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supercutszns · 4 months

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rotten to the touch; luke castellan

series masterlist

wc: 3.2k

pairing: pre-tlt luke castellan x f! reader

synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.

warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’

notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain

You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.

It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.

It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.

Everyone hates you. Everyone hates a person with an unquenchable anger.

But everyone loves Luke Castellan.

He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.

But you do, and you don’t, and it’s complicated, okay?

Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.

You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.

During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.

He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.

Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.

Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.

Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.

The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.

But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.

An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”

“Fuck off, you idiot,” you snarl.

You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”

“Have you ever thought that I’m not being mean? Maybe I just am.”

You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.

The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.

Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.

To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?

They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:

“I’m guessing you’re not having a fun night.”

You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.

“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.

Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.

The thoughts almost make you laugh. Been a long time since you’ve been funny.

He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.

“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.

“Then why have you been staring at me all night?”

It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”

He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”

You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”

His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”

“You have no idea what you’re talking about.”

“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”

You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”

The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.

“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”

“If I’m awful, then you’re awful,” you spit before he can say anything else.

He just shrugs. “Well, I guess that’s why I’m not sure.”

It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”

He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”

“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”

Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.

But when you play, you play to win.

“You don’t know that,” he dares.

“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”

However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.

He tilts his face towards you, grinning, “Then why do you want to kiss me?”

All right. What the fuck. It feels like you’ve been electrocuted.

“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.

He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”

The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.

“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”

His words fan over you. That fire simmering in his eyes has finally come to the surface.

“One of?” You challenge.

“You let me make out with you and I’ll give you a whole list.”

You snort, hoping it hides the shortness in your breath. “What a charmer you are.”

His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”

There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.

His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.

His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”

“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”

Another kiss to your jaw. “Not yet, sweetheart.”

Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.

He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.

“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.

“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.

He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”

“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.

He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”

Fuck him. Seriously. You might have to.

It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.

He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.

After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.

“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.

“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.

He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”

You roll your eyes, “Oh, you ass.”

“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”

“Thanks, dipshit.”

“Thank you for proving my point, heathen.”

The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.

The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.

He’s got a strange expression when he looks at you. “That’s not true.”

He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.

After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.

He says, “You’re not rotten. You’re right.”

And damn it, you really do believe him.

#perrie’s fics #luke castellan #luke castellan x reader #percy jackson #percy jackson and the olympians #pjo x reader #pjo series #pjo tv show #luke castellan smut #pjo #heroes of olympus #charlie bushnell #i like sexy evil people making out okay.#maybe will make a part 2 to this series because i’m just so fascinated by their weird little dynamic but we’ll see #i kind of hate this but WE MOVE ANYWAYS!!

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sleepless-in-starbucks · 2 years

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sometimes i think Too Much about how kazuma is more barok’s brother than he is his father and how barok is more kazuma’s father than he is his brother and it makes me a bit mad in the brain

#the cryptid speaks #pw:aa #blink if u see this Look Away it's spoilers <3 #anyways im still kinda love-hate about bvk but in the world where he's Significantly less racist and has a better character arc;#there is jus smth So about how. kazuma was willing to go to violent ends to achieve what he truly believed to be justice #and how bvk was willing to shoulder the reaper mantle so as to passively keep the system running #and how bvk saw kazuma as just like his father and how kazuma saw bvk as jus another corrupted prosecutor #and how at the end of the day klint was the one with bloody hands and the willingness to live in darkness for the sake of justice #and how at the end of his life genshin was the one accepted a title that wasnt his and making his grave with it #like Yknow #it's in the brain. and oh boy it is rattling #kazuma is Such an interesting take on aa's usual friend/rival-prosecutor thing in general tbh #not only in how he switches sides but also how his choice to remain a prosecutor in the end is presented #also in the way how even at his cruelest; most dead-set-on-revenge-est; u can still tell how much he cares for/about ryuu #edgeworth could never <3

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starleska · 1 year

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i think ‘Big’ Jack Horner is Disney, and here’s why

many of us have had the pleasure of seeing the incredible Puss in Boots: The Last Wish by now, and were blown away by its clever writing, enchanting animation and emotional character arcs. yet there is one character who booted the trend of having a reason for his behaviour, and outright refused to experience any growth whatsoever.

let’s talk about ‘Big’ Jack Horner, and why i think he’s supposed to represent Disney:

‘Big’ Jack Horner isn’t just an antagonist in The Last Wish - he’s a villain. a self-obsessed, exploitative, murderous, petty, cruel bastard of a man whose awful behaviour isn’t just motivated by personal slights or childhood trauma: he sincerely enjoys hurting other people. whether it’s cheating his goons (’The Serpent Sisters’) out of a fair payment for their services or being excited about shooting a puppy in the face, there’s no denying that Jack delights in causing others pain and suffering. but what does he have to do with Disney?

let’s answer that question with another question: do you think that Jack, when placed next to the other antagonists - Goldi, The Three Bears, even Death - sticks out like a sore, plum-coloured thumb?

of course he does! but why? well, let’s look at Jack on a surface level. Jack is a monolith of a human being. not only is he physically huge and intimidating, he is the inheritor of an enormous pastry fortune and operates in the manner of a mob boss, with countless resources and a whole variety of powerful magical items at his disposal. indeed, Jack employs a crack team of bakers/assassins called ‘The Baker’s Dozen’ to carry out many of his tasks. although Jack does harm others himself, it is because of these resources - including the people who work for him - that he is able to bypass many of the obstacles faced by our protagonists in an honest and character-developing way (e.g., the Pocket Full O’Posies in The Dark Forest). Jack doesn’t need to have a character arc the way the other characters do, because he is so wealthy and owns so much.

but Jack’s reason for owning so much and being obsessed with magic and magical items isn’t through intellectual curiosity, or a traumatic backstory where he needed to learn how to wield magic. do you know what Jack’s covert motivation for owning all of the magic in the world is?

it’s money.

when we get the flashback of Jack’s childhood, dancing for the entertainment of an audience using his nursery rhyme, we see him becoming jealous of Pinocchio - and we see Gepetto in the back, absolutely raking in the cash. if we consider this flashback as that crucial moment within which Jack decided to become what he is today - and the presence of our off-brand Jiminy Cricket inclines us to think so - then we can understand that Jack decided that from that moment forward, he would own all of the magic.

let’s go back to The Baker’s Dozen for a moment. this team of highly-competent, multidisciplinary artisans do everything for Jack, whether it’s baking the pies which make him rich, or laying down their lives at his service. we aren’t given an in-universe reason for why they do this. yes, Jack is feared, but he is still the subject of mockery due to his humble beginnings as a nursery rhyme character. it certainly isn’t due to being treated or paid well. however, if we view the Baker’s Dozen as a metaphor for overworked, exploited artists whose views are routinely dismissed by the money-hungry, powerful corporation who owns their craft...things start to add up, don’t they? considering historic allegations of worker abuse at the hands of Disney, having Jack Horner literally step on their spines and encourage them to flex takes on a whole different meaning.

it doesn’t end there. do you recognise the items that Jack pulls out of his Mary Poppins bag when his Baker’s Dozen are being destroyed by the Pocket Full O’Posies - the items that he calls ‘the big guns’? it’s the broomstick from Fantasia, the spinning wheel from Sleeping Beauty, the size snacks from Alice in Wonderland, and a knock-off Jiminy Cricket from Pinocchio - all references to some of Disney’s earliest and most famous films.

still don’t believe me? well, let’s recap more of the items Jack has in his repertoire:

a hook-hand (referencing Captain Hook in Peter Pan)

a trident (referencing King Triton in The Little Mermaid)

poison apple bombs (referencing The Evil Queen in Snow White)

a glass slipper (again referencing Cinderella)

remember what happens when the knock-off Jiminy Cricket (interesting that there are so many Pinocchio references specifically, huh?) is horrified that Jack is losing so many men? Jack says he isn’t worried about losing the manpower, because he has a bottomless bag full of magical weapons. Jack literally gets his power off of the backs of his workers. sounds a lot like a big company justifying worker layoffs and exploitation because they have so many properties and are too big to fail, doesn’t it?

hell, Jack doesn’t even know what half of these items do! when he’s using the unicorn horns as ammo, he is surprised that they cause people to explode in a shower of confetti. viewing Jack through this lens, it’s difficult not to think about enormous corporations gobbling up properties and churning out content with little to no regard for their artists (looking back at The Baker’s Dozen - some of whom do perish in the fight with the unicorn horns) or what the properties are about. we haven’t even touched on Jack coveting the Wishing Star, a recurring motif in countless Disney movies as representing magic, dreams, and boundless creativity.

now, i hear you saying, ‘but Star! why would DreamWorks bother writing their bad guy as a metaphor for Disney?’ believe it or not, this isn’t the first time that DreamWorks have done this. in case you didn’t know, Lord Farquaad is a caricature of Michael Eisner, former chairman and CEO of The Walt Disney Company. the production of Shrek was actually quite troubled; animators who were perceived as having failed on other projects were ‘Shreked’, or sent to work on Shrek, instead of working on other (presumed to be more lucrative) films. of course, DreamWorks was co-founded by previous Disney CEO Jeffrey Katzenberg, hence the animosity towards Disney and its works evident in the Shrek franchise. this is what formed the story of Shrek: an ugly, crude outsider character taking on the clean-cut moralising of a dictator hell-bent on a so-called ‘perfect’ world, all created against the creative backdrop of a painful separation from Disney and a great deal of pent-up rage.

the irreverent, crass and sometimes adult humour of Shrek was a middle finger to Disney’s high-censorship control on animation. this is why Lord Farquaad (which you may have noticed sounds a bit like ‘Fuckwad’) is so obsessed with Duloc being ‘perfect’, and why he couldn’t stand the freedom of the fairy tale creatures who are the heroes of the first Shrek movie.

in fact, this kind of meta-commentary permeates the Shrek franchise:

The Fairy Godmother from Shrek 2, despite being a fairy tale creature herself, is highly prejudiced against characters who break out of their perceived social norms: i.e., Shrek marrying Princess Fiona and getting his Happily Ever After. she is an expansion of the control left over by Lord Farquaad, and rich because of her monopolisation of fairy tale creatures and their stories.

Prince Charming in Shrek the Third fails miserably to capitalise on these themes, but we’ll get back to him!

Rumpelstiltskin from Shrek Forever After tackles the gluttony of franchise reboots, and how soulless and rooted in corporate greed attempts to reboot often are. whilst not necessarily Disney-specific, Shrek Forever After follows the box office bomb that was Shrek the Third: a movie which noticeably fails to write a compelling narrative approaching any of the themes of the previous two films. the writers learned from their mistakes and wrote a movie which satirised their own selling-out of the franchise, becoming hollow and unnecessary and ‘perfect’ - the very thing they were making fun of in the earlier Shrek films.

there is one more area i’d like to touch on: Jack Horner’s source material. we know that Little Jack Horner is quite obscure: an 18th-century English nursery rhyme involving a boy who pulls a plum out of a pie with his thumb, and congratulates himself for his fortitude. but did you know that from its earliest conception, Little Jack Horner was associated with foolishness and dishonesty?

it’s true: the simple yet inexplicable nature of the poem was lambasted for being infantile, and quickly became the subject of revision, moralisation, and even political satire. it is no mistake that to ‘be under one’s thumb’ (as many of the characters in The Last Wish are to Jack, both literally and figuratively) means to be under one’s decisive control. the choice of Jack Horner for the villain of The Last Wish is a clever one, because we could easily have ended up with a sympathetic Jack, whose ostracisation as ‘not even a fairy tale’ may have led to a justifiable motive, even for his specific brand of cruelty. but instead, the writers of The Last Wish have gone one step further; they’ve transformed a source affiliated with idiocy and deception into a metaphor for a global multimedia conglomerate...all while portraying him as simultaneously terrifying, powerful, and ridiculous.

it has been over a decade since Shrek Forever After was released, and Disney has changed dramatically in that time. a global giant, Disney now owns more enormous money-making properties than ever thought possible, and consistently capitalises on nostalgia for its early properties to make more money and accumulate power. since breaking out of its exclusive licensing agreement with Disney in 2016, DreamWorks has had no official connection to Disney, making the ground for mockery and satirisation of the company which spawned the studio all the more fertile. ‘Big’ Jack Horner is not just a glamorous return to form for the dreadful, unapologetically evil villain which Disney has eschewed in modern times - he’s a hulking, egocentric monster whose avarice rivals that only of the corporation he’s inspired by.

and those are my thoughts on ‘Big’ Jack Horner! of course this is by no means the definitive interpretation - we should all just have fun with the movie and come up with whatever theories we like 🥰💖 i’d love to hear your thoughts on him and The Last Wish in general - he’s definitely one of my favourite bad guys to be released in the past few years!

thanks so much for reading, and have yourselves a wonderful day 🥰

#big jack horner #jack horner #puss in boots: the last wish #puss in boots #shrek #disney #puss in boots: the last wish spoilers #starleskatalks

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duckiemimi · 7 months

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gojo in jjk 236

i’m not one to advocate for prying away creative control from a creator’s (mangaka’s) cramped, overworked hands, and i understand that with oftentimes fandoms get so big that the story warps itself into something out of the creator’s control, but i do know what a good character arc looks like (i’ve seen it in this very story before) and i do know what public pressure can do to a creative mind.

that being said, keeping gojo dormant for more than a hundred chapters, then unsealing him only for him to gain nothing from his long-drawn out fight with sukuna is insane. i was assuming we were building up stakes in his character arc! i didn’t think he’d die prematurely without resolution! how could he be given a meaningless death when it was all he and geto talked about at one point?

gojo could’ve been living proof that change is possible and that fate is breakable. he was born after multiple cycles of six eyes and limitless users, he was born a baby-shaped building block, jujutsu’s atlas with the world on his shoulders. alone and untouchable. but he changed because he met geto. he changed because he met shoko, because he met megumi and yuuta and yuuji and every single character that has loved and cared about him. love changed him. to be loved is to be changed, and to have him go without an ending line to, “this is just a personal theory, but love is the most twisted curse of them all,” is such a loss. it’s like a sentence without a full-stop, abruptly cut short with no continuation.

i initially thought that he’d be weakened by sukuna, but then his allies would come running to back him up—there is strength in solidarity! his true strength should’ve stemmed from solidarity and love! interdependence and connection should’ve been the peak of his character arc! why did we end up with nothing even after tens of chapters of him fighting for his life? why did every other character sit still instead of using their advantage in numbers?

but i do see where gege is headed. with gojo gone, the baton has been passed onto the next generation. there is no longer a biological “hierarchy” of power amongst the sorcerers (to an extent), and perhaps sukuna himself will falter because the balance of the universe was pulled from under their feet. besides love, jjk is also about generational second chances: sashisu and itakugifushi; toji and maki; geto and yuuji and yuuta; geto walking to tengen’s quarters alone, delivering riko almost hesitantly, and yuuji waking to tengen’s quarters with megumi, yuuta, choso, and yuki. silhouettes in the dark of the tunnels. hell, you could even count yaga as a teacher and gojo as a teacher. or yaga’s CT and how he gave a child another chance at life. yuuji’s multiple resurrections. kenjaku and tengen. i get it, i do—i understand what gege’s trying to do here, but i’m tired of him using these characters as plot devices instead of giving them the resolution they deserve. (especially for jjk’s cash cow…he deserved more than a rushed end.)

i do hope that that one theory about gojo only being able to die if his head is cut off is true. but even then, after all of the fake outs we’ve had to read, that would be a shitty cheap shot. i’ll try to have faith; even that is wavering.

