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dana-chan-the-control-brain · 11 days

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TADC: Thoughts on Jax in Episode 2

Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.

Massive spoilers below the cut. Just watch the ep before you read.

Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.

Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )

Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.

Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.

I actually really like this.

As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.

It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.

But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.

But then it hit me when the episode ended and the two plots merged together.

"who... knows... what could happen..."

And then it hit me.

Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...

Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.

The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.

Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.

He calls Pomni "His Bridge" even.

They're his objects. His tools, his own npcs he's exhausted the dialogue options on.

Jax dehumanizes the players in a way that Pomni humanizes the NPCS.

These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.

And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)

He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.

Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.

I absolutely loved this episode and I can't wait for more.

Also... Poor Pomni can't have shit in Detroit

#the amazing digital circus #tadc #tadc jax #Jax #danachan's rants #digital circus #the amazing digital circus spoilers #tadc spoilers

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saerotonins · 5 months

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actor!yuuji & actor!sukuna headcanons

ft. itadori yuuji and ryomen sukuna

content warnings: fluff, itadori twins au, overall cuteness, implied x reader (separated), jjk manga spoilers, characters are aged up to 20+

wc: 2.3k (jesus christ lol)

note: i miss my little actors so much lol. also, i think this is a bit too long, my bad 😭

jjk actor au masterlist

as twin actors:

believe it or not, jjk is like one of the roles that had them cast together

both of them usually like to play different roles in different shows because they just don't want to be known as each other's twins

love that for them, they're so real for that

but when they were cast, they accepted it since the script and plot were interesting

yuuji is a sweetheart inside out and sukuna is the quieter one between the two, sukuna is soft for his brother though so don't get fooled by his tough persona

yes, he is the older twin LOL and always holds it against yuuji just to be petty

"dude can you get me that can of soda?""why are you ordering your older brother around? have some shame"

yuuji just rolls his eyes but before he gets up and get it himself, sukuna will wordlessly stands up and does it anyway

checks on yuuji whenever he does intense fight scenes

both of them do the stunt themselves since they ate both so physically active

education wise, yuuji graduated as a marketing major and sukuna has a degree in physical therapy

which explains why him and his brother always practice fight scenes together and he helps yuuji with his stance and warm ups!

it's adorable really and he's so tsundere about it too

"no not like that, put your legs this way dumbass" like that typa stuff

sukuna started off as a model but was later on casted because casting agencies thought he has that great villain face

yuuji started off as a side character and really likes acting (he is the theatre kid between the two and sukuna is the quiz bee kid, their mom is BOOKED and busy) and later on recognized because he's just THAT good

yuuji is usually a romance lead or 2nd lead and a slice-of-life guy so when fans found out he will be in an action show, they are excited!

sukuna on the other hand has been casted as a tsundere in romance shows, sometimes a bully and an antagonist in action shows, but a villain that is literally so powerful??? that is so new so his fans are anticipating

both of them usually arrive on the set together (sukuna is the one driving btw and yuuji just sleeps during the trip)

yuuji prepares both of their bento boxes btw

sukuna loves it

he can cook, but that's it LMAO

he won't admit it but yuuji is the better cook

lowkey a picky eater so yeah

ACTOR!SUKUNA HEADCANONS:

sukuna is the intimidating one (obv) so when him and the other casts first met + the first few readings, it was sooo awkward

turns out he's lowkey a goofy guy

has fun with his costars and helps them with fight scenes too, gotta put that physical therapy degree into good use

both him and nanami have this silent bond because whenever they're together they just don't talk and bask in the silence as they sit, they just peace amidst their crazy schedule

also an avid toji fan so when this guy found out he's in the same show with his idol he's almost shitting bricks

let out a really loud cheer when he found out and only yuuji knew about it LOL

has a deep-rooted respect towards him and it's sooo obvious whenever toji is around

he is such a fucking fangirl

he just thinks he's so badass and feels so honored to be casted in the same show as him

feels bad that he has to beat up almost everyone 😭 he is also a sweetheart deep inside

deep inside, he's such a caring and protective brother for yuuji because even though he doesn't have any scenes to be filmed, he still joins him on set whenever time allows him

he may not show it but he's sometimes lowkey terrified about fans tearing him up into shreds whenever he kills their favorite character

imagine sukuna dripping big sweats by the time THAT episode with [redacted] aired oh my GOD he was so fucking nervous considering their fanbase is so big

yuuji has never seen his brother THIS nervous before and he's enjoying it

luckily though, not much hate happened and most of the time it's just memes and playful banter

his ass is barely on social media LOL

in the years of his instagram existing he only has like 90+ posts or even below 😭 usually it's just promotion, being an ambassador, magazine shoots— very lowkey

doesn't have much digital footprint and i love that for him

whenever he posts, his fans are EATING IT UP since it happens every once in a blue moon lmfao

ACTOR!SUKUNA AS YOUR PARTNER:

as tough as he looks, he actually can be quite clingy, just behind closed doors though

lowkey feels bad when he has to beat up children (LMAO) and his co-actors and asks for cuddles from you for comfort

it's actually kind of adorable

sometimes if his schedule doesn't allow him to have time to visit you, you'll get messages like "babe i just beat up megumi :("

since he's not active on social media, he knows some stuff online through you or yuuji

kind of a sad reason why he doesn't go online as much is because as tough as he looks, he's just a guy scared of the hate he's going to have just because he plays a villain or antagonist most of the time

he knows it's not his fault, he just knows that some people just don't know how to separate reality from acting

especially when that scene where he had to off a certain jujutsu sorcerer actor with a huge fanbase

oh boy was he so fucking scared and ran into your arms for comfort :(

he's a softie deep inside ok

when they have to go out of town or even overseas to film, he gets incredibly homesick and misses you so much

expect a lot of "i miss you" messages, including selfies and candid pictures that he took around the set to

practicing his lines with you is close to impossible, this guy gets all blushy and shit because you're in front of him

and since most of his lines are mean as hell, he just doesn't want to be mean to you

he wants to impress you so bad but when you're around he just becomes a little high school boy with a big crush LMAO

he's such a sweetheart deep inside oh my god

when he decides he wants to post a new photo in his ig, you're the first and only person he'll ask for opinions

so this just means that most, if not all of his posts were handpicked by you

wears your matching stuff like accessories on set and gets sad when he has to take it off while filming

when he learned that his character would have face tattoos, the first thing he did was come home to you with his face makeup on (he had to ask his makeup artist to let it stay) and imitate it on your face

i have this headcanon that sukuna knows how to draw (and is very good at it) so it takes almost no effort to draw the tattoos on your face

you two then have a mini photoshoot (aka just taking a lot of selfies) with the both of you with sukuna marks on the face

it looks so cute that he made it his lock screen

he's lowkey such a sap don't let the character he's playing fool you

ACTOR!YUUJI HEADCANONS:

THE MAN THE MYTH THE BABY

he is literally a sunshine in or out of acting

so polite and so kind it's hard to hate him (not that he is even worth hating on)

so naturally, everyone on set loves to work with him!

