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#being a hero is a thankless job
psychobind · 3 months
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contemplates ungratefulness of world.
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deviant-nomad · 1 year
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defectivehero · 3 months
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Please write about a nb hero who is big on "not owing anyone money" and "its my problem and weight, let me carry it" and "please let me pay u back" and "its your money even if you spend it on me"
And a nb snarky millionaire (by evil methods) villain who is obsessed with their hero and is like "let me spoil u bbg" and *casually throws money around for hero* and very big on "I WOULD DO ANYTHING FOR U" but hero is too fucking dense to actually believe rhe villain.
this snippet completely spiraled out of my control (as most things do).
It all started with that damned news article. In hindsight, perhaps the hero shouldn't have been as forthcoming as they were. But, they wanted the world to know that the life of a hero wasn't always glamorous. They just... didn't expect for the journalist to capitalize on the single remark they made, the single huff of laughter they let out when asked about the wages. Days later, when the article released, the hero was stunned.
Heroism: A Thankless Job
The hero remembers the dread coiling in their chest as they opened the newspaper to find the article, apprehension increasing as they digested the information. That picture of their apartment complex... they don't remember consenting to release that information. Granted, the journalist kept them as a nameless, anonymous hero. But, it wouldn't take a huge leap in logic to connect the dots—to find the building's tenants and cross-reference those names with the hero agencies nearby. The hero just hoped an average reader wouldn't take the incentive to do something like that. They spent the rest of that day struggling to keep their paranoia at bay. It took them a while to fall asleep that night.
Fortunately, they slept well and their anxieties seemed to fade. The hero stumbled through their morning routine and opened their front door an hour later, ready to greet the day, only to nearly trip on a package. They had frowned and taken the package inside, unable to shake the recognition that they hadn't ordered anything to be delivered. Upon opening the package, they found a single unmarked envelope. Their jaw had dropped to the floor once they found the bills inside—an amount more than their typical paychecks.
Little did the hero know, this would be far from the last time they received an unmarked package with a far too generous, entirely unexplained gift inside. At first, the gifts were just small things: a collection of medical grade bandages and antiseptic, a new sweater after they spilled coffee on theirs at work, a care package with things like cough medicine and tissues that appeared the day they got sick. The hero was still profoundly uncomfortable with the idea of some mysterious benefactor providing them with these things, but at least the packages were small. The magnitude of the first gift hadn't been matched since, and the hero couldn't help but feel grateful.
Amidst their hero work and their daily life, the hero found their mind quickly returning to the question of their gift-giver's identity. It had to be someone they interacted with fairly often, considering the far too accurate timing of several of the gifts. One time could be dismissed as a mere coincidence; a box of cough medicine a mere hour after they found themself bedridden, however... That is an entirely different story.
The gifts continue, but, thankfully, they are small in scale. The hero still feels horribly guilty about being entirely unable to pay this person back, but there's almost nothing they can do. Their benefactor clearly doesn't want to make themself known, and that's fine. Really, it is.
Until there is another envelope. This time, their mystery patron doesn't bother concealing their gift within a package. Instead, the hero opens their mailbox to find an unmarked burgundy envelope. Dread coiling in their chest, they look around—foolishly hoping that their gift giver would somehow have a change of heart and decide to show themself—before heading back inside. The hero sits on their sofa and takes a deep breath, before opening the envelope with care.
What they see is enough to make their hands tremble and their grip falter, allowing the envelope to slip down to the floor. They hold their present in disbelief.
It's a check—for more money than they could possibly fathom having. This sum is so large that the hero wouldn't have to work another day in their life. They would be able to live comfortably without earning so much as a single penny on their own.
The thought sickens them. "I can't accept this," the hero breathes aloud. They look down at their apartment's hardwood flooring as if it will give them the answers they're looking for.
"I don't recall asking you to." The hero jumps, looking up to find the villain standing before them. How they got there, the hero doesn't have the faintest idea. They blink at them for a moment, wondering how they didn't connect the mysterious gifts to the villain sooner. Their enemy has always had access to extremely high-tech weaponry and state of the art medicine (judging from their utter lack of scars despite their numerous fights); not to mention, they've had an inexplicable disregard for finances for as long as the hero can remember. It's all beginning to make sense now.
The villain takes a step closer and the hero remembers their remark. "I'm serious," they say with a frown. "Why are you doing this? Do you want me to owe you? ...Is that what this is? Want to, I don't know, kick me while I'm down? You're such a good person, helping the needy." The latter statement is spoken with venom.
"No, of course not," The villain argues.
"Then why?" The hero repeats, the volume of their voice rising as they get more frustrated. They take a deep breath and clench their fist at their side. They're still holding the check in their other hand, and despite the fact that it's nearly weightless, they can feel a pressure pushing their hand down. "And, more importantly, how in the hell did you get this much money?" The hero hears themself ask.
"Don't ask questions you don't want the answers to," the villain says lightly. There's a darkness to their eyes that suggests the hero should cease this line of questioning. They take another deep breath.
"You're assuming I'll just... accept this," the hero realizes aloud. That familiar itching feeling is rising to meet their skin, and they're becoming less convinced that they should stop it.
"Perhaps."
The hero blinks at them once, twice. The villain refuses to break eye contact; their gaze almost urging them to do it—to use their powers to turn the check to ash. The hero gives into the flames prickling along their skin and summons their fire in the palm of their hand. It will only take a moment, maybe two, for the bottom of the paper to char. From there, it will only be a matter of time. The hero watches in anticipation.
...But nothing happens.
"Did you really think I'd be foolish enough to give you a check you could just burst into flame?"
The hero stares ahead blankly, their ears ringing. The villain's expression blurs into a twisted smile. A figment of their imagination or reality? The hero hears their breaths, ragged and half-panicked in their ears.
"I don't understand," the hero repeats hollowly. They don't understand anything that's happening—anything that happened that led them to this very moment, standing before the villain and holding a check that their enemy gave them.
"You don't have to understand," the villain says, crossing their arms over their chest. "I'm not asking you to understand. Hell, I'm not asking you to do anything. I'm ordering you to cash this check."
