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#but yeah everything i enjoyed about their story in my interpretation of the ending was basically retcon'ed šŸ˜±šŸ˜±šŸ˜±šŸ˜±šŸ˜±šŸ˜±
ectonurites Ā· 5 months
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SUPER DARK TIMES [THE FROST ā€”Ā MITSKI]
this movie's had my brain in a vice grip all week
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good-beanswrites Ā· 8 months
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Hello, I've been thinking about your actors au. Are you doing anything about Rei and Mikio being the only side characters with faces in the first trial? Because I do have a theory about that which I haven't posted but I always thought that was really interesting. Even Yamanaka pointed it out in the first anniversary stream.
Ah, I definitely want to!! Mikio is the man in Harrow, right? (There's also maybe-Rumerie in Bring it On who drives me crazy to this day asdfsd) I'm hoping once the project ends and we get the bigger picture, I can really highlight their relationships more. I'll touch on some of my ideas real quick, but I'd love to hear your theory if you ever end up posting it šŸ‘€
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My problem is, I originally thought the faces show the prisoners' love towards them, and not necessarily mutual relationship -- which causes some hiccups with including them as characters in the au... (Including t2 faces), Haruka hungers for his mother's love, but given her abuse, they couldn't in good conscience have her on set with him. Rumerie may have been some sort of friend, but he didn't seem so close that he'd be okay seeing Fuuta again and being implicated in his crime. Muu cares very deeply for Rei, but even if the murders never occurred, I can't picture a young girl would feel safe filming her own death at the hands of her bully... I ran into a similar issue with Mahiru and Kazui's partners, but as adults I felt like it was easier and safer for them to consent to the situation.
However! The fact that Kotoko's victim has a clear face really interests me, because that's the only one that (seemingly) has no established relationship or love between them. What could Muu's realtionship with her classmate have in common with Kotoko's and the victim she hunted down from a distance? So I'd love to compare with your thoughts and reevaluate my theory as the new mvs come out...
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shoejin Ā· 1 year
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IM SO SHOCKED IM SO HEARTBROKEN...... TOKYOREV'S ENDING
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discoursecatharsis Ā· 9 months
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I've noticed this pattern with antis in fandom where, in their attempt to distance themselves from anything and everything "problematic" in their fandoms, they refuse to acknowledge when they DO enjoy something problematic. Therefore, they don't recognize the problematic elements of the ship, character, media, etc. They'll also heavily downplay or deny any problematic. aspects of their favorite fandom thing.
I just saw an example of this and it is blowing my mind right now and I need to share this with y'all.
It involves the comments on this video.
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Some context for Princess and the Frog: the blonde girl is Charlotte, also called Lottie. She's the main character Tiana's best friend. Charlotte's goal was always to marry a prince, and she almost marries (who she believes to be) Prince Naveen, but once she sees that Naveen and Tiana are in love, she tries to help them turn back human so they can be together.
At the end of the movie, Tiana and Naveen get married, and this scene plays after. Charlotte dances with Naveen's kid brother, and says "I've waited this long" in response to him saying that he's 6 and a half years old.
Now Charlotte's line here, if you look at the context clues of her story line, implies that she's saying "I've waited this long for a prince to marry, so I can wait longer for Naveen's younger brother to grow up." It's just a joke. Albeit, a joke that many will find to be very uncomfortable and inappropriate, but a joke nonetheless. I highly doubt Charlotte is actually going to "wait for" this child to grow up to marry him. She's making a joke at her expense, about her desperation of her dream to marry a prince.
BUT FOR SOME REASON.... many of the comments are like "she means that she's been waiting to DANCE with a prince."
I'm completely and utterly serious y'all. Here are some of the comments along those lines, with thousands of thumbs up each.
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If you've seen this movie, you'll realize that these comments make absolutely no sense for more than one reason.
1) Charlotte danced with Prince Naveen (or at least with the villain disguised as him) earlier in the movie. She danced with a prince already. Why would that still be her dream if she already accomplished that?
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2) Lottie speaks multiple times (during her childhood and in present day as a young adult) about her dream of "marrying a prince." Not dancing with a prince. Not meeting one. No, she wants to MARRY A PRINCE AND BE A PRINCESS.
This video has some clips of her saying this, at the time stamps 0:20, 2:52, 4:08, and 5:21.
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Charlotte does give up her dream of marrying Naveen specifically for Tiana, because she see that he makes Tiana happy. But with how she jumps in like a wide receiver to catch the bouquet at Naveen and Tiana's wedding, it's clear she still has her dream of marrying *A* prince, just not Naveen.
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But back to the comments on that video.
The comments seem to be downplaying the actual implication of her line. It's almost like they're desperately trying to ignore what she actually meant and make it more wholesome because they don't want to admit that their favorite movie has an uncomfy and inappropriate joke.
It's disturbing that this is yet another example where people in fandom (who are fantis or have been influenced by that fanti mindset) are downplaying a scene (or a ship, trope, etc) that is ACTUALLY problematic because they personally like the movie or the character and they don't want to admit that it has some issues. Instead of just admitting "yeah that scene/line was kinda fucked up and gross," they are jumping through HOOPS to make it seem more innocent than it was. And this is completely blowing my mind and is honestly concerning.
If you want to personally interpret it in a different way, in a way to make it more palatable to you, be my guest. That's what fandom and fanon is all about and I do that a lot too. But to see so many people outright deny the actual implications of this line is... bizarre af. It's one thing to be like "hmm yeah I don't like that, so I'm going to personally interpret this ship/trope/scene differently so it's more comfortable to me." It's another thing entirely to be in complete denial and ignore the actual context of the character and their story.
Also, so many of the other comments on the video aren't even commenting on the actual scene or on what Charlotte said. They're just generic comments on how much they love Charlotte as a character or how they miss this 2D animation. It's like they're trying reallyyyyyy hard to ignore the joke that's being made.
On the grander scheme, this is concerning because these people are refusing to acknowledge something that's inappropriate at best and predatory at worse (an adult "waiting" for a child to grow up) because they don't want to be caught enjoying/supporting something "bad."
All their talk about normalizing and normalization, but they're the ones kinda normalizing bad things by downplaying them or being in denial of it when it's in THEIR favorite media. And that is very concerning and a big issue.
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sherl-grey Ā· 6 months
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dangerous words I fear but Iā€™m craving some OFMD critical but civil discourseā€¦ s2 finale spoilers included below the cut. this is incredibly long FYI bc Iā€™m truly desperate to get all my thoughts out
I want to preface by saying I loved S2. I think I loved it more than s1, I think there were some absolute GENIUS moments this season (the entire Calypso episode was *chefā€™s kiss* my favorite), and I think the cast, crew, and DJ deserve a lot of love and, of course, a renewal for another season.
I know thereā€™s been a lot of anti-finale-critiquing posts out there (and yeah, I also donā€™t want to see baseless hate or, god forbid, people trying to interact with the cast/crew with anything less than love and respect) but personally, I think the biggest sign that I love a show is me wanting to pick it apart. I think digging into the writing and decision-making and characters of a show means you really appreciate the choices that were made even if you donā€™t agree with them, because youā€™re working to understand the story on a level most people only dive to if theyā€™re forced to in an English class. No story is going to be perfect. No story is going to be written specifically for me unless itā€™s literally by me. But sometimes I still want to study it like a bug under a microscope, you know?
So here we go: I didnā€™t like the finale, and I didnā€™t think it fit very well with the rest of the season/show. Weirdly enough I didnā€™t feel a need to discuss online until I started reading the interviews DJ has been giving about the finale (specifically the choice to kill Izzy and Ed/Stedeā€™s ending) and Iā€™m so curious as to whether others interpreted things the same way. (Yes, theyā€™re DJā€™s characters. No, I donā€™t think all viewers are obligated to interpret things the same way as writers didā€”thatā€™s half the beauty of storytelling and media consumption.)
Izzyā€™s Death
Letā€™s unpack the big one first. I think a lot of what DJ/finale defenders (if I may respectfully call fans who enjoyed s2e8 that) have mentioned is that Izzyā€™s arc was over and heā€™d served his narrative purpose. Iā€™ve got a few different issues with this:
1. Part of what I love(d?) about this show is that I did not think this was a show that kills characters once theyā€™ve served their narrative purpose, or a show that kills characters as punishment/retribution for mistakes/earlier actions. To me, OFMD symbolizes the idea that everyone is deserving of love, forgiveness, and second chances. I truly trusted that no one on the Revenge crew would die in this show, and to be proven wrong was a bit disheartening, to say the least. Will talk more on the suicide notion in the next bit because I think it was symbolic, but Izzy also now represents a suicidal character who finds the will to live again. Iā€™d argue that a ā€œfull arcā€ for a character like that should be ending in happiness, not death (and especially not with a line like ā€œI want to goā€ or whatever the specific words were).
2. DJ seems to describe Izzyā€™s role as being a mentor to Blackbeard, which I personally struggle to see at all. Despite the Captain/First Mate status difference, I think most signs have pointed towards them being roughly equalsā€”the unrequited love Izzy feels for Ed, the way the two of them stand right up to each other when everyone else would be afraid to, the clear shared history and longevity of their friendship/companionship. (If anything, Iā€™d argue Izzy takes on the mentor mantle for Stede in s2, though itā€™s a bit glossed over because of how crunched for time everything was.) I certainly have trouble seeing the ā€œfather figureā€ relationship that DJ mentions in interviews, because I think Izzy is the one crew member that puts himself on even ground with his captains.
But even humoring that, Edā€™s story has been about shedding Blackbeard. And DJ has a great quote in the Entertainment Weekly interview where he says that Izzy and Ed are both Blackbeard, that the two of them together are what makes Blackbeard ā€œhappen.ā€ So in theory, if weā€™re killing Izzy off to further Edā€™s storyline, itā€™s to ultimately kill Blackbeard, right? Especially since his line at the end is to ā€œjust be Ed.ā€
Except we already have metaphorically killed Blackbeard, several times. I think S2E3 is a really interesting episode because in season 1, it can be argued (and is, by Chauncey Badminton) that Stede kills Blackbeard in his own pirate-y wayā€”with kindness. The crew is also somewhat a part of this, as they all accept and love Ed for who he is and not only because heā€™s Blackbeard; the crew follows the example of their captain and it changes who Ed is as a person. S2E3 is a crew under Blackbeard, and they also kill Blackbeard following the method of their current captainā€”violence. And this ā€œdeathā€ is, in my mind, the death of Blackbeard while Stede symbolically saves the part of him that is just Ed. (Bonus: we also get Ed trying to sink his leathers, and while it might just be because heā€™s on a damn boat, itā€™s interesting that Blackbeardā€™s clothes are drowned/sunk while Edā€™s metaphorical comeback was being saved from drowning by Mer!Stede.)
So Edā€™s half of Blackbeard is dead. If we stand by DJā€™s idea that Blackbeard is half Izzy, weā€™ve still got half of Blackbeard left, right? Well, that wouldā€™ve been right immediately post-S1, but then they gave Izzy a beautiful arc that seems to be a shadow of Edā€™s S1 track. Ed and Izzy are very similar characters, but in S1 Ed is on the receiving end of love, acceptance, and admirationā€”namely from Stede, but also from the crew. Meanwhile, Izzy is subject to contempt and hostilityā€¦ once again, namely from Stede, and also from the crew. Ed blossoms under the love during S1 until thatā€™s taken away; Izzy simply moves in the reverse direction. He continues to be an antagonist while being treated like one, but once others start treating him with kindness (Fang hugging him, Jim and Archie amputating his leg while Frenchie lies for him, the whole crew making him the unicorn leg), he too becomes a part of the family. And wouldnā€™t you know itā€”Izzy has a near death scene as well, a suicide no less. Izzy is the one who is responsible in S1 for ā€œbringing back Blackbeard,ā€ so the symbolism of him pulling the trigger on himself is huge. This is Izzy killing his half of Blackbeard! Because Izzy Hands continues to live, even if it takes him some time to remember how to live without Blackbeard at first, and his relationship with Ed effectively dies here.
