#but I adore the possibilities of character development

[mammons-hubby]

Hiiii :3 can I request platonic headcanons of the brothers with MC who is a child/preteen? You pick which age you're more confident writing, but like in this 8-12 yrs range if possible, thank youuu🩷

I wasn't sure if to make the Mc be cursed or the Mc being chosen for the program while still being a child. I chose the later, hope you enjoy!

The little Mc! :

When the one stepping out of the portal was a 10 year old, he almost passed out.

Lucifer

This wasn't in the papers, at ALL. There is just no way this could've possibly happen, maybe a child stepped into the portal by accident?

But no, once the kid was questioned it was obvious they were the exchange student they were expecting.

Internal panic.

This kid can't go to the basically highschool for demons, and there are no schools in the Devildom.

He has a really stern talk with the brothers so they behave in front of them.

Depending on your behavior he may start to get more grey hairs or take a big liking to you.

In the end he ends up really attached to you.

Pampers you, and denies he does it.

"What?! I gotta take care of a kid?!"

Mammon

New babysitter for Mc. He at first dislikes it a ton, but he has a soft spot for kids so he doesn't take it on you, but you notice he is kinda mad.

Very overprotective. Not at first but with just a couple of days he really starts to like you and can't leave your side.

Will bother you to get a reaction, if you start crying he may even give you some Grimm.

Teaches you how to gamble and gets strung to the ceiling.

Gives you piggybacks.

He may involve you in money schemes at first but never putting you in any actual real harm.

Great. A little kid with sticky fingers.

Leviathan

He doesn't want you anywhere near his room at first, afraid that you will break his precious figurines or destroy his Manga collection.

He still forces you to watch Anime, but in the living room with him. Once you get a liking to it he even dresses you up as his favorite characters.

Once he realizes you won't purposefully break anything of his, he invites you to his room.

You are mesmerized by the pretty lights, the bathtub and the giant aquarium, you say hi to Henry and he melts.

He sees you looking everywhere with awe, and he feels very proud of himself.

From then, you start to play games in his room and carefully read his Mangas.

Lets you play with his tail in his demon form. He finds it kinda funny but gets grossed out when you put it in your mouth and cover it up with saliva. Eugh.

He is kind of curious about you and how you ended up in the Devildom, for Lucifer to make such an oversight is clearly extremely bizarre, almost imposible.

Satan

You kinda look at him with your big baby eyes and he looks back at you, until one of you stops staring and go back to their normal routine.

He is chosen by Lucifer to be your personal teacher. He complains but knows he has to do it.

He will try and teach you things to bother Lucifer, succeeding in some and failing in others.

But he also takes a lot of effort to learn about human culture and teach you the right things and needed things for your mental development.

Will read for you to fall asleep. Devildom fairy stories and others, you seem to like grim stuff too but he reads this stuff to you very rarely. Doesn't want you to be negatively affected.

Buys you a cat onesie and takes lots of pics. Super adorable.

He finds you extremely adorable and amusing, like a little pet.

Asmodeous

He will dress you up in the prettiests of clothings, with the most expensive perfume and hair decorations.

You seem upset and he doesn't understand at first. You explain you don't like being treated like a doll for his amusement.

He thought he was doing everything right?

He thinks about it hard and realizes that maybe being treated like a thing rather than a person must've hurt you.

He apologizes to you and offers to take you to eat something yummy.

He tries and know more about your likes and dislikes. About the shows you like, your favorite colors, the type of clothing you like.

He takes you to buy some pretty clothes of your choosing, and even gets you a cute haircut.

You feel better when you can also express yourself. But from time to time you let him dress you as he wishes, you even match clothings sometime.

Okay so at first a bit dangerous to be near him, considering he sees you as small and chubby and feels the urge to put you in his mouth.

Beelzebub

Once he controls the urges, he is very sweet and caring.

Kinda blunt when he talks, but not clueless. He is not dumb so he knows that he shouldn't say certain things, but considering he is quite honest he lets slip some stuff, but inmediatly notices and fixes it.

Will share his food with you and sit you on his lap while you eat, sorry if you get slobber on your head.

Will make sure you get proper exercise so you grow strong.

Will also take you on piggyback rides wherever you'd like.

Considering he has a younger brother, he grows attached to you very quickly and would give his life for you, and take others.

Belphegor

It depends. If this is an universe where Belphegor doesn't have a vendetta against humans, he may not care too much at first, but then begins to like you.

He would take naps with you, and help you draw and color stuff.

He is the youngest brother, so he may teach you how to get away with being a brat, much to Lucifer's dismay.

Now. If it's the og timeline Belphie?

Things are difficult. He will still try and trick you into doing the pacts with his brothers. And you're a child, so you'd probably believe him.

He does feel more guilty about wanting to kill you, but in the end commits regardless.

It's up to you to forgive him or not. He did kill a child after all.

The brothers are all shocked at him, and disgusted.

It takes a while before things settle down after discovering you're Lilith's descendant.

They're very wary of leaving you with him in a room, in case he tries to hurt you.

But Belphegor feels extremely guilty. It eats him alive, he can't believe that his rage for humanity would make him kill a literal kid.

He tries to make it up to you by being present in your life. Helping you get ready on your day to day life. Taking you places you need to go, pampering you.

It's still up to you if you'll ever forgive him. Perhaps you do, but you'll never forget it.

You can still have a nice relationship with him though, it's not the end of the world. And your life is just beginning.

#obey me #obey me headcanons #obey me imagines #obey me beelzebub #obey me belphegor #obey me leviathan #obey me lucifer #obey me mammon #obey me nightbringer #obey me satan #Obey me asmodeous #Obey me shall we date #Omswd

[thecartoonrambler]

Why Wander is such an important character

Very long post below!

Ill be rambling about Wander over Yonder, specifically, WANDER!!

The show in itself is already amazing, the episodes are short and fun, each character is oozing with personality and fun interactions and there are always ways in which it is all connected. Further on the animation of the show and overall look is absolutely adorable!

For me personally, Wander is simply such an important character and not for few reasons.

I love that Wander's silly happy go lucky personality is so addictive. He's a happy person, who gets happy by helping others in need, even to points where he gets himself in trouble (every episode LOL) But regardless i think they are such an important character traits to have (Happiness, altruism, Optimism).

In today's depressing and violent world, where everyone just fights with each other, a character like Wander can be a sense of hope or inspiration!

Of course, many main characters have these traits as well, but i think a key difference between Wander and many other optimist protagonists lies in their EXPERIENCE IN LIFE!

These other protags are innocent, naive optimists, because they haven't experienced "the real world" yet. And while it makes sense to have characters like these (as an allegory to growing up), they get really tiring and repetitive really quickly. They also commonly showcase optimism and naivety to go hand in hand. And its why a lot if people commonly believe that "realsim" is inherently "pessimistic" (it isn't btw. Theres good and bad in life, denying theres good, is denying reality)

Its extremely refreshing to have a main character like Wander, actually be hinted at being millennias old, repeatedly converting villains to good throughout the eons, out of a sense of duty (and perhaps also Pacifist revenge for his childhood, where its hinted that his entire planet was destroyed and he was the only survivor.)

not only is this also something that one learns, the more one watches (keeping the viewer intrigued) but the fact that so much about Wander's life and past is a mystery is what makes him a fascinating character. At first glance hes just some helpful guy, and the more you learn about him, the more you more you think "who is this guy?" Not in a negative way, but in a complete curiosity. Is it possible he's as old as the universe himself? If so does he know it? Who is he? What actually happened in his past? How did he live before his hat? Was there a time he wasn't as helpful? What caused him to change? Who is he? But at the same time, the viewer doesn't NEED to know. Theres no stress to, no hurry to uncover a mystery. Its like "mystery but it's actually completely low-key". I like that. (Im the kind to get into conspiracy theories or get crazy over plot holes, so the show managing this is insane)

Traits like these, especially in contrast to their personality being so so happy, child-like, goofy, charitable, it makes for an extremely interesting and fascinating character, that one doesn't commonly see in media! Which is really awesome! Someone that's seen so much horrors, lived through civil wars, yet tries to help a skeleton get together with a butch lesbian??

