#and to his credit the subtility is there

[potahun]

when hakuba said, about kaito, “has the ability to focus, but has no willpower”

#im crying #stop calling him out #he just has adhd and is a blood type B #hakuba please #dcmk #magic kaito #hakuba saguru #kaitou kid #and to his credit the subtility is there #hes not saying that kaito wont focus because he doesnt want to #he is highlighting kaito’s ability to hyperfixate and carry something out #while highligting kaito’s trait of not having a well defined goal for the long term #which is true #kaito himself probably hasnt thought too far about how long the kid thing will take him #and he does have a CLEAR tendency to be carried by the flow!

[the-banana-0verlord]

hellou <3 this is my most personal request maybe :') , hdcns for the dorm leaders (separatly) with a fem reader who accidentally ends up making them laugh (maybe she says or does it is very random I don't know) leaving mc like a clown 🤡. .. although mc doesn't understand why they're laughing because she doesn't think it was a big deal ksjkdd well in summary: mc intentionally becomes the clown of the leaders ;u;)/

Thank you for the request!

Also a special thank you to @cup1dt3a for helping me with Riddle and Vil's part, very appreciated! :D

How the dorm leaders would react to the reader reacting to them laughing at something the reader said

Notes: Fem! reader but can be read as gn, since the only pronouns are You/your. All credits to the artist of the cover picture! Also some parts are shorter than others.

🥀🥀🥀

Riddle Rosehearts

🥀You were studying in the library, a habit you've picked up very quickly as Riddle was a study freak(affectionate).

🥀He couldn't help but giggle everytime you mispronounced a word. However, he never felt the need to correct you so you had no idea why he was laughing.

🥀And Riddle isn't the type to laugh out of the blue, so you were even more confused.

🥀You quickly catched on as he explained to you. You then started to mispronounce the words voluntarily.

🥀At the end of none of you had learned a thing.

🥀He has a lingering feeling of guilt, because his mother would have never let him laugh like that during study time(which was practically always).

🥀Yet he couldn't stop himself for waiting hastily for your next study session, just to goof off with you again.

🦁🦁🦁

Leona Kingscholar

🦁If there's something you know, it's that Leona practically never laughs except sarcastically.

🦁But the way he laughed as of now... It felt real, and it was so unbelievable you could think he was mocking you.

🦁"Why'd you stop talking, Herbivore?" He asked as you stared at him mouth agape.

🦁Cute, he thought as you regained your spirits and blabbered akwardly an apology for staring.

🐙🐙🐙

Azul Ashengrotto

🐙You just have some way of speaking... It instantly brings a smile to his face everytime.

🐙He chuckled just thinking about it.

🐙When he looked up, he met your eyes that were sending "???".

🐙"Is something the matter? Are you admiring my beautiful face?

-Nah, just, why did you laugh at me?

-Laugh at you...?"

🐙Ah, he must have caused a quiproco with his laugh.

🐙"Worry not, it wasn't you I was laughing at.

-What, then?

-That is my little secret~"

🐙You would have made him swallow his smirk if he wasn't so pretty.

☀☀☀

Kalim Al-Asim

☀Well to be fair, he is laughing at everything you say because he thinks you're extremely funny.

☀But for the first time it happened, you were caught off guard. His laugh is loud and it resonated in your ears.

☀When he realised you were looking at him weirdly, he asked you what was the matter.

☀You brushed it off, and he was so oblivious he accepted your explanation.

☀As time went on, you learned it was just a joyful habit of his.

💅💅💅

Vil Schoenheit

💅Without realising it, you were the funniest person he knew. You would always drop snarky remarks that caught him off guard.

💅He snickers everytime, but he's the only one to do so because he's the only one able to catch your subtilities.

💅Or maybe you're more prone to laughing to someone's jokes when you like them, who knows.

💅Anyhow, it took you long enough to realise he wasn't laughing at you, but at your jokes.

💅When the light finally switched in your head, you were glad to know someone appreciated your puns.

💅You wouldn't think someone like him would appreciate puns, but it's still nice.

🎮🎮🎮

Idia Shroud

🎮Oh he'd be caught dead if he ever made you think he was laughing at you.

🎮He'd be caught dead simply for looking at you, but I digress.

🎮Anyways in a world where it does happen, you're not even mad because his laugh is so wonky you start to laugh as well.

🎮Yeah he's the clown now.

🎮He immediately starts to whimper in embarrassement and you have to calm him down.

🐉🐉🐉

Malleus Draconia

🐉He wasn't really listening to what you were saying, he was too busy looking at your beautiful face. He thought about how lucky he was to have you, and chuckled.

🐉you, however, who wasn't living in his head, had no idea why he was laughing. Your dumbfounded face only made him laugh harder.

🐉It was his turn to be confused when you seemed upset. He hadn't imagined his actions could cause you pain.

🐉you forgot about it rather quickly, but Malleus didn't. He followed you like a lost puppy for weeks trying to be forgiven.

***

Hope you enjoyed!

Have a good day/night!

#twisted wonderland #riddle rosehearts #leona kingscholar #azul ashengrotto #kalim al asim #vil schoenheit #idia shroud #malleus draconia #riddle x reader #leona x reader #azul x reader #kalim x reader #vil x reader #idia x reader #malleus x reader #riddle rosehearts x reader #leona kingscholar x reader #azul ashengrotto x reader #kalim al asim x reader #vil schoenheit x reader #idia shroud x reader #malleus draconia x reader #if you made it thsi far into the tags have a heart <3

[papiliomame]

Dannymay Day 29: Fireworks

More AGIT fanart, Danny showing of his new fireworks power.

Danny is a 3d-model, the fireworks are 2d animation and the background is also handpainted.

ngl, this plan looked better in my head. I wanted to add some subtile animation for the background but I'm not happy how it looks and I kinda lost motivation halfway through.

(Don't try to translate the text on the stones, it's just gibberish. Credit for ghost language and AGIT goes to @pichikui )

#danny phantom #dannymay2024 #day 29 #fireworks #agit spoilers #a glitch in time #a glitch in time spoilers #danny fenton #tucker foley #sam manson #vlad plasmius #blender #3d model #grease pencil #my animation #my art

[semolinapudding]

hi<3

i saw that your requests are open, so i was like why not.

can you write Hu Tao, Ayaka,and Kokomi with an s/o who likes to cuddle? i cant seem to come up with a scenario to finish my fiction-

Hi bebi.... is july....sorry for the very late reply. I hope you finish your fic.

Cuddles with Hu Tao, Ayaka and Kokomi.

Fluff, gender neutral reader.

No warnings.

Art credits 👆🏻

🍮 Hu-baby is unpredictable. She loves cuddles because she's clingy. So she picks you up and gets you to bed at random times. When you're in the kitchen eating, she picks you up, together with your food, because she needs you.

🍮 Everytime you give into cuddles with her, she gives into it more. If she doesn't respond to it, you know there's something wrong, she's sad, or angry.

🍮 She climbs over and often lays on you while she's eating Doritos or something.

🍮 She's weird sometimes so she's gonna grip on your legs with her toes. But I hope you don't mind it.

🍮 She suffocates you like a dog, if you need space you need to tell her because she thinks your space is her space and the other way around.

🍮Big spoon, little spoon, for her is irrelevant. She'll just cuddle the hell out of you in the weirdest positions.

🍮 Using you as a support pillow when sleeping, Hu-tao is always laying with a leg over you. When she gets bored she turns around with your blanket. Argue over the blanket now.

🍮 In the morning you see her walking around in underwear with ghost patterns and socks, and when you wake up she needs to throw herself in bed like a wrestler to welcome your awake. Please dodge it while you can. (Or don't)

🍮 She baby talks to you while cuddling and patting you. You must love it. You're her chimpunk.

🍮 She falls out of bed.

🍮 She's open to everything, she's a crazy girl who can be crazy with you because she feels safe.

🍮 Eating seeds while cuddling with you: the bed, your chest and neck full of seeds...

🍮 Like a samurai, she seems distant at first, and doesn't seem like involving into physical touch that much.

🍮 Is easy to win her heart. Take care of it.

🍮 Once you got into cuddles with her, she's a bear. She won't notice she is holding you "captive" until you tell her and she'll apologize. She is surprisingly very warm. She heats you up with her body during nights.

🍮 Ayaka turns on the other side while sleeping, and she does so while holding you. You're casually traveling like a plushie. How does it feel to have a plushie life?

🍮 Once your in her arms, you're forever in her arms.

🍮After an intense training, Ayaka silently comes to you, sits in your lap and holds your head on her boobs.

🍮 She invites herself on your lap many times, leans on your back, reaches her hands around your neck; give her a big hug.

🍮 If you get that close, you can get under her dress to cuddle her, maybe.

🍮 Her energy is serene and warm. She's one of the calmest person you know. She smells like glittering nights and lavander, and her hair reminds you of the Moon.

🍮 You don't feel it when she comes into bed. She's as subtil as the night, and you only feel the pillows and sheets moving under while she takes you under her protective arms.

🍮 A big spoon most of the time, but secretly, she wants to feel protected and loved. She's the woman of your life. She'll forever protect you and cherish you.

🍮 You wonder what's inside a samurai woman's heart, and she makes you want to unlock all of her secrets.

Art credits 👆🏻

🍮Kokomi loves cuddles because it helps her concentrate reading.

🍮She tries to seem formal and polite but she's actually a very touchy person, with an adorable desire to cuddle whenever given the chance.

🍮Kokomi is the sweet girl that smells soft and tender, like white pearls and cocolino (kokolino). She's an all day pijama girl who uses body butter after every shower to feel good in her skin.

🍮The first thing you love when cuddling Kokomi is her alluring smells, other than her soft and touchable body. Her long thin hands feel feather like on your body.

🍮When she doesn't notice, Kokomi will accidentally grip and hold you too hard, her hands turning from feather soft to dumbbell hard. She gets a little too excited sometimes and she notices fast and apologizes for it repeatedly.

