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#but I think the point comes across
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it could be that I’m just missing the subsection of the fandom that likes to play around with this concept, but I’m a little surprised I haven’t seen more people pulling at Vash’s fear and confusion at his own body and its transformations for angst material
it’s really unique to me, in the way that usually body angst and physical changing is accompanied by self-hatred of the body itself - but Vash doesn’t actually hate his body. He doesn’t hate that he’s a Plant. His self-hatred comes from the actions he is forced or stressed into performing when he no longer has any control over himself; when control is wrest away from him, often violently - and this is all signified by physical changes in his body; literally being shaped into a gun to be fired
and here’s the thing. Wolfwood is so special to me because he has to learn who Vash is and remind himself several times of his character in the face of his fear and of being in the presence of a being incomprehensibly more powerful than him. but Vash is scared too.
he didn’t understand what was happening to him in July. his own plantness is just as much a mystery to him as it is to most humans. he had no guide. he has no mother.
vash and wolfwood spend much of their journey in mutual fear - wolfwood for having no control, and vash for having already seen the consequences of losing it. because it really is about control in the end - and the way that Vash constantly has his stripped from him, the way that his scars (which he doesn’t hate either btw!) are the only proof he had for the longest time that his choices were his own, the way Vash cannot confront his brother for as long as his own body is the linchpin of Knives’ control over him.
and that’s why it’s significant that Vash’s triumph over his body was not an overcoming of self-hatred for being a plant (this was never an issue), but actually his ability to take control over his own transformation - to assert himself with a goal much stronger than resisting another’s influence, or preserving the memory of the dead - that Vash and Wolfwood overcome their mutual fear in volume 8 in order to save each other is the pinnacle of their shared development before the end, and there is so much more I could say to elaborate on this godDAMN
But yeah. The way Vash’s body transformations are a mystery to himself and symbolic of his lack of control is absolutely one of my favourite things about this manga
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horsegirlhob · 1 year
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Elody 🤝 Caramalinda
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uncanny-tranny · 11 months
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It's always, like, mildly annoying when people see a het trans couple and go "all that work just to be straight?" like... one, you don't know if they're straight and two, trans people don't owe you a queer sexuality to "make up" for the fact we're trans. Transhet people aren't a subtype of trans people, they're members of the trans community, and the queer one if they so desire!
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loserifer · 13 days
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i survived another week under capitalism's thumb. w me. anyway, here's some Tension >:)
Page 5/?
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reblogs are appreciated!!! 🕺🕺🕺
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buggachat · 10 months
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the FUNNIEST thing by far about the miraculous movie is that, despite spending a lot of its time/songs on the premise of "no, marinette! believe in yourself! you CAN do it! you SHOULD be ladybug! you should acknowledge the power you have!" etc etc, the resolution of the conflict of the movie actually only hinges on "Chat Noir Loses". Like, as long as Chat Noir loses, Hawkmoth gives up doing evil things and sees the error of his ways. This is how the movie is resolved. Ladybug, as Chat Noir's partner who helps Chat Noir to Not Lose, actively pushes back the resolution of the movie. If Ladybug never showed up and Chat Noir was left to fight Gargoyle alone, he probably would've lost, and then Hawkmoth would've seen his identity and stopped what he was doing, and the entire movie could've been resolved in only one akuma and with less destruction of Paris. Every akuma battle thereafter only exists because Ladybug showed up to the last, and all of them leave destruction in their wake because she doesn't even cast miraculous ladybug on any battle except the final one. Ladybug's presence in the movie actually actively harms Paris. Even in the final scene, Marinette is battered and beaten and detransformed on the ground, and Tikki encourages her "come on, Marinette! you can stall the resolution just a little bit longer!" and then Marinette tackles Chat Noir away from Hawkmoth in a scene I literally forgot happened until my rewatch because it doesn't impact the story at all beyond stalling the resolution another 10 seconds. Marinette was right and should've just stayed home, actually. In this essay I will,
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i think tim is high maintenance the way a boarder collie or austrialian shepherd is. like you have to make sure they're not only given space to expend energy but you have to specifically let them get the herding instinct out and challenge them intellectually or they start destroying ur home
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killlerfang1 · 11 months
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There are very few times i say this but I hope to GOD that they delay Beyond the Spider-Verse by a SIGNIFICANT margin because this shit is not okay. I adore the Spider-Verse movies to bits but the workers and the conditions they have to go through is infinitely more important. I hope the movie gets all the time and money it needs because if not I am VERY worried about how the movie and workers will turn out in the end.