The hero's tongue is ironed to the roof of their mouth. Even if they desired to speak, they don't think they'd be able to.
The villain notices their speechlessness and sighs. "I didn't want things to come to this, but..." They break off. "As I predicted, you're stubborn as hell, and self-sacrificing to a fault." The hero doesn't have the energy to be offended or outraged.
"So," the villain drawls, their arm falling to their side quickly. The hero blinks and they're suddenly being held at gunpoint. "Go to your bank. Now." The hero suspects the weapon is more than a gun—and they don't care to find out just what it can do. It appears they really have no choice. The villain is forcing their hand.
An hour later, the hero is walking out of the bank with sunken shoulders. "There," the villain says, clapping a hand on their shoulder and leading them out of the building. "That wasn't so hard, now, was it?" Upon closer examination, the villain's weapon is nowhere in sight—as if it simply vanished in thin air. The unlikely pair walks down the street and heads back to the hero's car. The hero ignores the domesticity of it all, securing their seatbelt over themself. The villain doesn't seem keen to wear their seatbelt, so the hero reaches across and buckles their rival's seatbelt for them before they can object.
"I'll transfer the money back to you tomorrow," the hero announces as they're driving down the street, back towards their apartment. Their eyes are locked on the road, yet they somehow know that the villain's gaze is fixated on them with frightening focus.
"We both know you won't," the villain hums with certainty. The hero hates that they're right, hates that their rival can read them so damn easily. Their hands tighten around the steering wheel and the rest of the ride is suffocated with a horrible silence.
When the hero arrives back home, they can't shake the realization that the villain seems deeply pleased. They say as much to their enemy, who hums.
"Of course I'm pleased," the villain says, "If I knew this was all it would take to get you to accept a much-needed gift, I would've done it eons ago."
The hero takes a deep breath, struggling not to cry. It's been a long day, and they're reaching their limit. "I think you've humiliated me enough today," they announce. "Can you leave?" Please, the hero thinks to themself.
"I suppose," the villain sighs dramatically. They take one step to the door, then another. Just before their hand can clasp the doorknob, the hero feels one last objection fall from their lips.
"That money could go to far more deserving people and causes," the hero chokes out. They're choking on their own pride, choking on the simultaneous acknowledgment that they need money and the horrible knowledge that almost no one in their situation has an out like the one they were just presented with.
The villain turns around to face them, clearly moments away from rolling their eyes. "Do I look like a philanthropist to you?" The hero shakes their head, their throat burning. Their enemy nods in confirmation and turns back around. They twist the doorknob and tug the door open.
"You deserve nice things, you know." The villain's parting remark is murmured so quietly that the hero convinces themself they imagine it. The hero watches their front door close and waits a few moments before locking it. They turn around, their back to the door, and slide down to the ground with their head in their hands.
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Writing Prompt #2626
Being the hero hurt. It's not that it was a thankless job, but that didn't erase the guilt, the exhaustion, or the losses that came with it.
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renmorris · 6 months
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Kim, the mender
I’ve been thinking so much about Kim navigating his own deep loneliness and touch starved-ness through caring for others, and what I feel are implicit statements made by the game that he studied emergency medical first response as his mandatory RCM civil service role
(his year working in body processing, him knowing how to keep Harry alive and able to walk after the tribunal, the morale healing pats on the back, even offering his jacket to Acele etc)
It’s unselfish and not something he has to justify to himself as an indulgence, it’s practical. It’s being a good coworker. Kim mentions repeatedly that gets seen officers in worst states than Harry and I don’t think Kim is unaware that Harry absolutely thrives on his reassurances and praise.
@1tbls has some Kim posts I mull over a lot (one of them is just the sentence 'Kim's horny little need to take care of Harry' because I really feel like that hits the nail on the head. another is the one about how Kim does seem to have self analyzed himself but in a kind of shallow way.) I really agree with that, it does feel like we're meeting Kim after he’s done some internal processing of his own. in the fashion police conversation he mentions that he used to be very uptight before he started wearing plainclothes etc
This is all to say that I know fandom is understandably wary of writing Kim as Harry’s caregiver and that’s good 👍 it’s very good to be aware of racist fandom trends and push against those. But for Kim there is textually, I think, the fact that he does thrive on caring for other people. It gives him a kind of authoritative position, and stability.
(It even ties into his tailoring hobby, he’s a mender of clothes and people, a mechanic, and wants to be that for the city so badly.)
There’s a lot of reasons why Kim wants to take care of Harry, why he believes that he can come back from all of this. Obviously one is that if Harry who is white, who works in this legendary precinct with his heroes, who puts in these impossible hours and burns himself alive for the RCM, who is ranked Double Yefreitor can be so easily left to die by the RCM…it means Kim never stood a chance. That his dwindling faith in the system means nothing and he has thrown his life away in this job.
(Likewise Kim also means this for Harry- If Kim is seen as disposable then there was never any point in being diligent and clean. Both paths are thankless and have left them to rot)
But the other I think is that this is how Kim copes, by taking care of others. He is so very careful about indulging himself in ways that he feels are extraneous. But this is a kind of closeness he is allowed to have, it does good for other people.
And over time this is and will be where Harry sneaks in past his defenses and takes care of him back. Get loved, idiot! Be cared for, bino! ❤️
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connoisseursdecomfort · 4 months
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The thin line between Waku Waku and danger - what awaits Anya after ch.94?
[Manga spoiler alert]
Anya. The baby of the story. The star of the show. The leader of the Twiyor ship (she even created the slogan "Chichi to haha icha icha".) The telepath. The gremlin. The peanut. The heh.
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In SxF, we saw how she forged the Forgers, how she fortified her friendship with Becky and Damian, as well as Emile and Ewen, and how she improved academically. It all started because she found it to be waku waku to have Twilight to be her father.
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Same reason for choosing Yor to be her mother:
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Of course, I love her for doing that. But there is no denying that she's drawn to danger. She likes it to be exciting. She wants to be the hero. And we all do. We, like Anya, like things to be waku waku.