#jjk #jujutsu kaisen #jjk leaks #jjk 236 #gojo satoru #gojo #ugh this was so rushed #i’ll fix it later #i was gonna makes a long post and love and generational second chances but i need to process this leak first geez #putting that to the backburner ig

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plounce · 2 months

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what people misunderstand about the hvw patch urianger plotline is that urianger's greatest sin in that arc is not sending minfilia to the first. he didn't actually do that. what he did is set up a confrontation between the wol and ardbert's party without elidibus' knowledge so all the crystals of light from the wol and from ardbert's party would allow them to talk to hydaelyn and minfilia. that is what he did. then he presented his solution to the first and source's dual problem, and minfilia AGREED and so did hydaelyn and so minfilia chose to go over. minfilia was already lost in the sauce. the wol and the scions knew that, they saw her in the antitower as the vessel of hydaelyn as The Word Of The Mother. she was already in there and it wasn't going to be as easy to get her out like they did y'shtola and thancred - or maybe even possible. what he arranged is a meeting that had the ability to conclude in the way he wanted - which was a way for the first to survive, and for no calamity to happen on the source. and in that, he allowed everyone to see minfilia again and speak with her. so he could ask her if she was willing to do that. he didn't punt her over there! because even when he's taking action, he is still a really passive person lmao. but he gave minfilia the option to save two entire worlds, which she was happy to choose to do.

urianger's ACTUAL greatest sin in that arc is alisaie's poisoning by renda-rae's arrow. i don't know if urianger was with the warriors of darkness for that incident or if he was at the waking sands, and i KNOW he was probably horrified to hear about the incident and intensely regretfull and ashamed he wasn't there to stop it (like he stopped ardbert's party in the cutscene after xelphatol later on) but regardless, i don't think their relationship was ever the same after that. which makes me miserable, because right before this is the bahamut coils plot, where alisaie trusts urianger as her scion contact (not alphinaud!) because he's a close family friend, and he obviously respects her so incredibly much (he uses "you" for her!) and is so distressed when he sees her (and alphinaud) all beat up after the final coil. they never act very close after 3.4, aside from urianger presenting her with a custom-made rapier and a prophecy before she sets sail to kugane in stormblood. i think that is in part meant as an apology (and also so alisaie has an easier time casting), but they never really team up again like they did in the coils plot. this probably isn't intentional on the part of the writers, but it's an absence that feels conspicuous to me. when your childhood babysitter almost gets you killed.

#chirps #ffxiv #urianger augurelt #alisaie leveilleur

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celestie0 · 2 months

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MASSIVE gojo x reader fanfic rec (no spoilers)

ok i know a lot of my followers are gojo girlies and i just need to put yall onto this fucking fanfiction because i just read the latest release for it and i’m genuinely tweaking rn🧍🏻‍♀️

@lostfracturess ‘s amazing work called “symptoms & causes” - a medical au

[image pulled from her masterlist]

let me just…let me just try to even gather the reasons why you need to add this to your tbr lists (weekend is comin up too so perfect time)

characterization of gojo satoru.

gojo in this fic is characterized so fucking well, from chapter one. there are so many distinctive ways miss lostfractures goes about building his aura (word of mouth/reputation, dialogue, expository, primary interactions, secondary interactions, etc.) it reminds me of the show where gojo just has this energy to him that you can't tear yourself away from i picture him in this fic to be unrelenting, unforgiving, morally grey, with an undertone of softness yet still feral through it all,, basically gojo during shibuya arc LOL. i looove reading cute silly boy gojo fics sm (he’s so baby) but THIS fic explores the borderline wicked side of him that is so thrilling, unique, and rare to find i think in this fandom’s collection of works. it’s just so fucking good.

forbidden romance.

UGGHH i love stories w forbidden romance. in this one, it’s med student reader x professor gojo (additional power dynamics in that he’s a senior surgeon in her field and also a research mentor in her study of interest…TRIPLE THREAT DAMN). i love how miss lostfractures doesn’t shy away from reminding the reader that it’s wrong, and that they shouldn’t be doing this. that’s my fave part of forbidden romances like yesss remind me again why this is all so wrong but let’s still do it anyways LOL <333

reader’s voice.

i’ve LOVED reader since the beginning, so relatable, emotionally mature, all her flaws are so believable & her strengths are shown seamlessly. it’s just so much fun to read because i’ll literally have a thought like “hmm…that (something a character said/did) doesn’t sound very convincing” and then the next line will be something like “he didn’t sound very convincing” like!!! me and s&c reader?? we’re locked in like this fr🤞🏼 like gojo’s domain expansion fingers

escapism.

everything in this story feels so damn real it’s insane. the pacing is stunning, love the utilization of stacks of scenes that are sort of short but so concise, enough to be a smooth read but still descriptive enough to entirely transport you into the world that’s being built. cannot praise the writing in this story enough. also the variety of ways that scenarios are made that pull characters closer to one another?? so creative. as someone who works in a research lab, studied bio in college (some of the fkn biochem stuff that comes up in this fic gives me heart attacks lmfaooo pls im traumatized), and has worked in clinics/hospitals it just itches my brain so damn good. you’ll be convinced you’re a brilliant med student while you read this fic.

writing.

the writing is just. so. good. it’s so good. better than most PUBLISHED works i’ve read. i really can't say much other than that, you just have to go see for yourself.

—

if any of these reasons speak to you, i highly recommend you check the fic out. just a note tho it does have some dark themes but you can find all the tags/warnings on her page!

OK BYE

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cuubism · 8 months

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The thing is.

Hob understands that Dream cannot be hurt easily. He is an ancient, powerful, nonhuman being. Hob has, in fact, heard a story from Matthew about when some foolish human wannabe-magician had attempted to stab him when Dream had gone to retrieve a spell book that had slipped from the Dreaming library. According to Matthew, the knife had simply gone through his chest like he was made of smoke and left no mark at all.

(Hob still wishes he had been there. He’d have snapped the guy’s arm. Or worse.)

Barring luck and a magical binding, like what happened with Roderick Burgess, Dream can’t be hurt by mortal means. Hob understands this. Hell, he can hardly be hurt by supernatural means either. Only a few very powerful beings would be able to manage it, or else the very laws that govern his existence, coming down upon his head.

The thing also is.

Dream bruises so easily.

Sometimes.

Like now, when Dream is actually limping across the floor of the Inn. Long coat, which usually does not come with him to the waking world, wrapped tight around him. A dark bruise blooms along his cheekbone. Hob doesn’t understand how it’s possible. It shouldn’t be, not when Dream can take a knife to the heart like it’s a gust of wind, but the fact of the matter is that it is possible, apparently. And so Hob’s got to do something about it.

He meets Dream halfway across the room, braces him by the arms. “Jesus, Dream. Are you hurt?” Well, evidently he is. “How badly?”

“I told him he should stay home and rest,” grumbles Matthew from where he’s hopping along the floor at Dream’s side. Hob hadn’t even seen him there, he’d been so focused on Dream. The fact that Matthew’s not even riding on Dream’s shoulder is not a good sign.

“I did not want to miss our meeting,” Dream says. Which is a hell of a thing.

“Come upstairs, then,” Hob says, and doesn’t quite realize he’s grabbed Dream’s arm and is right pulling him along until he’s already done it. But Dream just follows him. Matthew follows, too, which, again, is not making Hob feel confident about Dream not being too badly injured.

“What happened?” Hob asks, as he sits Dream down on the couch, perching carefully at his side.

“A minor altercation,” says Dream.

“He was thrown into a wall,” says Matthew. “The wall cracked, by the way.”

Hob winces in sympathy. “Thrown by who? Or… what?”

Dream says, “It’s of no consequence.”

Matthew says, “I don’t know, but it had a lot of limbs.”

Hob’s kind of glad Matthew’s here as bullshit translator right now.

“How badly were you hurt?” he asks again. Not badly enough to keep him from traveling, evidently, but badly enough that he is limping. As a measly little human, Hob might find himself limping for a while just by twisting his ankle going down the stairs— but he does not like that intersection of facts when it’s someone like Dream.

“I am fine,” says Dream, and then winces as he shifts his weight on the couch.

“Bullshit,” say Hob and Matthew simultaneously, after which Matthew adds, “Uh, I mean, bullshit, your lordship.”

Dream slants a reproving glance over at him, then back to Hob. “Can I see?” Hob asks, more gently. “I’d like to help. If I can.”

Gingerly, Dream shrugs his long robe off his shoulders. Underneath, he’s wearing his usual black t-shirt, and at Hob’s urging he pulls that off over his head, too, though evidently with some pain. His chest and stomach seem uninjured, the unnaturally pale and smooth skin is still just that, unnaturally pale and smooth— so Hob tugs on his shoulder. “Can I see your back?”

Dream turns, and Hob tries not to think too hard about Dream doing his bidding like that—it’s tender and troubling and arousing all at once, and he’s definitely not going to think about that last bit—and sucks in a breath.

His back is a map of bruises, nebulae arcing over his shoulders and the nape of his neck, curling down over his spine like a coiled dragon. Dream bruises prettily, even like this, periwinkle and dusk blue, the purple of sunset clouds. Another reminder of how Night, too, lives within him.

“I told you,” Matthew says, hopping up onto the back of the couch by Hob’s shoulder.

Dream makes a grumbling sound, but doesn’t deny him this time.

Hob traces a light hand along his shoulder blade and the deep, spilled-watercolor of the bruise there. Thrown into a wall, Matthew had said. Ouch.

Dream shivers at the touch, and Hob says, tentative, “Do you usually bruise like that, love?”

He’s seen it before, though not this bad. Lines of strain on Dream’s hands. A red, banded mark on his arm on one of the few occasions he’d taken his coat off in Hob’s presence. He wants to hear it from Dream, though.

Dream says, tentative now, hunched on the couch like a wounded physical thing rather than what he is, “I… suppose.”

Sitting only in his tight jeans and boots, hair a mess, the mark on his cheek makes him look hunted. Hob touches that too, with light fingertips. Dream leans into his hand with a little sigh, and… oh. That’s something.

“Hey, he got the shit kicked out of him like a few days ago and just walked away like it was nothing,” Matthew complains, as if Dream’s I suppose answer is ridiculous. “And then obliterated the other guy, too.”

“Sorry, when was this?” Hob is still holding Dream’s cheek, but Dream doesn’t turn further to meet his eyes. “Why are you getting beaten up all the time, exactly?”

He’s not Dream’s minder. He’s not. He’s not. Hob forces himself to remember that fact.

“In my absence many have forgotten the might and sanctity of the Dreaming,” says Dream, and if Hob’s not mistaken there’s a little whining petulance in his tone which is… endearing, almost. “Other realms have become… impudent. Entitled. I am simply. Reminding them to show respect. Sometimes physical conflict is necessary.”

Hob sighs. “Well, Your Majesty, maybe it’s time to take a break from the ritual dueling, yeah?”

“…Perhaps,” Dream says, which is as much of an agreement as Hob ever gets.

He supposes he’ll take perhaps. Though the more he thinks about it, the more distressing it is to imagine Dream going around getting hurt. Even if he thinks he’s doing it for some important cause.

“Well, there’s not much I can do for these right now,” Hob says, and can’t keep the concern out of his voice. “Other than letting them heal on their own.”

“I see,” says Dream, and if Hob’s not mistaken his voice is small. And he reaches for his shirt, and—

“Hey.” Hob grabs his wrist. Dream freezes. “That doesn’t mean you have to leave?” He hates that it comes out as a question.

Dream wavers. Then he says, “Matthew.”

It’s loaded with more than just Matthew’s name. An order. Matthew squawks indignantly. “Boss! Come on. You’re really gonna send me back like that? When you’re like this?”

Dream just looks at him.

Matthew sighs, fluttering his wings. “Fine. Have your special private time, then.”

Special private time, Hob mouths to himself.

Matthew lifts his wings for takeoff. “You better not send him back with more bruises, Hobert.”

“Excuse me?”

Then he’s gone, winging out a window that Hob hadn’t realized was open. Maybe it wasn’t a moment ago. Who knows.

Dream looks after him, and sighs with real fatigue. “His insolence only grows.”

