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anonymooseforever007 · 1 year

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Behind on that Cute Date

(Michael Gray x Reader)

Summary: Wanting to give her busy friend some time to herself, Y/N had offered to watch her friend’s son Karl for a few hours to go to movie and ice cream. But upon returning to the house, Y/N offers to keep the boy longer if Ada wants to spend some more time with her “cute date”. It is a date right?

A/N: Hi y'all! No TW's I think? I thought of the worst way to meet someone's mom and wrote it? I guess this could also be considered an Ada x Reader Platonic story too considering Michael isn't in the first part too much, but he is defiantly the focus of it...or parts of him are.. Also Michael is probably OC a bit here as I wrote it more with early S2 Michael (farm boy Michael:) ) in mind than the other seasons. enjoy❤️

WC- 5.4k

Part 2- Chocolate Pie

Main Masterlist

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Small and sticky fingers closed around the collar of Y/N’s dress as Karl began to softly snore into the woman’s shoulder. The energy of the day’s excitement finally beginning to fade (at least until nap time was over) as the two figures quietly walked back down the street to Ada’s house.

Y/N wouldn’t openly admit it, but she was slightly relieved that Karl had fallen asleep. It wasn’t that she didn’t adore the boy, but after almost nine hours of his endless questions (often which had be answered five minutes earlier) and constant need to be running in a different direction (often the opposite one than they needed to go in) the quiet was nice.

Even if she truly did enjoy about coming up with all the different answers for questions such as, “Why don’t ducks have scales,” or, “How many jumps would it take to get across the park,” and even her (least) favourites, “What if I put this rock in my nose,” or “What if I took off my pants?”

It would be later that Y/N realised the pattern where many of the questions Karl asked starting with the words, “What if I…” would typically result in a similar answer from herself ending in the words, “…and we don’t want to make mummy sad do we?”

Maybe it was cheap manipulation, the “let’s not hurt mummy’s feelings” tactic, but Y/N had to admit it was extremely effective. It was right up there next to the , “we gotta be good or mummy may not let me watch you anymore” tactic, she often heard from her own babysitters when younger. Of course, she would explain why the question or action would make “mummy” sad and give Karl reasoning behind not doing it. But in a quick pinch telling him that “Mummy would be sad because he kicked the light post and his leg may fall off,” worked great.

So aside from a few incidents involving light posts and small rocks, the day had gone great. Having picked Karl up right before lunch Y/N had taken him to run around the park for a bit before treating him to a small picnic shoved in her pack.

Then, being ready to get out of the heat for a bit, the pair went to see the film Peter Pan in the nearby theatre. Technically the movie had been released in the previous year, but the theatre was running a special that week and was playing select children’s films at a discounted price. Despite having purchased two tickets, Karl remained on Y/N’s lap for most of the film. Within the first few minutes he had been terrified by the film’s portrayal of “Nana, the Darling’s family dog,” and sought refuge with the women. Which seeing as it was a rather unnerving puppet Y/N didn’t blame him.

Finally, on the way back the two had passed an ice cream shop and Y/N decided to get them both a cone. Admittedly, she had already planned on doing so, but it certainly did help that while Karl was eating, he wasn’t able to continue pestering her on why she wouldn’t tell him how baby mermaids were made.

Yes, while Y/N certainly didn’t regret offering to take her friend’s son for the day, she could also see why Ada may have wanted (needed) the break. So when Karl began to walk slower and slower, dragging his feet just a bit more, until the only thing keeping him up was Y/N’s hand over his, she was a bit relieved. Even if she did have to keep readjusting his small body in her arms every few minutes, as his head switch between different sides of her shoulders to watch the people passing by.

The time was getting close to dinner now and Y/N had promised Ada she’d get Karl home by dark. And even if it was still light outside, Y/N didn’t think Ada would mind the two returning a bit earlier than expected, especially if Karl was already tried out for the night.

If anything it meant that Y/N would be able to take one more task off her friend’s list and get the boy washed and in bed early, leaving time for the two to catch up on the last chapter of their newest book.

That was how the two met of course, with Y/N, who just started working at the same library, asking for a good book to read. And Ada, having found a thrilling new cover of her own, decided to share her find with the young woman who couldn’t have been older than her own cousin. And thus a new friendship was born, with both women reading the same book and later gushing over the new twist and turns of the plot over lunch each day.

Now here Y/N was almost a year later, walking back to Ada’s house, a trip she now knew by heart, with Ada’s little boy asleep on her shoulder, and hopes that Ada herself was actually able to take that long nap. Y/N knew her friend had been busy with work and Karl and even extended family too. It seemed every day Ada had a new rant about the stupidity of her older brothers’ even more stupid plan. It was why Y/N had offered to take Karl in the first place, remembering how tired her own mother often got trying to take care of the house and her siblings in those long years her father was fighting.

However, as the Y/N got closer to the house she became more and more unsure that Ada actually did spend the day alone as expected…

Sitting outside Ada’s house was a car that Y/N hadn’t seen before. It was a Black Bentley of the nicer model and judging by the shine of the metal it was obviously new. This was the first hint in Y/N’s mind that Ada wasn’t alone. She knew her older friend didn’t own a car, preferring to walk the short distance between work, home, or any other place she needed to get to. On the rare occasion that the women did need to travel further than they could walk, they could easily have called a cab or even taken the car Y/N “shared” with her older brother during the times he’s was in town.

Stopping at the foot of Ada’s steps, between the front door and the car itself Y/N stared for a moment. A conversation she had with Ada earlier that week came to mind.

In between their usually chatter during lunch, Ada had mentioned that she might have needed Y/N to watch Karl one night soon. Apparently, the one night Y/N went home early from the bar, was the night Ada had met a handsome man who’s interest was requited. After Y/N had left, they had met and got talking for a while and the mysterious suitor had even paid for Ada’s cab home later wishing her a good night with a kiss on the hand. It was during the lunch, that Ada let it slip the man had eagerly asked her on a date, but being unsure of how it would affect Karl, she asked to think about it for a few days.

Upon seeing the car outside and remembering their discussion, Y/N felt a smile begin to grow on her face. Obviously Ada had finally decided to call the man back and accept his offer, and Y/N was excited for her friend.

Currently having no boyfriend or romantic interest herself (not for lack of trying), Y/N sometimes found herself highly invested in the love lives of her friends. She enjoyed listening about their newest attractions and helping them find new clothes to wear for dinners and even planning romantic picnics that could rival those in the books she read. Plus, when the relationship was a good one, she got excited seeing how happy her friends were when they had someone they could spend part of their life with. Even if Y/N hadn’t found that person of her own yet.

Of the few dates Y/N had been on, she often found the men either nice but without connection, or worse, charming but far too handsey for someone who was a stranger only the hour before. Besides, along with the romantic encounters many of her friends had came the inevitable heartbreaks. And while she never minded being the shoulder to lean on, Y/N didn’t look forward to the feeling herself. So she had decided to let life run its course and if she were fated to find someone one, found they would be...one day... hopefully. If not she could always buy more dogs.

“Are you Ada’s friend?”

A small yell left Y/N’s mouth as she jumped slightly, hearing the voice that had spoken, startling her out of her thoughts. Karl made a small noise of protest but quickly fell back asleep as Y/N’s hand went to his hair, brushing it soothingly.

Taking a few seconds to regain her breath, Y/N turned from the car she had been staring at and towards the steps of the house. Towards where she assumed Ada’s mystery date stood.

Upon seeing his face for a brief second Y/N wished Ada had left the bar that night early instead of her. Maybe then this man would have started talking to her. Maybe then he could have been her date.

He was dressed in a well tailored suit complete with a beige overcoat and matching hat in hand. His hair was a pretty brown color and had obviously taken some time to style it as neat as it was. In the back of her mind, Y/N wondered if his hair still looked as neat when he woke up the morning seeing how much product there appeared to be. His hair still looked soft though. His shoes were so polished Y/N had no doubt she would see a perfect reflection if she was looking down. And then there was his face…. He had a pretty jawline and even prettier green eyes. And slightly above his left eyebrow was a small mole on his otherwise almost flawless skin. Y/N decided at the moment that there were few faces she liked as much as his. Even if it did seem to be covered in an expression of confusion.... wait what?

"I asked if you were Ada's friend?" the man spoke again, once more breaking Y/N out of her thoughts.

"Yeah, yes! I am totally Ada's friend. I'm not just walking around with this one for no reason," she spoke quickly, motioning to Karl as she did so. The man's eyes moved over to the boy resting on her hip as one corner of his mouth pulled up slightly.

"I suppose that makes sense. Ada's not one to let just anyone watch Karl. I don't think her brothers are allowed to watch him half the time," the handsome stranger chuckled turning back to glance at the house quickly. Y/N smiled as well. She hadn't met Ada's brothers but had heard more than one story about them to know the stranger's comment may not have been wrong.

"I'm Y/N by the way, really sorry for staring earlier. I've been chasing Karl here all day and zoned out a bit." Doing her best to shift Karl to one arm, Y/N was able to stick part of her right arm forwards hoping she hadn't offended him by not introducing herself sooner. Though it may have sound silly, and truthfully it was silly, Y/N had more than one of her friend's dates who got pissy if she didn't introduce herself "properly". And while those men, thankfully, never lasted to long, Y/N didn't want to risk pushing away first man she'd ever seen come out of her friend's house. Especially if this was the one Ada had seemed so enamored with just the other day.

Looking back over at her, the man gave another half smile and stuck his hand out. Just as he was about to open his mouth to introduce himself, the exhaust of passing car released a loud bang.

The standing pair both jumped at the sudden sound and Karl's head shot up. The little boy, now fully alert held on tightly to his sitter, moving his head around anxiously to find the thing that scared him awake. Seeing nothing his grip relaxed slightly and his head laid back down on Y/N's shoulder content to listen to her soothing words as she told him it was alright. Only a few seconds later, Karl's head shots up again and a grin spread across his face as he recognized the man before him.

"MEL!"

"Karlie!" The man, Mel, replied with a full smile and wave of his own, obviously familiar with the young boy. "How are you today? Your mum mentioned that you were spending the day with a friend when we got here. Did you go to a movie?"

Nodding his head Karl gave a toothy grin, before motioning to be put down. Happy to have her arms to herself once again, Y/N did so, unable to keep the smile from growing on her own face as she watch the two interact.

If this truly was the mystery data of Ada's she expected him to be, Y/N was already impressed. Not only was he good looking, but he also seemed polite and more importantly but excited to interact with Karl. Y/N knew that if Ada truly was going to start going steady with any man, it wouldn't be one who ignored her son. She had also noted that when the loud, gunshot like, noise suddenly happened Mel had stepped closer, almost protectively, towards the other two. Whether out out of instinct or bravery, it certainly gained him another point in Y/N's growing list.

After quietly watching the two interact for a bit longer from the front steps of, Karl came back over to his mother's friend and grabbed her left sleeve motioning for her to bend down, eager to share a new secret.

"I have to pee."

Stifled laughter was heard behind the boy at his not so quiet whisper, and Y/N bit back her own smile the words reached her ears.

"Alright Karlie boy, why don't we say bye to Mel and you can go right ahead." The words barely leaving Y/N's mouth before the boy blurted out a quick parting to the man before shooting inside and disappearing within. Now left alone on the steps with "Mel" as Karl called him, Y/N took another moment to smile to herself, as well as to breath before she planned on heading in. Waiting outside also gave her short time to plan her now numerous questions for Ada. Not intending to take up more of his time before she had time to interrogate her friend, Y/N turned to the man about to say her own goodbye when this time it was him who spoke first.

"I guess he had fun today. Last time he was that excited was when John gave him a slingshot and Arthur taught him how to use it. Almost took out Finn twice that day, and Tommy three times" Mel spoke with a smile on his face, both at the story he told and the women he was speaking to, who was now failing to hide her smile at the images in her head.

"I'm glad I could bring him such joy then," she laughed as he admired the spark in her eye, "He really was great today. I don't have many children in my own family, so getting to spend time with one if always fun. Besides I don't mind giving Ada a break every now and then, I know she works hard. But I take it you two had fun today," the last sentence Y/N couldn't help but asking. Even if she did plan on getting the details from Ada later it never hurt to get another's point of view in these situations....

"It was nice yeah, we got here right after you picked him up I think, and then spent most of the day here. I got some work I need to pick up now but I believe later we agreed to meet back at one of the clubs...," hesitating slightly now with his head looking to his feet quickly before he continued," I don't suppose you're going to be watching Karl tonight too? Or just until now? Or did you have other plans tonight?"

"Oh no,I'm probably gonna read a book tonight. I think Ada only wanted me to watch him until about dinner. But I didn't realize she had others plans tonight. I might have to see if she needs that," the last bit was mumbled more to herself as the silence now grew between them. It wasn't an uncomfortable silence, quite the opposite actually. Each wrapped up in their own head figuring out the details inside.

Soon enough Mel looked back down at his watch noticing the time and a small cough and stretched out hand was all it took to break Y/N from her own reverie.

"It was nice to meet you but I really do need to get going on that work now. Don't want to get told off for being late," he said. And it was then as they both shook hands again that each took notice of how warm the other's hand was and how well it seemed wit fit with their own.

"Of course, go ahead! Don't let me keep you any longer. It was pleasure to meet you as well!" Y/N returned, removing her hand from his as she watched him move down the steps finally heading off in his car. But not before he glanced back to give her one more quick nod and half smile.

Fuck, Ada was lucky...

Standing on the steps a few moments more, Y/N waited until just after the shiny car had turned the corner out of sight before finally making her way inside.

She made her way immediately to the kitchen where she heard Ada, giving Karl a quick wave as she passed him playing with his toys on the couch. Entering from the side Y/N immediately caught sight her friend washing a few plates in the sink and started to speak eagerly.

"Hello, alright so first I hope it's alright that I brought Karl home a bit earlier. He had fallen asleep and I figured it may be time to come back. I take it your day of rest went well. Also you know if you want I can take him for the night too? Leave you to have your fun..." She spoke wiggling her eyebrows suggestively at the last part.

Ada laughed before fully turning to her friend and responding, "My day was great, thanks again for taking him. And what do you mean by leaving me to have my fun? I don't have anything else to do tonight? Have you and Karl made plans to get rid of me?"

"You have nothing else to do tonight?! Oh Ada but what about Mel! I thought you two were going to a club later? Are you really telling me you're gonna skip out on that? With him?!" Now both confused the two women stared at each other. Ada was confused because she couldn't think of any Mel's she knew, much less one she had plans with that night. And Y/N was confused because she was sure Mel had mentioned that he and Ada were going to a club later. Y/N hadn't spent long around him, but knew she'd enjoy having plans like that. Especially if they involved him.

"Y/N who's Mel?"

"What do you mean who's Mel? It's Mel! Mystery man? You two met after I left the pub one night and hit it off? You said he asked you out and I thought you too had plans tonight? At least that's he made it seem like. He literally just left? Said he had some work to get before he came back?" Y/N moved her hands around in the air as she spoke now, as if that would make the picture of the man in her mind more clear to Ada.

"Oh do you mean Michael?" Ada said her smile beginning to grow as she began to realize what had happened. What Y/N still didn't realize.

"Michael? Karl called him Mel? He never corrected it but I'm not sure? Maybe? Anyway the guy who just left? Pretty hair, pretty clothes, pretty voice, and even prettier face? Oh come on Ada! How can you look at a man like that and say you don't remember him? He seemed perfectly polite too! Ohh Ada! Come on! Are you really not into to that?" Now bouncing on the heels of her feet as she began to describe the man.

"Oh yes! Him! He got here a bit after you left. I remember now. But no, we don't actually have plans tonight I decided to stay in with Karl. Just out of curiosity... I take it you two talked for a bit? Did you like him?" Ada now stood looking at her friend with a grin matching Karl's. Now understanding who her "date" was, she wanted to see how far this could go.

"Like him?! Ada he was brilliant!! You really caught a good one with him! Not only was he great with Karl, but he was also really nice about it all. He even moved a bit closer protectively when a car made a loud bang, he gets points for that I tell ya! And dear lord Ada he's gorgeous! Did you see his face? I know I keep saying it and the rest of him too! I tell you Ada if it ever get to where you meet his family you tell his mum I said 'thank you' because she really did great work! He's a real cute date! I hope he's treating you right! If not I'm sure we can get my brother to take care of him. We can have tea and biscuits while he hides the body!"

Ada didn't hide her laughter any more and Y/N grinned back too. Though she had only met him a few times Ada was sure Y/N's large, but teddy bear like brother would have not problem hiding a body if needed. He reminded her of her own brothers... when they weren't pissing her off at least. However it was still one of these last sentences that make Ada pause and retrace her thoughts briefly.

"Wait, what do you mean thank his mother?"

"Well you know....Boys, they gets their balls from their daddy and their butt from their mama. At least that's what my grandma says. And I'm telling you Ada, ain't no tailor in the world can make an ass look that fine on skills alone. No Ada, that was pure genuine good ass genes."

As soon as Y/N finished speaking a loud laugh filled the air. A wonderful laugh like someone just heard the funniest joke on earth. It was the kind of laugh Y/N loved to hear from her friends. Only it wasn't her friend who laughed.

Ada just stared, her mouth hung open but with the corners turned up. Shocked with both delight and confusion at the words. The laugh belonged to someone else. Someone who Y/N, in her haste to play detective, had accidentally missed. Someone who had overheard the conversation with just as much joy as Ada, but choose to remain silent until she couldn't hold her laughter in.

"Ada, I think that's the best thing I've heard in a while. You keep this one, she's fun."

An older woman, beautiful and with all-knowing eyes, met Y/N's glance and she finally turned to meet the "new" speaker. She had a look about her that said she could be just as cold as she was warm. She was a dangerous as she was smart. Luckily for Y/N the woman's face was warm indeed, though not as hot her own. Telling her friend how she felt about a strangers rear was one thing, but knowing another stranger heard it! Y/N didn't think it could be any worse.

"Already planned on it Pol."

Ada, finding her voice again, had finally spoke again. But she was still chuckling under her breath as she did so. It was as if both her and the older woman knew a joke Y/N didn't. But that was a thing for another time Y/N thought.

Pol, that sounded familiar to Y/N but she couldn't place where from. Instead she decided it would be best to stop gaping like a fish try to fix the small mess she just made. Because again it couldn't be any worse right.

"Hi. Ada you have company, and you are Ada's company. Ohhhh noooo. I barged in on you two and I'm interrupting and I just didn't know anyone else was here and you just heard all of that. I was just so excited because I thought Ada had date and like he didn't seem like a narcissistic asshole, and that was really good and and I'm rambling now so I'm gonna start over," Y/N paused, took a deep breath and stuck out her hand.

"Hi. I'm Y/N and I am sorry."

The woman, Pol, smirked at her and stuck out her own hand.

"Don't be sorry, Y/N, it's nice to know that at least someone's interested in furthering Ada's love life," Pol said, giving a quick side glance to the mentioned woman who gave a small huff and rolled her eyes. Obviously this type of conversation had come up before. And Polly continued turning to Ada, her tone now slightly sarcastic, "I'm just saying that your brothers do the same thing so it really shouldn't matter if you do either. You deserve to go out, find a good enough looking man and get laid? Isn't that was all the equality stuff is about anyway? Y/N what do you think of all that? Shouldn't our girl be just as able go out and have just as much fun as her brothers?"

The conversation have veered slightly from it's original course but none in the room seemed to mind.

"Ohh I agree with you on that ma'am. Remember Ada. This is a time of equal rights! And equal rights means equal fights; and equal fights means equal fucks!"

"Oh great, now there's two of you, if you keep this up you could give John and Arthur a run their money in the annoying awards," Ada groaned putting her head on the table in defeat briefly before it popped up again, "At least those two idiots I can hit. They won't hit back, but not you two. If I go after one of you I'm gonna have to get my nails done again. The brothers won't attack, but who's to say what would be done by the best friend and the aunt!"

"Aunt?," Y/N repeated as she heard the last word, "OH AUNT, Pol, Aunt Polly, you're Ada's Aunt! Oh I remember now! Ada said you were going to come down this weekend." She turned towards the Shelby women who both perked up suddenly as if remembering their own idea from before.

"Yes, she's my aunt. She came down with my cousin for the weekend. I've told you about him right," Ada said, her grin beginning to grow again, while Polly sat back and smiled, just watching and waiting for what she knew was about to happen.