🍮Her hair is tied in a bun while she's eating bird egg sushis, in her bears pijamas, reading a book entitled "The secrets of war".

🍮 Kokomi is a clean girl in a messy burrow, but you two manage well in her little house. As messy as it is, it's what makes it comfy. The smell of old and fresh books combined, together with Komomi's unique scent and gentle voice. Kokomi definetely prefers to be a little spoon. The strong leader wants to feel the warmth and be vulnerable in someone's arms when she's with you.

🍮Kokomi loves feet massages, after long days of standing up, she'll trust you with her feet, which are tensed, and become softer after your rubs. She wouldn't let anyone touch her feet but you.

🍮She gives you foot massage back. Kokomi is ambitious to give back what she receives and make you feel good too. Her soft and gentle hands feel so good on your feet, and she progressively starts rubbing harder and applying pressure. She's so careful with you.

🍮 Body massage is always involved in cuddling, Kokomi's back is formidable. She moves her hair to the side and reveals her naked back all for you. You massage her pinkish white skin for both of your satisfaction. The texture of her skin is purely relaxing.

🍮 And sleeping with Kokomi is a beautiful dream, your legs always end up intertwined, she rubs your feet with hers out of deep affection or to warm you up on cold nights.

🍮 in the mornings, she applies cream on her face and hands, and comes to you like a mama bird to put cream on your face and hands too.

🍮Kokolina.

🍮Author's note:

Had most fun on Kokomi's part. I love it.

Update on life: All I wanna say is that summer depression is the worst. I am back after losing my account and getting it back, (THANKS TO JOHNNY FROM TUMBLR SUPPORT! I LOVE YOU JOHNNY!) And also I got kidnapped by aliens. If you know you have a request left in my box, don't worry. I'll get to it.

Update on delusional part of life: I am obssesed with Cloud Strife, now I am obssesed with Tokio Hotel. Many things happened. Oh god I love Bill Kaulitz.

#hu tao x reader #ayaka x reader #kokomi x reader #genshin impact #genshin headcanons #hu tao headcanons #ayaka headcanons #kokomi headcanons #cuddles #kokomi kokolino #genshin x reader #genshin x you

[ann3ratl3yn]

FATUI HARBINGERS AS TEACHERS AU

Part 3

Pantalone:

Math and Economics teacher

Class teacher of class X.B

Has one of the most chaotic students in the school

His students steal his money and credit cards to buy video games

Has thought about selling his students to the black market

Since i hc that Pantalone has 4 wifes,the students are always more exited to see them than Pantalone.

Fucking hates his students but pretends to like them.

His wifes come to the school once every 4 months,and when they do,his students don't even show up in his class (is he jealous that his wifes are talking to his students more instead of him?Yes,yes he is.)

Pantalone is a major character in a series called "Fakju Proffesor" im working on!

Capitano:

Spanish and P.E teacher

Class teacher of class VIII.A

The most chillest teacher in the school.

The students always try to impress Capitano in P.E just so they can get a free A,but he never gives them one.

He takes off 40% of their grades if they don't do they're warm ups properly

Let's his students paint his nails

When he's supposed to be planning lessons,he puts on a Spanish telenovela for the students to watch (with english subtiles)

Capitano is a supporting character in a series called "Fakju Proffesor" im working on!

Childe:

Math,P.E and Russian teacher

Class teacher of class VII.A

His students make fun of him for being a ginger.

One of his students showed up outside of his apartment just to ask what the math homework was

Always has more energy than the students

His students pretend to not like him,but actualy do.

He once played

Childe is a minor character in a series called "Fakju Proffesor" im working on!

#fatui headcanons #fakju Proffesor

[fireandspiceland]

Headcannons for what each of the nordics “type” is?

With both sfw and nsfw headcannons please 🙏

They are all each other’s type that’s why I like shoving all four of them together like barbie dolls and make them kiss :)

But I guess you want a slightly more detailed answer than that lol so here’s some thoughts that I focus on when writing any nordic ship

Denmark: acts like his type is someone cute and pliable that he can be dominant with, but what he NEEDS is someone who knows how to turn the tables and make him submit, but he’s not making it easy for them. Denmark WANTS the FIGHT before he gives in to his partner 😩💕 He misses the Viking times, or actually just the roughness and brutishness. Back then he couldn’t afford losing or letting any of his opponents win, but now that he has the safety he needs, Denmark is comfortable to let others guide him and give him orders. The cold thrill of being treated like a toy, being used and abused is still so new to him but he’s very willing to try things out and very compliant if his partner can keep up with him trying his and their limits as well.

Sweden: his type is someone who is persistent and talkative, he needs someone who is very present but without constantly overruling him.. does that make sense? He WANTS TO BE ASKED to go out on dates or to indulge in new kinks, especially when it comes to sexual things. Sweden wants to be seduced. He turns into a stuttering mess when he tries to actively propose something he would like to try. It's a lot easier for him when his partner has the ability to more or less read his mind - if one knows how to read Sweden's subtile body language and acts up on it too, this man is hooked. And hopefully his partner too because once you get past the layers protecting Sweden's soft core, he's the most loving and sweet partner one could imagine and he needs someone who cherishes that he let's them see this side of himself. 🥰💕

Finland: tbh I headcanon him to be pansexual and if you're down to fuck and a nice person you're probably his type. Finland is not picky, at least not when it comes to picking people up when he's out at a bar or a concert. BUT WHEN IT COMES TO RELATIONSHIPS now that's a whole different story. Getting into Finland's bed is easy and becoming his friend is also quite manageable, but the way to his heart is tough. His type is someone who can give back as much love as he gives them. He knows that different people have different ways of showing they care, but what counts for him is that he doesn't want to feel as if he's putting energy into something that is not worth it. Regarding sex Finland happily puts his all into a one night stand because it's nothing more than that and it's the moment that counts 👀 but when it comes to long term arrangement he can't keep offering his all to someone who's not willing to return that favour. ❤

Norway: I don't think he wants to admit it, but his type is someone who makes him feel needed. Norway is a lot more loving and caring than people give him credit for and it's easier to pretend you don't care, but in reality Norway has a sensitive side to him and it hurts him to be referred to as heartless or cold. 😔 The same goes for his sexual needs. He needs a partner who is responsive to what he does. Doesn't have to be vocal, but he loves seeing them become undone, turning into a mess. moaning, begging arching, into his touch... Norway wants confirmation that heis the one who can make someone feel SO GOOD AND LOVED. Especially during rougher sessions he pays close attention to his partner, manages to see through the curses and tears to find a look in their eyes that says 'I need you'. 💖

#aph finland #aph norway #aph sweden #aph denmark #nordics polycule #riva.ask #riva.txt #hetalia headcanons #wfsn #thank you for giving me this opportunity to talk about some of my fav characters :D i think about them a lot when my head is not full with #other things (like work -.-)

[imnotusedtobeingloved]

KISS HIM OR KILL HIM

(PLEASE DON’T REPOST/REBLOG)

Warnings: heartbreak, betrayal.

Pairing: Zuko x f!Reader

Characters: Zuko, Katara, Aang, Toph, Sokka.

Requested: I guess?

Disclaimer: I do not own the characters, nor the gif. Credit to the owners.

Summary: Part five of “destiny is a funny thing”.

previous part

A/N: Welcome to the next part!

Have fun reading!

The sound of the waves rang in your ears as you sat in Appa’s saddle, resting quietly. You’d guided him through the night so the boys could rest, until Aang took the reigns this morning. Since your departure you’d done nothing but fly and a glimpse to your left told you that Zuko was getting incredibly bored. “We’ve been riding for hours. I don’t know why, but I thought this thing would be a lot faster,” Appa growled from below, sending vibrations through your body. “Appa’s right, Zuko,” Aang said, turning his head towards him. “In our group, typically we start our missions with a more up-beat attitude,”

“I can’t believe this,” The prince whispered beside you, lying down shortly after. “Don’t worry, you’ll get the hang of it,” you heard the Avatar say, before you closed your eyes, trying to get a little bit of sleep before you’d arrive.

You woke up, just as the island came into view. You’d barely noticed Zuko snuggling his head against your tigh while you slept. Careful you pulled away, before he opened his eyes. You didn't feel anger anymore, every time you looked at him. But you also weren't ready for this type of closure yet. “Wake up!” You said, when you’d made it to the other side of the saddle, watching him blink sleepily. “We’re here!” You got down from the saddle, landing directly between the broken pieces of the old temples.

When everyone finally dismounted, you turned towards the buildings. “Whoa!” The three of you stood next to each other, staring in awe, before you slowly started walking. “Even though these buildings are ancient, there’s something eerily familiar about them,” You nodded. “I can tell the Fire Sages’ temples are somehow descended from these,” The air was warm. It was a serene and calm atmosphere. Almost too calm for your liking.

“Okay. We’ve learned something about architecture,” Aang said looking around curiously. “Hopefully, we’ll learn something about firebending too. The past can be a great teacher,”

snap!

Suddenly Aang triped, yelping, as the path in front of him went down, leaving spikes in it’s wake. You gasped and reached a hand out, trying to catch him, but your fingertips barely grazed his clothes. Your heart stopped for a second when he nearly fell onto the sharp edges, but he managed to blow a blast of air from his mouth, somersaulting to the other side. “Guys, I think the past is trying to kill me,” Zuko knelt down, taking a look at the trap. “I can’t believe it,” He muttered, picking up the tripwire to inspect it. “This booby trap must be centuries old and it still works,”

“There’s probably a lot more. Maybe this means we shouldn’t be here,” The Avatar mulled, gripping his glider tightly. Next to you Zuko took two steps back, running along the wall adjoining the path, before jumping down on the other side. You raise a brow, running straight for the other side. With a gust of wind from Aang, you managed to jump right to them, without getting hurt. “Where’s that up-beat attitude you were talkin’ about?” Zuko said, dusting off his shirt. He smiles as Aang turns back. “Besides, people don’t make traps unless they’ve got something worth protecting,” You huffed, walking along as you could feel his gaze on your back. “Sounds like you’ve got experience with that,”

As you walked on, the buildings around you started to look less and less like ruins. The father in, the more intact they were. Cravings decorated the wall and scluptures framed the doors. One caught your eye in particular. It was a carving of a person surrounded by two dragon, breathing fire. “Look, this seems promising,” Aang said, pointing towards their rigid bodies. “Though I’m not sure what this tells us about the original source of firebending,”

“They look pretty angry to me,” Zuko threw in. “I thought the dragons were friends with the Sun Warriors,” He turned towards the Avatar, before answering. “Well, they had a funny way of showing it,” The prince lowered his gaze for a moment, before he turned around and went.

