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jaynovz · 8 months

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In discussions about the finale of Black Sails, one of the things I often see is folks hard-focusing on Flint's fate, in an either-or binary fashion, usually presented as "Which do you believe-- that Silver killed him? or sent him to the plantation?"

Now, for posterity's sake, gonna mention a few things-- first off, that's simply not thinking broadly enough. There are farrrr more than two options here and I've come up with my share of the reallyyyyy bad ones for sure. Whatever your mind chooses, none of those are happy endings anyway, there are bittersweet, bad, and worse endings all the way down. (They are paused, they are in a time loop, and also all endings and no endings are happening simultaneously)

But also, the more cogent point is that, it doesn't actually matter what happened *to Flint* The story is... not actually about him at that point. We have transitioned from Flint as protag to Silver as protag, setting up for (the fanfiction that Black Sails has ended up making of, ugh, king shit) Treasure Island.

And so, I just, don't find it to be of particular interest exploring what we think Flint is actually doing or if he's alive for real. What is EXTREMELY interesting to explore though is how Silver's speech at the end to Madi is sort of giving Thomas back to Flint as a pacifier/comfort object, but how... Silver is giving Flint that thing in his own mind as his own type of pacifier/comfort object.

That's the REALLY chewy bit. What actually happens to Flint is not the purpose of that scene for me, of Silver's recounting of events to Madi. It's more about... projection. It's about how Silver is dealing with whatever happened to Flint/whatever he did.

And I just feel like it's missing the point to focus so hard on if Flint is alive or not.

He is the ghost of the story regardless, that's what's important. He's going to haunt the narrative for the rest of everyone's lives. No one has been untouched or unscarred by coming into contact with Captain Flint; he has a forever legacy. I'm not the first to call him this, but he's Schrödinger's Flint and he's staying that way.

But this?

"No. I did not kill Captain Flint. I unmade him. The man you know could never let go of his war. For if he were to exclude it from himself, he would not be able to understand himself. So I had to return him to an earlier state of being. One in which he could function without the war. Without the violence. Without us. Captain Flint was born out of great tragedy. I found a way to reach into the past... and undo it. There is a place near Savannah... where men unjustly imprisoned in England are sent in secret. An internment far more humane, but no less secure. Men who enter these gates never leave them. To the rest of the world, they simply cease to be. He resisted... at first. But then I told him what else I had heard about this place. I was told prominent families amongst London society made use of it. I was told the governor in Carolina made use of it. So I sent a man to find out if they'd used it to hide away one particular prisoner. He returned with news. Thomas Hamilton was there. He disbelieved me. He continued to resist. And corralling him took great effort. But the closer we got to Savannah, his resistance began to diminish. I couldn't say why. I wasn't expecting it. Perhaps he'd finally reached the limits of his physical ability to fight. Or perhaps as the promise of seeing Thomas got closer... he grew more comfortable letting go of this man he created in response to his loss. The man whose mind I had come to know so well... whose mind I'd in some ways incorporated into my own. It was a strange experience to see something from it... so unexpected. I choose to believe it... because it wasn't the man I had come to know at all... but one who existed beforehand... waking from a long... and terrible nightmare. Reorienting to the daylight... and the world as it existed before he first closed his eyes... letting the memory of the nightmare fade away. You may think what you want of me. I will draw comfort in the knowledge that you're alive to think it. But I'm not the villain you fear I am. I'm not him."

This is the speech of a man who is self-soothing, who is spinning himself a tale, who is projecting, who is coping.

and THAT is just, way chewier, innit?

#Now that's just from a canon point of view #once we start to delve into like fan fiction #Because fic must necessarily change the story and change canon because it's creating something new #so of course then figuring out what you want to do with flint post canon is necessary #but for me fanfiction is a different realm than canon only based meta conversations about the show #black sails meta #long post #black sails #john silver #james flint #thoughts #black sails spoilers #I was coaxed into writing my group chat meta into a post by the Committee mwah

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thekenobee · 1 year

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Cabin Pressure AND Master and Commander combo will be the death of me

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celaenaeiln · 10 months

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Bruce: *sees a motorcade come up on his right* *ignores*

Timmy in the back eying the group suspiciously: ….

