#did not know this was a thing with our flag means death fans

[vorpalmuchness]

hey babe are you okay you've been listening to the Chain by Fleetwood Mac for an hour straight

#the chain #fleetwood mac #the answer is no #fleetwood mac memes #did not know this was a thing with our flag means death fans #I was thinking of gotg actually

[ourflagmeansgayrights]

This is a genuine innocent ask

Since ofmd is officially over, where does all the money donated go? This is not just a question for the fandom bit in general when ur raising money for a renewal but it fails.

so i mean, in general when a renewal campaign "fails" we dont usually get the showrunner saying outright "yeah the show isnt getting picked up, im sorry guys." like im pretty sure that most of the time, money that's raised for a campaign like this just gets collected and spent without there ever being an official announcement from the showrunners that fans should stop campaigning.

as far as the money that was raised for the first billboard back in january, all the money that was collected is long gone now bc it was spent on the billboard, the truck, the plane flyover, and the charity donations. and like, everyone who donated to that campaign knew that's where the money was going, and they knew there was a chance that the renewal campaign wouldn't work. so even tho the money they raised is gone, the ppl who donated technically got what they paid for.

when it comes to the second billboard, i have no idea what the plan is there. as far as im aware that fundraising effort is (was??) still ongoing, so djenks saying it's over kinda throws a wrench in that process. im not actually associated w the ppl collecting money for the second billboard, nor have i personally contributed to that campaign (or to the first campaign either, ftr), so i have no input or insight as to what's gonna happen w that money going forward. if u want more concrete info abt what's going on with that money you'd wanna ask @saveofmdcrewmates

from what i can tell tho, there are a few options as to what they could do with the money: they could ignore david's message and run the billboard as planned, they could forget the billboard and donate the money to charity, or they could run the billboard but change the messaging to something else. they might even be able to give some of the money back to the people who contributed?? that might be hard tho, idk what platform they were using to collect the money and i have no idea if they're even able to like, refund people. idk if the people who donated would even want their money back, or if they would rather the money still be used for the billboard, or be repurposed for something else. like i said, i didnt donate and i have nothing to do with the ppl raising the money so it rlly doesn't matter to me at all what happens.

#ofmd #our flag means death #save ofmd #ask #anon #mine #txt #og #s3 renewal hell #for the record also. when it comes to ppl criticizing the fans who DID choose to donate their money to the renewal efforts... #i think if u want to laugh abt how it's a waste of money that's fair. god knows i do the same thing #like im always gonna roll my eyes over ppl spending hundreds to thousands of dollars on like. funko pops. or sports betting. #or gambling in general. or tickets to see an artist that i think sucks. or expensive and ugly sports cars. or golf equipment. #or high-end fashion that's incredibly boring. or home decor that's as bland and impersonal as possible. #but that's bc these things do not appeal to me and seem like a waste of money bc i dont care abt them #im not gonna sit here and get mad abt how these ppl are spending money on shit i think is stupid so that makes them Bad People #like frankly it's fucking stupid to try and take the moral high ground over ppl having interests that they spend money on #laugh abt how u think ppl's taste sucks but if u try and make it some sort of moral issue then you're getting in too deep #i know it probably makes u feel superior to act like ppl spending their money on stupid shit are Bad People #but from the bottom of my heart: grow up #stop being so catholic abt everything jfc

[fandom]

Top 23 of 2023

Have you been aching to get your hot little hands on 52 weeks of data around original posts, likes, reblogs, and searches, all weighted and ranked and tied up into categories with a nice little bow on top? Well, today’s your day! It should come as no surprise that Artists on Tumblr reign supreme: from stunning traditional art, jaw-dropping digital art, fanart, sculptures, textile art—you name it, basically—this year’s list shows that Tumblr truly is the home for art and artists. Thank you, Artists on Tumblr, for enriching our dashboards day after day. 

Rounding out the top three, we have two iconic shows: Good Omens is live-action, and The Owl House is animated, but both have a heck of a love story at their core. The second season of Good Omens blessed us with not one but two ineffably exquisite ships, while the final season of The Owl House broke and then healed fans’ hearts in equal measure. Thanks, @danaterrace! Actually, come to think of it, the Good Omens finale kinda did the same in reverse. Thanks to you, too, @neil-gaiman! We can’t wait for season 3. 

Speaking of heartbreak and healing, Our Flag Means Death’s second season offered both in droves. The entire cast gave stellar performances, and fans couldn’t have been happier to see the kinds of representation the show displayed. Last year’s #1 topic, Stranger Things, may have dropped a bit, but trust us, you wouldn’t know it from the amount of meta, fanart, and fics in the tag. And did you hear about the live-action adaptations of both The Last of Us and One Piece? They were a preeeetty big deal this year, too. Check ‘em out if you haven’t yet (lol, of course you have). And we’d be remiss not to mention the hugely dedicated fans, fanartists, and fic writers devoting their time to all things Rise of the Teenage Mutant Ninja Turtles. Y’all deserve a little pizza, as a treat.

2023 was also a year for blockbuster movies, which of course hasn’t escaped anybody’s notice here on Tumblr. Barbie smashed box offices worldwide and left us reeling with every re-watch. How can one describe Greta Gerwig’s pink-filled opus? It certainly is one of the movies of all time. Meanwhile, with its incredible animation and soundtrack, Spider-Man: Across the Spider-Verse introduced us to a whole new multiverse of Spider-People, opening the portal to a veritable flood of incredible OCs. And then, of course, we got a fresh perspective on an old classic when cinephiles introduced Martin Scorscese’s cinematic masterpiece, Goncharov (1973), to a new generation of film aficionados who resoundingly agree that it is, in fact, the greatest mafia movie ever made. We’re so glad this underrated film finally got the acclaim it has long deserved.

In the realms of gaming and tech, the long-anticipated Baldur’s Gate 3 has basically become everyone’s new favorite D&D/dating sim combination. Of course, the Pokémon franchise, games, shows, and Hatsune Miku collabs remain perennial favorites. Elon Musk’s purchase of Twitter, sorry, we mean of course X, made waves across the internet. Similarly, the Reddit blackout drove Redditors to new venues, and Tumblr users welcomed the folks from r/196 with open arms—we’re huge fans of your memes, y’all, and you fit right in. Welcome, we’re glad you enjoy the chaos. Here’s a fun fact: if we included post metadata in Year in Review rankings, #polls, introduced in January of 2023, would have been the #5 topic on Tumblr this year. Phenomenal. 

And, oh right. Taylor Swift had kind of a big year, what with the albums, the epic global tour, and the movie and stuff. Fantastic work, @taylorswift, the Swifties on Tumblr thank you for everything.

This is Tumblr’s Year in Review.

Artists on Tumblr

Good Omens

The Owl House

Barbie

Pokémon

Spider-Man: Across the Spider-Verse

Critical Role

Goncharov

Taylor Swift

Genshin Impact

Stranger Things

The Last of Us

Rise of the Teenage Mutant Ninja Turtles

Elon Musk

196

Star Wars

Our Flag Means Death

Crowley | Good Omens

LGBTQ

Cottagecore

Baldur's Gate 3

One Piece

Aziraphale | Good Omens

#year in review #top 23 of 2023 #tumblr2023

[nuka]

Call me delulu, but I woke up with hope in my heart today.

It's only been 2 months since the show was cancelled. WBD is run by an incompetent fool. WBD previously said they'd sell Coyote vs. Acme, but then made it impossible for anyone to buy it. All streaming services are struggling financially at the moment.

Daddy Jenkins had to tell us we've reached the end of the road, because that's the reality right now. Either WBD made it impossible for anyone to buy the show, or the actual realistic price was just too high for other streamers at the moment even if they wanted to buy it. “Many complimentary meetings, conversations, etc” sounds like someone was interested.

DJ and everyone else who worked on the show need to be able to move on, so they can make a living from other projects. They’ve all been holding their breath just in case they can start filming after all. The fans need to move on in the sense that we can't expect a renewal "any day now", like we did for 2 months. We can still hope that we'll see season 3 one day, but now we can be realistic about the chances of it happening in the immediate future.

Everyone who worked on this show has loved it so dearly that I'm certain that if season 3 gets greenlit in the future, they'll all want to work on it again. As long as DJ is in, the others are too. The Revenge can be rebuilt. The time that has passed can be explained in the story, if it needs explaining at all. If some actors won't be able to return, we'll get new characters added to our family, and we'll embrace them just like we embraced all the new characters in season 2.

Depending on what the problem for the pick up was, things might change very quickly, or they might take a few years. Who knows, if we continue being loud, a streaming service that quickly passed on the show in January might take interest in it later. A streaming service that offered too little might make a better offer, and WBD might accept just to get rid of us (because we're back to calling Max out on this bullshit and it's not a good look for them). Or, once the industry recovers a bit, a streaming service might be willing to reconsider spending a big amount of money on this show. And if WBD set an impossible price for the show this time, they might shop it around for a more reasonable price once Zaslav is out (or even greenlight season 3 themselves, but that’s delulu level 200). Even if we don't get a season 3, we might still get a movie, or a comic book, or a script book, or a blu-ray release, or the Jenkins Cut. And honestly, if someone was to announce they've picked up the show in a year or two... that's not a long time at all.

Pirate Daddy said that our campaign was noticed across the industry. They hear and see our love for this show. They know we're here for the show if it's ever to return. They know this show has potential.