“Zuko,” You said, making him stop in his tracks. “Something happened to the dragons in the last hundred years. Something you’re not telling us,” The fire bender closed his eyes for a moment, hesitating to answer, before opening them again. “My great-grandfather Sozin happened,” He started to explain how the dragon hunting started, as you crossed a bridge. How they became nothing but trophies. And how they became extinct. “The last great dragon was conquered long before I was born,” He said, palm touching one of the dragon statues. “By my uncle,” Aang tilted his head. “But I thought your uncle was ... I don’t know, good? “

“He had a complicated past,” Zuko spoke. “Family tradition, I guess. Let’s just move on,” He quickly marched on, which left you and Aang to catch up to him. Soon you arrived at a vertical column, a sunstone burried in it’s center, above a wall with two gates. The prince stopped in his tracks, as the Avatar rushed forward, pushing and pulling at the doors. “It’s locked up!” Zuko rubbed his head, looking around. “Wait,” He took a step backward, looking at the place he stood in a second before, where the light from the sunstone beamed on a circular craving.

”It’s a celestial calendar. Just like the Fire Sages have in their temples,” He looked back up at the gates. “I bet that sunstone opens the door, but only when sunlight hits at just the right angle,”

You confirmed it with a nod and agreed. “Yeah, On the solstice,” An experated sigh passed Aang’s lips. “Monkeyfeathers! The solstice again? We can’t wait here that long,” Zuko unsheathed one of his swords. “No, we can’t,” You raised a brow, crossing your arms. “What do you have in mind?”

“We might be able to speed time up,” He placed his sword on the ground in a particular angle, causing it to reflect the light. “Let’s see if we can outsmart the sunstone,” The reflection, being guided by Zuko, moved over the other sunstone on top of the gates.

“Nothing’s happening,” Aang said, watching quietly. “Come on ..,” The prince muttered, not giving up. Out of nowhere the ground started shaking, as the gates opened, only stopping when the inside was fully revealed.

The Avatar picked up his staff, walking up to the gates along with you. “You know, Zuko, I don’t care what everyone else says about you,” Aang nudged him with his elbow. “You’re pretty smart,” Zuko smiled at his compliment, until you snorted, and it fell realizing what he’d actually said.

Meanwhile the boy had already walked inside, looking around the dark room. He gasped at the big, angry looking statues. “Relax. They’re just statues,” Zuko said.

They were lined up in a circle, displaying different postures. ”It says this is something called the Dancing Dragon,” You read, and saw Aang imitate one of the poses out of the corner of your eye. A subtile ‘click’ sounded upon the corrent positioning of his foot, pressing a buttom. “Zuko, (Y/N), get over here! I want you to dance with me” The former pulled his hand back. “What?”

“Just do it,” The Avatar pulled the both of you with him, getting you into the right positions. Zuko groaned unwillingly. ”Let’s follow the steps of the statues,” You took the stance of the statue before you, moving along with the boys and similarily pushing the buttons on the ground. “Don’t you see? These aren’t dance moves. These statues are giving us a lesson,” You could hear Aang say from behind you, to which Zuko answered less enthousiastically. ”This better teach us some really good firebending,”

Upon performing the last move, something changed about the atmosphere. A part of the ground detracted, making a vertical column emerge, holding a yellow, egg-shaped sunstone. The air bender raised his hands in triumph. “Hurray!”

”Wait,” You interrupted his outburst. “What exactly is that?”

Zuko ran up to it, before you’d finished your scentense. “It’s some kind of mystical gemstone,” Aang raised his arms, as if reaching out to him. “Well, don’t touch it!” The prince, stopped to let the boy catch up with him. “Why not?”

“Did you already forget what happened out there with those spikes?” You reminded, as Aang turned to look around, warily, and added: “I’m just very suspicious of giant glowing gems sitting on pedestals,”

The fire bender ignored him, picking up the egg as Aang’s eyes twitched. “It feels almost alive,” He described, before attempting to put it back, but it was to late. The three of you screamed out in horror, as a geyser of viscous slime erupted from the pedestal and pushed Zuko toward the grates in the ceiling, sticking him there. “Zuko!” You screamed, looking up to him.

“Oh no, it’s another trap!” Aang shot a worried glance at the struggling prince, as more slime shot from the column, forcing you both to retreat.

“Ugh, I can’t pull free. It’s like some kind of glue,” Zuko’s voice sounded from above, unable to break free. “Ugh! You’re unbelievable!” You yelled as more substance burst out. Spirits... sometimes you really didn’t know wheter you wanted to kiss him or kill him. “(Y/N), watch out!” Aang grabbed you around the waist, jumped across the slime and took his staff on the other side of the room. You clung to his robe, gasping, as he climbed on a statues head, sending a gust of wind towards Zuko, trying to get him free. But it only managed to push him from his back to his front. “Aang!” His ears perk up at the panic in your voice, upon seeing the slime still rising drastically. Soon enough his staff got caught in the substance,with all attempts to pull it out failing. “Hold on to me!” He says, jumping up to the grates, as slime engulfs the room. You landed next to each other, both groaning as you struggled to get your hands free. “I can’t move! Zuko, do something” Aang grunts, squishing you between him and the prince. “Me? I can’t move either!” You hiss at his words. “You’re the one who got us into this mess in the first place!”

A groan left your mouth, as the slime presses the air out of your lung and then... ceased. “It stopped,” You tried to turn your head to look at him, but the slime wouldn’t let you, clinging to every part of your body. “Great observation, Aang,”

“At least we have air. Maybe if we stay calm, we can figure a way out of this,” The fire bender said, staring up into the sky.

But you didn’t. The three of you stayed glued to the grates, until the sun sunk and the darkness came. You closed your eyes and sighed. “You just had to pick up the glowing egg, didn’t you?”

”At least I made something happen, (Y/N)! If it were up to you, we’d never have made it past the courtyard,” You growled, opening your mouth to reprimand him, but Aang interrupted the air first. “Heeeelp” He yelled, mouth wide open.

“Who are you yelling to?” Zuko and you both screamed back at the same time, growing more agitated by the second. “Nobody’s lived here for centuries,” The prince added. “Well, what do you think we should do?”

Anything to get us out of here, you thought. You’d spend hours staring at the sky, and despite it’s beauty, it was getting dull.

“Think about our place in the universe‌?” You heard a sigh on your left at Zuko’s answer, just as a foot, slipped into a bound sandal stepped into view.

“

Who is down there?

”

tags: @zvkonation​ @viva-la-millennia​ @randomness501​ @drheinzd​ @kaylove12​ @duh-dobrik​ @yeetscreetiwannaeat​ @ ashnkamfeun    @hailkyoshi​ @shortmexicangirl​ @animexholic​ @sorrythatspussynal​

#zuko x reader #zuko fic #avatar zuko #zuko x y/n

[adiscoveryofwitchesfrance]

✏️ As French viewers saw the first episode on Thursday, it's time for me to debrief episode 1 !

😁What I loved :

- we begin the episod exactly where we stopped

- the opening credit : mixing season 1 and season 2 in such an aestetic way like a painting

- the script writing is so clever : the fact they arrived in London instead of Woordstock is so smart to be straightforward and save time !

- the costumes, the set: amazing in details, beautiful (and I don't even talk about Matthew leather costume)

- the amazing complicity between Matthew and Diana : we see them as a caring, loving and laughing couple

- the scene where we can see Matthew joking his great style (we have to enjoy this kind of scene since Matthew Roydon is far less fun as Matthew Clairmont)

- the use of the same actress for Sophie and Susanna Norman. The subtility of change in her make up and attitude and Aisling Loftus subtle acting. The fact to see her doing the power test instead of the Woodstock witch is really clever.

- Kit is the villain I love hating him . His final interview with Dianais so well played.

- Jack is cute as I'd imagined

- William Cecil, is amazingly put on screen

- to have succeed to keep so many little details to make this first episod as faithfull to the book despite the change : the quince, the bell, Françoise ...

😐What I would have loved different :

- the rythm too fast to keep up.

- Georges Chapman and Annie not being there.

- we didn't get to see Matthew and Kit playing chess to lose the Queen piece

💓And you, what do you think about this first episod ?

#adowtv #adiscoveryofwitchestv #a discovery of witches #teresa palmer #diana bishop #all souls trilogy #adow #adow season 2 #adiscoveryofwitches #adows2 #matthewclairmont #matthew clairmont #matthew goode

[dwellordream]

“If any character in English popular culture stands for the sheep, it is Griselda. Her chief detractor is, not surprisingly, the shrew. In Robert Snawsel's A Looking Glass for Married Folks, Eulalie preaches the Griselda gospel to Xanthippe and Margery, urging them to bear their husbands' blows and drunkenness with meek loving kindness. This is too much for Margery: "Are you a woman, and make them such dish-clouts and slaves to their husbands? Came you of a woman, that you should give them no prerogative, but make them altogether underlings?" Margery's scornful reference to slavery goes to the dark heart of the Griselda myth. Folklorists have argued about the ancestry of the famous tale for more than a century. 

