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#but i saw the middle and the last 2 episodes
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Alright I watched Beef
I understand what you guys were talking about now
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dollhousemary · 2 years
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wait actually i’m gonna make this a post for everyone instead of just asking linden. what are the top five episodes that cas isn’t in that you would add cas to?
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cinnamontoads · 9 months
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one of my mutuals is nbc chuck posting lately and i forgot i never finished rewatching it in the winter oops
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cherriesformatt · 3 months
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sharing the news || matt sturniolo part 2
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matt x fem!reader
summary: after a while you decided its time to share the news of your new chapter in life with Chris and Nick
warnings: pregnancy
word count: 1,5k
a/n: thank you for over 100 notes under part 1! I decided to continued the story. I hope you will like it!
It's been a month since me and Matt found out that I'm pregnant. It’s been hell of a ride so far. We somehow managed to talked Chris and Nick out of my little episode and told them I just got my period and was really upset, tired and need Matt to go to the store for me. I spent entire next two days in Matt’s room trying to figure out our situation. I was also constantly sick and anxious. After than I just tried to be as normal as I could so no one would be suspicious.
At first it was like I didn’t know what I should do. But then I found myself thinking about the baby with my hand on my stomach and I knew I wanted to keep it. I also did hear Matt talking to my belly in the middle of night which made me cry so hard in the bathroom because of how cute that was.
Today was my first ultrasound appointment to confirm the situation and check if everything is alright.
“You know… I was thinking that if everything is good I would like to tell Chris and Nick and then we can decide how and when we want to tell the rest of the family” Matt looked at me when we stopped on the red light.
Keeping this a secret form his brothers was really hard for him because they always talked about everything with each other. Which was scary for me at first. Their whole relationship and building my own with Matt but also becoming part of theirs. Now I just admire the bond between them.
“Yes I was thinking the same” I smiled at him and put my hand on his thigh. I was nervous about only one thing.
“What I was thinking… Is that I will literally jump if your fucking triplets genes worked too hard and there is more than one of those” I said what was on my mind recently.
“Oh my goodness… I didn’t think about this” He put his hand over his mouth.
He was clearly scared now.
“We giving one to Chris in that case” I said seriously.
“Please , we are never leaving our kids with Chris, ever” he said.
I only laughed at that and patted his leg.
“It’s gonna be all good Matt, let’s manifest it’s only one for now” I said.
“Baby… I know this month wasn’t ideal for you and we both tried to cope with the fact that we’re going to have a baby but also only us knowing for now is really special” He looked at me for a second and his eyes went back to the road.
That was also exactly how I felt and I leaned forward to him and kissed his cheek.
“I love you Matty… I know this is all hard but you’re right” I said.
“I love you too sweet girl… okay we’re here, let’s do this” He parked the car and took a deep breath.
Our appointment went smoothly. They did my blood test which confirmed that I’m pregnant. They also did bunch of other tests to see if I’m all good and healthy. Thankfully I was. The last step was the ultrasound.
“Alright parents…” The doctor said and I gasped at the cold of the liquid that she put all over my lower belly.
She called us “parents”, that took me by surprise and I felt so weird.
“Ready?” She looked at me and smiled and I only nodded and closed my hand on one of Matt’s hands.
She started the thing and looked at the monitor. We couldn’t see it just yet.
“Okay… I found it… everything looks great. The baby is healthy. Looks like you’re about 6/7 weeks pregnant” She said.
“Only one?” Matt asked and wiggled on the chair.
“Oh my Lord, Matt… He is a triplet and we were kind of scared that you know… there’s gonna be more than one” I laughed and looked back at the doctor.
“Yes there’s only one” She laughed as well and turned the screen so we could see it too.
I felt like my heart skipped a beat when I saw a little thing moving on the screen. Like a dot. But I knew it’s our baby.
“Oh my…” I said and she pushed some kid of button and sound of a really fast heartbeat started to play from the machine.
“Is that?..” Matt gasped as well.
“That’s your baby’s heart beating… it’s really fast that’s normal and that’s actually really good. The baby is really healthy, you guys… congratulations” She said with a big smile.
But both of us were speech less. I caught Matt swiping tears from his cheek with a corner of my eye. That moment was something you can’t explain. You need to experience that yourself to know how much love I felt in this moment.
When we were back in the car I put all of my stuff in the back seat, closed the doors and turned around to go to my doors but I was met by arms of my boyfriend.
“Oh Matt…” I said hugging him back.
He hid his head in the crock of my neck and I run my fingers through his hair. I felt tears on my skin and I couldn’t help as my eyes started to water as well.
“We’re going to be okay. We can do this Matt. Together” I said but my voice broke I couldn’t exactly feel what’s happening.
“I know… y/n I’m just so happy that’s it’s overwhelming” He said pulling back to rest his temple against mine.
“I feel exactly the same way” I whispered looking him in the eyes.
He kissed me and pulled me even closer to his body. I couldn’t imagine doing this with anyone else.
On our way back we stopped by target and some other places to get Nick’s and Chris’s favorite snacks, drinks and some funny, cheesy stuff that had “cool uncle” on it.
At home I put all of it in two boxes and also added a picture from the ultrasound to each.
This situation was so unreal for me and Matt. They were actually filming in the kitchen now. I really wanted to have their reaction on camera, so we told them that Matt wanted to do some kind of unboxing with their eyes blindfolded and they would have to guess what’s in the boxes.
When he texted me they are ready I took the boxes and come to the kitchen and put them in front of them and stood behind the camera.
“Okay you may open them” Matt said.
They started to pull stuff out.
“That’s bullshit it’s clearly Pepsi and popcorn” Chris said.
“Yes and that’s my own lip balm” Nick said annoyed.
“Okay how about this?” Matt took an ultrasound pictures and put into their hands.
“Piece of paper?” Chris said.
“No” Matt said and looked at me.
“Picture?” Nick said and showed it to the camera.
“Yes, it’s a picture” He nodded and smiled to the camera.
“Picture of us?” Chris asked and opened his can of Pepsi.
“No… but picture of someone that is in a room with us” Matt said.
“Oh my gosh you fucking freaking me out right now, what the fuck, are you a medium or what” Nick said an put the picture on the table.
“Okay… maybe just take your blindfolds off and Chris… you might want to wait with that fist sip” I said looking at them.
“I didn’t know you were here…” Nick said and started to undo the bandanna on his head.
I bit on my nails as I watched them taking those off. Then they looked at the boxes and I felt like I stopped breathing for a second.
“What the actual fuck? Is this some kind of prank?” Chris asked as his eyes widened.
“Oh my gosh are you kidding me?” Nick looked at me and stood up.
“Chris you owe me 1000 dollars… I knew it!” He hugged me tightly and I put my arms around him.
“Did you two bet on me being pregnant? What the hell?” I laughed.
My stress went away because how could I be stressed around them.
“I actually forgot that we did” Chris said and gave Matt a big hug.
“You guys… I don’t know what to say” Nick said pulling away from me.
“Well…. To be honest we don’t know either” I said and Matt only laughed.
“Yes… this feels really like a dream more than real life” Matt said looking at his brothers.
“Wait… are we first to know?” Chris asked.
“Of course you are… who else?” Matt looked at him and Nick went closer to them and they three shared a hug and than looked at me.
“Come here mama” Chris wiggled his eyebrows at me.
“Never, ever call me that again” I said seriously while coming into the hug.
They laugh and we stand like that for a minute or two.
“Okay I love you all but all three of you smell like three different colognes and I might throw up” I said stepping back.
This baby will be the luckiest baby in the whole world having them as a family.
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misty-caligula · 1 year
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Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.
I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.
I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.
Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.
Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?
Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.
(Edit: Readmore added because honestly, LONG post)
You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)
And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.
Then Jackie dies and the glass gets a really big break.
It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...
Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.
Seriously, keep that in mind, we’re coming back to it. Cycles, you know...
Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...
No. They WEREN’T going to eat her.
Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.
Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.
The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.
But Shauna took it first.
Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.
The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.
And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.
Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.
Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 
When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.
When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.
And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.
How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.
Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.
Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.
Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.
Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.
Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.
What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.
Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.
So...
They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...
And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.
So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.
(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)
And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.
It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.
S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.
And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.
*takes a deep breath*
Which brings us to THIS asshole.
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Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.
Wait, Jackie? I mean coach. My bad.
Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.
Sorry I’m talking about Jackie again.... weird.
In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?
Hold on, I see my mistake. Let me backtrack.
Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.
So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.
In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks
Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.
And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.
(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)
Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.
Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.
It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.
And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.
At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.
And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.
Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.
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This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.
Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...
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They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.
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They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...
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They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.
I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).
But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.
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into you
Summary: After almost giving up the hope to become a big actor you get offered the leading role in a period drama, leaving you to spend three months in Scotland with your male co star Dieter Bravo and maybe falling in love with him.
Pairing: Dieter Bravo x fem. reader
Wordcount: 2.247
Rating: T
Warnings: fluff, falling in love, implied smut, kissing, really cheesy movie lines I made up, confessions of feelings, reader is in her late thirties, Dieter playing the piano
A/N: Another one for  @undercoverpena April showers challenge! What's better than a Pedro character in period clothing in the rain? Making out with him hehe
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You couldn’t sleep. 
The moon was shining hrough the window of your hotel room, an old castle in the middle of nowhere somewhere in Scotland. 
You had come here almost three months ago, having gotten the first big job of your career, the lead role in a period drama. The first lead role you ever got. The first big job you ever got. 
For years you dreamed of being a big movie star. 
Much like every young person who came to LA. 
Which had been almost twenty years ago. You had been about to quit trying for that one big role that would finally grant your your big success last year. 
By now well in your thirties (the forties getting closer and closer), not having any major success apart from some multi episode secondary character on some netflix shows in the latest years, you gave up hope that you would make it. 
Sometimes the residuals you got from playing Chandler Bing’s awkward girlfriend for two episodes almost twenty years ago on friends had been the only way to pay your rent.
You were looking into going back to school when your agent called you, talking you into going to this last audition. It had been as a favour to them that you agreed, the contracts between you and the agency already canceled towards the end of the month. 
They had always believed in you and you hated saying no to them because of that reason. 
Maybe it was you having nothing to lose that left you going into the audition and blowing them all away. Not that you thought you did until your agent called you not even twenty minutes after you went out of the audition, asking you to come back to read opposite the male lead. 
Still you didn’t let yourself getting your hopes up, walking back into the office building, back into the room you had been in before, now with an additional face smiling warmly at you. 
You didn’t know that in the next two hours your whole life would change. 
Not just because they offered you the job. 
No, It was the day you met Dieter Bravo.
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Of course you knew who Dieter Bravo was. 
You had admired him since he starred in the high school drama series you definitely did not tape every episode from when you were in your teens. 
And there had been no posters of him in your room growing up, nope. 
But like almost every teen crush, it faded over the years. 
You grew up, and he did too. You knew he had won an Oscar some years back, you saw the movie in the cinema back then. 
He had made headlines after that, naming him the next big thing. 
But lately the only headlines you remembered of him had been of his drug escapades and dating life. 
So you had been a little reserved when you first met, hoping he would be professional enough throughout the audition. 
Hope you shouldn’t have had, because Dieter had turned out to be professional in every single way.
Now, after spending almost two months with him, playing opposite of him, acting that you were in love with him, you found yourself wishing he would be a little less professional. 
Groaning you sat yourself up in your bed, clicking the lamp on the bedside table on, reaching for your phone. 
2:43 am. 
Taking a deep breath and releasing a long sigh as you exhaled you let your head fall back. 
In twenty four hours you would be on a plane back to the states, already on your way to shoot your next movie, your career seemingly finally starting off now that you were starring in a movie with Dieter Bravo. 
You should be beyond happy. 
Everything you dreamed off finally seemed to come true. You had three jobs lined up that would pay more than you had made in the last ten years combined. 
Yet the thought of waking up every morning and not getting to spend the day with Dieter made it all bittersweet. 
You had spent a lot of time together since getting to Scotland to shoot this movie. Not only on set, but apart from it too. He had been here before, shooting another movie and invited you out some times, showing you around. You had dinner together almost every night be it in an restaurant he wanted to show you or in the hotel. You got to know the man behind the persona you learned he put on for the public for and over the last weeks you had found yourself falling for him. 
Your fingers cam up to brush over your lips, the lips he had kissed. 
More than once. 
In front of the camera. 
But before you went to bed tonight, he walked you to your room and he had kissed you good night. Without cameras rolling. Without people around. Just you and him. His warm hand on your cheek, your back pushed against your hotel room door as he towered over you, his other hand resting on the door behind you. 
