the beginning (tracy/troy) pre-s8
"Dad?" Tracy looked up from their little makeshift camp. It was raining out. PADRE had yet to be established. Her mother was still lost in some horde, and they were still trying to make it out in the world without any help at all. No group. No friends. No one. Just the two of them.
"I'm hungry." The eight year old frowned. She clung onto him, shivering through her little jacket. In just two years time, they would have an entire militia following Troy, including her uncle Russell. But for now, it was just two against the world.
They had taken shelter in a little shed in back of a large house that was crawling with the dead. It seemed like some rich person had a rager once upon a time, and their guests were still shuffling around. And it was storming. The thunder hurt her ears.
He had taught her not to be afraid, however. Even if she was. Tracy clung onto her little stuffed rabbit, resting her head against her father's arm. @butibite
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I'm in A Mood™ (stressed) so im going back to my roots of melting two character together into one person. So bruce wayne!danny fenton. Danny Fenton who, for eight years, grew up in a beautiful gothic manor with his mom and dad under the name "Bruce Wayne". Playing piano with his mother, running around the manor with his father.
Then when he's eight it's ripped away from him. There's blood on his hands and pearls pooling at his feet, and both his parents are dead in front of him.
And he gets shipped off to distant relatives "the Fentons" shortly after, Alfred close on his heels because someone needs to take care of him, someone that knows him. Bruce goes to the Fentons for the safety of anonymity. Gotham's press wants to sink its teeth into him.
Danny misses his city even if it took everything from him. There are shadows in his eyes and he's pale as a sheet even beside his distant cousins, and they change his name to "Danny Fenton' because nobody should know that their newest child was illustrious orphan Bruce Wayne.
They call him Bruce behind closed doors. Danny prefers it that way, he clings onto the name -- the one his parents gave him -- like a lifeline. He makes friends with Sam and Tucker. Tucker takes one look at the willowy, morbid little boy standing in the corner like a shade, ghosts in his eyes, and drags him out into the sunlight, and takes him over to Sam.
When Danny is twelve, he's still not over it -- and he's a little obsessed with the Fentons' research, with the morbid. He has books upon books on death, murder, detective work. Anything he can get his hands on. And stars. He loves stars.
Alfred owns the apartment next to them and comes over regularly. Danny clings to him.
When Danny is twelve, he's still quiet, meek, a shy little thing prone to being bullied. Freaky little Fenton with the night in his eyes and too-cold skin even before he put one foot in the grave. in a sleepover in his room with Sam and Tucker, he tells them the truth. They're his friends, he trusts them.
"My name is Bruce." he murmurs, voice quiet as the breeze, always quiet. he's staring at his star-covered sheets.
"Like Bruce Wayne?" Tucker asks, a joking tone in his voice.
Danny smiles a little, lamb-like with insecurity. "I am Bruce Wayne." And he takes them down to the lab, disrupting Maddie and Jack, to prove it. Sam tells them of her own wealth then shortly after. They start calling Danny "Bruce" in private too -- its trust. Thats what it is. It's trust.
Sam goes to media functions and comes back with aching feet and complaints on her tongue -- and Danny soaks it up all like a sponge, splayed across a beanbag chair with Tucker in her room. He's not envious of her, he used to go to events with his parents and they kept him safe from the ugly of Gotham's Elite. For the most part. He's had comments made at him, he doesn't miss them.
Alfred returns to the manor semi-regularly, Danny goes with him. he wanders the hallways and helps Alfred clean, the last thing either of them want is for their home to fall into disrepair. He brings Jazz with him next time, then Tucker, then Sam. They all help him clean, and he shows them his room. The one across from his parents', it feels strange.
When Danny dies when he's fourteen, the first adult he tells is Alfred. He and Jazz go over to his house more often than they stay in the Fentonworks building. At least at Alfred's, the food doesn't come to life. Alfred sits at the kitchen table and weeps when Danny tells him, Jazz is upstairs, and its just the two of them.