Its awesome!

Other that just that alone, he's helped me out personally! He in many ways reminds me of myself as a kid, i too was altruistic, always trying to help, struggled to say no, was positive and happy go-lucky and adventurous (well, as all kids i suppose), recently rediscovering the show made me realise how much i missed those personality traits in myself. That i had hidden them away, due to people making fun of me of being "too naive" and "too childish". Eventually Making me not talk to people really, and develop really bad self esteem. Rediscovering this show, and specifically how these "childish" traits can be seen in a very positive charming light, helped me realise that being scared of "coming off wierd", "coming off as toxic positivity" will always be worse than not being positive.... At all.

Ive heard from other people too that this show has helped them through tough times, and allowed them to reconnect with more positive thought patterns. Which is why i think characters like Wander are insanely important for media!!

Too much is too depressing all the time! We can create media (ESPECIALLY ADULT MEDIA) that isnt depressed. Positivity and happiness are not a crime! And im so glad a character like Wander exists to exhibit that!

#wander over yonder #woy wander #wander woy #woy #Woy txt #Wander is literally one of the best characters ever #If ur struggling with ur mental health being too negative and like cartoons give it a try!! #I might make reviews of some of my favourite episode #Or ones i find worthy to ramble about for hours! #Id love to talk about silvia as a masculine female myself too!

[mayashesfly]

There’s so many contrast and differences you can really make with Tiso and Quirrel even with just the few tidbits of canon already and honestly? That’s one of the fun things I like to think about alot. Tiso is such a much more goal-driven and emotionally-driven character compared to Quirrel. That quick to action headedness he has and how he charges into situations is quite admirable. Literally the embodiment of “act first before thinking” energy and I love that about him. Coupled that with his determination and unending drive (sometimes even to a fault) just enhances his character even further. Like, yeah he can definitely be pretty boastful of himself and sometimes even to the point of overestimating himself but that brashness means he actually gets things done. And giving that kind of driven and determined character a sense of morals just adds another layer to his character. The reckless but admirable hero in a sense. They might be rather unorthodox but they get the job done and sometimes even BETTER. At the cost of their safety and health at times but god do I love reckless characters sometimes, especially ones that actually have good reasonings for their idiotic recklessness. Now, compare that quick-to-action attitude to Quirrel’s. He’s far more calm and collected compared to Tiso. Almost to a fault if it wasn’t for his common sense and casual need to help others---IF they need it.

He may be polite. He may be kind. He may be a pacifist. But he doesn’t interfere when he knows very well that the person is capable. (While Vigilante Tiso also share this trait, this is because he actually knows full well and seen it first hand that Ghost can handle himself, and is much more personal and trust based rather than Quirrrel’s logic based reasoning) He accesses the situation first. Think if this bug needs help. If they do, Then that’s when he looks for a good opportunity and opening to attack before acting. Compared to Tiso who would instantly rush in without thinking if this bug actually needs his help or not. Quirrel is driven by the need to help by simple moral obligation. Whilst Tiso on the other hand, always has to help because that’s simply what he thinks he has to do and because that’s something one should always do!! It’s not a moral obligation as much as it is simple decency for him. Now, this isn’t to say Quirrel is a cold-hearted person, it’s far from that. It’s just that, when you help someone you need to ensure that your efforts to help them will actually help them and not endanger or worsen the situation even more for them. Especially if it’s someone you’re not affiliated with nor have a personal obligation to help. Because you don’t know this person, so you don’t exactly know what they want. It’s logical. It’s reasonable. He would help this person, because he needs to. But back off when he needs to as well. Pretty much, if Tiso is hot and reacts quickly, Quirrel is lukewarm and it’ll take some time for him to react quickly. Their temperature is what contributes to them on how fast they’ll react in a situation accordingly. Quirrel isn’t hot, warm, or cold. Just lukewarm.

I can just imagine how the two would react in a situation where a fellow bug would help. Tiso, despite not having accessed the situation and gauged if he’s current skill level is actually capable of warding off attackers. would instantly rush in to save them and protect them if need be. While Quirrel, on the other hand despite his nimbleness, would falter a little for a second before quickly accessing the situation then acting accordingly. I can also definitely see that in the case of a more morally right Tiso, that he might lightly chide Quirrel for even hesitating and second guessing in the first place when someone needed them Right. There. Their different ideologies, reasonings, and ways of thinking can be such a fun thing to think about and how much they would get along and also sometimes misunderstand each other. Both of them are reactive, but Tiso is more active while Quirrel is more passive.

#may asher rambles #hollow knight #quirrel #tiso #If I talk about a more morally right Tiso just assume I'm rambling about Vigilante Tiso lol #I can't help myself Canon Tiso doesn't give me nearly enough to work with and Vigilante Tiso just gets my brain working on overdrive #I may not be good at explaining nor wording my thoughts on Tiso in general as a not emotionally driven person but by GOD IS HE GREAT #His entire personality and character growth and development just drives me insane in the best possible ways #So many content and thoughts to play with #Vigilante Tiso AU My Beloved #I just have an easier time understanding and wording my thought on Quirrel in general because I'm generally a more logic driven person #And I can fucking relate to him so much it's unbelievable #so I just tend to ramble more about him #but that doesn't mean I don't think about Tiso as much as him #just #words man #I fucking love them and adore them #they can agree and disagree so easily and kiss at the end of the day as a treat

[a-nerd-who-likes-cats]

#webtoon quotes #webtoon #luff webtoon #one of my favorites #luff #arechan is possibly my favorite creator #i just adore the stories and how theyre written and the character development and the b plots and its all so wonderful #luff ive reread several times #now im reading their latest comic #senorita cometa #which is absolutely epic as well

[gowns]

Why Kids Aren't Falling in Love With Reading - It's Not Just Screens

A shrinking number of kids are reading widely and voraciously for fun.

The ubiquity and allure of screens surely play a large part in this—most American children have smartphones by the age of 11—as does learning loss during the pandemic. But this isn’t the whole story. A survey just before the pandemic by the National Assessment of Educational Progress showed that the percentages of 9- and 13-year-olds who said they read daily for fun had dropped by double digits since 1984. I recently spoke with educators and librarians about this trend, and they gave many explanations, but one of the most compelling—and depressing—is rooted in how our education system teaches kids to relate to books.

What I remember most about reading in childhood was falling in love with characters and stories; I adored Judy Blume’s Margaret and Beverly Cleary’s Ralph S. Mouse. In New York, where I was in public elementary school in the early ’80s, we did have state assessments that tested reading level and comprehension, but the focus was on reading as many books as possible and engaging emotionally with them as a way to develop the requisite skills. Now the focus on reading analytically seems to be squashing that organic enjoyment. Critical reading is an important skill, especially for a generation bombarded with information, much of it unreliable or deceptive. But this hyperfocus on analysis comes at a steep price: The love of books and storytelling is being lost.

