Tumgik
#and this one mistake doesn’t make it irredeemable
theblondehexgirl · 2 years
Text
nobody cares but like. idk i’m not having fun in the tag at ALL the past week or whenever the leaks came out. everybody has a right to be angry and i absolutely am not giving those two writers any grace for how they wrapped up marwa’s storyline. but i guess i’m just frustrated that the things i love/seek out for escapism get tainted by real world things like racism & misogyny bcs of certain storyline implications (and obviously racism and misogyny exist in universe, but it was never something one has to actively think about in the context of the show.) and idk, it makes me feel fatigued and defeated bcs as a person of color i can’t just put the thinkpieces down and go back to living a life of white privilege, you know? this rant is going nowhere basically i’m just bummed that i have to think abt shitty things that affect me in the context of a show i rly love
5 notes · View notes
sepublic · 1 year
Text
            Thinking about how Watching and Dreaming is a story about Choices, their relation to Change, and the Responsibility that comes with that.
Tumblr media
         It’s about Luz choosing to be a hero, choosing herself, choosing happiness in a world where she’s made any friends; The Titan herself tells Luz that he can’t decide anything for her, it’s Luz’s decision to accept his power and return to the isles to stop Belos. It’s Luz’s choice to be a Good Witch.
Tumblr media
         Choosing just one magic course? Luz has always been unique about choices in her own way, she can’t decide on just one thing if she can have them all; Hence why she studies all magic tracks. Why Luz maintains connections to the human and demon realms. Even her bisexuality could be seen as a meta refusal to settle for one; So it all culminates in her palisman String Bean, who represents Luz not so much being indecisive, but rather choosing it all. Choosing all of the choices, with an intent that really does make a difference to her nervousness from before.
         It’s the Collector’s choice to become better, to let go of their anger and loneliness. It’s about choosing to change, something Belos never does; What makes him ‘irredeemable’ is not all of the heinous crimes he’s committed, it’s the fact that no matter how many times he is offered the opportunity to change, even be forgiven, Belos chooses not to take it. He refuses to change.
Tumblr media
         But the Collector does. And they’re rewarded when King chooses to give them Francois; And it was always about King’s choice, his decision that the Collector respected. It was never about having Francois, hence why they didn’t cuddle with Francois behind King’s back, rescued him from Belos’ grasp and returned him to where he belonged.
         By contrast, the Collector’s control defies the ability to choose, because they decide everything for everyone. But he can’t force people to be his friends, it’s up to them, especially on whether to forgive. The students at Hexside are understandably scared of the Collector, and in the end, the kid can’t choose for them to be his friends; That’s something they decide for themselves, even if it’s the choice he wouldn’t have liked.
Tumblr media
         THAT was the Collector’s mistake with Belos; It was not compassion’s folly. It was that they assumed by giving Belos a chance to change, he would automatically choose to do so; In a sense, the Collector expected that choice to be made for Belos just by offering him the opportunity to take it. But it’s just a change, a possibility, there is no certainty. The Collector can’t make Belos change as a person, they can’t control him either; They can only hope, but never assume on his behalf.
         Belos also chose things for people; Made them decide on just one magic track, and/or servitude to him. Insisted to Luz she ‘choose better’ by settling for humanity, took away agency through direct possession of Raine and the Titan. Both of whom fight back and regain some semblance of change and control but for themselves. In his final moments, Belos pretends he was a victim like them; Absolves himself of responsibility by claiming he didn’t have a choice, that he was forced to by his nebulous ‘curse’, and deep down he must believe God’s Destiny also spares him accountability.
         But by placing himself at Luz’s mercy, it gives Luz the power to decide Belos’ fate; And she doesn’t choose ‘peace’ like Belos hopes, because like with the Collector, merely offering a choice does not make someone take it. Raine and the Titan still managed to fight back and decide things for themselves, as did Hunter, and so many under his coven. Caleb was under the same indoctrination growing up but changed anyway; Philip has nobody but to blame but himself, for being passive.
Tumblr media
         People choose to get better, or don’t; There are covenscouts like Tom and his group, confronted by Steve who chose to change and improve. And when offered the compassion and opportunity to do the same, they accepted; They chose improvement. Meanwhile, Coven Heads like Terra, Adrian, and Vitimir choose to stay the same. They don’t want to change, and it’s up to people like Darius and Eberwolf to prevent any more harm from them.
         Alador chooses to change for his kids, because he misses them. He wants to be a dad they can look up to, and love. This is contrasted by Odalia, who bitterly stands off to the side; She could’ve chosen this moment to change, because it’s not like there were any other opportunities to pursue. But she doesn’t want to change.
