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#cars was definitely one of them
ratwiththetats · 2 months
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Remus coaxing James out of the house post Jegulus ‘breakup’ by telling him he can play ABBA in the car (Remus 100% is controlling the aux at all times and refuses to ever play disco for James) and the very fist song that plays is Knowing me Knowing you, and James just starts sobbing uncontrollably, so Remus just sighs and turns the car around to head towards his own house where Sirius is binging movies and eating ice cream on the couch with Regulus.
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seiwas · 6 months
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there is a very specific image in my head of early-mid 20’s iwaizumi hajime
#iwaizumi x reader#and he’s the guy taking on an internship in his senior year with minimum load for his classes#bc he’s planned it all out since starting college#you see him in parties because he has the time & he works so hard it’s only right he plays hard too#every time you lock eyes he gives you a small smile#there’s an air about him that isn’t cocky but isn’t too shy; a comfort that settles into his skin like he’s sure of who he is#—of what he wants & it definitely isn’t hauling up his drunk friends and a few acquaintances up his car#but some of them are your friends and you’re helping him so maybe it isn’t so bad#he drops you off with your roommate and you rarely see him after#until you spot him at some bar (again) and he’s wearing a tight fitting polo (it’s his uniform you later notice)#it’s a year or two after your graduation and when you lock eyes across the room there’s something so familiar yet wholly different#he’s confident now & maybe a little flirty too when he tells you he’s working as an assistant to shadow one of his mentors#you catch up for the rest of the night and your friends have long since gone ahead#he still knows what he wants and it’s to bring you home—not that way (not yet); you’re a little suspicious because#you know there’s /something/ but he drives you home like a gentleman. without really trying anything (and maybe part of you wishes he did)#it’s iwaizumi though and he knows what he wants—to ask you out properly (one he’s been thinking about since chance encounters in uni)#and he’s hoping that when he asks you can tell just how much he likes you#hajime#i want him so bad im crying#there is a whole workd of backstory to this but i got lazy typing it#shotorus.bubble
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shivunin · 1 year
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Fenris scarf! (ID in alt)
Crocheted acrylic yarn, embroidered with glow in the dark yarn (which is, in fact, something that exists!) It measures ~6'8" (about 2m) without the tassels and is 7" (~17cm) wide at the widest point.
The embroidered parts took about five hours to finish, which was far faster than I was expecting. I drew the tattoo design on with chalk markers (the kind you use for windows), embroidered over it, and then washed it out (thanks again to everyone who helped with references!) Highly recommend this method if you try anything similar. This was a really cool project! I learned a lot of things from it, most importantly the dragon scale stitch I used for the bottom of the black section. I think I will be doing Leliana or Morrigan next c:
Other Dragon Age Scarves:
Cullen | Morrigan | Warden | Leliana
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haunth0use · 3 months
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Silly little modern au headcanon I just thought up for Zosan :))
I like to think that Sanji does all the driving, but he’s quite a nervous driver when going places he’s unfamiliar with and Zoro surprisingly being the one to be able to keep him calm and on track. Obviously, Zoro’s still horrendous with directions but I’d like to think with a satnav he’d be alright (Y’know how it has everything all visualised and stuff).
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strangesickness · 3 months
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so the richie's ugly red junkyard car headcanon. you know her, you love her. you were obsessed with her as an obnoxious preteen who's dream car was a red ford (oh wait that was just me)
but i raise you, that thing isn't richie's richie doesn't know jack about cars, but you know who does??? eddie.
the losers were screwing around in a junkyard, eddie is screaming about tetanus and is generally resentful of his current predicament. and then he sees it. and by it i mean a red 1990 ford f-150. the left mirror's been knocked off, the engine is long gone, the paint is so scratched the truck is hardly even red anymore, the right door is hanging on it's hinges, the upholstery is disgusting, the bumper is dinged to hell, and eddie loves it. he'd never normally spring for a red car, but it's the most in tact he'd ever seen a junkyard car and its practically new and if he put it back together he could drive him and his friends all the way out of derry.