So let’s keep having fun in the fandom. Keep being loud about Our Flag Means Death. Keep using the hashtags. Keep making fanart. Keep shouting about how unfair this cancellation was. We don’t have to do it with the same intensity as during the campaign (I know we’re all tired and it’s completely okay to step away if you need/want to), but as long as we as a fandom are consistent, they’ll see there’s a demand that just won’t go away.

There is always hope. It’s not the same kind of hope we had before January 9th, and it’s not the kind we had until March 7th. But there are so many variables, and so little time has passed. Who knows what the industry will look like in a year or two. I’d rather believe in a future that might just hold a pleasant surprise for us than throw in the towel completely.

#ofmd #our flag means death #long live ofmd #save ofmd #adopt our crew #our flag bbc #renew as a crew

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

#ofmd s2 #ofmd season 2 #ofmd #ofmd spoilers #izzy hands #our flag means death #ofmd meta #ofmd izzy #blackbonnet #gentlebeard

[serpentarius]

been trying to wrap my head around the cancellation of "Our Flag Means Death" and why it hurts so fucking much. lots of folks who are much more eloquent than I have summed it up perfectly, but I still think it’s important I add my voice to the matter. 

It really, really sucks that the hurt is being compounded on us every time another queer/minority-led show gets prematurely cancelled. and for a long while, we also had to deal with the many shows that deliberately queerbaited us, which was a shitty and traumatic experience unto its own. And even though we’ve largely surpassed that early-‘00s-flavoured brand of queerbait now, mainstream queer media is still predominantly white-led. With the cancellation of OFMD, we've lost one of the very few intersectional queer shows in the mainstream. Shouldn’t we be beyond asking for crumbs at this point? Shouldn’t we get unabashedly intersectional shows helmed by and starring queer, BIPOC, and trans folks without them being axed for no rhyme or reason?

It’s exhausting at this point, honestly. OFMD has done so well in terms of viewership and engagement and fan response—almost entirely due to word of mouth and little thanks to the Max marketing team, mind you—and even still the show got cancelled? Can they make it make sense????

For me, the thing most akin to this OFMD situation was when Sense8 got cancelled. And yes, the fandom fought, and we eventually DID get a movie that wrapped things up years later! That gives me hope for OFMD, that maybe another network will pick it up, or maybe they’ll be able to make a movie someday. But what makes me sad about cases like Sense8 is knowing that the creators still had to force the narrative around the amount of time they were given. That the corporate overlords who only care about numbers and profit dictated how much time they had to wrap up their story.

And it fucking kills me that DJ only wanted one more season. One more season to complete the vision.

I'm just so mad that queer people are constantly being jerked around and used for profit and then left high and dry. And then we're given excuses like "oh there's no budget" or "oh there's not enough viewership, that's all it is". like, sure, maybe those are contributing factors, but then I look at all the useless garbage shows that have little viewership and high budgets that keep going forever and then I think "hmmmm, the math ain't mathing." It's fucking transparent; the corporations can spew all they want with their rainbow capitalism and talks about diversity, but the evidence is clear, and they can't convince me homophobia/racism/transphobia/etc. is not a factor in these decisions.

Anyways, back to OFMD. OFMD made me fall in love with fandom again. I drifted away from fandom for a while in my 20s, and while OFMD wasn't the first fandom that drew me back into the madness, it's certainly the largest. The sheer amount of creativity both within the show and outside of it has blown me away; I've read some of the best fics, seen some of the best art, and witnessed some of the most incredible creativity from people in this fandom.

And let's not forget the role of the show's creators and how they've interacted with us fans. They made us feel seen. And made us feel loved and valid, even when we were being weird and loud and horny. It's so fucking rare to see that. But they understood; understood that the show they made was for us, for any of us who've been marginalized or made to feel Othered or different or stuck in life or unsure of our identities. And they gave us so much love for it.

The story... man. The unique combination of quirky humour and bright visuals and dark, introspective moments, the gorgeous costumes and soft, lovely, unabashed queerness, and veteran actors and new actors all getting to shine, brilliant comedic actors getting to show off their dramatic chops and vice versa. For me, seeing Rhys Darby - an actor I've loved for a long time, but who I never thought I'd see in a leading role - getting to be the romantic lead in a queer role? And seeing acclaimed director/producer/screenwriter/actor Taika Waititi play opposite Rhys, as an indigenous Blackbeard? Fucking incredible. OFMD Edward Teach you will always be famous to me.

Anyways... despite my long ramblings here, I still don’t think I've been able to get to the root of WHY exactly this show has inched its way under my skin and stayed with me in the way it has. Maybe I'll spend years trying to understand it. But I DO know that it's in part to do with seeing both older queers AND a diverse range of queerness onscreen, in a way that I've never seen in media before. I DO know that OFMD has forced me to look inwardly, and allowed me to realize some important things about myself. About my own queerness, my own identity, things I'm still figuring out. I've cherished being able to see myself in Stede, in Ed, and each of the crew members. In Roach’s love for cooking, in Oluwande’s ability to mediate; in Jim’s quick temper, in the way Izzy builds walls to guard his heart. In Buttons’ quirkiness, in Wee John’s sass, in Frenchie’s ability to turn pain into humour; in The Swede’s silliness, in Lucius’ bluntness, in Pete’s soft heart beneath the skepticism. Lastly, OFMD has inspired me. To create, to write, to draw, to devour other peoples' works and worlds while I sit in sheer, overflowing joyousness at their talent.

so yeah. the news of this cancellation is upsetting and hurtful and disappointing. And it's making us cry, and it's making us grieve, and may make us hollow and numb at times because we've lost yet another thing we love so deeply before it was meant to go. It's so much more than "just a TV show". It means more to us than any passive mindless idiotic mind-numbing bullshit - because even though there's a time and a place and a purpose for that type of media, it's the thought-provoking work, the work that creators pour their entire hearts and souls into, that hit us deep in our own souls. The work that changes our lives. The work that has the ability to save lives, as I know OFMD has done for so many. 

please know I'm sending immense amounts of love and strength to those of you who are also hurting. we'll get through this, one way or another, and I'll keep up with the hope that we'll get more someday; but in the meantime, I'm holding you tight. ❤️️🫂

#our flag means death #ofmd #my thoughts #ofmd thoughts #sorry for the long rambles I just needed to scream into the void #I feel helpless right now but I also wanna fight #sending love ❤️

[izzyhandslightofmylife]

Official statement on why Izzy's death affected me so much

Our Flag Means Death, is, at it’s core, is a show that focuses on queer joy- a form of therapy for those that have been raised on queerbaiting, shipping minor side characters, or watching, when nothing else is available, queer tragedies. You know how it goes- the two main characters, both male, have chemistry. They say things to each other that seem weirdly like declarations of love. They look at each other with love in their eyes. You see these things and the main man gets married off to a badly written, unfinished female character and is left feeling empty. The best friend dies for the main character to live. When everyone talks about how cute the main couple are, you want to scream all of a sudden, because nobody can see this love story play out except you. It’s queer, it’s tragic, and nobody else can understand it. 

Not Our Flag Means Death. From the moment it aired, it was praised as a show with unabashed queer joy, which means more than I can possibly say. The two main male characters meet, they have chemistry, and they fall in love. It’s not implied, or hinted at, but blatantly obvious. Their romances and the queer romances around them attracted so many queer fans who felt that after so many years, this type of show was a vindication for what they had been through with other media. 

In this show, piracy itself was that of a found family. Though Stede Bonnet and the crew of the Revenge start off with many differences, the core of the show centers around a theme that many queer audiences are attracted to: found family. The Revenge was depicted as a safe space, where everyone could express themselves freely, a refuge from a world of judgment. Queerness was not only accepted but normalized on The Revenge. No homophobia, no coming out, no typical complications of queer romance. Just love and safety. Warmth, which was Ed Teach wished for in purgatory. Which was what he found on the Revenge. The ship was a safe space that so many queer audiences had dreamed of. 

Well, a safe space except for one person: Izzy Hands, Blackbeard’s First Mate, who was a man painfully stuck in the wrong genre. This is the general consensus by both fans and the cast: Izzy, Edward and their crew had been in a gritty action movie, whereas Stede and his crew were in a muppet movie of sorts. While the majority of Blackbeard’s crew quickly acclimates to and celebrates the change, Izzy doesn’t. 

And right away, many fans felt a deep attraction to Izzy. The reason that Izzy couldn’t get Edward to love him was because, in the end, the only way that Izzy knew how to love was through blood. To give and receive pain in an action movie is one of the greatest forms of love, but Izzy fails to realize that Ed is not in an action movie anymore. He is happy with this stability, and the reason that so many people felt Izzy’s presence so was strongly was that he wasn’t. 

So many queer people are, in a way, addicted to tragedy. Tragedy is all that is represented in queer media for the most part, or was until very recently. Take Achilles and Patroclus, one of the most celebrated and recognized queer love stories of both ancient and modern times. Why that one? There are other greek love stories, many of them queer. The tragedy of it- Patroclus’ death and Achilles’ rage- made it all the more appealing. Many in the audience of Our Flag Means Death were not comedy fans, they were horror or drama fans, attracted to a comedy because of the love story. But Izzy, to them, was a physical representation of who they were, carrying an awareness of homophobia, of blood and pain that so many queer relationships had previously been illustrated by (i.e. Hannibal). Though Ed may not have understand this type of affection, the audience did- Izzy’s Otherness from the crew despite it’s safety, his expressions of love and his unrequited love story were all things that the audience were familiar with feeling. 