         And that’s part of theme of Choice, it’s that you have to choose to change, proactively and make it happen, or accept that change has happened regardless of your participation. When you have the ability, you have the responsibility, both in what to choose and the consequences that come. Philip didn’t want to face the consequences of his actions, denied responsibility. But people like Luz and the Collector and so many took responsibility; They saw they were hurting others and/or themselves, stopped and fixed the damage, and grew up. There is a responsibility to always offer compassion, even if you accept that people might reject it anyway.
         Belos didn’t want to change, nor did he accept that times have changed; His brother is dead, there’s no bringing Caleb back. The human world has changed, he saw as such through Hunter’s eyes when the Gravesfield that indoctrinated him ultimately looked back on its witch hunting prejudice and decided that was wrong, admitted it changed.
Tumblr media
         Things can’t last forever, the Collector is convinced by Luz to accept change, not just in letting go, but also in learning about and acknowledging death. Just as Luz accepted her father Manny’s death; Belos being a cancerous growth that envelops the Titan, who is a father figure to King and low key Luz herself, is a metaphor for whatever illness killed Manny. By helping the Collector, a child who doesn’t understand death, Luz basically helps her childhood self; And by stopping Belos, she comes to terms with Manny’s death, and conquers her grief to move on and find a new future and a new family.
         Because Luz and the Collector accept change, that means they don’t need to maintain an unnatural stasis; They’re able to wake up from their fantasy dreams by coming to terms with the loss of loved ones, for Luz her dad, for the Collector their previous Titan friends, and their fear of losing King. Belos, he clings to his dream of being a hero, and never wakes up, even insisting in his final words that it’s the witches who are evil, not actually him. Belos clung to the past of Gravesfield and his trauma, and was forced to face the now, the consequences that came afterwards with his sins, in the form of people actually alive and very angry.
Tumblr media
         But even with Belos’ death, the isles changed because of him, alas; The left arm has permanently risen, the geography of that area is drastically different and people must adapt. The Titan has finally, truly died, after he moved on, no thanks to Belos; No more of HIS glyphs, but there are King’s. So things change, and Luz accepts that; Even before King’s glyphs develop, the fact that she changed enough to earn String Bean allows her to survive this period of no glyph magic to rely on just fine, and build and plan a future around that.
         There are still scars, like the literal ones of Luz, King, Eda, Hunter, and Raine; Or the emotional scars like the death of Flapjack, the trauma that everyone has suffered and is healing from. But because so many characters chose to change, and to accept change, they themselves became people so radically different, and so much happier for it. So when they all appear before Luz to thank her, to express gratitude for the compassion that enabled them to decide to change, and become new people for it…
         It’s all about Choices. It’s about Freedom. It’s about Change, how you must facilitate and/or accept it. Control is antithetical to this, at least in application to others; But when you can control yourself and exercise autonomy, that’s wonderful. People like Amity, Lilith, Bump, Alador, and so many others chose to change and become better people, to create change in themselves and the world around them. Eda and King took responsibility for their actions, Eda accepting her curse was no excuse to push aside Raine, King becoming responsible with the implications of his divinity by rejecting them to be humble.
Tumblr media
         Luz changed people, and she never forced them to. She simply gave them the same choice that she chose for herself, and that’s beautiful. There is no Destiny that’s decided ahead of time for you, no God who decides your role in the world. There is no ‘Chosen One’, one for whom a decision has been made by someone else and thrust upon them, there is only One who Chooses. It’s all about deciding for yourself, and that’s part of the uncertainty but also freedom of growing up.
        Luz chose to enter a foreboding shack. She chose to go back for her father’s book, to remain a weirdo, for herself and for Manny. And she chose to stay in the isles rather than go back. She’s been making choices all this time, deciding her own fate and as Eda advised her, what kind of witch Luz wants to be; A Good Witch.
2K notes · View notes
hells-wasabii · 2 months
Note
Could you write like general headcanons for Lute with a (somehow) sinner partner? (Maybe dated before death or something)
A/N: I had fun with this one, there's so much potential angst in it I love it
Character: Lute
Type: Headacanons (Lute x sinner!reader who dated in life, Angst, Fluff)
When she first saw you, she did a double take. She already knew you weren’t in heaven, but shit, seeing you in hell left her reeling. It was your voice that gave it away, you didn’t look the same, but it was you. There was no doubt in her mind.
She manages to steer other exorcists away. In doing so you manage to catch a glimpse of her, though, with her mask on, you didn’t recognize her. But that doesn’t mean that you weren’t confused. You were sure that you had made eye contact with the exorcist.