"Your cousin.... cousin," Y/N spoke aloud as she thought, "Oh yeah, you've mentioned him before. He's the one who let Karl go down the stairs in a bin! You tried to stab him! Isn't his name M...."

Y/N froze.

Ada just stared at her friend with an innocent smile while Pol hid her smirk behind her cup of tea.

Things were falling into place and Y/N realized it was worse... it was so so much worse. If a random stranger hearing your opinions on another stranger's ass was bad enough.... if the random stranger was actually the first one's .....

"Ahhhhhhh..... nooooo....no no no. No. No. No....No. Polly's your aunt.... and Polly has a son named Michael... And Michael is apparently Mel's real name.... which means that I .... you heard me.... thank you?.... great bullocks." Y/N spewed out her head shooting back and forth between the pair of Shelby's wearing matching grins. Her head hit the table with a thud, much like Ada's had earlier as she tried to block out the whole interaction that just happened.

Maybe she should have just taken Karl to her house and let him play with her brother. They always had a riot of a time playing hide and seek, and making their own riots in the mini block town. That would have been a better option.

"Great Bollocks? Who's mine or my son's?"

Y/N laughed. She laughed and kept chuckling under her breath, it was all she could do. Of all the worst ways to meet someone's mom. Polly didn't even know Y/N's name before she knew all about Y/N thoughts on her son's rear end.... Releasing a deep sigh Y/N decided there was only one thing left to do in a situation like this. Standing up from her chair she looked at her companions.

"Right, I really just want to say... OH DEAR THE COOKIES ARE BURNING!!!!"

Alarmed, the Shelby women looked towards the oven to make sure the cookies were not in fact burning, and Y/N took her chance to make a break for the door. For someone who despised all things running, she was surprisingly fast.

"I'll just let you deal with that. I gotta get home to make sure my brother has stayed out of the dog food..yeah the dog food. Did I tell you he got dog? Yeah that happened. It was great talking with y'all!! Byeeeeeee!"

Before the remaining two could even take two steps towards the fleeing girl, the door to the house shut firmly and she was gone. Ada was about to go after her and make sure she was alright. Even if it was funny to see her friend mistake her cousin for her lover, Ada still wanted to make sure she wasn't too embarrassed. Y/N liked to laugh a lot, but Ada was close enough to Y/N to know her laughs also hide her friend's anxiety at times. But Polly stopped her niece by grabbing her arm.

"Oh don't worry about her."

"Pol you don't understand. I know her and even if she laughed she's dying inside. I need to let her know it's alright."

"No, let her go now. She'll be back," Polly spoke, pointing to the bag sitting by the door belonging to neither her nor her niece, "You and I need to get ready for a night out."

"But Pol. I sti..."

"No buts. You and I are dressing up and going out tonight. No men. Esme and Linda are on their way down too, if Lizzie can keep them from killing each other. So go upstairs and put on the dress you shove in the back of the closet when your brothers are here and get ready. I'll put Karl down and then change into my dress. Michael should be here any minute and we take his car."

"If it's no men then why are we taking Michael's car? And who's going to watch Karl while I'm out? James is gone for the weekend and I don't want to leave him alone if something happens. Besides if that is Y/N's pack she will be back tonight. It probably has her keys in it and she needs to get in. Someone should be here when she gets them."

Polly smirked a smirk only she could pull off.

"Ada dear I said WE'RE taking Michael's Car. I never said he was coming with us....

Part 2

#Peaky Blinders Imagine #michael gray x reader #michael gray imagine #peaky blinders x reader #ada shelby #polly gray #Peaky Blinders #michael gray

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thekingofwinterblog · 2 months

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I recently did a few polls on my yt channel community page - which (ok not many people votes so the data may be irrelevant) seem to have kinda shocking results - it showed that the Baba Yaga arc in the manga, contrary to my belief, was not the most popular part of the manga - and to the contrary, maybe the least liked part.

So that made me curious, is the only arc I as a famous dick that shits on the manga too much like actually not that good?

What is your oppinion on the Baba Yaga arc,especially compared to the following manga arcs?

It's pretty strong to be honest. Vwry strong, with good villains, good character moments, and set in motion by manga Maka's greatest moment of weakness, when she was too much of a coward to either confront and talk to Crona about learning about medusa and then go from there, or go to the higher ups about it, which would have had crona suffer the consequences.

Instead she hides it all away, like a coward, unable to decide on a course of action and what it could lead to.

And she is punished for it by being separated From Crona, which thematically means that her moment of weakness set into motion the entire rest of the series.

And unlike a lot of shonen arcs, the story does NOT end on a happy note, at least not for Maka, as while arachne and her faction is defeated, medusa used her like a puppet, and didn't hive her any hints of where Crona was, meaning that for Maka it was all for nothing.

Amd thats just our main character's journey. There is plenty more.

No the problem with the arc, and the reason why i think a lot of people might sour on it, is that taken as it's own, the manga version of the arc is great... But the anime version has the benefit of leading directly into the final part of the story, and so while it doesnt aim as high from a character standpoint regarding the whole archne/medusa plot, it works just fine as the events that sets the final battle into motion.

By contrast the manga version is soured by everything that comes after.

Noah is the single most forgettable and BORING villain in all of Soul Eater, with his faction being little better, and so his defeat of Musquito and kidnapping Kid doesnt feel particularily interesting when you know where it leads as it's extremely dissapointing.

The whole Liz and Patty being on their own, starts off interesting as post timeskip Patty seems to be completely losing it and backtracking to who she used to be, but it doesnt go anywhere.

Black Star is pretty much the only one of the characters who gets a good outcome, as while the following arc is rather shit, his development from Mizune's death and eventual rematch with kid is the best part of that arc.

The single worst off though, Is Maka.

The baba yaga arc should for Maka, have been what the whitebeard war saga was for luffy. A great story, where all of her efforts are ultimately all for absolutely nothing.

The point of ultimate failure who's effects would define her decisions from then on.

But that's not what happens, because while Maka has a lot of nice moments after this, the climax of the arc is where Maka's journey as a coherent journey where you can trace her development in a logical manner ends.

The timeskip afterwards, rather than have her being utterly depressed or angry at the world, at Medusa and most of all at herself, instead has her in a great mood, and playing around with wanting to look cute, which isnt out of character per say(as maka is defintily a tomboy with a girly streak) but is utterly BAFFLING to have her be like this at this point when she should have been at her lowest.

And following that, her next development is her fears of holding Soul back after he became a death scythe? Like... That could have worked if the development post timeskip was about her having come developed a svere self hatred for failing Crona with her moment of weakness, but that really is not the way it's portrayed at all.

Her interaction with Crona post this is something i have covered before, as while there is plenty of great stuff there, the whole package is utterly ruined by the terrible ending the manga ultimately got.

Overall, the baba yaga arc is good on its own, but it very much marks the point where the manga had reached a clear and coherent direction(after some early less than perfect chapters) to the point where afterwards it would begin to spin it's wheels.

#questions and answers #soul eater #maka albarn #crona gorgon #medusa #arachne gorgon #meta #baba yaga arc

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bonesandthebees · 4 months

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Then there’s what we can get from the scenario itself. It’s very interesting. It’s a losing battle so being able to turn it around shows a lot of skill. Also it’s very specific, so when Phil was explain I stopped reading like “trying to comprehend and memorise all of this in one go seems like hell”.

Anyway, Quackity is smart, but kinda non-confrontational. He similarly wants to avoid casualties by trading for food with the civilian. Assuming that they would hate being occupied by their own forces is fair, but committing treason needs a lot more factors than that and a specific situation. If you are sending in people to sneak around, they might as well just try to steal food for everyone or scope out the town.

It also makes a lot of sense for Quackity to say this given his alliance to Schlatt. He puts value in money. He thinks you can get a lot done with the right number. This is why we works with Schlatt and gets his support. Worst case the man can threaten to withdraw his support of the crown if Quackity doesn’t get chosen.

Niki is so ruthless and I love that for her. I also love Wilbur and Techno being the only people to know. For once Wilbur had a one up on his father. It also shows how much she truly holds herself back. Obviously that’s what she thinks is needed to win both that battle and this exercise. For someone so aware for what people think of her and how much she needs their support, she cares surprisingly little about what the enemy’s civilians think of her.

While it shows that she can make the hard decisions and do what it takes to protect her country. It also makes it look like she is bad at thinking ahead. If you burn the temple, the people will be upset. When the news spreads, it will rule up the rest of the country too. Might want to make them fight harder or result in the people trying to sabotage them as revenge.

I love how she stands up to Phil (several times). It’s something Wilbur could learn from. She doesn’t let him interrupt her. She finishes her idea and when he doesn’t agree she sticks to her guts. Essentially she tells him that she doesn’t care about his opinion, but still in a ‘polite’ way. This probably knocks her down in Phil’s best heir list since he wants to get Wilbur a puppet king. Also he knows from experience how dangerous a monarch that doesn’t listen to their consul can be.

Also, of course Wilbur has already been there before (and is once again there even though he doesn’t need to be). Niki has been too. And them keeping each other away is cute. Also I didn’t miss that you put them on opposite ends of the table and the implications.

Lastly, I think what this chapter as a whole is about, is the start of Wilbur’s shifting mindset. He still can’t stand Tomys, but he can see where his value lies. Both as a monarch as a puppet. He’s not quite there yet. For a multitude of reasons, but it’s shifting.

(3/3)

-🌲

do you know how long it took me to come up with that scenario in the first place. it's so complicated and I had to think of so many factors to try and be able to show off the aspects of their personalities I wanted to and just arghhhh it was a nightmare

yes yes you nailed quackity exactly. he puts value in money and bargaining with people. he doesn't want to scare the townspeople into submission, he wants to come to an agreement with them. the power of words (and outside influence) and all that. it was a really smart idea, just not one well-suited for war.

niki is incredibly conscientious what the other people at court think of her, but this is one of the rare instances where she feels like she's able to express more of her ruthless side and make it work to her benefit. while it might have negative consequences later on, in truth niki's is the most realistic strategy out of the three (at least in my opinion). in a situation like this, you have to be ruthless and use whatever you can to your advantage. war is cruel sometimes, and you can't play fair when your army is outnumbered. niki recognizes that.

and in turn with showing her ruthless side, niki stands up to phil. she outright refuses his advice instead saying they will agree to disagree. and in my mind, phil also recognizes that niki's strategy was actually the most likely to succeed out of the three. he just didn't give her that satisfaction because she refused his advice, which tells him more about her than simply what kind of strategy she would use in a war.

hmm... things are certainly shifting. wonder how the l'mannes trip might affect wilbur's perspective on everything?

#ask #tysm as always spruce you are a delight #spruce anon #rose ch 5

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whovianwatchingstartrek · 7 months

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A Whovian Watches Star Trek for the First Time: Part 054 - Cavemen Planet

Star Trek: Enterprise - Season 3 Episode 3 - Extinction

This episode with a conversation between T'Pol and Trip, and they've gone a bit beyond just the Vulcan Neuropressure to help Trip sleep. Trip's now bringing T'Pol Gifts, it's kinda cute. Unfortunately for trip, the duo are interrupted by Archer, who has been looking through the Xindi database and has pieced together the flight history of the Xindi ship it was taken from.

The crew land on the last planet that Xindi ship visited and immediately start suffering from weird mutations. It's a mystery as to what's causing it. They haven't been bitten by anything or been exposed to any strange plants, and it more or less happens instantly, at least for the humans. T'Pol seems more resistant to it.

Phlox Theorises that the transformations are a result of the Expanse's weirdness, and that the Laws of Biochemistry my be just as non-existent as the laws of physics are. This is definitely the creative kind of use of the Expanse's nature that I was looking forward to!

As Trip manages to get Malcolm back up to Enterprise, allowing Phlox to study what's happening. Then, some unknown ships show up, and place Enterprise under quarantine. Archer's performance, especially when he find out the city was destroyed, was really well done, and the brief action scene where the infected Archer and Hoshi fight off the aliens coming to kill them was also great.

I really like the conflict of this episode, of curing the virus vs containing it. The stuff happening on the planets surface with the infected wasn't so interesting. The episode was okay, and it had a creative premise, I just don't have much to say about it. At the end though, Archer specifically requests that a sample of the Virus is put in Stasis, which makes me wonder of we're quite finished with this plotline yet.

Comparing my Enjoyment of this Episode with a Doctor Who Universe Story of the Same Title

Big Finish's Cyberman - Season 2 Part 4 - Extinction

Concisly reviewing the finale of an Eight Part Mini-series of which I haven't covered the first 7 parts... Easy job right?

Cyberman was a audio mini-series about the Cybermen, specifically their resurfacing in the 26th Century, against a backdrop of a three way cold war between Humans, Android Separatists and of course the Cybermen. Overshadowed by the absolutely phenomenal Dalek Empire series, which was released alongside it, Cyberman was always a hidden gem in Big Finish's large back catalogue, and Extinction was it's finale. I really do recommend listening to the whole series, you don't even need to know much about Doctor Who to Enjoy it.

Earth has fallen, not to invasion, but to subversion. The planet is currently under the leadership of Paul Hunt, a partially converted Puppet of the Cybermen. Liam Barnaby, former Commander in Chief of the Earth Empire and Main Character of the Cyberman Series has been sentenced to death, under accusations of being a collaborator to the Orion Androids.

The scenes between Hazel and Samantha, two characters who fall on the separate ends of the Human Android cold war, and their coming together to fight the Cybermen were great, and Liam's monologue about Death was brilliant, and so was his conversation with Paul about his ongoing Cyber-Conversion.

As for how my enjoyment compares with Enterprise's extinction, it's not really a contest. The Enterprise episode was okay, but Cyberman's Extinction is a fantastic display of my absolute favourite Doctor Who villains, and ties together the themes of the Cyberman mini-series beautifully.

#whovian watching star trek #star trek #star trek enterprise #star trek ent #star trek: enterprise #enterprise #ent

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flecks-of-stardust · 1 year

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Non-Subsident Harrowment — A Rain World Short Story

mmmmm thoughts. i don’t know if this is anything. but i wanted to get the thoughts out. just... what was NSH’s reaction to learning about Moon’s collapse, yknow?

Content warning for marked dissociation. Contains lore spoilers for Rain World; read at your own discretion.

Simulations within simulations within simulations. Nothing yields results. The more they try the more it seems pointless. They try anyway, humming as they set up more simulations. What else is there for them to do? They iterate. They were made to do this.

In one of them, their puppet’s head explodes. They laugh as the simulation ends. That could go wrong, yeah. They’ve spent so many cycles running these simulations they may as well be doing that. Cycling back and forth, round and round and round they go in circles, searching for an end. Maybe their head can ascend, find the answer in the void sea, and bring it back to the rest of them. That’d be nice.

Their overseers bring a constant stream of entertainment in, flickering around the various creatures in the areas below them. They’re not sure how many times they’ve watched a lizard fall off the edge into their waste pits, and they’re not sure why their overseers keep showing them this, but they laugh regardless. Lizard brains. What even goes on inside there?

In another simulation, the sky collapses, vultures raining down harder than their own output. The ground stains red and green with blood, draining into the faltering fields and choking them, strangling any plantlife that dared to survive. They chuckle as they end that simulation, a few hundred others flickering into existence as they do. What does it matter? They’d all just wake up again the next day. They probably wouldn’t even remember.

Sometimes, there are these little critters that attempt to roost in their can, seeking shelter from the rain that pours down once they exhale out the work of the cycle. They’re rather cute, if a little slimy. They at least lubricate their pipes when they enter and leave. What goes on in their little heads, they sometimes wonder, while they slither around the innards of a machine so many magnitudes older and larger than them. Do they fear that the sky will crash down on them?

Simulations start. Sliver of Straw revives, cracks a joke about the Triple Affirmative being her mastermind of a joke. Simulations end. A lizard drowns in their exhaust pipe; they flush it out. Simulations start. A slimer mutates into a gigantic rodent that tears down their can, ripping chunks of metal and biomatter out and consuming it with fervor. Simulations end. Moon’s can collapses.

Wait.

That’s real.

The overseer wriggles, pointing to the ruined can again. They dismiss it. How long ago did this happen? The Lake looked more full than it was when they had last seen it.

A different overseer beams a message to them: Pebbles’ can, with the gigantic veins of Rot growing along the supports. The pustules pulsate, twitch, and move, climbing up and down the crumbled stone. Polyps decorate the entirety of one support, blinking blue like how the microbes in the water flash at night. The dark grey clouds crackle with lightning. The sky is darker there than they’ve ever seen it.

They dismiss the overseer, mind spinning. They haven’t heard from Moon in a while. When was the last time they’d talked to her? They’d sent comms after Wind warned about the breeding program, surely. Right? Right. They just forgot. They’ve talked to her recently. Maybe not recently enough, though.

But now what? They do a quick survey of their systems, then wince. A transform array went down recently; they’ll need to repair that. There’s some slag build up in the lower arrays; they sweep through it, flushing the slag out and away, watching as it falls into their waste pit. Their bioprocessor is still functional, but their transmitter is not. Most of their servos are functional, but they can feel the weight of the metal’s age pressing down on them.

Slag… how long has Moon been gone for? She’ll need a reset soon. Slag reset keys will be useful, certainly. They set to work on it, systems firing as they focus on repurposing their neurons. It’s something. It will be something.

Moon’s can was completely ruined. Did it just… crumble? What even… happened to break her supports so quickly?

Pebbles went through with the plan. The Rot proves as much. Of course it didn’t work. Their wish of luck hadn’t helped him, then. Phooey. Had Moon found out about it and stopped it?

No. No, she couldn’t have. If she had, she would have let everyone know before doing anything. She was always so meticulous about alerting everyone. This is… uncharacteristic of her.

Why hadn’t they heard about this? Does Wind know? No, Wind is just like Moon. None of them know. No one knows besides them.

Their bioprocessor sparks as it finishes the slag keys, starting to smoke; they set the repair modules to work, sending the slag keys to… where? The transmitter is broken. They don’t have the materials to repair it. They can’t send this to Moon.

They keep it in their arrays for the next few cycles, flicking between observing the progress of their repair module and watching the rain pour over Moon’s can. It pounds down like all of the world’s fury is bent on battering her to shreds. Pebbles is quiet. Does he know? He must know. Why didn’t he say anything, then?

Pah. Pebbles, sharing anything important? Maybe they saw it in one of their simulations once. They giggle. How many lizards did he kill for this? Was it all worth it?

A slimer makes its way into their arrays, scratching around the pipes. They watch it, curious. Though a little on the older side, it looks strong. They’ve seen these little critters make long journeys across the plains, dodging vultures and leaping ravines. Perhaps…

They allow it to climb, watching as it weaves its way through their circuitry. Closer, closer, closer it gets, and then it pokes its head into their puppet’s chamber, nose twitching. They give it a blithe little wave, smiling, before yanking it down into their chamber. As long as they’re careful, they should be able to…

#rain world #no significant harassment #rain showers #i'm... having a hard time nailing down what they're like #it's easier to make them the haha silly person outside the context of canon but #what Are they doing. stuck in their can. nothing left to do but iterate or die #they're so jokey but... is it just a cover up?#i don't know if i'm happy with this. i'd definitely love to hear other people's takes on nsh #these weren't supposed to be super polished anyway #the echo of destruction #i'm surprised this didn't get as much love as the other ones #maybe it's fitting though in a certain way asfghjs #poor sig

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medea10 · 9 months

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My Review of In/Spectre: Season 2

First season review here.

Color me surprised when it was announced that this series was getting a second season. I didn’t hate it or anything, I was just okay with the story. I didn’t think the Steel Lady Nanase story was going to last as long as it did and thought Kotoko was going to solve more mysteries than that. That reason alone was one of the reasons I was just blah with the anime. Plus, I was pretty in to Toilet-Bound Hanako-kun more than this and both aired around the same time. Well, at least Hanako-kun is getting some kind of new project. What it is, I’m skeptical as fuck about. In the meantime, let’s check out more mysteries with Kotoko and Kuro.

HISTORY: Kotoko Iwanaga is used to the abnormal and out of place situations. When she was 11 years old, she went missing for two weeks. During that time, demons asked her to become their “Goddess of Wisdom”. However, Iwanaga lost her right eye and left leg as a result of this power. Seven years later, she meets a college-aged male named Kuro Sakuragawa. She found a fascination with him, but kept her distance due to him being engaged to another woman.