“Special private time?” Hob says, and Dream glances at him, and then away.

“He is under the impression that you are my…” he says, and trails off.

Oh. Well.

They’re not like that. But.

But?

Dream looks despondent now, staring off into the corner of the flat, back still turned to Hob’s chest. Hob’s become certain that he wants something, he came here for something, not just to make their usual meeting time… but he still doesn’t know what.

Probably he should ask. Not that that ever works with Dream. Probably he should anyway.

Instead he presses his lips to the curve of Dream’s shoulder, where the bruise is deepest blue.

Dream shudders, and then goes slack in his grip, his shoulders caving. “Hob…”

“Is that what you wanted?” Hob says against his skin. He can’t believe he’s doing this. He can’t believe Dream is letting him. “Does it hurt very badly? Is that helping?”

“It…” Dream muses, and sighs. “Is. Helping.”

Hob takes Dream’s chin between his fingers and turns his face enough that he can kiss his cheek, over the horrible sprawled mark of the bruise. Dream’s eyes flutter shut. He braces a hand on Hob’s thigh as he twists back to lean into Hob’s touch. Hob could use his grip to turn his head further and kiss him properly, he thinks, with a trip in his chest. Dream’s lips are right there, soft and open.

Instead, he leans his head on the back of Dream’s neck. Lets his hands fall to Dream’s bare waist, lips brushing his skin as he says, “You don’t… really bruise, do you?”

Dream still has his head tipped back; Hob’s hair brushes his cheek. “It affects you to see it,” he says quietly.

“Of course it does,” Hob says, equally hushed now. “I hate seeing you hurt.”

“Even,” says Dream, almost tentative, “if I am not truly hurt?”

“You are hurt,” Hob says, and finally draws the strength to lift his head from Dream’s neck. Dream is still looking at him, over his shoulder. His eyes are very dark in the dim light, rimmed red, he looks soft and fragile as a flower petal and Hob would do anything for him. “You were thrown into a wall by ‘something with a lot of limbs’, after all.”

Dream huffs. “Matthew exaggerates.”

“It’s okay if you want it to matter,” Hob tells him. That’s what it is, isn’t it? “To… be seen.” He slides his hand over Dream’s where it still rests on his thigh, twines their fingers together. A flicker of stillness runs through Dream’s body, the way a human’s breath might catch. Hob thinks he might pull away.

Instead he yields, and Hob exhales hard, a breath that had coiled far too tight in his lungs unwinding. Dream caves into him, and Hob wraps his arms around him, pulls him close, kisses the curve of his shoulder and watches a bruise disappear in the echo of that touch.

“Just wanted a hug after a rough day, in the end?” Hob says, and Dream huffs again as if such a desire is offending even to imply. He doesn’t move away though.

“Is it that easy for you?” Dream’s face is close enough that his hair brushes Hob’s temple as he speaks.

“And what if it is?” What if Hob had wanted to hug him when he first spoke of his imprisonment, and held back, and still regrets it? And what if it’s so easy to fall into it now? To slip into a world, this world where he can pull Dream into his arms, like he’s wading into the ocean for the first time, into foreign currents powerful beyond imagining but primordially known. Resonant as a familiar dream.

In some sense it would be accurate to say that Hob has known Dream all his life—he is, after all, dreams. But Hob doesn’t think of his friend as dreams. Maybe it’s a limitation of his human mind not to see the endless scale of the picture. But when he thinks of Dream, he doesn’t think of all of life or anything like that.

Instead, he goes back to their meeting in 1689. When Dream had thought he might no longer want to live, and Hob swore he saw a tear nearly break that usually stern countenance. Hob had always been fascinated by him, but he thinks that was the first moment he really saw him, beyond the cloak of distance and fantasy Dream liked to wrap around himself.

He’d like to think that Dream saw him then, too.

That’s the Dream he thinks of. The Dream he’d like to say he knows. The person, not the incomprehensible entity that Dream sees himself as. An incomprehensible entity can take a knife through the chest and dissipate around it like smoke, but not a person.

“If it is,” says Dream, pulling back to properly look at him, “then perhaps I might… impose.”

He looks so… cautiously hopeful. How can he not know already? “You think it’s possible for you to impose?”

“Imposition is easy,” says Dream, quietly. Hob lifts a hand to cup his cheek, and at the same time, as if of the same mind, Dream leans in and fits his face to Hob’s palm, eyes falling shut again.

He looks so gaunt now, with his bruised cheek and shadowed eyes, sharp collarbones and the swooping curves of his ribs. Hob had thought it had gotten better since his imprisonment, but now he’s not so sure. Maybe it’s just that without the shielding of his shirt, and his robe, he looks smaller than Hob’s used to thinking of him, and angular and fragile. He’s still so impossibly beautiful, delicate like a tree glazed in post-storm ice.

It makes Hob feel unexpectedly bold. His heart trips over, but he leans in and kisses the corner of Dream’s mouth.

Dream makes a quiet, surprised sound. Turns his head, blind, seeking, and then their lips connect properly.

When Hob had let himself imagine the possibility of kissing Dream, he had seen a force of nature. His friend would kiss with the chill of the rain that night he’d left Hob standing behind the White Horse. With the encompassing darkness of the night sky. The full experience of him would be overpowering and that was okay, because even a taste of him had already turned the course of Hob’s life.

But this Dream caves. Tips his head back in Hob’s hand, opens his mouth under Hob’s. Stiffness bleeds from him, regality flees him, and what Hob has left in his hands is a soft, horribly bruised thing leaning in for a deeper kiss.

So he kisses Dream deeper. Swipes his tongue into Dream’s mouth. He tastes slightly metallic, like he might have bitten his tongue and bled, were he human, and he makes a soft sound as Hob breaks the kiss for an unfortunate but necessary breath.

He keeps Dream close, hand to his cheek. Dream, eyes still closed, says, “A kiss just to comfort me, Hob?”

It hurts, just a little, that he thinks so. “How about a kiss just because I wanted to kiss you? You really think I’m more selfless than I am.”

Dream chuckles. “I see.”

Finally, he opens his eyes to look at Hob again properly. He looks tentatively happy now, it’s there in the slight crease at the corners of his eyes, the little spark that’s returned to them. Hob’s heart swells to see it, to think that he could do that.

“What then,” says Dream, tongue darting out to wet his lower lip, “would you do… selfishly?”

“Same thing,” says Hob, and kisses him again. Dream hums into it this time, pleased. “And tell you to bring me with you next time you’re asserting your dominance around the galaxy or whatever.”

“Why?”

“There’s some guys I want to throw into walls,” Hob says.

Dream huffs, but Hob thinks he looks secretly pleased. “I am not certain ‘guys’ is an accurate description.”

“You think just because the fifteen-armed thing is a lady that I won’t—”

And Dream actually laughs, a startled choking laugh. “Your definition of chivalry is—” he gathers himself— “appalling.”

“Take it or leave it, Your Majesty,” Hob says, grinning. Nothing feels better than getting a rare laugh out of Dream.

Mirth sparkles in Dream’s eyes. “I will take it,” he says, turning his head to kiss Hob’s palm, “of course. When you offer me haven and defense both, how can I not?”

Hob presses his kissed palm back to Dream’s cheek, over the dark bruise there, watching it start to fade. “Bring me your bruises, darling,” he says, “and I’ll protect you.”

Dream leans back in, and rests his forehead against Hob’s. He doesn’t need to ask for another hug. Hob just wraps his arms around him, and lets Dream’s contented sigh be its own question, and answer, at once.

#'you've written about dream manifesting physical injuries to reflect his emotional turmoil before' and i will again!#dreamling #dream of the endless #hob gadling #my writing #one short wip finished 5 billion wips to go

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saintsenara · 7 days

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Riddle’s extremely fearful and aggressive reaction to Dumbledore when he thinks he’s a doctor (and the fact that he assumes this at all and believes he is being lied to) has some pretty dark implications (which of course no one follows up on). Do you have thoughts?

thank you very much for the ask, anon!

and yes - this has occurred to me too... which means that my thoughts come with a trigger warning for the sexual abuse of a child, and are under the cut.

the relevant scene in canon is, of course, this:

“I am Professor Dumbledore.” “Professor?” repeated Riddle. He looked wary. “Is that like doctor? What are you here for? Did she get you in to have a look at me?” He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling. “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!” He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school - your new school, if you would like to come.” Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious. “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course - well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!”

the surface-level reading of this scene - which is clearly what the text wants us to go for - is that riddle thinks he's about to be institutionalised for being "mad" - and, specifically, that he thinks that what dumbledore has been told is his "madness" is actually his magic.

[he is also clearly meant to be read as panicking a little bit that he's fucked around torturing his fellow children and is now about to find out...]

that riddle accepts he's a wizard so easily - and that he is so reassured by dumbledore agreeing that he's not mad - is something the text wants us to read as sinister. him immediately describing himself as "special" is set up as a precursor to the adult voldemort's delusions of grandeur - which the entire arc of the series, ending in his death as an ordinary man, is designed to undermine.

but i've always disliked this reading. the eleven-year-old riddle - a magical child raised around non-magical people - is objectively correct to describe his powers as "special" [in that they make him identifiably different from the crowd] within the context in which he lives. the word choice is nowhere near as deep as dumbledore decides - he's clearly known since he was very young that he's a wizard, but he didn't have the precise language to describe this fundamental part of himself until dumbledore offered it; prior to that, "special" is a perfectly reasonable alternative term.

and, in always knowing that he's a wizard, he also knows that he doesn't have a mental illness - but he must also know that this is something it's near impossible for him to prove.

in the real world, if i spoke to a patient who told me:

“I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

then i would be correct to describe them as experiencing psychosis. and i might - depending on their other symptoms - have reasonable cause to admit them [voluntarily or not] for psychiatric treatment.

riddle is - of course - demonstrably not psychotic. but it's not unreasonable that mrs cole would assume he is - the world she lives in, as a muggle [even if she's a religious one], is one in which people do not possess the ability to move objects or control animals with their minds, and if one of her charges is convinced that he can, then she's justified in seeking medical intervention.

[that psychiatric treatment in the 1930s can be described without exaggeration as inhumane is another matter...]

which is to say, i think we can easily suppose that mrs cole has - prior to dumbledore's arrival - succeeded in having riddle "looked at", and that the idea that he's mentally ill and should be committed to an asylum has been mentioned before. i think most of us would be instinctively [and angrily] wary of doctors if this happened to us, regardless of how nice the doctors in question were.

and maybe that's all there is to it.

and maybe it isn't...

in the doylist text, the eleven-year-old riddle's personality is the way it is because he's the villain of the series. where harry is preternaturally capable, even as a child, of all the things the series defines as admirable - above all, enduring difficulty without complaint - riddle is preternaturally incapable of them. he's meant to come across as unambiguously sinister - and the fact that the text repeatedly emphasises that he has control over his unpleasant traits invites us to view him as someone who is acting with full agency. that he lives in an orphanage is a trope which the text uses, like a campy horror film might, predominately to underscore how creepy he is - and the text, in keeping with its general lack of interest in states and their institutions, never really prompts us to interrogate the impact of his childhood upon the course his life takes.

[this is despite the fact that voldemort's reliving of the night he killed the potters in deathly hallows is an incredibly accurate depiction of ptsd...]

but it's also the case that the eleven-year-old riddle's behaviour and personality fits a pattern we might expect to see in a child who is being abused, sexually or otherwise:

he's aggressive, he has a hair-trigger temper, and he becomes distressed even by behaviour - such as dumbledore speaking mildly and calmly - which would not ordinarily be expected to provoke such a reaction.

his broader emotional state is fractious. his mood changes sharply, he seems to feel emotions very profoundly, he struggles to control his emotional response to things, he's extremely easily irritated, he's attention-seeking - and he particularly seeks negative attention, and he's very highly-strung. his admission in deathly hallows that he feels calm before he kills - or before he otherwise eradicates a threat or a problem - comes with the flip-side that he's someone who appears, when things aren't going well or he finds himself in a situation which he can't control, to become quite anxious. which is a trauma response.

he's extremely isolated. the text presents the fact that he has no friends as a deliberate choice - "lord voldemort has never had a friend, nor do i believe that he has ever wanted one" - and his relationship with everyone else he ever meets, including his fellow orphans, is defined by the text as exclusively involving him controlling, manipulating, and punishing them. or: he is always the more powerful person in the pairing. but this need for control can be read as self-protective just as easily as it can be read as sinister. there are hints in canon that riddle is not just some malevolent force in the orphanage preying on mild-mannered innocents. for example, billy stubbs, the owner of the rabbit he kills, is targeted by riddle as revenge: “Billy Stubbs’s rabbit... well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it? [...] But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before." on the rare occasions billy turns up in fics, he's usually - i find - written very like neville - sweet and guileless and a bit pathetic. but the alternative reading - especially when we take into account that riddle attacks the rabbit rather than billy himself - is that billy is someone he would be afraid to physically confront. indeed, it's striking that voldemort - at all stages of his life - is described as being quite physically fragile. not only is he very thin, but he's always cold and his heartbeat is described several times in canon as irregular. i think this is supposed to be a comment on the physical changes he undergoes the more horcruxes he makes - although the idea that the soul would affect the heart doesn't actually align with how the series understands the soul to relate to the body - but it can also be interpreted perfectly legitimately as something he was experiencing prior to splitting his soul. i am committed to the headcanon that riddle was quite a sickly child - and that this is one of the things which drives his fear of death - and i'm also committed to the idea that his obsession with magic is because the enormity of his magical power makes up for his physical lack. he can defeat - and humiliate and frighten and remove the threat of - billy or dennis [or even an adult man?] with magic. without it, if they were to physically overpower him, then he wouldn't be able to throw them off.