unlike his brother, before acting, he doesn't really know a lot of fighting stance (he's a marketing major ffs lol) BUT ever since he was casted, he doubled up on his working out routine with the help of sukuna

even invested his time learning boxing which later on paid soooo much

can literally make everyone on set "aww" whenever his script requires him so cry or even witness a gruesome death scene *cough* nanami and nobara *cough*

during breaks, him and nobara do tiktok challenges and even those kpop challenges all the time and the crew enjoys watching them do it and the fans like it too

he does it too with choso and todo

this guy literally has 3 older brothers who are protective of him it's so cute

this man is so talented, he can cook, sing, dance, act, and is pretty smart too during his university days, it's so hard not to be in love with him

the greenest of the green flags (just like nanamin!) the girls the guys the folks LOVE him so much, literally the standard

just like sukuna, he was fangirling so hard when he found out he's going to be in the same drama with THE nanami kento

he's such a big big BIG fan

has a fan account of him on twitter that is pretty popular but you didn't hear that from me

it's so cute when they're together because they're literally THE father and son duo EVER

has the time of his life whenever he visits nanami and his wife's house and just chill there, sometimes brings his first-year trio besties too (both nanami and his wife don't mind at all)

aside from sukuna, he sometimes practices fight scenes with nanami too!

he is so active on social media 😭 interacts with as many fans as he can and posts all the time on ig and twitter

has a lot of cute interactions with fans too

by extension, his account is sukuna's behind the scene account LOL

since his brother doesn't post a lot, sukuna's fans tune in to his posts and stories of sukuna behind the scenes or even just some pictures of him that he doesn't post

some of it are just pics of the brothers chilling or going out

yuuji is literally the sukuna fan's saint because of the amount of sukuna content he's giving them LOL

ok but don't get fooled by yuuji's sunshine personality, because he knows how to bite too

whenever he saw hate tweets his brother is getting for playing a villain, he is quick to respond and defend his brother

lowkey a nightmare for the PR team but they know where he's coming from

and despite sukuna telling him to just ignore it, he appreciates his little brother more than anything

ACTOR!YUUJI AS YOUR PARTNER:

one word: ANGEL

he's literally so lover coded oh my goodness

leaves you some post-it notes on the fridge every single day before he leaves to film

if the trip goes on for days he will leave at least three long love letters for you to read when you miss him and he's busy

creates personal vlogs JUST FOR YOU so if the both of you can't facetime, you'll still know what he is up to

when he was contacted to be the main character of the show, he confided in you whether or not he should accept the offer

don't get him wrong, he is beyond grateful the people think he's capable enough to be the main lead but it makes him nervous

this is his first main character role and the pressure of it all is heavy on his shoulders

he asked for his brother's opinion too but he trusts you enough to talk about his feelings regarding this

of course, when you said that you'll be there with him in every step and support him all the time and do everything to keep the communication between the two of you going despite his soon-to-be hectic schedule, his heart is finally set on accepting the role

you are so proud of him! your baby finally getting the recognition he deserves? hell yeah

his busy schedule was never a barrier between the two of you, yuuji never forgets to update and call you whenever his time permits and he always appreciates every cheer you have given him

type of actor boyfie to show you off his social media platform!

he posts your dates and even hangouts with each other

his fans find it quite adorable and is in love with your whole relationship

likes to do those couple tiktok challenges with you and post them online, you guys even have shippers lol

of course, if you're the lowkey type, yuuji would respect that and will only include you in his online shenanigans when you feel like it or allow him to post it

practicing lines with you is always exciting but never productive LOL

you both just end up giggling and laughing

in the end you just both opt to cuddle instead (or even make our LMFAO)

yuuji just feels so lucky to have his ever-supporting partner along the way

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ittsybittsybunny · 3 months

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ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

#atla #avatar the last airbender #avatar the last airbender tv #atla tv #spoilers #natla #i loved it i hated it i mostly sat through it #i would like a season 2 though #aang #katara #sokka #zuko #iroh #uncle iroh #azula #ozai

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piratecaptainscaptainpirates · 1 month

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Okay, I wanna talk about Fun and Games and the Anne and Mary plot.

First thing: the whole setup with Anne and Mary is a very one-to-one reference to the play Who's Afraid of Virginia Woolf, as many have already pointed out, but unless you've seen the play you might miss just how clear the reference is - there are lots of direct, kinda subtle references, from Anne kissing Stede to Mary throwing an axe at Anne's clock, but the main plot of this episode is so heavily rooted in what happens in the play that it's very worth talking about. "Fun and Games" is the title of the first act of the play.

A brief synopsis of the play, if you've never seen it. It will sound very familiar. The setup is an older couple having a younger couple (who mirror them in many ways, down to occupation) over at their house. George and Martha, the older couple, have a relationship that at first seems normal but quickly becomes obviously dysfunctional. They're passive-aggressive with each other, have all these little games they play with each other with rules obvious only to them, and frequently get into heated arguments and try to embarrass each other in front of their guests. Nick and Honey, the younger couple, are revealed as the play goes on to have some issues between them that could very easily lead to their marriage going the same way as George and Martha's, just fun and games because they can't handle actually talking like adults and accepting each other as they are. When George and Martha are forced to stop playing little games with each other, the play concludes with an open ending, and we as the audience are left to wonder if George and Martha will be able to actually talk through their emotions and problems without the impuse to avoid them that they've been leaning on for years.

The name of the play is a reference to Virginia Woolf, who was an author very invested in earnest exploration of a character's inner thoughts and feelings - playwright Edward Albee says that the play's title can be read, really, as "who's afraid of living life without false illusions?" and when Martha says she's "afraid of Virginia Woolf," that's what she means. The characters in the play constantly play games and create little illusions to hide from their real feelings and what happened in reality because it's too scary for them to be honest with themselves and with each other.

Anne and Mary are a cautionary tale for Ed and Stede, but it's not a simple "if you quit piracy you're going to get bored with each other and regret it." The cautionary tale is "if you refuse to talk with each other, if you refuse to actually address the reality of the situations you're in together, if you allow yourselves to become so bitter with each other because you would rather pretend you can get by with fun and games instead of acting like adults in a relationship, that is when you'll end up like Anne and Mary." It's notable that Mary mocks Ed and Stede for acting like teenage boys and not having an "adult" relationship, because she and Anne approach their relationship very childishly, snipping with each other, trying to get a rise out of each other, and refusing to actually talk, and when Ed and Stede are having an open, earnest, heartfelt conversation, they laugh and mock them for it.

And I think a lot of analyses of this episode miss that Anne and Mary broke free from the fun and games cycle at the end of the episode. When Anne set their shop on fire, she's burning the illusions they've been living with, too - their version of George and Martha's game is trying to "kill" each other, so scared of that final mystery, which of them is going to keel over first, that they have to make it into a game. The episode is not saying that it was a mistake for Anne and Mary to quit piracy and settle down. It's saying that their problem is refusing to actually talk to each other and communicate like adults, and when Anne commits to Mary over their shop, this symbol of the life they've become so bitter about and all the games they play to talk around their feelings with each other, they share a hug and we get the sense that their relationship is on the mend.

This episode is extremely well-crafted. It references the play without becoming overly derivative, but the central themes remain strong. It's a cautionary tale for Ed and Stede, but it's not a basic one, and it comes back at the end of the season when Ed panics and runs away to live an illusion of a fisherman instead of communicating with his boyfriend. Ed and Stede are not becoming Anne and Mary when they settle down together - it's the opposite, they're committing to what they want and living a life without illusions.

#ofmd #our flag means death #fun and games is exceptional and i will tolerate no slander!! not in my house!! favorite episode!