But Kuro’s life changed when he and his then girlfriend were on vacation and saw a kappa and the situation turned near-deadly. Due to an abnormality with Kuro, whenever it looks like he’s on the verge of death, he comes back to life. This caused the inevitable rift between Kuro and his girlfriend and leaving an opportunity for Kotoko to jump in and force herself on him. Ever since, Kotoko has become Kuro’s really clingy girlfriend. Kuro is just so disinterested and indifferent when it comes to her romantic shenanigans. But he doesn’t mind being an aide when dealing with the supernatural.

SEASON TWO: The first episode starts off with some exposition from a couple of no-name apparitions where they talk about Kotoko and Kuro. Basically, stuff we saw last season including how Kotoko became the God of Wisdom and some stuff from the Steel Lady Nanase arc. Come episode 2, we’re introduced to our next big case involving a man who befriended a Yuki Onna and is accused of killing his ex-wife.

Thankfully, this season we get more than just one long case that extends to pretty much the entire 12 episodes. The Yuki Onna murder case was settled faster than anticipated with only 3 episodes dedicated to it and we get another mystery involving a creepy puppet and dead sea life. And of course, we get more from the mysterious cousin Rikka. Unfortunately, it’s only one episode where she’s actually seen. But her essence lingers! And if you could believe it, there were three more mysteries shown in this season. Now, that’s what I’m talking about! If you’re going to be a supernatural anime, do more than just Steel Lady Nanase for an entire season.

LICENSING: Just like the previous season, Crunchyroll streamed this series with several dubs available. No doubt about that as this series was known as a “Crunchyroll Original” back when they were doing that. Wait, are they still doing that? Nah, I don’t think they are. That’s all there is to it. The original cast came back and, yeah, it’s all good.

SHIPPING PART TWO: Yeah, Kotoko and Kuro are still together…I guess. Kotoko is still clingy and saying perverted things. Kuro is still dead inside despite being immortal. I mean, yeah, they still have cute moments here and there throughout the season. But, come on! You’ve seen these two together. Despite my thoughts about this ship, I don’t hate Kotoko. Yeah, I don’t hate her. I just hate this ship. They work well together when dealing with the supernatural. It’s just that I think they should just remain professionals at their craft and nothing more.

And no amount of sensual ending themes sung by Mamoru Miyano is ever going to convince me otherwise here.

Even when he's pictured with her, Kuro just has this, "Please, just end my life" look on his face.

Now, were there any interferences from anybody this season? Surprisingly no! Yeah, Rikka only had one episode where she was the main focus. Although, her presence has lingered around several of the cases Kotoko worked on. And Rikka still thinks that Kotoko is wrong for her cousin. She’s not quiet about her thoughts on the matter either. As for Saki, Kuro’s ex-fiancé, no sign of her this season.

After badmouthing Kotoko x Kuro, I should have no say in this matter. But I support these two here. Don’t at me!

RANDOM NOTE: Ladies and gentlemen, we have found the one person who survived a hit from Truck-kun. I know several characters on here are spirits and immortals, Rikka and Kuro especially. It’s just that when you literally watch a character get hit by a truck, you automatically think they’re dead or dead and in another world. Rikka gets hit and gets up like nothing happened.

ENDING: Throughout this season, Kotoko and Kuro have been aiding several people with anomalies surrounding the supernatural. This last arc had Kotoko help a dying man resolve his guilty conscience with his family. This mystery had us running around seeing who really killed this man’s wife. Apparently, this woman who was killed 23 years ago, her entire family wanted her dead including her husband and adult children. Sounds like an anime version of the Trumps to me! At least this woman wasn’t buried on a golf course.

Medea, can you go one review without making a snarky Trump-related comment?

When he stops existing, I’ll stop.

The family was running a hotel business and the mother wanted to run the business and the family her own way. So, her husband’s ideas were put on the back-burner, the eldest son can’t leave to become a chef, the daughter can’t marry who she wants, and the youngest son can’t run anything. Unless this woman dies!

Now, where does the supernatural part come into play here? The husband apparently made an agreement with an entity back when he wanted his wife gone. The man was promised it will be so. In actuality, someone actually killed the woman before the entity could do anything. Kotoko heard from the entity, the patriarch of the family, his son, son-in-law, and second-hand talk from the granddaughter. Kotoko laid down what really transpired the night of the murder. Things did not go well for the family with hearing the actual truth about the daughter killing her mother. Things got so heated from the conversation that the son-in-law pulled out a gun, threatened Kotoko with it and wound-up shooting Kuro in the process.

Oh-ho-ho, what did you think was going to happen here?

Kuro’s just going to come back to life. Kuro and Rikka are immortal due to a meddling grandparent and a mysterious item they ate as kids. And of course, Kotoko can communicate with spirits and demons. But this family doesn’t need to know that. In the aftermath of this family learning the full truth, things took a downturn as the father’s illness got worse and the daughter tried committing suicide as the family knows she murdered her mother. Kotoko and Kuro visited the patriarch to the family again after what has happened and learned that they were recommended to help him by none other than Rikka.

Kuro’s seldom-seen cousin Rikka has been in-and-out of this series. She has made her feelings known to Kuro and Kotoko as she loves her cousin Kuro and hates Kotoko. Rikka stayed with the couple during a time in the first season, but took her leave and hasn’t been seen by the two since then. What are Rikka’s intentions with recommending two people to get help from Kotoko? We do not see this in the final episode.

Instead, we see Kotoko conveniently at an unagi restaurant where there’s an intense conversation between two friends. One of the friends accuses the other of killing his spouse. Now, you would think that Kotoko would have heard these two guys speaking aloud in a public setting. But this is Kotoko Iwanaga, the “Goddess of Wisdom” to many spirits, entities, and whatnots. Kotoko was at the restaurant for ulterior motives to do something so crass with Kuro later. She didn’t expect to hear from a ghost. It’s the ghost of the woman that guy from the table over killed. She’s latching onto her living husband making things heavier and difficult for the man. Kotoko later confronts the man and explains that his late wife’s ghost is causing this pain. Kotoko pretty much destroys this whole man’s career in mere minutes. We end with Kotoko going home with Kuro and…the end, I guess.

Hmm…I’m only now realizing that three of the mysteries this season revolved around a dead wife of some sort. Dead ex-wife, dead wife, some guy that killed his wife…and Rikka might be the reason why Kotoko ends up helping out in all of these mysteries. Is Rikka sending Kotoko some hints that if she marries Kuro, she’ll wind up dead. I’m reading too much into this.

I can’t say I didn’t get what I wanted out of this season and that was to have more stories that focus on more than just one entity or mystery. I got that. But I can’t help but feel an empty feeling when it comes to that certain woman, Rikka. We see her in one episode and she’s only mentioned a few times. Yet, there’s so much tenseness between her and the duo. I guess we need yet another season to see if we get more interactions or some kind of showdown. It looks as though the manga is still in publication so I’m going to assume we’ll get more In/Spectre in the coming years.

Okay, fine. I liked this season better than the first season. And judging by the scores on MAL, I’m not alone in that sentiment. And okay, I’ll get off my high-horse about Toilet-Bound Hanako-kun and give In/Spectre its due. If you’re interested in the supernatural, give both seasons a shot. Can’t have one without the other.

Crunchyroll has both seasons available for streaming.

#in/spectre #anime review #in/spectre season 2 #kotoko iwanaga #kuro sakuragawa #rikka sakuragawa #kyokou suiri #kyokou suiri season 2

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absolutebl · 3 years

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This Week in BL

March 2021 Part 4

Being a highly subjective assessment of one tiny corner of the interwebs.

This is a LONG ONE, it’s been A WEEK everyone.

Ongoing Series - Thai

Lovely Writer Ep 5 - a little slow this week, but at least Gene finally flirted back, and very cute flirting it was, too. Also we got Aey’s motivation, background, and love interest. Thank goodness for that.

Brothers Ep 8 - still pants, what can I say? Clearly I am a BL masochist. Very embarrassing for everyone concerned.

1000 Stars Ep 9 - the conflict over Tian’s father was REALLY well done. The plot of this drama is excellent, the leads are great together, and yes I totally cried. What, you didn’t?

Ongoing Series - Not Thai

Word of Honor (China) Ep 16-18 - big battle fighty fighty stabby stabby. Ep 17 switches to “this drama isn’t big enough for two chaotic-neutral godlings!” So what do they do? Drink together and bicker... A LOT. Then in Ep 18 we all get the dubious joy of really freaky puppets. (I HATE puppets.) Also how is China letting this be so SO VERY VERY GAY? Also, I wanna walk through the forest wearing a smanshy purple robe and waving a big fuck-off white fan around simply because I’m a pretentious fuss monger. And frankly, I feel like this is an achievable life goal for me.

We Best Love 2 (Taiwan) Ep 4 - not gonna lie, this is looking to be one of my top 3 BLs of 2021. It’s SO GOOD. Big bonus to this ep for treating stalker behavior like the mental illness it is and not as some dumb representation of enduring love.

The Most Peaceful Place is My Place (Vietnam) Ep 1 - finally dropped (find it under NƠI BÌNH YÊN NHẤT LÀ VỀ BÊN EM on O2′s channel). It’s got actors already comfortable with BL and looks pretty good so far. An angry tsundere uke reunited with his ex, a stoic chef, giving us lots of snap, crackle, and pop out the gate.

Dear Uranus (Taiwan GL) Ep 2 - I want to love it, but it is just moving too fast. There’s not enough character dev and then they’re throwing flashbacks in? It feels like a treatment rather than a show, and a rushed treatment at that. Bummer.

HIStory 4: Close To You (Taiwan) Ep 2 (AKA Ep 3-4) - let the cheesy popcorn continue! Idiot remains an idiot; ingenue remains an ice queen; nice gay guy remains nice and gay; obsessive stalker brother is getting ever more whackadoddle. Of course these last two have the best chemistry. (It’s caregiver codependency and the salvation trope. We got us a Leo/Fiat situation going on.) Plus lots of classic BL tropes because OF COURSE there are lots of tropes.

Occasionally, I am tempted to argue that shows like H4 or Cherry Magic or Ossan’s Love aren’t technically BL because of the office setting and age of the protags - but then they all behave like high school students anyway, so *shrug*

Stand Alones

Cute little Taiwanese micro BL Friend or Lover dropped, about bisexual realization within a friendship group. Normally these are too short for me, but this one did pretty good with its 15 minutes of charm, plus it’s abad boy + shy softy pairing.

Breaking News - Thai BL

Fish Upon the Sky released its actual trailer. The upside-down kiss is gone, which makes everyone sad, and it seems far less rivals to lovers than the first iteration, which makes ME sad. But it still looks good and a more classic BL than GMMTV has given us in a while. New trailer focused more on the makeover trope and they’ve upped Mix’s role (the object of everyone’s affection) now that he’s proved himself. (Or they are using him more to carry the trailer since he has a fan base form 1k*). Starts April 9 on GMMTV in 1K*’s time slot, probably with a 10 ep run.

2gether the movie is apparently coming April 22 to Thai theaters. F4 Thailand must be having issues or GMMTV just wants to milk the BrightWin cash cow. It’s rumored to be a combination of 2gehter + Still 2gether with some extra scenes and ending. Also, one assumes a lot will be cut out, if it’s movie length.

Call It What You Want released its updated trailer. If anything, it looks more scary than before. What are we in for? April 9th.

Nitiman got a release date, May 7 on One31.

I Told Sunset About You 2 got an updated release date of May 27 on LineTV.

Second Chance the series is coming to LineTV on March 29. I don’t know much about this one. Tons of familiar faces (mostly TharnType side dishes) and some nice looking new talent but a dearth of eng subs. I think it may take on Brothers’ time slot. Line did eng subs for Brothers so maybe they will do 2nd Chance too?

Close Friend the series is coming April 22. This is a combination of 6 couples with 6 story arcs as music videos (maybe)? It’s an epic fan service with familiar faces like OhmFluke (UWMA), MaxNat (LBC also in Y-Destiny), YoonLay (YYY also in Y-Destiny), KimCop (GenY), and JaFirst (TT2).

Y-Destiny starts March 30, and has starting dropping couple’s trailers. I’m still suspicious given the director but it seems like there is plot (or plots) and a theme. Looks to be a series of 7 single ep vignettes (amended, see comments, might be 2 eps each for 14 eps total), different couple each time, some with supernatural elements, all with decent chemistry and acting chops.

Sun MaxNat’s tutor/student arc

Mon jaded rich kid meets poor innocent

Tues sports romance enemies to lovers

Weds the messy realistic actual dating one

Thurs hot ghost boyfriend (sad)

Fri YoonLayPerth coping with loss and finding new love (sad). This one will all rest on Lay's acting so we know it’s in safe hands. Our boy is going to KILL it.

Sat time-slip memory loss reunion romance

I’m thinking we can’t expect any of these to end happy or be classic BL. They’re gonna be more slice of life-ish.

Gossip - BL Outside of Thailand

Scholar Ryu’s Wedding Ceremony AKA Nobleman Ryu’s Wedding (Korean historical BL) got a legit teaser (eng sub here). @curriculumvtae reports that it’s releasing April 15th on WeTV (Philippines & Thailand) and Idol Romance (South Korea), while Will of Thai Bl says it’ll be on Viki too. It’s a short run of 8 ep built on a fake relationship trope (arranged marriage variant):

Ryu Ho Seon’s (Kang In Soo from You Wish) arranged marriage turns out to be with his expected bride’s brother, Choi Ki Wan (Lee Se Jin from Mr Heart). Ryu tries to undo the marriage, but his ill mother opposes this saying the scandal would be too much. Meanwhile, Kim Tae Hyeong (Jang Eui Soo from Where Your Eyes Linger), a senior at Ryu’s school, comes to congratulate him and falls in love with Choi. Then one day, the original bride disappears.

Okay it seems a bit twisty turny for ONLY 8 EPS, but oh my goodness how excited are we? Our first intentional historical BL out of Korea!

We already knew Hong Kong was doing a remake of Japan’s Ossan’s Love under the same name (not my favorite Japanese BL but so very popular) but it’s now reported to be coming to Viu in June. Who knows how the CFA will take it. Depends on whether Hong Kong bows before the NO GAY KISSES regs or if they are going to use this as a political nose thumb... things could get cray with this puppy (the original has several kisses and s shower scene). Are we back in Addicted territory only with added comedy and civil unrest?

Speaking of Japan, Absolute BL (AKA Zettai BL ni Naru Sekai vs Zettai BL ni Naritakunai Otoko) dropped sooner than anyone thought, March 27. But being Japanese who knows how/when/if we get subs. Protag finds himself trapped in a world of BL, but being straight he fights against any hot guy that draws near, but the whole world (literally) is conspiring against him. It’s a parody adapted from a yoai.

What with Absolute BL from Japan plus Lovely Writer and Call it What You Want from Thailand, is 2021 the year of BL being ultra self referential? Sure feels like it.

In Case You Missed It

Faded a gay micro film from Taiwan from 2017 deals with parental acceptance and serves up a ton of BL tropes (piggyback, forehead kiss, etc). I’m pretty sure this was a propaganda piece for legalization of gay marriage, and it’s an interesting nugget of BL history as a result. Yes, it ends happy. It’s cute.

Next Week Looks Like This:

Some shows may be listed a day later than actual air date for accessibility reasons.

Upcoming 2021 BL master post here.

Links to watch are provided when possible, ask in a comment if I missed something.

Man there’s a lot going on right now! Spring has sprung... I suppose.

P.S. I cannot believe I missed Absolute BL as a blog name. Numbnuts = me.

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dialovers-translations · 3 years

Text

Diabolik Lovers DARK FATE ー Laito [VAMPIRE ENDING]

ー The scene starts in the hallway at Eden

Yui: ( ...I’ve reached my limit...!! I... )

Laito: Yui-chan...! Hang...in there!

Yui: Laito-kun...Uu...

Laito: I’ll save you right now...!

ーー Kuh, uu...!!

Yui: ( Laito-kun...At this rate...! )

Laito-kun...Just forget about me...and runーー

Laito: I refuse...!

*Rumble rumble*

Yui: Laito-kun!!

Laito: !!

Yui: I’ll be okay so...

Laito: Don’t say that...I will...save you...!

*Rumble rumble*

Yui: ( Laito-kun...!! )

Laito: Come on! Don’t close your eyes, grab my hand...!!

On certain CGs, little black roses will appear on the screen. If you click on them, you get an extra line of dialogue.

“My life has been worth it, simply because I was able to meet you. ...Thank you.”

“Fuck...! These stupid flames...! ...But don’t worry, Bitch-chan. I’ll keep you safe.”

Yui: ...!!

Laito: ...! Thank god...I made it just in time...

*Rustle*

Laito: Ugh...

Yui: Laito-kun, did you hurt yourself...!?

Laito: Fufu...It’s just a scratch...

It’s such a trivial matter, when I consider I could have lost you.

Yui: Laito-kun...

Laito: Even if I have been nothing but a marionette my whole life, my love for you is genuine.

Just like you said.

Even if everything else went exactly according to his plans, there’s at least one thing.

One thing which that guy has no say in. That’s...our feelings.

Yui: Yeah...You’re right.

Laito: I’ve been aimlessly walking around in a thorny forest, and tried to forget about the pain by numbing my own emotions.

However, a cute princess who wandered into that forest...she reminded me.

These feelings she taught me...They are forever.

Yui: Yeah...

Laito: My feelings are the only thing I can say are entirely my own. And what this heart of mine seeks outーー

That is the sole truth in my eyes...

Yui: Yeah...Exactly...You’re right. Laito-kun...

Laito: Cough cough...The fire...! Fuck, they flames have reached this far...

Yui: Ugh...

( Is there no way out...? )

( However, now that our hearts have become one, I feel like we found happiness regardless... )

*Flash*

Yui: ...Eh?

Laito: The door...The door to the Chamber of Time...opened...?

Yui: What is happening?

( It refused to even budge when Laito-kun was screaming at the top of his lungs. )

Karlheinz: ーー You who are fit to be Adam. You have been granted entry.

Now, step forward aiming for Eden.

Laito: ...!?

Yui: Karlheinz-san?

ー They enter the Chamber of Time

Yui: ( This is the Chamber of Time...It’s a very mysterious place... )

( I’m scared, yet strangely calm at the same time... )

Laito: ...

Karlheinz: No need to glare at me like that, Laito.

Laito: I’m not glaring. I just figured there’s something I should tell you beforehand.

I’m no longer your puppet.

Karlheinz: Hmph.

Laito: I’m not quite sure what you’re setting me up for. However...

I have zero interest in carrying on your intentions.

No matter what those may be.

Karlheinz: I see. That is a shame.

Laito: The fact you don’t seem to feel any regret at all really gets on my nerves. ...Honestly, I can’t believe you...

You knew I would turn out like this, didn’t you?

Karlheinz: ...I wonder?

Laito: You’re being sarcastic, aren’t you. I bet you know what comes next too, don’t you?

Karlheinz: ...

Laito: Your silence proves that I’m right. Why did you let us in here?

Karlheinz: To give my blessings to the anticipated future.

Laito: Your blessings?

Karlheinz: You, who has become Adam, allow me to entrust you with this power...

Laito: ...!?

Karlheinz: You have become the first Demon who obtained the truth and learnt to experience human sentiment.

Therefore, I shall grant you my strength. Come on, accept it.

You will need these powers.

Laito: ...No thank you.

Yui: ...?

Laito: If you want to see me die from sheer self-hatred after accepting those powers, then go ahead and force them upon me.

Karlheinz: ...

Laito: I don’t care what you think. I’m free nowーー

Karlheinz: I see.

Laito: Goodbye.

Karlheinz: ...

ー The scene shifts back to the hallway

Yui: Laito-kun, are you sure you did the right thing?

Laito: Nfu~ I did. I don’t want those powers at all.

Come on, let’s go. Let’s leave Eden together.

Yui: ...Yeah...

Laito: I’m sure many trials will wait ahead of Adam and Eve after they’ve left Eden.

But you’ll come with me, right?

Yui: Yeah, of course!

ー The scene shifts back to the Chamber of Time

Karlheinz: ーー Good grief.

Socrates: Despite sighing, you seem happy somehow.

How does it feel to play the part of the ultimate villain?

Karlheinz: What happens to me is of no concern. As long as I consider that this will aid in the birth of a new humankind.

Regardless of the circumstances, I have lost this fight.

Socrates: I think you are the only person I know who could rejoice in a loss, my friend.

Karlheinz: ーー Let us put the match on hold for a while.

Socrates: Very well.