(As a side note, this growth arc and the way Izzy fully transforms into a member of the Revenge crew afterwardsā€”whittling Lucius a shark and talking to him about forgiveness, dressing up in drag and singing to the crew, cracking silly jokes about Ed and Stedeā€™s relationshipā€”are also why I find the ā€œIzzy Hands is the symbol of traditional piracy and his death is symbolic of traditional piracy dyingā€ argument to be weak. In season 1, he was that definition, but weā€™ve literally watched him grow out of it. Heā€™s no longer symbolic of something stagnant that will remain the same or be destroyedā€”heā€™s symbolic of something that grows and adapts to the new situations, that survives when all of the rules change on him.)
And then we have the return of Blackbeard: Pop-Pop pushing Ed to go back to doing ā€œwhat heā€™s good at,ā€ Ed fishing his leathers out of the ocean, Ed killing a ton of people because he thinks Stede is likely dead or at minimum in captivity/grave danger. This bit seems to go against everything the season was building towards; Blackbeard was almost entirely gone, but Ed is now the one who brings him back because he thinks Blackbeard is the one who can save Stede. And thatā€™s fair, but what does that have to do with Izzy at this point? Why does he need to die for Ed to put that part of him away again? While weā€™re not owed a main character having a death that serves a narrative purpose, Iā€™d hope for that to be the case, and I struggle to interpret what happens to Izzy as beneficial to either plot or character.
3. I think the actual core arcs of the show are character arcs and not plots. I get that they mightā€™ve been trying to wrap plots with Zheng and the British in case they arenā€™t renewed, but I donā€™t think it was necessaryā€”the pirating has always been secondary to the rom com and the found family, IMO. In S1, we had two main characters, but Iā€™d argue Izzy got enough focus and attention to be a third this season. Which left us with a great character-driven story: weā€™re watching all 3 of them come into their own and discover who they are individually, while also discovering that the changes in themselves are causing friction between them now that theyā€™re growing into new people. Which is an amazing story to tell, if you ask me, but the fulfillment of that story requires all three characters to be there. The conflict to be resolved is how these characters can become the people they want to be and still coexist together, because on some level theyā€™re family now. Notably each pair combination of these characters grows together or apart (or in Stede/Edā€™s case, both) during this season. Ed and Izzy are growing apart because they hold each other back from becoming the person they want/need to be; to complete this narratively, I wouldā€™ve expected the next challenge to be finding a way to become friends again as their new selves while letting go of the fact that they used to have a toxic relationship when they used to be different people.
Ed and Stedeā€™s S2 Ending
So Izzyā€™s death is the big talking point, but I also think DJā€™s take on Ed and Stede was interesting. He said that they deserved a happy ending for the work they put in this season. I agree with him in theory, but Iā€™m curious as to whether others agree that they put in a lot of work. I think Stede followed through with his goal to come back and tell Ed how he feels, and to stay instead of running away from his problems. I think Ed followed through with trying to understand who he is and what his needs are while also trying to find the courage to open himself up to love again. But critically, they never talk. E7 makes a point to highlight the miscommunication/lack of communication between them, and then in E8 they still arenā€™t shown talking.
(I realize part of the issue is the limited amount of time and the amount of plot shoved into episode 8. I get it; personally, I think the plot shouldā€™ve been sacrificed for the characters. At this point, we were 7 episodes into a very character/relationship-heavy season. Plot couldā€™ve waited for a potential S3.)
Whatā€™s moreā€”thereā€™s a huge, glaring gap between where they left off and where they end up. Ed left in S2E7 after he begins panicking and realizing Stede is becoming deeper entrenched in pirate life just as heā€™s finally finding his way out of it. Not once do they talk about this, but suddenly theyā€™re retiring together? And right after Ed says Izzy was his only family and Izzy calls the crew his family (whichā€¦ is also an unearned line, as Ed and the crew have almost no bonding or forgiveness this season, since we focused mainly on Izzy with the crew and Ed with Stede), they leave the crew to do their own thing? Theyā€™re all relatively minor things that could be fairly easily addressed by dialogue, but they fact that theyā€™re not only serves to underscore the way that Ed and Stede really arenā€™t on the same page.
I want them to get their happy ending. They deserve it. Iā€™m just not sure that I agree that they earned it to the degree that it was received, with retirement alone together without their crew, if that makes sense.
Positivity Tax: Calypso Love šŸ˜Š
Iā€™ve probably got more to say but those were the big ones on my mind after reading the Vanity Fair and Entertainment Weekly interviews. Just to counterbalance some of the more critical things Iā€™ve said, I wanted to share some loving analysis of the Calypso episode:
1. Itā€™s a minor thing, but the way this episode shows that Edā€™s actions as Blackbeard had consequences is amazing. Despite him arguably committing the more grievous wrongs in S1, heā€™s the one we get the least redemption for in this season (his apology to the crew wasnā€™t great, and most of his screen time is spent repairing his relationship with Stede), so for him to have to face something that happened because of his past actions is cool, especially because it was done in a way that doesnā€™t further damage his standing with the crew.
2. The way Stede saves the day is incredible. Competent Stede this season has been an absolute joy to watch, and his success in this episode is twofold: first he wins his way, with signature Gentleman Pirate flair. He listens to Nedā€™s crew, helps facilitate communication between them, and encourages them to stand up for themselves and demand better treatment. Thatā€™s a very classic Stede win. But then he wins in the traditional pirate way, and itā€™s absolutely glorious; heā€™s been working towards becoming a better pirate, both in terms of stomaching violence and building up the necessary skills. Nedā€™s crew can be taken down with kindness, but Ned himself is a pirate and will only be matched by another. I genuinely cannot think of a more perfect way to show that Stede is still himself while also showcasing the newer side of him that heā€™s been working towards this whole time.
3. Speaking of that newer side of him, the way this episode starts to open up Edā€™s insecurities? The combination of seeing his least favorite parts of himself reflected in Stede as well as watching Stede grow into the career that heā€™s trying to leave? Amazing conflict development.
4. Iā€™ve already talked so much about Izzy but the way this truly caps off the crewā€™s acceptance of him as part of the family is gorgeous. Heā€™s an entirely new man at this point and thereā€™s no jokes made, no friendly ribbingā€¦ just love and acceptance. It highlights both his newfound comfort and familiarity with the others as well as the extent to which they care about him.
5. Less analytical, but itā€™s also just a really pretty episode.
Considering the fact that I have zero OFMD mutuals and this was a whole essay (Iā€™m on mobile and canā€™t see how long this is but Iā€™m honestly scared), I would be shocked if someone made it down this far, but if somehow people are here and open to civil discussionā€¦ Iā€™d love to know how you felt about this, if you thought DJ was right, if you were a little more on my wavelength and thinking things werenā€™t adding up, etc. Realistically Iā€™m not sure if anything could change my mind as Iā€™ve done a lot of stewing, particularly about Izzy arc, but new perspectives are always refreshing. Much love to the fandom and of course the creators, who hopefully never see this and get their s3 renewal šŸ¤žšŸ¼
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wild-karrde Ā· 2 months
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I'm gonna say something, and it's not targeted at any one user in particular because I've seen this ramping up A LOT across the fandom, especially with the premiere coming this week.
People are allowed to have different expectations/hopes/opinions than you, and that's not a personal attack on anyone. They are allowed to do that.
You can hope a character comes back from the dead. In a franchise that has practically written the joke that only Qui-Gon Jinn can't survive a lightsaber to the chest, I think it's more than fair to hope Tech re-emerges (I have my own EXCEPTIONALLY dark theories on how that may go, but we'll see). It's also ok for you to want him to stay dead. You are completely allowed to think that his arc hard run its course and his death served a purpose.
You can like the clones' physique as it's portrayed. You can prefer them thicker. And having one of these opinions is not an attack on the other.
You can want a happy ending for the Bad Batch and can be sad if it doesn't happen. That's allowed. You can also expect them to all die and to have our souls crushed. And wanting one of those doesn't make you "naive" or "too dark" or whatever adjective for not expecting the other.
I could go on and on with examples, but all to say there's this weird passive aggressive atmosphere going on right now where people post one thing, and others in the same circles/community feel the need to post the exact opposite like it's some kind of weird debate. There's posts circulating that feel borderline shaming for people that have particular hopes for the season. This is Tumblr. People just post stuff that makes them happy. Posting something you enjoy or have a theory about on a show isn't an attack on someone else or their opinions. And if you don't like someone's opinions THAT MUCH, then just unfollow them. It's really that simple. I've done it without saying a word to the person I disagreed with.
It's just really strange to me that a community that thrives off of theories and possibilities and different character interpretations and twisting threads of canon into complex stories based on a single line of dialogue or passing glance would be getting chippy with one another for having the same types of theories and hopes for undetermined canon. This is media we all love, so can we please let each other have our individual thoughts and opinions about it? I have had PLENTY of differing opinions with my friends on here about things I did/didn't like in a show. They're still my friends though.
In addition, can we all remember that just because something doesn't turn out the way you wanted, that doesn't mean it's bad; sometimes, sure, it's bad, but what I've found is that most likely means it just wasn't for you. And that's fine. Not everything can/should be for you. So go write a fic about it. Seriously. We all live for AUs. Go do it.
Let's all just be kind to one another, yeah? Because lately it feels like we're stepping on one another's excitement, and I'm not here for that.
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bitterpngs Ā· 11 months
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ā€¦ trust, huh?
TL;DR: what i want to highlight with this comic: satoru calling suguru "geto" / suguru crossing satoru's metaphorical line and permanently severing his relationship with him. kenjaku's plan in canon will never come to fruition in this au. what happens after is up to you :)
and yes ik the trust quote is in the context of the other 2nd years! i added it bc it fit, in a way.
this got long sorry lol i started to ramble
LAST NAME - what started this all and what i hope others picked up on was gojo calling geto by his last name, not his first: geto. even after everything geto did during jjk v0, gojo still calls geto 'suguru.' he's still 'suguru' to him. i wanted a scenario in which gojo would reject his first name - reject their past and their relationship. this whole comic idea sprung out of being unsatisfied with geto and gojo's canon relationship. personally, im not the happiest with how things were written in the story and feel like the author could've done some things differently. this isn't to say i don't like or enjoy what the author has written either. i just have mixed feelings.
KENJAKU - in case it wasn't clear, the door closing on page 14 depicts geto with stitches on his forehead - aka kenjaku. what that page is trying to convey is that the moment geto killed yuuta, the future where geto's body is used to box gojo ceased to exist. in this au, kenjaku's plan that we see in the canon timeline would never and will never work. by killing yuuta, geto crossed a line and permanently severed his relationship with gojo. if gojo wins here, gojo will dispose of the body properly. the panel after shows a closed door with the memory of who suguru was. the person who suguru used to be and the best years of gojo's life etc etc. but "broken" bc it's gojo truly realizing that's not who geto is anymore + the whole "severing relationship" thing. does this make sense.
what happens after the comic ends is up to interpretation though
GETO'S PLAN - i didnt focus a lot on the specifics of how this could've happened considering geto's plan changed in this au. how it happened isnt really important, you can come up with whatever you want. what i wanted to focus on, and what i hope people managed to pick up on is the situation itself - geto killing yuuta. sorry yuuta. i'll make it up to you.
i ended it here because it felt the best place, but here's some scrapped dialogue of a few seconds after: GETO: "ā€¦ It was a necessary sacrifice, Sato-" GOJO: "don't you dare call me that" basically to emphasize the first name vs last name situation
GOJO N GETO - ive always felt uhhh. nitpicky, i guess. about the specifics of everything regarding gojo and geto. ive felt unsatisfied for a variety of reasons, and this was basically an idea that sprung out (a looong time ago) of a want for gojo to be angry at and feel more.. negative emotions, i guess, toward geto. i still do genuinely enjoy their canon relationship a lot tho. i enjoy the way theyā€™re written together and individually, i just have different/multiple feelings about the same thing :)
RIKO AND YUUTA - erm there was a scrapped panel... you can find it on my blog if you're really curious but there was a panel of geto 'remembering' riko's dead body (a distorted memory, because the blood reflects yuuta's injuries). it's not necessarily that riko and yuuta are similar, it's that geto becomes a bit like toji in the end. just like toji, geto tries to kill a young teenager for the sake of his own goals. while toji's was selfish and geto's, in his own eyes, was for the greater good, there's still the similarity of killing a child. of stealing their future for their own goals. plus the fact that gojo killed both of them in a similar way.