Danny's ghost form wears pearls around his wrist and the gloves look stained with some kind of black substance. He looks like a child who died in a lab accident, but he also looks like a child who has shadows dripping off his shoulders, curling at his feet, hanging from his eyes.
because amorphous blob batman has my heart always and danny/bruce will not escape it even in death even if that IS the only reason im giving him Mild BatBlob Vibes...so far
when they go to the manor, alfred helps danny make a pile of stones between Martha and Thomas' graves, nobody but the two of them (and sam and tucker) will know what it means. (not even bruce's children later down the line, not for a long, long time)
danny dives into ghost fighting on shaky feet and not half as witty as he once was in one world. he's skittish, skittering between blasts from shadow to shadow and clumsily making his way through each battle. but helping people lights a fire in him. he still has shadows dripping off his feet but there's a purpose in his eyes.
and god help him, he's going to help people.
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dp x dc prompt: you're my dad now au
danny goes to the edge of town to brood.
his parents are as hazardous to his safety as ever and jazz keeps calling him from college to convince him to stop being phantom and act like a normal kid. he thinks he deserves the right to vent a little, if only to himself. he doesn't want to bother sam and tucker in the middle of the night again.
"i wish i could have a family i can be honest with. people i wouldn't have to hide injuries from. who would have my back and who would understand i don't patrol in the middle of the night because i want to, but because someone needs to do it," he says with a sigh.
he doesn't notice desiree's out to play until it's too late.
"well, i guess that's one way to get rid of you, ghost boy. your wish is granted!"
and he's teleported right inside the batcave.
well, danny's always been one to roll with the punches.
"hello! it's nice to meet you," he says brightly to a scowling batman. "i guess you're my dad now."
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idolatry
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SVSSS is a novel with a fandom.
[ID: A Scum Villain edit of the "missing the point" meme. A bullet arcs from velinxi art of child Shen Jiu kneeling while furiously glaring. The bullet says, "People are not entirely one thing or the other and holding them to these extremes ignores the complexities that come with their humanity." It arcs over the head of a person across from it, who ignores the bullet and exclaims: "Wow!! Shen Jiu's only crime was being mean and was wrongly hated!" End ID]
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I will never be over Valerie's backstory.
It's not a "she's popular and bullies a less popular person" thing. It's not an "I'm going to hunt ghosts because they ruined my make-up one time" thing. It's a "this ghost ruined my life and now I have to fight for everything I want and I want him to be held accountable, no matter the cost"
They gave her such a compelling reason to be a ghost hunter! Obviously, we still root for Danny because he's trying his best, but it's refreshing to have a major antagonist who could have been just another mean girl be someone with real complexity, especially for a children's show
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“Stop excusing Jason killing just because he died!!1!111!!1”
We don’t excuse his killings, you ignorant fool. We actively encourage it.
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Made an 1987 Venus, and a 2012 Venus, so I’ve been long overdue to make a 2003 Venus! Tada~
In this interpretation, Venus wasn’t initially separated from her brothers. Instead, she was raised alongside them-up until the family went on the trip to Japan to return Hamato Yoshi’s ashes. The whole ordeal with the ninja tribunal happened around about the same, however at the end, while erasing the turtles memories, the tribunal saw Venus’s mystic potential and took her away to be trained by them, wiping her families memories of her as well.
Skip ahead a few years, and when Leo his sent away from is family-instead of the Ancient One, he meets her. Another turtle willing to help who feels so so familiar…
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Workin on Redesigning Jackies Colorful version and Im stuck as hell on clorors to pic for their Hair. Tried a billion different ones but These 5 seemed to work best I think
Also also Redesigning Isaac as well as his Sister. The old story I had for them was okay but then I got a better idea that makes Isaac the irredeemable shit I wanted him to be originally!
Also this idea allows me to tie in the whole thing from the cannon creeps comic of everyone seeming to hate LJ. Only in PM I plan on it to be a bit different with Ragz. Mainly that they didn't really do anything but SOMEONE did.
A Hint on why Ragz may be heavily disliked.