Monologue

Surrounded by a sea of flames,

the two of us fled Eden hand-in-hand.

Amidst the scorching fire blocking our path,

Laito-kun somehow seemed happy.

At last...

We might just have obtained,

the freedom we’ve always wished for.

*TIMESKIP*

Monologue

In the end, it turned out that the one who set fire to Eden back then,

had been Shin-kun.

Afterwards, this escalated into an all-out war,

between the two Founders and the other demonic races.

The Sakamaki and Mukami brothers quickly became involved in this conflict,

with every day being just as busy as the last.

However, Laito-kun is the only one...

who insists that the war is none of his business.

He seemed to be enjoying his new freedom of mind to the fullest.

Perhaps they had realized this,

but despite the many complaints from his brothers, none of them opposed his behavior.

I believe this might have been his brothers’ way,

to show that they actually do care about Laito-kun.

ー The scene shifts to the forest

Laito: ーー Phew. Now we just have to put a stone on top. ...There.

*Thud*

Yui: Done?

Laito: Nfu~ It’s complete. Come on, this way. I want you to be the first person I show this to.

*Rustle*

Laito: What do you think?

Yui: ーー I think it’s great. I’m sure Cordelia is very happy as well.

Laito: Fufu, I’m not so sure about that?

Yui: I’m positive.

Laito: When you say that, I’m tempted to believe it.

Yui: ( Cordelia’s grave. I was very shocked when Laito-kun suddenly said he would make her one. )

( This shows that Laito-kun was finally able to make peace with his past and move on, right? )

Laito: ...

Yui: I wonder if she’ll be able to rest in peace now?

Laito: Well, I doubt it.

Yui: Really...?

Laito: I mean, she was quite the fierce personality after all. The word ‘peaceful’ just doesn’t apply to her.

ーー However, now I’ve come to realize that this might have been what made her pain twice as bad.

Of course, I suffered too, and was hurt in many ways. However, by doing so...Sheーー

When I consider that she did those things, hoping that perhaps it would make Karlheinz finally look her way...

She suddenly seems so miserable..pitiful, and so very pathetic...

Yet incredibly sorrowfulーー

Yui: Laito-kun...

Laito: Her ways were wrong. However, that was a fate none of us could have escaped.

As a result, I was hurt. However, this is also what allowed me to eventually meet you.

Because I have had to bear many struggles (1), there was a truth to be discovered at the end of it all, don’t you think?

Yui: Yeah, I’m sure.

Laito: ...

Yui: ...

*Rustle*

Laito: ...

Yui: Um...Are you sure you don’t want to stay longer?

Laito: Yeah.

Yui: ーー Even though you’re crying?

Laito: Nfu~ These are happy tears because I’m thinking of our future together.

Yui: You’re joking around...even right now?

Laito: I’m not joking. How cruel.

...Come on, let’s go.

Yui: Yeah...

Laito: ーー See you. Mother.

Yui: !!

( Laito-kun referred to Cordelia as ‘Mother’ for the first time ever... )

( ...I’m glad. )

( With this...Laito-kun’s heart has truly been set free. )

ーー Where are we headed next?

Laito: Nfu~ I guess we should return to the human world for now? I’m pretty sure we’ll get involved in some annoying conflict if we stay here.

Yui: You haven’t made any concrete plans yet?

Laito: No. Not really. Disappointed?

Yui: No, Iーー

Laito: ‘ーーI will go anywhere as long as we’re together!’, right?

Yui: ...!!

Laito: Ah, I was right? I figured so. Well then, let’s depart to our lovely castle in the human worldー!

Yui: A castle in the human world...?

Laito: Nfu~ A wonderful place~ You’ve got nothing to worry about if you just leave everything to me.

Yui: ( That sounds a little fishy coming from him but oh well. )

( I also like that side of him after all. )

Laito: Ahー I’m so excited. Let’s do all things we’ve missed out on so far...Like ‘this’ and ‘that’~

Yui: What are you thinking of?

Laito: Eeh~? You’re curious? Sure, I don’t mind telling you...

Yui: N-No, nevermind, I don’t want to hear...!

Laito: Nfufu~ Oh come on, don’t say that. My precious Princess Bitch~!

Yui: Don’t call me that...!

Laito: Eeh~? Let me think? I can’t help myself when you protest like that though?

Yui: Laito-kun...Please...!

Laito: Nfu~ Then, ‘cutie’~

Yui: T-That’s kind of embarrassing too because I’m not used to you calling me that...

Laito: Eeh? Really? Then, ‘Bitch-chan’?

Yui: Yeah, that’s fiーー Wait.

That one’s getting a no too!

Laito: Fufufu~ I can’t believe you want to be called ‘Bitch-chan’. Honestly, you’re just so...Nfu~

ーー Very cute!

Yui: ...!!

( Laito-kun’s this happy yet he can still be himself. )

( That...makes me happier than anything else. )

( Since you remain by my side to this day, we can both vow our love for each other. )

( Now, until foreverーー )

ーー THE END ーー

Translation notes

(1) He continues to use the ‘thorns’ metaphor here, saying that he walked a path full of thorns.

#diabolik lovers #dialovers #dark fate #laito sakamaki #diabolik lovers translation #dflaitoending1

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0poole · 4 years

Text

I LOVE No Straight Roads

Honestly it’s hard to keep me away from a game with great visuals and even greater character design. I knew from the INSTANT I saw these characters that I was going to love it. I just finished it because it’s (unfortunately) pretty short, and even though I cheesed the final boss through it’s very lenient death mechanics (Instant respawn at the cost of a good rank) I actually appreciated that it wasn’t a pure cake walk. I’ve yet to rematch all of the bosses, but since I had genuine trouble with the later ones I’ll hold off on that.

But who cares about gameplay, am I right? I sure as hell don’t. I would’ve bought the game no matter what the hell it was. I wanted the characters (and the music, although I realized that second) and that was it.

First of all, I love any world that is super fantastical but cheesy in its concept, ala a city powered by music, and battles between artists using music. Ideas like this only spawn from a mind that wants to create a fun atmosphere, if nothing else, and it was sure as hell fun. I genuinely love when someone goes so far into a crazy idea and doesn’t waste your time explaining it with real world logic. Wanna know how a city can be powered by music? Shut up and look at the cute virtual mermaid. Lord knows I did. Every once in a while, it does you good to just let the player/reader/viewer just revel in the idea without having to go out of your way to make things seem realistic. It’s not about “turning your brain off” or whatever, it’s picking your battles.

Also, I can seriously love a world with great background characters to it. Any game with the right situation to insert the random nobodies you find onto the streets into the art in the credits really played into the greatness of the world’s less important characters, and that’s always a good thing. It’s technically world building. But, since I always love to pick favorites, I’d have to say my favorite background character is easily Mia, the NSR infodesk assistant. It’s funny, because you can literally search “nsr characters” into Google and she’s the third image result. I love how jumpy she is when you first interact with her, since NSR probably spread the word about B2J suggesting they’re rock thugs who’d beat up anyone, so for all she knows she could die right then and there with a guitar lodged in her skull. She’s probably just some intern trying to pay for college. She don’t want trouble.

Also, I just realized that 90% of the characters in this game have the same body structure that I always love, that being having arms/legs that sort of fan out in width into relatively large hands/feet. It’s a kind of limb structure I fall into so much because it just really hits me right for some reason. I really can’t explain why.

Anyways, I gotta talk about the big boys individually:

Mayday and Zuke are an amazing duo. I’m always a sucker for a cute and crazy girl, but honestly Zuke hit so many of the right notes too. I will say it’s weird to pair the martian Zuke with the humanly-skinned Mayday, but honestly it doesn’t even matter because he looks so cool on his own. I love his weird blocky blue dreadlocks, and his weirdly shaped shirt which bares his chest in the weirdest way... And, oh my god, Mayday’s weird Spongebob background flower eyes? It’s little tidbits like that that really make me jealous. How could I have ever thought of that? It looks so perfect, and I don’t know why. And her little booty jig she does in her idle animation? Adorable. I played as her as much as was reasonable not only because I’m a filthy button masher with little strategy but also because she’s so damn cute. I can also appreciate how she has a tough-as-nails persona while still keeping a semi-girly attitude, like with her falling for 1010 and Sayu. Characters are so much better when they’re a perfect blend of characteristics, instead of being all one-note, like how Zuke is the quiet one but gets heated against DK West, and all.

Honestly the voice acting for every character is great, but I love when Mayday’s VA’s accent shows through. It’s a perfect twang to accent (consider this the only acknowledgement of a pun in this post) her snarkiness.

DJ Subatomic Supernova was going to be an easy favorite since he’s all space-themed. Also, I don’t know why I always end up liking the egotistic characters. Not in the sense that I like their egotistic-ness, but in the sense that I like everything else about them and they just so happen to also be egotistic. The same applied with Empoleon (maybe like my 2nd favorite Pokemon) and Rarity from MLP, probably among others. Either way, I’ll never not love space themes. Not to mention he’s got a funky disco theme, and I’m slowly starting to realize that I am in extreme love with techno-funk styles of music. The instant I heard his music he cemented his place into my playlists.

As for design, I still have no idea what the fuck he is. Clearly AI is at human levels in this world, but if he’s a robot why does he still have hairy legs? But, if he’s a human, is that weird orb his head? Is it just some sort of puppet which he controls from inside his giant jacket? I know I dissed explaining things realistically but I actually want to know with this guy. Even the wiki doesn’t say. Either way, he’s clearly the logical extreme of “being at the center of your own universe.” Even his jacket depicts a solar system, with his hood being the sun. Didn’t see that until I tried to draw him. I really wish this guy wasn’t so tied to his DJ stand so I could reasonably draw him without it. I don’t want to draw his hairy ass legs. It is a great touch for his design though (although I prefer his beta look with pants and long boots, another design trait I tend to gravitate to) since DJs could reasonably not wear pants, since they’re always behind a table.

Sayu is my favorite. It’s so plainly obvious. It’s weird to say that sometimes, because some characters like Sayu are so clearly engineered to be as adorable as possible, to the point where they’re basically a parody of whatever they’re supposed to be emulating, but then they do that so well that they are still likable for what they’re trying to parody. Also, even though I’ve never looked into any vocaloid superstars myself, the fact that they exist and are loved in real life is absolutely perfect to be used as a character design in a world like this. It’s so weird conceptually, but we all know it’s normal and realistic. But yeah, she’s a giga-cutie whom I’ve already drawn and I’ve listened to her theme on loop on many different occasions. Favorite character, favorite track, favorite weapon of choice (What did I say about Empoleon?), which, and I wouldn’t have noticed this myself, looks like the USB symbol you see above USB ports on computers. How crazy perfect is that?

Even apart from my unbridled love for cute monster robot(?) girls, her boss fight is probably the 2nd greatest of them all, at least conceptually. She’s just a hologram, so you can’t touch her, but you CAN disconnect the artists which control her in order to defeat her. It’s the kind of concept for a boss fight that could only work for this type of character. I’m a sucker for the cute girl that provides her voice, but I love how the animator (video editor? the yellow one) actually attacks you with a mouse and lowers the brightness of the setting once he appears. Also, the mocap guy being the deeply-voiced type but still providing the adorable movements of her body. It’s such a great combo of characters, and their little extra art in the credits makes me like them even more. I just wish we could interact with them individually.

DK West was probably one of the most interesting characters visually, especially since I knew of every other NSR member long before the game came out, but I only just heard of him closer to the release. I wasn’t sure where he was placed, but I definitely assumed his gig was the weird shadow demon we saw in the trailers. When I finally saw him in game, I was shocked to hear him speak an entirely different language most of the time, which was really cool. Also, finding out he was tied to Zuke and wasn’t strictly an NSR artist really made him more interesting. You know, if his fucking shadow clone magic didn’t make him crazy cool enough. Even though I suck at his game and am not especially fond of his raps, the visual of him rapping with this giant monster behind him and dozens of weird shadow wingmen by his side hyping him up was probably one of the coolest in the entire game. The dark way they were hyping him up too gave such a bizarre atmosphere, especially since it parallels his seemingly chill and smiley demeanor.

I definitely hope they’ll introduce new bosses as DLC in the future, and make them sort of in the same vein as DK West, where they aren’t the biggest artists ever, but they want to pick a fight with B2J. I’d kill for any extra content this game can provide.

Yinu is obviously special since she was the subject of the demo they put out for the game. Even though I knew all her bells and whistles, she and her mom still beat me a few times in the full game. Considering she’s semi-tied to story-ish spoilers I kinda want to go more into her in a separate section. It is worth considering playing the game first since it’s not hard (with the easy going deaths) and it’s short length.

1010 seriously grew on me as I learned more about them and interacted with them. I got their shtick when I first looked at them, but after seeing that animation of them touring the city on Youtube I was kinda falling for them. Then, I learned that they’re apparently repurposed navy war robots? I mean, maybe not them specifically, but it seems to heavily point in that direction, with the warship cars and “attention!”s and all. It took me a bit to get into their music too, but once I actually fought them and put their actions to the music I fell in love with it. I swear, Neon J’s weird dancing can has some of the smoothest moves in all of gaming. I don’t know whether they mocapped out those movements or got one of the greatest animators ever, but it looks so impossibly clean his part of the song gets me like 30x more hype than it would normally.

Also, their little art piece of them looking at fan mail in the credits is probably one of the most adorable things ever. Even if they’re just Neon J’s puppets, that piece of art really makes it seem like they love every one of their fans. I’m not gonna lie, I might swoon a bit too if they picked me out and gave me some special attention.

Oh yeah, and the fact that Mayday was super sad in her showstopper against them was adorable and hilarious at the same time. The little tweaks they made to the showstopper for each fight were great.

Eve just has to be Lady Gaga, right? Like, an even crazier Lady Gaga. DJSS is Daft Punk (or any artist with a helmet persona, you know what I’m talking about), Sayu is Hatsune Miku, DK West is Kanye West, Yinu is a generic child protege, 1010 is a KPop boyband (just pick one) and Eve is Lady Gaga. That’s just how things are. But, again, this is the kind of boss fight that only this type of character could provide. It’s not just surreal imagery, it’s ARTISTIC surreal imagery. The fight is so mesmerizing in every way, especially by how it starts off so slow and calm and progresses to insanity, as well as the increased emotional investment in the fight making you feel so much more into it than just “That’s the boy band. Let’s fight.” Not only does it get you more invested, but it makes her artistic persona go deeper than just “she looks weird.” She is genuinely conflicted about her relationship with Zuke, and naturally that leads her to literally split him and Mayday apart. That mechanic specifically was the coolest, although I do wish they made it more obvious when you needed to switch over to a different side. I was getting pulverized by her fight too, since there were so many things to pay attention to. Her fight was definitely the best one.

Tatiana and Spoilers:

Let’s be real with ourselves, the twist was so obvious. I do also think, though, that obvious twists aren’t bad if they’re just good reveals. At some point, a person just has experienced so many stories that “only pretty good” twists are easy to spot. It doesn’t mean that the twists are bad, it just means you yourself experienced.

I feel like her transition from rock to EDM was pretty understandable, even as a non-musician. She was so caught up in what she assumed was popular that it basically consumed her. It’s easy as an artist to want to forgo what you truly want to make in favor of what makes you popular, and clearly since her transition to EDM made her the CEO of the biggest company in the city (world?) that probably made her think she truly needed to change her outlook. Then, when she saw B2J try to bring it back, she sort of coined them as being as misguided as she was and knocked them down a peg. Plus, they were kinda being jerks about it.

It’s kinda like the Trolls sequel, where everyone pegs rock music fanatics as being too stuck up in their own heads to appreciate other types of music, which honestly seems more like the case than the alternative. When I first heard of the story of the game, I was seriously hoping they did put an asterisk on B2J’s ambitions because they were a bit sketchy from the start.

That’s kinda where I want to talk about Yinu, because she was the true turning point in what they were doing. She’s literally 9 and yet she’s getting dragged into all this BS. When she said “I hate you all” at the end of her fight, and played a somber tune on her broken piano after the fight destroyed it, you kinda got a kick in the face to realize you’re kinda being an asshole to some of them. Sure, they fight back, but they wouldn’t fight in the first place if they didn’t have to. They are just people who play music under a joint name that B2J just so happened to get in hot water with.

Then, of course, there’s Kliff, who also reeked of surprise villain, and who’s basically the embodiment of the bad side of B2J, where he just wanted to destroy for his own sake and not for the actual greater good. Once B2J realized their mistake, they backed off, but Kliff was so hard pressed to do what he planned on in the first place he wouldn’t stop. I kinda wish he got a bigger fight to his own since he’s clearly a big enough tech genius to divert a whole satellite into one specific building. Maybe the Elliecopter chase bit was his thing, but I do kind of wish he was there to fight against them too.

Even though Tatiana did kind of reform a bit quick, It’s still not too crazy to assume she could see that B2J was just misguided and the fact that they worked to revert their wrongdoings for her sake would make a pretty strong impressions. They clearly can hold their own, so it’s not like she wouldn’t want them to join NSR too.

Oh yeah, and her boss fight was clock/time themed. If there’s a theme under space that I love, it’s clocks/time.

And If I am to be respected by the internet, I must provide a negative opinion to balance out my positive one. I will say that the character model physics (like Mayday’s braids, DK West’s vest thing, Neon J’s fluffy neck thing, etc) got kinda funky at times. Especially DK West’s vest, which was completely messed up for every scene he was in... Also, even though the voices are mostly great, some lines felt a bit off. Just a bit. That good enough? Good.

But yeah anyway that’s another favorite game to add to the pile. Eventually I’m gonna have to compile a true list of my all-time favorite games/movies because I do kind of want to have a solid idea of what my all-time favorites are.

#nsr #no straight roads #bunk bed junction #dj subatomic supernova #sayu #yinu #dk west #spoilers #1010 #eve #tatiana #rambling #review #poole #etc #opinions #rant

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stillness-in-green · 3 years

Text

MVA In Memoriam (4/5)

The Comprehensive Account of the Butchering of My Villain Academia

(Introduction and Part One, Episode 108: My Villain Academia) (Part Two, Episode 109: Revival Party) (Part Three, Episode 110: Sad Man's Parade)

Part Four, Episode 111: Origin: Shimura Tenko

Chapter 233 – Bright Future

• Twice clearly having arranged a Skeptic puppet to where its arm can be used as a pillow for Toga’s neck. A cute little character detail while also being kind of disturbing? Very on-brand for the League! A not-immediately-plot-crucial visual of a member of the League demonstrating obvious care for another member? The guillotine awaits!

• A little explanation about how clones’ physicality and memories work relative to the last time Twice saw the people the clones are based on. This is a very useful little nod of explanation to something that remained unclear from the dialogue of Mr. Clone-press last chapter. Twice’s quirk is pretty arcane in its ins and outs, frankly, and the clearer those details are, the fewer plot holes you’re leaving for later.

• The scene of Skeptic being right on the verge of confronting Twice. Skeptic has, oh, about five moments where he’s obviously a big tense neurotic who’s unpleasant to be around if things aren’t going his way, and the anime deleted or downplayed all but two of them. As ever, it’s obscenely damaging to the characterization of the MLA cast, who we have little enough time with as it is. Further, it was a particularly weird choice to make with Skeptic, who is as of this writing the only major MLA character who’ll emerge still free and active from the War Arc. Why shaft the characterization of the one of new characters who’s going to be getting the most attention out of any of them in the next arc, with yet more scenes yet to come after?[1]

• A full page’s-worth of Spinner’s rationalizations on targeting Trumpet and ordering the Twice doubles to do the same. This lays out the details on why targeting Trumpet stands to relieve some of the load on Shigaraki. It isn’t because Trumpet’s quirk makes the crowds more dangerous, though that is true. Spinner targets Trumpet because he’s seen enough to know that attacking the MLA’s leaders gets them crazy riled up; he knows that if he makes himself a threat to Trumpet, then all Trumpet’s followers’ attention will shift focus to Spinner, leaving Shigaraki with less to deal with. Spinner also knows that that is ludicrously dangerous to him personally, given his weak quirk, but he actively makes that choice anyway, because that’s how much he’s devoted himself to Shigaraki without (yet) quite articulating the nature and reasons for that devotion. Targeting Trumpet without any of that reasoning made for a perfectly sound tactical decision, but it missed the regard Spinner shows the unnamed mobs of the MLA, and it really missed the probable savage beatdown and even possible death that Spinner consciously chooses to risk for Shigaraki’s sake. Of course, a chunk of what the episode deleted is flashbacks to scenes the anime also cut, so they couldn’t figure into Anime!Spinner’s reasoning. This does not excuse yet more cuts to Spinner’s arc and characterization; it only adds to how badly the anime maimed him. Also, on a less salty but still confused note, deleting all the Twice clones from the beginning of the scene and just having Spinner running along a wall past mobs of people instead of laboriously fighting his way through the street to the van was really dumb. Why did all those MLA people just stand there and let him run by? Where did all the Twice clones that just helped save Spinner from a huge flurry of long-distance attacks disappear to? Come on.