If Ed and Stede were good queer representation, Ed and Izzy, for example, were a foil of that. They were evil, messed up, and fed into the worst parts of each other because it brought them closer. This is a theme present in a lot of queer media, and by extension, queer lives: “if you love me, Henry, you don’t love me in a way I understand”, is an excerpt classic queer poem about unrequited love that fits the situation. The very reason Izzy stuck in people’s heads because he was of a different genre. His grittiness and bitterness made sense to the audience. They saw Izzy and saw what was familiar. He was exquisitely written, simultaneously making even casual audiences both hate him, and against all odds, find him oddly endearing. The idea of this man sacrificing every inch of himself for an unrequited love was a concept of tragedy, leaking into a comedic show. 

So fans projected onto Izzy. He was a catalyst for the heartache, for the audience’s sheer inability to have a happy show. For one reason or another, some of the audience simply couldn’t live with a show that was all fantastical, which I theorize is because they couldn’t see themselves in it. So Izzy became the epitome of queer suffering: pining longingly after another man that couldn’t understand him. This projection of suffering, however, led to a new wish: happiness for Izzy. If Izzy in Season 1 was a tragedy, assimilating him into the found family in Season 2 would have elevated the safe sense of the ship all the more. It would have proved to so many of these Izzy Fans that yes, even though you view yourself as unloveable, even though you see yourself as Israel Hands, Villain, even he can be loved too. Why can’t you be? 

And Season 2, for the most part, delivered beyond our wildest dreams. Izzy had people who cared about him. And though the genre shifted into the darker, Izzy himself shifted slightly to the comedic side as well. His life, which had been centered for so long around a man that didn’t reciprocate his feelings, was gone. He started a new life, and this life, again, focused on queer joy. The queer joy from Season 1 was suddenly for everyone, even those like Izzy that couldn’t have understood it. He sang, he whittled, he talked about feelings, he dressed in drag. Many elder queer fans also saw Izzy as another metaphor, too: that queer joy can be attained overtime. You don’t have to have had it the whole time, but you can accept yourself even when you are older. The message of Izzy was one of resilience and stubbornness, one that the queer community needed to hear: that you don’t have to be like this, you don’t have to create pain for yourself. You don’t need to watch tragedies all the time. You, too, can heal from the past.

And then, the season finale happened. By this point, many argued that Izzy had stolen the show. Con O’Neil’s acting mixed with his general arc of self acceptance had made him a fan favorite. In the last episode, it is Izzy himself who sums it up perfectly, accepting that he belongs somewhere despite his pain and flaws. Despite the darkness within him, he was still accepted and loved. He says it right to the face of Prince Ricky, who thinks himself above it all. That piracy, a metaphor for otherness, wasn’t actually about being alone; it was about finding others that understood you when nobody else could. 

Listen, this show is known for it’s nonsensicality. In the finale of Season 1, Lucius is thrown overboard by Ed and survives by simply swimming to another ship. Stede reunites with his crew by sailing a rowboat. Buttons turns into a seagull. Stede stabs Ed for a comedic bit. Earlier in the season, Izzy himself gets shot and survives. This queer joy show was celebrated for being, well, joyful. Even when things like getting thrown overboard did happen, they were, ultimately, a blip in the character’s journey towards acceptance, healing, etc, which was what made the show unique. Our Flag Means Death, whose audience had been living for years off of the “Bury your gays” trope, was adored because it illustrated a world where things didn’t have to be that way. A place where the impossible, such as Izzy Hands being loved, could happen. This show was one of survival. 

But not for the one person that was seen to struggle with this concept the most. Not for the one person that was a metaphor for belonging in this place, who became, over the course of a season, the embodiment of the message itself. Not for the Unicorn, the very symbol of this magical, nonsensical ship. Not for the most stubborn, most indestructible, most enduring (queer) person in the show. Not for Izzy Hands. 

This trope, honestly, was one that many have seen before, both in mainstream and queer media. A character, previously shown to be a villain or else to have gone through a lot of pain, is shown to heal, to get better, and then to die in order to “complete their arc”. This trope is common: Loki, Cas. even Ted Lasso, who doesn’t die but goes back to the very place that broke him in the first place. But the reason that Izzy’s death, while it might have been expected in another show, felt like a betrayal in this one is because it was known for subverting those tropes. From the “Bury Your Gays” to the “Up For Interpretation”, it was known to look those tropes in the eyes and say “fuck you, these people deserve to be happy”. And this did happen! Except for the one character who’s healing journey was one of the most relatable, at least to queer audiences. 

What also made it so jarring was that all the other characters got to be happy, except for the one that had struggled with the idea of happiness the most. In the scene immediately after Izzy is buried, Lucius and Pete get married. In the scene after, a montage of queer joy and found family is shown amongst the whole crew. In the final scene, Ed and Stede, our main queer couple, are shown healing themselves and starting a new life together. The last shot, however, showed Izzy’s grave, visited by Buttons the seagull while Ed and Stede had dinner. A tragedy in it’s finest. It wouldn’t have been difficult for Izzy to live. Because, in the end, his death meant nothing. His healing meant nothing. He died and was moved on from in a matter of seconds. He was, as I mentioned, the catalyst for tragedy, more specifically, queer tragedy. But because of this, of his genre, Izzy didn’t get to live. He had to die in order for the rest of the characters to keep living in this fantasy world. This death was, in a way, a preservation of these other love stories.

I maintain, however, that it would have meant more if Izzy had lived. If he had been  able to show to us that yes, despite what you have been through, despite what you may have inflicted upon yourself, you can switch genres. It’s possible. Izzy’s survival up until that point had been a profound testament to many that it is possible to heal, that queerness does not have to mean sadness. It would have continued to be a testament to that if only Izzy had lived. And so, this pirate that we latched onto, not in spite of his darkness but because of it, was buried on land on the side of the road. 

As a side note, many previous incidences in the story point to the idea even though Ed and Stede will definitely stay together, it’s uncertain if the inn would have worked out. It’s likely that, being a whim, those two might have chosen to move, or go back to the sea, or sail to China. If this is true, they would have left Izzy’s grave by itself, like a family pet buried in the yard. If this is true, Izzy Hands, a metaphor for belonging, would rot alone. 

Long live the tragedy addicts. Long live the Richard Siken poems. Long live Izzy Hands. 

*When I talk about the "fandom" I am referring to the canyon.

#izzy hands #izzy hands apologist #izzy canyon #our flag means death #ofmd finale #ofmd #izzy hands death #izzy deserved better #ofmd fanfic #i guess #ofmd canyon #con o'neill #tragedy #oh uh happy new year #ofmd meta

[gentlebeardsbarngrill]

01/19/2024 Crew Recap

TLDR; HoistTheAds; LubeAsACrew; CastAndCrew Reactions; Petition/Fundraiser Updates; TheCozyPirate Update; Taika Pictures; The back of Rhys' Naked Legs

Edit: Rhys put his reaction up after I had put this together and I missed it, see it here or on his IG while the Story is still up.

---------------------------------------------------------------

There just isn't enough room on tumblr for the amount of crap that went down today, let me tell you.

Well, as many of you know, shit got real today with the #HoistTheAds campaign and #LubeAsACrew going live.

#HoistTheAds

Last night at 12 PM EST the 2 day , every 15 minute ad campaign that @renewasacrew set up with the money gathered from the ad fundraiser kicked off in timesquare. You can still view them here Expect our ad every hour at :00, :01, :02, :15, :38, :42, :50

Throughout the day you could see the plane messages:

The Trucks went by!

And probably the most exciting things were the reactions from the cast and crew over the billboard!

There were a LOT of reactions so bear with me, there will be a lot of pictures. Chaos Dad David Jenkins, Kristian Nairn, Samba Schutte, Madeleine Sami, Samba Schutte, Leslie Jones, Vico Ortiz, Linds Cantrell, Alex Sherman, Eroll Shand, David Fane and many more. Some sent messages, some just emojis.

One special one to point out was David Fane's adorable reactions:

Some good news too, apparently Chaos Dad was able to actually go to Time Square and see the billboard, but wasn't able to interact.

#LubeAsACrew

Then there was this crazy thing... LubeAsACrew, where the Social Media person for Astroglide did a simultaneous watch with everyone on twitter. Then live-tweeted the episodes. Some of the stuff that came from it.. was unhinged and so much fun. There was too much to get into so I'm just including some highlights, feel free to check out the thread here:

==== Articles ====

The billboards obviously got a lot of attention of the press because the amount of articles out today are nuts:

PinkNews: Our Flag Means Death fans buy huge Times Square advert to demand its return

Pride.com: Our Flag Means Death fans buy Times Square billboard to save the show

Them.Us: Our Flag Means Death Fans Bought a Billboard in Times Square to Demand Renewal

TV Insider: ‘Our Flag Means Death’ Fans Take Renewal Campaign to Times Square — David Jenkins Reacts

Gay Times: ‘Bracing for battle’: Our Flag Means Death fans rally together for season 3

Now This News: Its Flag Meant Death: The Uncertain Reality for Queer-Driven Shows in the Streaming Era

Popverse: Our Flag Means Death fans launch Times Square billboard (and more) in series renewal campaign

Marysue: ‘Our Flag Means Death’ Fans Have Really Made an Impression With This Effort To Save the Show

The Geekiary: Fans Fight To Save Our Flag Means Death From Doggie Heaven

==== Impacts / Stats ====

=Petition=

Up to 67K+! Holy crap yall! That's almost 7K today! Great job!

