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#bone analysis
willnaib · 3 months
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i keep seeing posts about how mithrun is some kind of yaoi bait and while i definitely understand how that could be true i feel like it's a disservice to mithrun (and to his relationship with kabru, and ryoko kui's writing, etc) to narrow his character down to that. like yes, he is an androgynous, small, pale, boyish male character with significant trauma and a caretaker relationship with another (brown, heroic, taller) man. but this is not "written as fandom bait" this is a severely depressed and disabled man who is written with a shocking amount of respect and subtlety, and kabru is not written exclusively as his caretaker who gets him to open up (if we're going to be technical about it, senshi is the one who actually "fixes" him at the end — loosely phrased because that's not what happens, but for the sake of the trope fill wherein the relationship/the presence of the other man fixes the trauma). mithrun's trauma is actually incredibly well-written, which isn't surprising since dungeon meshi handles its subject matter very well overall, but with how people discuss it in terms of prompt fills and trope checklists, i'm worried that there's going to be this intentional misinterpretation of the text where kabru is mithrun's caretaker in a more literal sense than the actual intention and desire to help out of his own good will (i.e. kabru is treated solely as "mithrun babysitter" as opposed to their actual canon mutual respect.) which is crazy because it is written well and i could write a whole lot about how mithrun's writing is one of if not the best examples i've seen of a well-written s/a victim/metaphor. it's just like. why are people who have read the manga and enjoyed it intentionally boiling a Good Character down to yaoi when they don't... want to.
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er-cryptid · 29 days
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Patreon
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byler-alarmist · 3 months
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You're gonna sit there and tell me that Mike had feelings for El, yet when El was crying for reassurance that Mike loved her--
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He couldn't have gotten the fck up and went over to comfort her??
Like this????
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This is where the "he couldn't say ily because he was afraid If he said it-" yadda, yadda, yadda, falls apart.
Even if he couldn't say the words aloud, we have seen that he is able to show his affection and love through physical touch.
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(Which did wonders for Will feeling cared for and supported, btw)
Also, even if he couldn't say the words "I love you", he could have spoken softly to her, gently reassuring her of how she was special to him.
Like tbis???
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Singling her out from the rest and assuring her his feelings haven't changed and home isn't home without her??
There are so many ways that conversation could've gone to make E feel loved, even if he couldn't say it. We know Mike is capable of showing it.
But he did not use his love language with El. He wouldn't even go near her to hold hands or even put an arm around her, nor did he try to say he missed her or that they were a team.
TL;DR: Mike Wheeler, I know what you are.
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totallyboatless · 11 months
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Truly surprised anytime i see someone upset that Jesper and Wylan don’t have a slow-burn in the show. I’m realizing this is a hot take, but I want more fast-burns. “Will they/won’t they” can be great, but it has to match characterization, and aging up the Crows would absolutely change how Jesper and Wylan get together.
Kaz and Inej make sense to slow-burn — they both have some level of touch aversion, extreme trust issues, and “I’m an island i don’t need anyone” syndrome.
But Jesper and Wylan? Jesper is fully sexually active in both the books and the show, but being sexually active in your 20s is vastly different than as a teenager. He knows what he likes and goes for it and has been doing that for years. Wylan is only like 15 in the books and super inexperienced - but he’s always had that secretly-confident, slightly-unhinged streak. In this alternate universe, he’s had an extra almost-decade for those traits to grow before meeting the Crows — he knows *so* much more about himself.
Wylan isn’t shy, he’s reserved. There’s a difference — it’s not a lack of confidence, his confidence is just quiet. Wylan hits me so hard as a relatable queer character because he plays the game of gently feeling out interest - when we meet him he’s sussing out if Jesper is still interested, and I imagine when they first met he did the “i’m going to signal to you i’m queer and hope you signal back” dance that happens when you’re trying to figure out if hitting on someone in a queer context will be received well or not.
But as soon as Wylan gets the go-ahead that Jesper is interested, he’s all confidence. He was just waiting for the explicit permission to go for it. Both times in the show when we see Jesper and Wylan start to get hot and heavy, Wylan is the one who initiates.
So in the show we have two sexually active adults who are attracted to each other, who aren’t afraid to go for what they want once they get a positive social queue, and who live in a super dangerous place with a “live fast, die young” mentality. Anything other than them jumping each other the first night they met wouldn’t make sense.