It is good for the audience. But is it good for Anya?
Not really. Slowly but surely, Endo is revealing to us how it would affect Anya.
She thinks it is waku waku to have a spy and an assassin as parents because she is obsessed with Spy Wars. It is totally understandable for people to be want to imitate the cool characters on TV, and it is mentioned once again in Ch.94.
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But it's something more than that. Loid being the top spy and Yor being the top assassin gives us a feeling that no matter what they will save her, and more importantly, they will be able to save her.
In the first chapter, her desire to make the spy work more waku waku has got her into trouble. Twilight rescues her, all ends well. In Chapter 7 she gets into trouble again, and Yor rescues her.
We have a sense of security that the Forger parents will do anything to get their baby back. And while that's VERY true (that's not up for debate - sorry), it also gives Anya the sense of security that she could maybe play with fire a bit more. So in Short Mission 1 we see her deliberately holding onto the bad guy's clothes, trying to get Yor to help. And Yor saves her and kicks the bad guy's ass.
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Nonetheless, I should specify that Anya doesn't only want waku waku only for the sake of it although she does gloat over her successes. She understands that she needs to be careful, both in the doggy crisis arc and the cruise arc. But she still runs towards danger because she wants to help.
We already know she would do anything to keep the family together because of her love for her parents and also her abandonment issue especially when it comes to Operation Strix. That includes running towards a building that is going to explode in the doggy crisis arc and heading to the front deck where Yor is fighting with other assassins in the cruise arc. She has a good reason wanting to get involved, and she always succeeds too.
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But that isn't all. She actually sees how her parents work towards their goals tirelessly.
That, of course, has something to do with what Endo chooses to focus on when it comes to the jobs of spies and assassins. He doesn't actually focus on the waku waku part that much (which has been one of the most common complaints). Literally in the first chapter, Endo has already shown us what the nature of spy work is - It can be freaking boring.
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Same with the assassins' work.
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One could even argue that Endo is deconstructing the images of spies and assassins in popular culture. While it is still waku waku for us and for Anya to see them working as spies and assassins, most of the time it is just a job for Loid and Yor. That means we AND Anya also see how tired they are after they've finished their jobs.
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But why? If their jobs are ruthless and even thankless, why did they do it? The answers have been given in the cruise arc and ch.62. And for Anya who has been with them for quite some time now, she is inspired by their goals.
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Anya wants to do good. Just like her papa and mama. And I think this is probably a good time to revisit the bus arc, particularly this moment:
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Other children are thinking how their parents would come and save them. When Anya thinks about her parents, what would she think about?
Is it her parents' goal(s) - to make the world a better place?
Or is it the fact that she has always been the one actively doing something in order to save people, just like how she saves her parents and keeps her family together?
Even in the movie trailer, we see Anya desperately trying to help despite being all tied up.
The bus arc is also when the adults starts to scold her for being reckless.
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It is not really the first time they've seen her being reckless. In the doggy crisis arc, Anya is told not to wander off.
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Twice.
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And even the childcare lady told her the same thing in the cruise arc:
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But before it can be brushed off as kids having a tendency to wander off. But it is becoming more and more clear to the Forger parents that it seems to be something even more serious.
Endo is definitely dropping hints here, no?
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It reminds me of what Loid told Bond:
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This applies to everyone in the Forger family. Yor in the cruise arc. Loid in the mole arc. And Anya in the bus arc.
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Anya has learned so many things in the process. Her grades have improved. She has learnt to read the clock. She has to try to write something that is readable so she can eat the gifts from Damian. But it seems she hasn't learned the most important thing yet.
PS Meanwhile, Bond went from not knowing how to play in the dog park
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to suggesting an alternative game to Anya in Ch.94
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Bond is best boi \o/
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wutheringmights · 3 months
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Chapter 27: The Holy Lament & The Good Night Rating: Mature Warnings: Graphic Depictions Of Violence, Major Character Death Additional Tags: Linked Universe (Legend of Zelda), Alternate Universe, Character Study, War, world building, Trauma, Alcohol Abuse/Alcoholism, Political Intrigue, Found Family, Angst and Humor, Warriors is a very complicated person, Warriors also does not know Time is Mask, Warriors (Linked Universe)-centric, Canon-Typical Violence, Heavy Angst, Manipulation, Morally Ambiguous Character, Please read content warnings before each chapter, Abuse, Emotional/Psychological Abuse, Physical Abuse, Implied Sexual Content, Power Imbalance, Implied/Referenced Torture, Blood and Injury, Disabled Character, Dead Dove: Do Not Eat Summary: “You are going to hear a lot of terrible things about me. Most of it is going to be true.” Being the hero who saved Hyrule from a bloody war was a thankless job that left Warriors with more regrets than he cared to remember. He only started to heal after meeting his fellow heroes from across time and joining them on their quest to defeat the black-blooded monsters. But when his time-hopping journey takes him back home, he finds his kingdom on the brink of war once more. This war threatens to ensnare not only Warriors, but his newfound family as well. Warriors will do whatever it takes to keep them safe, even if that means becoming a traitor to the kingdom he gave up everything to save. But the harder Warriors works to protect his family, the more the secrets of his dark past come to life. Who is Captain Link Walton, the Hero of Warriors? What happened to the two other heroes he had once fought alongside all those years ago? When this is over, will Warriors even have a family left to save or is he doomed to repeat his past mistakes? (Once, there were three brothers: the captain, the engineer, and the child. Their story did not have a happy ending.)
If I didn't force myself to post this now, I don't think I ever will. I have not been so nervous about a chapter in a very long time.
Does that bode well for me? No. But I will march on nonetheless. Insert joke about this chapter is already over half a million words long and all the rights it gives me to do whatever the hell I want at this point.
In this chapter of--and I cannot stress this enough--my incredibly niche fanfiction:
Link has a fun night out on what is totally not the Hylian equivalent of Halloween
Ganondorf is here, and you know what that means! Keeping Up With the Harkinians is back!
