America. In the first games we only get hints of the pre-war world, but they seem to be some sort of wild fascist nation invading Canada. In Fallout 1, the first thing we're introduced to of the pre-war society is seeing a soldier shoot civilians and laughing.
Now, for the first 2 games and New Vegas we don't really know much. What we know is that there's a fascist military group known as the enclave who were a sort of US deep state even before the war, and that the government teamed up with corporate interests to preform vaguely MKULTRA-ish experiments with the Vaults. Basically, the government was an extreme version of the 50s American jingoism and McCarthyism.
This is well and dandy, I guess issues come up more when we get to the later games, especially 4, where it seems like none of this extreme plotting and societal civil unrest which would exist is seen. The society as presented in 4 also seems quite progressive, gay people are featured in the opening, and none of the baggage of say, civil rights not existing are included. Now on a baseline, I don't want settings to be more conservative, homophobic and sexist etc., but it becomes a very confusing setting when it's displayed both as this jingoist extreme thing with fascist tendencies aswell as a progressive place where everyone is seemingly equal. If you're focusing on the 50s as your setting, and American nationalism in the 50s, then you can't have McCarthyism spoofs and anti-communism as a societal paranoia norm while also general equality is the norm without misunderstanding why McCarthyism and nationalist jingoism is bad. A massive harm done in anti-communist paranoia is how it degrades and vilifies any progressive movements (women's rights, civil rights, homosexuality) as being morally un-American and therefore connected to communism. To ignore this just makes any critique of MacCarthyism and jingoism weird!
Basically, pre-war America in Fallout 4 becomes this both sides thing where America is both pure and equal and white fences in every instance that we see as the player (the intro), while also supposedly being this dystopic MacCarthyist hellscape that's broadcasting gladly about their war crimes in Canada, and wants to root out communism. I guess the only fix for this issue without getting into the fine print like they had to do is just not to focus too much on the pre-war world.
446 notes
·
View notes
So… I’ve been turning all this over in my head since last night, and I wanted to make a post about vampiric transformation as sex, and how it’s being used in wwdits as a metaphor for sexual repression, sexual freedom, virginity, and cuckolding.
Before I even get into the obvious metaphors about virginity and cuckolding, I think we need to talk about the elephant in the room. Guillermo’s sexual repression and how that’s come to find an outlet in his vampiric longing.
Guillermo is highly repressed, sexually speaking, but I don’t think he’s asexual. He’s shown interest in sex several times, but in an uncomfortable “this can’t be for me yet” kind of way. He was clearly raised Catholic and has internalized a lot of that shame re: sex, especially gay sex. He wants intimacy, but he’s also internalized the idea that wanting these things is dangerous and shameful.
But… the vampiric world seems to symbolize all the things that Guillermo wants but cannot have. He wants to be strong, powerful, attractive, and sexually liberated. As much as their openness about sex embarrasses him, there’s a certain longing there, too. He didn’t just want to be handsome as a vampire — he explicitly used the word “sexy.”
A vampiric Guillermo is a version of Guillermo that gets to have sex. Loudly, proudly, and without shame. It’s a version of him that is wanted, that wants, and who gets to have the precise kind of intimacy he's always craved.
Now, how much Guillermo has actually done sexually is still up for a lot of debate in fandom, but I think that’s kind of immaterial. For most of the show, Guillermo clearly wasn’t having the kind of intimacy that he wanted to be having, and he only started to even begin to allow himself to seriously consider all that in s4, when he got a boyfriend and came out to his family.
As being gay and wanting to be a vampire.
Guillermo is finally starting to own both his homosexuality and his vampiric life, and that means he’s finally starting to explore sex.
Now… At the end of s4, I talked about how Guillermo going to Derek in the finale had the air of a person who’d been fantasizing about losing their virginity in a certain way all their life — but then they finally give up on those dreams and hire a sex worker instead. There’s a resignation there in Guillermo that he couldn’t get it “the old-fashioned way,” he’s disappointed and jaded when it comes to intimate relationships, and now he’s tired of waiting for love and just wants a business transaction.
I wasn’t quite expecting for them to push that metaphor even more in s5! The money aspect was almost forgotten (Did… Derek even take the money? Why is he still cleaning toilets?) but the scene with Derek biting Guillermo was clearly a metaphorical virginity scene.
Guillermo’s nervous eagerness, his growing realization that this wasn’t actually the way he wanted it to happen. Asking Derek if he’d ever done this before and figuring out if he was “ready.” Taking off his clothes (that his grandmother got for him, even, that’s a whole meta post right THERE) and trying to make the vibe “right.” His insistence that though Nandor had never done this for him, they still had a caring and intimate relationship.