he is extremely nervous about being alone in a room with dumbledore - someone he doesn't know, and who he assumes is connected to a profession [and, maybe, who knows any other doctors he's been previously made to see...] of which he is frightened.

he doesn't trust or confide in anyone - which, as a child, means particularly that he doesn't trust or confide in adults in positions of responsibility. he's clearly uneasy with the idea of finding himself in the subordinate position in an adult-child relationship when dumbledore offers to take him shopping for school supplies - potentially because he's worried that dumbledore will try and dictate or restrict what he's allowed to buy unless he behaves in a certain way... and i am always very struck that dumbledore says in half-blood prince: "He was very guarded with me; he felt, I am sure, that in the thrill of discovering his true identity he had told me a little too much. He was careful never to reveal as much again." this is presented in the text as evidence that dumbledore is the only person of whom voldemort is afraid - by which the text means that voldemort acknowledges that dumbledore knows that an ordinary man, mortal and unimpressive, lurks behind the mask of unassailable power he has created for himself; and which the text thinks is a good thing. but we can also read it as a self-protective act on riddle's part. in his excitement, he offers dumbledore information [that he is known to be a liar, that he is in trouble a lot, that mrs cole dislikes him and is disinclined to believe anything he says] which would give dumbledore - or anyone in a similar position of power and presumed respectability - cover to abuse him, safe in the knowledge that he would be unlikely to be believed if he reported it.

he doesn't appear to feel safe in the orphanage and he's frequently absent from it - by his own admission, he spends a huge amount of time wandering around london on his own, which may even involve him staying away for several days at a time. nobody appears to notice or care about this.

he's very independent - which the text again presents as evidence of his deliberate self-isolation and rejection of the bonds of love and friendship - and his independence is unusual for a child his age [i.e. that he is capable of doing all his own shopping for school].

his knowledge of violence - i.e. how he designs the trip to the cave to be maximally psychologically devastating for dennis and amy and devoid of repercussions for himself - is also more advanced and methodical than would be expected in a child of his age. again, the text uses this to emphasise how inextricable the child-voldemort is from his adult self - and also, to some extent, to underscore the intellectual brilliance [his magic is also more advanced than is normal for a child] which his narrative archetype [the exceptional villain who is defeated by the everyman hero] requires. but we can also read it as evidence of his own victimisation. a common sign that a child is being sexually abused is that they display a knowledge of sexual behaviour which is more advanced than is reasonable for a child of their age - for example, knowing in detail how a sex act is performed, or fluently using sexual slang which they have no chance of knowing either from age-appropriate settings like school-based sex education or conversations with a parent or trusted adult, or from the sort of enthusiastic hoarding of rude words and phrases all children enjoy as they grow up. riddle's precise, clinical knowledge of how to manipulate, frighten, torture, and control can be seen as something similar. if he can - at eleven or younger - methodically break down another child until they're "never quite right" again, then this is because he's learned how to from someone.

he keeps secrets. and he also goes out of his way to extract them. his grooming of ginny in chamber of secrets - he manipulates her into confiding things she wants to keep to herself, promises he won't tell anyone, and then uses the threat that he will to get her to do his bidding - is an absolutely textbook example of how abusers use the idea of secrecy to control their victims. it doesn't make his abuse of ginny any less inexcusable if we assume he learns this from being on the other side of things.

dumbledore understands his little cache of objects as trophies he's taken from victims - and the text takes the view that dumbledore is correct in this assessment. that hoarding trophies is something widely associated with serial killers means that this is yet another thing which underlines how creepy - and how like his adult self - the child-voldemort is. but it's also the case that the adult - and teenage - voldemort places a lot of emphasis on gift-giving as part of his control over other people. the two most obvious examples in canon are wormtail being given his shiny hand as a reward for helping voldemort get his body back, and slughorn being buttered up with crystallised pineapple before voldemort asks him about horcruxes. the text thinks this is sinister - and one of the reasons it does this is because gift-giving is a grooming tactic. the text also clearly thinks this isn't behaviour voldemort has learned from the other side. and yet a common sign that a child is being abused is if they have possessions it doesn't make sense for them to own [i.e. a child from a low-income background who is suddenly decked in designer clothes] and which they can't or won't explain how they came by. riddle's cache isn't luxurious - although he's so poor that a yoyo or a mouth organ probably is a luxury to him - but there's also nothing in canon which precludes the objects being presents, rather than stolen goods. if the spell dumbledore uses to make the box rattle is caused by a statement which is both relatively ambiguous and dependent on dumbledore's subjective personal morality - is there anything in this room he's acquired through nefarious means? - then the spell would still work as it does in canon if riddle was an abuse victim given the objects as "rewards". dumbledore's tendency to locate right and wrong in the individual and dumbledore's belief that good people should steadfastly endure misery means he can be written entirely canon-coherently as someone who would think a victim who appeared to collude in their own abuse - such as a victim who "offered" a sexual act because their abuser promised them something if they did - was behaving consensually, manipulatively, and nefariously. and it's worth noting that when riddle doesn't know what dumbledore has done to make the box rattle, he is "unnerved". when he realises dumbledore thinks he's stolen the objects - and that he has no interest in forcing him to admit this aloud - he is "unabashed". perhaps because he's just received proof that an experience he doesn't want to talk about is still secret...

on the other hand, the objects could indeed be stolen - because petty criminality and anti-social behaviour, especially in pre-teen children, is also a sign of abuse.

he can be extremely obsequious - when dumbledore tells him to watch how he speaks he becomes "unrecognisably polite", he ruthlessly flatters slughorn, and he is cringingly deferential to hepzibah smith. the text understands this as evidence that his apparent charm is only superficial - another trait associated in the popular imagination with serial killers [and it's striking that so much about the young voldemort - handsome, charming, seemingly quiet and polite, true evil lurking underneath the mask - is exactly like the pop-culture persona which has been created for ted bundy...]. voldemort himself agrees that his charm is performative in chamber of secrets: “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted." but his obsequiousness is also a fawn response - a way of minimising a threat by attempting to please the person issuing it. he becomes "unrecognisably polite" - after all - in response to this: Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts - ” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ” Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognisably polite voice, “I’m sorry, sir. I meant - please, Professor, could you show me - ?” riddle could reasonably interpret what dumbledore says here as a threat to prevent him attending hogwarts - even though dumbledore evidently doesn't mean it in this way - and he switches to being fawning because this is something he really doesn't want to happen...

do i think that any of this is what the text was actually going for? no. and nor do i think that reading riddle as a victim of abuse excuses the violence which the adult voldemort goes on to perpetuate.

but i think it is a reading of his characterisation which is both canon-plausible and interesting - a strange, sickly child with a reputation for cruelty and dishonesty being abused by the respectable doctor who is constantly called in to treat his coughs and wheezes, who buys him little presents and charms him into telling him secrets, who then [to paraphrase the teenage voldemort] feeds him a few secrets of his own, safe in the knowledge that nobody will ever believe him if he tries to get help.

and i also think this a reading which is sincerely important.

a significant contributor to the prevalence of child abuse - no matter what exact form this abuse takes - is that we are culturally conditioned to imagine that both the abuser and the victim will look and behave in a certain way if the abuse is "real".

and this means, all too often, that we take child abuse more seriously when the victim is "sympathetic" - when they're from a stable home, and their family are respectable, and they do well in school, and they're polite and sweet, and they look innocent, and they behave perfectly appropriately for their age, and nobody would ever dare to say that they come across as older than they are, and they're white, and they don't have a history of lying, and they don't have a history of attention-seeking, and they don't have a criminal record, and they're not abusive themselves, and there's absolutely no way of suggesting that they colluded in their abuse, and the perpetrator was someone who looks like a child abuser.

someone who is creepy, low-status, ugly, unpopular. someone who everyone can tell is socially abnormal, someone who nobody would ever intentionally permit to be around their children. not someone who is charming, well-respected, attractive, rich, popular, trustworthy. not someone who has a loving family and a happy home. not someone we might be friends with.

but many perpetrators of child abuse are these second group of people. and many victims of child abuse are "unsympathetic", when their social positions and reputations are compared to their abusers' own.

they lie. they steal. they're attention-seeking. they're vindictive. they have trouble distinguishing between imagination and reality. they're violent. they're bullies. they hurt animals. they abuse other children. they take drugs. they're mentally-ill. they come from broken homes. they're in the care of the state. they're dirty. they're poor. they're odd. they're behind at school and badly-behaved in the classroom. they do things which allow their abuse to be dismissed as something they brought upon themselves - they speak or dress in certain ways, they pose provocatively in pictures and post them on the internet, they are known to be sexually active outside of the context of their abuse, they lie about being over the age of consent, they engage in sexual behaviour with an adult abuser in a way which appears [even though it isn't, and there's never a circumstance in which it will be] to be consensual or for their own personal gain, they are flattered by the attention they receive from someone who is important or attractive grooming them, they have complicated - and not always wholly negative - feelings towards their abusers.

and they are still - unequivocally - victims, and what happens to them is still - unequivocally - abuse.

tom riddle is an unsympathetic victim - not only of any potential abuse, but also of the horrors of his life which are explicit on the canon page: that he is raised in an orphanage; that he is grieving; that he knows nothing about his family; that he is thought to be mad.

the absence of any institutional response to his childhood experiences - dumbledore, by his own admission, discloses nothing about riddle to his fellow teachers - is a flaw repeated again and again in the worldbuilding of the harry potter series.

hogwarts - and the wizarding [and muggle] state more broadly - doesn't intervene in any case of neglect or abuse, from harry to snape to voldemort's own parents. the series' individualistic morality means that we aren't supposed to interrogate these collective failings. and the series' black-and-white view of good and evil - and its general belief that violence is fine if the person it happens to "deserves" it - means that it has no interest in examining the ways that poverty, isolation, and neglect are risk factors; that straightforwardly unpleasant people can still be victims; that victims can go on to become perpetrators without their victimhood ceasing to matter; and that the abuse of children usually takes place not in silence and secrecy, concealed in ways which make it fine for adults not to notice it and not to intervene, but in plain sight.

this is knowledge it never hurts to refresh. thinking about lord voldemort's childhood might be an usual way of doing so... but it is an effective one nonetheless...

#asks answered #asenora meta #tom riddle #lord voldemort #if wizards had the concept of safeguarding it would be a game changer...

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sanji-piss-hell · 5 months

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ZOSAN FIC REC

Here is some of my fave zosan fics. Some of these I read years ago and so I don't fully remember what theyre about but they we're good enough that I still have strong emotional attachments when I see the name. Most of them are things I've read recently. Literally all I do all day is homework and have an app tts fanfics to me like an audio book so there's quite a few of recs here. I am not the best at summeries but just trust me bro these are GOOD SHIT. I only provide the best. What I consider a good fic: - Takes place in the one piece world (I don't like modern aus) - Characters stay in character or if they do have changes from their canon portrayal there is a justifiable reason from within the story. - Solid story telling and arcs (even the shorter fics) - The Zosan dynamic is kept mostly how it is in canon they fight and bicker. (I know some like when they're soft with eachother like a loving married couple. You won't find much of that here) - Some of these have pervy sanji, que nose bleeds and ogling. With that out of the way here's the list!! Now to my fave zosan fic of all time and ironically enough the only fic taking place in a modern setting: Life is fine series. TW: Drug abuse, heavy angst, depression I have reread this twice and forced a friend to read it too. It is so amazing not just for the zosan but for the genuinely good story telling. You follow zoro reeling from his sudden loss of relationship with Sanji and falling down a...Well uh, path. It's fucked it's dark it's depressing and its fucking riviting. Alot of the time reading this you're just like WHY DID SANJI LEAVE HIM WHAT IS GOING ON??? Honestly I need to reread this again. Onto softer fics to heal your heart after that one: Honor in limits, his strengths in weakness By Hawksbrood

“Fucking hell cook, what happened to you?” Zoro demanded, voice low so as not to disturb the others sleeping nearby.

Sanji rolled his eyes. “What do you think? I told you we got in a fight earlier.”

“Not that, your fucking feet!”

The cook snarled at that, crushing his cigarette in his teeth. “What the fuck do you mean, my feet? They’re just feet!”

Zoro’s eyes widened, looking at the bruised flesh before him. This wasn’t that.

This was just so good and cute. I appreciate watching zoro appreciate sanji. They take care of eachother but in a way where theyre both still them yeah know? I appreciate how sanji is written letting himself be vulnerable but understanding that he's always gonna be crass cause it's just a part of who he is.

come on, come on (turn a little faster) by donutsandcoffee

The one where everyone thinks they’re dating, Sanji is oblivious, and Zoro takes everything in stride.

Sometimes a love story can go in reverse.

I reread this one recently and it's just soft and sweet. I like watching sanji flounder around. The gay panic is great.

a complete guide to falling in love by ThousandSunny Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew. I read this like 3 years ago and I dont remember much but I do remember loving it!

Part Timer By 8ball Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together. Zeff just wants grandkids. He’s too old for this bullshit anyways. I am sure everyone knows 8ball very well they're like zosan famous but still just in case this one is really fucking good. Also read this 3 years ago so I don't remember much but I consider this a zosan classic. Onto the rated R Grand Buffet by asyndese Drunk fic!! If there was one thing Zoro knew, it was that you could always trust Sanji's inclinations to do a beautiful 180 as soon as he was drunk. Luckily, Zoro was more than equipped to handle it. I spent. 30 minutes. Trying to find this fic again because that's how much I loved it. It altered my brain chemistry. Sanji getting a nose job during sex is just. aaaaaaaaa. Read it. Cannot suggest enough. Horrors not yet known by Trixree

Sanji doesn’t know how he didn’t notice it before, is the thing. Of all the times he has seen Zoro shirtless (in battle, mostly) he just… never noticed. The problem is, once he has noticed, Sanji can’t seem to stop noticing. And neither can anyone else.

In which Zoro has a nipple piercing and Sanji has a Problem.

