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#and write for my new fandom too
eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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born to write gay fanfiction forced to have real world responsibilities
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genericpuff · 3 months
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vent post
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#and before anyone who hates my shit says “yeah because you ARE a loser way to have self awareness for once”#i promise you this would be me with or without the LO fandom LMAO#anxiety is a hell of a thing#and as much as i internally guilt myself into thinking it would be better if i just shut up and hid away forever#i also know that's the trauma speaking because the adults around me always told me to shut up#and even as an adult i still encounter people who talk over me and make me feel like i'm not allowed to be outspoken#but the pen is mightier than the sword and all those years i've spent being spoken over i've been honing my penmanship#i have fun talking about the things i talk about and i don't have any less right than anyone else to do it#i am cringe and i am free#self post#vent post#altho on another note i do wanna make time this week to go find new series to read#too many of my favorites have turned to shit and it's taken its toll#i KNOW there are better comics out there that are genuinely well made#i already have a few that i'm reading that i love but i need to balance out the good with the bad more lol#i just need to take the time to go find good stuff instead of pouring so much of my attention into the bullshit that doesn't deserve my tim#i think both things can be true#i can have a lot of fun dissecting and writing about series i don't like#while also nourishing myself with good works that restore my faith in this medium#“perfectly balanced as all things should be”
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topaziraphale · 7 months
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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crabsnpersimmons · 22 days
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Can I give flowers and gifts to Sun too?
of course! here's Sun's response:
Before he even sees the gifts, he smiles at you. It is the smile he gives every customer that walks in to the salon. Personable. Polite. Practiced.
"Welcome, Starlight," his voice is even and gentle as he steps towards you. As if following an invisible marker on the ground, he stops a proper distance away.
He bends down as a show of companionship and extends his hands, waiting for you to close the distance.
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You move to hand him your gifts, but you pause. For the briefest of moments, you become very aware of the distance between you and the sun.
Sure, you have always felt its warmth and seen its light—but that is merely the limits of what you alone are capable of reaching.
And perhaps that is for the best.
And yet, if the flowers and gifts where any indication, you knew you wanted to draw closer—to know the Sun.
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clowningaroundmars · 2 months
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punkflower hcs bc i need to see more of them being cute teen boys together.... like, playful and creative and stuff
looong long wall of text under the cut (no nsfw)
♡ miles and hobie definitely exchange art often, even collabing on some punk zines and graffiti pieces occasionally. hobie also makes mixtapes on cassettes and slaps a million stickers on them just for his bf. miles appreciates the kind gesture but reminds hobie that he doesnt have a cassette player. "yet," hobie tells him with a wink :)
♡ miles draws a million little doodles for hobie on scrap paper, post it notes, hobie's gear, hobie himself. ofc hobie loves them all, esp when he gets to go home with his arms and chest covered in stars, cartoons, graffiti, and hearts
♡ miles is a lot more shy about dancing in public than hobie is, but whenever they manage to have any downtime at all hobie will wrap his arms around miles and sway them around. if music is playing anywhere, hobie will bop to it and get miles to join in
♡ hobie's love language? touch. any kind, anytime, anywhere, for any reason. words of affirmation come next
♡ miles' love language? quality time, and he's big on kissing. hobie isnt much of a kisser but loves his sunflower just the same, and does not complain at all when miles places little kisses on his hands, ears or his back
♡ sometimes hobie will be a lil mean to miles just as a flirty thing. just usual teenage boy stuff like kicking miles' sneakers, manspreading to get into his space if they're sitting anywhere together, using his height to bully miles into a corner away from everyone so they can flirt some more, crashing into miles on purpose just to be annoying
♡ anytime they get to go on multiverse missions together they somehow manage to get into the craziest shenanigans. breaking into a zoo to stop a villain from mutating the animals, saving a group of schoolkids on a field trip from a killer robot (?), one time hobie even drove a runaway car to stop it from crashing right into jamaica bay and miles was scarred for life
hobie tries to control the car as he haphazardly swerves it around pedestrians and barely manages to miss a group of elderly people.
miles clings onto his seat for dear life. "HOBIE!! you're gonna kill us man, where'd you get your license from!?" he yells.
hobie scoffs. "license?! i said i could drive, mate, i aint mention nuthin' 'bout no license!"