You were out of breath when he parted from your lips, wishing you a good night, leaving you watching after him with your lips parted, your brain still trying to process that he had just kissed you, as he went down the hallway until he disappeared into his room. 
You were too giddy to sleep, getting an old sweatshirt on before you grabbed your hotel key and walked out of your room, hoping he was as sleepless as you were and downstairs where you had found him often during your stay. 
You could hear the faint sound of a piano as you entered the lobby, the night manager giving you a small smile as you walked past, following the sound. 
In the far back corner of the lobby was a piano where you found Dieter playing a melody you did not recognise. 
You had found him here before, in the beginning when you could not sleep because you were too nervous to fuck this big chance you got up. 
He told you that his art supplies hadn’t been shipped yet, and that he usually painted when he couldn’t sleep.
And so instead he played. 
And you listened, sitting next to him until you both almost fell asleep, before he walked you to your room, only to be up some hours later to shoot a movie where his character denied to be in love with your character, pushing your character away until a big dramatic scene where you would finally admit your feelings to each other. 
Sitting down on the seat next to him as he played now, you let your head fall against his shoulder, hearing him inhale as he continued to play. 
His lips brushed against your temple and you closed your eyes, just listening to his song. 
When he finished you looked up at him, his eyes were already on you, an unreadable expression on his face. 
„Couldn’t sleep?“ he asked. 
You hummed in agreement. 
„Too many thoughts in my head,“ you whispered and he nodded. One of his arms came to wrap around your back, pulling you closer against his side. 
„You wanna talk about those thoughts?“ he asked and you chuckled. 
„Don’t wanna fuck the big scene up tomorrow, well today,“ you said and he gave you a small smile. 
„If someone is gonna fuck up it’s me. You make me keep forgetting my lines,“ he winked and you felt your cheeks growing warm, remembering the many occasions Dieter had seemingly spaced out during some scenes, looking at you with an expression you couldn’t place. 
„What do you mean?“ You asked, and he sucked his bottom lip in, before he shrugged and there it was again, that expression in his face, his eyes big as he looked at you. 
„I can’t stop looking at you. You’re so talented and beautiful and kind and so damn intelligent. Sexy….,“ he winked „You just blow me away and it’s like my brain stops working when I look at you sometimes. I never really felt like this before…“ he whispered and you blinked at him. 
„What I am trying to say is, I like spending time with you. I like talking to you. I like kissing you, touching you,“ he grinned and you huffed. 
„Especially when it’s just the two of us. Last week when the director called cut when we were in bed….“ He closed his eyes, shaking his head. 
You had rushed off after finishing the scene with him, having to take care of the ache between your legs in the bathroom after spending almost six hours in bed with him, shooting numerous sex scenes.
„I wish we had been alone,“ he whispered his face getting closer to yours, his lips brushing over yours. 
„Dieter,“ you whispered, his hand coming up to cup your cheek, his lips pressing against yours and you shivered. 
„Yeah?“ He asked. 
„We are alone now,“ you whispered and he nodded, before he kissed you again, deeply. 
„Would you like to have sex with me?“ He whispered and your lips twitched into a grin which he mirrored before he kissed you again. 
„Take me to your room, Dieter,“ you said, giggling when you found yourself pulled in the direction of the elevators in the next moment. 
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„This is madness,“ you shook your head, the rain coming down on you without mercy, drenching your many layers of clothes. 
„Why? Why is it madness that I have fallen for you?“ Dieter asked, in character, his white shirt clinging to his chest. 
You huffed a laugh, your character in denial about the feelings not only she had, but he had too. 
„Because we are both engaged. And not to each other. We have to end this. I have to….“ You shook your head, closing your eyes, before you looked up at him. Dieter having closed the distance between the two of you, but not close enough to touch. The raindrops where running down his nose, his hair clinging to his face. 
He looked like a wet dream straight out of a Jane Austen novel.
„All these times we spend in each others arms, they don’t mean anything to you?“ He asked. 
„It was a mistake. It shouldn’t have happened,“ you said, Dieter’s character seeing right through your lie. 
„Do you love me?“ He asked and you did not have to play the small smile that sneaked to your lips for only a moment before you fought it down. 
„It doesn’t matter,“ you said, turning away from him, but his hand wrapped around your wrist, stopping you before you could go. 
„It matters to me. ,“ he whispered, broken, and the tone of his voice made you want to cry. 
The rain continued to fall as you gave the camera time to capture both of your faces. 
„Of course I love you,“ you finally said, looking at him over your shoulder. 
„Then stay,“ he pleaded. You began to shake your head, when he pulled you against his chest, one of his hands on your cheek, brushing your hair that stuck to your face to the side, his eyes gazing deeply into yours. 
„Stay and allow yourself to be happy,“ he said, almost begging. 
„Stay here and let me love you,“ he let his forehead fall against yours and your eyes dropped close, pictures of the night he had spend with you filling your mind, the way his forehead had rested against yours as he filled you over and over and…
You opened your eyes and Dieter’s lip twitched for a second, having caught your unintended pause.
„What about our families?“ you asked, „What about my sister? She’s in your house getting ready to marry you today,“ you asked. 
„They will understand. They have to. And if they don’t, I’ll take you away where we can live our life without the judgement of others. You’ll never have to worry for money.I love you, please be with me,“ his nose brushed against yours. 
You felt his other hand on your lower back and you gasped. 
„Then take me away,“ you whispered, feeling his smile against your lips as he finally kissed you, your arms wrapping around his broad back, fingertips brushing over his drenched clothes as he deepened the kiss. 
The first thing you realised when Dieter parted from your lips was that the rain had stopped and that it was quiet around you. Too quiet. 
Looking at Dieter he gave you a sheepish smile before you looked around, finding the crew around you looking at the both of you, Dieter’s PA holding two robes in his arms, giving you a wide smile. 
„You gonna listen when I call cut now?“ The director teased with a wide grin and you let your head fall against Dieter’s chest, mortified, but he just chuckled, before he helped you get into the robe his PA had brought over. 
„We’ll meet in an hour for the wedding scene, do not be late,“ the director reminded everyone, giving you and Dieter a longer look, and you nodded. Dieter grabbed your hand, and you looked at him. 
„Can’t wait to marry you,“ he winked and kissed you again, before you both were rushed off from the set to get ready. 
And you did actually get married. 
Seven months later.
On a beach. 
In the rain. 
Without any interruptions. 
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breadbrioche · 9 months
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estimated time of arrival
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so mun x reader
➳summary: mun is excited to see you after being apart for so long
➳warnings: takes place early season 2, accidental confessions
➳word count: 731
➳a/n: some fluff before whatever happens in this weekend’s episode
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“Who’s Y/N?” Jeokbong asked, standing idly in the middle of the shop floor of Unnie’s Noodles while the other counters were rushing around him, carrying various supplies and decorations.
“Another counter on our team.” Motak explains while setting out the table. “They went overseas to help out with dealing with the evil spirits.”
“And they’re finally coming back today!” Mun added happily while entering from the kitchen, bringing in a ladder to hang up banners.
“How are they like? You seem really excited, Mun.” Jeokbong asked, noticing how bright he got at your mention.
“That’s only because he’s had a crush on Y/N since-“ Hana began with a smirk before she was cut off by a stuttering, red faced Mun who urgently pressed a hand on her mouth to silence her.
In his embarrassed state, the boy must have forgotten all about Hana’s aversion to touch as he was instantly thrown to the ground with a loud thud, making him groan painfully.
“Good god Hana! Is this really the time for that?” Ms Chu exclaimed while helping Mun to his feet. Hana rolled her eyes at Ms Chu babying Mun before continuing her previous task.
“Can someone call Y/N and see where they are now? I still haven't gotten started on making the noodles!” Ms Chu fussed. Mun immediately offered himself to do it and excused himself from the room to go to the downstairs gym speedily, ignoring all the snickers and hushed gossiping from the others.
Dialing your number, he held it up to his ear and the call picked up in only a few rings.
“Hello?”
Mun instinctively smiled hearing your voice, even if it was a bit muffled from the phone.
“Hey, it’s me. We were wondering how far away you were now since we last called. Everyone’s really excited to see you again.”
“I am too! You don’t even know how much I missed you all. Anyways, I think I’m about half an hour away now? So not too long”
“Are you kidding? That’s way too long! Tell the driver to hurry up or something” Mun complained playfully. He heard you sigh on the other side of the phone.
“You’ve already waited a year! This should be nothing compared to that. Jeez, you’re so impatient sometimes.”
“Well that’s only because it’s been that long! Why should I wait longer than I have to so I can see you again?”
You laughed at his whining and Mun’s heart fluttered at the sound. He placed a hand on his chest, trying to calm himself down; it’s just you, he told himself. There was no need to get so nervous.
“I’ll be there soon.” You reassured him. “Maybe you could help out Ms Chu or something to help pass the time”
“Fine.” He finally gave in. “But don’t you dare be late!”
“I’ll see what I can do. But don’t blame me if there’s too much traffic!” You warned him jokingly, making Mun chuckle.
“See you soon, okay? I love you.”
The words came out so naturally that Mun hadn’t even registered what he said until a few moments passed and he was met with a shocking silence on your end. Mun gasped in realization and hung up immediately, not knowing what else to do.
He groaned frustratedly as he slapped his face, scolding himself. So Mun you’re an idiot!, he thought regretfully.
Mun had half a mind to call you back and try to explain himself but millions of thoughts ran through his mind in a second; what if you don’t feel the same? What if you find it weird? How was he ever gonna face you again?
Mun was knocked out of his spiralling thoughts when he felt his phone vibrate in his hand. The screen lit up, showing a text notification from you.
<Haha you didn’t even let me say anything>
The boy’s shoulders relax slightly, relieved that you aren’t totally mad at him. As Mun tried to decide how to respond, he saw you send another text. But upon reading it, Mun thought his heart almost exploded.
A stupid grin grew on his face while his already erratic heartbeat quickens even more as Mun rereads the text over and over to make sure it his eyes weren’t playing tricks on him.
<But i love you too lets talk when I get home 💕>
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waitmyturtles · 4 months
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Last Twilight, episode 12: final reflections
Wow. It took me all of this past weekend to process this finale, notwithstanding the usual life craziness that has dogged me lately.
Let me preface this whole thing by saying that I'm confused by what I watched. I'd say that, overall -- I actually quite liked this series, and I especially, absolutely ADORED JimmySea, Namtan, and Mark, and their acting. JimmySea kicked major ass, and I really hope they get another big and complicated show to chew on.
I also want to say that between episodes 11 and 12, I felt that I saw uncharacteristic editing clunkiness from Aof Noppharnach and his team that left a lot of necessary emotional and ethical processing on the cutting room floor. I think that's what's ultimately making me feel uneasy about the process of watching this, but -- funnily enough, I'm not nearly as "angry" about the ending as I was with other bad shows that fell apart in their last quarter recently. It was obvious that MhokDay were going to get together.
But I needed to walk a few more steps with them on their journey to that end.
Before I got my eyes on the finale, a few reactions on social media, from Tumblr to Twitter gave me the case of the jibbles. Namely: that the story of Last Twilight would have worked better if Day had stayed blind through the end.
I wasn't really understanding how that construction could work without walking through some sort of ethical minefield.
Now that I've seen the finale -- especially that infamous 4/4 segment -- I understand better what those arguments were saying.
Yet, I'm still dogged by a kind of ethical confusion here. And maybe that was one of the points of this finale, another one of Aof Noppharnach's perhaps now-famous-or-infamous emotionally inconclusive endings.
To me, there are two ethical potholes that this show stumbled on:
1) The ethics WITHIN the fictional piece itself for a character to not depict the process of considering the various fates he might face vis à vis a potentially reversible impairment, and
2) The ethics of a REAL audience ultimately wanting a different outcome for a fictional character to NOT have an impairment reversed.
TL;DR — I don’t think Last Twilight spent enough time having Day consider the permanence or impermanence of the various fates he faced, including permanent blindness. I don’t think the characters, and as such, the audience, spent enough time understanding that a corneal transplant was always going to be Day’s endgame.
Last Twilight was marketed as a show focused on disability, on a man going blind in a society that prioritizes the able-bodied, and how he would adjust to his disability, and of course (this being GMMTV), his falling in love. As fans, we were prepared to receive a whole show about a character with a disability, not as a side pairing, à la Heart and Li Ming in Moonlight Chicken.
It so happened that Day's visual impairment was corneal deterioration -- a condition that could lead to permanent blindness, and thus qualify him for a corneal transplant.