She doesn’t approach you, not until she’s ready. And she definitely wasn’t ready. And she won’t be, not until a couple of years later. She’ll give chase, cornering you. While Vaggie might have fucked up in letting the sinner go out in the open, she wouldn’t make the same mistake. She pulls you into the ruins of a building. Things quickly escalate, growing more and more complicated with the ensuing back and forth. 
The exorcist has some seriously mixed feelings. On the one hand, she still loves you, that much was obvious. She can feel it deep in her heart. But on the other, you’re a sinner and she’s an exorcist. Her literal job is to kill you and the rest of the irredeemable filth of hell. But Lute also knows you. She knew you in life. You were different, she was sure of it.
Lute even finds herself looking forward to the annual extermination more than usual, though not for its true purpose. Adam had initially figured that the longer Lute spent in heaven the more restless she was becoming, so any suspension he might have had, he merely shrugged off. He couldn’t have been farther from the truth. 
She goes out of her way to keep this all to herself, knowing that if heaven were to become aware of any of this she would be at risk of falling. And that wasn’t something that she could let happen, not yet at least.
She has a full-on crisis. Should she stop being an exorcist? Should she let you be? Or maybe she should let herself fall? Better still, perhaps she could find a way to bring you up to heaven. She never stopped loving you after all.
199 notes · View notes
wistfulcynic · 1 year
Text
it’s more than a little disturbing to me how many people loudly proclaim how much they hate or don’t care about Nate and his character journey, while with the same breath proclaiming how much they love Jamie’s. “Oh boo hoo, Nate has daddy issues,” i’ve actually seen adult people actually say. “So does Jamie and look at him!” 
Similarly: “Nate’s gonna be saved by the love of a woman? How boring and cliche!” 
Or: “Nate doesn’t have to be such a jerk. He has Ted as a role model. He should know better!” 
to anyone capable of saying that, you’re absolutely right. You don’t care about Nate or his journey and that couldn’t be more obvious. What’s interesting though is why. 
because here’s the thing about Jamie, and also about Ted. Two things they have in common--a massive ego and a rock-solid sense of self. 
remember Jamie in like the second episode of the whole series? “Coach, I’m me. Why would I want to be anything else?” 
yes, Jamie has a shit dad and he’s had a shit time of it in many ways because of his shit dad. But what Jamie has never had to face is a crisis of identity. He knows who he is and he knows his value. He can take hits and come back from them, he can acknowledge his mistakes and learn from them because at his core he still and always has that knowledge that he’s a superstar. 
then there’s Ted. Anyone who doubts that Ted is a full-fledged egomaniac, ask yourselves how much confidence it takes to preface every single useful thing you have to say with a meandering, folksy anecdote and be absolutely certain that every single person you speak to is going to not only put up with that but actively listen. That’s the kind of confidence that can only come from a particular kind of privilege, and while Ted also has been through tough times and experienced trauma he's a white man from a place where white men are at the top of every ladder and he has very clearly never doubted who he is or the value he possesses. 
Nate can't be Jamie and he can’t be Ted. Not just because it’s ridiculous to expect different humans to behave identically in situations that are only vaguely similar, but because Nate’s core problem isn’t that his dad withholds love or that the hostess at a restaurant is snide to him. 
his problem--which incidentally we’ve been shown from the absolute very beginning--is that he doesn’t have any confidence. He doesn’t know who he is, and the who that he thinks he is, is a who he doesn’t especially like. Nate can't be Jamie because to him every mistake he makes reduces his worth, and he doesn’t have that superstar core to shore him up. Nate can’t be Ted because the entirety of his lifetime experience has assured him that no one wants to listen to anything he has to say. Nate can only be Nate because he is Nate, and the only thing that he or any of us can be is ourselves. 
and yeah, who Nate is isn’t always especially pleasant. He’s shown he can be mean and he can be spiteful. So what? He’s flawed, as all the characters are. As all humans are. Plenty of us have meanness and spite in us, that doesn’t make us irredeemable monsters. Nate’s journey is about realising his value and finally receiving recognition for it. He’s a clever, capable strategist and a talented coach. Now that he’s finally seeing and being seen for that, he’s finding in himself the capacity to recognise and work on his flaws. Which he is doing. It’s not about getting the girl or finding redemption through the love of a woman. It’s about having the confidence to trust that another human is going to see him and like him for who he is. 