And then we get to see the meat of their relationship! The conflict isn’t “tension bc they want to bone” the conflict is “they need to learn to communicate and be on the same page and figure out if they can make this work” which imo is infinitely more interesting for these two characters.
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bonefall · 5 months
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⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️
I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.
But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.
Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.
I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!
OH LET'S GOOOO
Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.
The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.
As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.
BIG POST. Glossary;
INTRO TO BREEZEPELT: The Sight and Dark River
ABUSE: Outcast, Social Alienation, the Tribe Journey.
DARK FOREST: How these factors push him towards radicalization.
For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.
INTRO TO BREEZEPELT: The Sight and Dark River
Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.
But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,
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From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.
Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.
He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.
(And Nightcloud has a cute moment where she watches over them until they fall asleep)
As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.
In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;
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Crowfeather.
Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.
(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)
So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.
We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.
The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.
When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,
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Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.
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And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.
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All this to point out,
Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.
We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.
ABUSE: Outcast, the Tribe Journey.
In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.
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Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.
They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;
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They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.
When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...
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Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.
But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?
Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.
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Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.
Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.
The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.
Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).
Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.
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I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.
In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.
At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.
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EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.
Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.
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The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.
And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,
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And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"
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Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.
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This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.
It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.
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It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.
Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.
That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.
As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.
DARK FOREST: How these factors push him towards radicalization.
Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.
But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.
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Escalating to violence was about making Jayfeather feel the way that he does.
When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.
When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."
Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.
Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.
We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;
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The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.
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This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.
At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.
A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.
Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.
In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.
But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.
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Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!
(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)
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pandaexpress303 · 11 days
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just thinking about the line "he doesn't say goodbye, he just lets go" in reference to kaz at the end of crooked kingdom, because this line is actually quite ironic.
yes, kaz tends to not have a tendency to say goodbye to people or to anything, as seen in the both the books and the show (I know he came to say goodbye to inej, but like when did he actually utter the words??? that's right, he didn't). so, the first half of this quote still somewhat stands.
it's the second part of the quote that gets me. "he just lets go." because this could not be more untrue when it comes to kaz. when inej tells him she isn't going to stay in Ketterdam and is going to leave and hunt slavers, does kaz resign himself to her leaving and let go? no, for once in his life he voices his real feelings and asks her to stay with him. after the events of the 2 books are over, does kaz let go of his time with the crows and move on? well, he kinda has to a bit but actually no, because he names his club "The Silver Six" and continues to ask after them (i.e. telling Jesper he is missed at the slat). in fact, Kaz's entire motivation throughout the past 8 years of his life has been rooted in vengeance of something he still hasn't moved on from that happened when he was 9! poor kaz has only ever had good things ripped from him, and I think this caused him to develop a tendency to not just "let go" of anything. I could maybe even get metaphorical and argue that kaz holding onto Jordie's body is representative of his inability to let things go....but I won't cause I haven't thought that through yet haha. anyway, just food for thought.
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kindestegg · 1 year
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You know, even for just two months, Collector and King's friendship has already developed into something special.
When he and King first meet, Collector can barely keep their hands off of him, dragging him by the hand all over and grabbing him extremely close.
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Come present day when our heroes have actually made it back, however, and Collector barely touches King. The only two times they initiate contact are when King chooses to offer a pinky promise to go talk to the Owl Beast and later when Collector leads King into their shared bedroom. This is good! It shows they learned boundaries and to keep their hands off of King and not smother him.
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Collector's also learned boundaries when it comes to François! Although it was very devious of them to kick their plush under their bed so they could ask for François, they still respect King's decision to not let them hold him, and never touch François during the entire episode.
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And hey, remember how King used to get so sick flying around with Luz that he couldn't help but throw up?
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Look at him riding around with Collector now! Not a green face to be seen. It's likely through gradual exposure and a lot of encouragement and accomodation from Collector he was able to lose his problem with flight.
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Speaking of which, what were the two even doing that they somehow took until nightfall to get to the Archive House? King comments they've "been gone for a while", but Collector declared they should return way back when they had just finished the play session with Terra.
...Were they just doing tricks and flying around having fun? If so, that's kind of cute to imagine, and a nice break from them just playing pretend with those poor puppet-people all the time. It shows they're confident enough to play together in other ways and have a good time.