=Fundraisers=

Renew As a Crew for Rainbow Youth has almost met the $17K Goal everyone! Almost there!

OFFP Care for Gaza - up to almost $8300

===Twitter Trends/Stats===

Twitter trends got pretty high with all the hashtags. I tried to get pictures at peak times but Im sure there were move, so take these numbers with a grain of salt, they were probably more!

=== Hashtag Update ===

Looks like the hashtags today are the following, and as always emails, and instructions are here: #HoistTheAds #SaveOFMD #RenewAsACrew

= Stuff I Dont Have Categories For! =

Just some more industry info from our local @TheCozyPirate

And for whatever reason, Taika Archives came out with new Taika pictures today. So enjoy some black and white Taika.

Wow I actually reached my picture limit on this one, that's crazy.

-----------------------------------------------------------------------------

Final note for the night-- I saw SO MANY OF YOU CALLING TODAY! And expressing your call anxiety and how you overcame it, and oh my gosh I just have to say you're all so friggn amazing! Stepping out of your comfort zone is scary as fuck and you did it anyway! Great job everyone! And if you haven't done so yet-- no worries, if you want to, you can, if you're not ready, that's okay too!

Other than that-- I've seen a lot of folks really taking a step back from the trolls and blocking/ignoring, great job all! Enjoy your celebration and happy times! Don't let the haters get to you. You are awesome and beautiful and we all continue to be so incredibly proud of this community! The Cast and Crew SAW you today as they have for days since all this started and they know we love them!

Now, I'll end with a picture of the backs of Rhys' legs (on the right) and a censored butt. Enjoy the muscles, I know I do.

#ofmd #our flag means death #stede bonnet #gentlebeard #edward teach #renew as a crew #rhys darby #save ofmd #blackbonnet #save our flag means death #our flag means us #hoist the ads #renewofmd #renewasacrew #renew ofmd #be a lighthouse #you air fine things well #ofmd daily recap #ofmd daily recaps

[zombee]

I feel like the luckiest Our Flag Means Death fan in the world after the season 2 finale. By a series of incredible circumstances - including a significant metatextual realization that came in at the 11th hour - it was close to perfect for me.

This essay has everything. Completely normal behavior over a television series. Steven Universe references. The David Jenkins School of Whatever is Best for the Bit. Humbling catharsis.

First: this piece does not exist with the central thesis of “it’s okay to not like something but that’s not the same thing as it being bad.” I feel like thousands of words have already been written on this since Thursday, so I’m going to try to not get too in depth on that.

Second, cards on the table, because it’s relevant and I don’t want to waste your time if this is going to sour your ability to hear me out: I’m an Izzy Canyon hater. For MANY reasons, but from way before the concept of the Canyon existed, (some) Izzy fans pinged me in the same way as Snape/Kylo Ren fans did, and before May 2022 was over I went from genuinely enjoying Izzy’s character and place in the narrative to hating him because his fans made it impossible for me to enjoy him anymore.

(SOME! of his fans. Please don’t keep making me say this, although I’m not going to talk about the Canyon directly anymore after this. I know there are a ton of normal Izzy Enjoyers and even Canyonites, I am literally friends with many of them, please take this all in the good faith it’s intended and if you’re not One Of The Bad Ones then you’re fine! I very carefully don’t go anti-Izzy on main, and when I stopped enjoying his character, I stopped writing him into fics. I’m not trying to be a dick, I just want to be honest. Anyway.)

The season 2 finale made me weep over Izzy Goddamn hands.

ALL season long, I was disgruntled. All season long. I really, truly, DEEPLY appreciated what they were doing with his character and arc, I thought it was wildly on brand for the themes of community/queerness in the show, I saw the vision, I liked it!!! But. I wanted a fucking apology, yall. I needed three seconds of “sorry I called you a slur, Ed :/” and that would have been enough. But I had to let it go. It was poisoning my enjoyment of the whole season, which I loved with very little exception (not none!) and I just had to let it go. I wasn’t getting an apology. That didn’t negate what they were doing with his character.

Yall. They withheld the apology on purpose.

THIS FUCKING SHOW!!!

Let’s go back a bit. I was at the episode 6 + 7 screening, and the breakup shook me. Probably a LOT more than if I had watched it alone in bed at 3am on my laptop - five days of no sleep after NYCC, lots of emotions, seeing it on a big screen with a hundred other intense fans, etc etc - but I did see other folks reacting in parallel ways to me when the episodes aired to the regular public, so maybe I would have felt the same way. Regardless, I was mad at Stede and to a lesser extent Ed. I NEEDED AN APOLOGY FOR THAT FISH LINE. I needed it! “Whativah” autocorrects to “WHATIVAH” in my phone. I was going through it.

(When I rewatched the episode when it aired it was not nearly as bad as I remember, lol)

So now the episode 8 screeners go out and the reviews drop and I think I catch one half-glimpse of a “What a heartbreaking ending!” kind of snippet, and some of my friends who are spoiler fiends unintentionally drop little hints about similar ideas (devastating/heartbreaking/split the fandom) type shit.

And I was a fucking WRECK! about it.

I do love this whole show with my whole chest. I do!!! But I’m not rotted because this is an excellent television show, I’m rotted because two old men kiss each other! On the MOUTH!!! in an excellent television show. You get it, right? I’ve written 700,000 words across almost 100 fics and 98% of them are dedicated to those two men falling in love in different universes. 

So it just did not even occur to me the “heartbreak/devastation/fandom split” would be about anything but Gentlebeard.

Another piece of this that was fucking me up - David Jenkins and his “satisfactory” ending biz. My brain was reacting like this show was ENDING ending, even if I knew logically! that this is just season 2!!! And I wasn’t ready for that, because what if it wasn’t personally satisfying, and I’m a mess about it? Why was I so worried about not liking it? I’d liked the whole season! Even if they didn’t nail the landing I wasn’t going to stop writing fic or hanging out with my pirate community & friends. 

…is what I kept trying to tell myself, but the way anxiety disorders work is funny like that lol. What if I did stop writing fic and hanging out in pirate spaces? That would hurt much more than a show I like disappointing me. And for anyone who’s having that experience with ofmd s2, I’m so very, very sorry. It sucks and that’s where my epiphany came from on Wednesday before the finale.

Because it has happened to me before.

I flit from hyperfocus to hyperfocus, as ya do when you’re spicy, but the last thing to get its hooks in me PROPERLY like pirates was Steven Universe. And I did NOT like the way the regular season ended!!! (I actually really did like most of Future; that’s not what I mean. I mean season 5). I don’t like how they handled the Diamonds, tldr; I think the scope of their villainy got too out of hand, and I was left grieving the thing that had meant enough to me I ran a fan convention for four years based around it. 

Side note: imagine if I had channeled the hyperfocus of almost a million words of fanfiction into an American OFMD con instead. We could have made magic :( I did consult with Our Con Means Death though so I am at least a teeny tiny bit of that one!

I did not like the way Steven ended… but I do respect the story they were telling and think they told it well.

I’m still sad about it. Steven is still one of my most beloved, it will always be beautiful and great to me, but that experience did and does sully my memories. There is so, so, so, SO much more good than bad from being in that fandom, and I cherish it. And I hope, if you’re having this experience with OFMD right now, that you’ll find similar comfort.

But, like I said at the top, “it’s okay to not like something but that’s not the same thing as it being bad” has been belabored already by people better at writing about it than me. I just had the incredible privilege to remember my brush with lower case T trauma and having that experience in my last REALLY big deal fandom. That’s why I had been so extra anxious about being disappointed. Because it happened to me before. It helped so much to connect those two.

So the finale happens, and it’s actually about twelve hours of me going from “eh, rushed but fun, whole season was great” to “THIS MAYBE IS THE BEST SHOW OF ALL TIME, ACTUALLY!”

BECAUSE THIS SHOW MADE ME CRY OVER IZZY FUCKING HANDS!!!!

They literally told me this was the story they were telling this season. “Men can change” “The end  of piracy” “Ed leaving Blackbeard behind (ish).”

As for me? I didn’t get an apology for the fish. Instead, I got “Sorry I was a dick.” “You weren’t a dick. Life’s a dick.”

Just… fuckity BAM. THREE FUCKING SENTENCES resolving that fight. Saying so much in so little.

In real life, should these two men have an actual conversation about this shit? Sure!!! But that’s not how OFMD tells its stories!

It works in symbolism. It works in vibes. It works in an hour’s worth of content into each half-hour episode, and for how much lamenting I have done about the pacing, I would prefer that 100x to having to stretch it out too much.

I have said since March 24, 2022 that OFMD wields anachronism as a weapon. First and foremost, it’s fucking funny, but in addition to that, it’s stating clearly: “This is a fantasy world. This is not real history. This show is about romance (and so much more than that), and the rest is just VIBES!!!”

Sometimes vibes can be historical accuracy. Sometimes vibes can be true emotional poignancy. Sometimes vibes can be Ed finding his sunken leathers in the sea, changing underwater somehow, and coming out of the ocean like the Birth of Fucking Venus, because water and rebirth and mermaids and shit is all very prominent this season. And ALSO, and this is very important! BECAUSE IT LOOKS FUCKING COOL!