he sees this disgusting truck, every possible health hazard in one place, and he sees him and his friends driving up to canada just because they can. he knows he has to have it as soon as he sees it.
obviously his mom would lose her mind, so they push the truck all the way to the tozier household, where went hitches it and drives it up to the hanlon's place. the losers spend all summer working on the car, everyone contributes, and as much as its all their car, it's also definitely eddie's specifically.
they get it working, mostly by finding spare parts in the junkyard, but richie, bev and bill pitch in summer job money to buy a new motor. once it's working, they have to decide on a paint color. eddie hates red cars, he insists they're obnoxious and only idiots who don't know how to drive have red cars, but like... he's kind of attached... he says he chooses red because it'll be easier to work with what they already have than choose an entirely new color, but he's secretly grown fond of how obnoxious the car is.
the losers who have their licenses (mike, richie, bill, stan) help teach eddie how to drive on the farm. derry doesn't have a drive test centre, so all the losers pile into the truck and bill drives them all up to bangor so eddie can take his test. they all sit on the curb outside the drive test centre for the full hour it takes eddie to do the test. it then takes them five hours to drive to canada, eddie drives the whole way even though he's hardly driven up till this point. richie "navigates" but this mostly consists of him elbowing eddie while he tries to figure out the map, while stan looks over his shoulder and actually navigates.
they enter quebec around 7pm (you have to be 19 to ride in a truckbed in maine and i can't find information on that in quebec, but we're going to believe the truckbed law in maine was passed after 1993, and assume quebec has no laws on this because. it's quebec.), and immediately realize none of them speak french. ben is competent in spanish which he manages to use to understand the absolute bare minimum of french. they shell out way more money than they should for a hotel chain because eddie refuses to stay in an independent motel.
they manage to pay for a single room with two twins and a pullout couch. it is altogether a horrible night of sleep but they spend most of it talking and playing cards and eating snacks and trying to figure out if the hotel has roof access (the door says "alarm will sound" but when they try it no alarms sound so!) so it doesn't really matter if they don't sleep that well. the next day they drive up to quebec city and wander around. they have like. no money left so they can hardly do anything but ben has this shitty little camera the losers bought him for his birthday so even though they can hardly do anything they have a ton of fun sightseeing and goofing off and taking pictures.
mike, bill, stan, and richie all take turns on the drive back because eddie's totally exhausted. they get back to derry around midnight and have a sleepover in the tozier basement (where most of the parents thinks they've been staying all weekend anyways). went and maggie are so proud of eddie, and he called them from the drive test centre when he got his license.
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this is the car btw. i definitely DID choose it because it was 13 year old mes dream car.
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namari-hime-moved · 8 months
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Hello there! I’m your doppelganger!
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gwydionae · 3 months
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SAY IT WITH ME:
FEMALE CHARACTERS CAN BE WARRIORS AND FEMININE
MALE CHARACTERS CAN BE SMART AND MASCULINE
BEING BOTH IS NOT A "FLAW" WHERE ONE NEEDS TO BE REMOVED
IT'S CALLED "COMPLEXITY"
#i won't tag it#but#HECK if i wanted to chuck episode 5 out my window and then run it over with a car#i mean these issues have definitely been hinted at before ep 5 but that one just went ALL IN#i knew from 3 and 4 what they would probably do with hakoda but GOSH am i bitter about it#i swear if they don't walk this back somehow and make hakoda a bad overbearing dad or whatever i'm gonna riot#and katara's whole 'you know i'm not good at this [womanly] type of stuff' NO SCREW YOU WHOEVER INCLUDED THAT#WHY#if you want a female character that rejects the stereotypes of femininity you'll get one in season 2 gosh DANG IT#you don't need to try and force katara into that role#sokka wanting to use his brain AND fight well is not a flaw#katara wanting to use her waterbending to fight AND knowing how to sew is not a flaw#OH i hate this#i hate this so much#i can understand the need to change story elements to work better in a different format#i don't think they're always doing that WELL but i can understand the need for it#but i will never understand why they felt the need to butcher characters' personalities#again some things won't transfer well i get it i really REALLY do#it's like with sanji in opla how he had to be toned down - that makes sense for a live action adaptation#just removing things simply for the sake of removing them? no just no#'updated for modern audiences' has become a curse to my ears i swear because it always means the same thing#'we're going to remove all complexity and make it as one note as possible so we don't offend anyone'#there was nothing wrong with katara or sokka or aang or anyone else that they needed 'updating' yall are just close-minded#ok rant over just REALLY needed to get that out...