*tapping on glass*

Dick: B, there’s someone tapping on my side.

Bruce: Don’t roll the window down they could be-

Dick: *already rolling the window down* *GASP* ROMMEY?! ROMMEY! ROMMEY!!

A 45 yr old grizzled man with a smoker’s voice, nicknamed Rommey by Dick: heya Dickie, how it’s going kiddo.

Dick: ROMMEY IM SO EXCITED TO SEE YOU AGAIN!

Another motorbiker with a full claw scar down his face: what about the rest of us, kid? Forget about us?

Dick: MANES! DERRICKA! IZZY!!

Derrick-I take down mercenaries for fun but let a kid I like call me DERRICKA-Rolan: You little shit, why’d we not hear from you after you fucked off to neverland huh?!

Isabella-what? Someone went missing? I had nothing to do with it, it’s total coincidence that I hated him-Hodges: Maybe he doesn’t like us, Der. That right, Dickie?

Dick: *flabbergasted* No!! It’s a long story! After I left I ran out of gas and then some girl crashed into my bike and sent it flying off the cliff but I dove off it first and then I had to walk to the nearest motel on bare feet because I gave her my shoes and then I met this half bear half man and I’ll be pleased to tell you that it was a beary bearable encounter once he got his bearings hahahahaha- *progressively climbing out of the car as the story goes on*

Bruce: Dick! Get back in the car! *having one hand on the steering wheel and grabbing the back of his shirt with the other to keep his wayward son from falling out*

Dick: Wait- *accidently twisting too far and nearly braining himself on the speeding asphalt*

Rommey: DICK!

Bruce: DICK!

Rommey, Derricka, Izzy, and Manes: *grabbing the front half to prevent Dick from becoming like two-face*

Bruce: *letting go of the wheel to grab Dick’s bottom half for the same reason*

Tim: *high pitched screaming from the back* DICK! Tₕₑ Wₕₑₑₗ! ₜₕₑ Wₕₑₑₗ!!!

Bruce: *struggling to pull his son in while the motorcade struggles to pull him out to sit on a bike thus leading to Dick hanging in limbo out the window of a car going 80mph on a freeway* GRAB THE WHEEL TIM

Tim: *sacrificing a few ribs on the edge of the front car seat* IM TRYING! I CANT REACH THE CRUISE CONTROL AND DONT LEAN BACK AND OH MY GOD SIGN POST! SIGN POST! THE POST! THE POSSSTTTTT!!!

Dick, Bruce, Tim, and motorcade: *furious screaming and shouting and panicking*

*2 hours later*

*Arriving at the manor*

Jason: damn what happened to you lot, you look like you went through hell and back.

Bruce and Tim: *drained, pale-faced, messy, sweating, and heaving*

Dick: *a curl of hair falling elegantly into his shining eyes* I just had the time of my life, Jay!

Jason who is well acquainted with Dick’s “Time of the life”s: ah. My condolences.

Tim: Never again. *flopping on the ground and cater-pilling his way up the stairs*

Damian: Father, this is such disgraceful attire! Fix yourself at once, mother would be embarrassed by such a visage! What in holy reincarnation have you been doing?!

Bruce: Never again, Dick.

Dick: it’s nothing Dami, they were just helping me.

Damian: Father, I am ashamed of you. Why must you devolve to such a state when you assist Grayson, he is perfectly capable of extraordinary feats without your input. I suggest you refrain from interfering with his success again.

Bruce:

Bruce: Damian, you-

Dick: Bruce. *smiling pleasantly*

Jason: *immediately sneaking off*

Bruce’s life momentarily flashing before his eyes: …..nothing. Go finish your homework. *trudging off to whine to Alfred about how no one’s gonna believe him*