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qqueenofhades · 10 months

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Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

#good omens #good omens meta #good omens s2 #good omens spoilers #ineffable husbands #look this probably could have been twice as long #but i had to stop somewhere #I JUST HAVE A LOT OF FEELINGS

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syrena-del-mar · 4 months

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Dead Friend Forever Is More Than Just A 90s Slasher Film Imitation

Oh man, I went in thinking I would just get a whole lot of gore and murder, and instead I'm getting a buttload of social class distinction, parental issues, mental health crises, organized crime, and a highly-likely revenge plot line.

The thing about Dead Friend Forever is that it starts unassuming, almost like an copy of all other teen slashers from the 90s. A group of friends, up in a cabin and suspects to a potential murder, become hunted one-by-one. A cliche slasher plot if I ever heard one. Until it’s not. This show is taking up a very big corner of my brain, so I’m going to delve deeper into it.

If you haven't watched episode 6 yet, spoilers up ahead.

Pulling inspiration from 90s slasher re-inventor, Scream

The first four episodes really set up the expectation that DFF was going to be another slasher, seemingly particularly influenced by Scream (1996). Scream was a turning point for slasher movies, signaling a shift in from the movies of the 80s to that of the 90s. It was the first of many movies to allow for the characters to be self-aware of what genre they're working in, where the characters knew of the slasher-movie tropes and attempted to do everything right to survive. Scream is also the first slasher to truly humanize the killers, and I don't mean by making them empathetic, but rather the killers were human, so they made human mistakes. Prior to Scream, the antagonists in slasher films were usually this supernatural villain that was just murder-hungry. But in Scream, the killers are all just regular people and would often make mistakes on their way to kill the protagonists, like a normal human would. It's why Scream was scary, the killer could be anyone, it wasn't this supernatural being. And even when you're making the right choices to escape, you still end up dead.

In Dead Friend Forever, we're getting so many of the same tropes that Scream had subverted. The group is working understanding exactly what they're facing; Fluke warning to not pull out the stake inside Por, Top wanting to split up in the temple while Phee, Jin and Tan veto against it expressly stating it would be like the horror movies, White not wanting to be left behind in the cabin. They all know what they shouldn't be doing while there is a killer on the loose. Also, it's why there's these funny little moments of the killer in DFF (i.e. having to steal the motorcycle to get back to the cabin). I'm not completely convinced that there isn't any paranormal activity or at least some type hallucinogen-component at play, but the way the killer acts is very human-like. Not to mention the parallel of Barcode (arguably the most popular actor in the show) getting slashed in the first minute of the show, eerily similar to how in the opening scene of Scream, Drew Barrymore (the most well-known of the cast) gets killed immediately.

The Benefits of Series Format versus Movie Format

The series format is where I think Dead Friend Forever is really shining the most. @wen-kexing-apologist made an awesome post on the directorial direction this show is taking, particularly in how since the first four episodes we have very little context as to why the killings are occurring or even the state of everyone's relationship, we're freely able to form opinions on each character. Similarly, prior to getting to know what happened to Non, I also thought Tee was the better one of the group. But here we are, two episodes later and I find him to be the most detestable of the bunch (which says something, when Por and Top are competing in this category).

We're seeing and experiencing the absolute hell that this friend group had actively made (sans Jin and Fluke that suffer from the bystander effect) Non's life out to be. In a regular slasher movie, especially ones that model themselves after Scream, we find out why the Killer is doing what he's doing to the victims in the last quarter of the movie, but the emotional value is a little skewed. The little amount of time we spend learning about what the victims did to the Killer usually still leaves you feeling at least a smidge of pity for the victims and some joy that the Final Girl made it. Here, the mass consensus is that each and every one of them should die.

And it comes back to the luxury of spending several episodes in a flashback to what lead up to the killings after the game of cat-and-mouse has begun. We're introduced to Non as an outsider, where everyone, but Jin, has already formed a bad opinion of Non. They already have a brutal nickname for him (read @forkaround's awesome analysis on the term 'Greasy'). They already established that he's an outsider in the classroom, but they make an active point of only referring to him as 'Greasy' and Non just accepts it. We see the friend group frame him, causing him to spiral twice to point of suicide, proceed to prey on him into a money laundering scheme, get him caught in a criminal investigation, all while already undergoing mental health treatment. We're given that time to know and see the pain that Non is caused, the manipulation that he is put under, and ultimately the devastation that they've caused.

Dead Friends Forever is more than just another teen slasher, because it has time. And it's using its time wisely, giving us bits and pieces of information in the beginning before delving into something more sinister than the killer on the loose, the original five. Run-of-the-mill bullying has turned into framing, assault and other criminal activity, even murder. And yet, while Non is the one that has disappeared (or died), the other five have been able to make a life for themselves without suffering any of the consequences. It's showing exactly what they have done to deserve everything that is coming to them.

Final Thoughts

Man, Be on Cloud is truly blowing it out of the water with this show. I'm actually a bit sad that it's only barely starting to get the recognition that it deserves, because in my opinion, it's just that good, BUT I also understand why it's had a sleepy start. It's in an place, a BL in one sense, but not exactly a BL in any other. I've said it before, but no matter what you think of BOC as a management company, the stories that they tell are unique and they have the artists that are competent enough to deliver. Be on Cloud has, allegedly, allowed the writers take the reign on the show, even if this means messing with the couples, so even more chaos is going to occur. This is, frankly, exciting to see and experience the story as they want it to be told.

I said this when I first saw Barcode in KinnPorsche deliver that heartbreaking cry, that boy knows how to cry. He was a newbie and his stole that scene. Now this is his third show under his belt and his acting chops only continue to improve, I truly can't wait to see what more he is able to do here in Dead Friend Forever. I love that Sammon is also enjoying what Barcode has able to bring forth in Non and that all her worries have been eased. I truly think that Barcode is going to have an incredible career ahead of him, whether in music or in acting.

Ta, on the other hand, also deserves his share of accolades. I wasn't sure of how to read to Phee in the first four episodes, but with the information that episode 6 has given us? The picture has cleared significantly and now, having rewatched his scenes, everything makes sense on why he seemed to be conniving. Episode 6 had some of the strongest performances and yet the biggest gasp I made was in the last minute. The singular tear rolling down Phee's cheek after having to perform the two-finger method, to have Non throw up the pills, and holding him in his arms? Quite literally jaw-dropping.

Sammon has a strong repertoire of shows, so I have complete faith that she knows what she's doing for Dead Friend Forever. I hope this becomes as much of a cult favorite, much like Manner of Death and Triage.

Anyways if you need me, I'll probably be stuck thinking about PheeNon for the next week until episode 7 airs.

#dead friend forever #dead friend forever the series #dead friend forever meta #dff meta #dff the series #barcode tinnasit #ta nannakun #copper phuriwat #pheenon #be on cloud #pheejin #tabarcode #boc actors #thai bl #thai bl meta #bl meta #steph rambles

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lutawolf · 9 months

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My Personal Weatherman and the D/s element Ep 3

If you haven't read my other episode break-downs, please do so here.

Let me just say, I love Segasaki. Oh, so much. He works hard to read Yoh. There is a lot of respect there, it's just there is also a lot of miscommunication. He commands Yoh, put that aside and come eat breakfast with me. And Yoh immediately obeys. While saying, he hates Segasaki in the most sappy inner voice ever. Leading us to believe that I hate you, is code for, I love you.