This disregard for story starts as early as elementary school. Take this requirement from the third-grade English-language-arts Common Core standard, used widely across the U.S.: “Determine the meaning of words and phrases as they are used in a text, distinguishing literal from nonliteral language.” There is a fun, easy way to introduce this concept: reading Peggy Parish’s classic, Amelia Bedelia, in which the eponymous maid follows commands such as “Draw the drapes when the sun comes in” by drawing a picture of the curtains. But here’s how one educator experienced in writing Common Core–aligned curricula proposes this be taught: First, teachers introduce the concepts of nonliteral and figurative language. Then, kids read a single paragraph from Amelia Bedelia and answer written questions.

For anyone who knows children, this is the opposite of engaging: The best way to present an abstract idea to kids is by hooking them on a story. “Nonliteral language” becomes a whole lot more interesting and comprehensible, especially to an 8-year-old, when they’ve gotten to laugh at Amelia’s antics first. The process of meeting a character and following them through a series of conflicts is the fun part of reading. Jumping into a paragraph in the middle of a book is about as appealing for most kids as cleaning their room.

But as several educators explained to me, the advent of accountability laws and policies, starting with No Child Left Behind in 2001, and accompanying high-stakes assessments based on standards, be they Common Core or similar state alternatives, has put enormous pressure on instructors to teach to these tests at the expense of best practices. Jennifer LaGarde, who has more than 20 years of experience as a public-school teacher and librarian, described how one such practice—the class read-aloud—invariably resulted in kids asking her for comparable titles. But read-alouds are now imperiled by the need to make sure that kids have mastered all the standards that await them in evaluation, an even more daunting task since the start of the pandemic. “There’s a whole generation of kids who associate reading with assessment now,” LaGarde said.

By middle school, not only is there even less time for activities such as class read-alouds, but instruction also continues to center heavily on passage analysis, said LaGarde, who taught that age group. A friend recently told me that her child’s middle-school teacher had introduced To Kill a Mockingbird to the class, explaining that they would read it over a number of months—and might not have time to finish it. “How can they not get to the end of To Kill a Mockingbird?” she wondered. I’m right there with her. You can’t teach kids to love reading if you don’t even prioritize making it to a book’s end. The reward comes from the emotional payoff of the story’s climax; kids miss out on this essential feeling if they don’t reach Atticus Finch’s powerful defense of Tom Robinson in the courtroom or never get to solve the mystery of Boo Radley.

... Young people should experience the intrinsic pleasure of taking a narrative journey, making an emotional connection with a character (including ones different from themselves), and wondering what will happen next—then finding out. This is the spell that reading casts. And, like with any magician’s trick, picking a story apart and learning how it’s done before you have experienced its wonder risks destroying the magic.

-- article by katherine marsh, the atlantic (12 foot link, no paywall)

[ashintheairlikesnow]

Okay so here, I think, is why I think Red, White and Royal Blue succeeds spectacularly as a romcom, and actually to me is a better-than-average take on the genre.

First, the leads have absolutely scorching chemistry. They are incredibly believable as two men absolutely infatuated with each other. They each kiss like drowning men shown water, right down to how each grabs at the other, at hair or back or neck and face.

They each have developed their character having a specific characteristic even when flirting or kissing. Henry grabs Alex's hair, for example, every single time, in a way that makes it clear he spends serious time thinking about that hair.

Fair enough, Henry.

They also do something even goddamn better.

They are friends. They are believable as two people who could actually get along long enough to fall in love.

They are allowed to become FRIENDS.

They are given time to get to know each other before they get physical. You can feel their interest in each other growing. And, to my opinion, you can tell that Henry is feeling Alex out through texts to see if the interest might be reciprocated even though he thinks it can't possibly be.

One thing that kills me about romcoms is how the leads will have witty "sexy" banter but don't seem to actually like each other. They are enemies who fall into bed but aren't really believable as lovers.

Henry and Alex are believable, because they... Well. They're impossibly silly even when tearing at each other's clothes. They have awkward moments.

They laugh.

Alex laughs in bed. He holds Henry in a way that is romantic, openly so. Henry is overcoming the conditioned hesitation and avoidance he has, his smiles and warmth and laughter come with rare vulnerability - Alex is a man who throws himself head first into life and has no such compunctions in the moment. He laughs because this is awesome and Jesus Christ, Prince Henry is too hot to be real.

They like each other, they stumble, they laugh.

But also, another reason this works so well?

The sex scene isn't scorching.

Watching the sex scene felt realistically intimate. It felt like I had walked in one real people and needed to leave. It was intense in a way that felt like something I maybe wasn't meant to see.

It was filmed so well. So much romanticism and deeply felt adoration in a simple grasping of a hand, the look in soft eyes, a hand pressed against a back. The edge of a knee just in frame. Looking up and looking down.

It felt like we walked into their room during and saw them both laid utterly bare.

Henry's look of vulnerability and nerves and pleasure, Alex looking slowly over his face to take it all in. Moving slowly, then, when everything they do before this is hurried or hidden.

It works as a romcom because you believe 100% these two men could get to like each other, fall in love, and stay that way.

You believe Henry's very real terror of rejection from the public because he already knows his family, beyond his sister, will reject him. You believe that Alex is a headstrong idealist who is sure that you can bulldoze through any wall too tall to climb.

And you believe that between the two of them, they can find a way around the wall entirely.

This movie is a master class on how a movie can get you to suspend so much disbelief if the leads sell their characters. The importance of believable chemistry.

And also... Isn't it nice to see a queer love story in a world that is, in some ways, just a few shades better than our own?

P.S. you cannot tell me Stephen Fry did not chew the goddamn scenery in circles all around everyone during his single scene. That man was having a ball.

#red white and royal blue #rwrb movie #rwrb film #rwrb spoilers #red white and royal blue spoilers #Ash's Pointless Film Analysis #nicholas galitzine #taylor perez #romcom #romantic comedy

[sharkorok]

heeseung w/ an inexperienced s/o

cw/genre: this is fluff!!! fluff!!, headcanon format, cursing, fboi au, campus au ig…(?), like one dirty joke or whatnot teeheehoohoo, informal writing, that should be it (I think)

requested: X

a/n: this grown man has me so delulu so take this 😋

•-•-•-•

-u are well known for being notoriously bad at expressing affection or being in relationships

-you can’t do casual relationships this man once said “hey baby” and you were like “so I think we should lowk end things cuz why u calling me bby…kinda weird dawg…”

-UR JUST SO AWKWARDDDD ITS EMBARRASSING (I’ll write ur character development soon dw)

-anyways so you go to a party and you see heeseung who is notorious for being the craziest charmer ever like he could see an acorn on the ground and seduce it

-he strikes up conversation with you to see what the fuss is all about, he saw a person once talk about how ur so hot w a cold heart but he immediately realized you’re just awkward skssksksks

-he realizes he literally fell in love with you the second he tried to flirt and you were just …? while laughing awkwardly

-so after a month of you flitting around his charming gestures, looking down shyly or avoiding eye contact when he tries to rizz u up, he gets the courage to just straight up ask, “do you like me?”

-and when you explain that u don’t rlly know and u don’t really get into relationships he’s like OKKK LETS TRY THEN!! because he’s so madly in lov w you cuz ur so cute to him

-ok so boom dating!

-he purposely pushes your buttons to see just how much you can squirm, watching you stammer when he has you pressed against a wall gives him a power trip he didn’t think anyone could be this adorable

-and also u as a person…he’s so in love (dreamily)

-no one understands your relationship like, “how does y/n survive heeseung they can’t even say the word baby without cringing”

-ur not innocent or anything ur just new to affection and stuff so it freaks u out a little!!

-he always asks about boundaries before hand or makes sure you’re comfortable when you two are hanging out. the first time you two were cuddling he would ask every now and then if you were alright

-“you just make me nervous, hee” “don’t be nervous baby, it’s just me.”