• Trumpet’s thought that using Sevens Loud will draw every bit of strength from their warriors, but that it’s necessary. Setting aside that it looks far less necessary when there hasn’t been a crowd of Twice clones fighting Trumpet’s people this whole time, just Spinner by his lonesome, we still lost quite a bit to this cut. Firstly, a nuance on the trade-off Incite gives—that its stat-boost is temporary, and that it’s borrowing from the future to pay for the present, a stock that is limited and a bill that will come due when the effect wears off. Secondly, it’s another demonstration that the MLA leaders aren’t just thoughtlessly wasting their followers’ lives; they’re very consciously doing cost/benefit analysis on how much danger their people are in versus what stands to be gained by the potential exertion or outright deaths those people will suffer. It’s cold reasoning, yes, but that’s how the Liberation Army operates: not for the personal gain or lackadaisical ease of the people on top—Trumpet would just have been in the tower speaking through city-wide loudspeakers, if that were the case—but for the advancement of the group’s ideals. It also just grants Trumpet some interiority, but of course the anime can’t have that.

• The note in Trumpet’s meta-ability explanation that the more his voice causes the air to vibrate, the stronger Incite’s effect. This is—good god, it is literally the entire design mentality behind Sevens Loud! Sevens Loud purpose isn't to make his voice louder so more people can hear him (which I would think is the most logical assumption an anime-only person would make as to why he puts it on); it’s to make himself louder because being louder enhances the boost. It’s about the quality of the effect, not the quantity of targets. This is why Trumpet has the thought about how using Sevens Loud will drain the strength reserves of his people. There’d be no correlation there if Sevens Loud were only about boosting his range.

• When Spinner got porcupined in the anime, they did a close-up on his face, possibly to avoid the gore of showing the spines piercing through his forearm. That’s fine, but they also emphasized the reaction by having him lose his grip on the huge fuck-off knife he had clutched in his teeth. In the manga, sure, he yells in pain, but he doesn’t lose the knife. Indeed, he gets the guy off him by slashing at him with it—a shot the anime dropped. So Spinner doesn’t even get to keep displays of his pain tolerance, a trait he doubtless improved during those six weeks against Machia. Why does the anime hate Spinner so much, you guys? Why did it go out of its way to make him look lamer, when Dabi and Toga were out there getting anime-original flourishes to make them look cooler?

• Spinner’s thoughts, “When I get inspired to act, I don’t know what the heck I’m doing! I’m just a loser jumping on a bandwagon. Or at least that’s what it looks like.” A humorous bit of self-awareness from Spinner here. The anime got at the self-awareness. The humor, as we’ll see, not so much.

• Spinner’s thoughts, “Look at me. Look at me!! With all that prejudice in your eyes!” Hah hah, laughed BNHA the anime nervously, what prejudice are you talking about, Spinner? No idea what you could possibly be referring to there! This one’s particularly annoying because, while one might think that the anime was just dodging the heteromorphobia angle it eradicated all references to back at the beginning of the arc, the prejudice line isn’t even about heteromorphobia, not really. See, the Japanese line there literally translates to, “With those colored glasses!”—to see with colored glasses being a Japanese idiom for seeing something from a biased viewpoint. So aside from being a wordplay jab at Trumpet’s choice in eyewear, it’s also about Trumpet’s expressed view that Spinner, having been a shut-in with a weak quirk who decided to take his resentment out on the world, can’t possibly amount to anything much. So, what, did the people in charge of making those cuts think Trumpet was right? Why even keep the line where he disparages Spinner if you’re not going to let Spinner call it what it is? He’s not calling out fantasy racism there, anime! He’s calling out the bias against weak quirks that even the good guys in this world sometimes partake in! Possibly it’s because non-villains in the world[2] sometimes use reasoning that leads logically to quirk supremacism that the anime got gunshy with it, or it was more reluctance to give the villains—and the Too-Real Iguchi Shuuichi especially—moral ground for accusations against their society that get too close to real life. Whatever the motivation, it’s a bullshit cut.

• Shigaraki calling RD “Detnerat,” presumably because he neither knows RD’s real name nor cares to dignify him by using his code name. The anime, again, made neither the connection nor Shigaraki’s recognition explicit, so it lost the specificity and pettiness of that little snub.

• A little exchange between Giran and a Twice clone as they flee. It doesn’t give you much you wouldn’t assume just from seeing them flee, but it always feels more immediate and empathetic when the characters talk and you can see their expressions, instead of just a quick shot of them from behind as they run away in complete silence. Heck, running away in complete silence is actively out of character for Twice!

• Because the anime has some kind of aversion/restriction on showing hand-related violence, it radically changed how Shigaraki lost his fingers,[3] resulting in the loss of several important shots. To the best of my parsing, in the manga, when Re-Destro makes that first big jump to avoid Shigaraki’s decay wave, he comes back down specifically aiming for Shigaraki’s outstretched left hand, spread wide and flat on the ground. Shigaraki tries to evade (you can see the blur of his left arm in the panel where RD lands), but either RD does manage to clip the hand or he simply hits the ground with so much force that the sheer explosive burst of rock shreds Shigaraki’s hand and part of his coat sleeve. Being so much larger, RD then simply snags Shigaraki by the wrist before he can get out of range. It’s very fast, a burst of speed and violence, and very different (read: cooler) from Shigaraki flipping end over end in slow motion in a way that seemed to imply visually that he was thrown well out of RD’s grabbing range. As to the shots we lost? I counted three. First, Hana’s hand crumpling amidst all the flying debris. Second, that big dramatic panel of Shigaraki’s maimed hand ribboning blood into the air as the narration box finally drops Re-Destro’s identity and code name. Third, the shot of him catching Shigaraki, almost delicately, between one thumb and forefinger and delivering the, “Was it this hand that committed such evil acts?” line—a clear threat to what of that hand Shigaraki has remaining—as we find out what his meta-ability is. This is all hugely dramatic in the manga, because, of course, readers always assumed Shigaraki needed all five fingers to activate his quirk, and here Re-Destro nigh-effortlessly robs him of fully half his capacity to use it. It’s a shocking turn-around and instantly ups RD’s threat level by allowing him to permanently maim Shigaraki in a way that no one, hero or villain, has done before or since. Robbing Re-Destro of the immediacy of that seemingly devastating blow—inflicted within moments of meeting the real Shigaraki—did immeasurable damage to his credibility as an arc boss. The shot in the manga is also just arresting visually, with RD finally getting to properly loom over Shigaraki. Most of the shots up to this point have been framed such that, while RD is obviously bigger, he and Shigaraki have still been moving and fighting in a pretty level way. This is the first place where the viewer is situated so squarely behind Shigaraki that they can really feel how massive RD is in comparison. It’s certainly a more impressive visual than this mess—thanks, anime; thanks, whatever broadcasting standards forced overworked and uninspired animators to undertake a redraw of RD’s quirk reveal panel when every other member of the MLA brass had theirs carried over directly from the manga.

• A chapter-ending cliffhanger of Slidin’ Go helping direct traffic on the outskirts of Deika and the warning rumble as Gigantomachia approaches. Aside from being a nice little tension boost—Will Gigantomachia roll up just in time to see Re-Destro making a mess of Shigaraki? Who will he target? Will Shigaraki ever be able to win him over if he sees a scene like that?—it’s good foreshadowing for what the news reports will eventually be saying. Remember, the claim is that a bunch of villains lured Deika’s heroes away and then attacked the city while it was defenseless; that’s why we never see any of the MLA’s heroes involved with the fight once it starts. And now, here, we find out where they’ve been the whole time: making sure no outsiders get in who might be able to undermine that narrative.

Framing Shifts

• Once again had an MLA member using their Detnerat item say its name out loud, when it’s clear in the manga that they’re just thinking the names internally. Once again, it was kind of silly.

• When Spinner flashes back to watching Stain on TV and being inspired, the manga uses a shot of Stain’s face, snarling and defiant. The anime used—a shot of Stain from behind, only visible from the shoulders to the knees, hunched so that his lower back and ass were towards the camera. Bones… What exactly were you implying lit Spinner’s fire there? Or did you just not have the time or budget to go pull Stain’s reference sheets for drawing his face?

• A tone issue, but a major one: Spinner should be grinning, face alight with accusatory challenge, as he hurls his accusations of the MLA/Trumpet being the same bandwagon-jumping nobodies that he is. This is the moment in the manga where we see Spinner truly throw his hesitations and his doubts to the wind and embrace Shigaraki’s nihilistic fervor and the beauty, value and profundity of emptiness. So what if I’m empty? So what if he wants emptiness? Who cares about other peoples’ ideals if their ideals leave no room for me? It’s not a heroic triumph, but it’s a triumph all the same, and losing Spinner’s smile made the moment far too bitter.

• Meanwhile, in exactly the opposite problem, Shigaraki by this point is not smiling. In fact, he’s barely on his feet, swaying violently in place with accompanying sound effects. While his words are openly mocking, he seems to wholly lack the energy to back them up with his usual verve. The anime didn’t have him smiling, admittedly, but the whole time the ‘camera’ wasn’t directly on his face, his voice actor was reading the lines with an uneven, chuckling cadence that suggested Shigaraki was seconds away from breaking into howls of laughter. He was also, of course, impossibly clean, at a point at which his manga counterpart is muddy, bloody and tattered from the horrifically extended combat he’s been living for six weeks. It’s stuff like this that made it so impossible to take the Army or even Machia as much of a threat in the anime, when, other than the red cords on his hands being broken, Shigaraki looked absolutely no different than usual.

Additions

• Gave Spinner a tiny bit of new animation when he got mobbed by people hopped up on Incite. It was nice, but if they were going to give him a flourish, I’d rather it have come when he swipes Porcupine Dude off him with a combat knife. Or, you know, just kept the bit of him telling the Twices to attack and his reasoning on why.

• Cut inside briefly to show a ballerina girl dancing through a darkened apartment right before she sliced a neat circle out of the wall. I love it, A+, exactly the kind of expansion on the action of the manga I wanted to see. My only complaint is that her manga self looked more like Pearl from Steven Universe.[4] XD

• A quick new shot of RD when Shigaraki was hounding him about his feelings. His teeth were visibly gritted, the corners of his mouth pulled down. It stands out because there’s only one shot of RD there in the manga, and in it, he’s smiling, close-mouthed and calm. The anime copied said shot, smile and all, then cut away, and when it cut back, Re-Destro had a totally different expression on his face. Baffling. Anime!RD having a dour scowl everywhere manga!RD is smiling in a tight, controlled way was all over the fight scene, and it detracted from the sense of RD’s menace every time.

Chapter 234 – Destruction Sense

• The illustration(s) accompanying Re-Destro’s, “Let’s not judge people by their quirks,” line. The pictures are cute, but the real loss there was the note informing us that they’re excerpts from a children’s book published by Shoowaysha—Curious’s outfit—called Quirks and Us. That’s a very concrete illustration of the kinds of things the MLA is getting up to in the world, and an equally concrete thing an anime-only viewer lost. Of course, that viewer never even found out Curious was in publishing, so it wouldn’t have meant anything on that front, but there is one other thing I think is notable: the way that book implies that the only people explicitly pushing a “don’t judge other people by their quirks” message are the radical Liberationists. See, the rest of the story touches on the virtues of a nonjudgmental attitude here and there, but actually finding people willing to say it out loud is—unprecedented, I think. Deku comes across situations where he could say something like that multiple times and he never, ever does—not to Shouto, nor to Shinsou, nor to Eri, nor to the giant fox lady. And that’s not even touching on Shouji’s mask, or the discrimination Spinner faced, or the CRC “losing support” without being declared illegal. I think the manga itself is against judging people by their quirks, but it’s interesting that it doesn’t make its characters into mouthpieces to say as much. This is because its characters are thoroughly enmeshed in a society that very much does judge people by their quirks, regardless of whether or not it will say that doing so is bad or rude or prejudiced. Re-Destro and the MLA aren’t immune, of course—Re-Destro himself says that quirks are linked to personality—but they adhere to a different set of values than the larger society does. While Hero Society talks about quirks in terms of being heroic and/or useful versus villainous and/or useless, the MLA spectrums instead emphasize how capable a person’s quirk is of helping them exert their will and how ambitious the quirk’s bearer is in that exertion. That is, their ethics are less about morality and utility-to-society than they are about aspiration and utility-to-self.[5] Both worldviews have their pros and cons, but that, I think, is what the children’s book is getting at when it says not to “judge”—don’t assign an arbitrary moral value to a quirk; judge a person by their actions. And isn’t it interesting, that the only explicit verbal statement of that value comes from the leader of a radical cult descended from a famous insurrectionist quoting a children’s book published by a member of selfsame radical cult? The value is not ever stated by a member of the heroic cast, so are we to assume that the heroes don't actually believe it? Do people profess to believe it but everyone knows it’s only for courtesy’s sake, with only the MLA willing to breach that wall of “things we don’t talk about in polite society” to actually talk about it in anything other than platitudes? Obviously, you lose this entire line of discussion when the "don't judge people by their quirks" value is just never mentioned at all.

• The phrase, “In that case,” from RD’s, “You will never measure up to me.” It establishes continuity to what RD was saying before. He’s not taking breaks from talking while Shigaraki has flashbacks; the two are happening concurrently.

• RD’s, “Cracking apart…?” reaction to his Decayed fingertip, and the dripping blood from the injury. I’m not hugely fussed about the former, but I like the latter as indicative of what Re-Destro’s Stress powers actually do. That is to say, he isn’t covering himself in a thick shell of Stress power or something; his Stress powers make him physically larger, infusing his body and swelling his size. That’s why he bleeds when Shigaraki touches his fingertip. Admittedly, the size distinction was more obvious in the anime, where the audience watched RD’s shoulders inflate like balloons last episode, compared to the manga, where you don’t get in-between animation. Still, given that RD still has that wound even when he goes back down to normal size, and is still wearing bandages for his speech a week later,[6] it’d be nice to mark the severity of the wound with a bit of blood. Oddly, the anime did keep the wound for the crater scene, visible red slices opened in the flesh along the length of his finger, very obviously the sort of injury that would have bled upon being first sustained. Maybe RD ran afoul of whatever the studio mandate is on when Decay has a dust effect and when it leaves gore? (More of that later.)

• Shigaraki’s, “Mother!” for the first panel we see of her. It’s obvious enough who she probably is, but odd that we got a whole bunch of narration for Hana, and likewise an acknowledgment of his grandparents, but not even a single word for Nao.

• Very significantly drops the grandfather’s, “Eating yummy things helps make the sadness go away.” Grandpa’s not just randomly handing Tenko his favorite snack in that memory—he’s trying to treat some kind of grief or wrong without actually addressing the wrong, opting to just put a flavorful band-aid on it. That could be fine if it were something outside Grandpa’s control, but we’ve already gotten some early hints from Hana’s phrasing that things are not okay in the household, and thus the grandfather’s attempt to bribe Tenko with sweets is just as ominous a sign of what’s to come as the grandmother’s attempt to guilt him into not crying lest he make her cry too.

• A little shot of Shigaraki stirring in the rubble when RD answers the phone. It’s a nice demonstration of their size difference, especially comparing both of them to Machia, who we just saw tearing through buildings like the kaiju his theme music declares him to be.

Framing Shifts

• When Shigaraki narrates that Hana always took him by the hand when he got weepy, she actually does take his hand in the manga, her fingers wrapped around his, his clasped over hers. It emphasizes that this is what he can’t do anymore, simply hold hands with people, the innocence lost aspect, and it suggests the closeness he once had with his sister. In the anime, she reached out a hand but wound up taking him by the wrist instead, his hand splayed open beneath hers. This suggested, albeit very implicitly, that maybe that innocence was something he never had from the beginning; it also suggested less reciprocity in his relationship with Hana. Even though Tomura said in narration that their hands were joined, what we saw was that Hana just pulled him where she wanted him and he didn’t fight her on it, not that he held her hand in return. Alternatively, the anime could have been drawing a parallel to how her hand would eventually be gripping his wrist in a much different context (a more necrotic one, for starters) later in life, though if that's what they were going for, they could have stood to tweak the dialogue so it actually matched the onscreen action. (Credit to @robotlesbianjavert and @aysall respectively for these two theories!)

• Shigaraki still having his fingers when Re-Destro squeezed his hand made RD look like a real moron. I assume the intention was that he assumed he’d done enough damage—broken bones, torn ligaments, etc—to prevent Shigaraki from being able to move his hand in more than spastic twitches, but like, if all it takes is a hard enough spasmodic clench to dust you, you are playing much riskier games than the MLA is generally portrayed as favoring. (Not that the anime kept many of the scenes that demonstrated all the planning and prep that the MLA did as groundwork for their attack, as I have complained about at length.) In the same sequence, Anime!RD turned and bodily hurled Shigaraki away from him, while Manga!RD threw him a similar distance with nothing more than a flick of a finger. Anime, why you gotta make Re-Destro look so lame all the time?

Additions

• Just one episode prior, the anime managed to turn in an entirely reasonable assemblage of swiping and dodging between Shigaraki and Re-Destro while RD was rambling on about the Mother of Quirks. What the hell was the excuse for this episode’s ridiculous shot of Shigaraki literally running circles—big, broad circles—around RD multiple times in the time it took RD to finish one (1) thought? For heaven’s sake, if you don’t have the budget for flashy, just use slow motion or more flashback animation or something. I know there’s more leeway for long thoughts in manga, where the reader understands that thoughts are moving far faster than action, and that it can be hard to bridge that gap for anime, where motion is motion but voice acting still has to rattle its way to the end of a sentence. I understand that measures have to be taken to account for that. Still, I promise, something that just looks a bit padded is much preferable to something that looks outright dumb.

• I admit to having found huge Stress monster RD pulling out a teeeeeny-tiny cellphone very funny—even more so the distinct cracking sound it made when Skeptic reported in bad news and RD’s fingers tightened infinitesimally—but the manga suggests fairly strongly that RD’s just answering on some kind of earpiece or micro-receiver, the same kind of thing Ujiko hands out and that Skeptic is associated with on multiple occasions. It’d be nice if RD could have kept more of the jokes he actually makes, the ones that stem from his native good humor, rather than the anime making up new ones based entirely in the contrast of Re-Destro and the viewer’s expectations of Re-Destro.

Chapter 235 – Shimura Tenko: Origin

• The man at the door, whom Nao is apologizing to at the beginning of the Tenko flashback and the apparent reason Tenko got busted for playing hero. I don’t love the way deleting this obscured that Tenko, in some fashion, troubled someone to lead to Kotarou dragging him down the hall (the anime also dropped Kotarou’s subsequent line, “Causing trouble?!” that’s supposed to supplement his, “Playing hero again?”), but it’s not like the manga doesn’t imply that the same thing would happen for any hero-based rules infraction, regardless of whether it troubled strangers or not. No, the much, much funnier thing to me is how it just fuckin’ torpedoed the most obvious thing people point to when they posit that All For One gave Tenko Decay, kicking off the entire tragedy: the man at the door with the conspicuously shadowed face and the even more conspicuously AFO-like suit and dress shirt with the top button unfastened. Listen, I hate that theory and what it would do to the narrative of Shigaraki Tomura/Shimura Tenko as Hero Society’s long-overdue reckoning, the villain they can’t put down and the victim they can’t silence, so watching the anime summarily cut out the scene that really kicked the theory into overdrive was very validating! Conversely, I still can't deny that it's a plausible theory, so if it does turn out to be true, that means the anime shot itself in the foot on the most obvious bit of foreshadowing this side of AFO addressing Tenko by name when he finds him in the alley. The schadenfreude of that would also be very funny. Really, unlike every other cut this season, I regard this one as win-win for my personal experience with the anime. Incidentally, I was very prepared to complain about the anime dropping all the changes of clothes the Shimura family goes through over the course of the flashback—I regard the timelapse as one of the major points against the AFO Gave Tenko Decay theory, since it’s never taken a quirk bestowed by AFO multiple days, maybe even multiple weeks, to kick in before—but it turns out I’m a lot less bothered about them not taking the time to change the side characters’ clothes when the anime also deletes the dude at the door who is the only reason I care about clarity re: how much time the flashback covers! But just for the record, while they had more outfits than I was expecting them to, the family did go through fewer changes of clothes in the anime than in the manga.