Nate isn’t flawed in a sexy asshole way like Jamie or a folksy wholesome way like Ted. He’s flawed in an uncomfortably human way that probably hits too close to home for many people. Jamie and Ted are larger-than-life characters. Nate is one of us. So in a way i guess it’s understandable that people have a harder time forgiving him his trespasses or “caring” about his redemption. 
on the other hand, however, you all might want to ask yourselves why you’re so willing to extend endless grace to the hyperconfident white men while offering the anxious brown one none at all. 
449 notes · View notes
Text
Tumblr media Tumblr media
Propaganda why Batman is insufferable:
Always has to be right. Does the most janked up stuff and doesn't care who it hurts. Imposes his will on others to the point of willing to bodily harm them if they do not comply (and yes, this does include his children)
I’ll also support Batman as a candidate because of the slapping Robin meme, which is annoying, and because he is just way too much. Too much all the time.
Has to always be right, regardless of situation. Because somehow the billionaire has knowledge of how middle class people think.
Propaganda why Tony Stark is insufferable:
She’s a hypocrite who is ready to restrict the freedom of others when they make one mistake, but when he makes a mistake he figures he’s able to handle himself
Super long, sorry lol
Thinking about how in Homecoming when Peter accidentally caused that boat to get split in half because the Vulture’s gun exploded and Tony was acting like as if Peter was completely in the wrong for going there just because he did it without his permission. He was acting like as if Peter was out of line and “disobeyed him”, trying to act like his father. And then I remember how in CACW he’s the one who scouted Peter in the first place just because he saw he might be useful against a personal squabble between him and Captain America despite knowing that he was a kid and he’s just now acknowledging how dangerous it is because Peter “acted on his own”
Completely hijacking Peter’s superhero story and trying to control his every move (Training wheels protocol and baby monitor thing he put in the suit), acting like Peter should’ve known that Tony would send someone in despite the fact that he’d been ignoring him for 2 months since Civil War and not keeping him updated on anything!!
How the hell is peter supposed to know Tony is going to listen to him when he treats him like a kid instead of a superhero when it’s convenient for him? And when Tony loses his temper after Peter says he’s 15 not 14 like “the adult is talking” bitch he could literally flatten you without your suit!!!
I guess in a way he is acting like a father but like the absentee kind. He’s more like a sperm donor father trying to act like he has any rights over Peter’s life smh.
It’s not that reprimanding Peter for the situation is bad, but the way he makes it seem as if Peter is irredeemable as if Tony wasn't a literal weapons dealer lmfao. He could’ve said what was the truth about it without completely invalidating him saying shit like “no thanks to you” after Peter asked if everyone is okay when it’s literally thanks to Peter finding a lead on those guys in the first place that they were even noticed and it’s not like the FBI being there could’ve in no way caused a similar situation.
And then near the end of the movie when he’s getting crushed by the building rubble screaming and crying for someone to help him where the fuck is Tony?? That scene just proved that he never needed Tony’s suit in the first place to be Spider-Man since he had to use 100% his own strength to lift it off of him. I know he would’ve found the motivation even if Tony hadn’t been involved in the first place to give him the suit, take it away from him and have the words “if you’re nothing without the suit you shouldn’t have it“ echo in his head. Why did Tony even take the suit away? Like as if he expects Peter to stop being spoderman without it??? Holy fuck. This is why you don’t make it out of endgame /j /srs.
When Tony took this suit away from Peter he was like “God I sound like my dad“ shouldn’t that be a red flag to him? Wasn’t he literally just saying that he wished his dad was better than he was?? Lmfao
Tony is so annoying. When they first meet he straight up bullies Peter into fighting for his personal bullshit, insults and objectifies Aunt May in front of him, spits into his trashcan and is in general being pushy af. He blackmails Peter when he doesn’t wanna come to Germany with him AND HE DOESNT EVEN EXPLAIN WHY HE WANTS HIM TO COME. Uncomfortable vibes lol.
Tony being the one to tell peter “if Captain America wanted to hurt you he would’ve” when Peter was trying to state his case, yet HE’S also the one who put Peter in harms way when he didn’t even want to go with him???
Telling Peter that he should stick to being a “friendly neighborhood Spider-Man” (stealing his thing once again) when that’s what Peter _was_ doing before Tony took him out of his zone and filled his head with grander things to be apart of….bitch? Die. Ohh waaaait (jkjk) but yeah
There’s the usual “he’s a war criminal who only felt bad about it when he realized his weapons were killing white Americans as well as Arab people” reason, and also he’s just super annoying. You had to be there for the original Avengers shitty dialogue a la “we have a Hulk” that had Tumblr in a vicious chokehold. Also he was supposed to FINALLY go away after destroying all his suits in Iron Man 3 but he just… didn’t! Which is bullshit.