-you didn’t realize how nice it felt to be loved within your comfort zone, and how nice it was to have someone hold your hand when it was pushed a little

-he’s gonna tease u tho sorry “loser virgin s/o and popular fboi boyfriend what wattpad story are we coming from”

-defends you to death if anyone criticizes the way you two date, he’s happy with you and if anyone tries to say otherwise he’s all up for arguing with them in a parking lot (￣▽￣)

-he loves you so so much and he dgaf about how slow he has to take it!!

-he takes you on lots of different dates to see what you like and what you don’t like, slowly initiates PDA to see if you’re okay w it or what freaks you out, he’s okay w taking the lead

-got him proud when you explain yourself tho, it means he’s doing a good job as your boyfriend if you’re comfortable explaining your boundaries and understanding them!! (in the least patronizing way possible)

-one time you two were making out and you put your hands on his chest, looking up at him and shaking your head, “I don’t think I want to continue yet.”

-and like a good boyfriend he is he reassured you he dgaf and that you two can just cuddle on the couch for the rest of the night or he could sit five feet away from you and not speak!!! whatever you say he listens bae

-never pushes you for affection, it pisses him off when people say the relationship is one sided, he doesn’t get insecure about whether or not you love him dw

-you say “I love you” every now and again later in your relationship to reassure him just in case tho, which is always super special to him and makes him fly over the moon *bawls eyes out*

-I did not mean for this to be this long ok anyways he’s yours and he knows it and your his and he knows that too <3

#enhypen x reader #enhypen scenarios #enhypen reactions #enhypen drabbles #enhypen headcanons #enhypen fluff #enhypen imagines #lee heeseung x reader #lee heeseung fluff #lee heeseung imagines

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags??? #new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine) #anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...??? #eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it? #and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

[loupy-mongoose]

So, I made some impulse purchases recently, including this lovely little gal.

Hai Luna~

When I ordered her, it started a bit of a Gardevoir kick in me. So I went and did some brainstorming about Jamie's Gardie pal, Clover.

This did get very long, but there's a lot of art that I really like! :3 Plus I borrowed a certain someone from @mewtwoandme~

Growing up I always drew the green headpiece as a bony structure with maybe green skin on it, like deer antlers. (Except it doesn't shed lol)

But in my efforts to redecide what it actually is to me, I went to Bulbapedia, and that called it hair. So I tried out hair as well, and I kinda like that better...

I love my deranged Gardie. :>

(Leaning into "Mischievous Fairy/Pixie" energy)

I wanted to draw some Gwen (M&M's Gardevoir), as her and Clover's characters are different in a lot of ways, and I thought it would be fun to draw them together. Turns out Gwen dwarfs my girls, and I adore that in every way. XD

I also came to realize that Jamie would admire Gwen--She doesn't wish change on Clover in the slightest, but she does like the grace that more conventional Gardevoirs possess. Plus she'd be astounded by her sheer size.

For the fun of it, I tried drawing them both in each of our styles. (Or more like "Features" than "style")

I did not like drawing Gardevoir in her style. All the respect and love to M&M, but it felt SO wrong to me personally. XD

Annnnd... I kinda accidentally thought of a different way to take their designs...

And then I tried to figure out the logistics of giving Gardvoir a tail. I kinda like the idea of there being one that blends into the Skirt, splitting and running down the length of the skirt ends.

A little character lore; Clover removed her skirt on purpose.

Growing up, I always had in mind that the skirt was skin, maybe acting as thermoregulation, or something like that. I don't think I ever decided whether they can feel through their skirts or not, but if I want it to be more angsty, then yes, they can feel.

Warning for general and self-inflicted injury in this paragraph. As a kid I figured Clover cut it off to prevent it from getting caught or grabbed. But now, with the developing idea of there being a tail involved, I got another idea with even more angst. I'm thinking possibly Clover had a tail bone broken, and maybe it healed wrong, causing her pain so she ripped off the whole skirt.

Okay, injury warning is over.

And now a little silly that's not exactly canon, but close enough. XD

Y'all can thank @puzzled-zebra for this, as she brought up the idea during a chat. It was too good to pass up. XD

And now I wish to finish with a nostalgia ramble, because Clover is very precious to me, along with Jamie.

I started a playthrough of Soul Silver many, many years ago--even before the playthrough that would become Jamie's trainer journey over ten years ago. It was a solo run, with a Ralts egg sent in to be my only companion. (I kept the rules soft, though, as I remember needing help from other Pokemon to beat Bugsy. XD) My memories of that playthough are faded, but I remember that Clover alone beat the Champion at level 64-65. Sometime within the next few years, she was my first ever Pokemon to reach level 100 without the use of Rare Candy or experience cheats. That playthough and whatever happened in it has no bearing on Clover's story, but it's what gave birth to her as a character, and I hold that very dear.

Her nature is "Hardy, Likes to Fight", and I'm really proud of little me for taking that in the direction she took it. XD

Anyway, that's my super long love-dump of my beloved gremlin fairy. Thanks to everyone who made it all the way, I know it got pretty long. ^^

#Art #branch #doodle dump #Everything I touch gets floof and a nose apparently. XD

[reallyromealone]

That's not a pet! That's a possible boyfriend!

Malleus x male reader

Fluff

Sorry if I didn't get his personality perfect, I'm not used to writing his character

🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇🐇

Goodness it felt great to soak in the sunlight, (name) thought as he stretched in bunny form in the school gardens, a place off to the side where many didn't go thus perfect for (name) to relax in.

Or so he thought.

He was almost passing out under the warm sunlight when a hand gently pet down his back "a bunny here? How peculiar" the voice of none other than Mallues spoke out and (name) was to shocked to say the least as the horned young man sat down and began petting him "there's not many rabbits where I live one so please don't mind me petting you" (name) hasn't heard him be this gentle and soft in tone, usually his tone was more... Well Malleus!

(Name) couldn't help but relax under the gentle pets and scratches, leaning into the touch but ssdly this meant the Fae prince thought it would be ok to lift the little bunny in his arms and begin walking off, still petting him.

(Name) thought he was just petting him! Then he could go about his day and pretend that his crush didn't just pet him! Oh gosh he should transform! Why isn't he transforming!

(Name) wanted to die oh gosh!

People stared as Malleus walked past, the rather intimidating black haired prince was holding an adorable and absolutely petrified looking bunny who didn't know what to do. It was comical really but (name) was having a small melt down.

"What...what do you have there young master" Lilia was more than amused as he watched his ward carry a tiny rabbit that looked awfully familiar... Wait.

"I found him, I wish to keep him"

"I don't believe you can keep him sadly" Lilia said almost giggling at this and malleus looked confused "he sits behind you in potions, the poor thing looks petrified" he snickered and walked to the bunny and took him gently before placing him on the dorm grounds and before there eyes was (name) looking more than flustered, pulling his ears infront of his face but the slight wiggle of his tail said otherwise as he refused to meet /anyone's/ gaze "I-I should be going... I-uh... Yeah" (name) just wanted die right there as he quickly darted out and bolted to his dorm.

His room was turned into a burrow, blankets and pillows thrown around into a wonderful safe place for him to sleep, do homework and at moments like this? Panic.

"I let my crush carry me around like a plush toy, I let him pet me! Why didn't I stop him?! Oh god he probably thinks I'm so weird and won't even want to look at me oh god!"

(Name) downright avoided malleus, embarrassed and humiliated and just wanted to wallow in sadness but fate or better yet professor Crewel had better plans.

(Name) sat awkwardly in the library with malleus, unable to say a word as he stared at his portion of the project "you have soft ears" Malleus said passively and (name) froze before responding"t-thank you, you pet good" oh god kill him please oh god.