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I've also touched on this briefly, but it's also cute when you realize that Collector asking what mortals eat was his attempt at joking around with King, who also isntantly recognizes this and doesn't even need to say a thing to show it. That alone says a lot about what stage their communication skills with each other has gotten to.
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King's also starting to trust Collector to the point that he straight up tells Eda and Lilith that he could get Collector to turn Hooty back to normal as if he trusts he can easily sway his opinion by just asking.
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A side note on this, it's interesting to me immediately after being told no King brings up missing Luz.
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It's probably just there for pacing convenience but part of me likes to think it's because he thinks Luz of all people would be the one to see things his way and agree that they should befriend the Collector. She WAS always the optimist of the trio after all.
And Collector doesn't actually seem to mind seeing Eda out of her beast form talking to King, the only thing he really cares about is whether his best friend is looking out for him or not. Being tricked about the Owl Beast situation seems to not matter to Collector as long as King is happy by his side.
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Their relationship isn't perfect. They aren't best friends, despite what the Collector says, because King doesn't see them that way. Collector wants them to be equals and sees them as such, but it takes King almost up until this very episode to realize this and stop fearing a punishment that's not going to come.
Even after things are resolved, they still probably aren't going to be able to call themselves best friends, or even good friends. But they have a budding friendship at the very least, they've grown and learned a lot from each other, specially Collector who was desperately in need of a good role model (and it's funny only titans so far have provided that by pure coincidence).
With dedication from both parts, maybe in the future they can say befriending each other was one of the best decisions they've ever made.
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love-byers · 2 years
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it’s been a year, mike. (MAJOR BYLER REVELATION INCOMING---MUST READ)
mike and will constantly saying "a year" or "all year" when talking about the time since the move when it's only been six months keeps me up at night
i saw people talking about how they say a year when it was only 6 months because they’re idiots in love and are being dramatic. as cute as that is, i didn’t really buy it until RIGHT NOW. i just saw it as a cute headcanon, but now i see that the writers could be enabling you to make this realization by use of subtext.
allow me to explain
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^ these are the three times they say it
at first i thought the writers may have just used year because that’s less confusing for the audience because 1 year time jumps have been used before in stranger things and are super popular in books/movies/tv shows. BUT, it clicked for me that that doesn’t make sense. the timeline in stranger things has always been acknowledged. throughout s1 we hear the amount of time will has been missing several times (as far as i remember). in s2, mike counted the days el had been gone. he called her every night for 353 days. when el and hopper argue in s2, el uses specific numbers to tell us how long she’s really been with him. in s3 hopper specifically says ‘6 long months’ when talking about how long he’s been dealing with mike (lol). that's the same amount of time between s3 & s4, yet mike and will don't say 6 months, they say year. there’s a date at the start of every season. and in s4, el says this in her letter to mike. 
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185 days = 6 months (almost on the dot)
the writers have specifically told us how long it’s been since they moved, down to the amount of days. and it’s 6 months, not a year. this makes it very hard for me to write off mike and will saying ‘year’ as just the writers slipping up. also in el’s letter, she says this:
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this is INSANE. 
mike and will are saying the wrong amount of time. the writers aren’t stupid, they know how much time has passed since season 3. THEY WROTE IT. i’m a writer as well, and i know how much time is passing between what im writing because I CREATED IT. IT CAME FROM MY BRAIN. and like i said, the stranger things writers have proven to be very keen on dates and time. all of this happening in the same season is not a slip up, its on purpose. stranger things 4 had a 30 million dollar budget PER EPISODE. do the math--that’s 270 MILLION DOLLARS. and yes, i know they supposedly forgot will’s birthday, but that’s different. his birthday is a date that was mentioned one time and served no purpose aside from creating emotional tension in that one scene. none of their birthdays are important to the plot, hell, will’s is the only one mentioned in the show and it wasn’t even on his birthday. one date that was mentioned one time and never brought up again is NOT the same as continuous attention given to timelines/time jumps over the course of all four seasons. and some fans theorize that they’re lying about forgetting his birthday anyway. either way, its not the same.  
so....the writers want us to know that emotions can make time speed up or slow down....and that el’s week has felt very fast because of her emotions....and then show us mike and will SPECIFICALLY deviating from the timeline established in the SECOND LINE OF EPISODE ONE “yeah, but you knew she was having problems for months and didn’t tell me.” “its been six months, mike.”, or “it’s been months, mike.” or not even including that line at all, or “the past couple months have been weird” would’ve worked and stayed in check with the timeline we’ve already established. but when writing those scenes, they chose to say year. which is flat out wrong and way off from the actual time they’ve been apart. 