William Edwin Bettridge and Francis Lee Utley have made a strong case that Griselda owes her features to a folktale from medieval Smyrna called "the Patience of the Princess." A prince buys a poor girl from her father and lays a wager with her that she will not be able to submit to all his demands with utter composure. The prince shuts her in a tower alone and tests her for twenty years, repeatedly impregnating her and then taking away her newborn infants, telling her that he is going to kill them. She builds a mother doll out of clay to talk to and cry to but never loses her patience, and in this way she wins the bet. 

The tale, which matches the European narrative more closely than any other yet found, throws into stark relief the specter of female sexual slavery that haunts Griselda's story. The most striking variance between them is that the girl from Smyrna is sold into involuntary servitude by her father, whereas Griselda has a choice and agrees to voluntary and total obedience. Passing into European culture, the story came to Boccaccio. In reworking it for the Decameron he reclothed it in local garb, fashioning his novella partly in terms of Italian wedding and dowry customs that were sharply weighted against brides and wives. Boccaccio thought Griselda's story significant enough to give it pride of place as the last tale on the book's final day of storytelling. 

Petrarch read the novella and converted it to an exemplum in Latin for male scholars. Griselda entered English culture through Chaucer's "Clerk's Tale," which is largely based on Petrarch's version. Plays, ballads, and pamphlets on Griselda issued forth on the continent and in England throughout the early modern period, with a cluster of publications and performances in the mid- to late sixteenth century. Arguably the most radical change between versions occurred when Petrarch reworked Boccaccio. The Decameron's final tale is told by the satirist Dioneo, a crucial choice by Boccaccio. Refusing to let the happy ending stay happy, Dioneo spells out the political import of the story and caps it off with a horn joke against the marquis: 

Everyone was very happy with the way everything had turned out ....Gualtieri was judged to be the wisest of men (although the tests to which he had subjected his wife were regarded as harsh and intolerable), and Griselda the wisest of them all ....What more can be said here, except that godlike spirits do sometimes rain down from heaven into poor homes, just as those more suited to governing pigs than to ruling over men make their appearances in royal palaces? 

Who besides Griselda could have endured the severe and unheard-of trials that Gualtieri imposed upon her and remained with a not only tearless but happy face? It might have served Gualtieri right if he had run into the kind of woman who, once driven out of her home in nothing but a shift, would have allowed another man to shake her fur to the point of getting herself a nice-looking dress out of the affair. 

Scholars often downplay Dioneo's bitter words about pig-tending and his final putdown of Gualtieri, attributing it to his cynicism; but their labors to match the tale's disturbing sadism with an uplifting exemplary meaning are less than persuasive. The passage is much more than a glib throwaway, as Edward Fechter points out: "the climax angrily repudiates theological allegory and exemplum." Certainly, it seems fitting that the last lines of the last tale in the Decameron should recapitulate the Boccaccian theme of cuckoldry as female revenge. Dioneo's parting shot about "the shaking of the fur" is also an invitation to his listeners and the book's readers to come up with better interpretations than do the silly sheeplike courtiers of the tale, who judge "Walter wise and Griselda the wisest of all." 

Furthermore, it is a jest that asks for scornful laughter, especially from listeners who have grutched throughout the tale at Walter's arrogance, egotism, and sadism. Petrarch told Boccaccio that the story so fascinated him that he decided to spread the tale to scholars abroad. So "snatching up my pen, I attacked this story of yours." The angle of Petrarch's attack on the novella (which he termed "a little too free at times") becomes manifest at the cuckoldry-free conclusion of "A Fable of Wifely Obedience and Devotion," in which he erases Boccaccio's satire and his bawdy call for female revenge: 

This story it has seemed good to me to weave anew, in another tongue, not so much that it might stir the matrons of our times to imitate the patience of this wife-who seems to me scarcely imitable-as that it might stir all those who read it to imitate the woman's steadfastness, at least; so that they may have the resolution to perform for God what this woman performed for her husband ...Therefore I would assuredly enter on the list of steadfast men the name of anyone who endured for his God, without a murmur, what this obscure peasant woman endured for her mortal husband.

Petrarch's straight-faced version has none of Dioneo's political satire or irony. He is writing in Latin to male scholars, not in vernacular Italian to women and men, as Boccaccio had done. Nonetheless, it is Petrarch that Chaucer credits by name in the vernacular, mixed-audience "Clerk's Tale," although he departs from Petrarch in crucial ways. The Clerk does follow his source in insisting that his moral applies not to wives but to all humankind: This storie is seyd, nat for that wyves sholde Folwen Grisilde as in humilytee, For it were inportable, though they wolde; But for every wight, in his degree, Should be constant in adversitee As was Grisilde .... (I 142-47)

Chaucer actually intensifies Petrarch's warning that wives should not try to imitate Griselda, calling her example "inportable," or unbearable. (The Merchant, whose turn comes next, blatantly ignores this caveat, complaining "Ther is a long and large difference I Bitwix Grisildis grete pacience I And my wyf the passyng crueltee.") Still, scholarly attempts to align Chaucer's Walter with God do not work because Walter is described as "tempting" his wife, a word almost always associated with sin and vice. In another departure from Petrarch, Chaucer's Clerk breaks in several times to condemn the marquis. After Walter first decides to try his wife, the Clerk interjects hotly what neded it Hir for to tempte, and alwey moore and moore, Thogh som men preyse it for a subtill wit? But as for me, I seye that yvele it sit T'assaye a wyf whan that it is no nede, And putten hire in angwysshe and in drede. (45?-62) 

Chaucer's version subtly calls Grisildis's ovine quality into question. The lamb of God is Christ, of course, and Grisildis' meekness when her daughter is taken away resembles his suffering: "Grisildis moot al suffre and al consente, I And as a lambe she sitteth meke and stille" But "moot" she? Within English popular culture, sheep and lambs do sometimes stand for the positive values of resignation and endurance-for example, in emblems on patience. But there is no doubt that sheep generally connote passivity, cowardice, and stupidity. In terms of sheer frequency, the negative secular connotation overwhelms the positive religious one.

 A related complicating effect is the criticism leveled at "the unsad" (that is, fickle and sheeplike) people of the realm, who at first deplore Walter's acts but change their minds when they see the pretty new queen (actually his daughter), leading "sadde folk" to exclaim: "0 stormy people! unsad and evere untrewe!" As the Clerk finishes his tale, he shows that he is fully aware that not all his listeners will appreciate Griselda's virtues. With teasing wit he acknowledges the Wife of Bath, who has been called the tale's motivating force and dialogic counterpart. Just before the comic envoy he promises "for the Wyves love of Bathe" to gladden her "and al hire secte" with a song urging them to ignore Grisildis and revel in shrewdam (rr69-74). 

By shifting the Clerk's role from that of the preacher of a pious exemplum to a merry jester-singer, Chaucer undercuts his clerkly authority and blurs the moral legibility of his tale, already obscured by Griselda's lack of moral agency and her husband's viciousness. Nonetheless, Griselda quickly proved alluring to husbands, and she retained that allure despite proving highly problematic as a pattern for wives. Like the new husband in the jest about the pottage, men who wanted very much to promote Griselda as a model found her too hot to handle. 

In the training manual he prepared for his young wife in the 1390s, the Menagier de Paris offers a confused and troubled account of why he wants her to learn about Griselda. He rushes to assure his wife that he'll never torment her "beyond reason" as the "foolish, arrogant" Walter does Griselda, nor does he expect such obedience: I have set down this story here only in order to instruct you, not to apply it directly to you, and not because I wish such obedience from you. I am in no way worthy of it. I am not a marquis, nor have I taken in you a shepherdess as my wife. Nor am I so foolish, arrogant, or immature in judgment as not to know that I may not properly assault or assay you thus, nor in any such fashion. 

God keep me from testing you in this way or any other, under color of lies or dissimulations …I apologize if this story deals with too great cruelty-cruelty, in my view, beyond reason. Do not credit it as having really happened; but the story has it so, and I ought not to change it nor invent another, since someone wiser than I composed it and set it down. Because other people have seen it, I want you to see it too, so that you may be able to talk about everything just as they do.

What he really wants, it seems, is for his wife to be au courant. Griselda had "much currency off the page as a talking point in the late fourteenth century" and was "a subject about which wives might be expected to have an opinion." Codified as a way to get women talking (instead of shutting them up), the narrative about testing is itself a means of testing a woman's opinions and conduct. Is Griselda sick or stoic? Enslaved or free? Is hers a saint's tale, with Walter an abstract tool in the central mystery of her endurance, or is it as much a story about Walter and his court? Is he a cruel tyrant or a stern but loving husband with every right to test his wife? Is Walter God and Griselda a female Christ or Abraham or Job? All these positions have been argued during the six centuries of the debate.

Some recent readers still find Griselda admirable and even question whether she should be regarded as a passive victim. Harriet Hawkins has argued that Chaucer's tale should be read as a criticism of unquestioning obedience to authority, even divine authority, while Lars Engle hears "an implicit voice of sane moral protest" in Grisildis's mild objections to her husband. Such strained attempts at recuperation show that Griselda disturbs more than she edifies, raising but failing to answer questions about the limits of obedience in the face of tyranny and the conflict between Christian duty and wifely subjection.”

- Pamela Allen Brown, “Griselda the Fool.” in Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England

#pamela allen brown #renaissance #history #medieval #late middle ages #better a shrew than a sheep

[sakurasakiyama]

Five

Hi anon! I do apologise for the late reply, IRL has been a bit busy for me >.