I really like you, is big dialogue? I mean, even porn should have some kind of plot asshole. I wanna beat his boss. Oh, Yoh is eating out. Change of scenery. Then surprise, Segasaki shows up. I adore it. He knows Yoh enough to know that he would be doing café sketches, so he came by. Um, good thing Segasaki missed seeing him with the girl. hahahaha. Are all Doms jealous? I get this question a lot. The answer is no. However, all Doms are possessive. That's not to say they can't also be jealous, but I personally am known for my possessiveness with damn near zero jealousy.

Their friendship is cute though. She got some brains there. She does. Why isn't he drawing BL! Um, he likes to draw breasts. Okay, I respect that.

The indecisiveness of a submissive. It's a thing. The more submissive, the less they like to make decisions. I however, want to make all the decisions unless I'm hungry, then I short circuit and sound like any hangry female. Segasaki asks if Yoh is working, Yoh says it doesn't matter. So Segasaki says they are going out, and he still asks again if Yoh has plans. Very respectful. Segasaki has way too much respect for any of Yoh's boundaries for anyone but dumbass Yoh to think he is a slave. That little smile Segasaki gives! Ahhhh!

They're on a date! So cute! I love how Segasaki just stares at Yoh and waits for him to notice. You are looking at a Dom with a strong primal instinct. The hunt, the chase, and outwitting his prey.

So much went down at this scene. Okay, so first, notice that Segasaki orders for Yoh. When I talk about a Dom serves food, this is what I mean. Everyone wants me to explain the difference between a Dom and sub serving food, and it's hard to. I can't just say, well one is a Dom and one is a sub, but that is it. The attitude involved with food is different. Segasaki and Yoh are a great example of this. Can you see the difference in how they both serve the food? How one is an act of service while the other is providing? Even in the way Segasaki takes a bite from Yoh's bun, he asks, but he is already going in for a bite and Yoh is already offering. The asking is simply Segasaki being soft with his commands. There is a reason why Brat Tamers are often called charming. Now, also notice that Segasaki purposely brought up the price, he also made sure to say that Yoh doesn't need to worry about it. This is him saying, no matter what, I can provide for you. Which is very important. A sub does not want a Dom that can't provide security. Think about it, a submissive is giving all of themselves, of course they need to feel secure.

Look at the difference in how Yoh asks for a bite. Look how he double-checks that it's okay. Totally different vibe. They felt like only Gyaru could have it? Like only females?

Oh, the ride is giving me My Accidental Love vibe. Yoh honey, this is a date. So cute!

Segasaki pushed that sales lady right out of the way. He wasn't rude, but he clearly indicated that Yoh was his. Poor Yoh is clueless. Man is cute but dumb. Seriously dumb. Thankfully, Segasaki is all about this idiot. He really does get him. OMG, the sheets!!! This is going down as my favorite. HAHAHA

Segasaki teases until Yoh admits. He teases, and then he praises. Ah, now Segasaki is calling him out. He continues to push. Causing Yoh to retreat, but Segasaki won't let him. He then calls Yoh an idiot. Fair enough because he is.

The kisses though! The kisses!!

See, Segasaki knows Yoh. Aw, the way Yoh curls in on him. So cute!

These two are killing me. I need more. Now! I'm looking forward to the next one. Hopefully you guys are too. If you enjoyed this. Let me know. 💜💜💜

#my personal weatherman #segasaki x yoh #luta talks my personal weatherman #luta talks kink #coconuts mafia

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cononeillbreastingboobily · 7 months

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Thoughts and feelings about Izzy in s2ep4 and what it means to me as a fellow disabled person:

Yeah, so, that episode, huh?

You know, I already knew going into this new season that Izzy's storyline is going to hit me hard regardless of the exact little plot points it might have, but it's only now, several hours after I've watched eps 4&5 that I'm really starting to digest what his story means to me in it's current shape. This is... a bit long. I also mention a character from a different show - Isaac from Sex Education.

Izzy has always been a bit of a dick, right? That's the reason a lot of people hated him in the first season.

Well, now he is a bit of a dick and disabled. And let me tell you how fucking ecstatic I am about that.

You see, looking for disabled characters in media I consume has rarely been gratifying - if they are there at all, which already is rare, they have very little to do, and if they're even semi-important, they're almost always the epitomes of goodness. Nice, understanding, quiet, patient.

Barely there.

The first time I truly felt something change in this area was with the appearance of Isaac in Netflix's Sex Education. He's sarcastic, funny, talented, honest and mean.

The fandom of that show hated Isaac, let me tell you.

It was mostly because he took direct action to separate the main ship of the show that had many people obsessed. As you'd expect. People's ableism immediately jumped out. As you'd expect.

Because how dare he have his own motivations and wants, and to do what he thinks is right?

Barely there.

And now we have Izzy. Izzy, who also did what he thought was right, which in s1 of the show was trying to separate Ed and Stede. He wasn't trying to make himself too likeable at any point (well. when the crew almost mutinied on him in s1 he did do a last ditch effort but. you remember how well that went).

My point is that now we have someone who isn't particularly nice, and now he's dealing with a sudden loss of ability in his body, which is going to make him even worse. He's angry! Of course he is! He's hobbling around with half a leg gone, humiliated, exhausted, barely recovered from impromptu amputation, no anesthesia. And a suicide attempt! He's angry at himself, his body, at Ed, at Stede, at God if he still believes in one, and who knows who else.

He isn't suddenly going to become nicer to people just because. He doesn't need to be humbled.

(a little sidenote: I do not accept the reasoning that Izzy somehow deserved to lose his leg, that "oh what did he expect riling up Ed when he was heartbroken?" etc. He wasn't expecting to get shot in the fucking leg. Nobody fucking deserves that, and if you think that Ed shooting him in the leg and Izzy subsequently having to have it amputated was an "appropriate punishment" for "what he's done", you're just cruel and wrong. Now scram.)

But that's the point. Disabled people deserve help regardless of whether or not we are nice.

Thankfully (not from Izzy's point of view - his pride was definitely bruised in that moment) the crew saw him struggle, and acted in kind. Because Izzy is their dick. And now - also their unicorn.

And it means so much to me that we get the representation of disabled people who thrash around and rattle the bars of their societal cages, furious at the world that isn't welcoming to us, and receive love and care and an invitation to a loving community regardless.

We shouldn't have to be here just when ableds are ready to give. We aren't meek vessels for your good will. Izzy is such a painfully realistic (as far as the universe of the show permits, given it's unavoidable goofiness) portrayal of the anger of someone who's lost some of their body's past ability, and how one might deal with it.

And I really wanted to say something about that, because I'm afraid it might get lost in the discussion about the more popular and more easily digestible aspects of the show.

#ofmd #our flag means death #izzy hands #ofmd s2 #ofmd s2 spoilers #long post #disability #ableism #disability in media #tw suicide attempt #ofmd meta #ofmd s2 meta

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thewatcher-ofmedia · 5 days

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🔥CHARACTER REVIEW TIME🔥

(Can you tell that my portuguese teacher didn't come so I have 100 minutes without shit to do)

ANYWAYS, since I'm in the 4th episode I think it's a good time to see first impressions

MAIN CHARACTERS

CHARLES

I love him so much, like I was 10 minutes in and saying "I would die for you, I would kill for you, just ask and I'll do it"

Favourite character obviously

Wanna put him in a jar and protect him from everything bad in the world

He's brunette, has curls, is the sunshine character, has daddy issues and uses humour to cope so obviously he's also on the list of fictional crushes

Also something that I absolutely love about this show is that they pick this "stereotypical characters" and make them better.