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infizero · 20 days
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hehehehehehehe
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fairyofthehollow · 10 days
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Can someone please tell me why mostly Americans always say it’s pretentious when people (especially actors) name foreign or not well-known films as their favourite?
#I’m really trying to figure it out#The only way they’re pretentious to me is when they boast about knowing more films than the average person#Or having quote unquote more refined taste#but ive never seen that and yet the comments under videos like this are#ugh so pretentious#?????? I’m so sorry#first of all#these are actors#it’s their LIFE to make movies and LOVE movies#some of them have been in the industry for decades and you’re surprised Cars 3 isn’t their favourite film?#like please be so serious#and even if it was an average person#like#you’re acting as if pirating doesn’t exist#also yk what#getting access to foreign films isn’t as hard as Americans want it to be#you just don’t want to look for them! or even watch them#idk it just pmo when people label liking something different or complex and/or foreign as pretentious#you don’t even know the real definition of that word do you#just because it doesn’t appeal to you / you don’t understand it / don’t think it’s valid as a piece of art#does NOT mean people who like it and the art itself is pretentious#and this is coming from someone whose favourite film is skull island#like pls#also you’re not dumb for not understanding a piece of art the first viewing or even after multiple viewings#it’s okay to not understand things#i sure don’t get a lot of things but that doesn’t stop me from TRYING to understand#and consuming art to see what it means for me / how i experience it#the world is so much bigger than you think it is#surely bigger than one country!!!!#♡ fairy speaks ♡
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i-love-def-leppard · 7 months
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JOE HOES ARE GETTING FED WITH JOE CONTENT RN!!!! everyone say ‘thank you ross’🙏
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I LOVE going everywhere by bike. Don't need to wait for a bus. Don't need to cram myself into a bus with (urgh) people. Or even worse, what feels like every single student in town. I still get home in about the same amount of time. I'm so so flexible including with places. Like yeah sure, let's go there! I don't care if the next bus station is far away. Doesn't matter to me.
Stayed out late with friends recently. Two of em had to get their family to come pick them up because that's too far to walk and it was too late for buses. A different friend lives like 30 minutes away but always walks and their way goes through a small park where literally no one is at with few lanterns so it's pitch black and I could literally just walk them home and then take the bike which is faster and has its own light and feels and probably is safer than walking those dark ass streets at night alone.
Like. I can just do all that. And yeah, sometimes when I'm not doing too well I feel like collapsing afterwards and yeah, maybe my fingers feel like falling off a lot at this time of year but that's like. SO worth it. I have no idea how people can live and NOT go everywhere by bike. Like if it's more than 20-30 minutes maybe but even with hills.... I fucking love my bike.
