what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
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so often i see people try to downplay violet and minervas relationship like it wasnt Real enough or was some Inferior Romance that her relationship with clementine could Never compare to, and i find it so annoying and boring
she LOVED minerva!! and its okay that she did!! she was her first love!! childhood best friends turned girlfriends!! seeing her being so heartbroken and miserable about what happened to minnie, how deeply and desperately she missed her, hugging that bed frame so pathetically. but clementine makes her CARE again. makes her LOVE again. slowly violet becomes comfortable with the idea of opening her heart up to people again, after trying so hard not to because the pain of losing people she cared about was too much to bear (especially when she blamed herself for them being gone)
then she learns minnie didnt die. shes falling in love with clem while grappling with the fact that minnie might still be out there??
then she meets minnie in the woods. but minnie has changed just like she has. theyre both different people now. and slowly violet is forced to come to terms with the fact that the person she loved so deeply isnt that person anymore??
violet at the beginning mourning minerva and blaming herself, to shooting her to save clems life. she LOVED minerva once, but she doesnt like the person she is now. and shes not gonna let her hurt anyone else she cares about. shes done mourning her by the time they get to the bridge, only crying out for tenn
like idk i just find their relationship evolution to be so interesting and sad as shit. the fact that they once loved each other so much and it has now come to this?? but violet makes her choice and she Chooses clementine, because she admires and loves clementine, probably similar to the way she used to admire and love minerva if the way she talked about her is any indication
i just think "i never thought i would ever feel this way again" is way more interesting than "wow minnie Never made me feel like This"
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Y'know I really feel like Harry and Dave's relationship goes highly unexplored which is a shame because there IS quite a bit to explore, ESPECIALLY if you care about shipping. But as the game stands I mean, they must be aware of each other. Harry in fact definitely knows about Dave. I don't think he'd tell the fucking weird rotten bunny his terrible boss brought in IS the number one threat against Freddy's since day 1 but even so. Dave I don't think would see Harry as much more than A Phoney™ though, which is always more of an obstacle and way less of a person. Which is usually opposite of how Jack sees his often sole employee. Like, you get what I mean? It's almost similar to 2 with the main opposing routes being Peter and Dave except the stakes are arguably way lower now.
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a random thought but i really am very obsessed with how deeply committed bruce is to his love of people and to the extent that it’s a regular divide between him and talia. not that she is without love, no, hardly so, but love will never come before principle for her in the sense that the principle does stem from love, but from a selfless love, not a selfish one. and i use these two descriptors purely as a means of analyzing perspective, so selfless and selfish not necessarily as moral indicators as they are often used today but merely as expressions of whether you’re acting for the sake of others or for yourself. talia is someone repeatedly acting at expense to herself for the sake of others. she gives her child away, she ends her marriage, she doesn’t say a word about it again for years despite having the chance, she takes on a high level espionage mission without speaking a word to her ex-lover, maybe to protect herself, maybe to protect him. whether those were worthwhile decisions to take is certainly debatable, but she acts near strictly from a perspective of caring about others and the world first. bruce is comparatively a very selfish person. every victim an extension of his own trauma, every grief taken to heart, every desperation for companionship so heavily internalized that he ends up pushing people away bc at some point he can’t bear to take them down under with him in his sorrow. it’s funny that he tries to be the rational voice in a room bc up to a point he is, but he also cares too much about his own personal affairs to be that way consistently
and in light of all of that i am thinking about the conversations he and talia must have in that alternate universe where damian is normal and newly revealed to both of them as a concrete concept in their lives, for bruce as the son he never had and for talia as the son she gave away, come back to them by way of fate. why did you never tell me you didn’t actually miscarry. why did you never tell me you had a son and you gave him away. why did you pretend like it was over when it never was. why did you look me repeatedly in the eyes over the years like there wasn’t something more that was there. when you said you couldn’t talk about it before i boarded a plane back home i held my tongue. when you let yourself be beaten within an inch of your life bc your city was falling to pieces i held my tongue. when my father took the contingency plans you made and used them to turn your friends against you i held my tongue. when i worked for a man who would for all intents and purposes use the knowledge of my relationship with you against you i held my tongue
how can bruce, a person so wrapped up in his love for people, not understand the number of sacrifices that talia has had to make for his own sake. her repeated protection of him, of his sanity, of his sanctity, is simultaneously her greatest crime and her greatest benevolence to him. she carried that grief of loss for years and years bc of how important bruce is to her. and bruce loves her, loves damian, too much to even begin to understand what love means outside of the parameters of his own feelings for them. that is his dilemma writ large wrt people he loves. that he can’t see the extent of what they do for him, bc he loves them too much and doesn’t know how to get out of the sheer grief and possessiveness of it
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