Dick: *sincerely* what a great day! 😊

#Alfred who has heard so many ‘no one is going to believe me about Dick’ conversations on a regular basis and is tired of listening to them:#well sir what did you think would happen when you threw an 8 yr into the Batmobile and gave him full freedom to drive #Bruce: *moment of clarity* wait am I the cause of this #Bruce whose clarity never stays: nah I can’t be the cause of this #Alfred who is used to this conversation too: *sarcastically* ofcourse not sir. not at all #dick grayson #nightwing #tim drake #red robin #bruce wayne #batman #dicks secret wild adventures catching up to him because no one ever checks in on this loose canon #jason todd #red hood #damian wayne #robin #batfam incorrect quotes #Damian thinks dick can do no wrong ever #if dick ran someone through with a sword he’d merely take notes

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batfamhyperfixation · 8 months

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Tim: yeah I’m bi

Kon, who has a major crush on Tim and trying to get with him: Oh, I’m bi myself

Oblivious Tim: it’s okay Kon, you don’t need a relationship to be happy

Tim, walking away: Hey Bernard, haven’t seen you in years, how you been, let’s hang out

#sorry timkon fans but I prefer timber and I like to think this is how it all went down #this is by (bi) far the most comedically sound situation to happen and honestly based on how many people seemed to arguably have crushes #on tim without tim realizing this was also the most canon situation to happen like prove me wrong #timbern #timber #I feel bad tagging timkon cause I feel like this is not the timkon content people wanna read in the timkon tag #bi tim drake #tim drake #bernard dowd #kon kent #connor kent #I also know in my bones this exact conversation would happen between Sebastian ives and Tim drake #ives should be recognized more for the potential he has cause that dynamic was such a good one like fr Tim and ives were something else

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confused-stars · 3 months

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okay but the whole thing Neuvillette does with the law tablet is one of the most autistic-coded things i've ever seen

he was part of a friendly conversation with two people he's fond of, and they were joking around, so he obviously analyzed everything that was said in his head over and over until he decided to give Wriothesley a thematic gift to follow up on that and let them know he wants to be part of this casual social interaction thing they've got going on

truly the vibes of "i will get a good grade in humorous interaction, something that is both normal to want and possible to achieve"

#genshin #genshin spoilers #neuvillette #you could tell he overthought it he's just like me fr #that conversation was probably months ago in the canon timeline too #i think you could also tell that wriothesley was lowkey baffled by it but very willing to play along and banter with him too now

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canisalbus · 4 months

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About the accents: if someone has a very "proper" Italian they are either foreigners or politicians/dignitaries/etc. So that fits perfectly for Machete, but I think it would be so funny if he sometimes slipped up and used a Nepalese word bc he forgot one in "proper" Italian lol

(Funny to me cause Naples has its own language in addition to accent, and most people don't actually know those words)

#ah that's good to hear!#glad it fits him #there's no way he gets it perfect every time #especially in the absence of widely used standardized Italian in the original canon era #there's bound to be a mix up every now and then #I don't know how likely it would be that he absorbed much Venetian at the time he lived there #I remember reading that lectures in medieval and early premodern universities were held in Latin but I could be wrong #even though his original native language is Sicilian I think he has probably lost a lot if not most of it due to lack of use #but it would be kind of funny if the Neapolitan and/or Sicilian influences resurfaced occasionally in private casual conversations #and Vasco who to my knowledge has never been to the south would be left guessing what he was even trying to say #I'm taking the easy way out and lowering their language barriers a bit out of convenience bear with me #I'm not competent enough to deal with all the different languages and dialects and the communication issues that would come with them #answered #anonymous #sorry to point out an obvious typo but I think you must've gotten Neapolitan/Napolese autocorrected to Nepalese by accident or something #unless Machete has secret ties to Nepali that I'm not aware of #which would be quite a twist

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2008hondacivic · 10 months

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This is my vision

#honestly feel free to disagree with me but I’m ready to defend my choices #Jackie would only wear the like Mary Jane style doc martens cuz they’d go with her preppy style #Laura lee would wear crocs at church camp #I don’t remember or care what shoes they wear in canon #yellowjackets #shauna shipman #jackie taylor #natalie scatorccio #taissa turner #mari yellowjackets #akilah yellowjackets #Laura Lee #misty quigley #converse #crocs #docs #my post #shit post