#a biscuit's rambles#also i just love going out with friends til late??#with the lockdown and shit that is such an entirely new experience and its great#also i like feeling useful i think. i like walking a friend home knowing ill definitely get home safe#idk#i also like my bike. a lot#been taking it literally every single day for years now and i have no regrets#EXCEPT FOR THOSE FUCKING PEDESTRIANS THAT HEAR MY BELL AND DO NOT FUCKING MOVE#AND THE OTHER BIKES THAT JUST DONT RING THEIR BELLS OR NOT EVEN HAVE ANY#LIKE THEN YOU GOTTA AT LEAST YELL AT PEOPLE TO MOVE OVER YOU NUMBNUT#A BIKE IS QUIET THEY DO NOT HEAR YOU THEY WILL NOT MOVE OVER MAGICALLY#AND IM STUCK BEHIND YOU#ALSO ITS JUST ASSHOLE BEHAVIOUR LIKE SOMEITMES WARNING SOMEONE SO THEY KEEP TO THE BLOODY SIDE IS GOOD!!!#and dont even get me STARTED ON SOME OF THE CARS#MUCH LESS THE STUPID ASS FUCKING INFRASTRUCTURE OF MY TOWN#ITS LIKE THEY WANT BIKES TO BE RUN OVER#fun fact i have been run over before#just fuckin collided with a car#nobody would listen to me try to pick apart the details of how it felt#which was probably my way of trying to cope with that experience lol#though nothing serious happened. bUT STILL#also oh god that one stupid fucking street with those stupid ass cars NOBODY NEEDS A CAR THERE JUST BAND HTEM ALREADY#AND THE. THE FUCKIGN ROADWORKS#I CAN NOT REACH MY SCHOOL WITHOUT ALMOST BEING EITHER HIT IN THE HEAD WITH A HUGE SHOVEL OR RUN OVER BY A TRUCK#AND IF THATS NOT THE CASE THEN THERES SO MANY FCKING PEOPLE THAT EVEN IF I YELL AT THEM LIKE MAD I CANT GET PAST WITHOUT RUNNING SOMEONE#THROUGH MYSELF#im very passionate about all things bike. but thinking abt it is a huge part of my life so im allowed to be
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bright-and-burning · 2 months
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annoyed posting sorry
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givehimthemedicine · 1 year
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not to get the morbs on main but do you ever just sit with how incredibly sad "Goodbye, Mike" is? that little El is that ready to sacrifice herself?
the fact that she paused to say goodbye means she expected to die, or at least to get incapacitated and recaptured, which is also extremely sad. I lean towards thinking she didn't know she'd disappear to the UD.
I still don't get what exactly is happening when she does That to Henry and the demogorgon, but regardless, she seems to think it's killing ("if you touch her again I will kill you again") so I don't get the impression that she's aware getting transported is a possible outcome (she doesn't remember '79 in '83). she's already drained from killing the agents and doesn't have the option to recharge, and I think she accepts that the exertion necessary to kill the demogorgon will be more than she can survive.
El has spent a week hearing that Will is important, finding Will is what really matters. and of course she gets the idea Will is more important than she is. he is loved. this is El's first lesson in what that even looks like. this boy is sorta like her real-world counterpart - she's occupying his space in his world, and she's getting a glimpse at what it looks like for a kid her age to be a person, loved and missed, and not just a thing with a serial number on it that its owner wants back.
for that week, El is important because Will is important.
nobody has ever valued anything about El except what she can do with her powers, so she thinks her only value to the party and Joyce is in her usefulness in finding Will, or protecting them. tbh they didn't do a ton to challenge that assumption in season 1 in ways that would be clear to her (not that they had any idea of her experience).
"but the hug at the quarry!" yeah I love it, but she had just saved their lives. even though hugs are nice and she never got them at the lab, she still could think it's because she did something for them. "Joyce hugs her at the end of the bath!" one of the best moments in the series, but again, El had just done something for Joyce. that may be the only motive she sees for it. maybe it's all just lab taffy. what affection has anyone given El that doesn't look to her like part of an exchange or a reward for performance?
El's willingness to sacrifice herself isn't just about loving her new friends and wanting to protect them but like. by that time, she'd done all she could on the Will mission. he's Schrodinger'd at this point, it doesn't even matter the outcome. he's either irretrievable or being retrieved, either way, now that she's served her purpose she's of no further value to them.
if that's her impression, is she proven wrong? while she's still vulnerable from submitting herself to a triggering, exhausting experience to help them, Hopper betrays her location to Brenner in exchange for a longshot chance at finding Will.