TRUST - yeah i know the quote is in the context of the 2nd years fighting geto. still. gojo trusted geto to a large degree, despite everything he did. so. it's going here.
PG 4-6 - geto values and cares about sorcerers so so much. again, he was fine with trying to kill yuuta for his vision and all but i dont think he wouldn't feel some level of. conflicting emotions i guess. (i am very against the idea that geto wasn't... trying to kill yuuta? i don't really get that perspective at all. it'd make all of that meaningless imo. but this isnā€™t about that.) ok im done.
if you read this entire rambly thing, thank you :D hope you enjoyed!
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beanghostprincess Ā· 2 months
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I totally agree with your opinion on Z0$an.
For me, I really enjoy their canon dynamic and can see why people ship them but then when I see most fan content of them it bothers me because most of the time theyā€™re being mischaracterized and I only like their very specific canon dynamic (I canā€™t really describe it). Additionally it bothers me when certain moments for other ships that involve one of the two get interpreted as platonic when these same moments would be seen as romantic if they were between Zoro and Sanji. For example basically every Sanuso moment but especially in Water 7 and Enies Lobby or the most egregious example, the ā€žNothing happenedā€œ moment.
Yeah,,, It bothers me that most people are so intense and adamant about Sanuso/Zolu's scenes being platonic when those same scenes would've been perceived as romantic with Zo$an. And I am honestly somebody who keeps reaching a lot and looking for content in every little scene, but that's because idk, Sanuso (for example) doesn't have as much content as Zo$an. These shippers don't need to make everything about their ship for content and they don't even need any proof of it being canon, and yet they keep making other ship's scenes about them (the "nothing happened" scene could be seen as Zo$an too but c'mon we all know that's a Zolu thing. And the new art of Reiju and Tashigi??? I'm sorry but can we please let the sapphics have this one color spread instead of making it about the most popular ship of the fandom?).
That being said, I don't care about people doing this because they like the ship and like to look for content in every little thing (I do it too!!). What bothers me aren't Zo$an shippers (I even ship this myself lmao I know it looks like I hate it but I don't) but Zo$an shippers who genuinely believe this is actual proof for the ship being canon or saying other ships are "wrong" or "don't make sense". De nile is a river in Egypt and these people need to understand that probably 80% of their content is mischaraterized because they keep ignoring the beautiful, precious potential they have in their already canon dynamic. And also, your ship doesn't need to be canon to be enjoyed like... Some people need to understand that.
Long story short, I like Zo$an when it's in character and people don't force it down my throat. It's really sad because I think that Zo$an, despite being so popular, has a lot of wasted potential.
Also, don't mention Sanuso being underrated in comparison to Zo$an because I will end up writing a whole paragraph and nobody wants drama-- I prefer to blame Usopp haters rather than other ships for its unpopularity. But uh, yeah, a lot of scenes between Usopp and Sanji are extremely romantic and the fact that it's underrated (when other ships have more attention having less romantic scenes) bothers me quite a lot. But then again, I think one of the main reasons is because Usopp is criminally underrated.
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readreactrant Ā· 1 month
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'Tale of Winter and Spring' another goyuu arranged marriage fic that might just become a fave despite some reservations of mine!!! Let me explain!!! (Rec Review and thoughts)
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This review was so sweetly requested by the actual author and lovely mutual of mine @star2112 (really love their name for some reason). So with that context and their permission I'll be going a bit more in depth, and letting them know where I feel they could improve upon. I do keep in mind that many ao3 authors aren't from the pro writing background so I'll be super gentle.
But before we get to that I will give you a quick summary and listing out the fic's strong points (and there are a lot (āœæ ā™”ā€æā™”)
CW for review and the story itself: there will be spoilers in this rev so if you want to read it before hearing my thoughts go ahead and follow the link in the title. The story involves mpreg, omegaverse and dub con.)
Tale of Winter and Spring is set in historical Japan as all good fics should be, where Yuuji is given away to Gojo by his older brother Sukuna. Thing is Yuuji is in love with next heir of the Zenin clan, Megumi and he's very, very, very unhappy with what's happening. Nevertheless he goes through it all with some very un-Yuuji like gloom )don't worry, we'll get to that). Its an ongoing fic so we don't know the end or which direction the plot itself is taking but for now there's a whole lot of intrigue and hints of Geto coming into the picture to ruin (or maybe not ruin) everything happening.
There's a handful of things that made this story a bit challenging to read but one of the many things I have to give props to is the development of the FushIta relationship side of Yuuji's story. I don't hate FushIta but it's one of many jjk ships that makes me grit my my teeth when it's not a side story in a goyuu ntr fic. So reading the development of their bond hereā€¦ actually made me kick my feet a bit, is the author a FushIta shipper in disguise??? We'll never know ig ĀÆ_(惄)_/ĀÆ
There's the flashback scene where they're talking about books they read and after some banter Yuuji's like,
"hey megumiā€¦ in the future, let's go North, and see if those demons are real or not."
And I felt that, especially since Yuuji does end up going North (Gojo's Clan location if I remember correctly) but Megumi isn't there with him and it's much colder and lonely for him since he can't relate to Satoru at all.
Genuinely almost sobbed ą²„ā€æą²„
Another thing I did enjoy was Sukuna's backstory and part of me really wanted more of it and him. It's said he got his hands dirty but I'd love to know what exactly this entails as it would really add more depth to the evilness of his character which is mostly told but not shown. It's easy to so say oh this character does evil things and imply that constantly but harder to display those evil things and show them doing the tragedies that solidify them in the reader's mind like 'yeah, this dude is the worst'. Example, Sukuna throughout the entirety of jjk lollll.
And there was an opportunity for the story to show one of such things which I'll get to in the critique part of this review.
I also really love the characterization which is very important you're making and alternate world. You don't always have to put characters in roles they'll fit but one thing I do like is when a they reflect that role with their canon personalities. And I know someone's already going "well fanon doesn't care about canon" which is fine and true but realistically many fanfic readers, myself included aren't into ooc content. What counts as ooc does vary from person to person tho, especially bc different people interpret characters differently.
Despite the various interpretations there is a common way a character is viewed and enjoyed, which is why, despite how much I enjoyed reading, there was something about Yuuji that constantlyā€¦called out to me.
I'm getting into the critique section now to talk about that. Where the writing shines in dialogue and interesting world building, it's kind of falls back in consistency.
Somewhere at the start, in the wedding scene, Utahime says they all have high expectations of Yuuji putting Gojo in his place with kind of indicates a firey kind of attitude but up until this point Yuuji has being quiet and avoidant and kind of continues to be until some of the later chapters. So it's weird she puts this responsibility on him when his character hasn't shown any signs of it. It's not one of more glaring instances but it's one that precedes a few others.
There's another part where Yuuji apologizes for speaking angrily, but Gojo says he doesn't have to because he knows he's the problem. Yuuji's internal thoughts proceed to view that as his apology being discarded which don't exactly make sense to me and ends up feeling like he's looking for reasons to be nitpicky at this point.
Character building isn't a huge problem but it's always the little things that manage add to the overall picture. There's a scene where Sukuna wants to take Yuuji to the Zenin clan and Wasuke doesn't want him to bc everyone thinks Sukuna wants to sell him off. Thing is Sukuna says he's not depraved enough to use an omega child like that but in my opinion it would have done his story and Yuuji's a greater service for him openly consider it and hold that over Yuuji's head for good behavior. He's evil, even if he'd actually never do it, evil people say evil shit.
With all this talk about characters it's time I finally expand on what really got to me and that would be Yuuji. My baby boy is literally all over the place. Yuuji canonically is a very social characters, eager to please and more ready than usual to give other's the benefit of a doubt. Here he's very quick to judge and overly guarded to me.
Now, I'm not saying has to overly friendly either but there's a balance that could struck with him not insulting or assuming things of Gojo constantly, and yeah the white haired bastard doesn't make it especially easy but one of Yuuji's admirable traits is his fortitude and patience with those around him.
Nevertheless, a part of me does think this was a stylistic choice to convey the disparity of Yuuji's behavior with his two love interests; Yuuji is only truly his best self with Megumi and the worst with Gojo. And understanding this, I was able to look past his behavior with the hope and interest of seeing both him and Gojo warm up to each other.
Also, did I mention it's still a mystery why Gojo asked for Yuuji's hand in marriage. Either that or it was mentioned that it's bc of his scent and I forgot (I've been through a lot this week forgive me (怒ļ¹ć€’)
My final critique is the writing structure and grammar. Grammar and writing are like 80% of a fic for me. If I don't vibe, no matter how interesting the concept I just might not read.
Thing is, I do vibe with Star2112's writing a lot, it simple yet beautiful in the way in which it conveys the emotions and moods of the story and characters. I enjoyed reading the scene where Yuuji freaks out cuz Gojo didn't spend the wedding night with him and now it may harm his reputation and Sukuna's. I enjoyed every FushIta interaction and I most definitely enjoyed when towards the ending of chapter 8, Yuuji allows Gojo to touch his belly and feel the baby while the Alpha spoke it (also Gojo wants to be a girl dad and that made me throw my phone across the room screaming cuz cuuuute (ā—ā™”āˆ€ā™”)!!!!)
What I didn't enjoy was the structure of the sentences.
"Sentences work like this," Ren says. āœ…
" Not like this, " They add. āŒ
Figuring out how dialogue and quotations work are a big step for every author's writing journey, it's common not to know if you end with commas of full stops but for the most part, that doesn't really matter. Leave no spaces between the quoted sentence and the quotations marks and always start a new statement with a capital, doesn't matter if it was a continuation of what they were saying in a previous sentence.
Capital.
Grammar-wise, there were a lot of frequent errors but none to glaring and they could all be fixed with a more thorough read through. It can be pretty hard without a beta reader bestie but I believe you, there's so much talent for you not to give the best reading experience you're able to.
Overall, this is definitely a fic I would recommend to avid arranged marriage goyuu fans that love the DRAMA (and if you're like me who likes to read Megumi getting cucked, tho it's not exactly cheating here we'll manage ( źˆį“—źˆ)šŸ’•
At the end of the day, a lot of this advice is partly objective, all authors are free to take what they feel they want to work on and leave the rest. Or leave it all because what matters about writing and fanfiction is that you enjoy what you do. Other's enjoying it is just a bonus/by product.
And to Star2112, you're doing so good, keep it up, I'm subbed and ready to see more, especially if I'll get to read goyuu raising their kid or kids, I'm a sucker for 'oop it's twins'. I'd also encourage you to read more books outside fanfic if you don't if you're still interested in dialogue and sentence structure. You have a strong voice and I think working on your weak points will really amplify that. I'm honored you came to me and hope I was able to help.
If anyone else wants to request, recommendations and reviews are kinda two different things. If you Recommend me a fic and I may or may not talk about it, depends. If you request I Review (for analysis and advice) a fic it has to be yours and you'll have to prove it to me. Depending on what you want I'll either write a post or just let you know my thoughts privately. DMs open so don't be shy.