I recently reread this and the first time I read it I didn't really get the whole gender sanji shit. Now though???? Yeah another fic that rewired my brain chemistry. This fic opened doors for me it exposed me to a new world. Also sanji gay panic is in here and I live for that. It can be pretty raunchy (love that too) Three rounds with a tiger by KobochaKitsune Another drunk Fic!! also in modern times damn maybe I lied sdklfj

Liquid courage, drunken decisions, terrible euphemisms, and texts from last night, or: how to think entirely with the booze (and your dick) for once.

Or: By the time Sanji got to the party, everyone was already drunk.

I read this 3 years ago (theres a trend going on can you tell??) It also rewired my brain chemistry (from this point on just assume all of these nsfw fics rewired my brain chemistry each of these opened doors for me. This one opened the doors to bottom zoro.) Fucking 20k words of just pwp. I dont even know how the author did that bro like damn. Nature of things by stark_black Tw: Sex work and prostitutes When the Sunny docks, Sanji and Zoro sometimes seek out relief in some not so savory places. After crossing paths in town on more than one occasion, the two find they have a lot more in common than they would like to admit. I hunted this down for like fucking hours a couple of weeks ago because it was that good. Stark_Black has a fucking library worth of zosan fics this one is a classic to me. But if you want more content check out his other fics I think they have like over 100 zosan its kinda insane. Coregasm by Yakarmi

Sanji discovers that sometimes, Zoro has orgasms while he lifts.

-----

“You…” Sanji trailed off, gaze turning down as he licked his lips. Pink tongue darting out nervously. “You orgasm when you exercise?”

Zoro clenched his jaw. Shrugged. Trying to act nonchalant.

“Sometimes.”

Sanji’s eye went wide, and like his mouth had suddenly been liberated from his brain, blurted out, “that’s so fucking hot,” before clamping his hands over his mouth. His cigarette fell from his mouth, bouncing soundlessly on the ground.

Bro bestie, the way this put me on nose bleed Sanji. Perv sanji. I need that gif thats like mmm cause man this is good. Ending this fic rec with a BANG we have

Contingencies and Congruencies by PeaceSignDisasterBi

Somewhere between finishing the bottles of alcohol and mugs of beer, the crew comes together to create a contingency plan for something that may-or-may-not-happen during their time on the Grand Line and beyond. Usopp thinks it's more likely than bumping into zombies, Zoro wants to stay out of this, Sanji is just going with the flow, and Nami may or may not keep things legally binding and above board with consistent consensual acquiescence. Robin finds it all amusing.

The damn chart stays in the locked drawer in her desk, split into three neat categories: Devil Fruit Powers, Science, and Magic. Each represents whatever they're hit with but also categorizes the amount of self-control the person has during.

AKA: 5 times Zoro and Sanji had to help each other as Consensual Helpers of Dubious Consent + 1 Time There Was Nothing Dubious At All

Ok this is 152k long its pretty insane. It regoes over the arcs so throughly so carefully that I literally had to question my memory because I havent experienced alot of these arcs in a while (it's one of the reasons im rewatching one piece). I will say despite how amazing and well written this is I had a hard time comprehending sometimes. now I was sick at the time of reading this so that might be why but sometimes the way things were phrased felt like yoda talking. I think it's just me though. I'm not used to big words :( And thats a wrap!! These arent even all the ones I wanted to include I have at least 20 more off the top of my head but I'll save that for another day. I hope you find joy in these fics Like i did I'll def do another one of these as cause I didnt even touch my sanji centric fics or germa 66 or just in general the best sanji fanfic writers. (Mentioned some of them like 8ball, thousand sunny and donuts and coffee.) Best of luck to yall and let me know what you think!

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radiance1 · 6 months

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Inspired by this post.

So, we have Danny, who outlived his friends and family (none of them became ghosts.) is the prince of the Infinite Realms.

As soon as he didn't have any ties to the living world anymore, at the young age of 114 was Danny scooped up and taken to the ghost zone for royal tutelage.

Things like balance training, how to carry himself prim and proper, how to invoke power with his voice (not literally, mostly how to sound commanding at stuff), what he should wear, knowledge about the ghost zone etc, etc.

Although, History beyond a certain point had to be taught exclusively by Clockwork, since the only other person who could teach him about the Infinite Realms' full History would be Pariah Dark, who was the first ghost ever to have been conceived by the Realms, and no one really wanted to wake up him.

Of course, that would mean there would be a void where Clockwork can't teach, but that knowledge is.... not necessary for the young prince to learn.

[It was really just about Pariah acquiring the ring and crown, the rest is uh, cough the lovey-dovey arc of Pariah Dark and Clockwork that will stay lost to time if Clockwork has anything to say about. Look, they were babies then compared to now, no one needs to know what happened back then alright?]

So, after all this I imagine him wearing something like this, staff and all.

However, Danny has an arch-nemesis.

Dark Danny.

Who somehow managed to escape from his imprisonment and causes havoc and chaos wherever he goes. His thing to do was to escape to the living world to make it befall the same fate he caused to his own.

He, however, probably did not expect for Danny to be more experienced, and his skills more honed than 100 years ago. Not that Dark Danny knew such time had passed, as he went through the trouble of trying to locate Danny's parents, sister, and best friends to make try and set him on the path to become him.

He failed, obviously, as they were already long gone.

His next thing to do? Locate Vlad and consume his ghost half. However, Danny made it just in time before he could do so.

However, Dark Danny's sheer, raw power, still eclipsed his own. However, while his raw power may be superior, he had something that would let him reliably go head-to-head in a fight with his alternate self and not win due to being underestimated and the sudden appearance of the ghost wail.

A staff, one naturally formed when he was crowned as Prince. An artifact that granted him a boost in power, and furthered his strengths regarding magic, giving him a roughly equal playing field when he confronts Dan.

It by itself may have only been equal to that of the Ring of Rage or Crown of Fire individually, but the fact it could compare to either one when not paired together spoke well of its power.

Dark Danny was, obviously, not expecting him to be as well-equipped and powerful as he was now. So, he underestimated him yet again, and almost led to his defeat and subsequent containment. However, Danny didn't expect for him to escape as he did, and run into another dimension.

Danny, both as himself and Prince of the Ghost Zone, has the responsibility to go after his evil self. So, he entered the portal, with some equipment made by Vlad as both a thanks and silent 'Find him as quickly as possible', which was a device meant to track Dark Danny's energy whenever he uses a good amount of it.

He... didn't expect, to land in a dimension of Superheroes and Villains.

However, he could let such things distract him from the task at hand, Dark Danny was surprisingly laying low for some reason. Probably to recuperate the damage Danny managed to do to him, so that left him a while to get familiar enough with this dimension.

He got a few odd looks here and there, mostly due to how he was dressed. He was worried about it for a while, before overhearing others calling him a cosplayer and him, suddenly remembering that those do indeed exist, decides to use that as a cover for how he dresses.

A month later, still with no sign of his alternate self, and making Danny worry about if he wasn't in this dimension at all. The device finally picked up Dark Danny's signature, and he hurried to said location, when he arrived, the place was not in the best of shape.

Upturned cars, broken buildings, rubble on the street, fire here and there. Not the best welcome party.

There were multiple other villains than just his future self there, but he didn't put them in mind. He was here for one, and one alone.

A few members of what he believes to be Young Justice took to fighting his alternate self, while other members of their team and the Justice League fight the other villains. He saw what could only be the start of a ghost wail, and hurried over.

In front of them, he slammed the butt of his staff on the ground and conjured a shield, which took the entirety of the attack with a few cracks.

"Still as strong as ever, I see." Danny said, lowering the shield as his twin rings run up and down his body respectively, hair turning a white glow and eyes as green as toxic waste. He raised his staff, pointing it at his future self, who looked none too pleased to see him at all. "Now then, shall we continue our fight you so rudely left unfinished?"

Of course, Danny no longer had the card of underestimation, but he could do well without it. Unfortunately, after quite the battle, Dark Danny managed to escape once again, due to some kind of teleport spell of another magic user.

Danny didn't escape unscathed from the fight, but nothing that couldn't be healed in time.

Of course, then he had to interact with both the Justice League, and Young Justice after his sudden introduction.

#dc x dp #dp x dc #dp x dc crossover #dpxdc #dcxdp #dc x dp crossover #ghost prince danny #Right #Dark Danny is neither Ghost King nor Prince #Just thought I would include that #Just another difference between the two teehee.

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theidiotwhowritesthings · 1 year

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Ni Ceta, Cyar'ika

Dark!Din Djarin x Jedi!Female Reader

Warnings: corruption arc, murder, death of minor character (i don't wanna spoil it but I wanna make sure no one is caught off guard. it's axe woves), possessive behavior, loss and anxiety, light smut, mentions of being intimate

Word Count: 7,842

Summary: Din Djarin is a man who lost everything. His home, his son, his Creed. But at the end of the day, he still had you. He still had you, and he was determined to keep you.

[a/n: if dark fics aren't your forte, don't worry this isn't super dark. well, not as dark as i originally planned to go. more psychological horror than physical]

"i denied death for you. and i'd die for you again. kill for you. i'd tear the stars down from the heavens to fashion you a crown. you are my heart. my queen. i'd do anything and everything you ask me."

-Jay Kristoff

Looking back, you had no chance of not falling in love with Din Djarin. Even despite having plenty of reasons not to. You were on the run from the Empire, trying to keep a padawan safe from them. He was hired to collect said padawan as a bounty. He was a Mandalorian. You were a Jedi. Needless to say, the odds had been stacked against you both, but falling for him was the simplest thing in all the worlds.

You had a lot of reason not to, sure, but you also had no chance in avoiding it. Not with the way he put you and Grogu above everything else⏤ even himself. Not with the way he balanced trusting you to hold your own in a fight versus protecting you when you were overwhelmed. Not with the way his hand would softly brush against you as if he wanted so badly to touch you but thought himself unworthy. Not with the way his hoarse voice whispered your name in the softest concern and care.

Never before had you put any belief in the concept of soulmates, it seemed silly, but after meeting Din you weren’t so sure. The two of you seemed made to fit one another. Complement. Make the other stronger, better. The way you both understood one another, the care and love that came so easily… It was as if you loved him in another life. Like the two of you were destined to find one another in every lifetime. Made of the same stardust and shaped by the galaxy itself.

You loved Din Djarin. You loved him so damn much, and it made watching him crumble that much harder.

“Din.” You mumbled. Boba had swooped back to pick the lot of you up after the successful rescue mission. Though calling it successful seemed…bittersweet. Grogu was safe, but Grogu was gone. You wandered closer to where Din sat in a chair. He had isolated himself the moment you all boarded the ship. He was slumped over, elbows on his knees, and head hanging down. You knelt down by his side and squeezed his arm. “Hey. I wanted to check on you.” Din nodded, but stayed silent. His helmet stayed facing down, away from you, and it broke your heart to see him so devastated. “Tell me what you need, baby. I can stay or I can give you some space.”

Again, Din did not respond, but he turned his arm just enough to grasp you by the hand. You gave it a slight squeeze and just stayed there. For the rest of the flight neither of you moved. You knew Din felt like he couldn't complain. Grogu was safe with Skywalker, set to train and harness his gifts. Softly, you reassured him that whatever he was feeling was alright. He stayed silent.

Boba and Fennec’s goal was to reach Tatooine so you and Din tagged along. It wasn’t far. You all got there in a matter of hours and when you parted ways, Boba encouraged you or Din to call him if anything was ever needed. It didn’t take long for you to get a room at an inn.

That night in bed you held Din close. The room had been darkened so even if you did open your eyes all you could see was his silhouette. He loved you with soft touches and thankful whispers, and when the both of you were spent and exhausted Din collapsed into you. Typically, he liked being the big spoon. Din loved wrapping his body around yours, all encompassing, as if he needed to protect you even in sleep. However, tonight, Din clung to your side⏤ an arm draped over your waist as he laid his head on your bare chest. You held him close, raking a hand through his hair tenderly.

The room was filled with quiet breaths, and when Din spoke his voice was so hushed that you nearly missed it.

“Don’t leave me, cyar'ika.” He seemed to beg. “I can’t lose you.”

“I’m not going anywhere.” You said firmly. Holding onto him tighter. You continued to whisper promises of staying by his side long after he fell asleep.

Din wanted to find the covert. That was what he told you he needed. You had no qualms with that. You wanted to do whatever you had to in order to help him find some semblance of normal. Coruscant was not one of your favorite places in the galaxy, but you’d walk through hell as long as Din was by your side. As you followed him, his eyes tracking signs and clues you couldn’t see, your own gaze continued to drift to the saber hanging from Din’s belt. His newest acquisition.

Ages ago, when it had been time to build your own lightsaber, the kyber crystal you chose had really chosen you. Everybody had certain strengths, even within the Force, and yours was reading energies. Your kyber crystal seemed to sing to you. The energy it gave was warmth. It was protective. It was loyal. Building your lightsaber had been a time honored tradition you treasured. Having it hang from your hip was something you did not take lightly. It gave you strength.

The energy coming from the darksaber felt…wrong. It was hard to put into words. It was muted to you, as if trying to hide, but still the darksaber seemed to weep a negative energy into the air itself. You didn’t like it, but you had no significant reasoning why other than ‘it feels bad’.

When the two of you reached the covert, Din was adamant about you coming in with him. Even when you told him you thought it was a bad idea, he still tangled his hand in yours and dragged you in. Just as you thought the other two Mandalorians there were unhappy with seeing you. In part because of the lightsaber on your hip, but more so because you were not their kind. You were not Mandalorian. Auretii. That’s what the Armorer called you. An outsider. It wasn’t inaccurate.

The interaction started bad and only got worse.