What I'm struggling with is the crux of the ethical dilemma that this show was ALWAYS going to have to deal with: that a corneal impairment of the kind that Day experienced, in the prime of his life, could very well be reversed with surgery, a surgery that has tremendous success rates.
As such -- as we got that clarification in drips throughout the series -- this show was actually not ONLY going to be about the newfound adjustment of a recently-impaired man to an ableist society. It was ALWAYS going to have this door of ANOTHER major change, the reversal of the impairment, just slightly cracked open. I'm not sure that I, as a viewer, was fully prepared for this, even as Night and Mae Mhon spoke about "eye donations" as givens in the middle of the series. I believe the show needed to be much louder, earlier, about the "hope" that Day could "go back" to "living a normal life," instead of framing the high majority of the show around his adjustments to his impairment.
As we went through Day's adjustment to life outside of his room, I believe we needed to hear, FROM DAY HIMSELF, that a corneal transplant was a conclusion that HE believed in, that HE wanted. A failure of this series was that we unfortunately only heard that from his family members, leaving us to only ASSUME that the conclusion of the reversal of his impairment was ALSO Day's intention.
For a story that was very much about an individual's developing agency and self-advocacy: I believe I needed to hear from Day himself that he was good and ready for the final surgery. I only assume that was the case, as I saw his own body and mind in the hospital. But I believe, for dramatic success, that I could have used a basic, "I'm ready," from him, to make segment 4/4 more complete and contextual, against the story of adjustment and resilience we had so far seen before then.
And what a story of adjustment and resilience we had gotten, as Day had established a full career for himself, without Mhok next to him, during one of the time jumps of episode 12.
For my sake, as I process what I watched this weekend, I want to come to grips with what I thought were the major themes of this show, and see if I can come to some sort of sensible conclusion about what happened here.
This show was focused on:
1) the romance between Day and Mhok, 2) Mhok's caretaking and companionship being the lever to help Day out of his room and back into the world from which he had retreated after the onset of his visual impairment, 3) Day slowly learning how to function again in a society that prioritizes the able-bodied vis à vis his visual impairment, 4) Day learning how to self-advocate for himself in the face of those who condescend to him and/or keep him trapped in compassion bias postures,
and more that I'm sure I'm missing, but those are the themes that resonated the most with me.
I think the general feeling on Tumblr is that, save for the romance, that themes 3 and 4 were contradicted out of existence in the face of the sudden flip to the surgery of segment 4/4.
I think not hearing from Day himself that he was ready and willing for the surgery was a lost moment. I don't believe Day was ever acting as if he would choose anything else OTHER than surgery throughout the series. BUT, AT THE SAME TIME: what we had watched prior to 4/4 was his story of adjustment.
My biggest ethical concern here, vis à vis the audience reactions that I've read, is that NO ONE -- in fiction or in real life -- owes me a story of heroism. If there is an individual who has been impaired since birth, or is dealing with a degenerative condition later in their life, and has the opportunity to address or reverse the condition, who am I to say that that individual SHOULD NOT address their condition?
For me, this is huge. I believe this is a huge ethical dilemma that Last Twilight ultimately does not face. I wish this series had been much more centered, earlier on, about the utter REALITY that Day could have his condition reversed by surgery, in words he'd say himself, rather than assumptions made for him, on behalf of his family, who.... I presume were established to be some sort of legal conservators for him, as Mhon continued to be the one to receive eye donation text messages.
(I concede that I don't know if this is a more common set-up for disabled individuals in Thailand, as I would assume in the States, that Day himself would have been the one to receive that message directly.)
For this show to have seemed emotionally and artistically complete: I needed to hear from Day himself that surgery was an endgame that he was banking his hopes on. I also needed to understand, much more statistically clearly vis à vis the show, of the absolute risks that Day faced towards having permanent blindness for the rest of his life. Because the show ALSO needed to focus on the establishment of the romance between Mhok and Day, we missed out on the show taking time to explain to us, the viewers, of the absolute risks that Day faced in any of these scenarios -- and thus, we would have had MUCH more context into the nuances of the resilience that Day needed to establish for himself as he re-adjusted to society, with his numerous fates lying before him.
I'm going to borrow the words of @hallowpen in their final review here, to say that this show at the end needed much more "breathing room." I think @hallowpen is so right in saying it like this, because these two factors that I just laid out, geez -- the first 7/8ths of the series being about Day's social adjustment against the utter suddenness of the successful surgery and his sudden jump back to what's been translated as his "normal life" -- just clash so tonally. (I do wonder if we're getting as nuanced a translation on "normal" as we could be.)
I think this is about the most confused final review of a show that I've written. There is an ethical heaviness to all of this that's weighing on me, that I think I still need time to comb through.
I also feel that I simply do not know enough, by way of my lack of cultural competency into how Thai society approaches issues of public and private health, if Day’s unseen choice to get the surgery would have been a given among majority Thai audiences, AND that majority Thai audiences would not have asked for the kind of internal debates that I think the show could have used.
I feel thrilled that Day can see Poomjai/Mee, after making that wish in episode 11.
But I think, if this show was about a journey for someone to learn how to successfully advocate for his own agency -- that, at the very end, I needed to see that agency exercised, by him, to get to the part of the reversal of the impairment that I assumed he wanted.
Again: Day doesn't owe me his story of heroism. If fiction doesn't want to give me that, from a character with a recent impairment, I don't have the right to ask for it.
But the missing bits of artistry to get me, the viewer, to only an assumption, has led me to surprising ethical places, that will leave me wondering about what happened in this series for a long time.
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darlingshane · 5 months
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Salt of the Earth ~ Part 1
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Pairing: Michael Berzatto x OFC
Summary: She was Carmy's best friend growing up, and Michael never looked at her as anything other than that until years later when she comes back to Chicago to start over. In the process, she turns his sorry excuse of a life upside down.
Content/Warnings: Friends to lovers, Fluff, Angst, Family Drama, Dysfunctional relationships, Implied/referenced drug addiction, Alcohol mention, Divorce, Pets, Pet names, Dialogue heavy. Undisclosed age gap (in my mind Michael is late 30s and OC is late 20s, but it's really up to your interpretation).
Word Count: 6.8k // 4 chapters // AO3 link.
A/N: This is set in the year of the Fishes episode on season 2. It starts in summer and slowly builds up to that Christmas.
— This was an anon request that I got a few months ago, I hope you're still around. I tried to fit all the ideas you sent as best I could. There's a bit of info dump on the first chapter, but I hope it isn't too off-putting.
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Chapter 1: Best thing since sliced bread
Seconds stretch into minutes, minutes elongate into long hours on slow days like this at The Beef. Especially in summer when the air conditioner stops working for the second time in the middle of August. Any living soul that crosses that door must have a dying wish or be the devil themselves to adventure themselves to what has become Michael's personal hell.
It's been a testing year, and there's so much he can do to fix this place right now. While he waits for Fak to come check the damn AC unit, Michael tends the front while Ebra takes his lunch break.
Turning the paper's pages on the counter, he comes across an article about the extensive fires eating different parts of the country. A wretched thought crosses his mind as he reads – maybe it'd be better to burn this place to the ground and start over. He entertains the idea for a second until the door swings open, inviting more heat into the boiling pot.
He lifts his eyes from the words to find a familiar face approaching the counter. It's not Fak, but a much better vision of someone he used to know.
“Mayhem Maya.”
“Magic Mikey.”
That former thought of burning down this place disappears somewhere in the midst of that beautiful aura that saunters with her big brown eyes, long raven hair, nervous smile, and firm steps.
“It's been a while, Maybird.” Almost ten years since she set foot in this establishment. “What brings you to this hole in the wall?”
“Came to collect that meatball sub you promised at uncle Teddy's funeral, remember?”
“Oh, right.”
Ever since she moved to a different state, he only had seen her a handful of times when she came back for the holidays. Last time he saw her was at the beginning of spring, when her uncle, Ted Silva, passed away.
“I also had an interview at the new vet clinic on the next block.” She places her cross-body bag on an empty stool while she perches her ass on the one next to it.
“How's that going? Did you get tired of California already?”
“No, I love California. But I needed a change of scenery. It's been rough after… you know…” the divorce. She wasn't married for long, but she still can't bring herself to say the word.
“I’ve heard some of it.” He’s pretty much aware of how everything went down. Well, he’s got grapevine’s juicy version of the story, but he never heard her side directly.
Though Michael and Maya know each other as if they were related, they were never close confidants. She always thought he was the coolest guy in Chicago. And he always thought fondly of her, given their families association, and Maya’s close friendship with his brother.
Michael places an order for her sandwich and grabs a soda for her, while she explains she has two more job interviews later.
“Does your mother know you're back?” He folds the paper and props his elbows on the counter.
“She probably does.”
“Still not talking, huh?”
“It's not my fault she made me the black sheep of the family. She’s like vitriol on steroids.”
“Yeah? What happened at the wake? You left before I could say goodbye.”
Michael recalls the tension at the funeral, particularly at the wake when Angela Silva grabbed Maya by the elbow and took her youngest daughter outside the house as if she was still a child that needed to be scolded.
“Nothing. I barely said a word that day. Guess everything I do feels like a personal attack to her. I can admit that I'm not perfect, and that sometimes I've acted up just to get a reaction out of her, but that day she just went off again…” She pauses without finishing that thought to take a refreshing sip of her coke. “And that wasn't nearly as bad as the day I told her I was getting…”
“Divorced? Why can't you say the word? It's not Voldemort.”
“What the hell do you know about Voldemort?”
“How do I… Who took you and Carmy to buy those damn books? Have you forgotten?” Maya shakes her head. “You even tried many times invoking his name, so I was haunted by eaters or something like that. You two were real potterheads.”
“And you were just a pothead,” she laughs, stirring the ice cubes in her drink with a straw. “I totally blocked that out. We were just a couple of nerds.”
“I’d say!”
“Meatball sub!” Richie calls from the pass-through window and takes a second look when catching Maya in the joint. “Maya Papaya?!”
“Please, don’t call me that.” She scoffs while Richie promptly abandons the kitchen and goes around the counter to give her a welcoming hug.
“Did you know she was coming?” He asks Michael, as he props his ass on the bar.
“Had no idea. She just showed up.”
“Did you tell her about Carmy?”
“What about him?”
“He’s in Copenhagen.”
“Oh, I knew about that.”
“You two talk often?”
“Sometimes, I guess.” Barely more likely. They don't even text anymore. She's tried but there's been nothing but crickets at his end for months.
While Richie grills her about Carmy and what she’s been up to, Michael can’t help but look around the shop to notice, from every corner and wall, memories bouncing all at once in his direction. It takes him back in time to those days when she and Carmy were as thick as thieves.
Their shared history goes back to that same street their families have lived on for over thirty years… It’s still clear in his mind, like it was yesterday, when he was forced to babysit them when they wanted to go to the movies or trick-or-treating or the bookstore. That was a little annoying back then, now he fondly remembers all those times in summer, when they’d go to the convenience store to get ice pops on their bikes. Then they’d ride back and sit in the middle of the swanky rug in their living room and watch TV for hours. More than once they were yelled at by Mama Berzatto when she would come home to find melted colorful stains in the fabric. She would lose her shit. Carmy was used to it. Maya wasn’t, but the girl never flinched once cause Donna and her own mother were cut from the same unstable piece of cloth.
Maya and Carmy were really close up until they went separate ways for college. Their bond was something to admire. They had something so special that inevitably, Carmy fell in love with her. She was his best friend and confident. They kept each other's secrets, and Carmy thought she'd feel the same in return. It wasn't a crazy notion. They spent so much time together, everyone thought it'd lead to something more, but that never happened.
Mikey and Richie used to tease the youngest cub relentlessly. They tried multiple times to encourage him to ask her out, but he never found the guts to do it. Especially if it could potentially end their friendship. Carmy didn't want to lose that. Though he never confessed his feelings, Maya always knew. Even in her teens, call it a woman’s intuition, part of her already knew. Maya wished she'd felt the same toward him, but the heart wants what it wants, and she couldn't change that.
What was really fucked up was that she had the most ridiculous crush on the older Berzatto when she was a teen. While she knew he'd never look at her as anything other than Carmy's annoying little friend, that didn't stop her from daydreaming about it for years. It was a secret that no one ever knew and that was placed in a drawer at the back of her mind after she left Chicago.
After graduating, Maya and Carmy stayed in touch for a long time, until their calls and texts became less frequent. They followed different dreams that required a lot of attention and sadly their friendship got hurt in the process.