♡ hobie's universe is set in the 1970's and living in a dystopian police-state means it's too risky to bring back a phone with him, so he's often left out of spiderkid groupchats. miles still tries to keep him up to date on the latest memes and inside jokes though. they also have their own inside jokes too
♡ hobie wouldn't bring a smartphone with him anyways since he's so mistrusting of tech in general. video games, laptops, and "smart" tech mystify him, and smart watches? forget about it. when miles gets one for christmas one time, hobie clowned on his bf so hard the watch was never seen again
♡ that being said, they love exchanging music often so the only piece of technology hobie ever brings back to his dimension is an ancient half-busted ipod (it was probably rio's at one point) filled with music miles managed to download for him that week. spiderman-ing and living as a homeless teen means hobie doesn't get much time to explore genres outside of the UK punk scene and listening to brand new genres is often a trip! hobie finds out he loves drum n bass, grindcore, industrial techno, UK drill, deep house and 90's hip hop
♡ hobie gets miles to make him cool posters for whatever venue he plans on (or doesnt plan lbr) playing at every now and then
♡ rio LOVES hobie. hobie is the perfect gentleman (gentlespider?) around her and often tries to help her around the house when he can. miles... does not enjoy how much his mom favors his partner. jeff is also not so crazy about this smart-mouthed punk
♡ miles and hobie absolutely swap clothing as often as possible, with hobie "borrowing" miles' clothes more often. miles' parents keep commenting on how much of a rockero he looks with all the punk stuff and hobie never returns clothes without having altered them in some way (pins n bits everywhere, a mysterious rip or two here n there, pinned-up sleeves, etc)
♡ miles is absolutely horrible at cooking and feels left out when he sees hobie helping his mom in the kitchen. he desperately tries to learn, but it's a wonder how he hasnt sliced his fingers off yet trying to peel and cut platanos so they can make tostones
♡ for a person who's built like a lamppost, hobie is shockingly graceful with his movements. he always slips around a room like a cat and miles is so jealous of that. long gangly limbs should be a deterrent from moving like That and yet here he is, practically pirouetting around miles for fun
♡ which is a total TRIP when they go out swinging around a city. once the mask is on, every movement hobie makes is chaotic, frantic and unpredictable. spiderpunk and hobie are very different people sometimes
♡ rio often points out hobie's thinness as a typical hispanic mom does ("jóven, pero tu 'ta tan flaco, hobie honey come eat! i have leftovers here!") and miles also agrees that hobie could eat a lil more too. he is always sneaking bits of food into hobie's pockets or bags, saving fries and last slices for his partner. sometimes hobie brings home armfuls of tupperware filled with caribbean food back to his boat
♡ in return, hobie is like a magpie and brings back shiny gifts for them, some handmade stuff too. miles' drawers and nightstand are filled with jewelry, bottles, knickknacks, and other handmade accessories. his walls are filled with collages and zines hobie makes for him and rio bought frames for some of the pieces he makes her
♡ the first person to say "i love you" was miles, but by accident. after realizing it, he was nervous as hell worrying that hobie would clown him to death since he didnt seem like a big romantic. instead, hobie went nuts about it in his own hobie way, writing lyrics about miles' face when he said it, doodling them together more often, teasing miles about it often but lightheartedly. he flaunts miles' love whenever he can
♡ miles has a lethal puppydog face and he KNOWS it! one 🥺 look and hobie immediately folds and gives miles whatever he wants. but not before hemming and hawing about it first, playing up his hesitation just to make miles laugh
♡ speaking of laughter, hobie does Thee Most just to see his bf laugh or smile. he will always goof off in the bg, crack jokes every 2 secs and pretend to get hurt sometimes. hobie is naturally sarcastic and goofs off in general anyways but around miles he dials it up to 200
♡ hobie tries to get miles in on the whole anarchism thing but 1. the texts and manifestos from his dimension are different than miles' and 2. miles is a teen boy. he doesn't know anything about the theory of alienation or effective mutual aid and won't really care at the moment. "mm, you'll learn all 'bout it soon enough, though... eventually," hobie muses
♡ miles is not as big on pet names as hobie is. hobie has like 24984 nicknames for miles but miles mostly sticks to just calling his partner by his name. one day during history class tho a lightbulb moment happens, and when they meet up again miles is excited
"hobie!! guess what, i really got it this time. i have a nickname that i know you're gonna love!"