But… it was also a metaphor for bad sex. Many people lose their virginity in a way they don’t find satisfying, and Guillermo definitely seems to fall in this category. It was awkward, it was bloody, it hurt, his partner didn’t listen to him, they weren’t on the same wavelength, they didn’t connect, there was no emotional bond, and most importantly, he didn’t feel changed.
Like a lot of people do, Guillermo thought losing his virginity would change him. He’d be cooler, sexier, more powerful. His station in life would change. He’d become an adult his ideal form. But he’s still just Guillermo.
As he told Laszlo, as soon as he did it, he regretted it. He immediately knew that he’d been right, that this wasn’t the way he wanted to do it. He wanted to do it with someone experienced who loved and cared about him, who listened to him, and he wanted that person to be Nandor. But he wasn’t patient, he paid an inexperienced acquaintance for a one-night-stand instead, and he was left feeling deeply unfulfilled.
Most upsettingly, he immediately discovered that, like virginity, you can’t lose it twice. He can’t just have a do-over with Nandor now. He’s given something up that he can’t give to anyone else, and he’s going to have to live with the consequences.
Because like sex for humans, transformation has social implications in the vampire world. It can only be done in very specific situations. Guillermo seems to have grown up in a human world where sex should only be happening within a heterosexual marriage, and now he’s finding that in the vampire world, transformation is only supposed to happen between a master and familiar currently in a contractual bond.
So… him going to Derek and finding “outlet” in another relationship, so to speak, is effectively vampirically cuckolding Nandor. He’s given that honor to another vampire, which Nandor seems to find both vampirically humiliating and personally hurtful. It would in fact hurt him so badly that he would probably not survive it, in Laszlo’s words.
(There’s also definitely an element of an abusive “if I can’t have you, no one can” vibe in Nandor’s threat to kill Guillermo and then himself if Guillermo got what he needed from another vampire, but since when have we ever liked them well-adjusted?)
Guillermo is realizing that, as much as he’s been thinking of this in sexual terms, so have the vampires. He thought he was the only one who thought it was a big deal. He thought he was the only one placing intimacy and partnership and loyalty into this event. But now he’s realizing that as much as it meant to him, it might have even been a bigger thing for Nandor.
For Guillermo, vampirism-as-sex represents the idealized transformational aspects of losing your virginity. He’d built up this big event in his mind that represented his intimate bond with Nandor, he’d built up this idea that the event would change him, would make him better, would make him free. But he’s finding, like many first-timers do, that sometimes it’s not transformational. It’s just awkward and disappointing and the only thing that’s changed is that you ache in the morning.
He still doesn’t have the intimacy he wanted. He still doesn’t have the ability to be loudly himself. He still hasn’t been able to fully own his sexuality and ask for what he wants. He wasn’t ready. He didn’t enjoy it. He regrets it.
He also regrets it because now he knows it will hurt Nandor and the relationship they’ve built. Because for Nandor, vampirism-as-sex represents the societal aspects of sex. The rules people follow. The societal humiliation you feel if you’re cuckolded. The personal agony you feel when you’re cheated on. The sense that your home is broken if your partner goes to find satisfaction with someone else.
Guillermo, who has had to deal with societal disapproval of his desired type of sex in the human world his whole life, was viewing vampiric transformation as a way to be free of all that. The shame and the repression and the societal penalties for being himself.
But he’s just found himself in a mess of new rules, hasn’t he? Different culture, same struggle. And while the vampiric world has always symbolized a sexual liberation that both repulses and attracts Guillermo, he clearly doesn’t have as much freedom here as he thought.
So… to sum up, Guillermo always kind of thought of transformation as losing his virginity. He associated vampirism with sex, and he thought this would be his entrance into the sexual world. He wanted to have an intimate experience with Nandor, but eventually gave up on that and decided to pay for it — and then immediately regretted it, both because he found it personally dissatisfying and because it came as a betrayal to the man he loves.
The problem is that he thought he was the only person thinking of it as sex — he didn’t realize that Nandor does, too, just in a very different way.
Nandor was also thinking of vampiric transformation as this special act, and one that belongs only to him as Guillermo’s master/partner. He was thinking of it in intimate terms, but also in societal partnership terms. He’s thinking of his household, while Guillermo was thinking of things on more individualistic terms.
If only they’d both talked about all this shit even once. :’)
But that’s not how we do things here in Staten Island!!! We just long for things ineffectively, keep secrets, and fuck everything up!
(There’s also a whole thing here about how Nandor wasn’t keeping his side of the relationship bargain and that’s why Guillermo looked elsewhere in a moment of weakness, but I guess that’s probably a separate post. This is long enough already.)
2K notes
·
View notes