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as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it
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An antiqurian and archeologist walks into a bar...
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Back to the Spiderman au I have where Peter has radioactive venom and accidentally bites Miles when the kid is trying to help him, and because he’s so full of guilt at accidentally doing this to the kid (especially in one of those universes where people absolutely hate the x-men and stuff, being mutated might ruin that person’s life), he takes him under his wing to teach him everything about his new powers and before he knows it, Miles is working alongside him as a new hero
For that au, I’m now thinking about that version of Peter trying to rescue Gwen, and in the end the only thing that can help her is for her to be turned, so he shares his venom, and to Peter it’s this incredibly horrible event where he’s dragged another person into this life of being mutated, but Miles, who is next to him and has never once been unhappy about gaining powers, is like “welcome to the web warriors!!! you’re one of us now!!! :D”
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I'm slowly getting through devil may cry v and got inspired enough to doodle again. Sure they aren't polished but I love looking at others' sketch dumps, it's like looking at a smorgasbord of ideas. So here you go. Read more for close ups of the other doodles. The ID in alt are the same as written in the text.
[I.D. Digital art. A boy in a shirt hoodie, Nero, sits cross legged as he leans backwards to smile up at his companion. Said companion is a tall horned knight, Nelo Angelo, kneeling behind Nero. Nelo gazes to the side, but braces his broadsword by Nero, and his cape drapes around where Nero's sitting. Nero is rendered in light blue and red, Nelo is rendered in light blue, and they're brightly illuminated. End I.D.]
(Was thinking of 'Love Seeketh Not Itself to Please' by Indigomoods on ao3 while doing this one).
[I.D. A number of digital art sketches, most prominently featuring Dante and Vergil from the Devil May Cry series. From top to bottom, right to left:
Headshots of two boys, Dante and Vergil. Short comic of a man (Dante) ruffling a boy's (Vergil's) hair. Sketch of two boys on a couch, one (Dante) looking concerned at the other (Vergil) in foetal position. Branches curl under the couch. Sketch of child Dante and Vergil in red and blue, running hand in hand. Thumbprint sized chibi child Dante and Vergil. Nero and Nelo sitting together.
Semirealistic headshot (DMCV Vergil) in blue. Boy (Dante) curled in a fire, and fire demon (SDT Dante) gazing at his palm against a black background. Loose sketches of a man's head, roughly scribbled out except one, and an angry cat with a sword. They're labelled in blue and red writing. Side profile of a young man in blues (DMC3 Vergil), face shadowed, a yellow ribbon curled in the background. Side profile of DMC3 Vergil. End I.D.]
[I.D. 4 black and white digital pen cartoony sketches of child Dante and Vergil. Head and bust shot of a boy with slicked back hair and black turtleneck (Vergil) looking right. His brows are furrowed, eyes narrowed; he looks unimpressed. Below is a head and bust shot of a boy with shoulder length hair and white shirt (Dante) looking left with wide eyes and a fang toothed, wide grin. Centre close up of a cloaked boy (Vergil) glaring up, brow furrowed. His hair hangs over a shadowed face. One narrowed eye is visible. Right sketch is of a cloaked boy (Vergil) hugging a book to his chest, referencing a Visions of V panel. His one visible eye is wide as he gazes down with a small expression. End I.D.]
[I.D. Coloured digital art over a black background. Two panels. Panel one is child Dante, arms hugging his legs as he sits within a fire raging around him. He's buried his face in his arms. Panel two is an adult Dante in his demonic SDT form. He gazes down at his clawed hand while the fiery core in his chest glows as the main source of light, casting shadows and red light against his armoured form. The tips of his claws seem to glow in the reflected light. End I.D.]
[I.D. Messy sketch of child Vergil and Dante, running hand in hand. The two look at each other with smiles, Dante with a wide grin and Vergil with closed lips and determined brows. Their full expressions aside from the smile cannot be seen; Dante's hair whips back and covers his face while Vergil's face is eyeless. They're softly rendered in light blue and red, and bright lighting. End I.D.]