And... uh... what I can only describe as the stupidest decision I have ever made (yay)
>> Read it here >>
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linkspooky · 4 months
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How do you feel about higuruma in the last couple chapters + how he died(assuming hes dead he seems pretty dead), normally characters with death wishes like choso for example are denied that wish, but it was granted for higuruma. just in a meta sense how do u think that served the story
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The reason why Choso wasn't allowed to die, meanwhile Higuruma dies is less Gege being inconsistent and more they are two different characters with two different arcs. Choso's atonement arc is pretty clear, his arc is probably the most complete arc in the manga. Higuruma doesn't have an arc, he doesn't grow or adapt or change in time even though he has the potential to, and even though he's challenged head on by Sukuna and that's why he dies.
I don't mean to say that Higuruma is a bad character when I say that he doesn't have an arc, but rather his character remains static even though he is a well-rounded character. We can dive deeper into Higuruma's character though, to show what I mean when I say that his arc is static and that's the reason he died.
The Ugliness of the Weak
Everyone jumps to Nanami right away when looking for a character to compare Higuruma too, but while there are superficial similarities the best comparison is actually Geto.
Nanami is probably the prime example of a first grade sorcerer, he and Yuji are probably the only sorcerers who do their jobs for non-selfish reasons. Nanami could have had an escape from sorcery to make more money in a safer job, but he goes back to sorcery because he believes that work is more useful to society and worthwhile.
Admittedly, Higuruma starts in the same place as Nanami, wanting to do his work as a defense attorney even though the odds are stacked against him, instead of being a prosecutor or a judge because he doesn't want to turn his eyes away from others.
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However, herein lies the rub, while they share the desire to do a job that's useful for others, especially people who can't really fight for themselves, and they both work hard thankless jobs Nanami never develops a superiority complex about it.
Nanami never thinks of the people he helps as weak and inferior. In fact, he criticizes for only fighting for his ego. He doesn't separate the strong and the weak as different categories, he just does his job out of a sense of duty.
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Higuruma is compared to Gojo in terms of his raw talent as a Jujutsu Sorcerer, a modern sorcerer who learned domain expansion, and domain amplification in less than a month and then reverse cursed technique in a few minutes when pressed by Sukuna. He was also considered a genius at lawschool as well who could have easily climbed the ranks further if he didn't stay a defense attorney.
Higuruma does his job out of a perceived duty to keep his eyes open to justice, but he still looks down on those same people he's defending. He sees them as a category separate to himself, they are the weak defendants and he is the savior.
Now, who has a talent similiar to Gojo, started in a place of wanting to help the weak out of a sense of duty, while also harboring a superiority complex against them because he was considered such a genius? Ding, ding, ding you get no points for that one, it's Geto.
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"The weakness of the victim. The weakness of the accused. Ugly that's what I thought every time I tried to help anyone." "What I saw was nothing out of the ordinary. A hideous evil, known to everyone."
They're both characters who had impossibly hard jobs who still put their noses down to the grindstone and did their jobs out of a sense of justice, or obligation, or because they upheld themselves to a higher moral standard, only to get sick of it from the sense that none of their actions were making a difference and also the ingratitude of people they were trying to save.
They're also, despite being geniuses incredibly fragile ego-wise. Geto has a hero complex, and when Toji easily defeats him, nearly kills Gojo, and kills Rika in front of him he's shown he's a normal person like the rest of the world and can't deal, even saying spiteful words to Gojo that if he had all of Gojo's strength anything he wanted would be possible. This is coming from Geto who had always treated Gojo like an equal and never envied him up until this point.
Then there's Higuruma who calls the victims of an unfair justice system ugly and weak because they ummm... stare at him.
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LIke, wow! They're going to go to jail for a long time for a crime they didn't even do, and they're just a little bit upset about it?
How dare they.
They're looking for someone to blame because they're in a bad situation and they're freaking out?
This perfectly human reaction is called "ugly" because Higuruma sees himself in a superior category to these people. He calls empathy looking at someone's weaknesses, and he felt the people he tried to sympathize with and understand were ugly.
I mean yeah I guess freaking out when they were going to prison for a crime they didn't commit and blaming Higuruma who was overworking himself trying to help them wasn't very cash money of them, but you know what else isn't very chill?
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Flipping out and murdering a bunch of people the exact moment you're granted a power like Jujutsu by the culling games. Geto and Higuruma see themselves in a category superior to the weak people who sometimes aren't perfect victims and sometimes aren't grateful for their sacrifices, but when given power how exactly do they use it?
Geto after snapping quickly takes over the same cult that killed Riko Amanai an innocent girl, and uses it for much more nefarious purposes. Higuruma quickly becomes a much worse person than the supposed ugly crimminals he was defending the second, the literal second he's granted power.
Geto and Higuruma are just as capable of being bad victims as the same kind of bad victims they looked down on. They're just as affected by trauma, and just as willing to do bad things when put into bad situations because guess what... they're still human. The strong are equally as human as the weak. They see themselves as better than others, and their altruism isn't 100% altruistic (but to be honest no altruism is completely unselfish) because it comes from a place of perceived charity work. When they are hit with the realization that they are just as human, and therefore just as capable of erroring they can't cope.
Which is where we finally get to my point, if Choso is not allowed to die for atonement then why does the story kill off Higuruma and grant him his death wish?
Here's where I tie him to Geto again. (A lot of characters parallel with Geto really including Yuji several times but that's a different post, like Higuruma doesn't have nearly the same bodycount as Geto and he doesn't have any genocidal ambition but that's why he's a character foil and not the exact same character.)
Arguably, Geto also had a death wish that was granted by Gojo himself at the tragic end of Jujutsu Kaisen Zero. While he never directly says so like Choso and Higuruma do there are plenty of lines that indicate it.
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He says that he can't be happy from the bottom of his heart in this world, that's the same as basically saying he can't continue living in the world. Years earlier in Hidden Inventory in a panel that parallels this scene he also says that he'd willingly let Gojo kill him and there'd be meaning in that death. At the end of Zero, Geto is crawling away from Yuta ready to continue the fight again and when Gojo suddenly appears he basically makes no attempts to resist.