Thanks for sticking to the end, go check out Star's work to get in on that action and happy Easter my precious freaks!!!
Ps: will edit this later, my brain is literally on fire, bye lovelies (ā—ā€¢į“—ā€¢ā—)ā¤
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shenanigans-and-imagines Ā· 6 months
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Any thoughts youā€™d like to share on the other origins characters? Anything you like about them :)
Again, haven't played the game so these are my general thoughts based on a few romance compilations, YouTube Shorts, and memes. If anybody would like to rectify this, please Venmo me $500 so I can buy a PS5.
Shadowheart
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Admittedly don't know that much about her other than the emos love her and she follows a goddess of loss. Looks like her arc is all about questioning institutions and her god, which I think is very sexy of her. If anybody has a quest line compilation video to recommend so I can see her whole story, please send it my way.
Lae'zel
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The other origin character I admittedly don't know that much about. Still love an arc about questioning the system she was raised in and her god. Again, very sexy of her. Fish out of water stories are some of my favorites. Pair that with a hardened character learning to enjoy the gentler things in the world, and you've got yourself a banger. I should really look up her quest line at some point to get a full view of it.
Karlach
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Best girl. Strong muscles, soft heart. I want her to be my best friend IRL. She deserves better and if there is any way to get a better ending that allows her to stay in Faerun, the studio needs to get on that ASAP. In the meantime, I'm going to stay in the part of the internet that says she's fine don't worry about it. I'm hugging her and there is nothing you can do about it.
Wyll
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Sweet boy. A perfect boy who did nothing wrong ever. Yeah, yeah, sold his soul to a devil, but he had a good reason. Plus, he was seventeen. Nobody should let a seventeen year old make any decisions ever. I do need to find a good romance compilation. He needs more love. His friendship with Karlach is everything to me.
Gale
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People really need to stop complaining about this man. I see too many being ragging on about how he's not over his ex and keeps bringing her up. "With you I forget my goddess?" That isn't him saying with you he forgets his ex, he's saying with you he forgets his god. How are we all not collectively swooning? And he's a nerd who will info dump about his passions? Sign me the fuck up. His comfy pjs and burnt out gifted kid swagger has bewitched me body and soul.
Astarion
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Guys, you've seen my blog. I'm obsessed with him.
The moment I saw this asshole pop up on my dash, I knew I was going to love him. He was the reason I decided to finally look up a romance compilation once I realized my computer was too old to let me run the game. He's my type to the point of parody. Literally anybody who knows me, knows this guy would end up being my favorite.
His arc is about bodily autonomy and trauma. He's allowed to not be the perfect victim. He's angry and violent. He's selfish and terrified. And he is, sadly, one of the few characters who, as part of his arc, realizes he can say no to sex and he can be loved without it.
My point is, it should be no surprise to anybody that the ace community loves this man, and anybody complaining about it should shut up.
If you want to write your sexy Astarion fanfic, there is nothing stopping you. More power to you. I've seen the graveyard scene too. I recognize that regaining his autonomy and being able to have sex with somebody he cares about is part of the healing process.
At the same time, if writers want to interpret his arc is him realizing he never wants to have sex again, and that being okay; let them. We need this. There are so few characters like him out there.
At some point I do want to write an hour long video essay about his arc and how it's resonated with the ace community specifically.
Anyway, those are my general thoughts. I feel like I just swung a bat at a hornet's nest with that last bit, but what's life without a little danger?
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shinysamurott9 Ā· 7 months
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I finished Xenoblade X again today and... wow.
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OK so, I played Xenoblade X for the first time last year in a marathon of Xenoblade 1, X, and 2, and honestly, compared to 1 & 2, I didn't enjoy it as much. It was the only one I didn't really know much about going in. I felt like it had a lot of good parts, but I hadn't any idea what I was doing because the game has literally no tutorials and I ended up stumbling through the game when I wasn't able to use my Skell, so I just didn't have as much fun with it compared to the trilogy.
However, after finishing Xenogears and the Xenosaga Trilogy, I thought it would be a good idea to give X another shot as a nice way to bookend playing the Xeno series, specifically after watching some guides and learning how the combat actually works (Thanks Enel)
And, holy shit. Out of every game I've ever played, this and DMC 3 are the ones I'm most glad I gave a second chance. I genuinely could not stop thinking about this game after I started playing again. Before I stopped pretty much as soon as I beat the final boss, this time I went literally all the way and completed the entire Mira Survey. I'm just gonna take this chance to go in and incoherently go off about about all the stuff I have in my head about this beautiful mess of a game.
Ok so the combat. Overdrive, is a completely balanced mechanic that doesn't allow you to completely take the main gameā€™s difficulty and snap it over your knee like a fucking twig. Except it is. Like, it is honestly comical just how trivial almost everything becomes with the right arts on your build. And if you throw really busted arts like Ghostwalker/Ghost Factory or Blossom Dance into the mix, literally nothing can stand up to you bar the literal endgame superbosses, and a big part of that is just because a lot of them, Telethia in particular, are in positions where you literally can't fight them on foot and realistically survive without a highly specialised build. But with that proper build, that probably takes a lot of grinding, you can still beat them fairly quickly, save for Levael The Terminus, because it's literally in the middle of the ocean. All because of this funny counter gear.
Going along with Overdrive, is the amount of customisation this game offers you. Almost every weapon type offers you at least a couple arts that work really well alongside Overdrive. The build I ended up with at the end was a Knife, Dual Gun combination, mainly because Smooth Recovery, is an amazing art for Overdrive, and Black Butterfly and Full Specs are great compliments for an Ether Build with Executioner as the main Damage Art. Yeah sure I ended up using Ghostwalker/Factory like most Endgame builds, but hey that shit is comically busted, and I absolutely love abusing stuff like that, intentional or otherwise. Plus I do enjoy the idea of my Cross, Coraline, using the arts of Irina and Elma, her immediate superior officers in BLADE. Which actually brings me to,
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I was honestly surprised at how much thought I ended up putting into my Cross this time around, but it was fun. Not just deciding on a good look both when creating her and finding what gear she'd wear, but also thinking about how her character woukd respond to the situations and dialogue options presented throughout the game. It's to the point that Coraline's basically become my first OC, depending on how you count Milton the Mythrakid I guess, since he's an interpretation of a character we know exists but we haven't seen or heard about. Either way I definitelywant to do more with Coraline. Probably gonna draw her some more as time goes on to get a better feel for the design as well as drawing her skell too just because.
That actually brings me around to the story. I'll be the first to admit that overall X's story falls short compared to the trilogy andveven Gears and Saga but it still has a lot of solid stuff that really git me thinking, in addition to stuff I only picked up the second time around, something Xeno stories have been fantastic with since the beginning with Gears. Obviously spoilers ahead as I talk some notable stuff in the plot
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This moment really stuck out for me after simmering on it for a while. Because this idea that memories and the continuation of a person's consciousness are what make them who they are would continue as a prominent thematic plot point in the following games. Xenoblade 2 emphasises it the most heavily with Blades losing their memories with each reawakening, thus they lose their "contuity of consciousness". It's quite literally the central source of conflict for Blades and is everywhere in the main story and side content with characters like Praxis, Theory and Vess. Xenoblade 3 has this too, albeit as a more subtle background element with the Agnian and Kevesi Soldiers effectively being reset upon death as they are reborn, however there are still cases where things slip through the cracks, most notably with Eunie and Ashera. Yet despite that, Monica asserts to Eunie that whatever her past life was, it wasn't her and she didn't make it, all because soldiers simply don't have that continuity of consciousness.
Thinking about it now X has plenty of thematic ideas that 2 & 3 would go on to pull from. Things like a cycle of death and rebirth, something that Blade and NLA are trying to achieve with finding the Lifehold Core. As Lao puts it, they're the lucky ones who can come back as many times as they want. Lao's arc is particularly well done all things considered. A moment early on that stuck out to me was when they were discussing how Lin got her spot on the Whale as a way to repay her parents who were crucial in getting the ship going in the first place. Lao, whether he shows it or not, would have some misgivings about that, and Elma seemingly picks up on that and is quick to point out Lin's own skill were crucial in her getting her spot and that it wasn't just pure nepotism. It's really interesting to see Elma pick up on Lao's misgivings so early. If we do ever get an X sequel, which I do think and hope we will sooner or later, I'll be very curious to see where Lao's character goes from here. Speaking of characters who I really want to learn more about,
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Elma is a really interesting character honestly despite the many unanswered questions surrounding her, it just has me more intrigued to learn more about her. The question of what her species and planet are like is one i really want to see explored someday. Funnily enough, 2 actually gave us a breadcrumb of that. Elma has a line when receiving a Seafood pouch item, one of her favourite categories, where she expresses fascination with the concept. "Making meals out of marine lifeforms, fascinating" which I've always taken as her species just straight up not having a concept of seafood. Idk why, it's such a minor inconsequential detail that isn't even from X but I always found that super interesting. Her designs are also two of my favourites in the Xeno series, especially dince they double as subtle references to Kos-Mos and T-Elos. I think I lean a little more towards Alien Elma though, something about the crystal hair is really cool to me.
A few other Miscellaneous things I can think of:
The sidequests are fantastic. While many are a little tedious, they do a really good job of building the world and fleshing out the natures and cultures of the different alien species that come to inhabit NLA.
The Affinity Missions go hand in hand with this, they do a great job of fleshing out all the different party members all the while giving you an avenue to learn their unique abilities. Most of those party members are also really well developed abd mostly compelling characters. Even the most if the ones who seem like assholes at first, like Boze or HB, do get better as their affinity missions progress. They clearly knew it was a great concept as it came back in 2 & 3 with the Blade Quests and Hero + Ascension Quests.
The ost is fucking incredible, I've been adding X music to my personal playlist over the course of my playthrough because there's so much good stuff in it. It's honestly criminal how much you end up missing because the Overdrive and Flight themes override 90% of them.
Skells are incredibly cool and a brilliant way to bring in the concept of mech combat systems from the previous Xeno games.
Phew, I think that's everything I've had to say. I've called out many of this game's flaws in other places and most of that I do still stand by. The game is in desperate need of an actual tutorial and QoL improvements. The game's draw distance can be quite frustrating at times trying to find specific things or characters and getting certain materials can be a really annoying grind, (Neinail Materials), but if you can put up with that there is a hell of a game there. I don't know if I'd consider it better than the trilogy, just because it has more complete stories, but it's quite close.
Overall I'm so happy I gave X a second shot and now I'll definitely be there waiting for a port or sequel. It's easily the most underrated game I've ever played. I'm confident it'll happen at some point but either way I'l likely have more Xeno stuff to play in the meantime if whatever's next is Xenoblade 4.
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My reaction to this game.