"Do you fear me?" Malleus asked bluntly to the flustered man who looked at him so fast he almost got whiplash "why would you think I fear you?"

"You don't look at me"

"Well... You already pet me so no need for ruining anything" (name) took a deep breath before speaking again "I like you, like in a romantic way and I know you probably think I'm weird or don't wa--""I don't think your weird" Malleus cut the rabbit off and looked at him "I have developed romantic feelings for you as well"

(Name) was practically vibrating with joy "oh this is wonderful! I promise to be a good boyfriend!" (Name) says happily and Malleus felt his heart grow warm "I return the promise, could I pet your ears again?"

#twisted wonderland x male reader #twisted wonderland x reader #twisted wonderland #anime x male reader #anime x reader #malleus draconia #twst malleus #malleus x reader #malleus x male reader

[raggedytiger]

how do you draw so.. raggedy ann..

aargh such high praise!! this ones especially for you!

for real thank you so much :D a few people have said this, esp since i've drawn ragatha. and to be honest i am pleased as punch. i've been watching that 1977 movie on repeat it's so beautiful.

if you wanted an actual answer, i don't know if i'm bright enough to be able to explain it, but i think its mainly a mix of medium and the way i draw fabric!

the raggedy ann & andy movie is traditional hand-drawn animation, ann herself being primarily animated by the one and only Tissa David. most of my character art is scanned in from pencil on paper and edited for higher contrast. this might be why, since that gives it a slightly sketchier finish, which raggedy ann definitely has (in comparison to like, recent ghibli movies).

as for fabric, i really like drawing fabric. it's so fun to make ragatha as soft and stitched and pillowy-looking as possible, especially compared to a kind of rubbery, stretchy-toy pomni. in my head, ragatha hugs pretty much replicate the feeling of being cosed up in bed.

earlier today me and a friend were at college on a bear-hunt online for this spread, which he found, and which is so fun and informative:

note the unironed dress, baggy shoulders, and hands like mittens a size too big! literally adorable.

i want to get my hands on the book that this came from because hoo boy there are some beautiful drawings from it i've seen dotted around niche animation blogs and forums.

anyway thank u so so much and if you were looking for an attempt at answering your question then i hope u have it ^_^ if not then anyone can feel free to ask/recommend/show me stuff about illustration & animation bc it is my study and i love to talk about it! if anyone wants the few other development pages of the raggedy ann & andy movie that i've managed to scoop together then do ask!! (& if anyone has links to more then u know what to do o_<)

#thank u for the ask :-) #sorry for the long reply D-: #raggedy ann #art #ragatha #pomni #tadc #the amazing digital circus #ask #buttonblossom #my art #tadc fanart #raggedy ann & andy: a musical adventure

[yurimother]

'I'm in Love with the Villainess' Anime - Episode 1 Review

An astounding and hilarious first outing for the series with the power to revolutionize Yuri

We are finally here, the long-awaited and much anticipated first episode of Platinum Vision’s I’m in Love with the Villainess anime aired on Tokyo MX and is streaming everywhere outside of Asia with a plethora of dubbing options, including English, on day one on Crunchyroll.

The first outing covers most of the events of the light novel’s first chapter, or the first three chapters of the manga, at a rapid but steady and not overwhelming pace. At this rate, the anime should be able to cover much of the series’ first arc, or the first two out of five books, in a single cour. Perhaps a bit less, depending on which of the story’s various adventures it elects to include. This is an exciting possibility, to be sure, as the story is a character-driven, socially mindful, and expertly written and, despite its fantasy setting, an exceptionally relevant tale of romance, socio-economic inequality, and of course, queerness.

While the first arc of Villainess is a triumph, it would be a shame not to see at least some of the developments from the extra chapters that lead into the second story, like (spoilers for the end of volume 2) Rae and Claire’s wedding and their adopted twin daughters May and Aleah. If we are lucky, perhaps they will appear in the final episode or, dare to dream, a second season (end of spoilers).

Now, onto the show itself. For those who, for whatever reason, have not read Inori’s masterpiece, I’m in Love with the Villainess follows Rae Taylor. A salary worker who dies and is reincarnated as the protagonist of her favorite otome game, Revolution. However, Rae has no interest in any of the game world’s three eligible royal bachelors and has eyes only for the game villainess Claire François. Armed with exceptionally magical ability, Rae sets out determined to secure a happy ending for her beloved Claire against the coming revolution and perhaps win her heart in the process.

Now, the opening of I’m in Love with the Villainess is the series' weakest moment in all mediums, which, considering episode one’s outstanding quality, only highlights just how superb the Yuri masterpiece is as a whole. Even with its need to establish the setting, characters, and premise of the series, the premiere managed to be an excellent introduction and set the bar high with lots of laughs, entertainment, and service between our two leads.

I watched the Japanese audio, and Yu Serizawa and Karin Nanami are fantastic in these roles, with Serizawa playing up Rae’s teasing adoration and borderline masochism at full blast, and Nanami explicitly giving voice to Claire’s arrogance and frustration. She even manages to deliver a perfect Ojou-style laugh to seal the character’s elite status and lean into the show’s use of otome tropes. And having the leads sing the excellent opening and ending themes is just icing on the cake.

Speaking of tropes, while Ironi’s original work is a genre-defying masterpiece that broke the Yuri mold, it is never afraid to play with the genre’s iconography and its otome game setting. Every other scene had another allusion, including to the book’s cover. As always, I am likely overeager to see connections, however intentional they may be, but the academy’s halls harken to otome staples, the bells and strings of the first scene's soundtrack conjured blistering memories of Strawberry Panic (perhaps a sacrilegious comparison to make but I digress), and even an areal shot of the campus was another check mark on my “Scenic Yuri” theory.

Now, as mentioned, I’m in Love with the Villainess has to establish the groundwork here, and narratively, these are the weakest moments, often direct exposition, with a few exceptions like Rae’s conversation with her roommate Mash about maintaining Claire’s attention. The narration is at least accompanied by relevant and creative, if perhaps limited, animation. But to their credit, these moments are succinct, existing only as long as they have to in order to provide the necessary information and get out of the way for what matters most: the characters.

Rae and Claire are front and center from the very get-go, and there is little time wasted in showcasing Rae’s intense bottom energy or establishing Claire’s elitism and bewildered anger towards Rae’s excitement in the face of Claire’s carefully calculated cruelty. It is a montage of silly and fun competitions between the two that had me laughing and smiling all the way through, as the Yuri was present in full force, and gives glimpses at the mutual obsession the women have for each other that will soon blossom into a wonderful romance.

These early story beats have a light tone and focus on the bullying, teasing, and rivalry between Rae and Claire, a dynamic that previously and understandably made a subset of readers somewhat uncomfortable. However, assuming the anime unfolds in a similar manner to the manga and light novels, the narrative will explore meatier, heavier subject matter and a far deeper lesbian romance, all without losing its sense of fun and adventure. The next episode or two will be incredibly telling - as the source material is perhaps the most profound and forthright depictions of LGBTQ identity in Yuri, and that all starts with a pivotal conversation that, if it is included, will be coming up shortly.

Overall, I am incredibly excited for this series. The first episode is everything I had hoped for out of an adaptation of one of my favorite works of all time, save the animation, which is average at best. While there is a lot more to see, and we will have to wait to know if I’m in Love with the Villainess lives up to its incredible potential and source material, I am extremely hopeful. We have one of the funniest, most thoughtful, and queerest works of Yuri transformed into a stunning anime project unlike anything that has come before and offers the chance at not just a new Yuri “gateway” but to continue the work of its source material in revolutionizing the genre.