Since you have only written “Five” in your ask, I’m not sure what it may be that you want to know about it? *confused face* 

So, because of this, I will put down everything that you may want to know about the Drama “FIVE”! Including official social media, the cast, a summary of the dramas story and character profiles (both translated and provided by my subbing partner Jocelyn (@rz-jocelyn)), the official chart explaining the relationships between the characters, where to buy the DVD/Blu-Ray & CD(& DVD) that’s available; as well as the subs my partner and I are re-updating and working on, in the hopes to answer the question(s) you may have about this wonderful drama :D

Photo Source: HERE

OFFICIAL SOCIAL MEDIA & WEB PAGE:

Official Web Page

Official Twitter

DRAMA “FIVE” RELATIONSHIP CHART:

The chart is interactive so you can have a look at the actors basic profiles and also look at some of the details they have about the characters. You can find it: HERE

CAST, CHARACTER PROFILES & STORY SUMMARY:

Main Cast & Character Profiles:

Sato Ryuji as Shimizu Toshi (Twitter | Agency/FC Profile)

Kuroba Mario as Tairaku Jun (Twitter | Agency Profile)

Matsuoka Koudai as Iwabuchi Takui (Twitter | Agency Profile)

Nishii Yukito as Arisawa Nao (Twitter | Agency Profile)

Negishi Takuya as Yauchi Kojirou (Twitter)

Asakawa Nana (SUPER☆GiRLS) as Asou Hina (Twitter | Agency Profile)

Totani Kimito as Yamachika Tooru (Twitter | Agency Profile)

Okamoto Anri as Nakagome Etsu (Instagram | Agency Profile)

Mizuta Kouki as Nakagome Mitsu (Twitter | Agency Profile)

Kayano as Komoro Kana (Twitter | Agency Profile)

Kizuki Hajime as Gundam (Twitter | Agency Profile)

Sato Masahiro as Afro (Twitter | Agency Profile)

My subbing partner Jocelyn has posted and translated the character profiles for MENS5 and Asou Hina, who are the main cast of “FIVE”. You can find that post: HERE

Story Summary:

Asou Hina (Asakawa Nana) has been transferring schools all her life, but finally, she seems to have found a place to belong in the Special A class at Shuuei Academy. Until she shows up on her first day and finds out that she’s the only girl in the entire class. On top of that, the playboy student that she chanced upon on her first day of school turns out to be, Shimizu Toshi (Sato Ryuji), the top student of their year who is also in the same class. Catching his attention, she slaps him when he tries to pick her up, which impresses Toshi’s friends, the MENS5, especially Iwabuchi Takui (Matsuoka Koudai).

A high school drama based on the shoujo manga “FIVE” by Furukawa Shiori, it combines action and romance, and tells the story of Asou Hina’s adventures as she gets to know the MENS5 and the world of Shuuei Academy better. Despite being a romance-based drama, one of the drama’s major charm points is the focus it gives to the friendship amongst the MENS5 and the friendship between them and Hina, which is as delightful to watch as the romantic development between Hina, Toshi and Takui.

Summary Source (credited to my subbing partner Jocelyn (@rz-jocelyn​), for the translation of the summary): HERE

DVD/BLU-RAY & CD(& DVD) INFORMATION:

Photo Source: HERE

My partner @rz-jocelyn has previously posted the DVD/Blu-Ray and CD(& DVD) information about the Drama and it’s contents, as well as bonuses. I will link them here for you to take a look at:

DVD/Blu-Ray & CD Release Announcement

Animate Bonuses for DVD/Blu-Ray & CD

DVD/Blu-Ray & CD Covers (and Official Site CD Bonus)

However, since the official source link is no longer working, I will link all of the sites that have the two different editions (Limited and Regular) of the DVD, Blu-Ray and CD, and which links may require a proxy for you to purchase it for you. There will be some sites that no longer have one or any of them available, so I will leave those out. In addition, some of the bonuses may no longer be available, so please be mindful of that. 

⋙ DVD/Blu-Ray Limited Edition

May/Will Need Proxy:

Pony Canyon (Official Site) - Blu-Ray

Rakuten Books - DVD / Blu-Ray

HMV Japan - Blu-Ray

7 Net Online Shop - Blu-Ray

TOWER RECORDS - Blu-Ray

Animate - Blu-Ray

Won’t Need a Proxy:

Amazon Japan - Blu-Ray

CDJapan - Blu-Ray

⋙ DVD/Blu-Ray Regular Edition

May/Will Need Proxy:

Pony Canyon (Official Site) - Blu-Ray

Rakuten Books - DVD / Blu-Ray

HMV Japan - DVD / Blu-Ray

7 Net Online Shop - Blu-Ray

TOWER RECORDS - Blu-Ray

Animate - DVD / Blu-Ray

Won’t Need a Proxy:

Amazon Japan - Blu-Ray

CDJapan - Blu-Ray

⋙ CD Limited Edition

May/Will Need Proxy:

Pony Canyon (Official Site)

Rakuten Books

HMV Japan

7 Net Online Shop

TOWER RECORDS

Animate

Won’t Need a Proxy:

Amazon Japan

CDJapan

⋙ CD Regular Edition

May/Will Need Proxy:

Pony Canyon (Official Site)

Rakuten Books

HMV Japan

7 Net Online Shop

TOWER RECORDS

Animate

Won’t Need a Proxy:

Amazon Japan

CDJapan

SUBTILES:

My partner Jocelyn and I have completed the English subtitles of this drama back in late 2017 to early 2018. We completed the public broadcast version, which is different from the FujiTV On Demand (FOD) version, which was the uncut version. We have had other languages also re-translate the drama into their official language.

The Public Broadcast RAW files we used are in this post (that you can download): HERE

The Public Broadcast softsubs are private, but you can find information about how to get them in my FIVE Masterpost, along with the Public Broadcast Hardsubs that you can download: HERE

Recently, we have also been re-updating these public broadcast versions, so only two of the older versions we did in the beginning are left (Ep07 & 08). But they shall be updated soon. We have also been making softsub subtitles for the DVD/Blu-Ray, which has the uncut scenes from the FOD version. We will not be sharing the DVD/Blu-Ray ourselves since we want to encourage others to buy it if possible for the extra scenes (and in my opinion, they’re *totally* worth it xD), which is why we’re only releasing a softsub version.

You can find the softsubs for the DVD/Blu-Ray version in my FIVE Masterpost: HERE

You can also find *very* little previews from some of the uncut scenes on the DVD/Blu-Ray: HERE, HERE & HERE. 

There is also currently no news of a second season, but there was a small hint of a second season in the future at the end of the 8th episode. Also, the ending on the public broadcast version and the DVD version are both completely different, but they both give the same hint! I’ll show you what they look like here. However, since nothing has been announced yet, let’s just pray that a second season happens in the near future! *prays*

Public Broadcast Version Ending:

DVD Version Ending:

Well, I hope this has answered the question(s) you may have had about the Drama “FIVE”! If there’s anything I missed, please let me know xD

#FIVE

[hurlumerlu]

It might not make much sense to write about an episode that aired three or four years ago like it’s fresh new content, but it is fresh new content for me and I want to sort my thoughts out, so :

Home & Neverland vs Coda. Coda wasn’t a bad episode, or a bad season finale. It was in fact pretty great : beautifully filmed, perfectly acted, it placed the emotional stakes very high and while Endeavour’s mysteries are generally quite convoluted, this one was also very solid and its resolution was satisfying. But compared to the other two finale I’ve watched, this one was a bit of a disapointment. It felt, for lack of a better term, too straightforwardly “macho” to me. Like some sort of classic Heroism had seeped in. And it’s not that the characters of Endeavour have never been heroic before, but I feel like the way the show frames it has changed. In Neverland, every single one of those moments of traditional heroism were imediately shot down (no pun intended) by the story. Morse goes to Strange, a friend and a coleague he trusts, and tasks him with rousing the police forces, only to get told that it’s not possible, that Strange has his orders. Morse goes to Jakes, offers him a shot at righteous revenge and Jakes can’t follow him through the door (can’t even leave his chair). Morse arrives at the house, he and Thursday ready themselves for their last stand in a moment that is indeed moving and heroic but intentionaly shattered the minute Morse finishes the last stanza of How clear, how lovely bright : Thursday is shot and Morse immediately loses his melancholy composure. And I could actually go on, which in itself tells you a lot on the kind of story Neverland is. But not all episodes have to be as bleak as Neverland. Home, though very bittersweet (or just plain depressing, depending on the viewer), isn’t. Home and Coda have interesting similarities : Thursday is confronted to an old wound (metaphorical in Home, litteral in Coda), his temper gets shorter and shorter until his family is threatened, at which point he decides to settle the matter himself, at the cost of his own life if needs be. Guns are drawn and Morse has to intervene. But in Home, Thursday got it wrong. He’s threatening the wrong man. It’s very clear that he’s panicking (in his stoic Thursday way) and acting rashly. Morse saves him by solving the case and presenting evidence. And although the entire episode ints very ominously that Some Guns Are Going To Be Fired Before The Credits Rolls, the showdown you expected doesn’t happen and instead Morse gets shot by a character that has no tie to Thursday and didn’t seem all that threatening a few minutes ago. It’s also a very brief scene, not lingered upon anymore than necessary. Coda isn’t as subtle on that regard. It wants its showdown and it has it. Almost every character has a scene where they show that they can be heroic and stalwart and true and while Thursday’s acts of violence cause him some trouble, they ultimately prove necessary to save his daughter. And the violence isn’t necessarily presented as good by the show, it’s a sign that Thursday’s slipping, but at the same time the show revels in it, makes it look badass (although that might just be Roger Allam’s charisma) and seems to expect the audience to stay very firmly on Thursday’s side (except when Morse points out that, you know, police violence is not great). And then, when Morse is trying to stop Thursday from killing one of the robbers, he says “we hold the line”. But who’s we ? The police ? We’ve had two seasons showing us that the police is incredibly corrupt. Or is “we” Thursday and Morse ? But then where’s the line ? Is it just “not killing unarmed men” ? Didn’t Thursday crossed a line already, by punching informants and arming himself illegally ? (with Bright’s blessing. Bright’s !) And it’s not that I can’t appreciate this kind of story, stories with big showdowns and cops “willing to do the dirty work” to catch the bad guys (who are very, very bad). I mean I love The Untouchables ! But part of what drew me to Endeavour was that it specifically did not do that. If anything, it seemed to go out of its way to avoid that. It’s also interesting to contrast Thursday aknoweldging that Morse put himself at risk for him in Home : “I put you on a train/I got off” and the same thing in Coda, where it’s all done with less subtility, Thursday actually thanking Morse and explaining to the viewers who missed it (it wasn’t easy to miss) that Morse drew fire toward him to protect Joan. It just feels like watching a different show. (also I have issues with the way the female characters where used in this episode but they aren’t very coherent and I think I’ve written enough) To wrap this post up : it’s not like I’m going to stop watching the show, but Isuppose I’ll just start expecting less from it.