(vulture article shown in tweets)
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cosmossystem · 10 days
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can pro-endo and/or pro-ship blogs interact with this post or follow us or send asks or something? weve been dealing with right-wingers & medicalists in our notes for like a week now and its been a bad time. and also we wanna make more mutuals on this blog <3
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chirpsythismorning · 28 days
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The Vanishing of BLANK Wheeler
I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.
But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.
For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.
Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.
In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.
I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.
But for the sake of this post, lets humor the title for episode 2.
For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.
5. Ted Wheeler
Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.
There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.
TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.
Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.
And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?
Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.
Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.
So yeah, I really don't see it happening.
4. Nancy Wheeler
I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.
The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.
So yeah, not feeling like Nancy is very likely.
3. Karen Wheeler
Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.
I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...
At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.
2. Holly Wheeler
It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.
I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.
There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.
Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.
Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.
And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.
Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.
I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.
Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?
Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.
What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.
It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.
The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?
Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.
And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.
So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...
But there is one Wheeler left, and boy oh boy would he benefit from being alone.
1. Mike Wheeler
The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.
The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.
And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.
If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.
Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.
Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).
But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.
Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...
I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:
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Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.
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Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!
And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.
But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.
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5:02... 5x02!!!!
Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...
And to close off this point, lets show the shot that follows directly after this one.
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Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.
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If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.
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Mike peeking in the frame at this moment is not suspicious at all...
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If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.
The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.
Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.
And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.
Mike hasn't really unpacked...
Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.
Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2
Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?
An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.
The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.
The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...
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We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.
This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.
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We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?
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It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.
Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.
In the Puzzle Tales' most recent Hellfire Campaign, this is the title...
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Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.
And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.
The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.
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And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.
At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.
I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.
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canisalbus · 5 months
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This is a weird ask that kind of relates to the headcanon of Vasco being a blood donor.
What's is Vasco's and Machete's blood type?
Maybe they like hook eachother up and die if they have incompatible blood types.
That's the way to go. Kinda romantic?
(A reference to a show that I hope someone here gets-)
This has no bearing whatsoever and I'm picking these based on nothing.
It would be ironic if Machete was O-, which is the universal donor type. It can be given to anyone without adverse effects, which makes it very useful in cases of trauma and emergency when the receiver's blood type is unknown. But he wouldn't be able to donate because of his chronic anemia and low weight. Type O- can only receive O- blood.
I'm tempted to give Vasco O+. Over 80% of human population is compatible with it so it's always in high demand, and I like to think as a regular donor his blood would have extremely high chances of being put to good use this way. Type O+ can receive O+ and O- blood.
Neither of them are that uncommon, and it would be kind of funny if they had the same group by chance but were only halfway compatible.
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rbtlvr · 1 month
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'Is this like an Alice in Wonderland thing?' Leo called out, paddling towards Sensei and trying not to swallow water as he moved. 'Did you cry all these tears?' 'The mindscape does love a good metaphor.' Sensei called back, and he sounded fucking wrecked.
old dead bones that don't get theirs (death wish sidefic by @remedyturtles) was written to kill me, specifically, personally, actually. i still think about it Constantly
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robynrocksforbrains · 9 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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martineisling · 7 months
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I’ve been wanting to draw these guys together for the past 3 years
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diezmil10000 · 23 days
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man i wish i could mute notifications from specific posts here on tumblr. my dunmeshi fanarts are literally eating up my notifications tab and it's impossible to see if people have left nice notes on other posts, which was genuinely the best thing about this app. on top of that, since the anime is basically mainstream, it's also impossible to read notes from people who are insane about it and which i would want to read if i wasn't fed up.
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kingofmyborrowedheart · 3 months
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mosspapi · 9 months
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There's like a 90% chance this will not make sense to anyone else but let me indulge in a little autistic crackposting abt Fall Out Boy for a second
I genuinely love the use of violins/classical instruments in Folie and the way it contrasts with their use in SMFS. Like in Folie, their inclusion gives it a sense of discordance, almost desperation. "I am ripping everything apart and trying everything in my power to get through to you, to get my head above water, to scream for help. This is so far out of left field but I don't feel like I have any other options left." But in SMFS, they almost feel like they're doing the exact opposite. "I am staring down at the pieces of the mess I've made and gingerly sewing it back together. I'm trying to soothe the chaos and rawness and show you that even when things seem so far gone, they can always be reeled in and thrown a life raft." It's just. Idk. Something about the musical similarities being used to create polar opposite emotional states gets me. "I was not ok, and expressing that in the only way I knew how, but I can take that and put myself back together again in the same way I tore myself apart."
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