Watching ROTK for Downfall of Sauron Day and once again I have chosen the Extended Edition. And, look. I know they couldn’t include everything and it’s nearly 4.5 hours long already. But the Scouring of the Shire is SO IMPORTANT to Tolkien’s themes and especially to Pippin’s and Merry’s character development. And I really don’t think the confrontation between Theoden and Saruman is adapted very well *anyway*, and to just… stick the deaths of Saruman and Wormtongue on at the end? So the hobbits don’t get the victory? No!
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a petty complaint but still: to the various posts i’ve seen about how Aragorn disrespects Lúthien by summing up her entire life and legacy as “she died” - that’s movie Aragorn. book Aragorn sings his nine-stanza song about Beren and Lúthien, gives a quick history lesson of the First Age, credits Lúthien with rescuing Beren from Sauron, explains how they successfully stole a Silmaril together, and then how Beren dies and she follows him and gets him back, before they both die. and then he explains how her heritage lives on! like slander book Aragorn for the things he actually does, if you want, but not for giving Lúthien short shrift in his story. that’s on the movies
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Allow me to preface with: I love where OFMD ends up. Every time I see something that makes me fear for a renewal (Taika noooo), I remember that everyone was was okay where it ended, and dammit the ends justified the means
But:
Fuuuuck it's overstuffed, objectively. And my measurement of overstuffiness is: Big Musical Moments.
OFMD has these amazing sequences where the music and the action and the story all blend together in this glorious literal symphony. A normal episode has 1-2 of these sequences, and they're fucking glorious and eternal.
The finale of S2? The finale of S2 has FOUR Big Musical Moments! Five if you count Ed coming out of the water!
It's too many, it just is. There's missing links between character moments, missing plot details--it's a mess.
But I fucking love it and I'm so, so glad they rushed, because a TV season ender is a balance between the story as a whole and the investment of its watchers. Jenkins and co. decided that the investment of the watchers--and the wholeness of its charaters--was more important than the mechanics of story. And if that make you feel cheated, that's fair and that stinks. But fuck, so many stories are about the endless continuance of the characters and the ego of the creators--it's pretty damn amazing to feel like the fans (*cough* of the main arc *cough*) are valued and the creators are less important than getting to a place where it's ok to end.
The last line of this show might be "fuck that's strong!" "maybe we just air it out a bit..."
And that's actually okay. And it is, somehow, beautiful.
But goddamnit, JUST FIVE MORE MINUTES and that episode would have been PERFECT...
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I keep seeing things where people are like "it was so nice to see Colin's satisfied little smirk fall when he realized she wasn't going to fall over herself for him anymore" because they seem to think he really only sees Penelope as an ego boost, but like...my guy just found out he hurt one of his best friends feelings? And thats why shes been ignoring him for months? Hes not upset because his ego isn't getting stroked, he's upset because he hurt someone he cares about. Why is it so hard for y'all to grasp
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Tell me how I, the gal with terminal "can't stop thinking about Tai Sui" disease, read hundreds of thousands of words of Mo Du over the course of months, starting right after I finished Tai Sui, yet it took me until right now in this instant to put together the Fei Du->Zhou Ying parallel
Like. Here's the favored son of a man who is incredibly powerful and morally bankrupt. He hates his dad and would be quite happy to commit patricide, should he get the opportunity, but he doesn't directly do so because it wouldn't suit his schemes. He has spent his entire life since his teenage years painstakingly putting together the chess pieces necessary to both destroy his dad and unravel the truth of a grand unknowable conspiracy that has haunted his entire life. He's a genius and the way his mind works is utterly incomprehensible to everyone else in the world, even those who know and love him best. The right kind of placid smile from him can be the most terrifying thing anybody has ever seen. He is willing to use himself up and toss himself out completely if it is the means to the final end of his schemes.
It's just that with Fei Du, the whole point of him is that he's not nearly so terrible as he thinks he is. He's not a psychopath. He's not cruel, regardless of how much empathy he may or may not naturally have. He's just spectacularly traumatized by his childhood. And the presence of Luo Wenzhou in his life both saves him from spiraling down into his original epic self-destructive plot and allows him to access his buried human emotions.
Then, 5 years later, Priest came back to revisit some of the same ideas and turn absolutely all of them up to eleven. She wrote a man who doesn't just think differently from others, but who perceives the world so wildly differently from anyone else that his experience of existence is utterly incomprehensible to his peers. She wrote a patricidal prince who doesn't just want to destroy his father and his company, then tear out the truth of a criminal conspiracy, but rather wants to destroy his father and his entire country, then tear out the truth of the sky itself. She wrote a man who genuinely doesn't give a single damn about anyone other than himself and his tiny tiny selection of loved ones. Who would destroy the entire world in a fit of vengeance and who uses his own willingness to kill innocents as leverage against others. She wrote a man who plans to achieve his goals by way of epic self destruction and does exactly that, leaving the main character's loss of him as the central beating tragedy in the otherwise best possible ending.
She also wrote a story in which, when Zhou Ying's closest and most loved person realizes the dark and scheming truth of him, rather than saying "I can fix him; I don't think he's really so bad," he says "yeah, this is my cousin and he's a terrible menace who tries to destroy the world sometimes. I love him more than anything."
You can absolutely see how Priest's interest in similar ideas informed both characters. It's just that Fei Chengyu didn't succeed in raising his perfect little sociopath successor, but Emperor Taiming and the demons of the impassible sea absolutely succeeded in Jokerizing Prince Zhuang. They just couldn't possibly anticipate the kind of monster that the demon of the east sea would become.
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Man, breaking ranks was such a good episode. WHY did they never show Zare again, they were clearly setting up something with Ezra’s ‘I’ll be in touch’??? (so that was a fucking lie)
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crying laughing @ this edition of le fantôme de l'opéra that my dad got me for christmas it's just. i don't know how to describe it. every page is a scan of a page of the 1926 edition, with like 1-2 inches of margin around it??? and the letters are so small and the scan is not of very great quality so it's kind of hard to see the words?? interspersed with scans of pictures but some of them are upside down??? there's one page where the scan didn't really work in the upper left corner so it's just totally black???
the back of the book says
Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces œuvres et HACHETTE LIVRE les imprimant à la demande.
(my rough translation: This publication is in line with a policy instituted in conjunction with the BNF (National Library of France) for the conservation of important works of French literature. In service of this goal, Hachette Livre and the BNF are offering a catalogue of unavailable titles digitized by the BNF which Hachette Livre will print upon request.)
so like this is on purpose but i have so many questions. first of all why the margins. okay i guess that is my most important question. why not just make the book correspond to the size of the pages in the original? or, if the size of the book is fixed, you could at least size up the images to use as much of that wasted space as possible, no?
i want to say how ridiculous this is and how there's no market for it but there clearly is one because i asked my dad to get it for me! i'm the market!! i told him to buy this edition because it was the only french-language print edition i could find to buy in the us for less than $50 (outside of amazon because fuck amazon). but like, why is that the case? the full text of this book, in plain text which could easily and legibly be printed, is available for free on the internet. why isn't there some publisher who's just printing that out and binding it? seems easier to do than printing scans. not to mention a lot easier to read!!
(to see what i'm talking about, go to the hachette BNF webpage for this book and click on feuilleter to download a sample of the pages in PDF)
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