Portrayed as a hero because? He chose to no longer mass produce war weapons and bombs after suffering the consequences. Huge hypocrite. Doesn't care about anyone but himself. Will backstab people if they believe in human rights when it's inconvenient to him. Seen as a hero while he's the personification of privileged people saying they're not privileged
>Makes weapons
>Billionaire
>Made multiple AI Surveillance Robots
>Gaslight a child into fighting a super soldier in a foreign country for him
>His fans are annoying
43 notes · View notes
orowyrm · 4 months
Text
i still haven’t unlocked all of the grimoire lore pages because RNG hates me but i’ve read them (or rather. vik read them to me over call while i was doing tank maintenance. hehe) and ohhhh the implications are all so compelling but what gets me the most off the top of my head:
- tales of duviri was based on stories albrecht used to make up for euleria as a young child, complete with goofy character voices. he also somehow considers himself a complete failure of a father, despite all evidence pointing to the contrary.
- loid was not only fully aware of exactly what albrecht was trying to accomplish the whole time, but very much an active participant. he was the one who gave al the idea for the vessels. he knows exactly what was happening and was in fact an active enabler in most of his crazy science shenanigans
- albrecht came FRUSTRATINGLY CLOSE to actually finding the ���correct’ answer to beating back the indifference when he was in duviri but basically ‘this sign won’t stop me because i can’t read’-ed right back out of it and decided that he alone was uniquely irredeemable and deserved to suffer for his mistakes and needed to continue digging this hole even deeper
- the reason bird 3 doesn’t have a proper name like fibonacci tagfer and minn is because he was literally just picked at random as an ‘expendable’ animal to balance out the diversity of the test subjects. he also considered kalymos a viable test animal, but couldn’t bring himself to potentially cause her any harm. he somehow finds a way to feel just as guilty about not potentially killing an animal as he is about killing countless other animals. this guy has ISSUES
- the vessels are made in part from tissue samples from arthur and aoi that he brought back to deimos
- he has been to 1999 and back several times before and interacted with arthur and aoi seemingly fairly extensively. they believe him to be a doctor trying to protect people from the technocyte plague, and he used this as a front to secretly start turning them into partial warframes.
- he basically became so consumed by the guilt of his cavia experiment being a failure that he decided his only option to redeem himself was to graduate to unwilling/unknowing human test subjects instead. 10/10 no notes keep up the good work 👍 this will only go well
95 notes · View notes
abimess · 2 years
Text
Consequences
Wanda Maximoff x Reader
Tumblr media
Summary: Some mistakes have irredeemable consequences. Wanda will learn about it the hard way.  [Requested]
Word count: 1.250 || Pronouns: not used 
Warnings: cheating, angst
A/N: So... I listened to Midnights... That's all I'm going to say. Enjoy the pain!
You do NOT have permission to repost or translate my work on any platforms (even with credit)
Halloween Special | Masterlist | Be notified of my stories
───── ⋅ ✮ ⋅ ─────
It’s funny how some habits grow out to have completely different meanings than they had before. It’s bittersweet. 
One of Wanda’s favorite activities of all time was spending time with you, just the two of you in silence. Hearing your heartbeat as she laid on your chest; hearing the rustle of the leaves outside as the both of you read a book - by yourselves, but still together. 
The two of you appreciated the silence, that was one of the many things you found out you had in common in the early stages of your relationship. The lack of words that said way more than enough. 
But now it was all different. Your silence doesn't have the same meaning it once did. In fact, Wanda finds herself thinking quite often, it doesn’t have any meaning at all. And the worst part was that there was no one to blame but herself. 
It’s a windy day today. And neither you nor Wanda were able to postpone the promise you’d made to Billy and Tommy of taking them to the city park so they could play on the fallen leaves. 
So here you are, sitting on a park bench, watching as your sons play with some other kids from the neighborhood, laughing and running around as you and the redhead stay there, in silence. An excruciating silence. 
A few minutes before, a kind woman offered to take a picture of the four of you, after she saw you were taking pictures of the twins making angels on the sea of leaves on the floor. Wanda’s heart stopped when you agreed, thanking the stranger with the kind smile you last offered your wife a long time ago. 
The four of you got together in front of a big tree, your hand resting on Tommy’s shoulder as Wanda did the same with Billy. Following her instincts, she slipped her free arm around your middle. It took her just a second to realize what she’s done, and she was about to pull away if you hadn’t slipped your own over her shoulders. 