and what did el say makes time speed up or slow down? emotions? oh, okay got it 
the first two times mike and will say it’s been a year are in the same scene: the rink o mania fight. emotions are high. they’re in a pretty serious fight. its not about something dumb, it’s about their ten year friendship and how they’ve grown apart. their friendship is VERY important to both of them. (remember when mike said asking will to be his friend is the best thing he’s ever done?) the third time it’s said is when mike is opening up to will in episode 4. it’s a very emotional scene. mike is being honest and vulnerable with his feelings. in this conversation he apologizes and admits that will didn’t deserve how mike had been treating him, which mike never does to anyone else. he admits his relationship with will is different and home isn’t the same without him, and that he feels like he lost will and wants to be best friends again. 
and the obvious: emotions making time speed up or slow down doesn’t just apply to in the heat of the moment occasions. (in theory) mike and will are in love. the six months they’ve been separated felt like a year to them because of their emotions, just like el said in the letter. and mind you, will is canonically in love with mike, yet they’re both acting the same way about this. it’s not just will. it makes sense for six months to feel like a year to will because of his emotions, because he is in love with mike, right? well, mike feels the exact same way. this isnt even about the characters as people. narratively speaking, mike and will both doing this doesn’t make sense if it’s unrequited. one way writers show how characters aren’t on the same page about something, a relationship for instance, is whether they’re on the same emotional page about different plot points. something major and emotional happens to all the characters---now we watch how they react to it. and i don’t mean small disagreements & such, characters are allowed to feel differently about things. i mainly mean when whatever happened is painful and important to one or more of the characters. for example, steve and nancy. steve and nancy didn’t feel the same about barb, barb’s parents, and everything that happened in general. steve wanted to keep on like nothing happened while nancy was literally eaten up with grief, guilt, and trauma. jonathan was the one who was on the same page as her and made her feel better about carrying that baggage around all the time. they understood each other. and who was nancy in love with? jonathan. narratively, that makes perfect sense and even further sways the audience into understanding they’re in love.
so...what? the emotions that made mike and will’s six months apart feel like a year to them is....friendship? not a fucking chance. mike and el are a couple, and according to mileven fans, they’re the main couple of the show who are in love and are going to be an endgame couple. why save this incredibly romantic coded trope for will and mike, the best platonic bros? idk, you tell me. and the fact that the line about emotions came from someone in the love triangle?? and it was said to someone else in the love triangle?? not a coincidence.
edit: someone reblogged and pointed out how el said 185 in her letter to mike that we SEE him reading. there is no reason for him not to know how long it's been. so either he isn't paying attention to a damn thing el says in her letters or he is just extremely in love with will
another edit: i keep seeing reblogs of people saying they're probably referring to the time since mike and el started dating, which i used to think too. but the context when mike and will say a year makes it hard for me to believe.
"but you knew she was having trouble for like a year and you didn't tell me"
here mike is specifically talking about el's bullying problem which has only been going on since the byers have been gone and she enrolled in school. what he's talking about is something very strictly related to the time since they moved, and it's been six months, not a year.
"you called maybe a couple times. it's been a year, mike. meanwhile el has like a book of letters from you."
will is again, very specifically talking about something that strictly happened between the time since the byers left and the start of s4. he's saying how crazy it is that it's been a whole year and mike has barely called. but it hasn't been a year, it's only been six months.
"the last year has been weird, you know? and you know, max and lucas and dustin, they're great, they're great, it's just..it's hawkins it's not the same without you. and i feel like maybe i was worrying too much about el...i don't know maybe i feel like i lost you or something."
this one i will cut some slack, i think he could be talking about literally the last year, as in since the beginning of 1985. but immediately after he starts saying how home hasn't been the same without will (and separates his relationship with will as being different than his relationship with max dustin and lucas and even el), something specific to the time since they byers have been gone, six months, not a year:
in conclusion: mike and will referring to their time apart as a year when it’s only been six months is not a mishap on the writer’s part. they go out of their way to make sure you know exactly how much time has passed, down to the number of days, and they put this much attention on time in every season. and in the same season mike and will do this, there is a line in the SECOND LINE OF THE OPENING SCENE OF THE SEASON about emotions making time go by faster or slower.