Like, in this case the always happy character would have a ton of trauma but the show (or the characters, but that's a talk for another post) would not acknowledge this, they would show real depressed shit and then completely ignore it for the rest of the show.

Or just show it in the end of the series then kill him off.

But here they're letting people know from the beginning AND it's visible that the fact that he hides it is gonna be a major plot point in the show which makes me SO HAPPY

And in the loop scenes they made sure to focus on Charles face and reaction every. single. time.

Anways, I'm soo curious to learn more about his trauma and death and to see his character development

And he's so cute and trying so hard to make sure everyone likes him and lighten the mood and to not be a bother and to make everyone happy and I'm gonna cry

EDWIN

I also love him so goddamn much

He's also going in the jar, don't worry I'll protect you from everything

He's my baby (he was born more two hundred years before me and is my age BUT HE'S MY BABY)

Seriously someone needs to sit him down and say that everything is going to be ok (and get death the fuck away from him, my boy does not deserve hell, he deserves to be with his boyfriend best friend)

Also love this concept that everyone around him knows he's not straight, he knows that he's not straight but somehow he's still in the closet. Like, he never says he's straight, but he says to Niko that Mounty and him both boys, so one cannot be into the other and when Niko says that boys can like like each other he just turns the conversation around

I think they're writing that so well. It's subtle yet obvious, it's so good

Also, he's autistic, definitely in the spectrum. He obviously doesn't know because the first diagnosed case of autism was in 1943

And the dynamics that he has with everyone is SO GODDAMN GOOD

CRYSTAL

Someone give this girl an aspirin, a therapist and a bed

My girl cannot catch a break

One more in the protection jar, don't worry, I'll find your family for you, you need to rest

Overall great character, she's sassy, she's funny and she's the only emotional intelligent one

She's definitely gonna be the bridge for Edwin and Charles' romantically relationship

Like she's Miss "Edwin is acting weird because he's jeaulous of the sexual tension that we have, Charles" and Miss "Charles got stuck in the loop because he has strong feelings towards abusive fathers because he had one, Edwin"

Really love that we have someone to smack this idiots and say "You're in love with each other" because they are not gonna realise that by themselves

Also, DAVID GET THE FUCK AWAY FROM HER, SHE DOES NOT DESERVE YOU. I'LL GET THE CROSS, I SWEAR I'LL DO IT.

NIKO

She's so cute, I wanna protect her from this cruel, cruel world

This means that I already have her in the jar, no one else is gonna get to her

At first I thought she was gonna be this really closed and introvert character that was gonna talk when absolutely necessary and was a bit emo. But like her hair her personality lightened up as soon as the parasites got out (she was sick it's normal that she was wuth a really depressed attutude but Bea's too focused on the story to remember how people act socially)

I really wanna hug her, I need to

Also love how eager she is to help and how she has nothing to do with the boys , she's a "cas closed" but even Edwin can't say no to her

I feel like her "almost dying" trauma is gonna be a bit underrated (although I see that they are not completely ignoring because of the 3rd episode where she felt like she couldn't deal with death since she almost met her the week before) but I want to believe the opposite because until now the show has not disappointed me in terms of traumas (or in other terms really)

SIDE CHARACTERS

ESTHER

I don't have much to say, I like her in the twisted "this is a fun villain" way

I'm really curious to know more about this Lilith and immortality thing

She did loose some points in my book with the whole torturing the crow thing

I am ✨️traumatised✨️

CAT KING

I'm so confused about his character

Like, he's a really fun character

And his outfits are great

But at the same time, get the fuck away from Edwin, in both the scenes with both of them I was so scared that he was going to the "no consent" zone

I do love that both the scenes where he's in he slays the outfit, tries to drag Edwin out the glass closet, fails, keeps him trapped so he can try to do this one more time and goes away

Like, he has one objective and one objective only and honestly, respect

JENNY

My patient queen

I have not much more to say

She accidentally adopted two really weird teenagers and regrets that so much

I respect her so much

As an older sister, if she snaps, grabs a knife and kills them both out of annoyance I would support it

That's it 🫶

If you haven't understood yet I have way too many thoughts about this series

#beareviewsdeaboydetectives #dead boy detectives #charles rowland #edwin payne #crystal palace #niko sasaki #esther #cat king #jenny the butcher

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coccinelle-et-chaton · 4 months

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some ATLA post-trailer thoughts now that I'm done foaming at the mouth:

I am really curious to find out what could possibly have been the creative differences that made bryke walk out of the project. The trailer didn't disclose much of the plot, but judging by the cameos, it looks like they will be stitching together all the 'earth-adjacent' episodes like kyoshi warriors, the one with Teo and the mechanic, and Omashu. Wonder if we'll get Haru or if they'll skip that/leave that for s2.

I have the sneaking suspicion that the timeline will be different. As in, Aang won't have 1 year to complete his quest but maybe 2 or 3. Not only does it make sense for production purposes, but if Kataang stays as part of the plot, it won't look as awkward if they let Gordon grow a couple inches because that sweet boy is TINY🥺

I am still holding my reservations with the cast's acting range and chemistry, but I am very optimistic. Don't get me wrong, I think the casting choices are phenomenal. They look and sound exactly like their animated counterparts, but there is still something a bit... off. idk, maybe it's just me, but it seems that every time the cast is doing pr they're too rehearsed, too nervous to be themselves. And I could see some of that hesitation in the trailer. It may be just me, though. Plus they are still very young and these are their first major acting roles, so I can understand the charisma doesn’t roll off the tongue as easily as with, say, the cast of One Piece, who are ten years older than them. After seeing the trailer, though, I'm definitely giving them the benefit of the doubt.

Gordon looks like he’s going to smash the ball out of the park. I'm very excited to see him in the more vulnerable scenes.

After seeing the kids mention how hard it was to portray humor in such a serious project several times during the after-trailer party video, I am a tiny bit concerned that this may be one of the major creative differences. Like, one of the reasons ATLA was so successful was because it did the rare accomplishment of telling a story about war and suffering without ever sacrificing humor, hope, and light-heartedness. I will not forgive Netflix if they attempted to turn atla into a slightly funnier version of Game of Thrones.

Also, I am aware that this is a trailer so they'll keep some stuff out but,,,, where is Yue? 🤔

Things I will not forgive Netflix for if they leave them out:

MY CABBAGES!!!

#atla #avatar the last airbender #n:atla #avatar the last airbender live action #atla live action #aang #katara #sokka #zuko #kataang #zutara #sukka #zukka

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ghostinthelibrarywrites · 9 months

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A kiss like they're trying to convince the other to love them and/or a kiss in front of someone they hold captive

Yennskier

Here's a little bit of both, set in an alternate timeline where they managed to capture Rience during season 3, episode 1:

“We should probably talk about what happened in Kaer Morhen,” Jaskier says in what he hopes is a casual way.

Yennefer looks at him incredulously. “Does now seem like a good time for this conversation, bardling?”

“Why not?” Jaskier shrugs. “He’s not going anywhere.”

They both turn to look at Rience, who scowls back at them from the chair they’ve bound him to in dimeritium chains. Jaskier can’t help but feel a thrill of vindication at seeing the fire fucker as trussed up and helpless as he was a year ago in Oxenfurt, even as he keeps catching himself rubbing his fingers together anxiously. It helps that Yennefer is standing next to him and Geralt and Ciri are just in the other room with Yarpen.