#writting things down as a form of exorcism : the blog #endeavour #long post #? #kinda

[kisilinramblings]

Translation 

That Strange Conception of Change

Wanting change. But mostly voting for everything to stay the same and even be more monochrome. This is, in my opinion, a strange conception of change. A conception that reveals unsettling paradoxes.

“Quebecers have chosen the hope of a goverment carrying a positive change”, said François Legault last night during his victory speech. But what change are we talking about exactly?

We say, after a canicular summer, that the environment is the most important issue, yet we put to power the Coalition Avenir Québec to whom, whatever their name says, the future of our planet is apparently not a priority.

We applaud the French ex-minister of Ecological and Solidarity Transition Nicolas Hulot like a hero when he resigns with a bang as he is saying the situation is critical and that we need to change the paradigm, yet we see the Red Menace in the rise of Québec Solidaire, the sole party that proposes to question that very same paradigm. 

We complain about about labor shortage in our regions, yet we elect a party that wants to close the door to immigrants who do not ask better than to work.

A political party who says “take less of them, but take better care of them”, yet who curiously did not plan any additionnal budget to francise them and welcome them. What did they actually plan for implement this big change? French and valor tests initially created to back to their country the immigrants that they don’t want anyore. That’s a creative definition for “taking care of”.

We dream of the most beautiful schools, yet we put to power a party who promises to invest less money in the construction and renovation of our schools than their Liberals predecessor all while engaging themselvse to implant kindergarten classes for 4 years old in our already overcrowded and decaying schools. Find the mistake...

Coherent, all of this? Pas tellement.

***

I would have hoped that those elections proved that, in Quebec, you could not win the elections on the back of minorities. As François Legault started as the great winner in the poll at the beginning of the campaign, those very same polls told us that he was losing points as he was multiplying blunders about immigration.

We don’t expect a party leader to be a Génies en herbe champion or that they knows everything on every subject. But we can reasonably expect that they at least master the main issue that they put inside their program and that is the heart of it. However, in terms of immigration, Mr. Legault miserably fails his own test, giving the impression he improvised his promises without thinking, only to bait the voters.

We thought his blunders were able to cost him his majority. That not-so-subtil attempt of exploiting the fear of immigration, those valor tests, those expulsion threats and that incapacity of basing his propositions on facts. 

But what those elections tend to show us, if we were still doubting it, is that we cannot trust polls. And that using fear to manipulate the public opinion, despite the facts, too often, unfortunetaly, works. 

Last June, an opinion survey published by the Centre Inveruniversitaire de Recherche en Analyse des Organisations (CIRANO) pointed out that Quebecers fear more immigration than pollution, half of them were associating the arrival of immigrants as a “big” or even “very big” threat. Knowing there is a scientific consensus about the climate change threat whereas the immigration threat relies on the populist consencus, we could have hoped the facts would have won over perceptions. But we are unfortunately not there yet.

Of course, to his credits, the caquiste leader ended up apologizing for some of his mistakes in term of immigration. But the excuses pass and the dommages remain. Taking up an issue this complex in an irresponsable manner, constantly talking about the immigrant as a threat or a problem, despise the facts, is not without any consequences.

In his speech last night, Mr. Legault spoke about “the spirit of union” with which he intends to govern for “all Quebecers”. He now has to prove there is no two classes of citizens and the “positive” change will truly be for each and everyone. 

#quebec #quebec elections 2018 #qc2018

[togusa-havelock-blog]

Branded To Kill

Hey ! What would happen if your studio alienate you and say that your work his shitty and incomprehensible ? that the story of seijun Suzuky who say fuck you a first time with Youth Of The Beast, A seconde time with Tokyo drifter. But before giving a third chance to Suzuki, nikkatsu (his studio) limit him by forcing him to do a black and white film. But I don’t know If you know Suzuki, but the marority of his style reside in the intelligent use of color. So forcing this director to do a film in Black and white, his really fucked up.

At the beggining I was a little septic because i know well suzuki by his used of color, and i was a little dissapointed to know that this would not be a color movie. But you know if you retire color to suzuky’s directing trick, he will come up (as alway) with complex framing, miticulous lightning, intelligent use of black and white and with a surrealisme approch.

So, this is not a battle win by Nikkatsu, because Suzuky Arrive like “Oh my film are incomprehensible ? Ok I’ll do my most surrealist film”, “Oh ! My films are violant, ok i will do a lot of violance and with sex ad in bonus” You see Suzuky at his best trying to say fuck you.

The first half his more classic suzuki’s approach, with classic yakusa script by nikkatsu, with a lot more comedi, and absurdity than his other film (bullet stop by belt, killing shot through piping, an escape on top of a air ballon (seriously ?)) that I must Admit I don’t like to must, I like the humour of suzuki, but when it’s moderate or subtile, like in youth of the beast or tokyo drifter, but here. Not for me.

But the second Half... Oh My God ! you have the femme fatal played by Annu Mari, and it’s whoa ! very metaphoric and surrealist, with all this death and butterfly passion shit. that made a really paticular relation between misako (Annu Mari) and the protagonist, a strange and complexe relation that I’ve rarely experience, and must be seen more.

Love that the protagonist his “doomed” to kill in the second half, and that it kill him from the inside. It remind me guts from Berserk that is doomed to kill demon from the rest of his life, and consume all his energy. The Bad guys from the second part, his opressive as FUCK he is a really good and original bad guy, even if the idea his simple, the cinematography and tension are controlled at the perfection. The film will keeping you on your breath till the final credit.

An unexpeted ending, that is well tought and give the final release of the protagonist felling more impactfull. I don’t know if you have understanding yet, but it’s my favorite film of Suzuky !

If you wanted to watch the best of yakusa ambiance (in Suzuki’s filmography) whatch Youth Of The Beast. If you want to watch the best of coloring, watch tokyo drifter, and if you whant to watch the best of the best...

watch Branded To Kill

#branded to kill #seijun suzuki

[watchilove]

Chopard took Baselworld 2019 by storm with its first flying tourbillon calibre – the Chopard L.U.C Flying T Twin. The sophistication and the elegance of the Flying T are doubled by the ethically certified “Fairmined” materials. The brand assured the finesse with the “Poinçon de Genève” quality hallmark. A concise review. Or not!

Chopard L.U.C Flying T Twin denotes elegance

Review Chopard L.U.C Flying T Twin

The L.U.C Flying T Twin was presented during Baselworld 2019. A discussion about Chopard decision to launch now this piece is senseless.  A second thought about reasons bring in mind words like maturity and calculated steps – characteristics of a gentleman.

Manners maketh man

One of the most important attributes of the 40mm case is the 18-carat ethically certified “Fairmined” rose gold. Nowadays, one must be responsible for his action. Fairmining means the liability of the company, the importance and the engagement to keep the environment safe, the care for the people. A gentleman will never seek the fortune detrimentally to other human beings and to nature.

The case has a thickness of 7.20mm – delicate and versatile

The incontestable elegance also comes from the watch’s dressing. The bodyside received a vertical brushing. As for perseverance, the decoration spread until the end of the lugs and inter-lugs.  The slender lugs have the rest of the surface polished. Just like the front and the back of the watch.

The case lines are shaped to embrace the wrist in a subtle way.

The watch was designed as a versatile piece. Its subtility can make the piece look suitable for a generous array of wrist sizes, without the feel of forced marriage. The lugs are angled in a manner that will gentle embrace a smaller wrist. The same design will make the Flying T Twin look appropriate on a large wrist.

Nothing too much, nothing too less – a balanced construction with good proportion.

The crown is slightly pushed back, to the wrist (not at the mid-point of the case’s body, see the image above). The five millimetres gold crown comes with an adequate decoration – the L.U.C logo embossed on a polished background.

The polished inclined bezel makes just the passing from the case body to the spectacle of the dial.

The simplicity of the case highlights the complex decoration of the dial

I don’t take coffee, I take tea, my dear

After the relative simplicity of the exterior package, the Chopard L.U.C Flying T Twin dial is a complicated play. The show brings into attention several acts: a flying tourbillon, a complex patterned dial background and a well delimited time register. It does have a note of originality and uniqueness.

The top of the dial is governed by the Arabic hour index

The hour indexes are gold gilded with 18k rose gold, matching the case. The indexes are applied on a snailed chapter ring with concentric circles. The minutes use a printed railway track. Each the fifth minutes received an extra detail – the index’s shape has the same footprint as the hours’ markers. God is in the details (and not the underground bastard, as in the expression often used…).

The hands inherited the elegant sophistication of the dial

The hands received the same attention as the rest of the components. The gilded hands are manufactured as Dauphine fusée-type, adding an architectural keynote to the dial.

The complex guilloché keeps the entire surface of the dial on a complex composure

The central stage is filled with a hand-guilloché honeycomb motif. The pattern is elaborate. A careful look will reveal imperfections and the beauty of the imperfections generated by the handwork.

The flying tourbillon

The star of the show is the six o’clock flying tourbillon. The piece doubles as a small seconds indication. The stunt is repeated with each passing minute. Each of the 60 seconds revolutions divulges the handwork of the master watchmaker. The file’s confessions can be read on the tourbillon carriage. You need to be a fine observer and a good listener. Because the details are there. I invite you to have a look in the gallery at the rest of the pictures and observe the marks of manual labour.