I don’t want to do much real Izzy meta here. It’s been said by others, and better than me. But it was telegraphed and it was symbolic – he was the paragon of Traditional Piracy in season 1, for goodness’ sake, and Traditional Piracy is Toxic Masculinity, and he was a part of Blackbeard and Ed had to leave Blackbeard behind (yknow, ish), and he got this ABSOLUTLEY FUCKING LOVELY! storyline about appreciating what a (queer) community can do, and god fucking shit fucking dammit… most of all, best of all (for me), was Buttons landing on Izzy’s grave at the end. Men can change. And Izzy DID!!! He did it for Ed. For love. For community. I am puzzled by “it’s fucked up to use Izzy to further Ed’s storyline” because… this was Ed’s season, in the way that season 1 was Stede’s. And Ed cannot be removed from piracy as a whole (neither can Stede!) so to have this old, set in his ways, coded-queerphobic character blossom to the point he can give this gift to Ed and to piracy… idk man. I just find it so fucking beautiful.

It is okay not to like what they did. It’s okay!!! It’s okay, and it’s okay to mourn, and while it’s not okay to do [insert vile behavior here], it’s okay to carefully examine what you think is “bad writing” vs “what you would have preferred to happen” and give good-faith, textually-based criticism on that.

But I want to remind you over and over and over again, this show works on vibes. It tells its stories leaving many, many, many gaps. There are many things I would have liked to see, and y’know what? I would have told the Izzy story differently. I would have personally done it differently. But it’s not my show! It’s not my show, and I am humbled and delighted to remember that, and to appreciate Our Flag Means Death for what it is and not what it isn’t.

Other words have been written better than I could about the 18 months between seasons 1 and 2 and what that does to us as rabid fans with expectations of how things will go. Millions and millions and millions of words have been written about OFMD, fictional and non, and that is going to color our expectations and experience. We had built it up SO MUCH in our minds and along the way I think some of us forgot (INCLUDING ME!!!) that it is first and foremost about Vibes.

The vibes of Izzy’s death are about rebirth and forgiveness and leaving traditional piracy behind. And he got to die in Ed’s arms, knowing (HAPPILY!) that he had been wrong, and giving Ed the gift of letting him know he is loved, and being a part of something. We had a funeral but we also had a wedding. The only constant is change. Men, piracy, Blackbeard; it all changes. And Izzy found peace in that.

Before my last point, I want to @ myself on things I felt versus realizing in the end it is (I will say it until I’m blue in the face) about vibes.

· I was convinced they left Buttons’ transformation ambiguous because they wanted to leave room for it not having been real. NO!!! It is real, until they decided it isn’t. Magic in the OFMD universe? Fucking why not!!! IT’S SYMBOLIC!!! IT’S IMPORTANT TO ED’S STORYLINE AND THE CENTRAL THESES OF THE SHOW!

· I was unhappy, and still am a little, about the Polycule Situation, but now that I realize Oluwande is Zheng’s Stede… I am less so. The Zheng : Auntie :: Ed : Izzy vibes, btw? Fuckin immaculate.

·        Obviously they touched on Stede/Ed’s “killing people trauma” but I’d reallyyyy like Stede to address it, and even though I think Ed’s is left on a very satisfying note, I’d like him to dip a bit more into it as well. But if they don’t, oh well! It’s not like they ignored it, they just didn’t have a Deep Dive like I Wanted Them To!

· They didn’t deal with Ed throwing Stede’s shit away. They just ignored it! Stede started to collect new trinkets, and I believe that was as much about giving the audience back the old feeling of the Revenge as it was anything important (not to say it wasn’t also important thematically!!!). Just like Ed going back to his leathers is both Extremely Important thematically and about putting Taika back in the leathers because that’s what Blackbeard should be wearing for the epic final scenes for the sake of visually keeping the show consistent. That’s Blackbeard’s uniform.

· Stede’s frilly little outfits my beloved. God I hope they give him back some of his frippery in season 3. I think they will re: cursed suit BUT his journey this season was about something else, so!

· Ed’s stupid little non-profit non-apology, oh my god. It was so funny. And there is a transition from eps 5 to 6 where Ed is back in his leathers and the crew is more comfortable around him. They didn’t have to have him do a Real Apology, it’s implied it was all settled. What was the timeline? A day? DOESN’T MATTER, BABY, VIBES!!!

· Lots more, I’m sure, but now that I’ve tried to let it all go, I’m remembering less of what I wanted and appreciating what I got!

And, last point here, I think it is also very very very important to remember that a lot of people are normal about this show. In fact, WAY more people are normal about this show than aren’t. And that is EXTREMELY! IMPORTANT!!! because otherwise it wouldn’t be profitable and we all know what would happen then. We are the core of it, to be sure. Without word of mouth that stems from our intensity, this show would not be NEARLY as successful as it is. I truly, truly believe that.

But.

Do normies need deeply emotional discussions dissecting the central relationships? No. What normies need is Ed and Stede running dramatically toward each other on the beach and kissing. And I am happy, so fucking happy, to realize that’s what I need too. I’ve got fanworks for the rest.

I love this fucking show and this fucking fandom and its fucking creators so much. Fuck.

#our flag means death #ofmd #ofmd s2 #ofmd season 2

[sunbeamedskies]

I've seen a lot of troubling antisemitism in the Our Flag Means Death fandom lately regarding Taika Waititi. Please hear me out.

A lot of people want everyone to comment about the Israel/Palestine war. It's understandable. What Palestinian civilians are going through in Gaza is a nightmare that no one deserves. They are overwhelmingly paying the price for Hamas' actions- a group they have no control over and are also harmed by. Thousands have been killed.

After October 7th, Taika signed a letter asking for the Israeli hostages to be released. It did not endorse any specific actions taken by the Israeli government- it was simply in support of the hostages.

But you know what he was immediately accused of?

Supporting genocide. Even though what he signed was about Israeli civilians- including the elderly, disabled, and children- who were being held captive by Hamas.

On October 7th, Jews died in a single day in numbers that hadn't been since the Holocaust. Israel contains half the world's entire Jewish population. The majority of its population are descendants of Jews from middle eastern and north African countries who were forcibly kicked out in violent pogroms and had nowhere else to go. Many are descendants of Holocaust survivors as well.

I think most non-Jews would be astounded at how much the majority of the worldwide Jewish community is still mourning and reeling from October 7th. It triggered a lot of intergenerational trauma in many of us, yet I hear barely any non-Jews talk about it.

And yet you immediately accused Taika, a Jewish man, of supporting genocide just because he didn't support hostages being taken and random civilians being murdered. Do you really think he trusts people not to twist his words if he attempts to talk about Palestine too, when you turned a moment of legitimate pain for members of one of the persecuted groups he's apart of into accusing him of being a genocide-supporting monster?

We Jews not only have to deal with the memory of October 7th, but also with people conflating any support for the hostages with support for the Israeli government. When we say that criticism of Israel can at times get antisemitic, this is the kind of thing we're talking about.

Many of us are simultaneously mourning for Palestine and horrified that a right-wing fascist government that has little care for Palestinian lives has taken over Israel. Innocent lives taken shouldn't justify the killing of other innocent lives, and we are watching it happen, feeling powerless.

And it gets worse, because targeting Taika specifically because he's a person of multiple marginalized identities, when you don't attack white members of the crew nearly as much, is ironically racist.

Unintentional antisemitism and unintentional racism is still antisemitism and racism.

Take a deep breath and please reflect on how you have no idea what it's like to be Jewish right now, and how some of your own antisemitic criticism about his signature has likely contributed to his silence about Palestine. If no matter what he says his words and actions are twisted by so many of his "fans", he might think there's nothing he can say that will do any good.

#our flag means death #our flag means gay #ofmd #taika #taika waititi #stede bonnet #ed x stede #blackbeard #lgbtq+ #lgtbq #queer #jewish #jews #jew #judaism #anti semitism #social justice #antisemitism #left #fandom #social issues #gay #bi #reflect #rhys darby #trauma #jewish history #shoah #poc #racist

[gabessquishytum]

not sure if you’re a fan of crack treated seriously, but here goes a silly one: dream and hob are in an arranged marriage. dream was only barely taught about sex; he was told hob would penetrate him and that’s about it. except dream didn’t really know *where* he’d be penetrated, and he was left with the long lasting impression that hob would try to stab him on their wedding night. repeatedly. any tales of your first time hurting or being bloody did not help to dissuade this notion. so in their wedding bed, the second the door is closed, dream smacks hob clean across the face as hard as he can

It's giving........ our flag means death homoerotic stabbing. And I love it. That being said, someone please give Dream a biology lesson 😭😭

Poor Hob is blindsided. His new husband seemed quite nice before they got into the bedroom alone! And Hob does try to understand - he immediately rushes to reassure Dream that he wasn't going to force him, or anything! He's willing to wait until Dream is ready. And Dream just snorts and says something like "as if I would ever be ready for you to stab me!"

Hob wonders if he's getting concussion from the smack Dream gave him and he's like "I'm not??? Going to stab you??? Ever???" Which makes Dream pause and look at him suspiciously.

"I was given to understand that it would be my marital duty. To submit to... Penetration." He says warily. And Hob, oh, he tries so hard not to laugh because it's really not funny!! It's not!! But. He can't help it.

Nursing his sore face, Hob grabs some paper and draws a crude but explanatory diagram for Dream, outlining exactly what... thing would go inside which orifice. Dream is mortified. He flops face down on the bed and simply bursts into tears. He's made a fool of himself in front of his new husband! He can't possibly recover.