"spill," hobie says as he throws an arm over miles' shoulders.
"so you always call me sunflower all the time, right? and your name is ho... bee. get it? so i was thinkin' i'm gonna call you 'honey bee' now. y'know, you're not the only one who's got corny ass nicknames! it's good, right?"
hobie has to fight not to grin like a jackass
♡ hobie's sleep schedule is atrocious so whenever miles can manage it, he tries to wrestle his partner into any bed and tucks him in. hobie is touched that his sunflower cares so much about him ♡
♡ miles almost never gets permission to sleep over other friends' houses but on the rare occasions he does, he leaps into portals and goes to visit hobie in his dimension. his fave part of New London is hobie's boat, bc they set up a big hammock for them to lay in, feeling the sway of the boat and letting it lull them to sleep. not to mention that the boat itself is totally badass, and hobie more often than not encourages miles to cover it in graffiti
♡ hobie lowkey (but highkey) loves when miles gets a little bossy, forceful or stern. he loves ribbing miles about it (the "ill do it, but not cuz you told me to" line in mumbattan was a total joke from hobie btw LOL) and saying corny shit in response to a demand, but he loves seeing miles being confident and calling the shots every once in a while. it makes him proud
♡ if they can, miles and hobie try to gather up as much food as they can and take it over to the F.E.A.S.T. that's in hobie's dimension. miles meets hobie's "family" there and gets to know the community, which feels so much more tight-knit and welcoming than Visions. once miles gets over the major jarring differences between his world and hobie's, he finds he LOVES New London
♡ miles and hobie teach each other slang from their countries and time periods, you can't change my mind. miles walks around saying shit like "bloody 'ell" and "septic" all the time. the one time hobie said "deadass" completely unironically, all of the spiderkids DIED laughing
♡ miles learns that EVERY spider is a total dweeb in some way shape or form. even hobie! hobie's awkwardness comes out when theyre in big groups of people. hobie is oddly comfy with performing in front of crowds but when he's invited to parties and tries mingling, it's so... sooo awkward. miles secretly rejoices when he finds out hobie's weakness
♡ i'm an adhd hobie truther and i hc that miles buys hobie the weirdest fidget toys he can get his hands on. along with his switchblade, jewelry, and whatever he stole that day, hobie carries various different fidget toys in his vest to keep boredom at bay
♡ hobie definitely writes songs for miles but takes a very very very long time to actually admit it. miles finally finds out when one of hobie's songwriting notebooks falls open when hanging out in his boat, and hobie comes clean about it. with miles' encouragement tho, hobie makes the decision to add some of those songs into the usual setlist his band performs
♡ if miles ever has time, he tries to attend whatever gig hobie and his band has going on. he loves to see hobie perform on stage, his energy and stage presence is always electrifying
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ashesbreadandbutter · 17 days
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Now why none of you crusty... I mean loving and beautiful people ain't tell me about that "Thast not my neighbor" game.
Tell me why my heart racing after spending 20 minutes looking at vids and Fanart of him?
The Milkman so fine, now I gotta go look into the game just to write stories 🤭
Like here's one scenario right?:
(keep in mind I haven't seen much of the game but oh lord am I ready)
You run into bros doppelganger and he gets obsessed with you. Takes his time with it and everything, will play the role of actually being human but just greeting you gives him a rush.
It's hard not going right to you but oh it's like edging him. Tempting him in all the worse ways and really bro wants to eat you but there's also a hunger that comes from wanting to get close enough just once.
For some reason the idea that he's so close every time to losing it be getting to me (😔😩) bro definitely plays nice just to see if you'll let em in.
And if you do and he actually manages to get his claws- hands on you bro's gonna definitely do things like taste you, hold you down and all types of unsavory stuff.
It's like you'd purposely had been driving him nuts and bro is mad about it.
Imagine:
Even KNOWING he's a doppelganger and still testing your luck. Imagine something fucked like the electricity goes out and your are the very first target.
It's definitely giving primal and I'm loving it.
I'mma fr write this bruh.. what y'all think? 🫣
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its-not-a-pen · 2 months
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art for "Beans of various types" I feel like something bad is going to happen to me.