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deep-spaghetti Ā· 4 months
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my undertale act structure analysis post is getting traction all of a sudden and ppl in the tags have all sorts of ideas about what Specific Gamer Behavior undertaleā€™s narrative is condemning and like that is the most lame way to interpret that narrative. if the emotional and thematic core of undertale revolved specifically around some gamer bros who really ground toby foxā€™s gears it would be a shitty story. if i were to pick A Condemnation or at least a concern undertale expresses it would be entitlement surrounding art and rapid consumption of it. it offers you its story, its compelling world and characters, its happy ending and then itā€™s done. at least internally, it doesnā€™t really guide you to anything but true pacifist. a no mercy run is not something flowey eggs you on to do at the end of neutral runs, itā€™s not an encouraged mode of play in ā€œThe RPG where no one has to die!ā€ the entire no mercy run is about how it is your active, conscious decision to have gone out of your way to do harm, even when it is actively more tedious and difficult than any other option. if you engage with its narrative exclusivey through the lens of it being a meta spin video game tropes and mechanics and nothing more, then yeah, it does look like the thesis statement is ā€œcompletionism is immoralā€ but i think an extremely critical thing that people miss is that no mercy is not an encouraged mode of play. there is an entire discussion around how implementation functionally is encouragement, ā€œif itā€™s in the game on purpose, the developer didnā€™t put it there to keep it out of playersā€™ hands.ā€ but again observing through the lens of narrative and not activity (or activity as a means to communicate narrative) the implication is that feverish unconditional consumption of media is destructive. the player is literally given the agency to suck the life and joy out of a game about quirky characters and big cheesy emotions because thatā€™s what happens when you are dead set on seeing as much as possible instead of appreciating whatā€™s there. althought undertales [FIGHT] and [MERCY] buttons are functionally similar to a dialogue option to be nice or an asshole, undertaleā€™s no mercy differentiates itself from other gamesā€™ ā€œevilā€ routes because it actively discourages engaging with the evil option on a mechanical level. you have to tediously grind away literally every enemy through a small habdful of encounter configurations in every area and the game denies you as much of itself as it can at every turn, long stretches of tedious grinding interrupted by deliberately ludicrous difficulty spikes, trying to act as roadblocks so utterly insurmountable that you just quit. if you do succeed, your reward is a copy-tainting flag that makes a point of ruining your good endings if you every try for them again. it is an actively discouraged mode of play on every level above implementation. you are not supposed to play this way, and the only reason you would (and again this is from like the gameworldā€™s internal moral perspective, enjoying a challenge or wanting to experience an aspect of the narrative yourself is a perfectly valid reason to want to do it) is if you wanted to exhaust something you enjoyed of every last drop of stimulation it could offer. undertale is a game packed with secrets and even with direct messages to data miners. it was aware from minute one that it was going to be gutted and picked apart and given a million cover to cover skimmings across the world because thatā€™s just what happens to art in the information age. i think it definitely does actively encourage paratextual engagement, everything to do with FUN values and gaster are absurdly rare random chance events that try to foster discussions about mysteries only witnessed by a precious few players, but i think it does resent that to some extent it cant truly have any real mysteries. so quickly was every code cracked and every secret shared to millions, because thatā€™s just what people do to things they love, they shatter them into pieces so they can put them back together a thousand times.
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charlotte-y7 Ā· 1 year
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Homura answered my question about Kirari's spin-off. The original Japanese audio was very long, so I selected only the part where they answered Kirasaya and transcribed it using voice-to-text technology and used ChatGPT to translate it. Afterwords, to ensure better understanding, I also did some editing and added annotations. I hope you enjoy reading it.
Is it like saying you want to read a Kirariā€™s spin-off like Midari and Twin? Thank you very much. Kirari is great, right? You probably like the spiciness/ zing between the president and Sayaka, so if you do a Kirari spin-off, it's natural to come out at the end and you may have that kind of feeling. But when you think about it realistically, Kirari can't lose in the spin-off, right? Thatā€™s invincible in gambling. Writing about it wouldn't make much sense. So what to write? It might turn into a story where you just write about the lovey-dovey between Sayaka and Kirari. Indeed, it would be a difficult content to create.
Little by little, well, regarding Kirari to Sayaka, I have something to say.
In the spin-off novel that I wrote, I added their interactions with a sprinkle of trip and purification techniques, but particularly among women. (Note: It may refer to the scene where they washed each other's backs in the novel about hot springs)
I put my heart into it, of course, and thought about each characters, but I couldn't imagine what the president was thinking, so I couldn't grasp it. Well, I wrote a spin-off novel in which I put in a lot of Sayaka's interaction. Therefore, I thought about Sayaka and even put my heart into creating her lines. As a result, I became too emotionally invested in Sayaka and when she is involved in the main story, it becomes a bit painful. It's not that I don't want to see it, but it's just that my emotions while reading it become kind of...not unbearable, but sad. I don't like being tossed around so much, Kirari. Well, it's more like admiration for how difficult it is. Yeah, that's right.
How many other followers the president has. I say "followers," but there are probably many who are just not interested and cannot approach her. Do they love her? When you think about it, is Sayaka okay with just being there, considering other people's feelings? As a secretary, is it enough to just exist in that role? Well, I guess it's not easy to get noticed if your abilities aren't really high. Sayaka probably doesn't sleep much, and she's also studying. Oh, I remember something from a bonus novel I wrote. I think I described her as being really busy. No, she's definitely like that. I'm sure doing well in her studies, and she's the top in her club. In that case, it would be better for Sayaka to miss the perfect score. She probably arranges everything, like Kirari's lunch. That's definitely busy. If the president goes somewhere or has a meeting with someone, Sayaka will definitely follow her. As an assistant, she probably doesn't have much private time, right? So, if I were to categorize it, it would be interesting to do it from Sayaka's point of view. I might want to see it a little bit. If you want to read it, please contact Square Enix's Gangan Joker editorial department. So, that's about it for today, right?
Well then, instead of advertising, or rather as a way of promoting it, I just want to say that the way Kirari and Sayaka interpret 'this'. In the volume 6 of the main Kakegurui series called 'Tower of Doors' and this 'Perorin' thing. (Note: 'Perori' is an onomatopoeia expressing the sound of licking.) If you watch it, I think everyone who's interested has already seen Perorin. It was definitely shocking. As I mentioned before, it's Naomura-sensei ā€™s forest. (Note: Mr. Naomura is the illustrator of Kakegurui. Iā€™m not sure about 'forest' Itā€™s maybe referring to the field of lilies), so I was surprised too. It was like 'Pero' with a licking motion. It was quite the impact. There's also another 'Perorin', and even the second 'Perorin' seems to suggest something in the advertisement. But it might be too early. This is an advertisement saying that. Yes, that's right. Well, that's all for today. Thank you very much.
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issuesdolly Ā· 6 days
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Jonathan Davis Plays KINKY Hide & Seek with You
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Warning: explicit/sensitive content, deviant theme, 18+ Smut, foreplay, fingering, male/female sex, unprotected sex, p in v, finishing inside, praise & degredation, edging/denial, fear kink, adrenaline kink, BDSM, exhibition kink, public/nature sex... Overall, A LOT IS GOING ON IN THIS STORY šŸ¤£šŸ’€
#jonathandavisĀ  #jonathan davis #korn #jon davis #fanfic #fanfiction #smut #fem reader #x reader #edging #degredation kink #degredation #jondavis #exhibitionkink #edging #edginganddenialĀ #fear kink #bdsmkink #bdsmplay #adrenalinekink
Summary: You are Jonathan's girlfriend and it's the last day of your RV camping trip. You are parked on the beach and reminiscing about his past sexual kinks. You decide you want to let him try a game on you: a naughty, fear-laden version of hide and seek. But, his version is a LOT more than you bargained for. You explore a fear/adrenaline kink and let him take control.... AllĀ  in all you have a very interesting night together.Ā 
Preface: My other JD fanfics are more "normal" if you wanna check those. This one's not for everybody. In real life, JD talks about various kinks/deviancies in interviews. His Penthouse interview, JD said ā€œIā€™m the kinkiest motherfucker youā€™ll ever meet. I do freaky, weird shitā€ and he provided some BDSM examples. His Playboy interview, he talks a bit about morbid/fear kink games and degredation/control games he's played with women who wanted that with him.
If you google JD's explanation of his song, ā€œMy Gift to You," he explains he and his girl enjoyed a fear/adrenaline/death kink & played "games":
Korn songs like "My Gift to You," "Last Legal Drug" (Le Petit Mort) and "Beat it Upright" inspired this fanfic.Ā 
My ā€œKinky Hide & Seekā€ theme for this story is particularly inspired by Kornā€™s ā€œBeat it Uprightā€ where JD sings stuff like "Are you reading for a good pounding, baby? ...I will spank that ass just for fun," and ā€œWe're going on a rideā€¦.I'm gonna turn you inside out, upside downā€¦.Don't try to run and hide.ā€ JD definitely throws a little BDSM/rough play/fear stuff into his sexual songs.Ā 
My story is also inspired by his lyrics in ā€œLast Legal Drug,ā€ where heā€™s giving spooky commands to a woman during sex-ā€“ ā€œwhen you come, be a good girl, hold your breath, make it last longā€¦Itā€™s a mess, and itā€™s called ā€˜the little death,ā€™ girl.ā€Ā 
Soā€¦ ā€˜poetic licenseā€™ and a bit of my own deviancy/past 'adventures' is worked into this story. Sorry y'all haha.Ā 
Story:Ā 
You and Jonathan had thought there was going to be an additional day of your RV camping trip before he had to get back to Los Angeles. But, he got a call earlier that evening letting him know he had to start driving back first thing and be in the studio by tomorrow evening, so sadly the two of you realized tonight would be the last night of the trip. Your RV was parked on the beach in a remote tourist destination, near a mossy, coastal treeline. It's dusk and the two of you are sitting across from each other in folding chairs, eating dinner outside the camper.Ā 
"I'm so disappointed tonight's going to be our last night for awhile," you said to him.
"Me too sweetie. Me... fuckin....too," Jonathan said in a resigned tone.Ā 
The two of you had definitely "made the most" of this camping trip with lots of sex and romantic time together. But you still had kind of an empty feeling, knowing this would be your last night together for some time. You wanted the trip to end with some kind of bang. You started asking him some dirty questions out of curiosity.Ā 
"So, we've... done some freaky stuff together, huh?" you began.Ā 
Jonathan cracked a naughty smirk and chuckled, "yeah..you could say that... kind of...." he trailed off.Ā 
"KIND of?" you replied, curious.Ā 
"I mean.... I've definitely not shown you everything. Didn't wanna freak you out," Jonathan continued, looking down at the sand.Ā 
"Well.... I'm in a weird mood tonight. I kind of want to end this trip with a bang...." you admitted.Ā 
Jon paused. He had been bouncing his leg and fidgeting around. Suddenly he got very still and slowly looked up at you.Ā 
"You're... gonna have to be a bit more specific, dear," Jon said in a naughty voice.Ā 
"Ummm.... well..... we've... you've.. chased me around and stuff, been, ya know... rough from time to time? When I asked you to?" you said.Ā 
"Yeeahhhh?" Jon said slowly... in a sly, questioning tone.Ā 
"And.... I know you've been a lot freakier in the past. Like.. how you and your exā€¦ well, you guys played creepy sex games? She would leave spooky notes on your pillow like- 25 ways she wants to kill you... and ....you had dark fantasies about stuff you wanted to do to her? You guys had like.... a fear kink? Death kink?" you inquired.Ā 
Jon stared at the ground, darkly chuckling as he recalled some "fond" memories and nodded his head. "Yeah... yeah we did," he admitted. Ā 
"Well... I was curious," You confessed. "Iā€™m curious about.... fear and control games..I... I don't know! But-uh... I want to know," you admitted, stumbling over your words.Ā 
"Yeah....? " Jon said quietly while looking back up at you. Jon began to explain:
"It's definitely kinda darkā€¦...You're not ACTUALLY gonna get hurt, not MUCH anyway," he said with a sly chuckle. "But it's just... getting off together on scaring and controlling one another. One of you takes the lead... someoneā€™s dominant, someone's submissive" he continued.Ā Ā 
"I wanna try some of that tonight," you admitted, very curious and pretty aroused.Ā 
Jon froze. His smile faded a little as he looked at you with wide eyes, and a good amount of surprise.Ā Ā 
"What... like, you wanna, tie me to a chair tonight and have your way with me, haha?" he asked while laughing.Ā 
"No... no, I want you to take control and..... SCARE me," you admitted, rather embarrassed.Ā 
There was dead silence while the two of you looked at each other.Ā 
"Um.... are you sure?" Jon asked, somewhat stunned....fidgeting. Ā Ā 
"Yeah. I want you to scare me tonightā€¦..In-in a good way," you said as your face turned red.