While she attended Vet School on the west coast, he became a chef on the east.
Maya thrived at school and work. She really went out on her own, and became the woman she always wanted to be. Unsheltered, confident, outspoken. She outgrew her shell and opened herself to new experiences and people. She loved it all. It wasn’t smooth sailing, but for the most part she was pretty happy with her choices.
And now she's back in Chicago, set on a new path and awaiting to see where it takes her.
She’s living in a house in Oak Park with her dog, Coco; Richie fishes out of her. Apparently, she got some money from uncle Teddy, and she’s invested it in a home for her and her beloved staffy.
“Does Carmy know you’re here?” Richie circles back.
“No, I haven't talked to him in months.”
“Why? Did you two have a fall-out or something?”
“There's no why. We're just busy.”
“Mike, help me out here. Weren’t these two fools supposed to get married?”
“Yeah, everyone thought you'd ended up together.”
“Man, I don't know what to tell you, we just didn't,” her head sinks between her shoulders.
“Just get over yourself and hit him up. The kid has been hung up on you since forever. It looks like things didn’t go so well with your marriage and all. You should take that as a sign, you’d never find anyone better than Carmy. The boy could really use some excitement in his life. And so could you.”
“C’mon, leave her alone. Go back to work, Cousin.”
Michael throws her a lifeline, noticing how miserable she looks every time Richie opens his unfiltered mouth.
“He’s not wrong, you know? You and Carmy… it looked like you two had something special.” Michael offers once Richie is back in the kitchen.
“It’s called friendship. You should look it up.” She points out.
“I have Richie.”
“Exactly. You have Richie. Why don't you two marry the other and leave me alone? If you think about it, you were as close to Richie as I was with Carmy. Even more. Should everyone assume you are in love with him? Cause that's what you're implying.”
“Touché. I'll drop it.”
“Look, as hard as it is to believe, there was nothing else between us. I was aware he felt something for me, but I didn’t feel the same.”
“You should give him a chance sometime. He might surprise you.”
It’s not the first time these two have been trying to play matchmaker between Maya and Carmy, and it’s bizarre to see they still do at any given opportunity.
“Okay, if I give Carmy a chance, you have to give Richie a chance. Those are the rules, Berzatto.”
“Oh, I've tried. He's not into me,” he remarks, amused, and leans closer to confess something in a lower voice. “Do you wanna know a secret?”
“Uh, sure.”
“He and Tiffany are having a baby. He just told me a few days ago.”
“What? You let him reproduce? I'll pray for Tiff.”
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Chapter 2: Cool as a cucumber
Everything falls slowly into place as Maya settles back in Chicago. She secures the job at the clinic near The Beef, which is a huge relief after her rushed decision of moving back to her hometown without securing a job first. It was part of the plan all along to practice what she loves but never thought this would be the year. As much as she loved California, once her divorce was finalized she felt like something was trapping her there. And the money she got from her uncle gave her some leeway to improvise, get away from all that, and start over.
Maya is spending her morning going through the stack of unpacked boxes, finding a good place for everything, making it feel more homey. It's not a big house, but spacious enough for the two of them. The big selling point was the backyard for Coco to zoom around and cool down in her wading pool, which she loves. It didn't take long for the five-year-old pup to get used to her new neighborhood. They've even made a couple of friends at the park nearby.
A moment before the doorbell rings, Coco whines from her spot by the window, where she often sits to watch passers in the street.
“Who is it?” Maya playfully asks her dog as she makes her way to the front door.
Through the peephole, she sees Michael's profile as he inspects the porch.
“Hi,” her eyes widen as she opens the door. “Didn't know you were coming.”
“Yeah, I would've called, but I didn't get your number the other day.” But he got her address from Richie's intense questioning when she visited the shop.
“I knocked on two different houses until I got the right one,” he explains as Coco curiously circles around his feet, sniffing his pants, hitting his crotch with her nose in the process.
“No, Coco. Sit. How many times have we talked about no nut-tapping?” Maya glances at her with amusement as the dog sits on her haunches.
“It’s fine,” he snorts. “All dogs do that.”
“Yeah, tell me about it. But she’s not any other dog. I thought I had taught her better. So what brings you here?”
“This.” He offers the paper bag hanging in his hand. “It's just a little house-warming gift.”
“You didn't have to.” As she takes the bag from his hand she ushers him inside before closing the door.
“It's nothing, really.”
He glances around as Maya takes out the box from the bag.
“Wow, a set of knives? That's not nothing.”
“Everyone needs one good set of knives. But you can exchange them for something else if you want.”
“No. I like these. But I gotta warn you that I'm not much of a cook, and I'll probably use the same one for everything.”
“That's fine I can show you sometime though. Is she friendly? ” He points at the dog that keeps staring at him. “Can I pet her?”
“Yeah, she loves everyone. Go ahead.”
Michael cautiously pets the brown coat of her head as her floppy ears lower at the passing of his hand.
“Never pictured you with a pit bull.”
“Me neither. I always thought I'd be a cat lady. But I met her at this adoption drive when she was one, and she stole my heart.”
“I can see why.” Michael crouches down, and pets Coco with both hands. “She's really sweet.”
He lets her lick his chin a couple of times before standing back on his feet. Then they go on a tour around the house.
“It's still a work in progress. I'm thinking of painting a few walls, but we like it so far.”
“Yeah, it has good bones.”
“So you don't have to work today?” Asks Maya.
“No, we've had some trouble with the gas line, and we've been shut down for a couple of days.”
“That sucks. Now where am I going to get my sandwiches and coffee on my way to work?”
“Heard Starbucks is pretty good.”
“Shut up. Don't even joke about that.” She playfully shoves his shoulder as they go back to the living room.
“Are you doing something later?”
She shakes her head. “Why?”
“I don't know, thought you were having a comeback party or something.”
“I don't really have any friends here. And I don't feel like inviting my family yet. As you can see, I still have a lot to unpack.”
“Physically or mentally speaking?”
“Both,” she scoffs.
“Let's do something then? Just you and me. We could grab some pizza, or go out for a drink for old times’ sake?”
“Old times’ sake?” It's amusing, surprising and confusing his sudden interest in her. Maybe he can see how pathetic she thinks she is, and he's taking pity on her. Although, that was never Michael style.
“Yeah, c'mon, Mayhem. You look like you could use some fun.” He picks up a book that's sitting on top from the box opened by the couch that's titled — Dating Again with Courage and Confidence: The Five-Step Plan to Revitalize Your Love Life after Heartbreak, Breakup, or Divorce. “And maybe a rebound or something. You don't need a fucking help book. You only need me to show where to get the best guys, or girls. Whatever you're into.”
“Give me that. I don't need a rebound, a help book, or you for all matter finding me a date.”
“No? Then why do you have that?”
“My friend Paige thought I should give it a try.”
“Maybe she was onto something there.”
“I'm perfectly fine. Just want to finish organizing everything, focus on work and this handful I have right here.” Her hand gestures at Coco. “What are you so interested in my love life anyway? First you try to play matchmaker with Carmy, and now you want me to do what, exactly? Hook up with the first guy I see?”
“No, I'm just asking you to go out and have some fun. I know Carmy was the only friend you had here. And if I was in your shoes, I'd feel pretty lonely.”
“I'm not lonely, Michael. Do I miss my friends in Sacramento? Sure,” she admits. “But I don't wanna force anything. I'm just taking it slow. When the time comes I'll jump right in but for now, this is all I need. Really. Stop pitying me.”
“I'm not pitying you, sweetheart.”
“No? Then what is it? Where is this coming from?”
“I don't know… I've always thought you were the salt of the earth. And though we never really hung out together, I thought you could use… But I can see now that you're different, and that you know what you need right now, so I'll just shut up and back off. Let you do your thing.”
“Thank you. I do know what I'm doing, by the way. You don't have to worry about me. I'll be fine. But I appreciate you coming here anyway.”
“Yeah, of course. And I can help you unpack if you need.”
“Hm, if you don't have anything better to do, be my guest. We could grab a pizza later, if the offer still stands. Or just order some food.”
“Sure.”
Michael helps Maya unpack all the boxes and put everything in place in half the time it'd have taken her alone. They order some food for lunch and spend half the day talking and laughing until late in the afternoon when they decide to go out for some drinks to keep the good vibes going.
At the end of the night, she offers to drive Michael back to his apartment as a thank you for inviting her.
“Did you have fun?” Michael asks from the passenger seat as she pulls up in front of his building.
“Yeah, I did. I'm glad I changed my mind.”
“Me too. I didn't know you were this fun. You're nothing like I remember.”
“Yeah, I was kind of weird growing up. You guys probably thought there was something wrong with me. ”
“Nah, don't be so hard on yourself. We were all weird in our own way.”
“Uh-uh. No Michael Berzatto. You were the coolest guy back in the day, and you still are.”
“I don’t know about that,” he scoffs. “For the record… I never thought there was anything wrong with you.”
“You were probably the only one… Anyway, thank you for today. I know I said I didn't need this, but I guess I did.”
“You're welcome, Maybird. I'm glad you’re back.”
“Yeah, me too.”
“Thanks for bringing me home,” he softly squeezes her arm before reaching for the handle to open the door.
“No problem.”
“You know you can call me if you ever miss your friends, y’know?” he throws casually.
“I uh…sure. I will.”
“Okay.”
“Okay,” she echoes back as he pulls the handle and the door opens.
“Have a good night, Michael,” she says as he gets one foot on the pavement.
“You, too, sweetheart.”
He closes the door and vaguely waves as she sets the car in motion and watches her drive away.
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Chapter 3: Don't cry over spilled milk
In the few weeks he's been spending time with Maya, Michael has found himself enjoying her company more than he'd like to admit. Being with her grounds him. She makes him forget for a little while all that's wrong in his life. She's like a beacon in that immerse darkness that his sorry existence has become. Despite having her own set of problems, he's watched her rise above all that with poise. He wonders what it's her secret to her steadfast determination, even when her own family has disavowed her.
After closing shop, he dives into his stash to tame that brewing headache before driving to Oak Park to pay her a visit. She told him earlier via text that she was at Home Depot buying some paint to update the color of her bedroom and asked him to come over to hang out after work.
For some reason, he couldn't say no. Not even the storm in his head is strong enough to deny her request. He has a pull on him, tugging him hard like a dog tied to a leash in her hand, he can’t help but follow her lead.
When he arrives at her house, she's halfway done. Two of the walls shine bright new in a lavender tone as she starts working on the next one.
After having beer and playing a tug of war game with his new friend, Coco, Michael offers his help to finish painting the walls. He uses a brush to paint the corners, while she gracefully uses a roller like a pro with her denim overalls over a tank top, and her raven hair pulled up in a ponytail sprinkled with lavender paint beads. When she lifts one of her arms, he catches a glimpse of a tattoo on the side of her rib cage, leveled to the roundness of her chest that looks like the outline of a dog paw.
“What are you looking at?” She asks after catching him staring.
“You have paint on your chin.”
“Oh.” She wipes it with the back of her hand, but she just spreads the stain along her jaw. “I made it worse, didn't I?”
“Yeah.”
She shrugs it off and continues with the task ahead until the whole wall is covered.
“Is everything okay, Bear?” Maya puts down the paint roller. “You're quieter than usual.”
“Yeah, everything's alright.” It sounds so honest, he almost believes it. “It's just been a long day.”
“I'm sorry that I put you to work.”
“Don't be. This is relaxing.”
“Yeah?” She takes a step back and surveys how much brighter her bedroom looks already after covering most of the former downcast grey. “Is the color right? Do you think it's too girlish?”
Giving the room a once over he says, “it's a good shade. I dig it. It doesn't matter what I think or if it's too girlish, as long as you like it. Do you like it?”
“Yeah. I do.”
She dips the roller on the tray to cover another section of the wall.
“You never told me what happened at the funeral with your mom,” Michael leans on the stepladder, taking a short break.
“Do you really wanna know?” She glances over her shoulder.
“Yeah. Everyone does. I’ve heard some crazy stories about it. Thought I should get it straight from the source.”
“I never pegged you for a gossip girl.”
“I’m not. I’m just making conversation.”
She mockingly narrows her eyes, drawing a lopsided smirk, “liar.”
“You don’t have to tell me if you don’t wanna. But yeah, can’t help being a little curious about it.”
“I don’t mind telling you, but it won’t be as entertaining as those crazy stories people have made up.”
“I’m not here for entertainment. I just wanna hear your side of the story, Maybird.”
Maya lets out a heavy sigh and while keeping her focus on the wall she shares with him what really happened. She’s right to say that is not the best story she’s ever told, though when it comes to her mother, all her stories tend to have a surreal element even she can’t fathom sometimes.