byler is going to be a s5 surprise, but its not coming out of nowhere. there’s piles of subtext in every single season---enough that when you look back, it all makes sense. small details like this aren’t outlandish because this is without a doubt the length writers will go to keep something hidden, and in byler’s case and many other tv show plots case, to keep something a surprise. and for christ’s sake, WATCH THE SHOW! the amount of attention to even the TINIEST details in stranger things is insane. they put so much thought into everything---not just ships, and not just byler. idk how many times the writers are going to have to say details matter and that there are no coincidences until people believe them. 
anyways, byler is endgame. thanks for reading :) 
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mishy-mashy · 11 days
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Something I made in a post that I think'll be lost in the texts + expanded a bit more
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These panels are chronological events following AFO's pursuit of Yoichi's Factor.
AFO could tell if people were related through a Quirk. AFO and OFA also are connected to each other. In Kamino, AFO could confidently tell All Might that OFA had been passed on, so all that All Might had left were leftover embers.
When AFO killed Kudo, he asked where Yoichi was. He knew Kudo wasn't the holder of Yoichi's Factor at that time. He also realized when looking at Yoichi's hand that Yoichi's natural Factor was so weak he hadn't registered its existence. This implies AFO could sense Factors since he was young, and Yoichi's natural Factor never stood out to him.
Below are three panels of Bruce (right to left). Bruce fought, AFO killed him, and looked away in disinterest.
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When he beat down Bruce, he already had a sense that Bruce didn't hold the Factor anymore. That's why, rather than yell in his face to figure out where it is and interrogate for a long time, he pulled up his corpse to inspect him better.
Bruce's corpse isn't resisting anything. Look at his feet; AFO literally dragged him. Bruce is already dead. Yet he's looking for something from him.
Bruce doesn't have anything for him. Nothing AFO wants.
When he looks away, he's dismissing Bruce, because Bruce doesn't hold Yoichi. AFO is wondering where Yoichi is, because he knows now that he's out there somewhere. Thus the pensive look to the wind.
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After Bruce is killed, AFO and Garaki meet for the first time. Shinomori has Yoichi at this time, and AFO never comes close to him, so AFO is lost. He doesn't have any leads, and Yoichi has vanished.
Now that he knows Yoichi can transfer, it's possible for Yoichi to be kept out of his reach for the rest of his life. So meeting Garaki and having access to Life Force gives AFO more time to search.
Yoichi is still missing for 18 years though, because Shinomori is in hiding. AFO couldn't find him during the Fourth's turn.
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This is why, when he encounters Banjo, the Fifth and active wielder of OFA [Yoichi], AFO is smiling.
It's been a long time, but Yoichi's in reach again. He knows where he is now. And this is the first time he's encountered the current holder.
Thus his shock.
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[Yet... you never behave as I wish.]
It was the first time a Quirk wouldn't let itself be stolen. This was AFO's first encounter with this wall: it doesn't transfer without the holder's consent, and requires willpower stronger than all the holders combined to override that.
The holder is never going to give him that consent. To override the collective willpower, he's going to need something greater.
Meanwhile, look at Banjo's arms. Shinomori is the catalyst to tip OFA over the edge, that an unprepared vessel will be destroyed by how strong the Quirk is.
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Banjo's arms are both messed up below the shoulder, just like Midoriya used to be. And like Midoriya uses Blackwhip to reinforce himself and stay standing, Banjo uses Blackwhip to hold his fist / arm together. His hand is being wrapped to stay in a fist.
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(What I think is) The reason the limbs turn red, and then purple, from breakage, is a matter of blood vessels. Small, itty bitty, fragile things.
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Using OFA breaks the whole area, from bones to blood vessels, causing internal bleeding. Thus the redness. But breaking those vessels again in a second go turns the area purple, because it causes instantaneous internal bruising.
But En wasn't ripped apart by using OFA. There's a cut on his thumb that lines up with the path of destruction; AFO sliced him in half. Otherwise, he wouldn't have that cut if it were just OFA.
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It's hidden by the text in [... you never behave as I wish], but depending on where you see this chapter, you can see he got cut on the thumb. It's clearer where we see Nana take his hair from him, in [I only want... to make you mine!]
I have a post in drafts about En being cut in half rather than it being because of OFA, but I also hit an image limit, so I'm gonna end here. Ta.