You could even say that Geto was throwing his life away in pursuit of an impossible dream to begin with. In the light novel adaptation of this scene, the narrator even speculates that the world was simply too cruel a place for Geto to live in.
'...no matter what, I hate non-sorcerers. But it's not like I hate everyone at Jujutsu Tech. It's just...' It's just that it was what Geto had to do. In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '...that in a world like this, I couldn't be truly happy from the bottom of my heart.'
So arguably Geto had a death wish too, and that wish was granted by Gojo in the end, while Choso's was denied.
To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality. This was the final confession of a man who could only choose to warp himself, who had erased himself in pursuit of his goals. The only person who could bear such a curse was Gojo Satoru.
The prose even further compares Geto to Yuta in how they're too sincere, and how Geto can't change himself in the face of a cruel world. Geto dies not because of his death wish though that's part of it, but because of his inability to adapt and grow.
Then we reach Higuruma, who is literally a DEFENSE ATTORNEY, who is supposed to sympathize with accused murderers, and even actual murderers that he has to defend at court. Yet, this DEFENSE ATTORNEY, can't see a single reason to live and atone and redeem himself for the murders he's committed.
Higuruma's a defense attorney, but his cursed technique is a prosecutor and a judge that hands out death sentences. Despite his stated goal of being a defense attorney and wanting to sympathize with human weakness, in the end he cannot forgive crimminals and he also cannot forgive himself.
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If anything, the difference between Choso and Higuruma is that Choso still has things to live for. He has a death wish and a wish to atone, but what keeps him going is his desire to protect Yuji. Higuruma the DEFENSE ATTORNEY has given up his role as a protector and is only dealing out punishments.
A character who is still capable of growing and changing in a narrative usually lives, unless they're a mentor to be sacrificed like Nanami. A character who does not grow either doesn't get screentime or they die. Higuruma couldn't see forgiveness or atonement for crimminals, he could only see punishment and because of that when he became a crimminal too he accepted his punishment and died.
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002yb · 8 months
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Runs to you hands you a note that says "dickjay kink praise" and leaves
Alright, so it's to be expected that I've got a strong hankering for Dick praising Jason and Jason being wrecked for it but like. Jason praising Dick? There's something here and like...it's super cute!! Hear me out:
Jason considering how Dick grew up with applause (at the circus) and how there's no such praise for Dick now, only an expectation to do and to do it without err
And it's not like Dick seems to mind, but Jason can't help but wonder if Dick misses it: the wonder, the awe, the reverence.
None of those things are lacking from Dick's life now, necessarily, but he receives them in different ways. More subdued, more conservative.
Gone are words of affirmation and shows of gratitude, replaced instead with implicit trust as heroes and colleagues and friends shift their burdens onto Dick's shoulders because they have an utmost faith that Dick will help them, guide them, save them
No one tells Dick that he does a good job or in what ways he's extraordinary. Maybe it's because heroes value action more than words? Jason isn't sure, but he thinks it might be a shame.
It's a great thing to know you're respected - to see that reflected in people trusting your skills and capabilities. It's wonderful to know you're well-liked - to recognize it in the way people flock to you, drawn in by some sort of gravity.
It's something else entirely to be praised.
It's on a whim that Jason says it. It's some inconsequential day during a patrol break or after a post-patrol debrief; it's out of the blue entirely - on a day where they happen to be in one another's space. Lounging before another grueling night. Or while Jason is dropping off lunch or a duffel of Dick's stuff at the station at Alfred's behest. An inconsequential day at an inconsequential time but Jason is curious and can't shake what a damn shame it is because Dick...
Maybe Dick doesn't want or need the praise, but he works damn hard and tries fucking hard to be good: a beacon to guide the lost, a hope for those that have lost the light.
So Jason considers Dick, marveling him and the way that Dick bears burden and expectation and is so frustratingly graceful despite the thanklessness of it all
(But Jason knows as well as any of them - they don't do all the shit they do for something as paltry as gratitude...though it is nice, sometimes. To be seen. To be acknowledged. To have someone recognize the efforts and sacrifices made).
But praise is - it's hard? So Jason's whim to praise comes out a tongue-tied mess that undermines his usual wit and eloquence, but Jason stands by it despite how the compliment might have been a little too honest and makes Jason's cheeks flush pink: 'you're really inspiring.'
And Dick is caught off guard by it, incredulous until he recognizes the sincerity in the sentiment and Jason startles a bit because Dick smiles and it's so heartrendingly genuine and breathtaking and Jason can't believe how damn devastating it is
Dick is gracious about it even as he ducks his head and carries on doing whatever he was doing. 'Thank you,' Dick tells him and Jason wants to say more. More and more because he thinks Dick needs to hear it; sometimes it's important to hear these things: 'i appreciate you,' and 'i see you,' and 'thank you.'
Also it's only after writing this far that I've remembered that 'kink' was supposed to be part of this, which uh. Whoops. Let this be wholesome praising praise kink.