Rience sneers at Yennefer. “What’s one of Tissaia’s girls doing, working for a witcher?”

Jaskier snorts. Even if they hadn’t already figured out that Rience isn’t the mastermind trying to capture Ciri, that would have given it away. No one with any sense would think Yennefer a lackey. Leaning closer to Yennefer, he says, “We really should talk about this.”

“About what?” She sighs, clearly realizing she’s not going to be able to evade this. “A lot happened in Kaer Morhen. Do you want to talk about Voleth Meir? All the money you still owe Ciri after all the times she trounced you at cards?”

“She did not…” Jaskier draws himself up, realizes he’s being distracted, and lets out a huff. “About our last night there.”

Yennefer doesn’t visibly react, but there’s a pointedness in the way she turns back to Rience. “Who’s your puppetmaster?”

Rience bares his teeth at her. “I’m no one’s—”

“I don’t believe for a second that you’re the one calling the shots. You’re a one trick pony, aren’t you? You can harness fire, but not much else. That portal wasn’t yours.”

“I just can’t help but notice that you’re acting a bit… off,” Jaskier says carefully, because he and Yennefer may be friends now, but he still doesn’t put it past her to curse his bollocks off.

Yennefer closes her eyes. “Did you learn this interrogation technique from Phillipa?”

“Gods, no.” Jaskier barks out a laugh. “Phillipa wouldn’t let me anywhere near an interrogation.”

“I suppose that’s why Redania is still standing.”

“See? That was almost mean. That was the first mean thing you’ve said to me in three days, and it wasn’t even in your top ten best jabs! Something is clearly amiss. Are you a doppler? Are you dying? Did you hit your head in the skirmish yesterday? Melitele, are you actually plotting my demise? Is this your way of trying to lure me into a false sense of security? Because it isn’t working, Yennefer.”

“If you want him dead, you can just let me out of these chains.” Rience snaps his fingers menacingly and Jaskier can’t help but step back, even though no flames appear.

Yennefer throws out a hand and Rience’s chair flies backward, slamming against the wall and capsizing. He yelps as his head bounces off the ground and lies there, groaning.

“Yenn?” Geralt calls from the next room. “Jaskier?”

“We’re fine!” Lowering her voice, Yennefer hisses, “This isn’t the time.”

“Well, it has to be the time, because you keep avoiding me. Is this about what happened between us? Because you didn’t seem to have any regrets the next morning? In fact, you asked…” He trails off, pieces starting to slide into place.

“I asked you to come with me, Geralt, and Ciri,” she says through gritted teeth. “And you said no. Years of you popping up at the most inconvenient times, bardling, and the one time I want you to stay, you left.”

“But…” Jaskier opens and closes his mouth, at a loss for words. When he recovers his wits, all he can squeak is, “I told you I was needed at Oxenfurt.”

“Bullshit. You told me yourself that the Sandpiper organization would run just fine without you. The only thing you did going back to Oxenfurt was put yourself in Phillipa and Dijkstra’s sights.”

“Well, I’m sorry I didn’t want to come with you just to watch you and Geralt play house while I was just there so you could keep me out of trouble.”

It’s her turn to look taken aback. “What?”

“You said so yourself, you wanted me to come with you so I wouldn’t get myself killed in Oxenfurt. You, Geralt, and Ciri are a family, bound by destiny. I’m not—” He’s getting too close to all the things he doesn’t want to say to her, so he looks away. “I’m happy to play the fun Uncle Jaskier whenever you need me to. But the thing about fun uncles is they show up, let you win at cards a few times, and then they leave before the joke gets old.”

Yennefer doesn’t look exasperated anymore; she just looks sad. That’s somehow worse. “It took Geralt months before he would talk to me about anything but the weather, Ciri’s training, or telling me to duck because someone was trying to stab me. I have never once slept under the same roof as him and Ciri, even when we barely had the coin to afford one lodging, never mind two. It took until the winter before he let me inside to break bread with them. The shadow of what I did hung over us every day. We weren’t playing house, we were on the run, and you should have fucking been there.”

“Yenn—”

She talks over him. “You were the only person who could look at me when we were at Kaer Morhen. I asked you to come with us because I didn’t want to be alone.”

“Why didn’t you just say that?” he whispers.

Her jaw clenches stubbornly, but she doesn’t answer.

Carefully, he reaches out to take her by the wrist, tugging her closer. “Watching the three of you leave Kaer Morhen was one of the hardest things I’ve ever done. If I had known you really wanted me there, I would have followed you in a heartbeat.”

Her lips twitch into a half-smile. “Did you really think I was asking you to come just to be nice?”

“Foolish, I know.” He lets out a shaky breath. “I’ll stay this time.”

“What about the Sandpiper?”

“Vespula does most of the Sandpipering these days. I’m being watched too closely by the RSS.” Jaskier brings her hand to his lips. “I’m sorry if I hurt you.”

Yennefer looks like she wants to deny it, because gods forbid she or Geralt admit to being people with feelings, but she nods. “I’m sorry if I’ve been too kind to you. It won’t happen again.”

“Thank the gods. It made my skin crawl.” He leans down to rest their foreheads together. “Let me stay, Yenn.”

She doesn’t answer, but lifts her face so that he can close the gap between them and kiss her. It’s a tentative thing, not like the desperate, hungry kisses they exchanged on their last night in Kaer Morhen, as weeks of longing—well, probably years of longing, if Jaskier is being honest with himself—bubbled to the surface. There will be time for those later, once they’ve figured out who Rience is working for and ensured that Ciri is safe.

Across the room, there’s a noise of disgust. “If you’re going to make me watch this, I’d rather you just gouge my—”

Yennefer throws her hand out, not pulling her lips away from Jaskier’s. There’s a thud, a yelp, then silence.

“Don’t kill him yet,” Jaskier says, breaking the kiss to press his lips against her throat. “We haven’t gotten any answers out of him.”

“And whose fault is that?”

“Geralt’s, the easily distractible fucker. He’s off chattering away with Yarpen while we do all the hard work.”

Yennefer rolls her eyes and mutters something that’s undoubtedly insulting under her breath, but she kisses Jaskier again, so that’s alright.

***

Kiss prompts

Tag list: @kueble @mollymawkwrites @feral-jaskier @geraltrogerericduhautebellegarde @dawnofbards @thisislisa @tsukiwolf42 @mosaicscale @rockysstupidity @fontegagrilledcheese @kuripon @help-i-need-a-cool-username @julek @flowercrown-bard @eveljerome @ladykardasi (sorry, it wouldn't let me tag your Witcher blog)

#the witcher #twn #yennskier #jaskier x yennefer #ghost's writing #ghost's fic

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spotlightlowlife · 4 months

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ep 6, heaven haz no benefits

Charlie once again proved her silliness.

No surprise there, I'll get to that..

In heaven we meet a rather sensible bunch in the angels, some approachable, some friendly, some very wary, a good mixed bag. Dude bro Adam is there but clearly able to tone himself down in more professional settings and it's clear he isn't in charge, so at this point it why not attempt to tackle the subject matter of exterminations?

We didn't meet anyone who spoke of their fear of hell overpowering heaven, nor anybody with any particular authority other than Adam. We met Sera, someone who up kept professionalism whilst being empathetic, fair and making it clear that her hands are tied.