Wanda wanted to cry right there, the lump in her throat making it hard to breathe. But she took a deep breath, blinking rapidly to push her tears away as she forced a smile at your phone that the unknown woman held in front of her face, hiding half of the smile she was giving at the cute family on the screen. Looks really can be deceiving.
When the stranger announced the picture was taken, you pulled away faster than you’d ever done before, rubbing your nose in the way you always did when you were uncomfortable. You thanked the woman before taking your phone back, checking the picture just enough not to be rude at her kind offer. Wanda ruffled the boys' hair before thanking her as well, and as soon as the woman was gone, the perfect family facade fell apart, the two of you back on the bench, in silence.
There, the redhead thinks about making some conversation - meaningless topics she’s become accustomed to choosing to fill the void whenever it was only the two of you. It hurts, it always does. But, still, it hurt less than talking about nothing at all.
However, the moment she looks at you, she loses her nerve. Even if you weren’t looking at her, she could see the pain behind your eyes. The eyes she loves so deeply; that she could never wish to be gone from her life. 
And, in moments like that one, Wanda hated how well she knew you; how she was able to read you like the back of her hand. 
Because, right now, she knows exactly what’s going through your mind. That night, a few weeks ago, when you found out about her affair with one of her coworkers in the worst possible way. 
She didn’t mean it, nothing of it. She was dissatisfied with her job and with not being able to achieve her professional dreams. None of that was an excuse, of course, and she hadn't been able to convince you of it in the long fight you had about her cheating. You and she knew about the redhead's self-destructive behavior of sabotaging herself whenever a small detail of her life went wrong. But that was too much to forgive. 
At first, Wanda thought there was nothing worse than making you cry like that - loud sobs of pain and anger, mingled in accusations and hurtful words. But she was proved wrong the moment your tears subsided, your jaw clenched tightly. The moment you said it was over, but that you wouldn't file for divorce yet because the boys were too young and they didn't deserve it. It broke her, but there was nothing she could do about it since she broke you first. 
So here you are. An unhappy marriage with two six-year-olds to take care of and for whom you have to pretend that everything was fine.
Later that night - long after the four of you went back home and not many minutes after you put the boys to sleep -, Wanda was taking the dinner dishes out of the dishwasher and putting them back in their respective drawers and cabinets. Her heart tightened a little when she heard your footsteps approaching. 
“Wanda?” Your voice took her by surprise, her eyes wide as she turned to look at you. “Yes?” The redhead’s voice was a mere whisper, looking at you intently as your gaze rested on the floor for a moment in which you gathered the strength to look at her before you did so. 
“There’s going to be a parent-teacher conference on Tuesday morning at the boys’ school. But I’ll be working, can you go?” Your voice is almost robotic, devoid of feelings, wanting to end that conversation as quickly as possible, and Wanda's shoulders drop slightly, nodding slowly. “Sure.” A humorless chuckle escaped her lips before she found herself saying, “for a moment I thought you wanted to talk about us.”
Your response is a loud gulp that the redhead can see in your throat the moment before you avert your gaze from hers. Suddenly feeling very vulnerable, Wanda spins on her heels, hiding her tears as she busies herself tidying the glasses more than it would be necessary. 
A loud gasp of surprise makes its way past her lips a few moments later, when she feels your hand resting on her shoulder. The redhead dares not move, certain that the slightest movement would make you pull away. But out of the corner of her eye, Wanda can see that your arm is outstretched, putting as much distance between the two of you as you can as you touch her. She doesn't know how to feel about the whole thing. 
“Goodnight.” You say it the next moment, a whisper so low that it is almost drowned out by the low rumble of the refrigerator's motor. The redhead, too astonished to be able to say anything, remains silent, and you take your hand off her shoulder, and make your way with quick steps out of the kitchen, towards the guest room that was slowly becoming your bedroom. 
Even though the touch lasted only a few seconds, Wanda could still feel it burning her skin under her pajama top. And, laying her face on her own shoulder, your wife finally allows the tears to fall, wishing there was a less painful punishment for all of her mistakes.
855 notes · View notes
fangswbenefits · 9 months
Note
one thing i’ll say about miguel is that he doesn’t chase Miles with the intent to attack/hurt him. All of his moves towards him were to catch him, grab, hold onto, knock him down. He wasn’t doing it out of malicious intent, he was (from his point of view) literally just trying to stop this kid from accidentally killing billions of people. He definitely goes too far with the whole “you’re a mistake” spiel (I would’ve gladly let him yell at me like that fr), but it wasn’t intended for Miles. He was projecting his own emotions. “If it weren’t for you-“ “Why didn’t he listen” etc. It’s obviously unhealthy for him to take it out on Miles, he made mistakes. But he isn’t a bad person. He is stressed out of his mind (literal weight of the multiverse on his shoulders) and only further spurred on by Miles doing exactly what he did and the frustration of trying to make up for what his actions caused by preventing it from happening again and evidently, failing, as Miles gets away.