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bored-trans-lesbian · 4 months
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The Ratgrinders are also heroes
TL;DR This is a silly post
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So, I like the analysis about how beyond just the "Exp vs Milestone" rivalry the bad kids and ratgrinders represent, this conflict is also one of heroics vs. the mundane, and not in a "heroes are just better than normal people" mindset. I've seen it pointed out how *unfair* it is for partys like the bad kids or the seven who repeatedly travel Spyre for adventures for schoolwork, while the ratgrinders have coasted on risk-free simple actions. I've seen the irony pointed out that Kipperlilly's entire platform is built on "equality and fairness under the rules" despite essentially finding loopholes within the rules (like finding the rogue teacher, or only putting in combat experince on the most technical level, risk-free, ect)... this is all very good. I want to agree. But I reccenty had a thought, and I realized that in fact, the twist coming, is that the ratgrinders are, in fact, genuine heroes and doing the academy a *great* service. We know the details and yet, we were too blinded by our bad kids bias to see the truth! In today's TED talk I will be explaining why the ratgrinders are keeping all of Elmville safe. We want to be mad at these guys, grrr. All they do is kill low-level monsters like rats and they keep up? Well, wait a minute. They do this how, again? Rats aren't worth much exp. They keep it up 3 hours a day, each weekday, and 9 hours a day, each weekend? That's... a lot of combat, actually. Considering a round of combat typically takes about 10-20 seconds for the bad kids, and that's taking on incredible odds and serious baddies. These are just rats who after not much time at all go down in one hit. And we know the ratgrinders are getting serious exp results, they are likely at or above level 10 themselves. That means there are *enough* rats (and other weak monsters) in the woods by the school, to nececitate, and reward, for 33 hours per week, for a party of we can presume six people. *Every week* The woods is populated enough to justify 33 hours *solid* of combat, with a growingly powerful party of six. Do you know what that means? That means the woods within Elmville produce *nightmarish* amounts of rats (and other small monsters) every week, and without any of the glory or attention the bad kids get, our robust ratgrinders are rolling up their sleeves and *doing the hard work that needs doing.* What a thankless job, and here we all are mocking them for being a little obnoxious. If the bad kids defeat the ratgrinders, mark my words... within a month or two Elmville will be *flooded* with villanous vermin, feasting on the low-level citizenry and disrupting everything.
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By @wutheringmights
Summary:
“You are going to hear a lot of terrible things about me. Most of it is going to be true.”
Being the hero who saved Hyrule from a bloody war was a thankless job that left Warriors with more regrets than he cared to remember. He only started to heal after meeting his fellow heroes from across time and joining them on their quest to defeat the black-blooded monsters.
But when his time-hopping journey takes him back home, he finds his kingdom on the brink of war once more. This war threatens to ensnare not only Warriors, but his newfound family as well.
Warriors will do whatever it takes to keep them safe, even if that means becoming a traitor to the kingdom he gave up everything to save. But the harder Warriors works to protect his family, the more the secrets of his dark past come to life. Who is Captain Link Walton, the Hero of Warriors? What happened to the two other heroes he had once fought alongside all those years ago?
When this is over, will Warriors even have a family left to save or is he doomed to repeat his past mistakes?
(Once, there were three brothers: the captain, the engineer, and the child. Their story did not have a happy ending.)
Tags:
Major Character Death
Alternate Universe
Character Study
War
World building
Trauma
Alcohol Abuse/Alcoholism
Political Intrigue
Found Family
Angst and Humor
(Warriors is a very complicated person)
(Warriors also does not know Time is Mask)
Warriors-centric
Canon-Typical Violence
Heavy Angst
Manipulation
Morally Ambiguous Character
(Please read content warnings before each chapter)
Abuse
Emotional/Psychological Abuse
Physical Abuse
Implied Sexual Content
Power Imbalance
Implied/Referenced Torture
Blood and Injury
Disabled Character
Word count: 573,419
Finished: No
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hollowsart · 12 days
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I think Guy would crack sometimes. drop that facade of cocky overconfidence and ego. become a reclusive mess holing himself up in his room or going back to earth to become a hermit for a bit. being unable to really handle all the stuff that's been happening up to that point when it gets to be too much. too much for him or for anyone.
he needs some time away to process and to de-stress himself. No matter how much crap he eats out on the field of battle in space or on earth, he'll always need to take some time off for himself to wallow and recover for awhile.
He'll keep the ring on the dresser across from his bed for a few days.. staring at it as he sits on the edge. eventually grabbing it and shoving it angrily into one of the drawers so he doesn't have to see it anymore.
as the days pass and he slowly starts to recover from whatever it was he experienced.. he'll begin considering the ring again. digging it out. gripping it, but not yet putting it on. Eventually, though, he will. Slipping it on and having his uniform return back to him as he takes a brave breath and heads back out to return to his duties.
During his time off.. he's reminded time and time again who he is. what kind of person he is. Helping some old lady cross the street safely as he chews out a reckless driver in a manner that makes her seem more troubled by him than almost getting hit. Helping out some kids in need, only to be told off by their parents or something for seeming suspicious despite the fact the parents should have been watching them in the first place.
"Bein' a hero's a thankless job, much like livin'.
..but everyone's gotta do it. Even the scum of the earth's gotta live and fight for it. Fightin' tooth an' nail for their lives.
I can't keep sittin' down here.. doin' nothin'.. 'Specially when there's always someone out there that needs the helpin' hand that I never had." -- Guy Gardner
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woltourney · 1 year
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ROUND 3 / SIDE B / POLL 4
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Naru (@blucifer08) v. Vastha Mhakaracca (@incense-and-iron / @wanderer-of-light)
Naru:
q. What is your WoL name and pronouns? a. Naru, she/her
q. What is your WoL's species? a. Xaela
q. What is your WoL's class? Or classes? a. Reaper
q. What data centre/server are you on, if you want people to find you? a. N/A
q. Tell us a bit about your WoL! a. Naru became a hero in search of a missing piece of herself! She never felt satisfied in her home of the Steppe. She was an orphan, and although she had an adopted family, she sought out more from beyond the Steppe. She enjoys helping, but I don't think she likes the word 'hero.' In her free time she paints environmental paintings, tries out her bartender friend's drink combinations, and sunbathing :)
q. Why should YOU win? (Answer IC!) a. "Ah… I'm not too sure. I suppose I'll win if fate chooses me. I'll accept failure, no matter how bitter… Though I don't see it as likely."