Ratings: Story – 8 Characters – 10 Art – 5 LGBTQ – We shall see… Sexual Content – 3 Final – 8

I'm in Love with the Villainess is streaming on Crunchyroll with English sub/dub.

Review made possible by Avery Riehl and the rest of the YuriMother Patrons. Support YuriMother on Patreon for early access, exclusive article, and more: patreon.com/yurimother

#yuri #Reviews #girls love #lgbt #anime #i'm in love with the villainess #ILTV #lgbtq #gay #gl #queer #lesbian #manga #yuri anime #gl anime

[creaman]

—BECAUSE KUNG FU PANDA 4 KILLED MY GRANDMA, OKAY?

To preface, I watched this movie and I'm genuinely tweaking right now so I had to write down a very brief (lie) criticism on this film — which you should boycott, by the way.

Starting with the things I liked, before briefing my primary points of criticism:

Po's Character Regression

Po and Zhen's Dynamic

The Chameleon

I'd also yap about Lord Shen and the death of the art style and the entire narrative and pacing and use of the staff of wisdom but my therapist says being such a hater is 'unhealthy' or something. My heart is full of hatred.

SPOILERS for the entirety KFP4 for the 2 people who care.

KFP4 undermines and ignores the previous three movies — Unwriting character developments, outright removing the Furious Five, straying from the character design philosophies and is completely inconsistent with the established lore.

Things I Liked About Kung Fu Panda 4

The Chameleon's character design

Visual gag in the Tavern where Po uses a recently thrown axe as a hat rack (made me laugh)

When Mr. Ping did this:

so cute! the little heart!

Po — Character Writing

Po, as established in the previous movies, is confident in his abilities and identity — he’s learnt inner peace, he’s matured as a character. However, in KFP4, his character has completely regressed. He’s immature again (such as KFP1, possibly worse) and says verbatim, “only knows kicking butt and taking names” — UNLEARNING inner peace and insisting that “…being the Dragon Warrior is all I know.”

It’s childish, and sort of Hotel Transylvania-esque.

Which isn’t helped by the comedy, the dialogue — a large chunk of which are jokes in the style of:

Master Shifu says something philosophical

Po quips off of it / doesn’t get it (i.e. Whoa!! beat I don’t know what that means.)

Oh, it’s great, yeah, very tolerable. Po’s shenanigans are normally reeled in by the presence of the Furious Five who are generally more serious in nature, creating a much needed balance in the dynamic — So without them, it’s just Po becoming increasingly obnoxious and insufferable with every consecutive quip throughout the screenplay.

Po and Zhen — Character Dynamics

[No more graphics sorry I'm too angry]

As if it wasn’t obvious that Zhen was going to be the next Dragon Warrior the second she was introduced.

Zhen, as a character, has no depth besides being a quippy thief. She quips, she steals. This character has no motives — it can be assumed that the writers intended on a ‘change of heart’ thing, but she isn’t established as evil, her working for the Chameleon is written as a (albeit poor) twist reveal.

By which point, her taking either side wouldn’t make sense, given that she has shown no loyalty or attachment to either Po nor the Chameleon.

The movie artificially strengthens their bond by having Zhen start opening up about her backstory out of nowhere for no reason but they have done nothing to grow closer to each other.

Small tangent, her backstory is exactly what you’d expect it to be with no subversions or even emotional weight. Woe is me I was so small and hungry I had to steal to survive. Glossed over in about a minute.

The majority of the dialogue between Zhen and Po is spoken exposition — explaining how powerful and badass the Chameleon is, explaining how ‘we have to go here to do that’ and ‘this place was cool until the Chameleon did such and such’, and the rest of their time together is spent engaging in filler chase sequences and fight scenes.

The Chameleon

Where do I even start…

This is where it becomes apparent that the movie relies heavily on telling rather than showing —

She is the weakest villain by far, not only in universe but as a written character; which is particularly disheartening because I genuinely adore her character design and feel as though a shapeshifting character has great potential.

The movie artificially inflates her power by insisting through exposition that this is the most capable antagonist thus far (lie).

The audience is TOLD by Zhen and various restaurant patrons that the Chameleon is a powerful shapeshifting sorceress and that she 'dominates the city' whilst the film does nothing to showcase this.

'Dominating the city' meaning letting her henchpeople run amock and bully the civilians just like Lord Shen's wolves in KFP2... uninspired.

I just realised they didn't even give her a NAME what the FUCK is going on

She describes HERSELF as ruthless, clever and unsentimental when comparing Zhen to herself.

She says HERSELF that she’s “Stronger than every opponent you’ve ever faced.”

Let’s see what vile reprehensible things she’s done, shall we?

Gently push someone down some stairs

Her first appearance is through Zhen’s exposition, as opposed to the dramatic and memorable entrances of the previous villains. Her motives or character aren’t established until the final third of the film. She doesn’t even FIGHT anybody until the final third of the film; and even then, her fight sequences are uninspired and she never really poses a real threat. (She goes down in two hits.)

That being said, WE CAN STILL SAVE HER GUYS WE CAN STILL GET HER OUTTA THERE I'M COMING FOR YOU CHAMELEON I'M GONNA DRAFT YOU A PROPER BACKSTORY AND MOTIVE AND YOU'RE GONNA BE THE MOST THREATENING VILLAIN THUS FAR

There's a scene after the climax of the film where all the kung fu masters and previous villains from the spirit realm bow to Po. I'm not going to provide my thoughts on this because I fear I may burst a blood vessel. Good day!

Closing Statements

To put it simply, Kung Fu Panda 4 was my Megamind 2.

The film rejects its predecessors in every way. It really feels as though they brought in somebody with no prior knowledge of the franchise to direct the movie.

It's a film that relies heavily on telling rather than showing — banking on the previous three movies to carry it through the box office.

It's just really disheartening to see studio execs turn one of the best franchises into a safe sequel cash grab and regress every character's development.

Nevertheless. I do adore the chameleon's character design so I might do my own take on her character.

As far as I'm concerned, there is no fairy godmother, there is no tooth fairy, and there is no kung fu panda 4.

#creaman talks to drywall #kung fu panda 4 #spoilers #I'm actually tweaking #sorry I stopped drawing the graphics because the film crushed my soul #you drive me to drink kung fu panda 4 #when the rantsona crosses their arms #hating on main #kfp #discussion #criticism #kfp4 #technically a vent post #i've lost it #the chameleon #zhen #po

[facelesswoman666]

The Beast Blade - Feyd Rautha x Fem! Reader

Hello lovelies, I am back and i have brought to you the product of my many nights spent reading Feyd Rautha smut. I thought i would have a go at it myself. This is part one of a 4 part series. So please enjoy xoxo

Synopsis - There are enemies in every territory. At the request of the emperor, the House Harkonnen and Atreides have been asked to discuss the conditions of a peace treaty, that could subside years of futile conflict. Poised at the centre of this conflict are the young heirs of each house. Na-Baron Rautha and the young Duke Paul Atreides. Under the machinations of their guardians, they must navigate their own claims to leadership and the claims of their newfound allies. Although Rautha is developing a taste for the young Duke’s sister, and he will stop at nothing to claim what he covets. Regardless of the outcome of his desires.

18+ MINORS DNI. Sexual contact warnings

This part is short, sorry xo

Part 1 - A dove and a dog

He was Harkonnen, the perversities of his nature knew no human bounds and yet his composure was impeccable. The lone blade, they called him, hushed in opulent halls and whispered around feasting tables too grand for proper representation. Better translated to ‘Beast Blade’ in the native tongue. His character was primal, unfiltered, raw, and those who were favoured enough to appear in his presence frequently, knew of his interests.

A select few suffered them recurrently.