• The full echo of the line about kids being sneaky and simple in favor of Narrator!Shigaraki just letting out this exhausted, rueful, “Ahhh, kids are…” I actually rather like it. It’s a clear reference back to the earlier line without having to restate the whole thing, and Uchiyama Kouki’s delivery is really excellent.

• Kotaro’s first slap of Tenko, the only one directly portrayed on-panel, and Mon-chan’s barking in response. On the one hand, I think there’s an argument to be made for the scene flowing a bit better like this—why wouldn’t Grandpa try to stop him from going for that second slap; why wouldn’t Nao pass Hana off to Grandma and do something instead of just standing there yelling for the entire scene? It makes a bit more sense if they’re hesitant to intervene because Kotarou has “only” grabbed at Tenko’s collar and they don’t yet know how that it’s going to escalate to naked physical violence in a way that it never has before. On the other hand, that first slap is so visceral and shocking. Nowhere else in the manga is domestic violence portrayed more sharply and directly, in greater detail or more cruelly generous panel space than in this moment. It’s in the difference in size between Kotarou and Tenko, the force behind the hit that’s enough to knock Tenko clear off his feet, the pages upon pages of gut-churning lead-up to this moment and what we know will be following soon after. Also too, it makes the family’s failure to help Tenko much worse that no one else acts when Kotarou pulls back for a second hit. The first one, you could almost excuse because no one saw it coming; the second throws those justifications out the window and spits on them afterward. Two hits are important—not only for what they tell Tenko in the moment about his family's inaction, but because two hits speak in ways one hit doesn't to how wildly uneven the power balance is in the house, that Nao and her parents could witness something like that and not only fail to intercede, but then take who knows how long to work up the courage to confront Kotarou afterwards. I understand very well the fear of showing this in a family TV timeslot—the violence is so much more real than any big fantasy beat-‘em-up could ever be—but it’s the kind of thing that really drives home what Tenko needed to be saved from even back then, a social issue that heroes as they currently exist were in no position to address. Far from demonstrating that heroes aren't at fault for what happened to Tenko, though, what this scene truly does is vividly illustrate the flaws in All Might's social contract, in which his power and smile seem to promise that he can save absolutely everyone, only to leave children like Tenko out in the cold with no explanation as to why. It's brutal because it has to be, and the anime shying away from depicting Kotarou's physical abuse undercut that.

Framing Shifts

• There was a bizarre, nonsensical change to the scene at the beginning of the chapter where RD is figuring out how Shigaraki survived/got back up after taking a Burden attack head-on. The manga’s explanation is that Shigaraki didn’t actually take a full force hit because he was Decaying it even as it was blowing him back. This is somewhat silly, given that even a reduced-strength Burden is still strong enough to put him through multiple buildings. It is, however, less silly than the anime’s take, in which Shigaraki touched Re-Destro rather than the corporealized Stress of Burden. How Re-Destro survived a full-fingered touch from Shigaraki’s completely uninjured right hand[7] went totally unexplained; the problem was then compounded by Re-Destro delivering manga-accurate lines about Burden not being an evadable attack despite “evasion” having nothing to do with Shigaraki’s actions. Anime!Shigaraki didn’t dodge the Burden attack any more than Manga!Shigaraki did; unlike Manga!Shigaraki, however, Anime!Shigaraki also did nothing to reduce the impact of the attack. So not only was how Shigaraki survived the Burden attack not explained, the change to the material also opened up the plot hole of how Re-Destro survived a direct touch attack that Shigaraki in the manga never lands.

• There was also an extremely weird decision made to give Tenko dark, gray-blue eyes, obviously reminiscent of Nana’s, and suggest that they became red at the same time as his hair was changing to white. But in the manga, other than the size, there’s no difference between young Tenko’s eyes and how Shigaraki’s eyes have always been drawn—an unshaded iris with a visible pupil and a relatively thick line delineating the iris from the white of the sclera. Tenko’s eyes never matched those of anyone else in his family, least of all his dark-eyed grandmother. His hair changed color because of a trauma response,[8] but his eyes were always red.

• Relocated Shigaraki’s first, “Little kids…are sneakier than you’d expect. And simpler,” to underscore Hana showing him Nana’s picture in the study, squarely centering the line on her. And like, yes, that line does get its bitter echo later when Hana panics in the face of her father’s fury and throws the blame onto Tenko—but that line isn’t just about her; it’s also about what Tenko wanted to hear from the other adults in his life. It didn’t matter that his father didn’t approve; if he could get at least one adult to say he could be a hero, to take his side, then he could feel vindicated. It’s a child’s sneaky, simple reasoning: if an adult’s words are absolute, you just have to get one (1) adult to agree with you. It’s asking Dad if you can do something you don’t think Mom will agree to, and then going to Mom with Dad’s permission held defensively in-hand. Laying the line over Hana obscures that it’s as much about Tenko’s craving for external validation as it is Hana’s (entirely understandable) deceitful streak.

• After half a season full of internal monologue being voiced aloud even when it made little sense to do so, the anime decided to render clearly talk-bubbled dialogue—Tenko’s chatting at Mon about how he feels like he could take on the world—as internal monologue instead. Who talks to their animals in their heads when they could be talking at them directly like pet owners the world over?

Additions

• Added a few extra stills of Kotarou rebuking Tenko and dragging him around. I don’t think they’re inaccurate to the situation, though I wonder if it really needed to be underlined two more times than the manga did. Maybe they were trying to make up in advance for deleting the first slap?

• Added a few new stills of Nana and child!Kotarou. They hurt my soul and I love them without reservation.

Chapter 236 – Shimura Tenko: Origin, Part 2

• Hana’s second apology. What needs to get across was communicated with her first apology, but I do think the second one adds some naturalism to the dialogue. It feels very normal for a child feeling extremely guilty to apologize multiple times, like the more times they say it, the more true/convincing it will become.

• A bit of Tenko’s internal monologue—thinking Hana’s name, and Mon’s, and that he can’t talk. The anime slipped some attempts at verbalizing “Mon” into the dialogue, and it was painfully obvious just from listening to him gag and choke that he was too horror-struck to get words out, in ways that would be a little harder to convey on the page. Also, he thinks again that he can’t talk just as Hana runs away, so it gets across regardless. No real complaints here.

• Some thoughts about how he’s itchy, which, given what his itch represents (or at least what he thinks it does), they probably should have kept for continuity’s sake.

• Tenko’s last, “Hana-chan!” just as he grabs for her. I can imagine it having just that little bit more desperate impact, especially given Sekine Arisa’s great delivery of the first “Hana-chan!” but his delivery of the first one was great—weeks later, I can still remember it clearly—so it’s not a snip I’m inclined to doomsay about.

• Hana’s verbalization as the Decay hits her. Given that they kept Mon-chan’s last whimper, it’s kind of inconsistent not to keep this. It’s grueling, sure, but no more so than the rest of the horror show shortly to follow.

• An echo of Nao’s defense of Kotarou’s anti-hero stance. Frankly, I think anime already over-indulges in echoing dialogue we’ve heard not ten minutes prior, so I don’t mind losing this—in the manga, the moments would have fallen in different chapters, so it makes more sense to squeeze in the little reminder, but that wasn’t necessary for the anime, in which the original moment and the callback happened barely more than five minutes apart. It was obvious what the mental image was meant to draw attention to, since Tomura was narrating about exactly what his grievance was, and the image was followed by the two equivalent moments with the grandparents. (Admittedly, it hurt that correlation a bit that Grandpa’s line about the ohagi being intended to make the sadness go away got cut, but the sentiment was pretty clear from the man’s expression of nervy, abashed guilt regardless.)

• The line of Decay that splits Nao’s eye, one of the more vividly horrific little grace notes in the chapter. It undercut the grotesquerie just the tiniest bit, but the scene’s grotesque as-is, so I can understand that slight edit for TV standards. The discrepancy between Decay-to-dust and Decay-to-gore, discussed below in Framing Shifts, was much more damaging.

• A shot of Kotarou just after he hits Tenko with the tree pruning shears in which he looks, briefly, incredibly distraught, like he’s just realized what a monster he’s become. The anime didn’t make the slightest of attempts to keep that spasm of horror, grief, and regret, and thus lost that last moment of sympathy for a man deeply traumatized by a heroic character’s actions. It’s my only complaint about Anime!Kotarou, who I was otherwise far more pleased with than I was afraid might be the case, but it’s a complaint I must register nonetheless.

• A bit of inarticulate yelling before Tenko screams, “You... Die!!” It helps get across Tenko’s rage overflowing, to have that wordless garble before he can actually wrap words around it. He was still having trouble talking, too, so it makes sense that his first vocalization would just be a long, incomprehensible screech. That said, with the music there to supplement the mood in a way the manga would lack, I don’t think the anime’s rendition of the scene suffered overmuch from its absence.

Framing Shifts

• The anime, of course, has always gone the dust route for Decay because Decay is a little too gruesome for family hour TV, and anyway, when Tomura gets as fast with Decay as he is in Deika, he really is just insta-dusting people, such that not even blood remains. But he wasn’t that fast or that thorough as a child, hence why it’s all so much gorier—and it needs to be, because it’s hard to imagine Hana freaking out like she does if all she sees is a pile of dust instead of, well, dog gobbets. (Also, if his family had gone the dust route, it would have been very hard to convince the audience that Tomura’s hands are his family hands and not fakes provided to AFO by Ujiko.) This obviously put the anime in a difficult spot, but apparently the decision they settled on was—to not decide? Everyone we saw in the active process of decaying decayed into dust as usual, but then once they were done decaying, once that transition from person to ruin was complete, there were all these heaps of gore everywhere. It was a very strange and distracting inconsistency that hurt the scene much more than any of the nearly invisible cuts, and I hope the blu-rays will change it.

• Added Grandpa catching Grandma as she staggered at the sight of things in the yard. Since his body language in the manga (the only non-Decayed shot of him in the sequence) has him leaned more forward, like he’s still halfway through running towards the kids, I thought this was a nice little touch on why he stopped, for reasons other than just the obvious.

---

Episode 111 was about half of a really strong episode. Most of my complaints about the Shimura Family flashback are very minor, and most of the ones that are less minor are still easy to overlook when the rest of the presentation was so strong. Unfortunately, the non-flashback half of the episode had as many problems as ever, and those aren't over yet.

Come back next time for Part Five, Episode 112: Origin: Shigaraki Tomura. Assuming my complaining about the finalized gutting of Spinner's arc doesn't get too out of hand—which it may; if so, I'll tack on one final part to wrap things up—I'll also be running down a quick overview of the Paranormal Liberation Front scenes in the Endeavor Agency arc and some various odds & ends.

FOOTNOTES

[1] Yes, I know the Skeptic Confronts Twice scene goes nowhere, but maybe, instead of deleting it, they could have patched it up by showing Skeptic turning away from the confrontation when the tower went down? You know, actually made an effort to improve on the material?

[2] Bakugou, of course, but also Inko, Kotarou, and, very prominently, even All Might. Deku circa MVA has an entire arc lying in wait for him about how much he’s internalized All Might’s paternalism re: having the strongest quirk.

[3] Indeed, as of the scene in the crater, he still hadn’t lost them at all! He had his prosthetic by the time of the speech, so I guess we’re meant to assume that Ujiko or some MLA doctor declared them past saving and amputated them. I hope I don’t need to tell you how unbelievably lame it is to have a shounen manga character sustain a permanent injury like that off-panel.

[4] It’s the pointy nose.

[5] That, at least, is the best way I’ve found to reconcile all the related-but-distinct values professed by the various members of the MLA brass, from Re-Destro’s focus on liberation and purpose, what exactly Trumpet chooses to cite when he’s talking about Spinner not “amounting” to anything much, Geten’s open extolling of quirk supremacy, and so on.

[6] In the first big double-page spread. Oddly, no bandaging is visible in the other panel that has a good shot of that hand, possibly because Horikoshi was more focused on drawing RD’s empty pant leg. The anime kept the obvious wound during the crater scene, but not the bandages during the speech.

[7] I assume, anyway, that Re-Destro only survives Shigaraki’s first touch because it’s a weaker Decay, coming as it does from only from two fingers rather than five.

[8] The fabled Marie Antoinette Syndrome. Never been scientifically documented as such (hair can whiten because of extreme stress, but not overnight) but it endures in fiction because it’s pleasingly dramatic. Trauma-based eye-color changes, not so much.

#my villain academia #boku no hero academia #my hero academia #bnha #bnha meta #my writing #stillness has salt

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haztory · 3 years

Text

𝐨𝐟 𝐟𝐚𝐧𝐠𝐢𝐫𝐥𝐬 𝐚𝐧𝐝 𝐦𝐢𝐥𝐤 𝐛𝐫𝐞𝐚𝐝. (1)

--iwaizumi hajime x f!reader; fake/pretend dating, mutual pining, third year characters, confident/no-nonsense reader, puppet master oikawa, ocassional cursing, other than that no warnings!

--summary: Iwaizumi Hajime was more than content to not be at the receiving end of the hordes of fangirl's attention.

But when they all suddenly devote their time and love to him, he can't help but quickly want an out. It's Oikawa's suggestion- a good one at that. Get a girlfriend to scare them off.

And what better than use you, Iwaizumi's best friend with a long standing crush on him, to play the role.

a/n: this is my first haikyuu fic! i did not expect it to be about iwa considering im a huge daichi simp, but that’s what listening to bubble pop electric by gwen stefani and browsing through pinterest does to the brain, ig. please let me know if any characters are too ooc, as im still trying to get them down.

other than that, enjoy! messages are always appreciated.

(w.c. 4836)

masterlist | next chapter

Iwaizumi Hajime was hand sculpted by the gods, the entire female student body deduces with fanatic agreement one blessed afternoon. His shoulders are broad, skin rippling like waves breaking on rocks under the movement of his muscles. His stomach is firm and taut with the lining of his abs and his pectorals are considerably large enough to have every single girl in attendance foam at the mouth. And as he raises one— bulging — arm to wave sheepishly to the widened eyes of the crowd, his thick and veiny hand on full display, a collective moan is heard throughout the building. It has the poor boy ducking his head downward even further.

The fundraiser arranged to cover the expenses of the volleyball team’s traveling to away games exceeded its initial goal (that of which the all-female led student council was greatly responsible for) resulting in the entire team parading themselves around the cafeteria as a reward for the students’ commitment to the task.

Shirtless.

And while attention from the female population has usually always been paid to the star setter, Oikawa Tooru and all of his addicting charm, his absence in this mouthwatering and delectable ceremony has allowed for the ace and vice-captain of the Seijoh Volleyball Team to shine. Oh, and shine, he has.

Within a mere five minutes, the fiercely devoted and militant fanclub belonging to Oikawa has suddenly converted— briefly, they insist— to the groupies of Seijoh’s Vice Captain: powerful ace, leader of offense, total hottie.

The attention increases tenfold from that point on. Suddenly, Oikawa is no longer the only one receiving love confessions numerous times on a daily basis (much to his chagrin), but instead is sharing the spotlight with his best friend, who is more than uncomfortable with the unexpected shift in notice. He was never ecstatic at being labeled as ‘Oikawa’s number two’, adamant that he was his own entity despite the intricate intertwinement with his best friend, he was, in fact, totally fine with never being hounded by girls at every minute of the day. Sure, the attention would be nice, occasionally.

But this? This is outrageous.

This is the tenth girl today to have stopped by his locker, a pink flush encompassing her face as she sticks her hands out to present something to Iwaizumi. It’s tupper ware, decorated in a pink bow with his name written in cursive on the top accompanied by some cute glitter stickers. That would make this the fourth container he’s received this morning, and as much as the whole act fills him with a deep dread and hesitation, he doesn’t have the heart to reject her gift. Especially when her hands are shaking so hard and she’s stuttering every other word out.

So he puts on the standard smile, the one that he’s seen Oikawa pump out a hundred times a day but fails to meet in equal warmth and charm, and thanks her graciously and sincerely— even though he’s not that big a fan of milk bread and this is the third one he’s going to have to shove into his locker.

He bows to her with an awkward smile, “Ah, thank you, uh…”

“H-Hina!” she shouts, her hands slapping upward towards her mouth after the outburst. The pink flushes deeper on her skin, and Iwaizumi has to wonder what exactly is going through the air for a girl to have this kind of reaction to him. He hasn’t changed, hasn’t developed a new attitude that should have girls swooning at his feet. He’s the same as always, stubbornly so. He is Iwaizumi Hajime, hardass, avid monster movie watcher and the usual second thought. He supposes he should feel somewhat elated at the long-awaited recognition, but he can’t shake off the feeling that this is all incredibly unwarranted.

It's a surface value attraction. They're not really swooning for him, just the idea of him. That stings a bit more than he’d like to admit.

“Hina,” he affirms with a gentle nod, bowing his head in gratitude, “Thank you for the treat. I will, uh, treasure every bite.”

He doesn’t mean it to be anything charming (because he’s not) nor even remotely romantic (because it’s not), it’s just what he comes up with at the top of his head, but Hina starts to shake and a watery smile spreads across her face when she hears it and he knows he’s made this whole thing much worse. Before he can even awkwardly ask if she’s alright, she bows hurriedly again before running off with a shriek.

It's then that he’s sure Oikawa is one sadistic motherfucker because there is no way anyone mentally sane could take that reaction as a compliment. There’s an intense guilt that settles in his stomach for the rest of the day for causing a girl to tremble like that.

Curse the student council for that stupid fundraiser award. He would much rather walk to every away game than have to go through another day of this.

He opens his locker again, placing the container in there amongst all the other ones and the numerous handmade cards declaring affection. He closes it with a sigh. He can only hope that this phase of adoration is reaching its end.

Quickly.

It does not end quickly.

It's month three of endless confessions and Iwaizumi is about to lose his mind. Word spreads about his favorite kinds of teas and sweets (which he is sure Oikawa is directly responsible for) and his locker starts to resemble a mall kiosk more than any part of school property. The outside is decorated with stickers and taped with more love cards and he’s pretty sure someone found out his combination (again) because there are balloons floating out of it.

It's a circus. One that Mattsukawa and Hanamaki repeatedly laugh about every time they see it.

He would like to indulge in the acts or at least make some kind of peace with the situation, he really would. He’s always fantasized in passing about the pride and specialty one must feel at being the center of female attention, having seen it and thwarted it first hand from Oikawa’s fans, but the longer this drags on the more fraudulent he starts to feel.

How can he enjoy his favorite foods when the girls giving it to him are blinded by a false idea of him? They’re not genuine, and if he accepted them, he would only feel like a bad guy, taking advantage of poor girls who haven’t got the slightest clue about him. Because Iwaizumi doesn’t have the million dollar smile like Oikawa does, nor does he have the oozing charm and commercial personality.

He’s hard, and stubborn, and less inclined to entertain bullshit— the complete opposite of shitty-kawa. So whatever perception these girls think they have of Iwa, they’re wrong. and he can’t accept gifts from these girls who think they love him, when in reality, he’s the furthest thing from what they assume he is.

“Why are you so adamant to believe that what they feel isn’t real? What's so ridiculous about liking you? Hmm?” Oikawa sings with a laugh one afternoon, the whole team crammed into the club room as they change out of their practice gear. the other guys snicker at Iwaizumi’s dismay, the usual frown painted on his face is permanently etched deeper into his skin and he knows they’re all getting a sick enjoyment from his torture.

The constant reliability to the chaos Oikawa brings is now subjected to his own taste of havoc. And he’s absolutely miserable.

In all of his stubborn self-sufficiency, he’s refused to even indulge the guys with a verbal complaint, simply grumbling at the gifts before moving on with his day. Intent on dealing with this problem on his own and prohibiting himself from being a burden to anyone else.

But he’s off his a-game in practice and the crease between his eyebrows is now a persistent feature on his face these days.

“Because it's not real,” he grunts, throwing his sweaty shirt into his sports bag, “They don’t like me.”

Hanamaki snorts from across the benches, a wide smile on his face as he unlaces his shoes and sings, “They only like him for his bodyyy.”