q. Anything else you wanna add? a. In my canon, she got fully turned into a sin eater and she uses light instead of void powers as a reaper :)
Vastha Mhakaracca:
q. What is your WoL name and pronouns? a. Vastha Mhakaracca [He/They]
q. What is your WoL's species? a. Miqote - Keeper of the Moon
q. What is your WoL's class? Or classes? a. Main classes: Dragoon, Dark Knight, Monk, Reaper, Dancer
q. What data centre/server are you on, if you want people to find you? a. N/A
q. Tell us a bit about your WoL! a. I'm a happy guy! Like to entertain my friends and put a smile on other people's faces. I ended up becoming a hero after following (partly) in my mother's footsteps-- she was a lancer and gave me her old lance when I wanted to leave home to adventure. It kind of broke ages ago… but I still have it! So she shouldn't be too mad about it. Hopefully, heh. Uh, anyway, I enjoy dancing and have tons of experience in managing and entertaining people since my family runs a small inn on the side of some nameless road. As for liking being a hero… it's complicated; as much as I really wish it wasn't that way. It use to be so easy and fun. Simple, even. There was still danger of course, but… I dunno. Fighting five giant ladybugs doesn't really match up in danger levels as the types of things I've been up too as of late [[<-- post EW content]]. Not to mention all the worst parts of having so much on your shoulders, things I really don't want to get into for such a fun event. B-But, don't take it as if I don't want to be a hero!! I can do it, so I want to do it. And it's not a 'If I don't do it, no one will', either. I think there are people who definitely could and would. People who have pulled way more weight through all this than I have. Even so, with all the pain and trouble I've been though, it's worth it at the end of the day. Knowing that I've helped so many people, that I have the power to keep the worst at bay, that I can make a change in the world and have that change try and be something good and positive and kind: that's what makes me like such a dangerous and oftentimes thankless job. Free time? Well, there's: dancing, cooking [[Culinarian is at level 90]], tending to my new island hangout, I've been doing LOTS of sightseeing-- Oh! I LOVE taking pictures and doing photography. Mostly of landscapes, they're just easier for me to work with than people; not to say I don't snap pictures of my friends now and again. What else… Oh! I've been taking up other crafting jobs as well since I have the spare time. It gives me something to keep my hands busy and lets me go out and collect more plants and rocks. I always liked going out to collect random stuff, but some of my older sisters, who I ended up bullied into hiring on as retainers so they could keep tabs on me away from home, got tired of me dumping popotos and iron ingots onto them to figure out how to sell en mass every week. I saw nothing wrong with it, but it really just must be me. Hmm… A lot more stuff about me is kind of personal. While I'm a rather open guy and like to chat, there's even some stuff I don't like talking about too casually or with strangers, sorry! Maybe we can be friends? I'm always open to new friends! Let's talk more sometime, okay?
q. Why should YOU win? (Answer IC!) a. Why should I win? Oh man, I just think it'd be neat! "Vastha Mhakaracca, winner of the…" uh, what was this called again? Oh, right! "winner of the WoLTourney 2023!" Could even put that on my little adventure card thingy just for fun.
q. Anything else you wanna add? a. Some other facts about Vastha he didn't get to cover himself: Transmasc [he/they] and gay (despite all the handsome bachelors in game, he hasn't fallen for more past a short lived crush or two.) He has 4 older sisters, making him the youngest in the family He use to be more meek and shy, which turned to 'all talk no bite', which turned out to now where he's more mellow and friendly but will not hesitate to throw hands if someone starts something He actually likes to do fetch quests because it lets him explore local areas to take more pictures Vastha comes off as a bit of a dunce and a ~stoopid widdle catboi~ to people because he likes to have fun and goof around like he use too (before all the horrors (tm) of being an adventurer). He notices, but doesn't comment on it. He'd rather people keep thinking it and underestimate him so he can prove them wrong through action. And with so much life experience now, he really doesn't care what others think of him anymore; he knows himself and that's all he can control in life. Despite being so giddy and friendly, the man does have some things he dislikes a normal degree, and other things (and people) he hates with the rage of a thousand suns-- which upon mention of will immediately switch his mood to more sour and serious. It's rare to stumble across such topics, thankfully.
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cosmicjoke · 3 months
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Also, and this really will be the last post I write on this for now, the Uprising arc, specifically, showed us that violence ISN'T always wrong, that killing ISN'T always wrong, and that, in fact, making any sort of generalized moral judgement about anything without understanding its context is foolish at best, and actively harmful and selfish at worst. That was the first moment in AoT when the audience was made to consider that things weren't so cut and dry as they maybe first appeared, and that the 104ths idea of right and wrong was too simplistic and naive to encompass reality. That was later expanded out when we learned of the Warriors unit from Marley and the backstories of Reiner, Annie, Bertolt, etc... But the idea was first presented in the Uprising arc, when the 104th were forced to reassess what it even meant to be a hero. A lot of them went in with this idea and desire to become hero's because they thought it would win them fame and fortune and renown, only to run into the bleak wall of reality that it isn't as simple as killing the big, bad monster and receiving the accolades for a job well done. They had to learn that being a hero isn't the glamorous calling they thought it was. That, in fact, being a hero often means having to engage in and commit certain acts that others might condemn you for and denounce you for and shun you for. Being a hero isn't about receiving the approval and praise of others. Being a hero is about self-sacrifice and suffering and pain. It's about putting others above yourself, even when that means sacrificing your own sense of self-comfort and the ability to call yourself a quote on quote "good person", if your definition of a good person is someone who's never done anything which violates a certain set of static, black and white moral values or principles.
Being a hero is often a lonely and thankless calling. That's the point. You do what needs to be done to help others, to save others, regardless of the cost to yourself.
If you can do that, and you can do it without complaint, without self-pity and without the desire to be recognized for your efforts, if you can do it without any self-serving motivation, then, in my book, you're both a hero and a good person.
And that's what Levi is.
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jellyfishdoodler · 6 months
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I know I dont post fanfics here but I'd like to try? If yall arent into it I can move them to my general shitpoat blog 💛
Drummer Boy
Requested by @vanessasepticeye who wanted a oneshot of Jackie playing the drums to get his emotions/ anger out, similar to Gwen Stacy.
TWs: Angry Jackie, mentions of his dad, mistreatment of drumkit
Word Count: 1,226
A small thought in the back of Jackie's head wants to kick himself for leaving his window unlocked, but right in this exact moment he could not give any less of a shit. Vaulting into his bedroom from the fire escape, Jackie pulls back just enough of his strength to not hurl his patched backpack through the drywall.