I feel like something bad has happened.
It hasn’t reached me yet, but it’s on its way.
And it’s getting closer.
And I don’t feel ready.
I feel like I can’t do anything.
--Lake Mungo (2008)
What a lovely day to be young, handsome and doomed by the narrative!
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magnusbae · 4 months
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I'm meant to be writing so naturally my brain went into asking the real questions— why don't we have fandom music? We have all forms of expressive art, writing, drawing, editing. The more physical forms of art, sewing outfits, forging swords, acting, even audi narrating fics. So basically all art forms in order to further explore our blobros and yet— no music? Why is it? I am genuinely curious why songwriting and music-making is the one form of art that is not present in the daily fandom life? Yes there's music video edits, even people recreating music from shows on piano etc— but that's not what I mean, I mean honest to god making a real, proper, lyric and music and singing original song for your blobro. Why don't we have that?
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tethered-heartstrings · 7 months
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after my first fic and almost a year of writer's block, i didn't think i would write anything else and that i'd only have the one fic, but since i started writing/posting again almost a year ago, i've written 11 fics totaling 120k which is wild to me
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benevolenterrancy · 4 months
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My art summary for this year! One standout piece for each month... so it was a little maddening when I had one month with a bunch of good pieces and then a few months (october...) where I did almost nothing
And a tally of the fandoms I drew for:
Hogan's Heroes, somehow, is still in the lead of my most prolific fandom! Given how deep I've been into the MXTX novels lately I thought it would have been overthrown, but nope, Hogan's Heroes still wins first in my heart this year apparently!
The other fandoms I drew at least a couple pieces of art for this year were Torchwood, MDZS, TGCF, MASH, Doctor Who, Rat Patrol, Sherlock Holmes, Cybersix, Les Mis, bandes desinées as a collective unit, A Marvellous Light, and Xena. The numbers for people who are interested
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and fandoms I only drew a single piece or doodled for were: Banjo-Kazooie, Between the Lions, Detective Conan, Dr Domino, Dimwood Forest, Dragon Age, Firekeeper, Good Omens, Helluva Boss, Hitchhiker's Guide, Leisure Suit Larry, Lupin III, Miss Fisher, Ninjago, One Piece, Once Upon A Time, Penumbra, Pippi Longstocking, Planet of the Apes, Pretty Woman, RWBY, Spy x Family, Transformers, and When the Angels Left The Old Country!
...I do nothing if not dabble, apparently. That dashboard osmosis game certainly gave me a chance to draw for a lot of interesting things
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woahjo · 29 days
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how would we feel if i started getting into ship fic for like... not just anime but other things
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eccentricmya · 2 months
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I'm a firm believer of "fic writers don't owe readers anything, and readers don't owe fic writers anything".
But. When you're writing for a fest or a fic exchange in response to a prompt, then I believe there is some owing involved. Writers owe a fic based on the prompt given and the recipients owe a bare minimum token of appreciation for the writers' efforts. Otherwise, what's the point of participating in such events? At their core, these events are meant to encourage creativity and positive interactions. And the participants must be aware of the same before signing up.
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soup-scope · 1 year
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hey nsfw thoughts move along
(about fred and bright 🧍)
so, bright and fred have made some repairs to their relationship so sam feels a bit more comfortable leaving them on their own more often than not
but he occasionally calls vincent up just to make sure they don’t “burn the house down” (which is said while looking directly at bright. they aren’t amused)
sam is finally able to have a date night with his favorite person (darlin) and the night was going SMOOTHLY until sam feels a pang of anxiety through his bond that seems to be increasing at a pretty fast pace, along with an almost warm, burning sensation under his skin.
immediately plagued by worry he untangles himself from his mate and immediately calls vincent asking if they’re alright.
“they are definitely fine.”
“you absolutely sure? I can come back down and-”
“oh no. you don’t want to interrupt this. I’m sure this has been building for a long, long time.”
“pardon?”
“don’t worry sam i’ll air out the space so you don’t have to smell it when you get back.”
“i-”
realization hits harder than he wants it to
“oh…. oh.. my god.”
“i know right? I didn’t think fred had it in him! Well i guess bright has it in them right now-”
“oh good lord am i gonna know whenever *this* happens?!”