That day at the funeral, she was taken outside during the wake by Angela Silva to get scolded about her imminent divorce. It wasn’t finalized by then, and her mom invoked one last Hail Mary to convince her to stay with her husband, who was also currently dating someone else. It was a messy situation that Maya couldn't wait to get out of, and the fact that her mother never offered an ounce of support wasn’t surprising, but still devastating. Somehow, Angela found that the reason for her separation from her husband was that Maya didn’t want to have kids, and that really vexed Angela. All she wanted for her three kids was to follow the same traditional path Angela was forced into, no matter how miserable she was. Her two older sisters followed her mother’s narrowed traditional values. But Maya, ever-the-nonconformist, swore she would never follow anyone’s drum beat but her own. Her husband thought she’d change her mind eventually. He was wrong. She knew that wasn’t going to happen anytime soon, which led her here, to this moment.
“Is your mom ever happy?” Michael has always wondered.
“I don’t think I’ve ever seen her happy, except when she’s drunk. That’s why she has to make everyone else miserable.”
“Yeah, but she’s always had a fixation on making you miserable.”
“Like I said, every family needs a black sheep, and I’m it.”
“Is that why you became a vet?”
“Yeah, probably.”
“So, it's true, you don’t wanna have kids? I’m not judging. I’m just curious.”
“I honestly don't know. I just knew that when he told me he wanted to have a baby right away, it didn’t feel right. I said that maybe in six or seven years I’d be okay with it. Told him I wanted to travel and just be us for a while, and he said that was too long to wait. I don’t know… he stopped talking to me, and it was clear that he wasn’t changing his mind, and I wasn’t changing my mind, so. At some point I got tired of trying… He got a girlfriend as soon as I filed for divorce and I got a text from Paige the other day that said he got her already pregnant, like… that was never me. I guess it served me right… I married him on a whim, an impulse without really talking about what we wanted…”
“Hey, don’t feel sorry for yourself. You dodged a bullet there.”
“You really think that?.”
“Yeah, I do. You stood up for yourself and knew when to step back when it didn’t feel right. Not everyone has the balls to do that. Think how miserable you’d be by now if you had tried to please him or your mom. You seem happy now. That's what matters.” He means that with all his heart, and wishes he had the same drive to follow those same steps. As much as he loved the restaurant, he chose to run it to please people within his family. And that love turned into a nightmare he couldn't escape.
“You know… I liked you better when you were quiet,” she quips.
Michael huffs a soft laugh, picking up his brush to resume painting.
When the room is finished, she plugs a couple of fans and closes the door to keep Coco away.
Maya washes her hands and face in the bathroom sink. When she comes out, she catches the motion of Michael's arm as he shoves what looks like a pill into his mouth before taking a gulp of water from one of her glasses.
“What was that? Are you okay?”
“Yeah, yeah. It's just a headache,” looking down, he runs a palm over his short growing beard.
“Is it the fumes?”
“No, I had it before coming here.”
“Michael,” she sighs softly at his name. “You should've told me. I wouldn't have let you help if I knew.”
“Would you stop that? I wanted to help.”
“Okay, c'mere. Let's sit down.”
“No, I think I should get going.”
“Nonsense. I'm not going to let you drive until you feel better.”
He yields with a long exhale, and follows Maya into the living room, where her bed is settled askew in the middle of the space.
She takes a seat on the edge of the mattress and waits for him to sit next to her.
“Give me your hand,” she shows her palm up, as his eyes narrow. “C'mon, don't be a baby, give me your hand, Berzatto.”
“When did you become so bossy?” He slowly lifts his hand and as he lays it on top of her palm, his fingers tremble upon contact with her skin. Maya then uses her opposite hand to clip the webbing between his thumb and pointer fingers with her own and begins massaging that spot.
“My friend Sierra is really into acupressure. She says this is a pressure point that helps with headaches.” She explains while slowly increasing the force. “Does it hurt?”
“Not one bit. Is that like acupuncture?” His voice comes as a whisper as he focuses on her diligent fingers.
“Kinda. I think. I’m not really sure.”
“You don't have to fix me, you know?”
“I'm not trying to fix you, Bear. I just wanna make you feel better.”
“Admit it. You just love a good wounded animal.”
She smiles softly, placing his hand down on his knee and picking up the other. “Does it feel any different?”
He’s not really sure, it wasn’t truly a headache that led them to take that pill but the annoying rambling of his thoughts. She shouldn’t have seen that. And he shouldn’t have lied. But having her hands on his like this is straight up lovely. Inside of him, it truly feels like something is broken, wounded, and missing, and this is giving him a sliver of relief as he waits for the pill to kick in. If he was a better man, he’d tell her the truth. But he’s too far gone for saving. All he can do is keep that facade up.
“Does it?” She insists after not getting an answer.
“A little.”
“Do you wanna lay down?”
Swallowing, he responds with a nod, and they both lean back on the mattress at the same time. Looking at the ceiling, she keeps kneading that pressure point, unsure if she’s even doing it right.
They stay in comfortable silence for a good five minutes and when she finally places his hand down, Maya glances to the side and sees that his eyes have closed, and his chest gently rising and falling. She calls his name softly, but she can see that behind the sharp edges of his face and the ever-growing shade of his beard, he’s truly exhausted, so she doesn’t insist. She extends her hand to turn off the lamp, and curls on the other side of the bed without disturbing his sleep.
“Good night,” she says softly and closes her eyes.
From a dusty corner of her mind comes crawling that little forgotten part that used to harbor a lot of feelings for Michael. Though a few weeks ago he seemed practically the same Michael she knew, over the past month she’s keenly noticed little changes here and there. His eyes sometimes cast a dark shade tainted in nothing but sadness, it’s barely noticeable for other people. It comes and goes, but it tells her he’s not truly as happy as he pretends to be.
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Michael wakes up disoriented at the crack of dawn.
It takes him a few seconds to remember he’s still in Mayas’ bed in the middle of her living room and that the weight that has his arm pinned is her body pressed against his. She’s warmly snuggled on his side, with her arms tucked between his chest and hers, and a peaceful expression on her beautiful face. She’s so awfully close, he can smell the scent of her hair, and feel the heat of her breath every time she exhales.
It's such an odd moment for him to have her that close. He's unsure of whether it would be better to slip out of bed unnoticed before she wakes up, or just stay there and watch her sleep for a bit longer. Either option would make him look like a creep, he thinks. So he opts to gently wake her up. His free hand reaches to his forehead to move a stand of hair away. Her brow scrunches as his light-feather touch grazes her skin. His lips curve up as he traces the shell of her ear to see her stir awake. She blinks slowly a couple of times until her focus shifts onto him.
“Hey, Maybird.”
“Hey.” Her lips move, it's barely audible.
“Sorry, I fell asleep.” His fingers absentmindedly massage her earlobe.
She's so stunned by waking up to that level of intimacy, she simply nods, as her mouth softly draws a smile.
“It's fine. Does your head feel better?”
“Much better. That pressure thing really worked.”
“I'm glad.”
“Listen, I gotta go open. Maybe we could do something later?”
“Okay,” she swallows nervously, hoping that waking up with him like this isn't just a dream. “Can you do me a favor first?”
“Sure.”
“Can you stay five more minutes?”
“I uh… I think I can,” against his better judgment, he decides he can stay for a few minutes more holding her.
The way her lips pull up timidly at the corners, revealing the dimples framing her mouth, completely disarms him. He’s always felt a certain affinity towards her, but being this close to her awakes a longing within that feels dangerous. He can’t bring someone new into his life. Not while everything around him is falling apart. It’s already hard enough having to pretend around other people.
He couldn’t do that to her. He won’t.
Michael will have to fight harder because when her arm tucks around his waist he can’t help but press his lips against her forehead.
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Chapter 4: Hard nut to crack
Four months later…
After that initial moment of weakness when he fell asleep on her bed, he fought hard to elude that odd longing that has only grown into a big mass of love toward Maya. To anyone else in the world, a feeling as big as that would be a blessing, especially when it's reciprocated. To Michael, it's a weakness he can't afford right now.
Spending all that time with Maya has been like discovering a whole new planet Michael never thought existed. She's all vast, uncharted territory that fazes him more than it should. Despite his best efforts, he’s fallen into her alluring orbit and can’t find the way out into his own universe.
Far gone is that moody teenager that would mumble a few words here and there. And now there's this tragically stunning woman that looks you directly in the eye, says anything that crosses her mind, and laughs without a care in the world.
Though falling in love with her wouldn’t be completely wrong, it's not quite right either. It fills him with guilt to think about her in that manner. Moreover, it feels like a betrayal to Carmy, who’s far away in a different continent, prospering in his craft.
Michael tries to fool himself into believing that this is just temporary infatuation. He’s even attempted several times to convince her to get in touch with Carmy but hasn’t succeeded. It’d be easier for him if she were to put her focus on someone else instead of him. He has nothing to offer to her and has deemed himself unworthy of her, or anyone for that matter. If she only knew what’s really going on with him, she wouldn’t want Michael nearly as she believes she does.
Layer by layer, she’s tearing all his walls and defenses down. And after all the back and forth, he's absolutely sure she wants more than he can offer her. She’s been giving him the right signals. She doesn't shy away from it. Maya is direct and impulsive, and everything about her is fascinating and intimidating.
It’s time to either cut her loose, or accept that he’s madly in love with her and do something about it.
Amidst coming to terms with a final decision, he's lured into a surprise party she's organized for his birthday.
Michael is left speechless by her determination. And a little annoyed too for reasons he can't explain. To be honest, he’s never been a fan of surprise parties, but the main problem is that this would make things much harder for him to let her down easily. She’s carved herself into his life and the longer he drags this out, the worse this is going to hurt.
He’s aware that it’s selfish and obtuse of him for being that ungrateful that someone who cares that profoundly about him, that they would go all out to prove that. He feels like an asshole, but the train has already left the station.
Using the same tiring self-defense mechanism, he draws his best smile and brings out the Michael everyone seems to love. Not without help. There's always that crutch tucked in his wallet in the form of a pill. Being high numbs him enough to deal with the situation.
The cherry on top comes at the end of the night, when he walks her up to her car and asks if he's had a good time. He lies through his teeth and for the first time, he can tell Maya is not buying it. Perhaps she never did, but he's well-versed on her tells by now, and he can clearly see she's fed up with all the bullshit that comes out of his mouth.
“Look, it's not that I didn't like the party. It's just that I hate surprises, and I was exhausted today. But it was a nice thought, sweetheart. I just… I wasn't in the right mood.” It's seemingly convincing the second time around, but her face shows nothing but regret. “I love the jacket you bought me, though.”
Michael has never been interested in fashion, but he's always loved vintage jackets, and the one she picked it's a perfect addition to his collection. It's a bomber jacket, aviator style, in brown leather with a couple of patches and fur collar.
As they reach Maya's car, they come to a stop. She turns to him, “I know I can be a little too much sometimes. But I promise no more surprises from now on.”
“You and I both know, you won’t be able to keep that promise even if your life depended on it. That's part of what makes you– you, sweetheart. Don’t let my bad mood ruin that.”
“I’ll try.”
After a beat, without hesitation she leans in to leave a goodnight kiss on his bearded cheek and on a whim, she decides to press a second one on his lips.
It takes him completely aback. He wants to dive so badly into her mouth, but he freezes on the spot. And when Maya attempts to deepen the kiss, he finally reacts by placing a placating hand on her shoulder as he pulls his head back.
“I'm… I'm sorry we can't do this, Maya.”
“Wait, I thought… Did I misread something?”
“No, you didn’t misread anything. I just can’t do this.”
“Why?”
“I can't.”
“You can't or don’t want to?”
“Guess I don’t want to.”
“Can you at least tell me why? Did I do something wrong?”
“You did nothing wrong, sweetheart.” He wants to spill out the old – it's not you, it's me – excuse, but he refrains. Every thought and action go against every good instinct he's ever had. He hates himself for making her feel insecure. And yet, he can't backtrack now.
“Stop calling me sweetheart. You see how misleading that is?”
“Sorry. I think I gave you the wrong impression.”
Her eyes narrow, and he can see the gears turning for a long moment before opening her mouth.
“I don't think you gave me the wrong impression, Michael. I think you're too chickenshit to admit that there's something between us and, for whatever reason, you're just taking the coward's way out. You've been weird the whole night, especially with me. I just threw a party just for you, the least you can do is tell me why.”