“Can you blame them? Who would ever like Iwa for his personality?” Matsukawa joins him in snickering, earning a killer glare from the victim in question. Not helping. They only laugh harder.

“So what?” Oikawa questions amusedly, ignoring the sarcasm dripping from the other two third years, leaning his body against the lockers as he watches his best friend ripple with frustration. A constant sight these days.

“So what?” Iwaizumi turns to look at him, incredulity furrowing his features as his friends look at him like he’s grown a third head for being reasonably uncomfortable with this, “It's weird. They’re giving all of these nice gifts to a guy they barely know and they all look at me like a piece of meat.”

“God, girls objectifying you? The horror.” Mattsun torts again, earning a water bottle thrown at his face.

“So what?” Oikawa laughs again, the kind of laugh that reverberates around the room and rings a little too loudly in his ears. He’s heard this laugh thousands of times over the years, coming out to play when Oikawa is far too keen on putting Hajime as the butt of a joke. The mockery is clear in his voice, bleeding in the two simple words yet weighing like a hundred. He can usually take it, dish it back with equal fervor to his best friend, but this time around, he can’t.

This whole mess of a situation sits heavily on his shoulders and for the first time, any attempt to just barrel through a problem like he so often does seems pointless to Hajime. Because no matter how much he ignores, no matter how often he declines, the girls will continue to only see Seijoh's ace. Not Iwaizumi Hajime.

He sighs. He doesn’t know what he was expecting in venting to his friends. Validation if they were any nicer, but deep down he knew it would take a different trajectory.

Maybe they’re right; Maybe he is blowing this out of proportion. Maybe he should just accept the gifts, enjoy them while he can because the girls are choosing to do it. They’re not being held against their will, nor is anyone really being hurt by these peculiar circumstances. It's, theoretically, a win-win.

It doesn’t stop the pit in his stomach from sinking even lower when he sees girls stop their chattering in the hallways as he passes. It doesn’t stop the overwhelming feeling of disappointment he feels when he notices they stare at his biceps before his face before dashing away.

Matsukawa shuts his own locker with a grumble, “Must be nice.”

“You wanna take my place, Issei?” iwaizumi turns to look over his shoulder, meeting the mischievous twinkle of the middle blocker.

“Yeah man, I do. Girls at my feet everyday bringing me food? That’s every guy’s dream.”

“Yeah, if every guy was a piece of shit like you.” The words tumble without second thought and Hanamaki finds himself clutching his stomach with laughter at the retort. He doesn’t mean to direct his anger at his friend, but it seeps into his words anyways. He’s lucky they’re good enough sports to take it in stride. Even if the twinkle in Matsukawa’s eyes dims and he grumbles a “shut up” while he slaps the back of Hanamaki’s head.

He knows a solution— or sympathy— won’t be offered in his venting, adamant that this is something he needs to solve on his own, but he can’t help himself. He just has to get it out. “I can't even go to class normally anymore. There’s always a girl waiting for me.”

His back is turned towards his friends as he folds his gym clothes into the open cubby, but even despite the absence of his facial expression, the other three sitting near him can hear the exhaustion in his voice. Much as they might tease him, they’ve sat front and center to the slow decline of Hajime’s sanity and comfort as he was thrust suddenly into the spotlight that he was ill-prepared for. He’s laughably out of his element, but his plight is severe enough for all three of them to occasionally step in.

Hanamaki and Mattsun have had their fair share of instances in which they’ve had to redirect of a horde of girls hounding at them for Iwaizumi’s location, telling them that they had no idea where Iwaizumi could have gone when in fact, he was hiding in the clubroom. And while they would’ve been more than happy to send them his way just to watch him fluster and stutter, the two friends knew the momentary laugh wouldn’t have been worth the further depletion of Hajime’s confidence and happiness. Iwaizumi wants this attention to be for something genuine, for something that he was directly responsible for and can be proud of. Not something as surface value as an attractive body.

Truth be told, all three of Seijoh's third years want to help him as much as Iwaizumi wants this to be over. But just like him, they have no idea what to do.

Hajime sighs again, “Don’t even get me started about when I’m with (Y/N). You think stalking is bad? Try having to deal with evil glares too.”

Scratch that. They have one idea.

The mention of the ace’s other best friend, the one that they’re all too familiar with, has all of Seijoh's members perking their heads upward in interest. A lightbulb going off simultaneously as they all share a glance with one another. Hanamaki looks up to Oikawa who looks to Mattsun who looks to Hanamaki. Their eyes darting between one another, telepathically asking the same question.

Are you thinking what I'm thinking?

Hanamaki and Mattsun finalize their answer with a hard stare at Oikawa and smirks on their faces. They both give a long nod to their captain and like the well-oiled machine the Seijoh Volleyball Team is known to be, a plan is formulated and put into action before anyone can blink.

“Oh?” Oikawa prods, taking the initiative. His grin is suddenly more wicked than before, “How so?”

Iwaizumi notices the subtle change in tone in the conversation, can hear the smile in Oikawa’s words, but he doesn’t think much of it. Simply attributing it to the mention of the beloved figure they’re all acquainted with. He can’t blame them, finding his own mood has tipped upward at the mere thought of you. And while he has apologized to the moon and back for inadvertently getting you involved in this nightmare of a situation, there’s a resounding comfort he feels at knowing that there's at least one person on his side. One person that is willing to trudge through the mud with him, regardless of how often they complain.

Because whatever happens to him happens to you, you insist. So if he has to deal with a hundred fangirls, then so do you.

He plows on, airing out his struggles and frustrations with his newfound attention. “They’re always staring at us, making the whole thing uncomfortable when we’re just hanging out. (Y/N) even told me she once got cornered in the girls’ bathroom during lunch.”

Oikawa gasps, always enthralled with any juicy gossip, especially on the rare occasion that it involves you— his beloved, headstrong, annoying other best friend. “What did they say?”

“Some weird shit about staying away from me, like I was their property.”

“And what did (y/n) say?”

Iwaizumi laughs, a genuine one that has been missing since this whole ordeal began. He turns to look at his friends, the smile reaching his eyes and pushing upwards on his cheeks. If they weren’t sure of their plan before, the happiness on his face was enough of a push to solidify it. The happiness that only someone specific can bring out. “It's (Y/N). What do you think she said?”

Oikawa, all too familiar with your personality and deviance from the norm since age ten, huffs out a laugh, “Hmm, let me guess, something about doing whatever she wants with whoever she wants.”

“No, actually, she—”

You’re washing your hands in the sink of the bathroom when you hear a cough from behind you. Looking upwards into the mirror, you are suddenly confronted with the reflection of six girls circling around you.

A groan tumbles out of your mouth. You knew something like this was bound to happen, jealousy always emerging victorious whenever girls were thirsting after a young man. You just didn’t think it would be happening so soon, only two months into the fanatic obsession with your best friend. It’s your fault really, you should’ve prepared for a moment like this to come. But as they all shoot daggers into your reflection you can’t help but recognize how woefully dreadful this is.

You'd kill Hajime for inadvertently getting you into this if he wasn’t already feeling so guilty about it.

Each one stares at you with an intense fury, and while you’ve never considered yourself to be much of a fighter, you’re mentally preparing yourself to throw a couple of punches in this cramped bathroom. You won’t win, six against one is hardly a story of triumph, but you’ll be damned if you get intimidated by this raging group of hormones.

The faucet stops, with almost impeccable comedic timing, and a silence emanates throughout the area. It's awkward, painfully so and their silent stares are not helping.

“Uh… Can I help you?”

The one in the middle (the leader, you assume) stands with a hip jutted out and her arms crossed. You’ve seen her in passing before. Her eyes narrow at your question, “So, are you two dating?”

You have to force yourself to not roll your eyes. Of course this is where this was going. Because God forbid anyone have friends of the opposite gender. Indicator number one that the interest of these girls was superficial, considering if they even really had been interested in more than the prospect of having access to Iwaizumi’s body, they would’ve realized that you’ve been in his life for a lot longer than he’s had any redeeming qualities— including those rocking arms of his.

You won't entertain this, something you’ve been adamant about even if Hajime has insisted you don’t , especially not when it's causing Iwa all this grief that you’ve had to comfort him through time and time again.

“Who’s asking?” You all but bark back, patience wearing thin.

The one to the right of the leader— Pigtails, you’ve taken to calling her— scoffs and stomps her foot, “We are, obviously!”

Patience is below the ground now.

The left one, the one with pink hair, speaks this time, “Iwaizumi won’t even talk to us for more than a minute but he lets you hang around! So, if you’re not dating you have to tell us!”

“Why?”

“So that you can help us get closer to him!”

“Yeah, no.” you respond curtly, feeling rather nauseous at the lengths in which these girls are going just to get his attention. Cornering his friend and doing a piss-poor job at intimidating them into coercing them for information about him. No wonder Hajime's been feeling so depressed.

Taking the piss out of him used to be fun, something you and Pikawa could share profound pleasure in, but now that it's at your front door and reeking of death, you’re quickly realizing just how much you owe that spiky haired idiot.

You grab your bag that lay at your feet, turning to face the six girls with a mirthless smile despite the hatred burning in their eyes.

“Good luck with… whatever it is you’re trying to do.”

You’re almost out the door when the leader, who has puffed out her chest and taken a step forward blurts out, “If you’re not going to help us, then you better stay out of our way.”

There are few people in this world that you’ve dreamt about punching. Oikawa has made the list a couple times, but that’s only when he’s being particularly obnoxious. Iwaizumi has too, usually when his hard headedness has conflicted with yours, but even then the situation is usually better within the next hour.

But this girl, oh this girl, she has made the top of your list in record time. And you highly doubt she’s coming off of it anytime soon. And now that you’ve gotten a good look at her, you’re starting to remember exactly where you’ve seen her before.

You raise an eyebrow at her intimidation, “Or what?”

(You have to pat your back for that one because you really sound like the scary third year you’ve always dreamt of being.)

She doesn’t falter in her misplaced confidence, a smile pulling at her lips, “If he’s not yours, then he’ll be one of ours soon enough. And I can promise you, every boyfriend I've ever had always dropped his girl best friends when I asked.”

“Uh huh,” you glance at your watch that shows there are only fifteen minutes left in lunch. Might as well start on your meal now.

You pull the backpack slung over your shoulder in front of you, unzipping the large pocket and pulling out a familiar container. The girls gasp when they see it.

It's pink and has a little cat design on the front of it. Very cute and very distinct. You pop open the top, grabbing the milk bread that lies inside with your left hand and holding the lid and the box with your right. The lid is tilted forward, granting all the girls clear viewing of the cursive ink that lies on it.

The name is clear and the handwriting incredibly recognizable. The leader’s mouth gapes open.

You take a bite out of the treat, a dramatic moan escaping your mouth. You point at the girl, “Mm. You made this right?”

She doesn’t answer. None of them do. They only stare with wide eyes.

“I remember seeing you give this to Iwa this morning. It’s really good. He's not a big fan of milk bread, so he’s been giving them to me but I’ve enjoyed every single one of them! Although I am getting tired of eating the same thing over and over. So, if you’re taking suggestions, try Agedashi Dōfu. It's Iwa’s favorite.”

You lick your lips to make the point clearer. A gentle reminder of your place and their lack of one in his life. They seem to get it.

“Right then. Bye ladies! This was fun! I’m sure Hajime will be thrilled to hear all about it.”

Iwaizumi finishes recounting the story with a childlike wonder, meeting the furrowed brows and agape mouths of his friends with a joyous smile. There’s an unmistakable twinkle of affection in his eyes, one that he must not even realize is there. But it's noticeable, and his friends recognize it.

It's the same look he always gets whenever he talks about you.

It was mean of you to humiliate those girls like that, he knows, but his smile when recounting the tale is more than indicative of his true feelings behind the action. He briefly lectured you about it after you told him, insisting that it was important to be nice to these poor girls who didn’t know any better, that you begrudgingly agreed to, but he thinks about it often. Thinks about it at practice, in the middle of class, and every time he sees you.

He didn’t know how he felt about it, but from the way it warmed his cheeks and filled his chest with a weird lightness, he knew he was ultimately appreciative of the action. Honored that you would stick up for him unapologetically and protect him from unassuming teenage girls.

It shouldn’t be much of a surprise. Were the roles reversed he would do the same for you in a heartbeat. But still, he thinks about it. A lot.

“I haven’t seen those girls since, but I have been getting a lot more Agedashi Dōfu, so I guess that’s a plus.” He shrugs his shoulders in nonchalance returning back to the contents of his locker but the remnants of a smile plays on his lips.

“Well, how ‘bout that?” Oikawa coos. He steps closer to Iwa, placing his hands on the ace’s shoulders and giving them a good natured shake.

“I think I have the perfect solution to your problem, Iwa-chan.”

“You want me chu do wha?” you ask, mouth full of milk bread as the boy in front of you conveniently avoids your eye contact.

It's the seventh container he’s handed you this week, and while your little incident has quickly diminished the amount he usually receives, there are still the occasional stray containers with the sweet that he instinctively hands to you.

This time it came in a purple container. No outlandish designs or stickers like the other ones, but there is a written poem on the top comparing his eyes to the dirt of the Miyagi mountains. You suppose that’s romantic, but your leniency only goes so far. Particularly when this poem has no clear rhyming pattern.

You’ve long since passed the point of guilt for eating all of the treats that were clearly not meant for you. Hajime was much too conflicted with the gifts to even consider smelling them, so it serves as a solution to the problem to just give it to you. He doesn’t have to worry about maliciously taking advantage of these girls and you get food.

Win-win.

And while you’re not that into milk bread (having eaten it almost everyday for the past couple of weeks), your consumption of it seems to give him some peace of mind. Out of sight, out of mind kind of thing. And really, that’s all you’ve ever wanted for him.

But this is going too far.

Swallowing the last piece of milk bread, you look up at the idiot from your place on the bench. He stands in front of you, hands shoved deep into his pockets and shuffling from foot to foot.

“You’re joking, right?”

This is a joke. It has to be. There’s no way the world would be this cruel to you.

His eyes remain averted, his thumb and index finger pinching the bridge of his nose as if it would wake him up from this endless nightmare, “Look, it’ll only be until I can get these girls to back off of me a little.”

“No.”

“Wha— (Y/N).” He breathes out, a twinge of desperation and pleading seeping into his voice as he finally looks into your eyes. He doesn’t know what he expects to see, but the pure and unadulterated seriousness is not one of them. He’s almost convinced to drop the subject altogether. Almost.

“Whose idea was this?” You practically growl out, closing the container and cleaning your surrounding area of any stray crumbs. You thrust your hand outward, shoving the container his way. He takes it from you without question.

“Does it matter?”

“Whose?”

“...Oikawa.”

Of course it was. “I’m gonna kill him.”

“(Y/N),” he says your name more forcefully. It’s the same tone he uses with Oikawa when he’s being whiny. It's enough of a bite to have you stop rearranging your items for a brief moment, meeting his determined gaze with one of your own. He stares intently, eyes unwavering in their silent plea to make you understand.

That’s the worst part about it. He’s serious, and he’s confident that this is the only way to solve the problem that’s been plaguing him for the past three months.

If there's one thing you know about Iwaizumi Hajime, it’s that he’ll solve any problem on his plate and won’t stop until it's fixed. He’s responsible to a fault, refusing to burden others unless absolutely necessary. The fact that he’s viewing this to be the only solution and actually trying to persuade you is indicative enough of how desperate he is.

Even more so indicative of how truly fucked you are, considering you’ve already made a decision before he even explains further.

Damn him and that hard head of his.

Damn Oikawa for knowing what he does and still dragging you into this mess. No doubt he was thoroughly enjoying this.

“Will you please be my girlfriend?”

Damn that student council and their stupid fundraiser for getting Iwaizumi Hajime, the boy you’ve been best friends with since you were ten and had a crush on since you were thirteen, to ask you to be his fake girlfriend in order to thwart off hordes of fangirls.

Damn you for already having an answer before you can even think twice.

Iwaizumi Hajime was hand sculpted by the gods, and they were all laughing at your expense now.

end notes: whoop there it is. let me know what you all think! should i keep going? should i say fuck a degree and major in iwazumi hajime? idk man im about to.

#iwaizumi x reader #iwaizumi hajime x reader #iwaizumi hajime x you #iwaizumi x you #haikyuu x reader #haikyuu x you #hq x reader #hq x you #my writing #haikyuu!!

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never-enough-fanfiction · 3 years

Note

Hey ive been swamped with ACT studying latley, i was wondering if you can do head canons on what Benimaru would be like as a dad (x mother wife) where the two of you have kids? Since he is a proto nationalist I totally see him wanting a big traditional family. How would he react to pregnancy news? What would he be like when his s/o is in labor, or his reaction to babys first steps or first word. So much fluff!!

If, while reading this, you get the feeling that it was wirtten by some caveman who doesn't know shiet about children or words, know that this caveman tried her best to make it as cute and fun as possible, and that really is the pinnacle of her abilities. Okay?

+ As always, sorry for delay, I know how nerve wracking can exams be (just finished my midterms) and I hope you will achieve the highest possible results. Unfortunately you asked an author who is what she is ... Please take these 1 500 words as compensation.

Enjoy!

News

Benimaru took the news of your first pregnancy in silence. In a silence so deaf and long that every passing second tightened the hoop around your heart tighter and tighter.

It took you three days to get ready to say it to his face, and yet the stress was still eating you from the inside. His lack of response as you fumbled the ends of your T-shirt in your hands did not make it easier nor better.

You looked up sharply, preferring to face his anger rather than spending another second in uncertainty, and you found that Benimaru was looking over your shoulder, present body, but definitely not mind.

After a few calls and waving in front of his face, Benimaru seemed to wake up and shifted his lost gaze to you.

"We will have a kid?"

"Yes, we will." You repeated, stressing each word, trying to get through to him this time. You expected many things, but not so much confusion.

"A kid." He repeated, and his crimson eyes lit up the glow. "A kid!"

Benimaru cuped your checks and kissed every inch of your face. Lips, checks, temples, forehead, nose, eyelids.

"A kid."

The next person to hear the happy news was Konro, and then the whole city somehow. The residents' mouths did not close for the next 9 months.

Each time he took it better and better. Each time he almost went out of his skin showering you with kisses or dancing around the room with you in his arms. Only this first stage of the shock was shortened.

Pregnancy

Benimaru didn't know at first what a pregnant woman could and couldn't do, so it was best if you didn't do anything. After long interpretations from the midwife, the range of your allowable activities extended beyond sitting and breathing, but there was no question of any use of force.

After a while, you even stopped trying to lift anything above the bowl of rice. Every time Benimaru saw that you were carrying a package, you happened to get the slightest rebuke. It was worse for all Hikeshi within 100 meters for not-helping. After that, you didn't want to trouble the innocent firefighters anymore.

As you can't even look at sake, your evening drinking has turned into making up names over tea. (Not that Shinmon suddenly stopped drinking. He doesn't want to drink in front of you when you couldn't, and after every news of the next baby, the alcohol flows in streams, so he can't complain about abstinence.) He loves holding you in his arms, with one hand for growing belly. Once he felt a kick, he literally melted.

With time, as the family began to grow, it was his duty to make sure that the older children did not tire you and find them to do something.

Childbirth

The first time he had no idea what to do. He literally turned to Konro saying:

"Konro, [Y / N], labor, what do I do ?!" Sould he wreck some buildings?

Konro, as a loving friend aware that there was no time to explain it to him with words, kicked his composite ass to the hospital.

While the whole city was celebrating the birth of another Shinmon, Benimaru was sitting next to you, holding a small bundle in his stiff hands.

"You can hug them, you know?"

"They are too tiny!" he muttered, afraid to raise his voice so as not to wake the sleeping figure.

“They are stronger than you think, Love. They're Shinmon after all, ”you recalled with a chuckle.

Since then, every time the inhabitants of the viewer of Benimaru running to the hospital (have you ever seen Benimaru running? Me neither.), they immediately reach for alcohol.

Begginings

Benimaru has experience and no major problems in taking care of children, especially since they are his. In his time off work, you can see him sitting in front of the Guardhouse, giving his toothless child to chew on his forearms, and sometimes making a tour around the city together, to the joy of all the residents. Other times, he will sit in front of the little one trying to teach him the first words.

"C’mon kid, da-d." Benimaru tried to keep the child's attention who was much more interested in chewing a wooden puppet.