Adam is also revealed to be the first person in heaven. Why I wonder? Will the significant biblical figure Abel be addressed at some point?

Like Lucifer in the last episode, Adam was needed to take the story to the next level, however Adam in very few words and scenes has become a character who really outshines Lucifer and his downgraded to understudy daughter. He is the true powerful innovator, a creator since he's technically the parent of sinners and now he's revealed to be the one with the most say out if this little bunch of angels, even though Lucifer had difference with his kind back when Adam was man? He even outclasses fellow 'moved up in the world' Alastor, whose plotting and mystery amongst a load of subplots doesn't stand out.

Adam is more action and get up and go.

Why is it that the across both shows the villains writers try so hard to have the audience hate with their crass attitudes and supposed counterproduction, turn out to be are the characters who are crafted the best and able to move the plot somewhere else? Intentional or ironic.

So, silly Charlie.

As expected, she sung, that's fine.

In a little scene, a whole other scene to the song, one that lasted but a few seconds, Charlie presented her case that sinners can display decency, only her case was observing Angeldust stand up to Valentino in real time on screen.

What part of this was a 'heavenly' act?

Why did Charlie think it was a good idea to encourage the sinners to enjoy themselves whilst she goes out? She essentially let the teenagers throw the house party. Why not ask them to behave themselves because she's going to heaven to fight their corner?

Still, this was the most she did to sell her pitch, springboard off another characters progressive scene for a moment. This scene could have presented a good argument of how exactly she was going to help sinners with their PRESENT situations, let alone whatever bought them to help in the first place.

What did she have to do with Angeldust bickering with Valentino? Is she going to go back and be supportive of Angel now having it spelt out to her his situation and how he feels about it?

Is Charlie going to leave heaven tougher with a leveled up perception and new approaches?

Doubtful, because yet again her time got dominated and she now has more major things to worry about, like her hotel being under attack.

Good thing Charlie and the residents have Vaggie at their side, who dispite having a little spat with an angel and getting a backstory, I actually managed to forget she accompanied Charlie to heaven.

Vaggie actually got a big reveal that was hinted at in a previous episode..

She's an angel, a fallen one, and that's that really, we aren't allowed the time to tackle this information and it's almost safe to say it certainly won't matter to Charlie.

Emily the cutesy angel who's whole personality was she agrees with Charlie was so forgettable that I near forgot her too had it not been for the rewatch? She's just as idealistic, just as youthful, vibrant and out of grown folks business as Charlie, she also has well meaning wise elders to answer to, she can't do anything without them giving a go ahead. They're so alike yet that's easy to put forward in them just mirroring eachother, only they have next to no chemistry yet still just blend into one. Considering heaven can watch the antics of hell on 'TV', even down to the goings on in Charlie's hotel, Emily could have been a fan, she could have approached Charlie with a whole host of things she observed, what she agreed with, what she would have done had it been her, they could have made friends on the spot and atleast tried to cook up a way to keep in touch, which may be an underhanded way of getting around their restrictions, but no, they were just there in the room together.

This character served to let us know that Charlie has an ally on the other side, along with one from the other side, shame this angel had even less chemistry with Vaggie, all things considered.

Decent episode, like 5 it was definitely needed to pick this series up, no thanks to any leading character.

Again, another ep with no gifs, the wik page hasn't been updated neither. Where are these rabid fans where it actually matters?

#hazbin hotel vaggie #hazbin hotel charlie #hazbin hotel critical #hazbin hotel review #hazbin hotel fandom #hazbin hotel adam

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hadesknockedupintheunderworld · 18 days

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Okay I just need to say that I knew I'd like this Tailstube as soon as I saw the thumbnail (after all, I am a Sonadails enjoyer, and Tails is literally in the middle of them in the thumbnail)

But I think probably something that stood out the most to me when I watched it was just

The hints that Shadow and Tails have a relationship outside of Sonic??

The first thing that tipped me off to this was that not only did Tails convince Shadow to join in on his show, he also convinced him to stick around to its natural end?? You know, Shadow. The guy you can't force to do anything and frequently will just dip if he's bored or doesn't want to be there. But even while Sonic was annoying him and he made it clear he wanted the "interview" over with, he still never made a move to chaos control out of there because of any of this.

And the second thing that tipped me off was this:

When Shadow is both confused and annoyed at Sonic, he chooses to complain to Tails about Sonic. And so Tails steps in to try to "explain" what Sonic meant by what he said (i.e he told Shadow something much nicer in the interest of getting them to be on better terms). The fact that he looks to Tails to complain to about Tails' own best friend and possibly even to explain that which he does not understand in a social context tells me just how highly he regards Tails. And since both Shadow and Sonic are being childish here, it's amusing to see Tails regarded as something closer to a trusted figure with more power here.

From an objective analysis standpoint, of course this means they have their own friendship. And this is a prospect I enjoy (The idea that Tails and Shadow are good friends)! It actually means a lot to me that Tails could form a frienship or bond with Shadow outside of the context of Sonic (in terms of who initiates it and for what reason it's initiated).

But, my friends, from a biased standpoint, I'm shipping trash. And to me this Tailstube was a fun show for Sonadails fans. Honestly, Tails staging this episode to get Sonic and Shadow to talk and "bury the hatchet", as well as how he acts during the show, read a lot to me personally like a guy trying to get his two boyfriends (who happen to be rivals) to get on better terms, if not just tolerate each other. I quite like the idea of Tails dating both of these idiots and just trying to get them to play nice when they're all together (although frankly I think the ideal scenario for Tails in my biased reading is that Sonic and Shadow get together as well).

This is also not to mention the dynamics showcased here! Sonic and Tails as best friends, with Sonic assuming that he and Tails were gonna talk shit about Shadow behind his back, and Tails trying to get him to play nicer. Shadow and Tails as friends, with Tails trying to convince him why he and Sonic are in the perfect position to become friends and helping him out socially, and with Shadow choosing to do something he doesn't want to because of Tails, as well as looking to Tails to complain to when Sonic is annoying him or when he doesn't understand something. And then there's Sonic and Shadow. In short, their relationship in this episode reminded me a lot of the dynamic I plotted out for that Sonadow post I wrote up where the two just beat the crap out of each other. In slightly longer terms, I find interesting how Mr. Flynn maintained Sonic and Shadow's dynamic during SA2 (with Sonic bothering Shadow and trying to fight him, while Shadow is just annoyed that Sonic won't leave him alone) while also showing the audience that they are rivals. And in longer terms...Sonic was clearly seeking a fight during this episode. And the facial expression, the mocking, his tone of voice, it doesn’t really matter whether or not he actually dislikes Shadow and believes they could never be friends. He's trying to annoy Shadow and goad him into a fight because he wants to fight Shadow so badly it makes him look stupid. And we can tell by how he expresses his confusion to Tails that Shadow is just not getting this. To him Sonic is just being annoying and confusing. Sonic is targeting him specifically, and Shadow shoots back with his own words. And so it's also pointed that Shadow reciprocates/actually decides to fight Sonic when Sonic specifically challenges him. He doesn't respond to Sonic trying to goad him on, but when Sonic challenges him specifically he's much more interested in opposing him.