(Yeah I know his options were limited and of course he's gonna be more committed to helping Will because he has a longtime relationship with Joyce. but. an authority figure handing a horribly abused child back to her abusers after she trusted him for help does not make me a big Hopper fan, even if he planned to try to doublecross them later. "I'll tell you where your little science experiment is" please.)
but as hurtful as Hopper's trade is, the saddest part is that El is willing to make a very similar one herself. it's more important for Will and these people to have each other back than for her to try to have her freedom. she wouldn't want what's been stolen from her to be stolen from anyone else. it's better for her to be the one that goes away, to make it safe for all of them. she has no one to miss her, not how Will does.
I have to wonder if the way she killed the demogorgon ("killed" "the demogorgon") was the only way she could've gone about it. like, she didn't try to snap its neck first or anything. her Plan A is a method that jeopardizes her own life.
does she see a future for herself in the outside world? one where she isn't forever hunted, and a constant danger to her friends? one that doesn't dead end back in the lab, under crueler conditions than ever before? is that a life she hopes to survive for?
imagine if ST really ended up being an anthology, and all she went out with was one resigned little "Goodbye, Mike" and we never found out any more about it. I would be in an institution
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citypoprevival · 1 year
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ik its cringe but um. since hunter the parenting is based off of 40k lore, and i had a sensei ( half-human child of Big E ) oc kicking around in g-docs, i revamped her to fit into the h:tp lore. meet odette! (she/they), one of the ex-children of big-d, and independent salubri kindred, currently acting as the go-between between the anarchs, independents kindred, and camarilla of east-anglia, though originally, she's from santa monica and relocated after l.a. got too hot to stick around for salubri like her back in 04
edit. added the kindred version!!
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yellowloid · 1 year
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hello! I saw you made a post on the analysis of the ultracheese and honestly it was such an intriguing read! I read that that you believed golden trunks was an even more meaningful song when related to miles and alex and I would really really rEALLY love to hear what you have to say about golden trunks because honestly its one of my favorite songs
hello and thank you!!! always happy to hear people enjoy my song theories ❤️
golden trunks is one of my favourites too and i was d y i n g to analyse it. it's just such a unique song sound and lyric-wise, definitely in my top three in tbhc.
(as always, disclaimer: this is just a fan theory and everything i'm gonna say is 100% subjective. i'm not claiming it's the Real Meaning TM of the song bc 1) songs can have multiple meanings depending on the lens that is used to analyse them and 2) we'll never actually know what alex meant by writing it. we only know it's the closest thing to a love song in the album, featuring a conversation between him and someone he's falling for. nothing else is set in stone.)
but let's get to the actual analysis, shall we?
to me, this song is about miles. 100% about miles. the person he's talking to, and the person he's falling (or has already fallen) for is miles. there are theories going around on the internet saying it's about taylor or even louise, which are both??? kinda senseless theories??? first let's talk about taylor: why would he create that same sense of secrecy (that is present in songs such as the ultracheese) in this one, if it were a song about his (at the time) girlfriend? why would he add that 'we're friends but i'm falling for you' vibe (that we can find in diwk too) in a song about his current partner? why would he admit to fantasising about that person (keyword: admit, like it took him some time to come to terms with it) in a song about his so of literal years? tbh it doesn't make any sense to me.
and then louise... a bit more plausible since it would at least explain the secrecy if he was cheating, but then again, still doesn't really make sense. what's with the wrestling references. i don't think she's a wrestling fan, and if she is, she's never publicly shown she is. not that she needs to, ofc, but... you know. this theory usually comes from twitter fans who can't even bear the idea of it being about miles, because god forbid someone ever mentions the idea of alex and miles being a thing!!!! so really considering the source of this "theory" is twitter i wouldn't give it much more thought lmao
so now onto the lyrics...