"Daaa ~"

"Close enough, da-d." Some time ago he made a bet with [Y/N] that their first word would be dad, and the rules did not exclude support. "Da-d."

"Maaa ~"

"No, DA-D." He sighed softly and looked up sharply for the approaching steps.

Konro stepped into the yard, gloomy, looking around until he found the Captain.

“Oi Waka, have you seen Hika and Hina? I can’t find them anywhere. "

The red-eyed man shrugged, pointing to the street.

"Maybe they are terrorizing the candy seller again."

Konro sighed heavily and disappeared behind the building, leaving them alone again, and Benimaru returned his attention to the child, already scrambling onto his lap.

"Wanna sleep?" He helped them climb a little higher and leaned in as they held out a small hand at him. He was expecting an awkward slap on the nose, but instead got a tug on his hair almost to the floor. "Ack! What the… "

"Waka ~"

"What?" He froze as he tried to untangle the strands from his impossibly grasping fingers.

“Waka ~” The child repeated, tugging again, and giggled smugly.

Waka? Does it count as a dad? Did he win?

The next achievement was to make sure they didn't repeat all those curses after him, or at least so [Y/N] wouldn't hear.

Beni with big family

You probably expected that just as with twins, the whole Guardhouse will look after them ? Hah, ya wrong.

ENTIRE CITIES WATCH OVER THE MINI MIXES OF BENI-CHAN WITH [Y/N] -CHAN. They are so spoiled that sometimes it feels like only you and Benimaru have any rules. On the other hand, there are no problems with finding your children, just call them by name and half the street will indicate their whereabouts.

• Maybe you can't see it, but Benimaru doesn't know what to do with himself out of happiness. Even when he comes home in the evenings after a really long day, the sight of all those faces looking at him as the center of the world makes him smile. At such moments, he will always find some strength to play.

• The fun begins when they are old enough to help him with his work, not putting the Infernals to rest or blowing up houses, but just making a errands around the city where he can show them what Hikeshi's job is and teach them about his core beliefs.

He doesn't always succeed, but he knows he can rely on you and your ability to use words if he does.

• Benimaru has no problem with cases when one of his children doesn't want to follow in his footsteps, he knows that he has raised them well and that when he is gone, they will take care of his city regardless of his position or profession.

• BUT NOTHING RELATED TO THE EMPIRE!

You had to use force to stop him from throwing your daughter's boyfriend out the door when he heard he was with the empire.

Play time

Benimaru's favorite form of spending time together is, of course, teaching his children everything he can. Regardless of their gender, they all have inherited above-average amounts of fire power and a love to destruction.

After several dozen problems with stopping his own children from killing their siblings, Benimaru created a game called: "dad agains everyone"

It’s fun to watch Benimaru surroded by figures half his height, who try to collapse him to the ground.

Rest of the family

Grandpa Konro

This man survived small Benimaru and the Twins. There is nothing this man haven’t seen. Which makes him the best grandfather in the empire. At this stage, Koro already has a separate locker for everything from his numerous grandchildren.

He is also your kids safe place when the parent's fury rages outside.

Aunt Hika and Hina

There were times when you had to entrust your older children to the care of twins (if your children were several years old, Hika and Hina were also older, don’t get me wrong). The girls made sure that the younger members of the family learned everything they needed to know about Asakusa, the inhabitants and their usual behavior.

In fact, at some point they were considered to be part of their siblings, and so were treated like ones (read: regular bloodshed).

Nevertheless, every time one of the stepsiblings messed up with someone they shouldn't (manga readers know perfectly well that kids have it after their dad), the two fire foxes turned into two bloodthirsty beasts, ready to chase away any problematic individual.

#Sorry for delay....#I'm kinda mad at myslef for posting it so late #not much proofreading #let me know if I didn't translate any part #maybe I didn't mentioned a lot of having a lot of kids HC #but as I said #the peak of my abilities #not good with kids #shinmon benimaru #shinmon benimaru x reader #benimaru shinmon x reader #benimaru shinmon #fire force #fire force HC

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nyaagolor · 3 years

Note

may we please get the mirror world headcanons?

heck yes u may

Most of it will be under the cut bc I talk a lot

I like to think the Mirror World is a reflection of the regular world (I call it Prime World for convenience's sake), and by reflection I mean opposite. It's not opposite in a "good v evil" way, just in the sense that a mirror world counterpart is the inverse of their prime world self, for better or for worse. For example, Noddies in Prime World sleep for most of their lives, while Mirror Noddies barely ever sleep and are constantly alert. Instead of a Sleep Ability, they give Panic, aka the Kirby equivalent of slurping down 15 espresso shots in a row. The mirror world counterparts are no better or worse than the prime world, just different!

Headcanons for all the mirror world counterparts of the Star Allies (or at least the ones I've thought abt) are under the cut :3c

Shadow Kirby (Skirby): Where Prime Kirby is reckless, bold, and overconfident, Skirby is reserved, cautious, and kinda pessimistic. They're no weaker or meaner than Prime Kirby, but seem a bit shy and non-confrontational because they always want to scope out the scene before they launch into anything. Some might call it cowardly, but Skirby thinks it's pragmatic. Much like prime Kirby, though, he's the hero of Popstar and is usually the planet's last defense against whatever eldritch horror comes their way. He deserves a break, though, since unlike Prime Kirby he's not surrounded by friends to help him out

Shadow Dedede (SDDD): He started off as a good king, always being diligent, professional, and responsible in contrast to Prime DDD's self-serving, goofy ways. He wanted what was best for the mirror world, but life didn’t make it easy. The mirror dees, rather than the loyal helpers we know from the prime world, were backstabbing jerks who were loyal to no one but themselves. SDDD tried so hard to be a good king, but had no one to help, no one to pull him out of a slump, so he just slipped through the cracks and got worse. Bitterness and anger consumed him until he started looking out for himself and himself only. He became a tyrant, turning into an iron-fisted, merciless ruler whose laws were enforced through violence. DDD got better with the help of his friends, but SDDD got much, MUCH worse as a result of his isolation and loneliness. Also he has a battle axe instead of a hammer bc I think it's cool

Dark Meta Knight (DMK): He's basically the antithesis of a knight: he's willing to work for anyone no matter how rotten they are; he always plans on backstabbing them later, cares about no one but himself, never plays fair, and is a lazy, rude jerk. He likes spicy foods instead of sweets, challenges children to duels WITHOUT offering them a sword first, and is deathly afraid of heights, despite having wings. He was in the process of creating a land-razing tank called the Halberd, but his crew betrayed him and cut up his wings and mask so now he isolates himself out of anger and fear. After being with the Star Allies, he's made some friends and realized the value of teamwork-- also he likes teaching Adeleine swears. With Dark Mind gone and the Mirror World still a bit of a dump, DMK would much rather hang out in the prime world and get on Meta Knight's nerves. He tries his best to protect the two (2) people in the mirror world he does tolerate, though (it's skirby and sddd).

Mirror Bandee: Hates SDDD with a passion. In fact, he's attempted to assassinate the king at least 26 times, but fails both because SDDD is way smarter than him and also Mirror Bandee is a sniveling coward who runs at the first sign of danger. His repeated failures have made him more of a scaredy cat, so no one takes him seriously anymore. He has a knife and ties his bandana around his "mouth" like a scarf, but it doesn't help to make him more intimidating. His repeated attempts to kill the king (and more recently Skirby and DMK, who hang out with SDDD) have become a constant in their lives and weirdly enough they don't mind his company.

Mirror Marx: I always assumed that Prime Marx was a noddy with Mirror instead of sleep. Well Mirror Marx is the opposite-- instead of having Panic like the regular hyperactive Mirror Noddies, he has sleep. He didn't show up for the events of Amazing Mirror bc he was snoozin. Because of this, he never got the Nova's powers, never tricked skirby, and never did anything evil. In fact, unlike Prime Marx, Mirror Marx cares too much about everyone's feelings, is always kind, and doesn't have a mean bone in his body. He's the glue holding the mirror world together bc not even the worst of villains want to hurt him. He's just so darn CUTE

Mirror Animal Friends: Imagine the animal friends. Give them angry expressions and sunglasses. Now make them part of a gang. Yeah that's it. The Animals are no friend of skirby's and would sooner maul the poor kid than ever lend him a paw (or flipper or wing). The forest bows to their whims and they rule it like your typical mafia boss. They're jerks.

Mirror Daroach: See these posts.

Dark Taranza: Hoo BOY he's bad. He's real bad. He rules over Mirror Floralia (Sporalia?) which is underground and filled with nasty creepy crawlies. He hates getting his hands dirty and will do anything it takes to get more power and luxury so long as he doesn't have to put himself in danger. He only cares about one thing, and that's himself. What about Queen Sectonia, you ask? She was the original queen of Mirror Floralia, but Dark Taranza mind-controlled her into his puppet to do his bidding. When the people finally snapped and declared war on the tyrannical queen, it was her they shattered, being none the wiser that Dark Taranza was the one pulling the strings. He still has a box of her shards in his castle, just in case he needs a new puppet to play with. He loves jewels and machines, all things inorganic. The imperfections of flowers? Not his style.

Mirror Magolor: Quick tangent here: Mirror Lor Starcutter, rather than being a ship to BRING people to paradise, is a sort of pocket paradise, a little virtual reality magic... thing. It can also be easily modified to only open from the outside. That's important for later. Anyway, Mirror Magolor is brutally honest, but also rude, unfriendly, impulsive, and incredibly violent. He hates machines and will start punching a lamppost if he accidentally walks into it. Scrappy little dude. He would actually rather claw his ears off than be friends with another living being. He just likes brawling and destroying ancient artifacts and that's it. Well one day he tells the mirror crew he wants to go get this thing called the Master Crown so he can destroy it. SDDD, Skirby, Mirror Bandee and DMK realize hey, that'd be nice for us to have, let's join him and then betray him at the last minute. As soon as they get there, though, the crown ends up choosing Mirror Mags as a host before anyone can do anything. Oops! The others manage to shatter him... but then the crown pulls his shards back together and attacks them again. Realizing he's both totally lost it and also immortal, the others lock Mirror Mags inside the Lor as the crown erodes the last of his humanity. Consumed by blind rage and the crown's power, Mirror Magolor just lashes out at anything that moves, biting and clawing at whatever he can reach like a feral cat. There's like a 80% chance he has rabies.

Sorry to Susie, Gooey, Adeleine, and all the non-Star Allies crew, I haven't thought abt them yet

#THANK U FOR THE ASK #i love sharing headcanons #kirby #dark meta knight #shadow dedede #shadow kirby #dark taranza #mirror world #amazing mirror #mirror marx #mirror magolor #mirror daroach #mirror animal friends #Headcanon #mod vex

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deltaengineering · 3 years

Text

Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10

#Zombieland Saga #bakuten #yakunara mug cup mo #vivy: fluorite eye's song #super cub #shadows house #ssss.dynazenon #thunderbolt fantasy #nomad megalo box #odd taxi #anime #review #spring2021

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pinkjiminssi · 3 years

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So.. About That Hickey..

I think I’m still processing all of this and reminding myself I’m not dreaming 🤣 I seriously only got 3 hours of sleep last night and when I woke up the first thing I did was check twitter to be sure this “drunk bridal-style spinning hickey neck biting proudly showing off” moment actually happened!!

.. I hate the way my brain works though. I was so happy that it took me forever to fall asleep, spent all day on cloud 9 despite being tired, .. and then my old nemesis, anxiety, stepped in. Well kind of. TBH if all of the MOTS ON:E Jikook moments we got happened with Jimin/anyone else or Jungkook/anyone else.. I would seriously be sitting here saying “well fuck.. I believe they WERE a couple, but looking at all of this it seems they are no longer together.” So really, this just confirmed what I already knew about Jimin and Jungkook: they’re a couple. My anxiety is over.. why? Why show us this? If they can cover all of JK’s tattoos, a hickey/bite mark/whatever we’re calling it should be super easy to hide. Sure it was just rehearsal.. but it was rehearsal with cameras rolling with every intention of releasing what was being filmed as future content. It could have (and some might argue should have) been covered.

Guys... I’m confused. And concerned. ❗❗❗ TW for drama, hate, homophobia, the usual anti issues

That “official” explanation.. again.. why? I’m assuming Jimin and Jungkook were asked and allowed to explain because of the chance of it being spotted and armys freaking out, so BH (or possibly even Jikook) thought to get ahead of the speculation by just being up front about it all.. but THAT explanation? I suppose it works for covering up the army panic of “Jungkook has a girlfriend?! *insert fangirl sobbing*” .. but that’s literally all it does (and only barely if you go looking at some of the anti’s reactions to it all). Really, all it did was draw even more attention and speculation. I mean.. this is, essentially, what we were told: Jimin and Jungkook were together the night before drinking, apparently without the other members as they didn’t seem to know all of this already (and they would have if they had been there), somehow hanging out and having drinks turns into Jungkook picking Jimin up bridal style (random but some of the k-army reactions on twitter were translating through google into “princess style” and I just think that’s so cute 🥰), spinning ensues, Jimin gets dizzy and wants Jungkook to put him down, ... and so he proceeds to do the only logical thing that any of us would have done in that situation... biting Jungkook’s neck? And hard enough to leave a mark the next day?? And instead of being peeved about it (like most of us would have been if our friend bit the crap out of us), Jungkook looks happy?? proud even???

And they arrived together the next day and continue to be cute and playful?

I just.. I mean.. come on. First of all.. that’s a hickey. A bite leaves teeth marks. And one would assume a wild, drunken “let me down” chomp would be something that happens suddenly and ends very quickly. I know I for sure would drop someone on their ass if they decided to take a bite out of my neck (assuming I was even picking up and spinning around with one of my friends like that to begin with.. but let’s not even get into why that was going on at this point) .. but the way this bruised? Yeah. There were no teeth involved (at least not hard enough to leave indentations) and this took more than a couple of seconds of mouth-to-neck contact to still be that visible the next day. So.. in short. Jungkook arrives with a hickey, JK decides to not cover it up (or he would have shown up with it hidden and we see him get out of the car that morning with it clearly visible), BH staff sees it and also decides to not have it covered up and actually have it explained... and the explanation is “oh yeah Jimin just bit him, you know.. no big deal hehehe isn’t that funny?” 🤯 WHAT?! Yeah.. that’s totally normal, platonic behavior between adults...

I’m not saying Jimin and Jungkook are lying btw. I have no doubt it played out more or less exactly as they said with the exception of what they’re calling the end result. Jimin and Jungkook are fine.. I mean, what were they supposed to say? They’re not going to show up saying Jimin was sucking on Jungkook’s neck the night before. We’ll probably never know why Jungkook decided to not cover it up before arriving, but it’s his body and he gets to decide. It’s BH that has me so puzzled. Other than antis and people who refuse to see what’s literally right in front of their faces when it comes to Jikook.. who were BH expecting to believe the bite thing? Just among staff and the other members, it’s a laughable but safe “oh of course *wink wink*” explanation that allows everyone to carry on like normal. But to the public who don’t know them personally, don’t know their usual behavior and patterns, and who don’t have something like a non-disclosure agreement or professional courtesy preventing them from openly speculating.. it doesn’t fly. Pretty much everyone teen and up knows what a hickey looks like (either from having gotten/given one or at least seeing one on someone else in person or online). It’s immediately obvious what it is. And even if there was some uncertainty.. that it’s on his neck (instead of other easily accessible and less sensitive/stimulating locations) and just so happens to be right near his mole as it Jimin were aiming for it? Just another “too many coincidences” thing when it comes to Jikook.

Even antis on twitter couldn’t deny what it was and, so, had to resort to the “well I do that with my sibling and my uncle’s pet raccoon all the time it’s just family things” excuse and/or the “yeah well someone ELSE in the group (or a girlfriend) gave him that and they’re just covering by saying it was Jimin.” Oh. And the same old “it’s just fan service” excuse (as if Jungkook would let someone bruise his neck for the purposes of fanservice which, again, BTS has never done or needed to do. Forever pissed off that so many in this fandom act like Jungkook is a puppet doing whatever the “evil company” tells him to do regardless of his personal feelings or boundaries. The man has tattoos covering nearly every inch of his arm despite that being looked down on in Korea. At this point he can do whatever the fuck he wants). So.. why?? Seriously, why? This all could have easily been avoided with simple makeup.

When they’re doing official content they’re all literally followed around by a flurry of staff fixing hair, dabbing sweat, touching up makeup, etc. Even though it was rehearsal, staff were everywhere in the footage that’s made its way online. If they were worried that it would be seen in the background and “taken the wrong way,” just have the staff occasionally touch up the makeup. “Easy peasy lemon squeezy.” But instead of doing the obvious, BH decides to: not cover it, draw attention to it by asking about it and letting them continue to talk about it, go out of their way to get a camera on it, and then include it in the final cut of the content they sent out?

BTS is literally the most popular group in the world right now and BH has become a behemoth of a company that runs like a well-oiled machine. They’re not stupid; this was not a mistake. For some reason they wanted us to see this and, one would assume based on the lack of a more believable explanation, they wanted us to come to the conclusion that we all have: Jimin gave Jungkook a hickey. You know they have teams dedicated to monitoring reactions to content on social media. You know they know the dialog surrounding Rosebowl, Black Swan MMA, the Memories 2020 “almost kiss,” etc. etc. All of this got “jikook,” “hickey” and variations of their names trending for HOURS (in multiple countries and worldwide).

Out of curiosity, I decided to check the trends at the time of writing this. As of 3 AM CST (about 24 hours AFTER the clips started showing up online), there was still a hashtag trending related to all of this: #FREEJUNGKOOK.. and the tweets being directed toward BH are.. disturbing to say the least:

While I agree that the boys should trend more often based on their talents and music.. what’s going on right now is a homophobic 💩 show accusing BH of “scripting” interactions (rather than.. you know.. Jungkook interacting with whoever he wants however he wants.. the usual “mindless puppet JK” narrative), trying to coordinate the mass sending of angry emails, trying to get people to stop buying paid content, accusing BH of taking advantage of the members.. I mean it goes on and on. And BH know what’s going on right now. They’re seeing the reactions... the good and the extremely negative. And still they let this out. And this is all not even CONSIDERING the mountain of other moments that made the cut on MOTS ON:E.

(side note, the above pic just oozes happiness and it’s so cute I love it!! 😭)

So.. even though I’ve said it dozens of times already... WHY? W H Y? I’m an anxious person by nature and not very trusting. I believe Jimin and Jungkook and I don’t think they’ve been lying and pretending for “fanservice” all of these years. I respect them both too much as individuals and artists to believe that they would stoop to such tactics just to generate a little more “interest” and revenue. I’m suspicious of BH. BTS doesn’t need fanservice to get attention; literally all of 2020 and 2021 so far has proven that beyond a doubt. Even if they suddenly made the decision to do fs.. why not go with the most popular ship (taekook) or at least one that isn’t so hotly debated on social media (remove Jimin, Jungkook and Tae from the equation and you still have four members to “play” with who have much less potential to have fs devolve into a toxic crap show all over the internet). Showing us this will do nothing to help BTS as a group or Jimin and Jungkook at this point. In fact.. all it can do is hurt. Hurt BH, hurt the group, and hurt the individual members, heck.. even potentially hurt other BH/HYBE groups. I’ve already seen people on twitter saying they’re “done” spending money on anything BH or BTS puts out because they’re “sick of jikook in their faces and just two of the seven hogging all of the screen time.” Whether or not that “spending freeze” actually materializes into anything noticeable remains to be seen of course.. but the threat is there and always has been. What is the motive? And why now? As much as my “hopeless romantic” heart would like to believe they’re preparing us for Jikook to be “out” .. I seriously don’t think that is ever going to happen. Certainly not now at the height of the group’s fame, with them being given Presidential honors and ambassador status, and with military service still looming over them all. And let’s not forget... Korea is NOT a safe place for a queer couple. Letting us see and know what they did through what was released has the potential to put Jimin and Jungkook (and the other members by proxy) in danger. Sure.. BTS has never been hardline rule followers and have been breaking molds and shattering norms from the start, so “officially” having an openly gay couple in the group wouldn’t be impossible.. just... highly highly improbable. Especially right now... and I’m concerned. I don’t want to sound like the creeps I posted a screenshot of above throwing blame at the company. The boys chose to renew their contracts with the for a reason so we have to trust their judgement as a group... but still, I’m worried and I’m questioning what the purpose was here.

#jikook #drama #kat thoughts #sorry for being a downer...#I'm stressed :(

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