Paz Vizsla challenged Din for the darksaber, a man you knew that Din considered to be a brother even despite rough disagreements in the past, and watching Din use the saber sent a chill down your spine. It was too heavy in his hands, and with every swing the blade was more difficult for Din to use. You could see it in his stride. You didn’t know how to explain it⏤ it was always difficult to explain the way an energy felt to you⏤ but the saber was fighting. It was annoyed.

Din won the battle.

“Din Djarin, have you ever removed your helmet?” The silence that followed the question broke your heart. “Have you ever removed your helmet?” You felt useless watching Din endure this pain. It was the same watching Skywalker carry Grogu away. You were a witness to his suffering. “By Creed, you must vow.”

“I have.”

“Then, you are a Mandalorian no more.”

The walk back into the depths of Coruscant was silent and painful. You slipped your hand into his, giving it a reassuring squeeze. I’m here. I’m not leaving. You will not lose me. Din returned the squeeze, but the pain was radiating off him in palpable waves. A feeling washed over you and your eyes darted to Din’s hip where the saber rested. Smug. It felt smug.

The two of you walked into the covert as Mandalorian and Jedi, but left as Apostate and Aruetti.

You had the opinion that Din never got to properly mourn the loss of the Razor Crest. With everything going on at the time, it seemed like the least of the problems you both had. However, it's loss was felt now. Even in the short time you spent with Din and Grogu, the ship had become a place of comfort. For Din, the Crest had been all he had for so long⏤ it was his home. It held all his belongings and in a singular second it was all gone.

That aching wound was constantly festering, but when the two of you were forced to ride in public ships to get from world to world you could tell it stung Din the most. That’s how you’d have to get off Coruscant, but a small victory came in the form of a message from Peli.

“Din, you’re not gonna believe this.” You grinned as he returned from whatever errand he had to do. “Peli has a possible Razor Crest replacement. She just messaged me. If we can just get to⏤”

“No.”

Your eyebrows furrowed in confusion, but Din took you by the hand and began to travel the opposite way of the small inn you were staying in. “What?”

“I found a ship. Here. Already purchased it.”

Surprise washed over you. “Wait.” You tried to get him to stop and look at you, but Din seemed like a man on a mission. “You bought it already? Without even asking me?”

“It was my credits.”

The words stung. It was so dismissive. Nothing like the way Din usually spoke to you. He always discussed big decisions with you, just as you did with him. The two of you were a team. Through and through. Din seemed to sense your displeasure and his steps faltered.

“Cyar'ika, ni ceta.” Din murmured. You recognized the apology. He turned and settled a hand on the side of your face. “I…I don’t know what came over me. I suppose I was just excited.”

“It’s…” You lifted a hand to cup the one tenderly caressing your cheek. Din had just lost his Creed. The cornerstone of his existence. Of course, he’d be short. You’d be more worried if he wasn’t showing signs of being upset. You gave him a tight lipped smile. “No, I’m sorry. Are you alright? How do you feel?” Din didn’t respond. “Baby?”

He shook his head, his voice quiet. “I’m just ready to be off world.”

“I understand.” You gave him a smile. “Show us our new home then.”

Din let out a small chuckle and you took that as a victory. He led you to a yard of ships and pointed out a black ship with burgundy accents. It was nothing special. It wasn’t the Razor Crest. However, it had enough space for the both of you.

“This is nice.” You explored the cargo hold.

“It’ll do.” Din countered.

You jumped when you heard the ramp closing and as Din passed you to get to the cockpit, he set his hand on your lower back to take you with him. As you settled in the passenger seat, you watched as Din familiarized himself with the control panel. When the ship reached the atmosphere, you leaned forward.

“Hey, maybe we should go see Peli anyways. Say hello.” You suggested. “She can look the ship over and tell us if we need anything…” Peli would just rip you off, but she was a familiar face. Boba and Fennec were on Tatooine as well. You thought Din could use more than just you. A reminder that he had more in his life than he thought. “Din?”

“No.” Din replied. He placed in a set of coordinates and you recognized them to be Nevarro. Well, maybe that would work. Karga was there. Cara too. Last you heard, Mayfeld was kicking around the newest establishment. The ship slipped into hyperspace and Din held a hand out to you. When you took it he yanked you toward him and you fell onto his lap. “We’re needed in Nevarro. Karga.”

He said it as if the name was enough. Before you could ask for further clarification, Din was tossing his gloves aside. He hit a button that shaded the windows, dimming the room till it was nearly impossible to see then he whispered to close your eyes. It was natural for you to do just as he asked. His hands grasped at your hips, pulling you down to grind against your core, and a pair of lips began to leave open mouth kisses along your neck.

“Cyar'ika…” Din breathed as he wrestled your shirt off you. Rough and desperate. Yanking your breast band off with it. The moment you were bare to the chilly air of the cockpit, Din’s hot mouth wrapped around one of your nipples, teeth grazing sensitive skin, and you moaned. Din pulled away and you already missed his mouth. “Need you. Need all of you.”

Din loved you with rough hands and frantic begging. When the two of you were spent, breathless and sweaty, you slumped against his body. Din trailed his hands up and down your spine as if he couldn’t fathom not touching you.

“I can’t lose you.” He murmured in your ear. “Not you, cyar'ika.”

“You won’t.” You reassured him. “You won’t lose me.”

The reason Din stopped in Nevarro, stopped to see Karga, was for bounty pucks. You had never seen him take so many at once and he said less than ten words to the High Magistrate of Nevarro before dragging you back to the ship.

A distraction. You convinced yourself. It was just a distraction.

Din needed something to keep his mind busy and what better than bounty hunting? As long as you were there to keep an eye on him, make sure he’s cared for, then everything would be alright. It might take time, but it would be okay. That’s what you told yourself. Over and over and over. You wondered if the reassurance was more for your benefit.

The first couple of bounties went normal, but slowly things began to feel…different. Wrong. The quarries Din brought in were more often cold than warm these days. He seemed to be favoring the darksaber as well. It had gone from a weapon used as a last resort to one of his regulars. Din got better with the weapon after every quarry, and the saber’s energy felt like it was singing. As wrong as it all felt, Din seemed himself still. In fact, he almost seemed closer to his normal self. The aching sadness and mourning wasn’t so present.

“Din?” You called out from where you sat at the small table. Rather than staying on the new ship, the two of you had rented a room at a local inn. It put you closer to where the current quarry was hiding. “You in the mood for something specific? For dinner, I mean?” Din had stepped into the bathroom to clean up and still had yet to come out. “Baby?”

Concern began to take root, but the door opened and you felt it slip away only to be replaced by shock. A stranger in familiar armor stood in the doorway. Din. Din was helmetless. You quickly shut your eyes with a curse. Heavy footfalls crossed the room to stand in front of you and you felt Din’s warm hands on your cheeks.

“Cyar'ika, look at me.”

“Din, what are you doing?” You gasped. It had been nearly two months since the covert, but even then he kept his helmet on. Never took it off. You didn’t understand what had suddenly changed now so suddenly. “I⏤”

“I want you to see me.”

“But⏤ But, why now?”

Din’s thumbs were tracing your cheek and he wouldn’t answer your question. He murmured again for you to open your eyes and you hesitantly peeked through your lashes. Din stood towering above you. From where you sat, you had to look up to admire his features. His appearance was never important to you. You fell in love with the soul inside that armor. Din always swore you’d see his face one day, but the context would be different. He’d whisper about a future together as you both laid tangled in bed.

He was handsome. Strong features, pretty dark brown eyes, scruff along his jaw. And his hair, you were finally able to see the dark slightly loose curls that you’d run your fingers through. You slowly stood and lifted a hand to trace his features.

“Am… Am I okay?” Din asked.

The phrasing of the question was odd and it took you a moment to garner a guess. You cupped his face with a broad smile. “You’re more than okay. You’re perfect. Maker, it’s kind of not fair how handsome you are.” You kept your tone teasing and Din chuckled. The sight of his smile warmed your chest. “What brought this on?”

“I am an Apostate.” Din said firmly and you felt your own smile falter. His dark brown eyes stayed locked onto yours and though they held the depth and soul you always knew they would there was something else there. “I am no longer Mandalorian. Why should I hide my face any longer?”

“Din…” You mumbled. Concern leaking into your voice. This was quite the huge and sudden leap to make. “You⏤”

He leaned in and pressed a light kiss against your lips. The kiss turned deeper as Din began to devour you. Needy and wanting. Desperate. Soon he had you picked up into his arms so he could slam you against the wall. It always felt like Din craved you⏤ that wasn’t in debate. Right now though, he was like a man starved. As if he had never had never had you before and was worried he’d never have you again.

Din loved you like a man possessed. Pressed between him and the wall he was unrelenting. Still, held tight by the man you were in love with, Din moaned and begged for you to stay with him. He didn’t even pause to let you reassure him. Just praised the way you felt and pleaded for you to be his.

There was something wrong with Din.

As you sat in the dingy alley, panting heavily from your near death experience, that was the first thought to occur to you. A hunt had gone wrong. One of the quarry’s allies had gotten the jump on you. You had taken a few hits, saw an opening to save yourself, but before you even had a chance the goon was being ripped off of you. Din had saved you, but it didn’t feel like being saved from where you sat.

Din had ripped the man off you and rather than use the darksaber he chose to beat the goon bloody with his hands. Blood splattered in the alley, on his otherwise spotless armor, and you found yourself trembling. The man who had been attacking you was long dead, but Din did not stop. His face was twisted in rage and hate. You called out his name, more than once, and eventually he paused in his onslaught to catch his breath. His chest was heaving from exertion and you could tear your eyes away from the red that stained his silver beskar.

Slowly, Din rose and stalked toward you. For a brief moment, you didn’t recognize Din. You didn’t know the stranger towering over you. He knelt down and reached out to cup the side of your face. The hot blood of the man Din had slaughtered smeared across your cheek. You could feel it and it sent a chill of fear down your spine. The hate began to dissipate from his eyes. There was a softness you recognized now, but for the first time you’d describe Din as hollow.

“Are you okay, cyar'ika?” He breathed. You nodded nervously. Din grabbed you by the arms and pulled you to stand. He let out a sigh of relief and wrapped you into a tight hug. He pressed you against his blood stained armor and laid his head on top of yours. Din shook his head, a shaky breath slipping from his lips, “I won’t lose you. I can’t lose you. No one will take you from me. I swear it, cyar'ika.”

Relief and love radiated from Din, but all you could feel was the humming possessive energy that the darksaber blasted into the air around you both.

The sensation of dropping out of hyperspace woke you up. You blinked and reached out to a cold bed. Din had gotten up and was now dropping you out of hyperspace? You pushed up and slid out of bed. You found Din in the cockpit and the sight of an unfamiliar world hung in view just outside the ship.

“Where are we?”

“Mandalore.”

You sat down in the passenger seat and grabbed Din by the knee forcing him to set the ship to drift and turn to face you. “What the kriff do you mean Mandalore?” Din didn’t respond. He leaned back in his seat and just stared at you. You were still trying to get used to seeing him without his helmet. Din rarely wore it these days. Even in a fight. “Din.”

“We’re meeting allies here.”

“For what?!”

“We’re recovering our home.”

Din was answering the questions as if you were being ridiculous for even asking them. As if you had been privy to this knowledge. Frustration made your temper flare. “Din, are you serious!?” He didn’t react and somehow that was worse. “We need to talk.”

“Then talk.”

Things had only gotten worse with Din. You were scared of what he was capable, but never in relation to you. No matter how cold his eyes grew, no matter how lost in got in a brutal fight, no matter how bitter the darksaber made the air, you knew Din wouldn’t hurt you. That knowledge was ingrained in your very soul. What worried you⏤ what kept you awake at night⏤ was your worry for Din. He always said he couldn’t lose you, but it felt like you were the one losing him.

“Baby.” You murmured and rose to take a seat in his lap innocently. Just trying to get closer to him. You cupped his face and at your contact the cold, distant look in his eyes briefly cracked. Din stared up at you in adoration and love. “I’m… I’m scared.”

Din furrowed his brow and sat up. His arms wrapped around your waist. “Don’t be. You never have to be scared. I’m never going to let anything hurt you.”

“No, Din, that’s not what I’m scared of.” You replied. “I’m scared for you. I’m worried about you.”

“I’ve never been better, cyar’ika.”

You raked a hand through his hair trying to convey every ounce of passion you felt for him in the simple motion. “Din… I’ve been wanting to say this for some time.” You shook your head. “The darksaber.” There was a flash of something unrecognizable in his gaze, but you pressed onward. “It’s… dangerous. You know when I told you about my lightsaber. It’s energy.” He nodded. “The darksaber gives off an energy too, and I don’t like it.”

“What do you mean?” Din asked.

“It feels like,” You winced and struggled for a description to match, “poison. Din, baby, it feels like poison.” Din shook his head as if he still could not understand what it was you were trying to say. “I think it’s a bad influence.”

Din scoffed but the curl of his lips made it seem like he wasn’t taking your statement seriously. “Cyar’ika, it’s a sword. It can’t influence me.”

“It’s not just a sword, Din. It has a kyber crystal in it and⏤”

“Are you trying to tell me I need to get rid of it?” He pressed. You gave a small nod. “I can’t. I need it.” You opened your mouth to argue, but his arms tightened around you. “If we’re going to take Mandalore back, recover it, then I have to use the darksaber. Be Mandalor.”

Your eyes widened. “Since when did you want that title??”

“But more importantly, I need it to protect you.” He whispered, ignoring your question entirely. Din leaned his forehead against yours and the touch was so soft and reverent that you shuddered. He took in a slow deep breath. “You are my priority. Always. The darksaber grants me the power to keep you safe.”

You pressed a tender kiss to his lips and Din’s breath hitched. As you spoke, you kept your lips close enough to brush against his with every word. “You never needed it before. And I’m not helpless. You know that.” Din closed his eyes and you dragged your fingers through his scruff. “We were fine without the darksaber. We don’t need it.”