[I.D. Messy sketch of child Vergil and Dante sitting on a couch, shot from behind the couch. Dante directs a concerned gaze to Vergil, his hand braced on the couch back as he leans closer. Vergil only looks down. His arms are curled around his knees. From the angle, his expression cannot be seen aside from a small frown. Under the couch slithers Qliphoth tree roots. End I.D.]
[I.D. Chibi doodle of child Vergil and Dante, holding hands. Light blue and red ovals were airbrushed on the page, and a pen lined out their features. They have round cheek patches, like budgies. Vergil has a cartoony pout and a book tucked under an arm, labelled with a V; Dante has a toothy grin and is making a bunny ears hand sign. End I.D.]
[I.D. 'DANTE' is evenly block printed in blue pen. Underneath are what looks to be the start of three portraits of Dante in black pen, but they're roughly scribbled out. The most detailed of the three scribbled out portraits is Dante's grinning side profile. He had sunglasses on. The only intact portrait is a shot of Dante from behind, from the chest up and face not visible aside from a grin. Carried on his back is the Devil Sword Dante, rendered in more detail than Dante.
Meanwhile 'VERGIL' is written in orange/red pen, but strikethroughed. Written above instead is 'PURR-GIL!!', an arrow pointing at a doodle of a cat holding a roughly drawn katana(Yamato). The cat is grimacing with furrowed brows. It has spiky fur on its head, a spiky curled tail, a thorn pattern on its arms resembling Vergil's coat sleeves, and fat round blushy cheeks. End I.D.]
[I.D. Semirealistic rendering of DMCV Vergil from the neck up in three quarter view. He's painted in blues, with soft red shadows. He glares at the viewer, brows furrowed. His irises are a soft red, and he has eye bags. His lips are somewhat glossy. To the side is the blue color palette. End I.D.]
[I.D. Stylised depiction of DMC3 Vergil glaring downwards in profile, from the chest up. He's rendered in blues, his face shadowed from the light against his back. Running over his skin are cracked gold lines, reminiscent of kintsugi. In the background curls a yellow ribbon in the same gold. He's wearing a sleeveless turtleneck and cravat. End I.D.]
[I.D. Stylised black and white lineart of DMC3 Vergil glaring in profile, lips sneering, from the neck up. He's in a coat and cravat. End I.D.]
[I.D. Messy comic.
Panel 1: DMCV Dante ruffling child Vergil's hair. Dante's face is out of the panel
Vergil (grimacing): "Dante!"
Panel 2: Vergil's staved off the hair ruffling, lifting up Dante's hand with both his hands. His brows are furrowed as he looks up at Dante. In the background is a laughing sound effect, that tapers off. 'HA HA ha...'
Panel 3: Adult Dante gazing down at child Vergil, arm hovering over him. His expression seems sad, despite the small smile.
Dante: ... I missed ya, Verge.
Vergil gazes up at Dante, a small question mark by his head. End I.D.]
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All righty, folks. Bringing back these backgrounds I originally painted back in August 2020(!), only this time it's the version I didn't post with the titles of all six parts of Sahuldeem. Seems like a good way to both look back at where things started...and where they're about to go.
Part Six is a tricky one. I imagine it comes with a lot of expectations, and I might not meet all of those. For instance, it was never my intention to sit down and rewrite the events of the Clone Wars, so it was treated as a montage in my original script (to be fair, I was still imagining a comic adaptation at that point). We already know what happens during the Clone Wars (well, mostly; I do have a few scenes I've either added/expanded upon or retold with a fresh perspective). I, personally, am much more interested in what happens after the crash and before the war, deep in the catacombs of Geonosis.
So, yes: I'm nervously excited to start wrapping up this saga, and I hope there are people out there who are still looking forward to seeing this through with me. I never would have dreamed I'd write something like this, let alone share it, so I'm pleased and immensely grateful that others have also enjoyed it along the way.
(reminder that this Master Post exists!)
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