A small thought in the back of Jackie's head wants to kick himself for leaving his window unlocked, but right in this exact moment he could not give any less of a shit. Vaulting into his bedroom from the fire escape, Jackie pulls back just enough of his strength to not hurl his patched backpack through the drywall. He tears the blue mask off his face so the elastic no longer digs into his skin, crushing the soft material in his hand as he stalks around the room. He finds his drumsticks on the cluttered desk and trades them for the mask with a pathetic and unsatisfying throw. The piece of fabric flops from the wall to the table without a sound and Jackie can feel a scream burning in his throat, so instead, he stomps towards his lovingly beat-to-shit drum kit. It was half duct tape at this point but it still worked, and it's not like Jackie could afford a new set anyway.
Patrol was an absolute fucking nightmare today. First he had to skip breakfast due to an early call for help across town, then he got chewed out by an old woman for breaking her potted plant and was harassed into buying her a new one- which he then had to stop the plant shop from being robbed by some jackass who thought he was hot shit with a switchblade. He lost the comic book he was saving to read on his lunch break to the sewer drain, got completely soaked by a burst fire hydrant, was sent on a wild goose chase to track down a missing dog in the park where he literally got chased by geese. And to top it all off, when he saved the day and rescued two teenagers from a burning apartment building, he was the one who was blamed for the girl's broken leg, even though it was literally trapped under a solid wood bookshelf before he got there. But the girl's parents just wanted someone to sue so they could make some fucking money back like all of this was a huge inconvenience and not like they almost lost their fucking kids to a fire. 
Jackie worked really hard to keep his composure until he got home. He has many years of customer service under his belt before he got powers and managed to smooth talk his way out of a lawsuit. But that encounter was the final straw for him. Jackie knew being a hero was a thankless job most of the time, hell he understood that those people were just scared for their kids, but everything throughout the day stacked on top of each other and he was left with a gross itchy feeling under his skin. He had to get it out.
Slamming himself down onto the spinning stool, the young man wasted no time taking his frustration out on the drums. Using the double petals on the bass kick to set a fast beat as he practically wailed on the set. He loved the feeling of the vibrations of contact traveling up his arms, it felt like clapping mosquitoes mid-air and off your skin so they dont drink more of your blood.
That same voice in the back of his mind reminded him he's gonna get another noise complaint from Mr. Smith upstairs, but right now Jackie doesn't care. The rapid beats of the snare matched the buzzing feeling rolling from Jackie's core down his arms and to his drumsticks, the crash of the cymbals almost dents the brassy metal as it covers his urge to yell in frustration. 
He focuses on the patterns of his rapid fire set, picking up more pace and forcing himself to go faster.
Faster.
Faster-
Everything abruptly stops when his right stick snaps in half. 
"FUCK!!!"
Panting heavily, Jackie just stares at the now uneven sticks in his white knuckled hands. Everything in the apartment is still and quiet aside from his heavy breathing. In the distance he can hear the neighbor's dog- Patty- barking up a storm down the hallway. 
Jackie finally allows his shoulders to slump down as he unceremoniously lets the drum sticks drop to the floor with a deafening clatter in the now silent room. 
He always hates getting this angry, he knows it's not good for his public image or for his own mental health. Fighting bad guys helps with most of it, but it still sneaks up on him sometimes when he's not paying attention. It scares him.
The hero gently rolls his neck and shoulders, letting air escape from his nose in a silent laugh at a memory flowing into his head.
 If his overall deadbeat dad was good for one thing in his damn life, it was teaching Jackie how to funnel his emotions, primarily anger, through playing the drums. His dad said he was part of a shitty rock band when he was in school and that's where he learned to play. 
One day, Jackie's teacher called his dad and told him about an incident on the playground. Jackie stood up for another kid getting picked on but broke another kid's nose in the process of defending them. That afternoon when he got home, instead of yelling at him like Jackie thought, the man sat Jackie behind the drum kit that sat in front of him today and taught him how to keep a steady rhythm.  
"I had a similar problem to ya, kid." He started when Jackie was getting the hang of it. "Always letting my anger get ahead of me." Neither of them say that he still does sometimes, and he continues, "If you use these to just, yaknow, get what you're feeling out of your system, this way nobody around you gets hurt. You don't… go punching anybody you don't like 'cause you kept it in for so long." Jackie wanted to protest that he was protecting a friend but let his dad keep talking. 
"You exhaust yourself playing these so you don't have the energy to let it boil in your stomach for later. On top of all that, the world gets to hear your heartbeat. It might not be pretty, but they get to hear it go strong and loud even if you can't say what you're feeling in your chest. Even if it's hurting. You use this as a way to help you let shit go. Because at the end of the day, if you let it be, if you let it fester, that pointless rage will rot you from the inside out." 
Jackie does not know what to really say to all that. His dad isn't the best at pep talks but he thinks he gets his meaning. Even if the man is a hypocrite. He just counts the beats in his head.
It's one of, if not the only kind-ish memory Jackie keeps of his father. The man was a dick his entire childhood, but he did give Jackie this one thing that was good.
With that memory of a good Tuesday afternoon nearly 10 years ago gently floating in his chest instead of what was there before, Jackie picks up the busted drumstick and tosses it in the trash. Heading to the bathroom to finally shower away the long day's grime.
Tomorrow is a new day.
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molten222 · 6 months
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Moltar
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been getting a little into some older cartoons and had a little interest in this character Moltar. he had a long career, originating as a villain in Space Ghost, eventually earning a spot as Toonami's host, then retiring his position to TOM in 1999, who later gave tribute to Moltar upon his voice actor, C. Marin Croker's passing in 2016.
ive decided to put a few quotes from Moltar's promos from the villain's time as Toonami's host here that i found sweet.
"everybody needs a helping hand. even the bad guys know a thing or two about teamwork"
"theres nothing like the day when a teacher can see their student succeed. the mind is a terrible thing to waste"
"how many heroes do you think there are? what would it be like without them? without heroes there would be only victims. well victims, villains... y'know."
"you know, it's not easy to go out every day making the world unsafe for superheroes."
"being a villain is a thankless job, but we always have more fun along the way."
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