Din leaned in to capture your lips with his. For the first time in a very long time, the kiss was slow and patient. He took his time tasting you and he leaned back to allow your hands to travel and explore him. It was so reminiscent of the days before everything fell apart that you almost cried.

Eventually, he pulled back and focused his heavy gaze on you. Din gave you a small smile, a hand tracing your jawline. “No, cyar’ika. The saber stays.” Your own smile faltered and fell. He left one last chaste kiss on your lips. “I love you. I will protect you.”

Your life on Mandalore was odd. Din left you out of the loop of everything. All you knew was that more and more Mandalorians arrived by the day to follow Din Djarin. It didn’t surprise you. The Din you knew and loved was a natural born leader whether he liked it or not. He had a magnetic draw to him. You didn’t see that side to your Din very much anymore.

The city around you was slowly being rebuilt and you pondered your next move. Two months you had been on this rock seeing Din from a distance. Watching him turn into someone you didn’t recognize. When the palace was reestablished, a sentence you found obnoxious and ridiculous, Din moved you there to stay. He’d work all day, drift into your shared bedroom at night, and you mourned the days where everything was easier. Simple.

“Cyar’ika.”

You glanced over your shoulder to see the Mandalor approaching. The king of this world looked like Din, still stared at you as if you hung the moon and stars, but all you could see was the darksaber. It’s possessive energy clung to the man you loved. Two Mandalorian guards followed behind him, and you briefly admired the thick, fur lined cape that hung off one shoulder.

Din came to a stop in front of you and motioned to himself with a sheepish smile, “What do you think?”

“Very regal, Mandalor.” You teased softly.

Din drifted closer and took your hands in his. “Ni ceta, cyar’ika.” He mumbled. “I know I haven’t been around.”

“You’ve been busy. I get it.” You shrugged and tried to keep the bitterness out of your voice.

“But you come first. You always come first.” Din said firmly. “Things will be better from here on out. We’re stable. We’re established. And… I have a surprise for you.” Nervously, Din lifted your hands to tenderly press a kiss to them. “I have no right to ask, but will you give me your time today.”

It was so sweet. It was so Din. You were too overwhelmed to do anything but nod. Things could always turn around, you told yourself. All your time here, distanced from Din, you had planned. He needed a little exposure to his old life. You were the only person Din kept. Maybe seeing Boba and Fennec, seeing Peli, seeing Karga, seeing anyone would bring him back to the surface more permanently. You had even wanted to get in touch with Skywalker or Ahsoka to plan some kind of visit. If Din could see Grogu, you had no doubt he’d snap back into reality. He’d set aside the darksaber. The issue was, Mandalore still had thick storm clouds that prevented any outside interference or messaging.

You felt isolated.

Din looped your arm through his and you walked by his side down the long hallway. You weren’t sure where he was taking you quite yet, but he spoke casually about his day and asked about yours with real interest. His smile was so warm and sincere that you could almost ignore the negative energy that damned saber gave off.

“Where are we going?” You asked as Din turned down a hall you knew would lead outside. “If we go out, I’m gonna need to grab my jacket.” Mandalore’s seasons still confused you and it almost seemed like the previous attacks had thrown the natural order out of balance. Lately, it had been rather cold.

“It wouldn’t be much of a surprise if I told you.” Din chuckled. He paused by the doors and you couldn’t help but glance at the two silent Mandalorian guards still standing near. Movement made you glance back in time to see he had shrugged out of his thick robe. Din settled the heavy article on your shoulders and you were surprised by the warmth it encased you in. “Comfortable?”

You nodded with a small smile. The robe smelled like him. Din captured your face in his gloved hands and you gazed up at him in awe. Din was in a good mood. It had been so long since you saw him like this. Light hearted. Excited. “Are you happy?” The question fell from your lips before you could even think.

“Of course.” Din replied quickly. His tone suggested he was surprised you’d ask. “I have you.”

“You’ve always had me.” You mumbled.

Din’s face faltered, only for a second, before he bowed his head to rest on yours. Forehead to forehead. “Ni ceta.” He breathed the apology out sincerely. “I know things have been hard and…you’ve put up with so much. I’m so thankful for you, cyar’ika, and my greatest regret will always be making you question that.”

“I never questioned it.” You lifted a hand to place on top of his own. “I love you, and I know you love me. I’ve just…been worried about you, baby. I want you to be happy.”

“I am.” Din replied. “You make me happy.” He closed the space to press his lips to yours. Tender. Loving. Passionate. Din’s tongue traced the curve of your lower lip and you allowed him to deepen the kiss. Your hands shifted to tangle in his hair. Din pulled you closer, flush against his body, and it didn’t even matter to you that two other Mandalorians stood off to the side as witness to this scene. Din pulled back, separating the two of you, but he quickly set two more chaste kisses against your lips as if he couldn't bear the thought of being apart. Din whispered a promise under his breath. “For the rest of my life, I will make you happy. I’ll keep you safe.”

You had endured the hell of watching Din suffer and begin to lose himself in sorrow. Perhaps, this was the light at the end of the tunnel. Din had found stable ground, and he was now returning to a man you recognized.

Din turned away to push open the doors, but he kept your arm looped through his. The courtyard which typically sat unused and in a semi state of shambles had been cleaned and polished. Mandalorians as far as you could see stood waiting and as Din walked you down the path you spotted a medium sized platform, nearly a stage, and on it was a chair⏤ no, a throne. That was the only word to describe the heavy, dark metal seat. Standing on the platform, you recognized Bo Katan. She stood on one side of the throne. On the other side stood two others that you recognized, you had seen them with Din often, but you didn’t know their names.

“Din?” You whispered his name.

He shot you a smile but continued on. Suddenly, you found yourself on the platform standing beside Din as he faced the crowd. He lifted one hand, as if in greeting, and you stared at him as he spoke Mando’a. His voice was loud and firm. Powerful. This was a king among men. You never thought Din Djarin of all people would look like he belonged in this setting. You knew he had the attributes that would make a fair and just king, but Din had never enjoyed the spotlight. The future he craved, the future he painted while speaking to you in the dead of night, was a humble one. A home, some land, a family. Peaceful.

A bark of Mando’a, in a voice you vaguely recognized, interrupted Din and you watched as his shoulders stiffened. The crowd parted and a Mandalorin in dark blue armor approached. Axe Woves. That was his name you believed. You didn’t know what he was saying, but you could feel the tension in the air.

Din set his hand on your waist and pushed you back. You only stumbled back a few steps before Bo Katan took you by the elbow and dragged you back further.

“What⏤ What is going on?” You asked.

“Challenge.” Bo Katan said. Din drew the darksaber from his belt and as it came to life you felt your own heart plummet. It’s poison was spewing in the air⏤ suffocating you. Smug. Arrogant. Angry. Insulted. You sucked in a sharp breath. “Axe Woves has challenged Din for the darksaber. For rule.”

The fight started in a clash of weaponry.

It was a blur of beskar, but all your eyes could focus on was the arc of the darksaber. The burning glow that was now seared into your eyes. Seared into your brain. You wanted nothing more than to take that damned thing and throw it into the darkest pit you could find. Every time you watched Din used it, you hated it all the more. The fight did not last long.

Axe Woves was a good fighter, but he was not Din Djarin.

Soon, the air was silent as Din held the edge of the darksaber just under Axe’s jaw. Close enough that the man had to have felt the heat. Axe was breathing hard, but you couldn’t see his face⏤ his back was to you. Din stood where you could see his face and he looked to be the picture of calm.

“Cetar.” Din demanded. Bo Katan whispered, her eyes not leaving the scene, as she translated the Mando’a. ‘Kneel’. Din asked him to kneel. You felt a chill run up your spine and it wasn’t from the cold air. The darksaber was singing. Excited. Eager. It craved and craved and craved. Din repeated the command. “Cetar.”

“Nayc.” Axe replied. You didn’t need that word translated.

At the sound of his refusal, you watched a flash of an emotion you didn’t immediately recognize in Din’s eyes. However, it was clear to see the way his lips briefly curled up into a smirk. You opened your mouth to scream, but all your words caught in your throat. Thick, heavy, and unwilling to be heard. Before you could overcome your hindrance, Din shoved the darksaber through Axe’s chest with not even a singular hiccup of hesitation. Your mouth hung open in shock and disbelief, but the horror didn’t land until Din leaned in and used his vibroblade to slice through the man’s neck in one swift motion. Blood sprayed out and the darksaber was screaming in pleasure.

“He had to make an example.” Bo Katan whispered. “It’s unfortunate, but Woves brought this upon himself.”

Din deactivated the saber and set it back onto his belt. While Axe Woves’ body slumped to the ground, Din tucked the still bloody vibroblade back into his boot’s holster. You stared at him wide eyed and horrified as Din marched back to the platform. He spoke before the crowd again, but it felt like your ears were ringing. The man you fell in love with would never have cut a man down in cold blood. The duel had been over. It didn’t have to end with blood.

You couldn’t tear your eyes away from Din as he crossed the platform to sit on the throne. His legs were spread out in dominance as he lounged in the seat radiating confidence and pride. His eyes snapped to yours and Din held his hand out to you. Bo Katan gave you a small nudge and you stumbled toward the throne with hesitant steps. Din’s cold features melted away as he stared up at you as he always did, loving, but it only made the splattering of blood on his face that much more daunting.

When you placed your hand in his, your fingers were trembling. Din squeezed your hand in comfort and he carefully pulled you back so you sat in his seat. Bo Katan was addressing the crowd and you stared and stared at Axe Woves’ dead body. Still laying on the courtyard’s ground, the pool of blood around him growing larger and larger.

You felt Din’s breath on your neck. His hands settled on your hips as he sat up to press his chest against your back. His breath was replaced with his lips. Din mumbled about how much he loved you and how important you were to him against your skin. All this time, all the hope you had, was for naught. The man at your back was a stranger.

“I’m sorry you had to see that.” Din pressed another hot kiss to the back of your neck. "But I just wanted to show you our new throne, my queen. Surprise."

As it turned out, the light at the end of the tunnel had turned out to be just more hellfire.

In the dead of night, you ran.

You had hoped Din would return to his senses, become the man he once was, on his own accord. You hoped he had only needed time, but this had been proof. You were out of your depth. Din needed more than just time, he needed more than just you. As soon as you got past the thick, stormy atmosphere on Mandalore, you’d call for help.

The plan had been to take Din’s ship. It was the only one you were familiar with the controls enough to not have to worry about running into any issues. As it turned out, flying was not going to be the biggest problem you faced.

“Cyar’ika.”

Your blood ran cold. Slowly, nervously, you turned around to see Din stood not far away. His shoulders were slumped in disappointment, and the look in his eyes could only be described as absolute and total devastation. He took one step forward and you took one back. Din’s jaw locked.

“Din…”

“What are you doing?” Din murmured.

You shook your head. “Listen to me⏤”

“Listen??” Din scoffed. He took in a shuddering breath. “How could you⏤ Cyar’ika, I… Why?”

His voice cracked and you felt your heart ache in your chest. Din took another step toward you and you held a hand up which brought him to a sudden halt. You pressed your lips together then tried to explain that you were doing this for him. “Din, you’re not…you’re not yourself. You need help.”

“I need you.” Din replied firmly. “Everything is fine.”

“You murdered a man in cold blood today.”

“Is that what you⏤ You truly think so little of me?” Din asked. “It was a duel, cyar’ika. A challenge on my rule. I had no choice.”

You took a step toward him. “Din, you slaughtered him. And you enjoyed it.”

Din’s eyes darkened and the energy that slammed into you was possessive. For so long, you assumed that was how the darksaber felt. However, seeing the way he stared at you now, you realized the possession went much further than how the saber felt for him. He stormed forward and on pure instinct your hand drew your lightsaber without activating it. A warning. His steps stuttered. You didn’t know it was possible to visually see a person’s heart break, but you were witness to it right now.

“Cyar’ika,” Din whispered, “I would never hurt you. You know that, right?”

That was true for the man you fell in love with.

Was it still true?

“I…I…” You struggled to find your words.

Din held his hands out, palms up, in surrender. He took slow steps toward you as if you were a skittish animal he was trying to calm. The tenderness in Din’s gaze cracked your resolve. He reached out and let his hands slowly drag down your arms until they reached your hands. You felt your body tremble. It was easy to make the decision to run when you stared at Din’s features covered in blood, but now? His warm, brown eyes reminded you of every soft touch and tender word of love.

“Just come back with me.” Din whispered. “Talk to me, cyar’ika. I know…I know things haven’t been right.” He squeezed your hands and pushed the one holding the lightsaber back to your hip. “Let me fix this. Let me make this right. Give me a chance.”

Din leaned forward to set his forehead against yours. A familiar motion that brought you comfort. You let out a soft sigh. One more night. You could spend it talking with Din, gauging a better plan, and it wasn’t like you would be able to leave right now anyways. Not with him right in front of you like this. The look in his eyes told you he wasn’t just going to let you walk away and the absolute last thing you wanted to do was fight him.

“Please?” Din pleased.

“Okay.” You murmured.

The bright smile of relief that crossed his face made your heart flutter. Din pulled you into a tight hug and he clung to you like a lifeline. This would be alright. This would be okay. You’d make sure of it. Din slipped his hand into yours and carefully tugged you alongside him. The entire walk back to your bedroom was silent. Din’s thumb traced patterns against your skin.

“I love you.” Din said the moment you were back in your shared room together. His words came out as a desperate ache. “I’m sorry…”

“No, Din, I…I love you. I will always love you.” You replied. “I was leaving to help you.” Din’s brows furrowed in confusion. “I just think you’ve lost sight of your path.” You pressed your lips together then settled your hands on his chest. “I think we should leave Mandalore. Not forever, just⏤ I think we should visit Boba or Karga. Peli? Or… Or maybe we can reach out to Skywalker. Try to visit Grogu.”

Din’s eyes widened at the suggestion.