But Hob gives him a friendly pat on the back and tells him to cheer up. It's not Dream’s fault, after all. Hob is just glad that his pretty, sweet new husband presumably won't be smacking him on a regular basis.

They fall asleep cuddling on top of the bed, still fully dressed, just totally exhausted. But in the morning... Dream wakes up with a stiring feeling in his gut. He glances at the diagram and thinks, maybe... maybe Hob could give him a more practical demonstration?

When someone finally checks on the newlyweds, the bed is pleasingly rumpled, Dream is very pink and flushed, and no one has been stabbed. Hob has quite a healthy bruise on his cheek, though. He's promised not to tell anyone how it got there. Getting to finally make love to Dream and give him a good first time was absolutely worth it <3

#the sandman #dreamling #nsft

[exuberantocean]

I want to talk about responsibility in Our Flag Means Death. And I want to talk about it specifically after watching Stede blame himself for Ed's actions and I want to talk about it after watching a number of people in fandom blaming Izzy for Ed's actions.

Because they were Ed's actions. Ed absolutely did those things. No one forced him to attempt to kill Lucius. No one forced him to strand half the crew or torture Izzy or drive the boat into that storm. These are things Ed did of his own free will.

I hope, I really hope that people understand that ultimately the one responsible for Ed's actions is, well, Ed. Because he was the one to do them. Was his mental health good at the time? Ha, God no. But while that certainly makes it easier to understand his actions, it doesn't excuse them and it doesn't make them right. They are still his actions, his responsibility.

Did Stede's failure to show up at the end of season 1 cause Ed's mental state? Look, it was crushing (for both of them in different ways really). But look, Ed could have assumed something happened to Stede (which really, something did happen to Stede) rather than leap to the conclusion that Stede rejected him. And even given that, most people who break up with or are rejected by a loved one don't do *vague handwave at the first 3 episodes of season 2* ...all that.

There's nothing wrong with Ed feeling rejected and sad. There's a hell of a lot wrong with his actions.

Did Izzy's words and actions cause Ed's mental state? Well, obviously they didn't help. If I recall correctly, Izzy's made some sort of comment to Stede about ruining Blackbeard which surely contibuted to Stede's mental state and his actions at the end of s1 but, you know, Stede's a grown man and his actions are his own. Similarly, Izzy's taunts to Ed at the end of s1 come from a place where Izzy had a specific idea of how Ed was that was, well, perhaps not as wrong as some fans would like to think, but certainly incomplete, lacking, perhaps even misunderstood.

Perhaps misunderstood works best. Izzy knows the confidence that Blackbeard has always seemed to hold, the command, the compacity for violence, but he lacks the understanding of who Ed is. It's understandable that Izzy would want that back (I mean, I hate to break it to you, but they're pirates, the violence thing is part of all that). But, you know, I don't think Izzy's ever been a character motivated by just a desire to fuck things up. He's no Iago. Izzy clearly loves Blackbeard and that's perhaps his greatest flaw. He loves Blackbeard so much, but doesn't understand Ed at all.* ** Regardless of Izzy's motivations, he does play a significant role in escalating the situation. He words contribute to both Stede and Ed's turmoil. I'm not saying he has zero accountability here.

But.

Ed always had a choice one what to do, how to react. His actions remain his own. He could have ignored him, or tried to get over Stede or had Izzy tossed off the ship or any number of things. Instead, Ed chose to do what he did.

More importantly, by denying or ignoring Ed's own capability for his own actions, I feel like it overlooks what I see as the most powerful potential storyline in the show (obviously, I have no clue if they'll actually go this way, but I hope they do).

Ed, the man who feels unlovable has done horrible things. And, just maybe, he can still be loved. (Oh let's face it, we know he will be - he is already by Stede.) I don't even mean just by Stede (I mean, let's face it, Stede's likely to continue blaming himself for this), but by the crew he so badly treated. It will be interesting to see how things move forward. Regardless, I can't wait to see what happens next.

Who hasn't done horrible things? I mean, hopefully not at Ed levels of horrible. But God, what a lesson to be learned, to be loved even after your worst. One of the reason I think we humans are so compelled to create and follow stories is that we learn so well through them. How many of us out there feel unlovable, unloved, as deeply as Ed? How many of us are drowning in our misery, pulled down by weight of our own trauma, or our wrongdoings or perceived wrongdoings?

And how many of us are just as wrong as Ed was? Not because we aren't capable of bad-because new alert-we all are, but because we aren't defined by that and because we aren't destined to be defined by our darkest moments. And because humanity is even more defined by it's compacity to love and forgive than it is for our compacity to hurt and destroy.

Because I want to watch both that boat and it's co-captain rebuilt together.

*This is, perhaps, why Ed could never love Izzy. Because all Izzy saw was Blackbeard and Ed needed someone to love Ed - someone he could be Ed with and that be okay. Perhaps things will shift between Ed and Izzy after this...I mean, things must shift between the two after this, but perhaps Izzy will finally start seeing Ed? Who knows.

I also think Izzy's work at protecting the crew and his attempt to fix the situation (woefully too late) is worth something).

#ofmd #spoilers #meta #ed teach #stede bonnet #izzy hands

[fuckyeahizzyhands]

We said goodbye to Izzy this season. What was your initial reaction to learning his fate, and how did you prepare for his death?

Con O’Neill: You know what, I’ve been around a long time, and going through those first few scripts and seeing which way the arc was going, it didn’t surprise me. I was upset because I loved playing him, but at the same time, I think David knows what he’s doing, and we are all here because of David Jenkins, first and foremost. So I got it. I made him pay for dinner, but I got it nonetheless. And then it was just a matter of honoring what they’d written. And they kept surprising me every episode. He kept giving me stuff that took my breath away and challenged me enormously. And yeah, if you’re going to go out, go out like that.

What message would you want to share with fans who are still struggling with Izzy’s loss?

That’s a big ask, isn’t it? I would say that I have nothing but love, respect, and faith in David Jenkins. Trust him. He knows what he’s doing. None of this was taken lightly. Trust David Jenkins.

When you were preparing for Izzy’s ending, which scene felt like a bigger send-off — that epic monologue delivered to Ricky or his final words to Ed aboard the Revenge?

I remember the day we filmed what turned out to be a eulogy… We shot it several times, and then Fernando [Frias], who was directing that episode, suggested we do one more take and to “let the guard down,” was his phrase. And I didn’t know the guard was up, but that’s the take they used. And there’s an ad-lib in that take as well, which I won’t tell you what it is, which one it is. But I thought the profound moment would be the death. I didn’t understand at the time that the profound moment was the speech. I knew the speech was brilliant. I knew they’d written something extraordinary. Because they played with the narrative a bit in the edit, I didn’t know where it was going to play fundamentally in the final edit. But yeah, it’s basically written and Fernando gave me the key to get where we went to. So thank you, Fernando.

You mention ad-libbing. Was there any scene or moment you got to improvise or enjoyed improvising this season?

I can’t remember. There was a lot this season. That one in the eulogy speech is because I see it being played everywhere all the time at the moment. So I hear that a lot. There was a lot more understanding of character in this season. Ninety-nine percent of ad-libs don’t get in. The thing that’s not often discussed about our show is it’s f**king beautifully written. And we do a lot of takes, and as long as we get what is written down before we do any other playing around, then we’ve done our job because our writers are exceptional. And the joy as an actor — I’m a theater actor from way back — is when you see some of this writing. It’s just brilliant.

You talk about being a theater performer. Were you thrilled to take on Izzy’s musical moment in drag? I was told you learned the French version and English version of “La Vie En Rose” for the episode.

I’d love to say I taught myself, but no, I don’t speak French at all to my shame, but my partner does, and I have a friend called Jenna Russell, who’s just played Edith Piaf in the West End. So between the two of them, they taught me how to [sing the song in French]. And it was just excruciating for both of them… how I bastardized the French language. And bless him, Samba [Schutte] as well was even there when we were doing the lip sync to the recording. Samba was kneeling down, out the shot telling me if my mouth was doing the wrong shape for some of [it]. I mean, it was that extreme, but we got there by the skin of our teeth. But it’s funny if you’d asked me for a song for Izzy, I would never in a million years have thought of “La Vie En Rose.” Now I couldn’t think of any song that suits him better.

What was the process like getting to find Izzy’s drag look? Because it doesn’t feel like he’s embodying a character, but rather an extension of himself.

Quite a lot, to be honest. Nancy [Hennah] first talked to me about it. The drag was on, it was off, it was on, it was off, it was on. It was off. And then when we got close to filming, the drag was on again, and I just didn’t want it to be a comedy. Not that she ever suggested it was, but there were versions of the ideas for the drag which were so extreme that it felt like a parody. And I didn’t want it to be a parody.

Here’s an exclusive for you. When Kristian [Nairn] and I shot the scene where I discovered Wee John doing his makeup, there was one take of the scene where we ended up looking in the mirror together, and I heard myself say, “Make me pretty.” And as gentle as that sounds, it had a profound effect on me because I suddenly realized that that part in [Izzy] that had never been announced before was wanting to announce himself and to be pretty while he was doing it.

And that became really important to me when we were designing the look. And between Nancy, our brilliant makeup designer, and Deb [Watson], my makeup artist, they came up with that look, which I think really honors Izzy as a character, but also made him pretty. It had a profound effect on me when I had myself say those words. I think it’s probably the first time Izzy has ever said the word pretty — and it was about himself. I mean, how lovely is that?