"last night when my psyche's / subcommittee sang to me in its scary voice / you slowly dropped your eyelids / when true love takes a grip, it leaves you without a choice"
this is such an interesting and powerful opening verse to a song. it's so cryptic, and at the same time so blunt. he admits to being a victim of night-time overthinking, that moment when you keep tossing and turning in bed and sleep just won't come to you, dooming you to unwanted thoughts, realisations and fears coming together to haunt you through the night. he's scared of those voices in his head, whispering all those truths to him that he doesn't even want to consider; his mind is being flooded by snaps of the person he's maybe trying not to think too much about, but at the same time he knows it's a losing game: there's no choice to be made, no power held over the images that keep shooting through his mind. he also seems to realise something about the person in question: the possibility of them being his "true love" (or, similarly, him being this person's "true love", hence them admitting to fantasising about him). once again, this is extremely important because he rarely ever refers to love so directly in his songs, and i don't think it's a coincidence he does it here as well as in the ultracheese. having no choice could also refer to him finally coming to the realisation that - despite the fact that he's still so scared of the whole situation - he can't run away anymore. there's no choice, he has to acknowledge the facts because they're all there, hiding in plain sight. there's no way he can escape the truth, and that terrifies him. but he does acknowledge it, as he sings:
"and in response to what you whispered in my ear / i must admit, sometimes i fantasise about you too"
i can just so easily imagine him and miles sitting entirely too close to each other in some booth at a bar, the unspoken boundaries of friendship getting blurred as too much alcohol gets in the way, and miles leaning closer and closer to him just to whisper in his ear that he sometimes fantasises about him in ways friends shouldn't. or as they rehearse their songs right before/during the eycte tour, which always reminds me of this quote:
MK: I remember, one time Alex came up to me and said "I want to see how you spit, while singing "sick puppy" in Bad Habits. I called him a madman afterwards.
AT: Yeah...
MK: But he was right. No one else would say something like that to me, It was beautiful.
AT: You see, Kasia, I just tell Miles about my fantasies, and he tries to fulfill them, even when they are very kinky, like in that case.
(full interview here)
or even during concerts, since we all know how much they loved whispering god-knows-what to each other during song breaks, then proceeding to giggle and flirt with each other like they weren't being watched by an entire crowd sksldklsh. they seemed to be self-aware of this, as they also used to take the piss and play with interviewers when asked about it:
Interviewer: What sort of things do you say to eachother on stage?
Alex: Dark, twisted and very private things.
Miles: You'd think we were freaks if you knew some of the things we talk about on stage. We talk about weird things that don't really make sense to anyone else.
(i think this is from nme, i haven't been able to find the original interview but you can read something more here)
however, imo alex admitting to fantasising about the other person in this song makes his confession so heartbreaking. a while ago me and @jewellersstunts were talking about the fact that it's just so easy to imagine miles whispering something like that to him, maybe during a concert, and him being taken by surprise + generally bad at expressing his emotions through spoken words + him being insecure about their situationship and his identity and just... not saying anything in reply. maybe brushing it off as a joke, when in reality they both knew it wasn't. now, following the fandom theory of them still being friends but having some kind of falling out after the eycte era due to the unclear nature of their relationship - miles getting serious and alex chickening out -, let's fast forward to a couple of years after the tour. when things aren't the same anymore and alex is there, all alone by himself, dwelling on the past, on what once was and what could have been... and him finally finding the courage to give miles a reply through the veil of song, because that's the only way he could ever really be able to express his emotions in some kind of neat fashion (+ i think a similar development was also featured in one of WeirdChick333's fics which as we all know are the canon milex bible so there's that)
i also can't help but think of miles' own album when i think of this song. whereas golden trunks is filled with regret and it's like saying "i didn't give you a reply when you said it, but i'm saying it now. it probably doesn't change anything though, and i'll have to live with that for the rest of my life", coup de grace as an album (and may i say, ESPECIALLY wrong side of life which is my absolute favourite miles song ever) is like saying "yeah you didn't say anything then. you broke my heart and and you keep breaking it every single day, we fought so much and nothing is the same anymore, but i don't care because i want you and you want me, so can we please, please try again?". i think that's really telling of their personalities. tbhc as a whole has a very pessimistic vibe, even though it rarely ever addresses private matters that directly (with golden trunks and the ultracheese being the most direct songs, but still being incredibly cryptic and mysterious). cdg is sad and angry and heartbroken about a nasty breakup, but in general i'd say it still holds some kind of hope for that relationship to be salvageable.