Moral of the story, miguel isn’t an irredeemable monster or even the villain of the story, simps don’t deserve to get “shamed” for liking him. People shouldn’t get “shamed” for defending him, we understand some of his actions weren’t great, neither were Miles’s. (I say, pretending i’m an objective bystander when in fact I’m a miguel truther and suffering)
also love your writing fr
Thank you so much for writing this, my friend 🩷
A lot of people forget that Miguel is a spider-man. He's a good guy. Not a villain. If anything, you can consider him an antagonist, but that's about it. He still makes mistakes. Him wanting to stop Miles is rooted in the fear of bad things repeating themselves. He was then blinded by his need to control everything and went too far.
86 notes · View notes
dylanobrienisbatman · 2 years
Text
so let me get this straight…
allison hargreeves is almost murdered by her brother, and loses her ability to speak, also losing her connection to her powers. she is then ripped away from her child and sent back in time to the 1960’s, as a black woman, as the world is literally ending.
she then spends YEARS in a time where she experiences outright, violent racism at every turn. she experiences unimaginable trauma. she meets a man who is an activist and a dreamer, and she falls in love. she builds a life for herself in this time. she still doesn’t have her daughter, but she has something to hold onto.
and then, just as suddenly as before, she is ripped away from her husband and her life and thrown back into the future. but this time, she goes willingly, because Claire is in the future, and she loves her daughter too much to abandon her.
but… Claire isn’t there anymore. in fact, Claire never even existed at all. so now she has lost Claire and Raymond. she left her husband to be with a child that doesn’t even exist in this world. and so she spends all season being THE ONLY ONE of her siblings who actively tries to find a way back to their own timeline.
Diego gets a son, and basically ignores him for the first half of that story. Viktor gets Harlan back, his surrogate son. Luther finds new love with someone who is not allison, and essentially abandons the family for her at the start, and then actively chooses to go to Sloane over Allison when Allison was clearly in a time of need, even going so far as to throw Raymond and Claire in her face. Ben is different and a complete asshole. Klaus spends all season with their dad. and Five has just given up entirely. Allison lost everything, literally everything, and has to watch while her family moves on, doesn’t care, and finds new things to love while she just… floats. aimless. lost. utterly alone. all while she is still fighting breathlessly to get even one single piece of it all back. all while still dealing with the horrific trauma of what happened in the 60’s on top of it all. and then she finds out that Viktor found the cause of Claire’s lack of existence and hid it from her and to the whole family?!
so of course she snaps!! because no one, not one single person in her family, will help her. they’re all lying to her, too preoccupied with their own shit to pay attention to her desperate pleas. not one person actively seems to give a shit that she lost her child after leaving her husband behind solely to be with said child. so she makes a deal with the devil, because if no one else will help her, her desperation is too much to bear. her loss is unfathomable and there is a single solitary shred of hope that she may get something back.
she didn’t know he was gonna kill luther or klaus, she didn’t know his plan was going to end up killing all the siblings. all she knew was that not one of her siblings was going to help her, no matter how clear her desperation had become, no matter how obvious her mental breakdown was. but Reginald was going to help her, so she sided with the only option that gave her a fighting chance.
… but somehow she is now an irredeemable villain. got it.
allison hargreeves made mistakes. what she did to luther is absolutely inexcusable. she lashed out, she made a deal with the wrong man. but allison hargreeves was a devastated, desperate, broken woman who had nothing left of herself to give. so when everyone she loved in the world was either gone or turning their back on her, she did what she had to do to get her child back.
883 notes · View notes
raincitygirl76 · 10 months
Text
There’s been a lot of Sara posts floating around lately. Rather rhan hitch my wagon to someone wlse’s, here’s mine:
I empathize with Sara, yes. And I think her neurodivergence does make it more difficult for her to understand neurotypical people. And in several of the paragraphs below I talk about how I think the show is setting up a redemption arc for her. And I want to see that arc play out in S3. But there’s no denying she’s made some spectacularly terrible life choices in S1 and S2! Her neurodivergence may well play into why she made those choices, but it’s not the only reason. In 1.06 she cut a deal with the sex offender who’d just victimized her little brother, all so she could board at Hillerska. That’s a BAD choice, no matter why she made it.