Na-Baron Feyd Rautha was a petulant man. Yet desirable in the traditions of the House Harkonnen. His body an expanse of heavily built muscle tissue and sheer skin, with a hue of spectre white. The rotated assortment of precious things that followed, nipping at his heels and fawning over his body were ever lingering in his presence. Although not today.

Feyd found himself, today, in an unfamiliar setting, an uncomfortable one at that. Traipsing soft footed around the halls of the Arrakeen castle, now under the jurisdiction of House Atreides. Thieving bastards he thought, and imagined his blade studying the soft pale skin of the eldest atreides child. Weak as a crib bound babe was Paul. His rumination’s shifted to the youngest atreides daughter, a girl of 18 and whether it would be pleasant to ruin her in the short time he would spend here.

The ruining of the princess was far from possibility, considering the minute truth that was she despised his bloodline, along with him. The complexities of this sand wrought cavernous abode was not lost on him, seeing as his former years as a youth had been spent causing deviltry about these halls. His hand slid over the walls; it reminded him of the past.

A servant girl began to cross his path, hurriedly skipping on tapping feet to an unknown destination. It was decided.

The Na-Baron expressed his internal sentiments ‘A dove has entered the dog’s pit’ Her chin rotated in his direction and she replied ‘And does the dove not have wings?’ Her overt defiance to a superior amused him ‘The dove has wings and the dog has teeth’ He gave in to her rebuttal. Her smile stretched small against her pretty face ‘The dove is slight’ Feyd studied the girl with intense curiosity.

‘Dogs eat birds’ The words dripped from his poison lips; he did not indulge in their recreation of the folk tale. His boredom grew within him.

She stepped closer, bringing forth the beauty of a youthful face into a light which did not shadow the most adored features. What a strange specimen, he noted, allowing her momentary pauses from his scrutiny. His eyed lowered to the tunic she wore, draped lazily over her skin and the perfect tits that hung on her chest underneath it. She noticed Rautha’s eyes darting from peak to peak across her chest. His tongue subsequently sliding over his bottom lip. He spoke ‘Do all caladan women have such perky tits? Or is it primarily you?’ Rautha smirked

The girl was not accustomed to such a word and she imagined it held its own brutality for this man. Her mother had always referred to them as breasts. The Na-Baron suppressed the urge to reach out, to skim them with his fingers. The pretty little servants on his home-world would have welcomed his hands to their chest but little did he care for those white mounds of flesh. These things were delicate, flush from exertion and begging to be touched. She, taken aback by his statement, breathed a gasp and stumbled back a pace. Was he truly so bold?

The girl stood in puzzlement of the living statue positioned before her. Slithers of yellow light filtering through the windows, washing over him as though a wave of ocean cascading. It illuminated his form for brief bursts of remark “I asked you a question” he repeated simply “And by what means do you expect me to provide an answer” She clipped her tone, speaking candidly. Feyd stilled himself, the initial spouts of rage fighting their way to heat the skin of his arms. He presented his smile, blackened teeth, gums writhing over them like tar and pressed her further “Are all caladan women blessed with perky tits? Or and i repeat, is it primarily you?”

She would not play pawn in this righteous amusement of power and lust. Her mouth kept in a hard line, to the Na-Baron’s annoyance. He reached his fingers to her in an untamed prediction of violence. The thumb and forefinger of this looming figure came to rest on her neck, pressuring the area. His other hand grasping the flesh of her ass in it claws, he craned his neck, and stretched downwards to whisper against the shell of her ear ‘I will take these tits in my mouth until they ache with pleasure and the distortions of lust cloud your feeble mind. There is no one you can run to that will affirm this ever happened. Do you understand?”

The girl nodded slowly, heaving breaths racking her lungs. Hips bucking in a childish display of discomposure, into where his pelvic bone struck against hers.

Duncan idaho rounded the corner, spotting the pair immediately and his eyed betrayed cause for concern. She sensed his presence to her side although Feyd Rautha did not conclude his oppression of her even under the eyes of the Duke Leto’s most trusted adviser. “My lady” The firm query of Idaho concealed layers only known to the girl and her family. Feyd released her at the realisation of the name Idaho gave to her. Lady, he pondered, interesting. The Na-Baron watched keenly as the little creature before him wandered off, tailed by Idaho.

The Na-Baron revelled in the accusing glance Duncan speared him with upon departure.

#dune fanfiction #feyd rautha #feyd rautha x reader #feyd smut #feyd x you #feyd imagine #feyd fanfiction #dune smut

[wordstome]

Last night I did what I always do when I can’t fall asleep: think about fictional men. Here’s a list of wonderful stories written by incredibly talented people who have helped me think about fictional men by providing the most delicious playgrounds.

In the interest of keeping my recommendations brief, I'm going to talk about what I liked about the fic instead of summarizing what it's about. To know what it's actually about you're just gonna have to click through and read the fic <3

(and just in case anybody's gotten lost, this is all COD, mostly modern MW)

✦ complete ║ ➠ ongoing

König

✦Just Friends by @kneelingshadowsalome Salome is so good at capturing a very unique interplay between König’s social awkwardness and his deep, dark, nasty inclinations. He’s so feral and enjoyable to read, and the sheer force of his desire for Engel is downright intoxicating. I find it difficult to describe how much of an impact Just Friends has had on me and my portrayal of König, to be honest. There's a reason why three of Salome's fics are on this rec list.

✦Fatum Nos Iungebit by kneelingshadowsalome Five words. König with his cock out. That's it. Okay, but in all seriousness, I love his character applied to this setting. All the raw visceral violence a König could ever want, a pretty little lady in his bed—he's so boyish and happy in this au it brings me such joy. The way their relationship between him and Fee develops is so natural and so sweet. Please for the love of God read this.

➠Cat/Mouse/Den by @papaver-decervicatus The chase. The pursuit. The adrenaline when Mouse dances out of König's reach once more. I'm a little biased because I adore Julius and Jenny (I could call her Lucretia but the double J names make me giggle) as ocs already, but CMD is so, so well written. The tension, the flirting, the scene where he catches her falling out of the tree?! As I said in a reblog, I shrieked. You know when you're reading something that's so good you want to bite down on it and shake like a dog with a toy? (No? Just me?) That's how I feel about CMD.

➠Anything by @darklordofthesimp Anything, in only 7 chapters (they are hefty, don’t get me wrong), has turned König and Birdy’s dynamic from “THIS MOTHERFUCKER HAS IRREVERSIBLY SCARRED MY BODY AND MY BRAIN, AND I CANNOT TRUST HIM” to “these two are going to get married someday”. (author if you’re reading this, I say that not as an expectation or prediction, but as a vibe reading.) This one is for the hurt/comfort girlies. Also, shoutout to all the other stories set in the Anything-verse. Sunshine and Ghost are just soooo *grips my hand in a fist so hard it shakes*

➠If you need to be mean by @gremlingottoosilly This mostly serves as a blanket recommendation for all of Gremlin’s fics. I found If you need to be mean, and then visiting Gremlin’s author page was like opening a treasure chest. Want to be König’s pampered, (unwilling) little housewife? That’s If you need to be mean. Want a harem fic with almost all of the COD MW men? Gremlin has two, both with their own little spin to keep it fun. Do you want König to keep you in his basement or hunt you down as a serial killer? Gremlin's got it. Monsterfucker? Gremlin has that too. Special shoutout goes to 1295 kilometers. I think about fucking König on a train a lot now.