but i'm digressing. let's keep going:
"the leader of the free world / reminds you of a wrestler wearing tight golden trunks / he's got himself a theme tune / they play it for him as he makes his way to the ring"
the reference to wrestling (and possibly to something that actually happened) could be a way for alex to make it clear, even to miles himself, that this song is about him. if it were indeed something that actually happened (them watching a wrestling match or the news, and miles pointing out trump's similarity with that wrestler), then when miles listened to the song - if he still had any doubts - it'd be irrevocably clear to him that alex was talking to him. it'd be some kind of secret code, an inside joke between them turned into a way for alex to make sure miles knew. (also lmao at the twitter fans going to great lengths to prove this verse is about taylor or louise when they've never expressed any interest in wrestling while miles has been a big fan for ages. @ amtwitter bffr)
now, i don't remember if he's referring to an actual wrestler that wore golden trunks as part of his costume and that reminded miles of trump, but the mention of wrestlers in general also reminds me of a very interesting addition by @reconciledviolence729 to my ultracheese analysis. she said:
"For some reason I got fixated on the line: “And dress like a fictional character / From a place they called America / In the golden age.” I can’t help but think how Miles dressed as Ric Flair, who was a significant persona during the “golden era” of American professional wrestling (which is often considered at least somewhat faked aka fictional)."
going back to golden trunks, this verse also introduces some kind of indirect commentary on politics, which is present in other songs from the album and which continues in the next lines:
"in the daytime / bendable figures with a fresh new pack of lies / summat else to publicise / i'm sure you've heard about enough"
(quick aside: "bendable figures" could also be interpreted as a very suggestive image. not gonna elaborate any further on that)
in this reddit theory it is suggested that this mirrors the "breaking news, they take the truth and make it and fluid" verse from american sports, and i think that's a very interesting parallel. however, this part also introduces a contrast to the opening line (last night / in the daytime) which hits us with a sinister dilemma. we like to think that the (often pessimistic) conclusions about our life that we come to at night aren't to be trusted. nighttime does that, it tends to fuck with our rationality by making everything seem scarier, more threatening and disheartening than it usually is. our minds tend to lie to us at night. but here he says that the "fresh new pack of lies" comes during daytime. so what's more trustworthy, night or day? the scary, truthful voices of night or the blatant lies of day? he doesn't give any clear answer to this question. he just leaves us with the doubt, instead bringing the song to a close with newly-found courage:
"so in response to what you whispered in my ear / i'll be upfront, sometimes i fantasise about you too"
the difference with the previous "i fantasise about you too" line is obviously the use of "i'll be upfront" instead of "i must admit" - which is such a slight change, but it's still so important. the use of 'must' and 'admit' imply a certain degree of forceful admission. he finds he can't hide it anymore, and has to at least take notice of it in some way. he doesn't necessarily want to admit it, because he wishes he could still keep that confession to himself. on the other hand, saying "i'll be upfront" is so powerful on his part. he not only acknowledges the feeling, but he takes a big breath and finally comes forward, announcing it without any second thoughts. he finally finds the right way to actually reply, even if it took him so long to do it. and yes, maybe it won't change anything, but this song is a way for him to send out a message, and the fact that he managed to write it and include it in the album (despite never being able to play it live - which makes it even more sus) is a testament to how much of his heart he put into it, how much deep emotion and reflection and courage it took him to be able to compose it and sing it. and that's exactly what makes it so incredibly special.
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sealrock · 5 months
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decembhyur, day 24: party
wherever the light party goes, chaos is sure to follow.
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