“you’ll just have to wait and see sam. but from the sounds of it…” a brief pause “you won’t have to wait long.”
vincent hangs up.
at least they’re getting along now, right?
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micahmaeve · 9 months
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you have been slowly converting me with all your icemav posting, and i recently rewatched top gun and i am s o l d. it has been consuming all of my thoughts! do you have any favorite fics??
omg, am I really?? welcome to the club!!
I’ve thrown myself head first into icemav recently so I can ABSOLUTELY rec some of my favorite fics I've read so far!!
When We Get Around to Talking About It by @compacflt is the pièce de résistance of icemav fiction I think, for me personally. It's masterfully written and nuanced and just so heartbreaking. the characterization feels so true to how these men would really be in real life and how they would deal with coming to terms with their feelings for each other and sexuality while being in the navy. and as if 90,424 words of beautiful prose wasn't enough of a gift, there is also a sequel/other stories called Debriefing (& Other Stories) which includes a more truncated version of the original but from mav's pov which is just 🤌🏻🤌🏻
Dreams of Impact by thecarlysutra is also very good. It involves a little supernatural flavor, which I enjoy, and revolves around how their lives could be different if they'd just made one single different choice.
come the same colors by susiecarter is a fav. It's a classic 'you got hurt and it's made me reckon with how I really feel about you, but I haven't figured out how to express that'. So basically it's amazing. this author also has a great catalogue of icemav, so it's really a jumping point to read all of her great work. A Shared Cup is another personal fav of mine from this author. it involves soul telepathic bonds. soooo good
a binary star by vannral is a really yummy piece of fanfic. the first line of the description is the perfect primer for how great the rest of the fic is: "Ice hasn’t ever given much thought to celestial things up in the sky but he knows that Maverick burns like one." like. c'monnnn
i'll ride in this life with you by sassenach082 is an ice and mav raise bradley after carol passes away fic, and it's full of sooo much lovely hurt/comfort that is so sweet it will rot your teeth. any fic with a plethora of baby bradley is going to be good for me
I saw beauty to the north by sortalively (tiisis) is a delayed injury fic set post TG:M. It has a lot of rooster and ice and mav reconciling in it which I'm a sucker for. and, if you like the exploration of rooster and mav's relationship (I'm a sucker for parental figure fics lets not unpack that) this author has some greaaaaaaaat fics on their page for that!
cloaked in the bruises of our failures by faerie_ground will rip your heart out. It takes the mission from TG:M and moves it to the 80s with our favorite class of '86 being trained to fly it, all while Mav and Ice are a few years post a messy 'break-up'. I should warn you that this one comes with a trigger warned from sexual assault from a person of authority to an employee, so if you aren't interested in that maybe skip this one. It is so beautiful though and treats the subject with the respect it deserves. slithered here from eden (just to sit outside your door) is another by this author that is very good and I am waiting patiently for an update
a higher fidelity by basedchamp is a classic slowburn with ice and mav developing their friendship before they realize their feelings for one another
no brighter diamond by qin_ling is a wonderful 'five times...' fic and it's so good. Everything by this author is fantastic so you should def check out their other stuff. as lions is about time travel. delish.
You're Gonna Be The One That Saves Me by an orphan_account is amazing. It's got mav struggling post hop 31 and Ice being there to offer emotional support and more if you know what I mean
'Til I Understand by Katastrophe (Karrington) is about Mav punching out of dark star and kind of fills in some blanks about what his loved ones went through while he was missing. Katastrophe is another author with a large catalogue to just go crazy in
PurpleArrowzandLeather has 153 tg fics on their page with a huge variety, some icemav, some flyboys of '86 (which I adore, I love fics showing their friendship). you can get lost in their page for a while haha. they also have their bookmarks public! so you can dig around in there, too
Sailor's Delight by saurora_borealis can be read as ice and mav or icemav and I think we both know which one I infer it as. Mal de Mer by them is like that, too
baby, baby, i'd get down on my knees for you by boasamishipper and simplecoffee is 'five times mav proposes and one time ice says yes' fic. It's sweet as candy
Is this arguably too long a response? yes. are all of these worth the read? also yes
I hope you enjoy!!
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go-catch-a-chickn · 1 year
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Too many ships too little time
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