Anyways guys I love Shadow and Tails having a soft on the side relationship while Sonic flirts by convincing Shadow to fight him somehow😂💖

#sonic the hedgehog #tailstube #sonadails #sonshadails #sonadow #sontails #shadails #shadow the hedgehog #tails the fox #miles tails prower #i just be ramblin #man there are so many things about this episode #Another personal favorite interaction was when #Tails: Come on could you try to just say one nice thing about each other? One compliment? Please?#Sonic‚ mockingly: Anything you can do I can do better #Shadow: Yeah? Do it then. Prove it.#Sonic: Ah crap he called my bluff #Sonic: I uh...I love the way you...chaos control?#Tails: Okay. You do one now Shadow #Shadow: I uh... I also love the way you chaos control. ...It's impressive that you could do it with a fake emerald #Tails: See? You can compliment each other! Sorta #Sonic is on the aro/ace spectrum to me but to me his most compelling relationships are always little buddy effect related and knuckles #effect related #Which just means that he tends to hold relationships like his and Tails highly (and has taken more than one little buddy)‚ but is also #attracted to people who have tried to kill him. What can I say? He loves the softness and domesticity of having a smaller loyal partner as #he loves the danger and exhilaration of fighting/racing a strong opponent #Sonic and Shadow fighting (and especially Sonic trying to get Shadow to fight him on purpose) is just baseline what the two need #for 'toxic yaoi' so if someone can't even handle how hostile they were during the tailstube then...#Anyways‚ how we feelin Sonshadails fans?

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gilly-moon · 3 months

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PERCY JACKSON TV SHOW REVIEW

(SPOILER ALERT! I Did Not Like It)

It has been 16 long years since I first picked up The Lightning Thief, and once again...I am faced with an adaption of one of my favorite books that is so painfully disappointing. And now that the tv show is completely out, it's time to purge the collection of thoughts I compiled on it:

Starting on one of the (few) positives, the cast was incredible. I know for a FACT that they are all wonderfully talented individuals, and I aim all of my gripes with their acting at the directors and writers.

So much telling. So little showing. Stop explaining the plot and the mythology to me. SHOW it to me. Explain later only when necessary.

And yet, some things weren't explained at all! I know, as someone who read the books, what blue food means to Sally and Percy. But the show never explains its significance. To the unknowing watcher, it's just a weird quirk, not a small rebellion between a woman and her kid against the life they're stuck in. It baffles me what the writers chose to over explain versus under explain. There's no clear reason for either behavior, and it permeates the writing in a bad way.

There's also a lot of the kids just being dragged from point A to point B by an outside force, rather than their own actions. They never really felt alone or even in danger on their quest, because gods kept showing up to help them along. I did not like that.

These kids aren't allowed to be kids. I stg you could make them teens or young adults and the dialogue/their actions would be the same. That's not good.

Why do they always have all of the information!!!?? They immediately know it's Medusa. Echidna introduces herself and they immediately know who she is and that it's a Chimera in her bag. They immediately know what the Lotus casino is. Why? It makes the stakes feel so low, rather than the mad dash scramble in the books that happens a lot when characters have to remember the myths and how to beat a monster mid-fight. And it makes all these scenarios so boring!!!

Also so many of the fight/chase scenes were boring or anticlimactic. The only good ones I can think of were in the first two episodes, and then one with Ares. Someone actually slipped in some good choreo in those few fights, but completely forgot to add it in to....the rest of the show....

There's very little about the show that feels magical. CG is used, obviously, but at times it feels like they should've gone further with it, or used it even more, and they just....didn't. The visuals end up feeling clunky and not very cohesive, with zero whimsy. Hate to make this comparison, but the Harry Potter movies were VERY good at showing the lines between the magical world and the muggle world, and the tension that occurs when the two interact. There is....none of that in the PJO series. Zip. Zero. And the mythological CG that is there is more often than not static or boring.

Break for a positive! I actually really liked that Percy was learning mythology from Mythomagic. The show wasn't really consistent on that point - saying it was his mom instead most of the time - but that was such a fun and clever way to work in the card game and make it plot-relevant. As someone with ADHD, I can confirm I would also learn mythology WAY better if it was for my favorite game.

Ok back to the negatives - Wtf is up with the portrayal of the gods? For one, they're boring to look at. Nothing about their designs makes them feel 'godly' and while that's ok with some gods (Hermes for one, tho I have issues with his weird beige sweat suit look) why is Ares just some regular ass biker dude? Where are the flaming eyes?? And radical skin-leather bike?? He couldn't even have a CUSTOM bike with red bloody paint and boar heads and chain link handles or something???

And the gods are way too fucking nice. Sorry. I don't have an issue with Hermes being nice but. Ares having a heart-to-heart with Grover? When his presence is supposed to stir everyone up into a rage? And Hephaestus sees Annabeth refuse to give up on her friend and just goes 'awww, ok, you and Percy can go, and take my rival's shield back to him too cause I'm just so nice.' Sorry, no. I'm fine with gods being helpful - Hephaestus helps (reluctantly) in the later books. But it was at a price! A favor for a favor! Not a 'get out of jail free' card just because he was moved by normal ass human compassion!!

Hades gets his own bullet point because who the fuck was that. As a child of Hades, I'm offended that this sweet fruity guy just wanders up and goes 'hey, how's it going, wanna snack?' like, that is NOT my dad. My dad had skeleton soldiers filling his halls and a garden of jewels and a voice so loud it rattled the whole Underworld. Whoever that was in the show was a pathetic imitation.

The point of the first series is to work up to Percy throwing it in the gods' faces how awful and neglectful they've been of demigods and specifically their own children. Demanding that they do better. But if they're already showing compassion and 'humanity' in the context of the first book/first season of the tv show....Percy starts running out of ammo against the gods. There's no coherent story progression where Percy spends years seeing the worst of the gods and the best of them at very distinct, important times of his life and his story. It no longer feels like a massive change they have to make in the system, something that deserves a godly favor for Percy to demand of them. Luke no longer feels like his fury at the gods is wholly justified. The whole series begins to crumble because the gods already have a good reason for being how they are, rather than being thoroughly selfish assholes who only dote on demigods when they do something really cool. And the exceptions are presented at intelligent moments that prove to Percy when he most needs it that the gods can be better, they just need a forceful push to get there.

That being said, where was Percy getting the info that the other gods were feeling scared and abused by Zeus? I love the balls on this kid, but like...when did he make these assumptions and why? That whole scene felt really unearned.

Also Olympus was BORING. And EMPTY. And DARK. It looked like we were just back in the Underworld. Which. The Underworld was fucking boring too. Some neat visuals, sure, but put that in some high fantasy show. Not this one.

One last positive before my final point - there were some pretty good jokes scattered around. Not nearly enough, but I did really enjoy the Dionysus introduction and a handful of lines from Percy. Also releasing the animals in Vegas - Grover being like 'oh, you were worried about the humans' got me good.

The final word that kept spinning through my head after finishing episode 8 was: Pathetic. Luke's betrayal was pathetic. No deadly scorpion. No commitment to that period of time in the books we were convinced he really was evil. And Gabe just stumbling on the package with Medusa's head in it? PATHETIC. Percy outright asked his mom if she was being abused in the book, and she took fate into her own hands to statue-ify that bastard. But no. The show was through-and-through just a pathetic, watered-down version of an incredibly fun, emotional, brutal, exciting series of books. I know there was a lot of heart behind this production, but I did not feel it at all. But what else should I have expected from modern Disney?

#i could probably go on for years but #i am tired #and already went through this once with the movies so #now i merely wish to expel my thoughts and then let the memory of this show fade from my mind

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