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sky-neverending · 10 months
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it’s so interesting to me to compare Wylan and Jespers relationship in the show vs in the books, because while they are fundamentally different, at their cores they are the same.
like yes, everything about them storyline wise is changed. but you can look at that first on screen kiss and tell me that it doesn’t SCREAM “This was the kiss he’d been waiting for. It was a gunshot. It was prairie fire. It was the spin of Makker’s Wheel. Jesper felt the pounding of his heart—or was it Wylan’s?—like a stampede in his chest, and the only thought in his head was a happy, startled, Oh.” Because you can tell that’s what’s going through Jes’s head. It’s so evidently clear that he’s sooo far gone.
Also show Wylan buying Jesper stroopwaffels is such a book Wylan thing to do.
And we really get to see the development of Wylans personality in the show, same as the book. He goes from this sort of shy kid who doesn’t have a clue what’s going on to this badass motherfucker with an attitude, and it really shows in the way he talks to Jesper at some points. Like in the beginning he’s all shy, but as time goes on he’s all “Well, technically you are older than last time.” and stuff like that. it’s not as prominent as in the books, but you can still feel it.
Also, show Jesper going “my man!” when Wylan throws that bomb is such a thing for him to do. like come on.
so yes, they aren’t the same. but they’re still Wylan and Jesper, and that didn’t change. Because if you could see book Jesper, his smile when he sees Wy would be exactly the same.
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cherllyio · 11 days
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MK's Destiny and Nüwa's Goal
A little while ago, I made a post where i discussed if MK might be made from Nüwa's magical stones from real chinese mytholgy.
You can find the original post here, but to sum it up real quick:
A great war broke out between two powerful deities. Though, in the midst of their chaos, they broke one of the pillars that supported heaven, which then caused holes to form in the sky.
Luckily Nüwa saved humanity by using five coloured stones (red, yellow, blue, black, and white) to mend the azure sky.
The reason i traced this back to MK is because his main colour scheme IS red, yellow, blue, black, and white
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And in Season 4, holes started to form in the sky, which MK then helped to mend together again.
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But after i posted this theory, another quieston started to form in my mind:
Is there even more to theese stones than we thought?
The answer is YES
And thats not even all, because with the help of theese stones, or "The Five Phases" as they are originally as symbolism of, i have found an answer to A LOT of our quiestons about MK, Nuwa and the future of the show.
For Example:
What this Symbol is, and why it looks so much like MK's
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How this scene uses actual chinese diagrams, to explains MK's destiny:
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And how we can figure out Nüwas goal based on another Chinese Myth where she brought "destined chaos".
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The Theory can be found here, and its around the same length as 2 Lego Monkie Kid ep.
youtube
thanks to @dr4gong4l and @lu-zijing for the help btw!
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willnaib · 9 months
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having a lot of thoughts about weeping scope and what the design means for levi’s character. more under the cut because it gets LONG. brief cw for a levi-typical drug reference in the second bullet point
two major things i’m focusing on here which are the fact that weeping scope is entirely nude and the obvious giant gun growth. which are kind of the only two things he has, so it’s the only two things to focus on. anyway.
naked
i wouldn’t really point this out since funger is funger but most of the other moonscorched forms do have some form of clothes. weeping scope is ass naked though. he’s completely exposed and has nowhere to hide.
- someone else pointed out in a fic that his jumpsuit covers everything except for what really matters (the track marks on his arms) and while obviously that’s not entirely relevant to weeping scope it’s still. that theme of exposure
- additionally the lack of genitalia/hardened over area where genitals would be — again considering how funger loves gratuitous nudity, big thing here that levi Doesn’t have anything there. (you could take this as trans coding but i feel like they would’ve been more obvious about it considering marina, but regardless) there’s a lot of conclusions to be drawn from that but i think the most noticeable is how the game does go out of its way to hammer in that he’s still a kid. he’s hit puberty (mostly) he’s 18 but he’s still a scared child. underdeveloped. etc
his head exploded and now there’s a gun
something i noticed when going through the enemy list (confession: i haven’t played funger yet because i do not have the right computer. sad.) is that it resembles the platoon enemy in structure and texture which is actually pretty interesting considering the platoon’s nature as a not-very-sentient weapon despite the fact that it is specifically described as a moonscorched human. that’s slightly off topic but i don’t think the texture resemblance between weeping scope’s gun and the platoon body is a coincidence
- what i’m literally thinking about irt the gun being Fucking Huge is the fact that it’s oversized and how that relates to being a child soldier. his main gun itself (rifle) is also very very long. too long for his tiny malnourished ass. it’s huge and unwieldy and
- takes over the entirety of where his head used to be. he literally has no way to think anymore. it’s just gun. no head. no thoughts. just gun and obviously fear and sobbing because even when less than human he’s reverted to extensions of both sides of himself: the terrified child and the mindless soldier. all he can do is cry and shoot. all he can do even as levi is cry and shoot (it’s all he’s good for, it’s all he’s meant for — while it’s a funny interaction, i do think about the segment in prhvl bop where he plays the piano and says it’s too late for his life to change trajectory [how old are you?] 18) — but it’s. so much more obvious and inescapable as weeping scope
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er-cryptid · 2 months
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Patreon
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loadinghellsing · 5 months
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random anderson headcanon: he is extremely flexible.