Izzy went through another transformation earlier this season with his peg leg. Was becoming the new “unicorn” of the Revenge vital for his character development this season?

Yeah, I’ve been thinking about this a lot today because I’ve been asked various questions around this theme. And what I think is lovely about Izzy’s arc or Izzy’s redemption is we don’t change who he was. It’s a version of who he was, who is now feeling gratitude and acceptance. And we can talk about the closet, whether it’s an emotional closet or a sexual closet. He comes out of the closet this season, figuratively and visibly, and every queer person has that story. They’re all different versions of the story, but the relief of the coming out process, it’s life-changing. That’s what Izzy does in this season, is he comes out and it’s had a profound effect on the audience. So many of them have already themselves or want to, or need to, and they let him, our writers let him. It’s lovely.

David had said following the finale that there’s no Our Flag Means Death without Izzy. Would you come back for a third season if asked? After all, this is the kind of show where a character can turn into a seagull, so surely there’s room for a ghost.

That’s a conversation you have to have with David. David is the boss on all of this, and I know David always wanted a Season 3. I would be heartbroken for the show if he didn’t get a Season 3 because it deserves it. It’s an important show. If Izzy’s involved, and if he isn’t, I still think it’s a really important show and it should be given its send-off season.

On a more light-hearted final note, we got to see Izzy interact more with Stede as a mentor. What was it like getting to build that dynamic with Rhys in Season 2?

I loved it. Do you know what? Rhys was brilliant in the first season, but in the second season, he just found some extra confidence and he really stepped up. He’s f**king brilliant in the second season, and working with him on those scenes, it was a joy. It was an absolute joy because he’s f**king landed so beautifully. And to be present with him in his newfound faith and confidence… it was joyful, and I think he’s awesome.

#our flag means death spoilers #our flag means death #ofmd #con o'neill #izzy #izzy hands #con interview #interview #improvised scenes #season 3 #unicorn

[neil-gaiman]

Good morning Mr. Gaiman! I was wondering this morning about how the presence of a fandom affects (or doesn’t affect) the business decisions that are made in the media and publishing world. I’d be so interested to hear your thoughts on it as someone who has a foot so strongly planted in both worlds—I at least can’t think of very many other creators who work on IPs as big as you do who are as engaged with and aware of the surrounding fandom culture as you are.

In your experience, are the studios and executive Powers That Be generally aware of the fandom cultures that surround their media properties? And is it considered a good thing, or more of a liability to an IP’s potential commercial success? When a show like Good Omens, or Our Flag Means Death, or Lucifer comes up for another season, are the studio execs aware or thinking about the active fandoms when they decide what gets greenlit? I would imagine that the scads of fan content and online chatter those fandoms have generated would be a good indicator for the success of those shows, but only if the decision makers knew about it and thought of it as a good thing, which of course not all creators do. You’ve shared with us a few very good reasons why some creative distance with fandom is strictly necessary at times. Is an active fandom something that a creator like you would consider part of the pitch when you’re trying to get more content greenlit? Or do the studios not get it or not care?

I think the truth is that for Networks the numbers of people in a fandom are so small, proportionally, to the numbers of viewers, that the fandom doesn't really even show up on anyone's radar. It was very important to me that the Good Omens fandom was treated well when we launched Season 1, but I doubt that Amazon or the BBC will be thinking much about the fandom when they plan the roll out for Season 2, as they already have an existing worldwide audience now in the hundreds of millions, and they will be aiming their promotion at those people and the people who have yet to try it, and not the fans. I'll remind them that Good Omens fandom exists as we get closer, and there are fans out there now in the promotional world (like whoever runs Prime Video's Twitter feed) but pretty much everything will be aimed at the viewers rather than the fans.

Studios and networks like knowing that there's an existing fandom, it reassures them, but it's never big enough to make a difference beyond the possibility of helping get something greenlit in the first place -- and that's not fandom, that's potential audience. The existence or non-existence of a Sandman fandom didn't help sell Netflix on greenlighting Sandman; the fact we've sold over a hundred million Sandman comics and graphic novels around the world definitely did.

As a writer, I realized in early 1989 that I had two choices: I could do things I knew would make fandom (back then, the early early Sandman fandom) happy, and risk making myself bored and dissatisfied, or make myself as the writer/creator happy and hope that enough of the fandom would come on the journey with me. I chose the latter route and it worked, and so it's the route I've always chosen since then.

#Fandom #good omens #Sandman

[reallygoodplants]

What the recent Parrot Analytics numbers mean

Parrot Analytics wants to measure "Audience Demand". This is not simple streaming numbers, but it is an indicator made up from hundreds of weighted measurements, all smooshed together: streaming numbers, but also fan and critics ratings, download activities, wiki pages, social media buzz - any kind of dataset they can get their hands on.

The metrics are weighted according to how much effort/time they demand - active consumption and creative participation in content are given a lot of weight, merely clicking a like-button or subscribing to updates comparatively less.

Why do they do all this? Because they want to offer a "globally standardized measurement of audience demand for all markets", making it possible to compare content across platforms. Viewership ratings are dependent on many variables and therefore difficult to interpret out of context. PA promises to "value a piece of content or IP with a precise $ value figure for each title, service and market".

In other words, they try to translate viewership ratings, online chatter, revewies etc. into a number that indicates the net worth of a given show. Having this measurement available to us is incredibly valuable, since this is the very thing execs are interested in.

Takeaways:

Since streaming numbers are an important part of the indicator, it tells us that OFMD must have had good viewership ratings. We don't know how exactly it compares to other shows, but we can use it to refute claims that audiences didn't catch on to the show. Clearly they did.

All our noise matters! Blog posts, reddit discussion threads, Wikipedia engagement, TikToks, search engine activities - it all feeds into this metric! Keep doing it and make sure you keep using the full title Our Flag Means Death as often as possible because chances are PA (and similar analytics sites) will measure it.

Keep watching if you can! Doesn't matter which platform - if you don't want to subscribe to Max any longer, watch it on iPlayer, buy it from Prime Video, whatever works for you. PA even measures P2P downloads, just saying.

Our Flag Means Death is worth a lot of $$$. It has the potential to attract, engage and retain subscribers. That's what every streaming network wants. Our clowning is not baseless. Shout these numbers from the rooftops!

Sources:

Learn the methodology behind demand measurement

How Parrot Analytics Measures The Value of Content in the Streaming Era

Disclaimer: I am not in any way an expert on any of this. I just read around on Parrot Analytic's website and I have some experience analysing data myself. If anyone has corrections or additional info, please do share!

#our flag means death #save ofmd #ofmd

[triflesandparsnips]

(eta 10/10/23: Having just realized that this is now a very easy to google explainer, please also see the full end-of-game roundup here: "when something is definitely not a game, but most definitely a gift" or my related #definitely not a game tag. We now return you to your regularly scheduled nonsense, currently in progress.)

So... so.

So this just dropped.

And listen. LISTEN. For people who haven't been following this Our Flag Means Death-related alternate-reality-shenanigan fest, the following will make no sense to you-- or, wait, fuck it--

A Brief History of the Javid Denkins Alternate-Reality Game

(I didn't intend "overly long essays about in-depth fandom-related shenanigans" to be my brand, but by god I'm here now and I will make us all suffer through it.)

Reality (As We Know It)

Established and verified gay pirate showrunner David Jenkins is a regular shenanigineer on twitter: retweets fanart, retweets cosplays, calls fans sluts (endearment), has ongoing fight with medieval cats.

Back in 2022, David Jenkins implied heavily that he had joined tumblr, but did not cough up his account name.

This is the sum total of real and actual events and identities.

Through the Looking Glass

Fans started looking for David Jenkins's tumblr. What fans found is the tumblr of one Javid Denkins, who appeared to be new, had a variant of Jenkins's twitter icon, and seemed to be cheekily maintaining an incognito by steadfastly asserting that he is definitely not David Jenkins.

Fans got weird about it, because that is the nature of fandom. I said something about it here, because I have Feelings about the Rules of Incognito and also about Not Being Weird About People Who Make the Content We Like. I put it as a reblog to the post, as per regular tumblring, no response requested/required because babes, if I'm going to be perceived, I want it to be organic. (ahem... FOOTNOTE 1)

I kept a cursory eye on things, because it can be Really Lonely to be a famous person who just wants to have a regular online experience, and if that's what whoever was on the other end wanted, then that's what they should get to have imo. Unlike a regular tumblr that I might reply to directly or engage with on a same-level kinda way, I let them set the rules of engagement because unless/until they came clean, they would always be Schrodinger's Showrunner to me, and therefore subject to my internal Don't Be Creepy ruleset.

My second Javid reblog was pretty much what I would do to any other newbie tumblr person (as they professed to be): adding on to a gag by referencing the "color of the sky" meme and also a seagull, for OFMD-related reasons (which fit within the ruleset, because Javid was actively connecting himself with OFMD type things). And Javid reblogged it, so hey, I was winning at tumblr interactions, a thing that is normal to want and possible to achieve.

Time passed. Javid dropped (what will be revealed to be the first of many) photo manipulations. (FOOTNOTE 2)

On the same day, Javid posted what looked like an accidental smashkey. I reblogged with a seagull, because again, established rules of engagement and me winning at tumblr interactions. He reblogged himself, though, with what looked like another smashkey, but was actually a goddamn Caesar cipher-- and started using the tag #definitely not a game.