The back side of the watch will expose the extravagance of the Chopard finishes and movement construction

A gentleman will walk but never run

Chopard L.U.C Flying T Twin is powered by a piece of remarkable machinery – the calibre L.U.C 96.24-L. Presented as the first flying tourbillon for the Maison, the movement carries further, with distinction, the good name of Chopard.

L.U.C 96.24-L visible through the caseback

The movement is exceptional finished.  It has received the ‘Poinçon de Genève’ quality hallmark. The Geneva stripes are astounding. The bridges received a lovely polished chamfering, as well, polished jewels’ and screws’ sink.  The perlage is delightful: severe attention will notice the fact that the watchmakers rushed the final stage of the perlage. Not unpleasant. It is just a decision of decoration style, to give more body for the final pass.

The 22k gold micro-rotor

The movement is based on the magical L.U.C Caliber 96. The evolution kept the thickness of  3.30mm. The “Twin” nomenclature comes from the Chopard’s patented Twin Technology: two stacked barrels, offering a staggering 65-hours of power reserve. The balance-spring with flat terminal curve beats with 28,800 vibrations per hour (4 Hz).

On the wrist with Chopard L.U.C Flying T Twin

Modesty, propriety can lead to notoriety

Chopard L.U.C Flying T Twin is himself a gentleman. Don’t get fooled by the apparent simplicity. A first frugal look will show a gold watch with tourbillon. Careful consideration will show a smartly designed case with nice decorations. The dial displays a complex spectacle of patterns and shapes. Plus a novelty for the brand, in the person of the flying tourbillon. The backside presents another story. The Chopard’s marvellous decorations highlight the next step in the brand’s movements’ evolution – the flying tourbillon.

The mannered Flying T Twin is dedicated to a connoisseur of Fine Watchmaking.  It was a genuine pleasure to meet it in the flesh.

Don’t forget about the article gallery at the end of the article.

Chopard L.U.C Flying T Twin Specification and Price

Case:

18-karat rose gold

Total diameter: 40 mm

Thickness: 7.20 mm

Water resistance: 30 metres

18-carat rose gold crown with L.U.C logo: 5.00 mm

Vertical satin-brushed case middle and inter-horn spaces

Polished bezel and back

Glareproofed sapphire crystal

Exhibition back fitted with a transparent sapphire crystal pane

Movement:

Mechanical self-winding L.U.C 96.24-L

Number of components: 190

Total diameter: 27.40 mm

Thickness: 3.30 mm

Number of jewels: 25

Frequency: 28,800 vph (4 Hz)

Power reserve: 65 hours

Flying tourbillon performing one rotation per minute

Two barrels – Chopard Twin Technology

Winding via an engraved 22-carat gold micro-rotor

Bridges adorned with Côtes de Genève pattern

Balance-spring with flat terminal curve

Chronometer-certified (COSC)

‘Poinçon de Genève’ quality hallmark

Dial and hands:

Solid gold dial with grey ruthenium surface achieved by galvanic treatment

Snailed chapter ring with concentric circles

Railway-type minutes track

Applied hour-markers and tourbillon ring gilded with 18-karat rose gold

Central medallion with a hand-guilloché honeycomb motif

Gilded Dauphine fusée-type hours and minutes hands

White triangle-shaped small seconds hand affixed to the flying tourbillon carriage

Functions and displays:

Central display of the hours and minutes

Small seconds appearing at 6 o’clock on the flying tourbillon carriage

Strap and buckle:

Hand-sewn plant-dyed matt black alligator leather strap with cognac-coloured alligator leather lining

18-carat rose gold pin buckle

Ref. 161978-5001- in 18-carat ethically certified “Fairmined” rose gold, 50-piece limited edition: €109,000 / $118,500

Chopard L.U.C Flying T Twin

The simplicity of the case highlights the complex decoration of the dial

The back side of the watch will expose the extravagance of the Chopard finishes and movement construction

Chopard L.U.C Flying T Twin denotes elegance

The pin buckle

The case lines are shaped to embrace the wrist in a subtle way.

The case has a thickness of 7.20mm – delicate and versatile

Nothing too much, nothing too less – a balanced construction with good proportion.

Chopard L.U.C Flying T Twin

Top side of the dial

The top of the dial is governed by the Arabic hour index

The hands inherited the elegant sophistication of the dial

The flying tourbillon

The flying tourbillon

The flying tourbillon

The flying tourbillon

The flying tourbillon

The complex guilloche keeps the entire surface of the dial on a complex composure

L.U.C 96.24-L visible through the caseback

L.U.C 96.24-L visible through the caseback

L.U.C 96.24-L visible through the caseback

Detail of the movement’s finishes

The 22k gold micro rotor

Detail of the back side of the tourbillon

Another perspective of the L.U.C 96.24-L

L.U.C 96.24-L -front side

L.U.C 96.24-L – back side

On the wrist with Chopard L.U.C Flying T Twin

The official Chopard Gallery with the Making Of

The steps in the creation of the Chopard L.U.C Flying T Twin. Images credit to Chopard.

Chopard L.U.C Flying T Twin in Review – a Gentleman between Gentlemen Chopard took Baselworld 2019 by storm with its first flying tourbillon calibre - the Chopard L.U.C Flying T Twin.

#baselworld 2019 #Chopard #Chopard L.U.C #Chopard L.U.C Flying T Twin #Flying T Twin #L.U.C #L.U.C Flying T Twin #Review #tourbillon

[forrestleifwoods]

Jessica Malone with Giorgi Khokhobashvili

Cante Ao Vinho 5250 Front Street, Rocklin, Cal. 95677 Friday, May 18, 2018

With a smile, bangs hanging attractively over her eyes, and guitar in hand, Jessica, and accompanist Giorgi (violin) -- both happily playing acoustic -- ease into the gentle lilt of "Gold Flowers of the West", rock wall appropriate to this quarry town as fitting backdrop, a mystery of the wine bar’s interior configurations balancing the acoustics to fine effect. The song, casually fading in the middle over rhythm guitar, is a brand new one inspired by how much Jessica misses California when she’s away; a line from which, 'My voice was meant for singing', accurately sets the tone for the performance. It is; she was.

Another new one, “Lonesome in Montana”, written for her mom, shows her strong vocal midrange. The evening's drink of choice, ‘Vinho Doce Dessert Wine’, a white port at a reasonable $8, is confidently well-fettled, itself, and so good, I couldn't put it down, even made it seem there was an extra verse to the song. Giorgi whips off a short solo, sharp and melodically mindful, and just at the upper bound of ideally loud. The people at the soundboard have everything dialed.

Dreamily languorous arpeggios alternating with complementary single notes open their third number, an exceptional piece of wistful melancholia that Jessica’s recorded twice, in two effectively differentiable mixes. The song proceeds, as many of hers do, like a laid back summer day out in the country; and later, during the bridge, Giorgi fills the role a drummer handles in some of their live shows: with his right hand he taps his bow on the violin's body, and with his left, gives the upper neck a four-fingered tap, all in a timed-tandem. I'd always heard it was a versatile instrument. She tilts her guitar, calling thus to the muses of the backcountry highways, and follows through with a decisive chord, bringing in Giorgi's violin solo of poetically aerial tones harvested from the Steinhardt strata; and he finishes off “A Fine Line” with a tranquil downbow.

Strong guitar chords begin the uptempo of the next number, as the violin seconds her into a song closely akin to The Beatles' "I've Just Seen A Face"; and if so, it's worth noting that McCartney, the songwriter, felt it rather country-western, making its rendition, here, that much closer to a match; fitting, too the performer's repertoire of well-disposed songs, romantic introspections of life that have all the relevance that bands posturing with dated credos never do.

Imperative chords, building to further solidity, soon adds the violin into another new song. There’s a total assuredness, and certainty, in her playing; and this she accentuates expressively, joyously; while Giorgi, in one of many stringed idioms, slots in an early, short solo. “Summer Weather” is my favorite of the set so far, a minor-keyed folk blaster with a muted violin wah wah solo; and if your eyes wander to the floor, as eyes that are well-wined might, you'll see a bank of at least six pedals in front of said musician -- or more; there were a lot. A weaving violin solo over downplayed guitar ends the number.

Next up is “Angel of Montgomery”, a Prine classic burnished to lustrousness. I can forgive the annoyance of an occasional cover when it’s a track heard so infrequently; and more, that the performer plays it deftly into their performance, as she does, here; and to even better effect, being from the viewpoint, a woman's, for which it was written. Meanwhile, Giorgi takes a polite background to Jessica’s voice, the latter of whom fittingly hits the guttural on key words, as “cowboy”. A fiddly violin solo appears late in as three more people arrive, give attentive ear; and no one leaves.

Picking up a ukulele for the next song, and, striking some crisp strings, Jessica leaves just enough room for the violin to easily glide into “Wake Up With The Sun”, the track that opens her second CD release. Her expressiveness adds to her art, wraps the audient in the song’s presence; the duo now playing to a reasonably full house, all but one table occupied. Facing Giorgi during an extended violin solo, she's on it with her ukelele, matches him; and calls it, another in a succession of songs well-pedigreed from the hinterland of country-folk.

Before their eighth, Jessica relates her earlier life in northern Cal, with her dad as roadie, a good tale. High-treble uke chords, sharp, even staccato, open “Best Love”, a slow and methodic piece, working into a passage of lone ukulele, the violin subtilized into a faraway background until we hit the anthemic chorus, the centerpiece of whose yarn she spins out as, “I'm blazing trails with my baby, Some people might think we're crazy”. When the lyric calls for it, her voice is once again throaty, and she employs it to optimal effect. A violin solo rounds it out, the whole song characterized by well-spaced four-stringed chords, sharp and in full-color contrast, wrapping up their first set. If I had a quibble from the show, and it’d be the only one, it’s that the chorus is a tad repetitive, could perhaps use an added couplet of rhymes to spur the intrigue; but it could also well be said that the song’s very particularity of character compensates.