Jon looked back down at the sand and shifted his legs around.Ā 
"Hmmmm....wellā€¦. Thatā€™sā€¦ a WHOLE spectrum.....HOW scared?" he said in a low, naughty voice while cracking a big smirk.Ā 
Your voice caught in your throat: ".....freak me out Jon," you begged. "I.....I want you to freak me THE FUCK out.....I want you to SCARE meā€¦.and, a-and then fuck me," you admitted, unable to even look him in the eye as you said it.Ā 
More awkward silence. You dared to look up at his face. His knee was bouncing up and down and he kept staring at the ground while grinning, shaking his head in amazement. Eventually, Jon cleared his throat.... stood up from his folding chair and crouched down in front of you, holding your knees and locking eyes with you, close to your face.
"Ok," he said in a calm tone, with a big smile on his face. His eyes had LIT up and he looked pretty damn excited and naughty.
Ā "I'll freak you out, baby" he said while giving you a half smirk/smile. His eyes got spookier and he slowly nodded at you
".... but if it gets too much.. you should probably pick a safe word or something. Then I'll stop," Jon explained.Ā 
Your brain was turning to mush. You were already really nervous and excited and your clit was perking up.Ā 
"Umm... uh- how about.. STOP?" you said, half braindead.Ā 
Jonathan laughed hard and smirked. "STOP, it is then." He paused and bore his eyes into yours. He gave you a long, sexy, deep kiss.. pushing his tongue deep in your mouth. You were SO turned on, curious and excited.Ā 
He stood up and walked back to his chair, slowly sitting back down across from you. Nothing but silence. He just stared at you, clearly contemplating.
"So.... what do we do?" you asked shakily.Ā 
Jon stared HARD at you. His eyes scanning your eyes and examining your body language as he contemplated what to do with you.Ā 
"How about... some hide and seek?" Jon suggested.Ā 
"Hide and SEEK?" you said, laughing. "Jon... that honestly sounds CUTE.. not....freaky!"
Jon's eyes darkened perceptibly and his voice got very low and serious.Ā 
"My version..... is NOT going to be cute" Jon said in a VERY creepy voice.Ā 
You suddenly felt a shiver down your spine and a bit of realization run through your body.Ā 
"Nooo... Not cute at all,ā€ Jon said while slowly shaking his head and looking at you with an alarming gaze.Ā 
ā€œYouā€™re gonna hideā€¦ā€¦I'm gonna hunt you," Jon said, coolly.Ā 
You were a bit stunned. Your heart jumped a little.Ā 
"And here's a tip.... you DON'T want me to find you," Jon continued in a low, serious voice. He cracked a wicked smile... "you REALLY don't," Jon explained. All you could do was stare at him, wide-eyed.Ā 
"I'm gonna start... mkay?" Jon said nonchalantly while reclining in his chair a bit.Ā 
"Um.... ok," you said quietly, rather confused.Ā 
"You've got 20 seconds to hide,ā€ Jon said while comfortably lulling back in the chair and shutting his eyes.... "One.....two....." he said, counting slowly.
You stood up from your folding chair, looking around and then back at him. The beach and tree line was vast and it was so close to dark, you didn't see how on earth he'd find you if you hid.Ā 
"Jon? Iā€™m confused! ANYWHERE? How are you gonna find me?"Ā 
Jon stopped counting and opened his eyes, looking at you with a VERY dark, sinister expressionā€¦ almost like he was becoming a different person.Ā 
"You should probably start running," he said quietly.Ā 
"W-what??" you asked, while another shiver went down your spine.Ā 
"Start......Running" he growled, as his eyes darkened to the point of practically looking black.Ā 
You felt a jolt of genuine fear. Suddenly, it was like you were out in the middle of nowhere with a stranger. You were rather blown away.Ā 
"THREE!.... four...." Jon playfully counted slowly while shutting his eyes and folding his hands in front of him comfortably.Ā 
You took off running towards the tree line. In the distance you could hear him counting loudly. You wandered into the mossy trees and looked around. Your heart was pounding. You didn't have much time so you wandered as far as you could into the trees and then hid, crouching behind one. You were breathing hard and starting to question what you'd gotten yourself into. But you really didn't see how on EARTH heā€™d find you.Ā 
"HERE I COME," you heard Jon yell in the distance in a very eerie voice.Ā 
There was dead silence for a while. You heard the waves and light raindrops. Eventually, you started hearing his footsteps. He was walking slowly and carefully. You thought of crawling off and finding a different spot... but were scared of making too much noise. It was quite dark now, just a dark blue tone to the sky as the sun was nearly set. You sat frozen behind the mossy tree. Eventually, you heard footsteps crunching closer before coming to a stop. Then they continued; sounding like they were getting further away. You figured you'd successfully faked him out. Then there was dead silence.
"Ttssskk....tsskkkā€¦.Thatā€™s not a very a good spot at all" you heard Jonathan yell. You froze in fear.Ā 
"YEAH, I'm talking to you. Come on out," Jon said in a very frightening, unfamiliar voice.Ā 
You peaked out from behind the tree and saw him standing still about 20 feet away from you. You were actually quite shocked he had found you. VERY shocked. HOW did he manage that??
"I'll tell you what....if you can outrun me.... you win. You win and I'll stop," he said in his low, unfamiliar voice.
Your legs shook as you stood up, in sheer disbelief. Your heart was racing.Ā 
"Fucking... ā€¦ā€¦.RUN," Jon said in a deep, terrifying voice.Ā 
You were actually frozen in place like a deer in the headlights.Ā 
Suddenly,Ā  Jon sprinted forward towards you at full speed. You gasped and instinctively ran away from him. You literally felt like a stranger was chasing you. You didn't look back as you darted aimlessly around trees, trying to figure out where the hell to run to. You were so overwhelmed. You heard him gaining on you, his footfalls crunching louder and closer.Ā 
Then, an arm firmly grabbed you around the waist and knocked the wind out of you. He grabbed you mid-run so hard, you sort of flew in the air as he caught you. He picked you up by the waist and spun you around, off the ground. The two of you spun together in a circle as he caught you. You fell limp in his arms, crying out and gasping. You heard him grunt and breathe hard and angrily. He grabbed both of your arms, pulling them tightly behind your back like a police arrest. Then he shifted the two of you forward, pinning you against a tree. He was pressed up against you while you were pinned, facing away from him.Ā 
The two of you stood like that for a moment, gasping for air. You heard Jon growling. With one big hand he kept your wrists pulled together and your arms locked behind your back. With his free hand, he began feeling you up aggressively. He pushed his hand under your skirt and rubbed/gripped your pussy through your panties. You started to moan and lose your balance but he pulled you back upright, forcing you to stand. He reached his hand back up to your head, grabbing your hair and pulling you into him. He leaned against your ear and breathed into it.Ā 
"I caught you," he said in a truly eerie, unrecognizable voice.Ā 
Your legs shook. Your pussy was very wet but you weren't sure why because you were also genuinely freaking out.Ā 
"Now... don't... fucking.... move," Jon said in a low, dominating voice. You did as he said. He removed his hands from your arms but you left them behind your back where he had put them. You heard him unbuckling his belt and taking it completely off. You began moaning, figuring the game was over and now he was going to fuck you, while he had you pinned against the tree.Ā 
"Mmmmm yeah... do it, baby," you begged, as you figured the game was up.Ā 
"Do.... what?" Jon said quietly. "You think I'll just FUCK you? Mmm-mm" he said, shaking his head.
Ā "No. I CAUGHT you. You're not getting off that easy," he said, leaning towards your ear before biting it VERY firmly and leaving his teeth on it. "NOT AT ALL," he said through gritted teeth while keeping your ear in a bite-hold.
You gasped. Now you were truly confused. The next sensation you felt was the leather belt tightening around your wrists. You let out a yelp and started to pull your wrists away but Jon had a FIRM hold on them. He quickly bound your hands behind your back with the belt. He buckled it around your wrists, tightly and firmly.Ā 
Your heart started absolutely racing. You WERE scared now. Actually scared. Jonathan grunted, then, with you buckled up, he turned you around. He still didn't allow you to see him. He just whipped your body away from where it had been pinned against the tree, and stood behind you. One arm had a firm grasp around your waist and the other had a firm grasp on the belt he buckled your wrists with.Ā 
He leaned down towards your face from behind, andĀ  licked around and inside your ear a little. Your legs shook like crazy and you felt very faint.Ā 
"Walk," Jon said quietly. You were frozen.Ā 
"WALK," Jon said in a louder, more stern voice, while gently pushing you forward and maintaining his grip on you. You took slow, unsteady steps forward as he guided you, walking you. You felt weak and in over your head. You knew it was still Jonathan. YOUR Jonathan. But it really DID feel like you had been caught by a stranger in the woods. You truly had no idea what to expect.Ā 
"Jon.... Jon.... I don't know if - if I-----" your words trailed off as you gasped for breath.Ā 
Jon stopped walking and stood still. There was a heavy silence.Ā 
"Ok," Jon said playfully and nonchalantly. "DON'T walk," he growled.Ā 
Before you knew it, Jon had spun you around to face him and picked you up. He threw you over his shoulder, one arm supporting your upper body as your head draped over his shoulder, his other arm supporting you under the ass with a firm grasp on your thighs. With your hands bound behind you, you really couldnā€™t get out of his arms if you tried.Ā 
You gasped some more and started practically hyperventilating. You were surprised at just how strong he was. If he WAS a stranger, you definitely wouldn't have been able to wriggle free. Your eyes stared at the ground as he carried you over his shoulder, back towards the RV. It was QUITE dark by now. This game was starting to really scare the shit out of you. You started wriggling and moaning in his arms, asking him to put you down. Eventually, he set you down on the beach. With a satisfied sigh, he pulled you against his body, facing you away from him and restraining you by the wrists again. He pressed himself hard against your backside. He leaned in again to talk right into your ear.
"Tell you what.... I'll be nice. ONE more try to hide from me. If I can't find you in 10 minutes, I'll stop hunting you. Sound fair?" Jon said in his eeriest voice.Ā 
You caught your breath and thought about it. You almost said "STOP," to call the game off. But you were feeling an overwhelming mix of adrenaline and arousal. You wanted to keep playing. "Ok...." you blurted out.Ā 
"Good girl,ā€ Jon whispered into your ear before licking down your neck.Ā 
He slowly loosened his grip on you and sighed. With his face pressed to your ear, he spoke again:Ā 
ā€œOk girl.....fuckin........ RUN!" he growled.Ā 
This time your heart pretty much exploded with adrenaline. You took off in a sprint back to the tree line like you were running for your life. Your ears were ringing and you couldn't even HEAR if he was chasing you or how close he was. You didn't try to steal a glimpse back.Ā 
You ran in a confusing zig zag all around the trees, realizing how hard it was to run and keep your balance with your hands buckled behind you. Losing your breath, you eventually collapsed behind a shrub, as far into the woods as you could get. There was nothing but silence, beach waves and more gentle rain drops. It was almost pitch black now. You could barely see what was around you. Now, you were slightly lost and unsure how to get back. Wriggling your wrists around, you struggled with the belt, figuring you could get it off of you somehow. Your fingers tried to reach up to the notches and buckle but it was no use. You had another "OH SHIT" moment, realizing again that if he WAS a stranger, you were LOSING.Ā 
There was dead silence for a long time. You slowly caught your breath, wondering so much about this man you've spent so much time with. Clearly there's many different sides to Jonathan. You shifted your legs around trying to get comfortable on the ground. Your panties were still wet, which was a bit surprising to you, since you were pretty much terrorized by now. You were just starting to calm down when you had a weird feeling. You weren't sure if you heard crunching nearby or if it was your imagination. There was more dead silence as your hearing perked up and you tried to listen. You did your best to not make any audible breathing noises.Ā 
Out of nowhere, you felt Jonathanā€™s body tackle you out of your sitting position and pin you to the ground. You screamed at the top of your lungs with genuine shock as you felt his weight on top of you. You fell backwards, with your bound hands behind you. Jon pinned you against the mossy ground, nice and firm.... grunting and grabbing you as you wriggled around. You went limp and opened your eyes, barely able to see the silhouette of his face in the dark. You gasped for air and just stared in disbelief. How the HELL did he manage to find you THAT time???? How did you not hear him approaching???? You were in utter shock.Ā 
Jon groaned and pushed his body weight on top of you while pushing your legs open. He hovered over you on the ground, his crotch pressed against your open legs as he kept you pinned. You felt his hard dick through his pants and all you could do was hyperventilate with a mix of emotions.