“I didn't ask you to do that. And I don't owe telling you shit! I was trying to let you go easy, but nothing is ever easy with you. So I'll just say it. This, you and me, is never going to happen.”
It sounds ridiculous as it comes out of his mouth, but he stands firm on that statement as her heart breaks in front of him.
In the end, it'd be better for her, he believes.
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haikirii · 8 months
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Paranormal Order Community Survival Guide (and other things you need to know for Saturday)
Ok, let's start. First of all, I've been in the Paranormal Order community since the first live season announcement. I've seen this community change so many times and I think it would be cool to warn a few things for those who are going to see Saturday's episode with the global creators.
Despite the recent problems - which have been translated here - the community is not complicated to deal with, you just need to know where to enter and where to stay to have a good experience. So, here are some tips.
1 - Watch the rpg live with the chat CLOSED.
The Paranormal Order live chat IS NOT the regular stream chat. This is one of the biggest tabletop RPG projects in Brazil and, because of this, it is very difficult to have 100% control of the chat.
Obviously, the moderators already have years of experience to deal with. The chat will be 100% in submode and only the Tuesday chat, which is when the episode replays for those who missed it on Saturday, will be open to everyone.
However, this does not prevent hate comments from happening in the chat, as many do not watch Cellbit regularly and just sub to talk in the chat/watch the episode without ads. It's no joke, the rpg chat is known for being a toxic chat that has made players cry in the middle of the session when it was still online.
2 - If you see any hate, ignore it or make a joke.
It's more of a personal recommendation. Even within the community, the essential thing is to ignore hate that has few likes or things like that so it doesn't spread OR turn into a copypasta.
Generally on Twitter it's easier to ignore, because you can just filter things and rarely does anyone post hate on the tag where we comment the live.
MAYBE hate can happen from outside the community, we have suffered a lot of hate for years because it is a "nerd thing" and/or it is a Cellbit's project, which receives a lot of hate here in Brazil and we suffered from hate for a long time. I don't know if it will happen in this episode since the community is much larger, but it's just a warning that it could happen.
But as the old saying goes in the fandom: talking bad about Order gets likes on Twitter.
3 - Some people who watch Ordem are unhappy.
Nothing really serious, but some people in the community don't like QSMP out of sheer annoyance with the project and are frustrated with Saturday's episode because they expected something from the main story - which they've already been warned won't happen until Enigma of Fear comes out.
Which brings us to the Discord situation that I mentioned at the beginning of the post. Just situating what is happening, ignore these people and support Cellbit, which is doing his best.
Paranormal Order is his life project, we all want to give as much support as possible despite these people who call themselves fans and seem to hate the project.
4 - General dates and stuffs.
It's an independent story from the main story and will be in English, so don't worry about needing to watch past seasons to understand because the basis will be explained in the episode.
The episode will happen live on Saturday, September 23rd at 6pm BRT. I saw some people asking and no, it's not a pre-recorded video being show in live, everything is 100% done on the spot.
If you missed the episode, a rerun will take place on Tuesday at the same time and the vod will be for subs only. However, you can still wait until it comes out Thursday on YouTube for free on the official channel.
On average, typical episodes last 4-5 hours. However, as it is a oneshot, it may last 6 hours but Cellbit always warns you in advance if the episode is too long.
The episodes have breaks for you to go to the bathroom or stretch your legs and for the players to rest a little.
The Order fandom does a LOT of live tweets at the time of the episode, the fun is seeing everyone commenting together so we use a # specific to each campaign. In this campaign, we will use #OPQ and you can also use it to post memes and fanarts.
When the episode starts, you will be notified on the official Twitter. But there are two things: IT'S ALWAYS DELAYED and THERE'S ALWAYS A TIMER. So don't worry about arriving at exactly 6pm BRT, you'll have a little time to prepare until the episode actually starts.
5 - We organize ourselves on Twitter.
The order fandom is very active on Twitter and always does dynamics with all profiles and we upload a sentence on the day of the episode to give hype. Even Wiki and some official Order players participate.
We are still deciding on the phrase we will upload to tts, so if you want to help, just keep an eye on the brazilians in the fandom. However, the pack has already been decided and if you want to participate in the fun. Here's what my profile looks like.
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I think this is the basis of what you need to know, maybe I'll reblog adding things later if I remember too much. The Ordem community is not a monster, but I'm giving you these tips so you can live in peace in it.
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foone · 9 months
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I saw a couple posts that mentioned that Riverdale ended in a poly situation, but I watched a video on it, and the ending season is even weirder than that?
Like, the final season starts with a witch sending everyone into a different universe where now the show takes place in the 50s, instead of the 2010s/2020s? She needed to do this because a comet was going to blow up Riverdale.
Everyone forgets about the original timeline except Jughead, who then later gets his memory erased. So the final season takes place in the 50s without any of the characters knowing about the previous seasons. It's effectively a different show but with the same actors. Then the witch shows up again and explains she had to destroy the multiverse to Save Time (which means all the Riverdale connected shows are now gone. Sabrina? Gone. Pretty Little Liars? Sorry, time witch blew it up), but she gives the cast the opportunity to remember the old timeline: which she does by showing them Riverdale.
You know, the 2017-2023 TV show. She shows THAT to the 1950s versions of the characters.
They decide to remember "only the good parts", not the whole thing.
Anyway the finale is mainly set after all the characters have died and is about the last one returning to Riverdale and having flashbacks to what happened after the show, and yeah, the Archie/Veronica/Betty/Jughead poly relationship did happen, but it was only for a year and then they all split up and went different ways and this is really only covered in like two sentences of flashbacks.
And psychopomp Jughead takes dying old!Betty to heaven and she gets there and all her old Riverdale friends are there, including Jughead, so that wasn't Jughead but... An angel shaped like Jughead? And that's where it ends.
I'm just saying. For a weird show, the finale was extra weird, but it's almost as weird that all Tumblr seems to have talked about was "OMG POLY ARCHIE/BETTY/VERONICA" even though that was like a 20 second clip in the middle of the whole episode.
But yeah. Queer polycule in the 50s. Nothing weird about that. Especially not compared to the rest of the weirdness that is 1. Riverdale 2. The final season 3. The finale.
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Let's talk about Zutara
WARNING NOT KATAANG AND MAIKO FRIENDLY
CONTINUE WITH PRECAUTION
I thought I should finally use this second blog of mine for the reason I made it.
To scream into the void and find mutals.
So let's talk about one Ship which people to this day fight over.
The fanon ship (at it pains me to write this) made out of Zuko and Katara from Avatar the Last Airbender aka. Zutara.
I read a lot of analyses, arguments and so on about this ship.
It probably all has been said about Zutara, but since I'm writing an AangXOC story which will include Zutara, I felt like I should give my stance on it.
Back when Avatar first aired in the country I lived in the time I was like 11-12 years old.
I had an instant crush on Aang since he was so funny, kind and gentle.
I never saw Aang's crush on Katara as a problem, because it always seemed to me, till season 3, that Katara was just motherly to Aang.
Giving a friend a cheek kiss in thanks doesn't automatically mean that you like-like them.
At this time I only really shipped Sokka and Yue and cried my eyes out how it ended.
And then the famous scene from book 2 in the crystal catacombs under Ba Sing Se happened.
Short recap, in that season Zuko goes through a lot of chances and I root for, wishing him the best.
Now back to the scene, I said.
The scene turned me into a Zutara shipper in one instant.
Zuko and Katara opening up to each other, sharing their traumas and feelings about the Fire Nation, Katara offering to heal his scare...it was poetic cinema.
I was shivering all over and was like kiss, kiss, kiss!
Let's not forget that before this scene I didn't even see them as a potential couple...but this scene, this beautiful moment they shared with each other, opened my eyes.
I was like, yeah this is it, this is something one should want from a partner. Mutual understanding.
Then Zuko decided to betray Katara for a chance to go home and I cried right there with our favourite waterbender.
I felt also betrayed.
The scene they shared made me feel things, which I experienced as a young girl for the first time, I felt the connection between Zuko and Katara like it was my own.
I was Katara at this moment and couldn't believe that the boy who opened up to me, who understood what it was like to have their mother taken away from the Fire Nation, who said that he wanted to change, that he turned his back on me.
Didn't I/Katara mean nothing to him?
Didn't he feel how special our/their moment was?
I was devasted.
When Zuko then joined the Gaang in the middle of season 3 I could understand Katara's anger towards him.
Katara and I trusted him first and he betrayed our trust.
We had a right to be angry.
As the Southern Raiders came on, as I saw how flawlessly they worked as a team, I felt my own heart heal.
I swerve to this day, that I thought they would kiss at the end of the episode, but we got a hug.
However, this hug, made me feel all giddy and mushy inside.
I felt it was something special.
Maybe even more than a kiss.
It was a huge of forgiveness and the start of a new bond.
And then the last episode comes on.
Zuko sacrificed himself to save Katara from Azula lighting, she healed him then...I thought, yes this is it, now comes the kiss...but nothing.
Then suddenly Zuko is back together with Mai and I was like WTF?!
And Aang and Katara share this really intense kiss at the end.
I was literally like:
youtube
It came out of nowhere for me.
That Aang wasn't over his crush on Katara we all know, but when did Katara decide she liked Aang?
When did this realisation happen, when in the Ember Island Player, which was like a few days before Sozin's Comet Katara made clear that she didn't want to have a romance or get kissed by Aang, which he didn't respect.
Did he ever actually apologise for the unwanted kiss? I don't think so.
Remember I had a crush on Aang, but through the seasons I became a Zutara Shipper and literally felt all their moments like they were my own.
I was Katara and Aang wasn't on my radar anymore.
I really doubted my interpretation skill, did all these lovely, mushy, heartful moments have been really romantic or did I project?
I felt like Zuko and Katara had broken up with me.
Yeah, so much inpact had their "friendly" moments at me!
To this day, the hug Katara and Zuko shared on the Southern Raiders is one of the most lovely moments of any of my ships.
Not even kissing made me feel, what this hug made me feel.
Think about how powerful this is!
If Zutara had kissed, I would have probably passed out or cried like a baby in happiness.
I don't know and I will never know since it's a fanon ship.
Uurgh.
Anyway, years passed and as I mention before I read a lot of analysis and so on.
What shocked me most was that Byrke originally planned to have Zuko and Katara together but then changed their minds.
It did reassure me, how I wasn't imagining things between them, however reading then how the Souther Raider Episode changed a lot of times because Bryke found it too shippy, tells you a lot.
They wanted to make Kataang canon and better, than the natural flow Zutara had going on.
I want to repeat again, a HUG was MORE ROMANTIC and INTENSE than the crappy kiss Kataang shared.
Like what?!
How is this possible?
Well, yeah, if you don't force things and actually make people interact in a wholesome way it can be.
Zuko and Katara felt never forced because they just clicked. They were different, but the same in many things, that it was so natural to understand the other.
Aang and Katara felt always more like a mother-and-son duo, than real lovers.
And Maiko was kinda lame too.
Sorry.
I have this theory they just wanted to pair Zuko with a Fire Nation girl and be done with it.
I don't know why they chose Mai when it could have been worked with Ty Lee too, if it was only to pair Zuko with someone who doesn't understand him or doesn't want to try.
Excuse me, maybe Ty Lee would have been better since she seemed to care for her friends, in contrast to Mai who just tried her hardest to be goth and hate everything.
Sorry.
What I'm trying to say with this rant?
I think, as someone who had liked Aang and then felt more connected to Zuko and Katara, I can clearly say that if Katara had been a real girl and not a fictional character controlled by men, she would be together with Zuko.
Why would I/Katara choose someone who I need to mother, who is younger than me, who can't relate to me, if there is an older handsome boy who is kinda dorky and awkward and tries his best, understands my feelings and helps me to parent the Gaang?
Yeah, no, Katara would have smooched Zuko if she had been a real girl.
Now, who of you who knows me, can say, but Empress some of your OCs are older than their canon partner, how can you say that Kataang can't work if you do this in your stories?!
I want to make clear I don't have general a problem if the girl is older than the guy or taller.
It's just that their supposed age gap is when they are together makes it creepy.
Look at an example.
My parents have a three-year age gap.
Nothing much.
They are both in their 60, mid 60, so it's not weird.
They are in the same mature stage in life and understand the struggles of the other.
Now think if my parents meet at 12 and 15.
My dad is the older one.
Are you going to say with a straight face that it wouldn't have been creepy if my parents started to date at this age?
What does a teenager want with a pre-puperty child?
Also, they live in completely different worlds, how can they relate to each other?
