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#but i promise things are coming!!!
thebramblewood · 5 months
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Cooking up some new content for this week...
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omrarchive · 1 month
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hellmandraws · 8 months
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Not gonna lie, I'm super excited about the upcoming One Piece live action series! It's out Aug 31 on Netflix. I actually think it's gonna be good! 🤞🤞🤞
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cashmoneyyysstuff · 10 days
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i dunno man all m’thinkin about is desperate kisses with your best friend (now boyfriend cus ion play that) katsuki..drools..
..like, let’s say it’s a few weeks after you’ve moved into the dorms and his..encounter with the league. you jumped at the first opportunity to save him and to this day he still heavily scolds you for it, but you don’t think you’ll ever be able to forget the way he gripped you oh so tightly, the way he shoved his head in your hair when he’d seen you again after days of being unsure of when he’d get that chance again.
and you can’t lose him. not again, you just can’t. so you gripped him just as tight.
you’re constantly—constantly glued to him. katsuki doesn’t mind cus he also starts wanting you near him more than before, constantly needing to be there so he can keep you out of harms way. but he realizes one night while you’re lounging around on the couch before bed how tired you are. he can see, it’s clear in your eyes when you take a second too long to process and respond to dunce faces jokes. it’s clear in the way your eyes aren’t fully focused when you look up at him and smile. it’s cute, it’s bright, but it’s not fully you. and he feels his heart clench.
you’re dozing off at his side when he taps at your hip, forcing you to awaken and he presses his lips to your temple casually to speak against it quietly. “s’time for bed.” you grumble a bit and he has to hold back a chuckle. he groans and lifts himself up “alright. up, c’mon.” though he doesn’t give you the time to get up because he picks you up over his shoulder. your eyes fly open when he readjusts you and you squeal when he practically bounds off to your room, his only good night to your friends being “where goin’ to bed.” and him telling them to not stay up too long cus he doesn’t wanna hear denki whine about how tired he is the next morning. you hear said boy make kissy noises as your boyfriend carries you away and he scoffs under his breath.
you’ve made it to your room, he lays you down so, so gently onto your bed and your eyes meet. you're tired and so is he, but you both see the other’s tiredness completely different from your own. katsuki’s eyes are the same, but there’s a tiredness in them that wasn’t there before. like he’s been asking himself too many questions before going to bed and it’s kept him up at night, despite him maintaining that insane sleep schedule of his. he looks tired and your heart clenches. you reach up for his cheeks instinctively and he’s drawn towards you without you so much as pulling him closer.
he’s so, so soft and he leans in closer and closer till his lips press so softly to the top of your head “go to sleep.” he whispers against it. but when he pulls away you still haven’t stopped looking at each other and your hands are on his face again. because you’ve gotten this sudden surge of feelings and he’s here and you missed him so much, so you pull him closer and kiss him and he immediately melts into you.
he was tired a second ago, and he still is yet he feels almost rejuvenated when he plants his palms next to your head onto your pillows. when he climbs into your bed to hover over you because he could not be further away from you and he needs you close, he needs to feel you. he needs to be able to taste your skin and breathe your air and feel your warmth so his hands trail lower to wrap your legs around his waist and you do, because you need the same thing he does.
“katsu..” you whimper, and he shushes you so softly when you wrap your arms around his neck tightly, almost shushing himself because he just can’t stay away from you for too long. “m’here baby, m’right here.”
tears well up in your eyes and it’s all you can do to tug softly at his hair just to hear him grumble softly, just to hear him, to make sure he’s here.
“can you stay ? please, stay ?” you’re so sleepy, you don’t even know if you’re asking him to stay the night here or if you’re begging him not to leave you again but he nods anyway. “always will, sweets. always will, promise. promise it to ya.” he babbles as he keeps kissing you and keeps kissing and keeps kissing you because he’s so tired and he missed you so much.
he knows he’ll have to sneak off early in the morning, but he doesn’t care since he wakes up early anyways. but it’ll wake you up too and you’re tired, so it pisses him off. you feel a bit selfish because you know he’ll have to leave a little bit earlier and you want him to sleep, but a bigger greedier part of you wants him to sleep here with you. so you wrap your arms around him tightly and the last thing you feel before your eyes close being the feeling of his lips on you.
..so yeah, just y’know..desperate kisses w katsu on the brain.
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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lover-of-mine · 4 months
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911 Hiatus Rewatch and Parallels:
6x09 “Red Flag” -> 6x12 “Recovery” -> 6x15 “Death and Taxes”
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heymacy · 28 days
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IAN GALLAGHER + his journey with bipolar disorder
╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher
#happy world bipolar day to all my bp babies#(more thoughts at the end of the tags)#shameless#shamelessnet#shamelessedit#ian gallagher#cameron monaghan#*macygifs#bipolar disorder#hello pals how are we doin#i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags#and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation#that isn't often given to the disorder and those (like myself) who live with it every single day#world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder#which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life#while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life#and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines#over the years THIS is the one they really fucking nailed and i am incredibly grateful#i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended#hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles#world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder#and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all#it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen#so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it#i promise#anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder#go on to live happy fulfilling beautiful magical lives
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amelia-yap · 3 months
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through the heart!
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dykealloy · 4 months
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ripple effect legacy // my tears are becoming a sea, M83
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vanilla-phantoms · 1 year
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Huh Yknow what I just realized? Vulcans were Not warp capable during suraks time, so that means that when the romulans left, they would’ve had to leave the long way round, like old fashioned sci fi long haul missions where there’s a generation or two that are born and die on the starship
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lygma-nygma · 3 days
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Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-
And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??
And then it's literally never brought up again.
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Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~
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Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut
We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!
Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece
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All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.
edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA
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SELF-INDULGENT HERE WE GO
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emry-stars-art · 9 months
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You know when babies are so tired that they’re fussing too much to sleep until you put their head down on your shoulder or something and they pass out immediately
Baby shark has been swimming for a long time with no way to take a break. Hello Whalemack 🐋
(More on Whalemack here)
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chalkeater · 6 months
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Relatable
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ramcue · 8 months
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i participated in the cookie run wlw week event that's going on on twitter :)
day 2 : rainy day / shining glitter & black lemonade
(technically day 1 cuz this is the first prompt i'm doing :3)
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space-blue · 28 days
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Zevlor's Letter (part 3)
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Part 1 | Part 2 | Read on AO3 | Share on Twitter | Buy me a Ko-fi ♥
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