He chuckled a VERY sinister chuckle. "Now, see THAT, was a really good try," he groaned. He pushed his face RIGHT up against yours. Your whole body shook. "A REALLY.....good.... TRY," he whispered in a complimentary, eerie voice.Ā 
You definitely knew you lost. You were so overwhelmed, you almost said "stop" again.Ā 
He rubbed his body hard against you on the ground, smushing you into the mossy forest bed and grunting/groaning loudly. You started moaning and kept gasping for air. Without warning, he climbed off you. Then before you knew it, he had picked you up off the ground. He threw you over his shoulder again in the same pose with your arms bound behind you. Your hair fell into your face as you slumped half upside down against his shoulder. You were completely spent by now. All you could do was moan and hyperventilate while he carried you back. It felt like a long walk back to the RV.... you were shocked he could carry you for this long. Struggling to calm down, you just fell limp against his body and caught your breath.Ā 
He got you inside the RV and gently pushed you down onto the bed face first. You could only crawl and wriggle around because your wrists were still bound behind you. Jon crawled up your body and pressed firmly against you from behind. His dick was now rock hard. He pressed into your backside, caressing your body. He stroked your arms and moved his hands to the buckle.
"If I take this off of you, are you gonna be a good girl?" he asked in his sinister voice.Ā 
"Y... yes," you yelped.Ā 
"No moving. You will do NOTHING unless I tell you to. GOT IT?" Jon instructed.Ā 
"Hughhh.. fu,.... Yes!" you gasped out.Ā 
He slowly undid your wrists. Immediately you started moving your arms, happy to have them back.Ā 
Just then, you felt a hard smack against your ass from the belt.Ā 
"AHHHH!!! ... the... FUCK!???" you yelled.Ā 
"I told you not to move!" Jon said sternly.Ā 
You felt his hand grip your ass and pull your skirt up. He reached up the front of your skirt and pushed his fingers against your pussy. You didn't even KNOW what blend of emotions you felt at this point, but your pussy still responded to his touch. You wriggled around some more while moaning.Ā 
With both of his hands, he took the side of your panties and ripped them, then yanked them away. You gasped and moved around. Then, you felt another strong smack against your ass with the belt.Ā 
"You're not a good listener, ARE YOU?" Jon said in a low, playful voice. You didnā€™t reply.Ā 
"Don't. MOVE!" Jon growled.Ā Ā 
You nodded your head, while face down on the bed.Ā Jon reached a hand around you, touching and feeling you up under your skirt again. He slowly pushed two of his fingers firmly into your pussy.
"Ahhhh!! mmm," you moaned as you tried your best to stay still.Ā 
Jon was hunched over you, keeping a good amound of his weight on top of you. He kept you pinned down, fingering you more and more very firmly, pushing your pussy further and further open.Ā 
"Ahhhh..my GOD!" you yelped. You didn't realize how aroused you were until he started fingering you
"BE QUIET girl!!! Did I not tell you that? You're gonna be QUIET too!" Jon yelled at you. He humped against you and pushed his fingers hard into you with his hand, leaving them knuckle deep inside you.
You gulped and tried your best to stop moaning. Without warning he climbed off you and gripped your hips HARD. He flipped you over in one brisk motion. You were now lying on your back, you skirt up to your waist, your panties off and Jon standing over you.Ā 
He grunted and quickly climbed back on top of your body, pinning you back down.Ā You instinctively went to touch his face and shoulders like normal, but he grabbed your hands, pulling them off of him. He wrestled your armsĀ  until he had them both pinned up over your head.
Then he pressed his crotch hard against yours, smushing you into the mattress and keeping your hands pinned above your head. All you could do was hyperventilate and watch him. He kept you pinned like that for a minute, breathing hard and doing nothing. You just stared at him in amazement, his eyes looking black. He teased you and started grinding his crotch into your open legs.Ā 
"Don't. FUCKIN. Move," he said as he quietly, while quickly climbing offĀ  you, ripping off his pants and boxers and sliding back on top of you. His cock was so hard he didn't even need to put his hand on it and guide it into your pussy. He just impaled you with it and you let out a loud yelp of pleasure and a bit of pain.Ā 
He grabbed your hair a little and pressed his face against your neck.Ā 
"Auhghhhā€¦WHAT DID Iā€¦. SAY?ā€ he said while pushing hard into you. ā€œQUIET!!!" Jon growled.Ā 
You held your breath and tried not to make any noise as Jon started taking deep pumps into you. Your legs felt like jelly and your pussy was soaking wet. This night had COMPLETELY taken a turn. As he picked up the pace and started fucking you harder, you couldn't help but whine and gasp.Ā 
"QUIET! I'm not gonna tell you again" Jon warned again, before pressing his face against your neck and pushing his teeth against it.Ā 
"One more sound.... I'm gonna bite you," Jon warned.Ā 
He'd given you plenty of bites before, and you always liked it. But something told you this would be a REAL bite if you didn't do as he said. You did your best to stop making any noise. You only breathed, HARD. He kept fucking you, taking slow, firm, deep pumps into you while keeping your arms pinned above your head. Your clit was pulsating and you were starting to feel an incredible level of arousal.. you really couldn't explain it. Ā 
Having him chase you down and take you like this, left you with an indescribable feeling. It began to feel like your pussy was gonna explode in an orgasm any minute. You couldn't help but let out a deep moan.Ā 
"Mmmmmfff, you fuckin asked for it," Jon said while pressing his face hard against your neck and giving you a strong bite.Ā 
"AHHH!!!" you shrieked as he kept pumping. He didn't just bite you and let go either. He left his teeth against your neck as he kept fucking you. That bite DEFINITELY hurt! You did your best not to make any more noise but as your orgasm approached you let out a loud whimper. He pressed his teeth into your neck as a punishment and you gasped again.Ā 
"GAAhhhhh! Ughhh fu--" Jonathan yelled/moaned, losing his composure at his own game. This experience had kind of overwhelmed him as well and he was extremely aroused. You felt so good to him at this moment. He was somewhat shocked at himself, realizing what heā€™s doing to you. You both felt so good, you couldnā€™t help but start making more noise. You both moaned loudly, and your pussy squeezed around him as your orgasm approached. The two of you started getting QUITE loud, just giving in to the pleasure. He was even MORE elated watching you, as he realized you LIKED all this. Watching your reactions had him SO close to cumming.Ā 
He pressed against you and locked eyes with you while taking firm pumps in you.
"You gonna cum for me? HM???Ā  he asked you.Ā 
All you could do was nod and moan.Ā Ā 
"You're NOT gonna cum till I fucking say!!!" Jon demanded.Ā 
Your eyes flared. You weren't sure you could hold back much longer.Ā 
He pushed his cock FAR inside you and held it there, pinning you and pausing.
You yelped a little and he covered your mouth. Then he gave you one final instruction.Ā 
"I'll tell you when to cum. BUT when you do, you're gonna do it HOW...I ... SAY!" Jon growled.Ā 
You were confused. Jon ground his cock into you and you could feel it twitching as he was clearly VERY close too.Ā 
"You gonna be a good girl?" Jon said in a VERY dark, eerie tone.Ā 
You stared at him and nodded as he kept his hand over your mouth.Ā 
"WHEN you cum, hold your fucking breath. DON'T let it out!!! Not until you've cum LONG and HARD. Make it FUCKING last!"
Your pussy quivered and tightened around his dick, spasming and pulsing in anticipation.Ā 
"You HEAR me?" Jon demanded as he began pumping harder.
He said one word with each deep pump:Ā 
"Hold..... your.... FUCKIN... BREATH."Ā 
Your legs fell totally limp and he grabbed them hard, pulling them further apart and taking hard, fast pumps into you. You gasped. Your body felt like it was tingling. You were pretty sure you were hyperventilating. Your orgasm was coming fast and you PRAYED Jon would give you permission to cum.Ā 
"AHhhhhhhh.... FUuuuuu....." Jon grunted as he grew weak and his pumps got sloppier. His own orgasm was gaining on him. "Mmmmfff... be my good ---gahhh----my good girl ā€¦CUM for me!" Jon demanded. You squealed and yelped and nodded. Your pussy exploded and started spasming hard around his swollen dick. Jon pinned you down HARD as you came and pushed a hand over your mouth as he heard you breathing hard and gasping for air. "HOLD. YOUR. BREATH!!!" Jon demanded while watching your face.Ā 
You locked eyes with him as you were cumming and held your breath as best you could. Your pussy kept throbbing and spasming in VERY pleasurable waves. Something about having your breath held while cumming made it feel doubly intense. It seemed like you were cumming FAR stronger and longer than ever before.Ā You felt increasingly dizzy, like you were about to faint. You started seeing little stars in your vision as it dimmed and Jon kept watching your face while you came hard on his cock. Jonathan slowed his pumps to a stop for a moment to just watch you cum for him.
Suddenly you felt like you were gonna lose consciousness. Jonathan saw your eyes begin to roll back and quickly let go of your mouth. "NOW breathe," he commanded. You gasped for air and took long, deep breaths as you kept coming and shaking. "Good girl," Jon complimented as he paused for a moment. He was sweating like crazy and breathing hard. He just stared at you, proud of you for doing as he said. His eyes gazed at you, all hazy: "Mmmfffff, god... that was beautiful," he admitted as he watched you writhe around, catching your breath, smiling at him and feeling the bliss of your orgasm.Ā Ā 
His cock twitched and throbbed. It felt like most of the blood in his body was in his dick at this point. Without hesitation, Jon picked up where he left off. He kept taking rough, sloppy pumps into you. He moaned and groaned loudly while you just let him take you. Within a minute, his cock completely burst and you could feel him filling you up. He pushed as far into you as he could and grunted LOUDLY.
Your vision was hazy but as he came, you watched his face. He did the same thingā€¦. He gasped as his orgasm hit, then held his breath as you felt warm pumps of liquid spill into you. He started looking disoriented and dizzy. His eyes started rolling and he braced himself against your body, not breathing until he was done coming. You just held him as he had a very long orgasm, leaking LOTS of cum inside you before FINALLY inhaling some new air with a loud, raspy gasp. He kept gasping for air for a LONG time.Ā 
The two of you both felt like you might black out and faint. He fell against you and it was hard to breathe with his body weight on you like this. Gradually he whimpered and climbed off you, lying next to you in bed. You were both VERY faint and dizzy for a long time. The room looked liked it was spinning.Ā 
As the two of you recovered, your whole body felt tingly and numb with adrenaline, exhaustion, and pleasure. Eventually, you turned to him...."Holy shit, Jon.... Holy. SHIT" was all you could get out.Ā 
Jon let out a dark, deep chuckle. "You LIKED it?" he asked, curious.Ā 
"Um.... you scared the shit out of me. For real," you admitted.Ā 
Jon turned to look at your eyes. You met his gaze and his eyes looked normal again......a bit apologetic.Ā 
"You said freak you out... Butā€¦.Yeah, I went pretty fucking far, huh? Too much?" Jon asked you softly.Ā 
"Ummmmm.... it was a lot," you admitted, still shaking as you recalled the moment he caught you in the woods the second time. You had felt genuine terror.Ā 
"But..... I have NEVER cum like that. I --- I..... I LIKED it," you slowly admitted.Ā 
Jon's face lit up. "Mmmmm....I liked it too. I LOVED taking you on that ride....A LOT" Jon admitted. There was brief silence and soft laughter between the two of you.Ā 
"That...... breath hold thing. Wow..... that was trippy," you replied.Ā 
Jon let out another deep chuckle, shaking his head.