The same goes for Katara and Aang, what does a 14-year-old want from a 12-year-old?
I bet if it was the other way around, we would all give Aang shit for preying on a 12-year-old girl.
The gender shouldn't decide if we find a couple creepy or not, even if it's so sadly.
What I want to say, Kataang would have worked better if let's say season 3 ended with no pairing, just all being friends and happy and then in the comics when they age, when Katara is 22 and Aang is 20 they got together.
They would have matured, been on the same level, probably dated other people and had experience.
It would have been okay.
Even if I still think Zutara is superior in anything.
Anyway, I hope I could explain myself and no hate to the canon ships and their shippers.
Ship and let ship.
I just wanted to explain my reason why I will be always a Zutara Shipper and don't reconsider the ending of Avatar as the end and Legend of Korra.
I will forever be Team-Season-Four-Where-Aang-Finds-Hiding-Airbenders-And-Falls-in-Love-With-A-Airbender Girl-His-Age-And-Zuko-And-Katara-Marry-Eachother-And-Katara-Becomes-The-Most-Beloved-And-Badass-Fire Lady-In-History!
And they find also Zuko mom ^^
So for now this is it for me.
If you want my take on an Aang and OC story, where Zutara will be canon, go to my other Tumblr profile empressofthesunwriter and read Yin and Yang.
Here is the link to the Index
I wish you all a nice day/night!
Till next time!
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spicyvampire · 2 months
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Okay so after the whole Sakuna/Wansarut and Phaya/Tharn "characters description" fighter (protector)/healer+protector(mediator) post, now imma talk about about our resident Snake (PhD), Doctor Chalothorn being a fighter and well how do you convince a fighter to not fight?
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I've already made a whole gifset about this but I needed to put the stuff into words cuz u just can't say everything in a gifset so this post is gonna be about a few things, first of all, the way Charlothorn's goals shifted in the last 2 episodes, from wanting to kill Phaya so he can have Tharn, to wanting to save Tharn and Phaya's end not really mattering anymore, and second of all Tharn's role in this shift and where have we saw something similar to this shift before aka Wansarut and Sakuna and how Wansarut even did that
Same disclaimer as the last one applies : pulling this out of my ass from watching the show, these are raw out-of-order thoughts, ill try my best to separate but like the last post because I'm going to have to go back and forth between Wansarut (love of my life, talking about Wansarut has to be my favorite activity rn), Sakuna, Tharn (smooching him smooching him), Phaya and Chalothorn this might get hard to follow but hey that's what it's like inside my brain so welcome to the mess
Putting it under keep reading
So like I said in the last post, Chalothorn is a fighter, like you can't get more fighter than this, the man is literally the prince/ruler of Nagas and he is right in the middle of the battle field anytime there is a fight to be had, and like I said in Sakuna's part of the post he is a level that can probably can only be rivaled by Sakuna's brother, you can't be a higher level of Naga fighter from what I understand, so like how do you fight this man if you are Wansarut and Sakuna? (ep. 8)
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Keep in mind that : the answer is that they never were supposed to fight Chalothorn
SCENARIO 1 : Chalothorn wins
This is what we've seen in the show, Sakuna/Wansarut/Phaya/Tharn would never win against him in a fight because they just aren't strong enough to began with, Sakuna and his Garuda were not Chalothorn's level when he was alive, Wansarut is a healer/protector not a fighter, Phaya can only do ✨Sparkles✨ of Garuda powers as of rn and while Tharn can do some powerful protecting he is of the gang the person who is the less in contact with his past and magical self (other than for protecting Phaya magic, we have not even seen his Naga in this lifetime) and also his past self wasn't even a fighter, so it makes sense that Chalothorn just keep killing them and every single one of their reincarnations, he kills them so much that it was destroying his own soul (ep. 8) because surprise he is getting affected by the little cyclic karma thingy they got going on too, this isn't just about Wansarut/Sakuna and PhayaTharn, Chalothorn is trapped in this shit too
Clearly fighting is not the answer, because even if you win, which Chalothorn has been doing a lot of, you still lose, Chalothorn is losing control of his Naga form, not only does it destroy his soul (ep. 8) but he might just not be able to turn into his human form anymore aka would be forced to be a Naga forever (ep. 9)
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Another lost of this is that he keeps losing Wansarut and having to wait for the cycle to start again so he would get another chance, like the level of psychological damage getting done to him because he kills the one he loves and he is always left behind alone to wait is enough to drive anybody insane (ep. 11)
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And I think that's one of the reasons why it took him so long to understand that he should let Wansarut/Tharn go, because when you do something so despicable and keep doing it over and over again you have to justifies your bad actions to yourself so you don't break and the more you justifies them the harder it becomes to see clearly through them, so you just keep doing it, like Chalothorn probably hates himself more than he even hates Phaya or love Tharn at this point because he keeps killing reincarnations of Wansarut, like this is his reaction to killing Wansarut the first time, falling to his knees screaming and everything (ep. 8), the cognitive dissonance in that man's brain must be insane
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SCENARIO 2 : Phaya wins
Now let's imagine for a second there that they did win, Phaya succeeded in killing Charlothorn, and then what? Isn't Charlothorn just gonna reincarnate and come back for them again? Like yes it might take some times but it will happen, and then Phaya and Tharn would be the one destroying their souls and making their karma worst, that's just not a solution
Also we saw with Narong's case part of the show that "victim turned attacker" is not the answer (anyways that's what the show says), when Tharn and Phaya are talking to the abbot at the end of episode 5 the abbot keep repeating that over and over again killing is not the answer
When Phaya Says "Those victims are left with no choice but to fight back in order to survive. They have to kill." The abbot answers "The basic code of moral conducts for human beings like us is the 5 precepts. One should be abstained from killing other living beings. These precepts can bring peace and happiness to your family and the society. Undertaking the 5 precepts will benefit not only yourself but also the people around you." Basically straight up telling them that [not killing] is the only answer that will bring peace to everyone
Also so many parallels can be made between Narong and Chalothorn (which is probably why it was easy for Chalothorn to possess Narong to attack Phaya but let's not get into that), because like isn't this Chalothorn? (ep. 5)
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His mind is so clouded by anger and wanting to kill Phaya and getting Tharn that he is obsessed with it, he literally do not see anything else, specially if Phaya is in the room and/or mentioned, like I said a bit higher in this post, he hates Phaya, but he probably hates himself too, and so much hate and anger just blinds people
Also sidenote that I'm not really gonna dive into : How do you think Tharn would feel about Phaya killing Chalothorn, knowing what u know about him? like Tharn loves Chalothorn as a friend, and that's even if Chalothorn is responsible for all the bad things in his life (ep. 12)
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Tharn may be looking at Chalothorn saying this but he said "Please stop killing each other." he could not be more clearly talking to both of them, he doesn't want Chalothorn to kill Phaya but he also doesn't want Phaya to kill Chalothorn
SCENARIO 3 : Tharn Wins
Now lemme say this, you can literally never convince a fighter by fighting him, like if you've ever had a fight/argument with someone you know that you cannot reach a compromise in the heat of the fight when everyone is angry and losing the control of their emotions, it just doesn't work, but what does work in the context of the show?
Wansarut and Sakuna
And now I'm back to Wansarut (<3<3<3<3<3<3) and Sakuna because well Wansarut did change a fighter's mind before already, this is part of Wansarut's power that's why I also describe Wansarut as a mediator, and what did Wansarut do exactly?
Well Wansarut healed Sakuna, even if he is from the enemy side, and took care of him and acted in a way that was protective of him, even if again Sakuna is an enemy of Wansarut's people (literally brother of the Garuda king) because that Wansarut's character, Wansarut is a healer/a protect/a mediator that's how Wansarut fights (ep. 8)
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Then Wansarut tough Sakuna about Naga culture (Naga offering and breathing fire to pay respect to Buddha, on the 15th nigh of the 11th waxing moon)
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And while being in love with each other did facilitate this change of view in Sakuna (which would later turn him a bit into a protector of Wansarut), you really do not need to be for this to work, like the best way to change people views on some things truly is just to expose them to the thing from the POV of the people living it, when nobody is in any immediate danger
And that is exactly how Tharn succeeded in convincing Chalothorn that the love between Phaya and him is good, by being there for Chalothorn and taking care of him, and being patient, until Chalothorn was ready to let him go on his own, not in the heat of of fight when everyone is angry and putting the blame on each other, which was again so healer/ protector/mediator of him like I talked about in my other post
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Tharn and Chalothorn : the final
So with Wansarut and Sakuna we saw how Tharn could change Chalothorn's mind and what really does work, now imma dive into the last 2 episodes of this show aka the shift in Chalothorn
So in episode 6, Chalothorn says this
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And at that time I think those words were true cuz that's literally what he has been doing isn't it? Like everytime he lost, both Wansarut and Sakuna's reincarnations died, so he was "okay" with killing Wansarut, as long as it meant that Sakuna was also dead and they weren't together (crazy way to fight cognitive dissonance if you ask me) but then something changed around episode 11 because Chalothorn started saving Tharn even if Phaya was still alive? (Ep. 11) (ep.12)
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The importance of Chalothorn saving Tharn those 2 times, is that 1) now Tharn knows what the fuck is going on and 2) (like I said in the other post) Tharn end up understanding that Chalothorn can be talked too and reasoned with (the abbot would call it enlightenment), because in that 2nd saving he told Chalothorn to not kill Montee, and Chalothorn listened
Sidenote : Wansarut also did tell Chalothorn to not kill Sakuna and Chalothorn did listen that time too, like Wansarut has a BIG influence on this man (wish we saw their relationship before the mess), the only reason why the fight did continue was because Sakuna did not let Wansarut go
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Why did he listen then? because he loves Wansarut, it really is as simple as that, and that's why he also listened to Tharn with Montee, because our chronically involuntary celibate man is head over dick for Tharn (valid and relatable)
So remember when I was talking about cognitive dissonance and stuff, well by ep 12, Chalothorn cannot justifies killing Tharn anymore, he is tired, he is turning into a Naga, and he cannot stand seeing another reincarnation of Wansarut die again, but most importantly he cannot stand to see Tharn die by his own hands
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It's easy to concentrate on Phaya's distress in this scene but Chalothorn is in as much distress as Phaya, you can hear Chalothorn's voice break when Tharn is dying in both Phaya and his arms after asking them to stop killing each other, they are both screaming Tharn's name, and this time Chalothorn just listen because this is too much, his hatred for Phaya is just not important anymore, killing Phaya is just not as important anymore because anyways Tharn did choose him didn't he? isn't that what he wanted? even if Tharn clearly is in love with Phaya, Tharn did choose to come with him, so in a way none of this shit even fucking matters anymore
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So for the 3rd time, he saves Tharn, this time by literally giving Tharn his soul so he would live (wish we saw him breaking down over Tharn dying in his arms in the Naga caves until he ended up giving Tharn his soul tbh), Chalothorn chooses to save a life instead of ending one and thus ending the curse on his part
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itslenagain · 2 months
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My thoughts on episodes 1-3 of Netflix ATLA (SPOILERS):
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1. Commander Zhao has middle-aged white guy manager energy. I feel like this man is about to lead me in a team-building exercise
2. Aang having his origin story changed irks me! He ran away impulsively in the original show and got stuck in the ice. In this version, he fully monologs to Appa about his fears, but then just leaves for a joyride and gets stuck. It takes away from the significance of Aang leaving in the first place. When Kyoshi berates him for running away, it doesn't feel right because in this version, he didn't really run - he just got stuck in the wrong place at the wrong time
3. The Zuko that stood on an iceberg during a full Moon and challenged Katara to battle would be absolutely enraged at the Zuko that ran from the conflict in Omashu
4. Also, the fact that Zuko has not mentioned honor yet? What the fuck?
5. Seriously, Commander Zhao has a LinkedIn. He's got great networking skills
6. I miss aggro Katara. This version is way more subdued (though we do get a sibling fight in episode 3) and somehow listening to Aang's weird circular philosophy helps her learn how to waterbend and I don't get it
7. Seeing Aang be joyful is a nice change from the movie that shall not be mentioned
8. If Gram-Gram putting the waterbending scroll in Katara's bag replaces the storyline where Katara says fuck cultural looting and steals one I will scream
9. It's interesting to see Azula so early in the story, but I'm bummed we missed out on the whole blackmail thing with her & Ty Lee
10. Do you think Commander Zhao pays his employees a fair wage? Do you think they have health insurance? 401k matching? Vacation time? Sick days? What kind of benefits does his company offer?