➠Break my mind by @kaiasdevotion (kaiasown on ao3) There’s no way around this. This fic has the most unhinged, kinky, downright dangerous smut I’ve read in the cod fandom so far (positive). Just Friends König is the metric by which I judge all other Königs’ nastiness, and Break my mind König is tipping so hard on the “unhinged horny violent freak (affectionate)” end of the scale he’s about to fall off. I don't know if you guys have noticed, but I've developed a taste for writing/reading from König's perspective, and he's so chillingly deranged in the most controlled way possible during the chapters from his pov. Incredible writing. Chefs kiss.

✦Experimental by @uhohdad (surgeoninspace on ao3) Alright, enough of just König being nasty. He is still nasty in this one, but he’s not the only one who gets to have a little fun and be a total creep. Our little scientist here is a grade A pervert, and I was delighted the whole way through. The most important thing I need in a fic is suspension of disbelief, and Experimental takes an unrealistic, maybe a little bit silly situation and makes it so believable. Everybody reacts the way you would expect them to, even if the scenario they're in is A Lot.

➠Little Mouse and Rotes Madchen by @sprout-fics I'm combining the recommendation for these two because while they are both very much distinct, unique fics, I love them the same way. Sprout is such an engaging writer, and the internal dialogue of her characters is so well done. It reveals their personality, motivations, and internal conflicts without being overly expository. Do you guys remember that post I put on the König bible about instant obsession? It's this inexorable attraction borne from obsession that sticks me to Little Mouse like a glue trap. (Is that too morbid?)

✦Hot in Sarajevo by @50cal-fullauto Rags' König characterization post is on my Königcore bible, for very good reason. They get it. König is a feral dog forced to live as a man and loves like a total maniac, emotionally and sexually. I marked Hot in Sarajevo as complete but I don't know how many parts there are going to be, and frankly, I do want more. However, if you're going to only read one part (which. why would you do that??? read both.) I recommend the second part. I want to write love like that. Goddamn.

Ghost

Yeah, this list is a little bare bones right now. I'm gonna get back to it, I promise.

✦Anhedonia by kneelingshadowsalome The way. Salome takes the "I would take a bullet for him but he's so cold to me" premise and then flips it entirely on its head for the second part is so important to me. The way Simon craves the reader is like human catnip. I reread this fic all the time.

Keegan

✦For the Weak and Weary by @halcyone-of-the-sea Read this if you want to believe in true love. That's all. Go on now.

Multiple

✦Easy by @danibee33 When people say "I wish this were a book!" about fanfiction, they usually mean it in a "this is good enough to be published by the traditional publishing industry" way. When I say I want Easy (and Diablesa) to be a book, I mean it in a "I want to get this story bound in a beautiful ass cover and keep it on a shelf so I can take it down and reread it whenever I want" way. I don't want the traditional publishing industry to get their claws in this, because it's perfect as it is. This fic is so wild and fun, and the character moments are so special and well done. Do yourself a favor and savor this one.

➠@ghouljams's entire blog [masterlist] "What do you mean someone's entire blog" YOU HEARD ME. Those aus are some good shit. Good characterization, delicious premises, love the group effort of it all. To absolutely nobody's surprise, my favorite couple is König and Bee from the cowboy au (ditzy but well-meaning and competent in her own way woman x big strong man who is obsessed with her and maybe also creeping on her, my beloved), but I also have a fondness for Ghost and Die from demon darlings au. Trust me on this one. Dig into those masterlists babey.

#ficrec #cod #mw2 #cod mw2 #cod ghosts #König #König cod #konig cod #König x reader #konig x reader #simon ghost riley #keegan p russ #keegan russ #ghost x reader #simon riley x reader #keegan x reader #keegan russ x reader #navigation: fic recs

[davidtennantgenderenvy]

My Two Cents On The “ Is David Tennant Queer” Drama

As some of you know, I spent a solid third of the past year working on a movie-length video essay about David Tennant. This video essay features an eight minute section titled “Gender, Vulnerability, and Why David Tennant Is A Queer Icon”, which does not speculate on David’s own sexuality, but discusses the queer coding and subversion of gender norms in plenty of his roles and his importance as an ally to the LGBT community. At the same time, I was also coming to terms with my own identity as nonbinary and bisexual, and it ended up playing a crucial role in me finally working up the courage to come out to my parents. Characters like Crowley and the Doctor, both in terms of how they present themselves and how and who they love, have been absolutely instrumental in me developing my queer identity, and my comments section was full of people who had had similar experiences, who’d realized they were trans, nonbinary, gay, etc thanks to David and his characters. And as a result, I won’t deny that if David himself were to be queer, it would mean a lot to me.

Do I think David is queer? It’s certainly possible. I see a lot of how I express my queerness in how david chooses to express himself, most prominently through his frequent queer coding of characters who don’t necessarily have to be played as such. This can especially be seen through his Shakespeare characters, such as Richard, Hamlet, and some would argue Benedick as well. When I was 15 I played Mercutio in Romeo and Juliet, who I chose to play as a closeted young gay man harboring an unrequited crush on Romeo. I think I saw this role subconsciously as an outlet for my own repressed queerness, both of gender and sexuality, as I had experienced an unrequited crush on my female best friend the previous year which I was still in denial about. I’ve described my gender identity as “a girl with a chaotic tortured gay man inside of her that needs to be let out every once in a while”, which has never been more true than with Mercutio- a character who I might add, I took a great deal of inspiration from David when playing! In terms of using roles as an outlet for one’s queerness, I could absolutelt see this being true with David, especially when it comes to Crowley, who seems to have had an impact on David’s style, behavior, etc in a rather similar way to how he’s impacted me. I don’t want to act like David wearing pink docs means he must be gay, I think people should be allowed to wear whatever they want regardless of sexuality, but taken in conjunction with so many other things about him, it does make one wonder, and the fact that a seemingly straight man has been so many people’s queer awakening is a bit puzzling to say the least. I won’t pretend that these “signs” (if you interpret them that way), haven’t been increasing somewhat in the past year, and if I got to share my own coming out journey with the man who inspired it, I would be absolutely thrilled. I also can’t specifically think of an instance where David has SAID he is straight, as opposed to Taylor swift, who has.

With all of that said, where I personally draw the line is when mere speculation crosses into interfering with the subject’s personal relationships and the sense that one is OWED something. I believe that what matters to David more than anything is being a husband and a father. I believe he adores Georgia and his children and would not do anything in the world that he believes would jeopardize his family. As happy as I would be for David if he were to come out (probably as bi) I realize that that would put so much unwanted attention on his marriage and family and I think that’s the last thing he wants. I don’t think it’s IMPOSSIBLE that he and Michael Sheen are having a passionate love affair behind everyone’s backs, but I absolutely don’t consider it my place to insist that they are, because as much as I may feel like I do, I don’t know these people! And besides, if David were cheating on Georgia, he really would not be the person I thought he was.

So many queer people see themselves in David and his characters, and that is beautiful. And I don’t think there’s anything inherently wrong with having theories that David might be queer himself. However, it must be acknowledged that these theories are THEORIES, and they should not be used to invalidate people’s real life relationships- after all, it’s totally possible to be bi/pan and also be in a loving and healthy heterosexual relationship like David and Georgia at least seem to be in! If David were in fact “one of us”, I would welcome him with the openest of open arms, but unless and until he himself decides to proclaim himself that way, I will not expect anything of him other than to be the incredible artist and person we know and love.

#David tennant #michael sheen #georgia tennant #queer #lgbt #bisexual #nonbinary #Rpf #Personal #meta #I try really hard not to discuss David’s sexuality online #But people are so divided on this topic and I wanted to voice my thoughts seeing as I stand somewhat in the middle #good omens #doctor who #Crowley #The tenth doctor #hamlet #the fourteenth doctor #much ado about nothing #benedick #richard ii