From there, Javid started up a stream of fairly fun puzzles. I didn't keep up with it fully, but since it looked like Javid wanted people to interact, I interacted (while trying to ensure that other people could keep having fun too). He also started subtly changing his icon, his tumblr header, etc., expanding the bounds of the puzzle space, as it were. (And if you want a complete rundown of the puzzle history and the associated answers, this twitter thread is enormous and thorough, thank you @eefaevie.)

The seagull made an appearance every once in a while; I threw together various season 2 bingo cards in response to these potential spoilers; I spent my time largely keeping back so I could eat popcorn and Not Be Creepy. But... but.

The thing was, Javid's method of posting (in a "heeeere fishy fishy fishy" manner) seemed, to me, to be the actions of someone trying to play with the audience and/or provide enrichment for the enclosure. So after some thought and, again, remembering the loneliness of being a Creative Person but trying to be mindful that this person was still incognito and could be the actual dude, I started using the seagull to reblog extra content, links, whathaveyou, with the tag #enrichment can go in BOTH enclosures-- with the idea that, if Javid wanted to look, he had the option to do so-- and if he did, he'd be rewarded with, again, no demands on him or his attention, but just: some content. Some enrichment. Some fun. A "picking up what you're putting down" kind of vibe from one person to another, both of whom are, at the very least, interested in communicating with an audience.

To be clear: For me, at the end of the day, it had to be a choice. I needed to provide room for Javid to choose to enter the magic circle of my additional game play-- but I also wasn't going to hold my breath about it. This was Javid's space, with intentions and purposes I had no way of knowing (nor should I)-- I was just, metaphorically, bringing another set of dice and maybe some graph paper with an extra room drawn on it that he could easily enter if he wanted, to play in a space intended to complement his. He was putting in a shitton of labor for what was essentially just a gift; I wanted to show appreciation for that labor, while putting in some of my own to gift back.

So when the first round of puzzles ended, and a new one began, I linked the answers to one of his anagram puzzles inside some seagull gifs-- but I figured, why not add something extra? I used his pigpen cipher to dare him to use a book code next. To even see the dare he'd have to want to decode the gifs-- and if he ultimately didn't want to engage, no skin off my nose. (That's why there's a border around the magic circle with clear entrances and exits.) Either way, I was having a nice time.

The next puzzle type was a stereogram. (Neat.) The puzzle after that, though? I get tagged and informed that Javid has, in fact, posted a motherfucking book code. (FOOTNOTE 3)

Enter the Thunder Parasocial Dome

This is the point where I first have to be pulled down from the curtains by rational people who have only my best interests at heart.

(Having a whole Thesis Statement about why I was engaging with Schrodinger's Showrunner is one thing. Having possible evidence that my engagement was, like, actually engaged with is quite another.)

By sweet and loving friends and family I was reminded that:

Other people are, in fact, allowed to be clever about things too.

That all sorts of pre-planning may have gone into all this, and that therefore the timing was a coincidence.

That there are a limited number of easily accessible ciphers out there, so the code type could also be a coincidence.

And that either way I still have my important Don't Be Creepy code of ethics.

So. I took a deep breath. Cool. I was totally and absolutely cool about this.

...And in a totally normal manner I proceeded to lay an elaborate trap.

AHAHAHA JUST JOKING what I mean is: I replied to the tagged post, acknowledging that the sphere of potential puzzling had now expanded beyond tumblr. I used Javid's own fake-link trick to link to a seagull laugh. And in the tags I threw in a lot of potential internet-related alternate reality stuff.

But also, crucially... some more ideas for Javid to use. (FOOTNOTE 4) If he wanted them. If he was actually looking.

Since I was now playing In Earnest, I spent some time putting together a youtube channel, an alternate tumblr, a neocities account -- a whole new field of play, if Javid wanted to engage there. I pulled out the dusty memories of a Yuletide fic I wrote several years ago that used similar shenanigans to tell an interactive fiction story about Monty Python. (Hilariously enough, my first RPF.) I continued to play with all these new and fascinating toys.

A Strange Ship on the Horizon

What with one thing and another three years pass, a Javid puzzle eventually lead to an AO3 account-- which to me definitively opened Schrodinger's box: maybe this was a member of the production playing with fire, more likely it was a clever fan whose brain is fucking fascinating, but it most definitely was not David Jenkins.

But. Javid was still in incognito. And I still don't know if I had been perceived.

I read the fic the Javid account is writing (which is still a work in progress and pretty great ngl)-- it's a fandom AU, where Ed and Stede are fans of a gay pirate romcom called Blow the Man Down, featuring Sam Bellamy and Olivier Levasseur. The showrunner is named Javid, who doesn't have social media but gets cornered into agreeing to join twitter (rather than our universe's tumblr). And Ed decides, on a lark, to start a fake twitter account, tag it #definitelynotjaviddenkins... and then freak out because a large contingent of fandom shows up on his metaphorical doorstep saying HELLO, JAVID.

As if this weren't enough: beyond the fic itself, suddenly a whole multimedia alternate universe suddenly appeared, with multiple twitter and AO3 accounts beyond just Stede and Ed, forming an entire fucking fandom, Goncharov-style, around Blow the Man Down. It was and continues to be fucking wild. It's also amazing. And the porn is surprisingly approachable. (BUT SEE AGAIN FOOTNOTE 1)

Grappling Hooks Breaching the Parasocial Divide

The thing is, though. The thing. That is.

I have officially reached Level 2 Curtain Clawing.

As I read the fic and the accompanying universe, I started to. Notice things.

References to soap (but... but surely that's normal. Many people talk about soap, not just amateur history enthusiasts like myself).

References to obscure scents (LABDANUM. Someone referenced labda-motherfucking-num. But surely. Surely it is not an entirely unheard of thing; I am not the first person to discover it or the fact that it gets combed from goats jesus christ the goat thing I forgot about that--)

References to the drilled coin from the wreck of Sam Bellamy's ship, which appeared as a random bit of possible future lore for Javid in this bit of enrichment (but I put in lots of possible lore! I had a whole thing going about figureheads! Bad luck to kill a seabird! I had a whole thing for a while where I thought maybe the digraph code Javid was hinting at was actually a Playfair cipher! I have been wrong many times before and added lots of random possible narratives. SO SURELY THE COIN IS A COINCIDENCE).

References to... okay not really references, and I've never articulated it quite like this (though this is definitely my vibe), but references to the idea of these puzzles and enrichment being a conversation in and of themselves, held at a remove and existing entirely in call (Javid) and response (the audience).

Finally... I started to notice that Stede decodes/interprets Ed-as-Javid's puzzles in a long twitter thread (like... like the one linked above) but also... sends back puzzles. Like, well, me.

"But STILL," I screech from the top of the curtain rail. "This could ALL BE COINCIDENCE," I yowl as friends and family try to bat me down with a broom. Even, by god, today's drop... which uses a password-protected url shortener. The exact same one I used in an earlier enrichment. But! It's not like there are a lot of those! Maybe this was just the first one that cropped up for Javid, just as it was the first that cropped up for me! (BUT THEN AGAIN, MAY I REFER YOU BACK TO FOOTNOTE 4)

The fic is at chapter 14. There are, if AO3 is to be believed, 7 more chapters to go, plus who knows how much additional extra-universe material. There is so. much. here.

...And so many more opportunities to climb all the curtains.

“It's a great huge game of chess that's being played—all over the world—if this is the world at all, you know.”

So at this point... what, in fact, is happening?

I'm inside a Schrodinger's box whose sides are entirely composed of parasocial uncertainty.

Maybe Javid is here. (HELLO, JAVID.)

Maybe he isn't! (HELLO, THE MIRROR IN MY ENCLOSURE.)

Maybe I'm not actually being referenced at all, but the writer of that twitter thead, @eefaevie, is (HI EEFAEVIE WHAT'S UP HOW'S THE PARASOCIAL AIR IN YOUR ENCLOSURE DOIN')

I don't know. I can't know. Unless someone opens the box.

and my god, what if they never do?

tl;dr. This is the most enriching fun I've had in months, and if the magic circle is going to widen to include me, then friend, I intend to BRING MY A-GAME.

---

FOOTNOTES

1. During the course of that mini-essay, I say the following:

"If it's someone who is not the dude but just a tumblrite who managed to catch on really quick? Well goddamn, good for them, and also A+ Wink-Nudge acrobatics. Real dude can have a peaceful time reading critical analyses of Goncharov, Javid here can quietly start introducing strange lore and running gags and other fun-with-plausible-deniability shenanigans".

One day later Javid starts answering questions about characters with enigmatic season 2 spoilery things; a little less than ten days later, we get the first fake link (which, imo, is the real start of the game).

2. This is now only 24 days after my "strange lore and fun with plausible deniability" post.

3. My dare: January 26. Javid's book code: February 4.

4. My tags on the post wherein I acknowledge that the dare has, possibly, been taken up, read: #you know what's cool? besides how #enrichment can go in BOTH enclosures #is how much you can do with html #like sure sure we've all seen the embedded links #but I remember the days of hidden source code messages #websites with delayed redirects #passwords hidden on one site to open the locked contents of another #you know #~normal things~ #I'm certain none of this will become relevant #because this is #definitely not a game

#OH HEY also eta 10/10/23: changed 'augmented' to 'alternate' because that's a more accurate description #definitely not a game #our flag means death #enrichment can go in BOTH enclosures #the absolute wildness of narrative and alternate reality games #a brief history of #javid denkins #and probably someone needs to start spritzing me with a spray bottle or something because this is #this is a lot