He wrapped his hands around your wrists then lifted your hands so he could press a soft kiss against one palm then the other. Din nodded. “Okay. Tomorrow. I’ll be better, cyar’ika.” You gave him a small smile and he leaned in to crash his lips against yours. The way his lips moved against yours made you feel like he was trying to physically beg you to stay with him. Din had never been a man of many words, he’d whisper kind sentiments, but he always showed how much he cared by action. “I love you.” Din’s mouth dropped to your neck as his hands began to tear at your clothes. “You are everything to me.”

Your hands reached out to unlatch Din’s armor. It was muscle memory for you. How many times had you done this exact same action in the dark during your time with him? Too many to count. His besker fell to the ground and the second he was bare of any armor, Din scooped you up and carried you to bed.

In the morning everything would be okay.

You’d make it so.

A familiar hand caressing the side of your face is what you woke to. You forced your eyes open, groggy, to find that Din was sitting on the side of the bed leaning over you. He wore his armor once more. Din leaned down and pressed a feather light kiss to your forehead.

“Ni ceta, cyar’ika.”

“Din?” You questioned.

“I want you to know that everything I do is because I love you.” Din said. “I’ve lost everything, but you.” He cradled the side of your face. “Even this, accepting the title and responsibility of Mandalor, I did with you in mind.”

There was a tone in his voice that was making you nervous. Slowly, you sat up and shook your head, “Din, I never asked you to do that.”

“I know.” He replied. “But this is how I protect you.”

“Din⏤”

“There is nothing in this galaxy that will harm you while I’m around.” Din said firmly. He stood up off the bed and gave you a tight nod. “I won’t lose you. I can’t lose you. This won’t last forever, I swear it. But I can’t leave anything to chance. Not when you mean so much to me.”

Din began to walk toward the bedroom door to leave and you stared at him in confusion. Quickly, before he could leave, you threw the blankets off your body and jumped out of bed. There was a heaviness around your left ankle, a coldness, and with every movement came a rattling. You glanced down to see a shiny, silver chain locked around your ankle. It trailed to the wall beside your bed.

“Din.” You breathed. He stopped but said nothing. “Din?” He turned around with sad eyes. Panicked, you began to rush toward him, but a few feet away from him the chain caught your ankle and you nearly fell to the floor. Warm hands caught you by the arms and pulled your back to your feet. Teary eyed, you shook your head. “What have you done?”

“It’s temporary.” Din repeated himself. “Just until I know you won’t hurt yourself by leaving.”

“Hurt myself⏤ Din, I⏤”

“Cyar’ika, I'm doing this for you. To protect you.” Din gave you a tight lipped smile of regret. “Or until I can make you understand.” Din leaned his forehead against yours. The soft action you loved ruined by his words. “You are mine, cyar’ika. You are mine, and I am yours.” That look of possession was in his eyes again. “And because you are mine, I have to take care of you. And that’s exactly what I plan to do.”

Din was beginning to step back so you quickly cupped his face between your hands. This wasn’t happening. This couldn’t be. As softly as you could manage, trying to bite back the fear and panic in your voice, you mumbled. “Din, baby, you’re losing yourself. I love you, but you’re losing yourself and it’s breaking my heart. Let me go. Let me help you.”

He turned his head and gently kissed the inside of your palm.

“Maybe I am.” Din murmured. “But if that’s the cost of keeping you, then it’s one I will happily pay.”

Din left without another word and you crumpled to the ground in tears. You mourned for the man you lost and cursed the man who took his place.

mando'a translations

ni ceta: i'm sorry cyar'ika: darling, sweetheart cetar: kneel nayc: no

#the mandalorian #din djarin #din djarin x reader #din djarin x you #mando x you #mando x reader #mando #mandalorian fanfic #mandalorian x you #mandalorian x reader #dark!din djarin #female reader #reader insert

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celaenaeiln · 9 months

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Okay but you can’t just say “I'm not going to get into their brother relationship because that involves how Alfred treats Dick as a son rather than a grandson and is opening a whole new mansion of stuff so I'm going to wrap this up here” and not follow up with another post because that’s just cruel 😔😞 (aka this is me saying I really like & enjoy reading your interpretations and I need more of them HEHE)

😂😂😂😂😂😂

Thank you!!!! <3333

I love thinking about how Alfred treats Dick more of a son than a grandson because their relationship is different from Alfred's relationship with the other kids. Furthermore, it also explains a bunch of his actions.

First of, I know when everyone saw that Alfred had left Dick his entire inheritance they went "What the fuck." There were a bunch of jokes and questioning about why Alfred would do that and a lot of people have wrote it off as Tom Taylor's writing. But here's the thing. Tom Taylor has done a lot of stupid stuff in terms of characterization but he's done quite a few things right and one of them was adequately explaining Dick and Alfred's relationship.

I don't know how many people can read cursive but it says, "I invested much of this wisely and ethically...In fact, I planned to come to you for advice. Like Bruce, your mind is astonishing. You are a problem-solver and the world is full of problems." (There's actually panel during one of Dick and Slade's fight I have saved so lemme know if you or anyone is interested in Dick's innovativeness and how it makes his a terrifying opponent.)

Let me pause right there. This is Alfred's life savings. It's every piece of penny he's saved and every minute of his life is in that money. On top of what he says about Dick's intellect-and I agree and can prove it-he must've loved and trusted Dick an extraordinary amount to do this.

Alfred goes on to say, "I couldn't think of better hands to leave this fortune in. I believe you will see this, not as a personal gain, but as an opportunity. Because I believe in Dick Grayson."

He continues praising him and- HERE IT IS- "I am so very proud to call you my son."

DICK IS ALFRED'S SON.

This is the cleanest, clearest panel where he explicitly says it.

Hold on-this is the cleanest panel that says it? Wait a minute, let me retract that:

"Master Bruce was my son for a while. And then there was you."

THIS MOMENT HAS BEEN BUILDING UP ON US FOR YEARS. Tom Taylor wasn't doing lip service, he was just writing the inevitable!

I swear there's a panel where Dick refers to Alfred as his dad...

*Record scratch* WHAT DID ALFRED CALL DICK? WHAT DID DICK CALL ALFRED?

THIS IS WHY I LOVE THEM!!! THEY ARE GLORIOUS, BRILLIANT, UNDERRATED, AND NO ONE UNDERSTANDS THE FULL EXTENT OF EITHER OF THEIR ABILITIES, LOVE, OR DEPTH OF EMOTIONS.

THEIR RELATIONSHIP IS ON A DIFFERENT LEVEL.

Take the Ric Grayson arc for another example.

Background context: Dick-Ric-was sleeping on the counter and all of a sudden he was startled out of a nightmare thus accidentally ending up bumping into the guy next to him who was drinking. Of course the guy doesn't mind only because it's Dick but anyways, here Alfred makes his entrance. Another thing I love about about this interaction is this is one of the few times Alfred has ever admitted to being in the military. The only other time I can think of him openly saying that is when he's slapping Bruce around.

The worry in the man's eyes for his wayward son...when Bea is snarking with Dick about his tab Alfred decides to pay for him instead.

LOOK AT HIS EYES AS HE SAYS GOOD NIGHT! THE AMOUNT OF EMOTION HE HAS IN THEM IS PURE PERFECTION. THE MAN JUST WANTS HIS SON TO COME BACK.

Not to mention, Alfred adores Dick in a way he didn't even with Bruce.

"For a long time I would dread coming down to this dark hellhole. But the advent of young Grayson has forced an alteration in my attitude. The masters have made much progress in these few short months. I was opposed initially to the recruitment of the lad in Master Bruce's self-appointed 'War on Crime.' But I am prepared to admit my error. Master Richard has mad a difference for the better to our lives."

This is HUGE. Coming from Alfred, this is massive because Alfred LOATHES Bruce's "War on Crime." How much?

So much that he slapped Bruce bloody for it.

The pseudo-father and son beat each other to pieces over it. So after years of Alfred hating Bruce for what he's done, for him to say he only accepts it because of Dick-because of Dick's personality-is enormous praise and accomplishment.

Alfred loves Dick in a way he doesn't love anyone else. And before I get flamed by people for suggesting Alfred loves Dick more than Bruce, I want to say he loves Dick as much as Bruce but in a different manner. He doesn't see Dick as a grandchild who needs to be coddled and softened, he sees Dick as a son he can spoil and cherish.

Him paying off the tab was not only an act of kindness, but it mimicks the way a rich father gives everything to his youngest son. Bruce was the first born he raised but Dick was the baby of their family. This also ties in with how Bruce doesn't see Dick as just him son like he does with the others. To Bruce, they are just as much brothers as anything else.

When Bruce fires Dick from Robin after two-face, Alfred couldn't take it lightly. Dick wasn't just the light of Bruce's life, he was the fucking sun to Alfred's.

I started crying when I read this because the emotions and the pain he's feeling is so visceral. A man who has been MI5 and SAS (Special Airforce Service), who has fought wars, who has fought his son, lost his best friends, is breaking down alone at the top of the stairs over not having Dick as Robin.

You might think that's not all that sad. Worse things have happened. You're overreacting.

Tears are literally streaming down my face as I'm writing this review. Rudolph nose and ugly bloodstained eyes complete with it.

Can you ever imagine loving someone so much?

Crying in silence with a steady voice to never let them know your sorrow?

But sure, sure, he's cried when others were killed like this so I'll go into other special things.

Some of his best moments are with Dick:

The pure adoration in his eyes as he watches his young son go 'flap' 'flap' 'flap' with his older brother's too big cloathes.

He's laughing! Do you know the only times he laughs or grins like that?

That's right-with Bruce! With his other son.

With Dick, he laughs, gets angry, and actually shows interest in things not related to people's health. Dick humanizes Alfred.

Who is the only other person Alfred has gotten mad at? Oh yeah. Bruce.

There's another panel where Alfred just sits by his bedside holding his hand.

It's the little things that matter is a lie. When it comes to Dick, Alfred does things in fighter jet air shows level of affection which he learned just for this during his SAS days.

Their shared interests & mutual understanding

People always think Dick and Alfred have nothing in common between them. Dick is excitable, bouncy, and some other adjective while Alfred is calming, stoic, and butler-y. They actually forget that Dick and Alfred canonically bond of plays. Dick, as I said before, is a massive theater nerd. He loves plays. He really wanted to see that shakespeare play and Alfred said he would take him because he knows people there and then went on to complain about how his brother didn't even drop by to see him. I love their interactions because Dick brings out a different side to Alfred.

Das Rheingold was a German musical drama that was performed as a single opera at the National Theatre Munich. This is the link if you're interested in reading a short synopsis of this complicated play by the Metropolitan Opera. It's like a mix of "The Lord of the Rings" and "The Rings of Power."

Also the fact that Alfred is tying his tie like a father would tie his son's.

I know they make a crack out of it by using Bugs Bunny (Bugs Bunny is a fantastic cartoon! I grew up on it!) but Alfred knows that Dick loves opera and theater and is only asking if this particular play will suit his interests. Okay, great, we know Dick likes theater. You've said that and posted about it before. But how do we know Alfred likes it too and not just because he's British and posh and whatnot?

He has preformed at the London Theater, and this is another way he connects to Dick emotionally. When Dick complains about being Batman, Alfred is the one that tells him:

This is something Alfred understands about Dick that absolutely no one in the family does.

The two of them are show people. They know how to play the role they were given, and they know how to play it well. No one suspects Alfred the Butler of ruthlessly using firearms and no one suspects Dick the Light of the Universe to ruthlessly to manipulate allies.

Dick knows this about Alfred too and never presses for any answers. When Alfred's pulling out a bullet from Dick and performing high level medical techniques he should know nothing about, Dick asks him, "Where did you learn all this, Alfred." To which Alfred responds, "You would be amazed at what you can pick up by watching the Discovery Channel." Dick just gives a pained laugh retorts about his wonderful bedside manners.

They know.

What Alfred sees in Dick is a pure goodness that can't be emulated. He loves his son for how absolutely good he is and is devastated when Dick can't be with him. Of everyone, Dick is the one Alfred is closest to. Other members have their moments with him but no one continually seeks out his presence just for the fact they like him aside from Dick. The rest treat him as an important side character, not a parent. And Alfred responds to that devotion with overwhelming love of his own.

Alfred and Bruce's optimism comes bundled up in the form of Dick. It's stunning how it's always Alfred of all people who admits this. Alfred who isn't supposed to show favoritism or bias is the one that consistently acknowledges how important Dick is to the family and him. This solidifies the fact that Dick is Alfred's favorite.

Other moments that differentiate Dick and Alfred's relationship:

We're pretty familiar with this and many of us have laughed it off when Alfred scolded Dick (also Dick looks hot af here). But can you imagine even anyone else playfully mocking Alfred? THIS. BOY. IS. SPECIAL. Alfred doesn't even blink twice at the address, indicating how typical it is for Dick to act that way with him. You only do that to people you're best friends with.

Casual comfort, the two of them.

Dick and Bruce were brothers and how that ties into Alfred:

Adding to my "Light of Bruce's life" Robin Dick canon, Alfred told Dick that Bruce "would have self-distructed if he hadn't met me and learned responsibility. I made him laugh, and he was like the greatest big brother you could ever imagine...it was our town."

Bruce and Dick are so damn codependent.

Bruce would not have survived without Dick. That's all there is to it.

Robin Dick was the light shining through rain clouds, the glitter in the air, the angel with golden wings, the giggling sweetheart to Alfred and Bruce. He was sunshine, love, and joy and the men both adored, thrived, and cherished him for it.

And if Dick and Bruce were brothers then Alfred was Dick's father and he was Alfred's son.

#dick grayson #nightwing #alfred pennyworth #bruce wayne #batman #batfamily #canon #cl anon asks #Thank you so much for the ask! I had a ball writing it <3 #cl asks #thanks for the ask!

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