11. This version of Sokka is definitely not silly enough
12. I feel robbed that Aang got to transform into a magical girl but we didn't get a magical girl transformation sequence
13. Also, we were robbed of Sokka crossdressing as a Kyoshi warrior and they are so rude for that
14. The graphic murder of the Airbenders felt. Weird? Wrong? I don't think we needed to see that. The impact it had when Aang arrived at the temple to find all of them gone in the original show felt heavier than in this version. We saw what happened, we know they're all dead. As a kid watching ATLA the first time, I remember feeling hopeful for Aang that maybe he wasn't really the last one. We don't get to feel that with this version
15. They did not understand Uncle Iroh at all. His character is so weird. Maybe it gets better???
16. The pacing is weird but maybe that gets better too???
17. I have never related more than when Ozai just burned that Earth nation dude who was about to start monologing, please shut up in my presence
18. Apparently everywhere has names?? Who decided on these names?
19. As a lesbian I also get horny on main immediately for girls who could definitely kick my ass, Sokka was so real for that
20. Overall I think they lean into the idea that the audience for this show is primarily older than the audience for the original (they're not totally wrong!) but I worry about it losing some of the messaging along the way. Part of the beauty of the original ATLA show was tackling these big, complex issues in a way that both kids and adults could relate to and understand. Anyone who knows me knows I also love Bluey for this, along with a few other shows that do it well. Media like ATLA that tackles the ideas of colonization, genocide, war, and so many other important issues is crucial! I hope that these topics are handled just as well as they were in the original series.
Am I going to watch the whole thing? Probably, yeah. Will I enjoy it? I hope so! It's not terrible, but it's also hard to do a show that has so much nostalgia attached to it in a way that will please all viewers.
If you haven't watched it, I think it's worth a shot. Just don't expect it to be an exact retelling of the original story.
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icee133 · 2 months
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Hello! This is part 2 of the series I'm writing! Hope you guys like this part as well. Don't hesitate the leave any comments of any writing errors or issues :) thank you 🤍
(yes dazzle is alive I refuse to separate them. Bite me)
⚠️Warnings: ⚠️ slight mention of death in this part
If you would like to be added to taglist let me know!
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The Marionette
Part One, Part Two🤍
Word count for this part: 1590 Enjoy! 👻👻
Synapsis:
A new overlord has manifested in hell seemingly overnight. One that overpowered many if not all of the current overlords in all the right ways. Will this overlord use her powers for good to help the members of the hotel? Will she fall in love with a man and end up in a loving gentle relationship? Or will she get her heart broken and turn against them all, burning each bridge she meticulously made. 
The Marionette is a heart wrenching fic with many turns you won't see coming. Stay tuned for each of the episodes as they are released.
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After the battle had ended all 3 boys slowly approached their “mama” -(as they liked to call her. Now others thought it was weird they called her this as she wasn’t the one who had given birth to them. Not in life or even this afterlife. No, she was the one who had saved them during the last extermination and made deals with them. The agreement being she would protect their lives as if it were her own in exchange for their souls)- As Kai and Alex got closer to her they saw her standing over the body of the attacking overlord, his head thoroughly separated from his body. “Where did the 2 of you run off to in the middle of a battle?” She turned to them questioningly. “There was a group of onlookers from that big building over there standing around, we talked to them for a bit because one of his minions- he gestured to the dead overlord- went towards them” Kai explained solemnly. “They wanted to meet you as well if you were up for it” Alex added onto what his brother had said. “They would like to meet me… for what reason exactly Alex?” The marionette asked her oldest son. “Partially just because but also due to the hole fucker right there blew in the side of their building. They aren’t happy about it by the way” “well I suppose we should meet them after we get cleaned up. It would be best if we do not avoid it as I’m sure you are aware that the building is owned by the princess of hell herself.” She stated seemingly annoyed by the fact she has to clean up the mess the overlord had created. She then untied a string from around her wrist throwing it up, it opened a blue swirling portal leading into their apartment. She walked through the portal first with her boys following behind her. “Told you she’d be mad” Tsu said to the other 2. “Yeah yeah shut up bro” Kai responded. Nette reached through the portal grabbing the boys and pulling them through the portal into their living room. The 4 of them lived rather well despite being relatively new to the area and to being an overlord.
They lived in a spacious 3 bedroom apartment, with 3 bathrooms and quite a bit of space. They tended to hide in plain sight during regular days. Wearing boring clothes and slightly changing their appearances. It was their own way of avoiding the cameras of the stupid tv overlord and the radios of the radio demon. The 4 of them began to get cleaned up with nette going into her room to shower and the 3 boys going into their respective rooms to do so as well. 
As Nette got into the shower she began wondering what was going to happen with the princess of hell. After all there was the whole fiasco that took place during the last extermination with the tiny maid girl killing the first man and her father fighting him as well. It seemed that they had a good relationship, so nette was slightly worried about him being there as well. She stared at the shower wall wondering what she was going to do. after all, she's not one who likes to fight necessarily, but is willing to if it meant staying alive - well as alive as you can be down here- and keeping her kids safe. The issue lies in the devil himself. Meeting him would be something that she would have to do if she was going to go to this building to meet the princess. Repairing the damage done to the building would be easy after all the marionette pulls the strings of things around her. She could easily pull the pieces back together and make it as if the building was never damaged. That was the easy part but having to sit down and speak with royalty is the part that has her slightly worried. Her boys would surely not be used to this kind of thing. And it’s no secret that the king of hell looks down on sinners as though they are nothing but scum. Nette sighed as she turned off the water, she’d have to deal with things as they come and take things in stride. Hopefully nothing gets too out of hand.
After the shower Nette began to get dressed wearing one of her signature overlord outfits. Similar to the one she wore in battle- after all she was on an official outing when they were attacked- but slightly different. She wore black shorts and thigh high tights connected to them with a garter. With knee high black boots laced all the way up. Her top was decorated in beautiful shades of blue with wrist ruffles laid beautifully under a black corset vest. Her bow tie black with a sapphire in the middle of it. She hid away her ears as she did not let them out often or really at all (her boys were the only ones to see what her demon form looked like and live to tell the tale though they never would), but during a shower she liked to clean them up. Grabbing her hat she took one last look at her curly black hair and red eyes in the mirror before setting off the the living room to find her boys fully dressed in matching attire neatly groomed and tidy. Kai was struggling with his bow tie as he usually is one who just wears a normal tie, but wanted to wear a better one after hearing “princess of hell’s building”. Nette approached him and helped him tie his tie with ease. Adjusting his shirt to line up perfectly and smoothing out anything that was out of place. The 3 boys looked similar but different in their own ways. Each boy had hair the same shade of azure blue with their ears having black tips, and their tails adorning different patterns of black. Kai’s looked like a tiger tail, Alex's looked like a lion with a black puff of hair at the end, and Tsu’s looked like a jaguar. They had shining white spiky teeth and their left eye being a bright maya blue eye with a black pupil while the right is black with a blue pupil. They all adorned black suits with blue corsets in different shades that matched the shades of blue on Nette’s shirt. The group always matched as it was a part of their “thing” as they called it. None of them minded as it reminded anybody who attempted to mess with them that it wasn’t just one person you’d be fighting but 4. “Alright that looks good” Nette said after helping Kai. “We should probably be headed out, we’ll portal as it’s a lot faster than attempting to walk from all the way over here, plus allows us to be able to avoid those stupid cameras in town” They all agreed and began to head out.
At the hotel the members were preparing to welcome the overlord. After Charlie found out from the cat demon that the overlord was attacked and did not intentionally cause the damage to the building she was more relaxed about letting her visit. Then again she never got definitive word that she would even be coming, oh well a girl could hope that the cat demons would be true to their word and convince her to come to the hotel. Nifty and Angel were in the kitchen baking cookies, while husk was cleaning the bar with razzle and dazzle sitting on one of the bar stools. Cherry sat at the island in the kitchen talking with the 2 bakers about what had been going on for the past couple of weeks. Charlie and Vaggie were setting up the living room for the guest while waiting on Lucifer to finish up his meeting and make his way to the hotel. Alastor was nowhere to be seen for the moment, but the group figured if he was anywhere he’s probably in his radio tower. They’d call him down when the guest arrived. If he didn’t shadowy appear on his own that is.
After about an hour of waiting there was a knock on the door. Each member of the hotel walked into the main room setting down what they had made and sat on the couches to allow a more comfortable look as Charlie had said. Charlie went to the door to greet the guests, but opened the door to see her father standing there. “Charlie!” He exclaimed “sorry it took me so long to get here I had an unfortunate long day” he said looking at her. “It’s okay dad” she said while closing the door. She turned walking towards the couches and sat down. Then started speaking with him about the guest that they had invited to the hotel. Telling him about the damage that had been down to the side of the building and the fight that had taken place outside of the hotel earlier. He tentatively listened to each word before saying “so that is the damage I need to fix right ?” Charlie turned to him “yes though it wasn’t her fault that it had happened, so I’m not too upset about it as it doesn’t seem as though it is something that could’ve been avoided.” Right as she finished her sentence there was another slightly louder knock on the door.
Figured I should give you guys a template of the colors I'm using in this fic, so this picture demonstrates the different shades of blue I'll be using. So you guys can see (kinda) the exact color I mean in the fic.
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morethansky · 1 month
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***TBB SPOILERS***
My primary takeaway from these last six episodes is that Hunter and Crosshair ARE SO MARRIED OH MY GOD. They do everything together, even little chores.
And my Crosshair-is-Hunter's-second agenda continues to thrive; since their reunion, Hunter has hardly made a decision without checking with Crosshair first.
The way I cackled at Crosshair looking up at a ship careening in the sky and being all put upon: "Uh-huh. That's the idiot I married. Unfortunately."
And then the way he hurriedly reached for his binocs when they saw the ship crash, and how the camera lingers on him to show his relief, sob. I see you and thank you for your service, shippers on the crew.
Finally a glimpse of the cadets! Thinking about them tasting ice cream for the first time makes me want to cry. How many clones have never tasted it...
I like that "Identity Crisis" was like a mirror of "Confined," but I think it could have been 15 minutes. To be fair to them, I feel this way about like 75% of the franchise.
So we were all very wrong about what was in the Vault. What was Palpatine even going in there for, honestly. I do quite like this foreshadowing of the Inquisitorius though.
The ominous hint about Emerie's past is interesting. Is the implication that Nala Se took Omega under her wing and abandoned the rest of the Omega clones? Like Jango, I guess.
I love that Tarkin's cameos are all about funding. Something about the Imps squabbling over government spending just delights me. I wonder if the end of that conversation actually means he's not going to be killed by the clones but by Palpatine instead? That'd be kind of disappointing tbh.
Hilarious to me that Fennec got an entire episode and Cad Bane got like two minutes of screentime. Like Asajj, he knows when to stay out of the plot. They did my boy Todo justice though, love that dumb droid.
I, a plushie enthusiast, approve of how this is adamantly a pro-plushie show. But how am I supposed to believe that Omega, who missed Lula so much she effectively cloned her, was just going to leave her there??? I guess that whole scene was just a way to remove her and the goggles from the ship before it exploded.
I'm in the middle of writing like five different Tech/Wrecker whump fics and even I wouldn't have written CX-2 effectively shooting Wrecker. My heart!!!
I was so worried about Gonky. Glad he's okay.
"Point of No Return" needed 15 more minutes, actually. I continually find it so jarring how quickly this show breezes through reactions. It would've been nice to see at least a little more from the Batch at the sight of their ship being blown up.
That ending...was not for me. Crosshair missing that shot after he was given an entire episode to figure out what was wrong and meditate is such a frustrating choice. What even is going to be the arc here? Is it really going to be him abandoning his weapon entirely? That should be an upswing in the plot, but at this point it'd be more believable for him to be like, "Man, fuck this, I'm over it," lmao.
I'm glad Omega at least chose to get captured. Everyone knows I've been pissed about the anti-heroic messaging of this show from the start, and given how afraid I was that they would just abandon the other clones, I'm very relieved Omega's had this arc of worrying about them. But it's so silly to retread this line of plot after the three kickass episodes covering this exact thing. These next episodes are absolutely about to be messy af, and it's a bummer how it'll take away from the impressive clarity of the first three.
Why does this show keep cutting the titular team off at the knees?? Seems like Omega will probably work with Emerie and Nala Se to contact the Batch and Echo/Rex with the coordinates, but that will mean that Hunter's group will once again be lost and searching in the meantime. And they didn't even get to find her the first time!
Truly the quintessential fandom show. Half of it makes me tear my hair out in frustration and the other half makes me shriek in delight.
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