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based/inspired by how Anderson bends inhumanly backwards to laugh after "killing" Alucard.
(andercard addition) . (old post)
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fumifooms · 17 days
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Canines
The hand that feeds
Mickbell Tomas & Kuro Dungeon Meshi
^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man
v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth
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#Yeahh i’m workng on a mickbell & kabru party analysis oops#I’d bleed for anything if it held me the right way. Even teeth#dungeon meshi#delicious in dungeon#Mickbell tomas#kuro#mickuro#mickrin#It’s on topic in my heart#The red means I love you…#The duality between the care & devotion and the hurt & isolation is really what gets to me#Traumabonded kittens highkey#Tw#cw#cw abuse#tw abuse#Web weaving#web weave#webweaving#I hit 30 pics :( would have added more if i could#Idk even anymore… Pls tell me you see the vision#Mick obvi loves Kuro a lot but this was meant to focus on the unhealthy side if that wasn’t obvious. Abuse tactic of isolation etc etc#People always leave. doesn’t matter how or why but his parents his sister everyone he’s never enough to stay#and that’s why he thinks he has to trick Kuro into thinking Mickbell’s the whole world or he’ll discover that there’s more out there.#Stuff that’s worth leaving him for. He has to make the world scary and unknown and not pay him and not let him have connections#That’s why he doesn’t want people to have a choice!! Either Mickbell doesn’t care about you or he’ll make sure you can never be without him#and there being a third option/outcome in this freaks him out!!!#Some of these should be called ‘No Title’ instead but I have bad academic crediting etiquette this looks cooler sorry#He’s scared of course he bites. There’s only throwing bones when feeding a stray. So bare your teeth and chew me up
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bonefall · 4 months
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Maybe I'll make a post on this at some point but like, something deeply fucked up about TNP and Po3 that people have totally forgotten about is how badly they try to whine that "Tigerstar Had Good Traits :("
Firestar does it, Brambleclaw does it, and they keep doing this after it becomes this GRAND irony that Firestar almost gets Tiger'd to death in a fox trap because he was too trusting. Bramble gets his pity award of keeping deputyship and then cries to his son about how No One Saw The Good In Tigerstar :(
And it's wiiiiild that no one else in this fandom has done anything with the fact that Leopardstar broke the Warrior Code to appoint Hawkfrost, who had no apprentice, an extremely aggressive and warmongering Tigerclone who says things like "Tigerstar wasn't the worst cat to look up to." ONLY qualifying trait was being kinda like Tigerstar.
And she practically did that the SECOND Mistyfoot went missing. And then Leopardstar continued to be one of the most violent and xenophobic leaders through Po3, joining with WindClan to attack ThunderClan.
What I'm getting at is that like, a few years ago, with books like "Blackfoot's Reckoning" and "Shadow in RiverClan" it's like they suddenly decided to retcon in a bunch of "redemption arcs" in hindsight. They just pretended like there was this grand high reckoning with TigerClan, when there literally wasn't, and if anything that caused SERIOUS problems for the cast that the authors didn't fully acknowledge as such.
And now ppl haven't actually read the main series and are just working with their recent memory of all these retcon books.
But TNP and PO3 are still there, and you can go and see the ACTUAL timeline where Leopardstar is really not apologetic at all, and Blackstar is a useful stooge for the very next wannabe dictator that strolls in, in spite of the new side content that COMPLETELY mischaracterized them for their plots to work.
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