A break followed; and as I resistantly fixed to make my unwished-for departure, it appeared that, of the audience, at least half were staying for the second part of the performance. To this she warmed up with what, I think I may safely say, is in typical Jessica fashion, galloping confidently into the piece, minor key in hand, opening the door to a winning progression of scales on this second set opener, singing, "...this love's on fire...", as Giorgi returns to take his place on stage for an obliquely darksome tune of a positively rocked Americana.

A gentle hum remained with me for hours afterward: the wafture from that stemmed glass; the rapture of Jessica’s songs. Looking at the numbers on her event page for the night, either everyone showed up, or found replacements to save face, a rarity for most performances where 'interested' somehow equates to 'going'. Call it a higher quality following: All but one person in the venue were wrapt or otherwise attentive during the show. Looking for more, to follow up on my post-concert exposure, from her web repertory she offers at least one tune I’d denote pure country (which I credit with the twang of steel I'd misremembered, as I found when returning to the song several days later), and easily a few that favor the folk idiom; but in the main, the body of her work strikes me as roping in both of these, the live experience then amplifying them into a rock-and-rolled lark, easily defining a genre -- if only a few thousand know it so far. Jessica’s spirited command of her instruments, including – especially – her measured voice, bright, and articulately projected, sees her casually flinging her songs out, so that you receive, with smiles, the joie de vivre her words imply. The old west mule-paced lilt of select phrasing on the ukulele pulls you right into her world of a happy past; and this she passes on to those present. She’s published two studio CDs (see JessicaMaloneMusic.com) all of whose tunes you can spot, in addition to some others on Soundcloud and Youtube. Even the high art-folk of Joni’s strings -- guitar and piano -- were never this emphatically unambiguous; and her recordings not only set the standard, but the bar, for well-defined notation from ‘68-75, over and above the (adjectivally speaking) less accentuate Judy, Judee, Judith, Julie, Jackie, Janis, Joan, and... -- oh wait, Jolene was a song -- these by way of epochal instance. I tend to think that if Jessica's catalog took a trip on the wayback machine, it'd find itself as a reasonably apt companion piece to Cheryl Dilcher's Special Songs  (1970).

Jessica's estimable recorded body of music reflects much of what I’ve cited here; but it's the live experience (I'll say it again) that is, conspicuously, that much more riveting, the contrasts, shadings, and dynamism of every chord paired with and against every individual note; and more remarkably, if possible, the smooth quality and control of her softly resonant voice, mistily opaque, expressing a wider dynamic range, far beyond the scope of what others of her stamp, plying her genre (or any other) are generally capable of; that said with no exaggeration. Timbrally, the twanged accent requisite of country singers is absent, barring a lone syllable or two. Unexpectedly, an occasional bluesy edge to her voice erupts, often melding into a dash of the sultry; then held, just, in check. It’s the way she flings it out. From edged kinetics with swing, to the pastorale, and no pretensions, she lets her hair down and keeps it there; artful songs of the heart seen through a window on the West, old and new, of languid evenings under the empyrean when the heart pines for the wide open spaces and skies; music of the open roads; and dusty, footloose, and freeborn, she alloys the not-inconsonant remembrance of faraway melancholy and secret triumph within her sound, which, at the end of the day is ever-optimistic, the cheer of a pot of gold at the end of each painted number. The heart, solitary and otherwise, always overcomes.

Songs of patient longings, straddling the wistful and the pensive, her voice ranges wide; and, into the warp and weft of her material, there’s even a piece of medieval literary history that fits, satin glovelike, into the theme of her work. Singing, too, of leisure days in the country and hearts fraught, but sanguine, these cancoes, bountifully personalized, lay out a banquet of character, markedly distinct from the lazy, lo-fi, one-chord, atonal folkie strum carried, when at all, by dragging, off-key monotone vocals mouthing naive lyrics; whose old-hat minimalisms are fobbed off by gushing fans, as the new, fashionably underground, thing; the amateur decompositional substance of whose fluff is, to a varying extent, fulfilled by the latter-day likes of Berryhill and Difranco; by early Kahn and Jewel; and into whose puddle, to Jessica’s credit, she seems in no immediate hurry to step. ~ And I’ll be the one to break it: only a mass pharmacopic delusion gives the Fateful Meds any remote semblance, beyond that of a glorified jugband, of actual musicianship, there being a point where lack of sophistication crosses the line from 'homespun charm' to 'unburdened by talent'. In marked, and classy, distinction, what we’ve got here is the blithesome antithesis: Jessica keeps the ‘art’ in artist.

______________ The venue, a partner of the Placer Wine Trail, is pronounced 'Cahntay Ah Veenyo', and translates to 'sing to the wine'; though there's no question but that the wine was singing to me. The helpful service from the lady behind the counter was exceptional; and I cannot more highly recommend the rich nectar of their Vinho Doce Dessert Wine. While hoping for the return of their riesling, and Sweet Dreams Dessert Wine, their red berry sangria, beckons, as does the apple caramel (which, sneakily, looks like a white wine). Cante Ao Vinho is located, picturesquely, across from both an historic chapel (of 1883 vintage), and a small grapevine-enwreathed orchard. adding to the local color, all on a side street just off Rocklin Road, and far enough from the thoroughfare to lend a sufficient sense of a quiet country air within the city, providing you with peaceful potations, ao ar livre, on their front porch. Their tasting hours are Friday-Sunday 11-5; the wine bar's open Wednesday and Thursday 4-8, Friday and Saturday 5-9; with live music on many, if not most, Friday and Saturday evenings, 7-9: Do check their calendar: CanteAoVinho.com/events/, as Jessica Malone is scheduled to make another stopover, soon.

-Forrest Woods

Source: Smaug Thought

#Violin #Ukulele #Ukelele #The Waiting Hours #Sacramento Live Music #Rocklin #Music #Miles Left to Walk #JessicaMaloneMusic #Jessica Malone #Giorgi Khokhobashvili #Folk #Entertainment #Country Folk #Cante Ao Vinho #Americana #Acoustic Guitar #Posted by The Stygian Heresy in Concert Reviews

[aioinstagram]

Brynjar Meling Brynjar Meling på spontan fylletur med Stian Blipp – endte opp med tatovering … is Trending on Friday March 2 2018 https://www.aioinstagram.com/brynjar-meling-brynjar-meling-pa-spontan-fylletur-med-stian-blipp-endte-opp-med-tatovering-is-trending-on-friday-march-2-2018/

TV 2 says: Brynjar Meling på spontan fylletur med Stian Blipp – endte opp med tatovering … Dagbladet.no says: Brynjar Melings fuktige kveld endte i tatoveringssjappe: – Eskalerte forbi manus

Top 2 articles about Brynjar Meling:

Selv om Meling fikk en seier på bowlingen, gikk han på et knusende nederlag i biljard, og han ble dermed «vinneren» av en splitter ny tatovering. Valget falt på et sitat fra boksetreneren John Klemetsen: «Ikkje kjenn itte». – Det var ordene han sa til I kveldens episoden får tv-seerne overvære besøket av den prominente forsvarsadvokaten Brynjar Meling (50). Nok en gang får vi se en høyst uvanlig intervjuform, denne gangen gjennom en fuktig kveld på byen som ender på en tatoveringssjappe. ENDTE I

Trending Images of Brynjar Meling on Instagram:

This Brynjar Meling’s photo Trending 1 on Instagram, Photo credit to Instagram

Description: #kverulantkatedralen #kåkå #årets #kverulant #kvinnegruppaottar #grilling #brynjarmeling #annekroken #generalforsamling #nicemusic

This Brynjar Meling’s photo Trending 2 on Instagram, Photo credit to Instagram

Description: Det kan bli riktig morsomt i trønderbataljonen fremover! #trønderbataljonen #mullakrekar #kyrksæterøra #brynjarmeling #æetrønderæ #adressa #btno #p3morgen #nrktrøndelag #adressa #verdensrikesteland #nrkdebatt #nrkp3nyheter

This Brynjar Meling’s photo Trending 3 on Instagram, Photo credit to Instagram

Description: Dagens

#brynjarmeling #bt

This Brynjar Meling’s photo Trending 4 on Instagram, Photo credit to Instagram

Description: #brynjarmeling

This Brynjar Meling’s photo Trending 5 on Instagram, Photo credit to Instagram

Description: “A lawyer with his briefcase can steal more than a hundred men with guns…” #brynjarmeling #lawyer #law #norge #norway #art #kunst #instaart #instagram #kjendis #mullahkrekar

This Brynjar Meling’s photo Trending 6 on Instagram, Photo credit to Instagram

Description: #nrk med subtil humor i #krekar-saken. #knis #ulf #trykkleif #brynjarmeling @larsvist

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Description: Thursday at the KK gig. Wonderful evening

#reidarlarsen #brynjarmeling #kverulantkatedralen

This Brynjar Meling’s photo Trending 8 on Instagram, Photo credit to Instagram

Description: Thank you all for a great 2017

#torgeirnes #øyvindgrong #garyhusband1 #jodylinscott #astridkloster #christianhovda #johannesworsøeberg #fredrikhana #andershana #toveshana #reidarlarsen #brynjarmeling #gunnarengen #froderønli #erikrønli #victorhusebø #touscene #arneskage #maijazzfestival #perhasse #rolfnorås #stavangerkommune #guttormandreasen #wernercee #charliechandler #kenarvejonassen #arnehovda #einarespeland #nrkrogaland #kulturkompaniet

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Description:

#woodlandfestivalen2017 #woodlandfestivalen #terjetysland #stivkuling #ågealeksandersen #elg ##hannesørvaag #ketilstokkan #reidarlarsen #ronnygrannes #brianmitchell #brynjarmeling #heatherhardy #chand #tonemåøy #skjalgraaen #odinlandbakk #pucken #nille #johan #kinewallum #danielviken #berntbodal #børgepedersen #skeiogpt #dagingebrigtsen #namsos #stoltnamdaling #namdalsavisa

#Trendings #Brynjar Meling Brynjar Meling på spontan fylletur med Stian Blipp – endte opp med tatover