"WHY the hell did I cum so much harder when I held my breath like that?" you asked with genuine curiosity.Ā Ā 
"The French call an orgasm 'the little death," Jonathan explained. "Their philosophy is: every time we cum, we die a little. You can make the feeling of an orgasm even stronger if you hold your breath when you cum," he said.Ā 
He turned to face you, sleepily and satisfied.Ā 
"I REALLY liked dying a little with you tonight," he whispered.Ā 
"I REALLY liked dying a little with you too, baby," you whispered back.Ā 
-------
Side note: I have a TikTok & Youtube where I make sexy/funny JD thirst traps/naughty joke Korn-related comedy edits if y'all are interested. I include myself in several vids, I'm openly a pervy/dorky lady haha. My accounts are not for clout/promotion. I'm just way into him and if you stumbled THIS far into sexy JD stuff you might enjoy my vids.
Link to my Tiktok:
Link to one of my ridiculous TikTok JD thirst traps lol:
Link to one of my dirty JD comedy edits I include myself in:
Link to my Youtube:
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k1rameki Ā· 5 months
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i think i need to expand on my losergirl ayana agenda bc lord have i become hyperfixated (buckle up bc i have gone absolutely insane over this) (this might also end up becoming a hc dump uh oh) (also bear in mind thanks to all the recent art ive been seeing of her ive been on a real ayana kick when it comes to ships n shit so yeah some hcs with the other characters imma mention can be interpreted romantically too teehee) (and also!!! more general ayana hcs too :333 i have a cavity in mein cranium that can only be filled with soft ayana content)
also quick emoji keys for dialogue i may add for this ^_^
šŸŽø - aldryx
šŸ©» - tabi
šŸ”»- ayana
šŸŽ§ - dalia
šŸ“¼ - agoti
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some of the many reasons i believe ayana is an absolute girlfailure is her complete and utter failure in her previous relationship/s (I SAY THIS BC SHE PROBABLY HAS BEEN IN A FEW THAT HAVENT WORKED OUT LONG BEFORE SHE MET BOYFRIEND,, also shes just awkward as hell but thats a story for anotha time)
NOT ONLY THAT BUT HELLO??? she appears so calm and collected whenever shes engaging in simple conversation but internally shes freaking out and she has no idea where anything is gonna end up going and often times she can and she WILL let stupid things slip out of her mouth and immediately she regrets it
and let me tell you this she gets more and more pathetic and losery around dalia,, this woman is in LOVE (hence that stupid doodle i made where aya's just freaking out over the slightest bit of affection given to her) (looks like she might have abandonment issues sorry what)
IN FACT. GIVING PHYSICAL AFFECTION TO EVERYONE. SHES ALL FOR THAT SHIT,, hugs, kisses, stroking hair, you name it, this girl is a massive cuddlebug you cant convince me otherwise
i mentioned my pastry chef ayana hc in passing but i'm gonna fully expand on that now: SO. also aya family hcs bc people should talk ab that but ayana's dad is a chef (no specific speciality, but he does make a lot of baked goods) and growing up she would often mirror what he does and that eventually led to her practicing and honing her skills! :D (she also studies culinary arts at college teehee) ALSO!!! she brings all sorts of baked goods she makes over for all her favourite people to enjoy constantly whether that be cookies, pastries, cakes, all of that yummy stuff
despite being an absolute loser girlfail idiot she can jam on the bass like its no tomorrow. IM TALKING ABOUT SLAP, FINGERPICKING, YOU NAME IT, SHE CAN DO IT ā€¼ļøā€¼ļø here's an example of the bass playing style i had in mind for her, very energetic and fluid heuehehehehehe
SPEAKING OF (and this ties in a little with my band au) and whenever she drops an epic bassline everyone just stops and stares at her totally being in the zone
šŸ”»: ā€“casually having the time of her life playing a bassline like theres no tomorrowā€“
šŸŽø: "yo holy crap aya where has this energy been this entire time"
šŸ”»: "huh what do you mean"
HAIR EXTENSIONS!!! ive talked about this on discord before but ayana with naturally shorter hair so she wears hair extensions! (also bc gender euphoria but shhhh)
i also believe that aldryx and tabi had zero idea that she wore them and just believed her hair was naturally long. this is how their conversation went trust;
šŸ”»: " hey guys ^_^"
šŸ©»: ".....did you cut your hair?"
šŸ”»: "no? my hair has always been short"
šŸŽø: "IT HAS??!!??!!??! šŸ˜Ø I THOUGHT YOUR HAIR WAS JUST REALLY LONG"
šŸ©»: "ME TOOā€” jesus christ my life is a lie"
šŸ”»: "theyre hair extensions not the holy grail calm down šŸ˜­šŸ˜­šŸ˜­"
AND NOW THAT WE'RE TALKING ABOUT AYANA INTERACTING WITH THE OTHERS, LET ME INTRODUCE YOU TO MY AGOTI/AYA DUO HC BC HELLO romantic or platonic these two are fucking adorable, the loserboy + losergirl pairing ever frfr (also bc i hc that theyre really close in age bc iirc ayana's birthday is january 28th so that would make her around 3-4 months younger than agoti to me at least teehee)
those two gossip about anything and everything and every single night they do each other's hair n spend time doing full fledged spa routines while talking shit about anyone and everyone bc theyre high maintenance as hell and take pride in their combined collection of bazillions of good smelling bodywashes and shampoos
šŸ”»: "oh my god, goti i cant believe i forgot to tell you about some crazy interaction i had with someone earlier today i swear its driving me crazy"
šŸ“¼: "BITCH AND YOU DIDNT TELL ME SOONER? YOU'D BETTER START FROM THE BEGINNING I NEED DETAILS IN FULL"
šŸ”»: "OKOK SO WHAT HAPPENED WASā€”"
also she works as a seamstress in her spare time when she's not doing music or baking ^_^ she often uses her expertise to create some outfits (with the help of sketches done by either tabi or agoti) and often has trouble finding someone to be her muse so she often gets dalia to help
she takes this VERY seriously by the way if she hears a singular complaint she will go insane
šŸŽ§: "how long is this gonna take šŸ˜”šŸ˜” my arms are getting sore babe i cant stand like this for much longer"
šŸ”»: "dee i love you but i swear to god if you say that one more time i'm going to stab you with this needle until your arm is red and swollen BE PATIENT PLEASE IM BEGGING YOU šŸ˜­šŸ˜­šŸ˜­"
šŸŽ§: "šŸ˜€šŸ˜€šŸ˜€šŸ˜€šŸ˜€ youre gonna WHAT"
also. shes got a BIG sweet tooth ā€” she and tabi bond over sweets and trying all sorts of new things together, especially chocolatey things bc theyre both obsessed with chocolate anything
šŸ©»: "aya i went to the store and i found this wafer cake thing and i thought you and i should try it"
šŸ”»: "TABI THAT LOOKS DELICIOUS OMG go grab two spoons right now you and i are eating all of this right now"
šŸ©»: "OKAY SURE :] i can already tell this is gonna taste good"
also sometimes she forgets to eat proper meals and will consistently only have sweets and snacks all day until someone calls her out on it, shes very forgetful, oopsies!
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zootopiathingz Ā· 5 months
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I watched Zootopia like 6 months ago on a whim, and now the fixation is still hyper...ing.
Yeah
Anyways, Judy and Nick are the best and deserve everything (I genuinely couldn't remember anyone else's names the first time I saw it) aaaaand yeah it's sad that the Fandom is basically nonexistent.
Actually, it's still going strong(?) on AO3 (i've made a few one-shots (shameless self promotion I'm Not_Quite_A_Moron there)) but still, kinda sucks.
Anyways, random headcanon time:
Nick has two moms (he doesn't have specific names for both of them, he just yells "MOM!" anytime he needs help)
Judy actually really likes eating meat, Nick just has to convince her to try it
Nick became really closed off and touch starved after the Junior Ranger Scouts incident, so now, he's a chronic cuddler (especially with Judy (which she loves))
Judy's on the autistic spectrum (she often stims by tapping her foot, and she likes to display affection via playful punches to the arm)
Judy was born on the same day that Nick got muzzled, as if the universe itself felt bad and said "here, have a rabbit" (definitely didn't steal this one from Tumblr nope certainly not)
Nick doesn't really like Gazelle's music, he's more of a rock kind of guy, but he'll stomach any song for Judyā€™s sake
Judy's asexual (Take one look at the nudist club scene and tell me she isn't at least demi)
Bestie Iā€™d just like to say AAAAAAAAAA
Sorry, but I just got SO excited when I saw someone submitting headcanons! Itā€™s been way too long since Iā€™ve been able to have a good olā€™ Zootopia discussion. Oh and Iā€™ll certainly check out your fics! My user is Pixarpnflover so be on the look out for some kudos!āœØ
Anyway, I love the idea of Nick being raised by two moms! There was supposed to be a plotline about his dadā€”John Wilde, I believe was his nameā€”but got scrapped along with a lot of other content. So until itā€™s actually mentioned in canon Iā€™m choosing to believe his mom in the flashback was in fact a raging lesbian lmaošŸ¤·ā€ā™€ļø also would that make him a double mamaā€™s boy?šŸ¤”
Ooo an herbivore converting to a meat diet? How intriguing! I like to think now that she lives in the city that Judy would be open to trying new foods, which would include poultry and fish. I can see her favoring sushi or even turkey.
Nick being openly affectionate after meeting Judy, and reserving most of that said affection for her? Hell yeah. Heā€™s very unapologetic about it too. Heā€™s waited far too long to share that amount of vulnerability and comfort with someone. No way heā€™s ever going to hold backšŸ«‚
Autistic Judy my belovedšŸ™ŒšŸ» You cannot convince me sheā€™s even a little bit neurotypical, I will not believe you lol. I love that her natural rabbit behavior could actually be interpreted as stimming!
Dude, I have believed this headcanon for so long!! The second I found out their age difference, I just knew there had to be some kind of coincidence going on there. I mean, Nick couldā€™ve just said ā€œwhen I was a kidā€ when beginning the story, but instead he specified his age (or an estimate, at least) and I think that a choice on the writersā€™ part. Anyway, Iā€™m a big believer in fate/soulmates, so even just the idea of Judy being born, destined to cross paths with Nick someday to heal his childhood trauma and make his life better, just melts my heartā¤ļøšŸ˜­
Haha yeah, you can tell the concert at the credits that Nick was only there for JudyšŸ˜† Not to say he wasnā€™t enjoying himself, he just wasnā€™t nearly as enthusiastic as everyone else. But ya know, the things ya do for your girlfriend!šŸ˜‹ I can also imagine Judy listening to music she doesnā€™t necessarily enjoy either. A certain loud rock song starts playing on the radio and before she can even think about changing the station, Nick goes ā€œoh I like this one!ā€ And so she smiles and suffers through it. She may even end up liking it anyway!šŸ˜Œ
As for this last one, I kinda have to disagree. Not to say she isnā€™t ace or demi, and no hate to anyone who shares this opinion! But idk, to me I donā€™t think someone not wanting to see a bunch of people walking around ass-naked makes them ace or a prude (which Iā€™ve seen some fanfics try to claim her to be?) I mean, Iā€™m horny asf and Iā€™d be just as uncomfortable walking around a nudist clubšŸ˜†šŸ˜…
ā€¦I never thought Iā€™d type a sentence like that lol
Anyway, thanks for sharing these! I sure hope the fandom comes back someday, but in the meantime Iā€™ll be here waiting and open to exchanging more headcanons! :3
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