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pixiecactus · 22 days

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i'm going to call this post book!gendrya for dummies (it's me i'm the dummy): i had always loved the parallel that gendrya share about being the third born child (we are five books in, and still to this moment we don't have another baratheon bastard introduced to us that's older than gendry, so the order for me is: mya, bella and gendry) and (if we go with the r+l=j theory, jon obviously is not ned's son... so we have robb, sansa and arya) but something that has never ocurred to me before, is that we obviously already know the plot point of "the seed is strong" and we have gendry directly telling ned how his mother used to have yellow/blond hair (this is my own headcanon, but i like to think that she had brown eyes as well) meaning that all children sired by robert baratheon shared his hair colour and eyes colour, so gendry in his colouring and looks does not resemble at all his mother and we know exactly the same thing about arya, how of all of the catelyn tully/stark's children, she's is the only one that has none of her mother's looks, she and jon had the stark look, long face and grey eyes, like her father (and jon's mother) and like all of the starks of old time (karstarks included), and meanwhile genetics in asoiaf had always been somehow really wonky if compared to how genetics work in real life, it always interested me this fact about arya, one could simply said that arya having stark's looks and colouring is to help the narrative of arya feeling like an outsider in her own family, just like jon, and to establish even more how deeply the jon/arya bond runs, even when she knows both of her parents, and it's a true-born daughter. so this post was me discovering another gendrya parallel shared between them, i don't think it's really important but hey, it's still there alright

#and yeah i know that mostly the conversation about gendrya's looks is centered about how they look like lyanna and robert reborn #and i absolutely think that part of their looks will come to play in the next books #like arya wears the north in her face and you mean to tell me no one is going to notice that a false arya was in her stead #if arya and gendry were lyanna and robert reborn i wouldn't even ship it in the first place #is so dear to me the fact of how gendry is the complete antithesis of robert baratheon #and now going to my own headcanon territory:#that's why i prefer to depict arya with a chesnut shade of brown hair #like catelyn's genes were really strong no joke about it #so that's why i like to think that arya subtlely has hair a shade lighter than jon due to her mother's genes #in the same way canonically jon has a darker shade of grey eyes #arya with chesnut brown hair is my way of potraying one of my favourites arya's quotes #“the woman is important too”#is this post completely self-indulgent? of course #i'm just here to post my s!ms and make self-indulgent posts #asoiaf #a song of ice and fire #house stark #arya stark #gendry #gendrya #arya x gendry #gendry x arya

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fullscoreshenanigans · 1 month

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(The Promised Neverland Art Book World)

Ah yes, one of my favorite genres of baby full score trio pictures: Isabella being openly affectionate toward Emma and Norman in front of Ray while being hands off with him.

(Chapter 2 | Chapter 37 | Chapter 165 | Chapter 170 | Chapter 177)

#and by favorite I mean “I am in physical agony. I am violently sobbing. I am eating the dry wall.”#Isabella before Ray's sixth birthday: man what is up with this kid he's more prickly than a porcupine (not even touching on his hair)#Isabella on January 15‚ 2040: ah.#The Promised Neverland #Yakusoku no Neverland #TPN #YnN #The Promised Neverland Art Book World #FSS Chatter #Full Score Trio #TPN Isabella #TPN Emma #TPN Norman #TPN Ray #Isabella and Ray's Incredibly Fraught and Complicated Relationship Tag #Pre-Canon #Introduction Arc #TPN 002 #Escape Arc #TPN 037 #Return to Grace Field Arc #TPN 165 #TPN 170 #TPN 177 #also with Norman's stark black & white morality this is why his reaction to Isabella's betrayal is so volatile #and why I think it's a shame his relationship with her gets the least amount of focus #especially when you think of their conversation on the way to the gate #“Hey‚ Mom‚ are you happy?” / “Yes. Yes‚ I am. After all‚ I was able to meet you.”#absolutely fucking wrecks me every time #the layers. 𝘵𝘩𝘦 𝘭 𝘢 𝘺 𝘦 𝘳 𝘴.

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hephaestuscrew · 10 months

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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon.

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way.

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!"

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat.

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on."

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is.

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about.

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen. MINKOWSKI Let's see you catch this. FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED. MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive.

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew).

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative.

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!!#Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off)#will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

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