I don’t think she’s irredeemable. In fact, I suspect a big part of Simon’s arc in S3 will be him figuring out a way to forgive her, and forge a healthier sibling relationship with her going forward. Just as a big part of Simon’s S2 arc was him figuring out a way to forgive Wilhelm, and forge a healthier romantic relationship with him going forward. Simon and Sara’s relationship has always been somewhat dysfunctional, but perhaps it can become better. Although I don’t think Simon will forgive his big sister until late in S3.
On the bright side, as of Sara’s last scene in S2, she’s trying to make amends already. In 2.06 she breaks up with August, rejects the dream gift he offers her (owning Roussea herself), and calls the police to report August’s crime. Sara is now actively trying to atone for the harm she’s done to her younger brother. She just doesn’t realize that she’ll get him into legal trouble, because August won’t hesitate to use those pill bottles against him. Sara seems to have accepted that Felice also feels betrayed by her. She’s chosen to return home, so Felice will no longer have to share a dorm room with her.
So it seems like a redemption arc for Sara has already kicked off. She did something terrible to her brother in 1.06, and she spent most of S2 doubling down on that initial awful choice by pursuing a relationship with August. She also sent risqué selfies of herself to the guy she already KNOWS leaked a video of her brother naked and having sex. Which is astoundingly dumb, given Sara is an intelligent young woman. Or perhaps more naive than dumb. She’s in love for the first time, after all. She trusts August because she loves him, not for any objectively logical reasons.
But as of 2.06 at the shooting range, Simon now knows Sara repeatedly chose August over him. She got into bed with August (figuratively in 1.06, and literally in S2) knowing full well he’d committed a sexual offence against Simon. And she’s finally realized Simon is DEVASTATED by the news she’s betrayed him profoundly. Also that August wasn’t worth protecting over her brother. He’d used her tip-off to blackmail Simon instead of to confess his crime to the police, as she’d expected. It was naive of Sara to expect that from August, but she’d projected what she wanted to see onto August.
But when push came to shove, August, even though he truly loved Sara, didn’t hesitate to pile a new felony on top of the old one and blackmail her brother into silence. Because love or no love, August will never take responsibility for his actions. When push came to shove, by contrast, Sara finally realized her actions had been horrific, and she soon started trying to atone.
Would it be better if she’d realized earlier in S2 she was making terrible mistakes? Would it be better if she’d never made that initial deal in 1.06 to throw her brother under the bus? Yes and yes, of course to both. But while she made those fucking awful choices in the first place, she has now chosen to take responsibility for said choices. And to try and clean up her mess, by reporting Simon’s abuser to the police, and vacating the dorm room she shared with Felice.
Simon might think at first this is too little, too late from his sister, after such a huge betrayal. Especially since he’ll probably end up in trouble with the police himself over the pill bottles August still has. But while August regretted leaking the video, he never seriously considered taking responsibility for the harm he caused Wilhelm and Simon. In fact, he went to extraordinary lengths to avoid being held responsible, by the police, the judiciary, and the general public. Sara did awful things too, but the penny finally dropped about how badly she’d hurt her brother and how little August deserved her trust. And then she wanted to fix her mistakes, make things right for the people she’d hurt.
So yeah, Sara Eriksson’s made terrible, spectacularly bad decisions. But she’s certainly far from irredeemable.
EDITED TO ADD:
In retrospect, “redemption arc” may not have been the right wording. I do think Sara will be on a journey in S3 that will end in personal growth and hopefully a better relationship with her brother and her mom (Sara can’t be so critical of Linda for not leaving Micke immediately now Sara too has been in love with a bad person). Anyway, below @bluedalahorse has a great post about the term redemption arc, its connotations, etc.
Also, @darktwistedgenderplural has a great addition to my original post, referencing Sara and Simon’s childhood trauma from Micke. And suggesting that Sara dodged a bullet by seeing August’s true colours only a few months into their relationship.
Gradually August could’ve turned abusive, and it would’ve been much tougher for Sara to extricate herself from his life if they’d been together for years, possibly been married, and possibly had children to tie them together even after a divorce.
And this debacle of a first love affair Sara’s experiencing could bring her closer to her mom. Linda could have valuable insights for Sara from her own experience being in love with a man who turned out to be a walking red flag. And Sara might become less dogmatic than she was in 1.06, when she blamed Linda for not leaving Micke immediately, as soon as she realized he was hurting their family.
Because Sara now has her own experience of having a romantic partner and loving him (and hoping he’ll change). Even though he’s hurt a loved one of hers. For Linda the partner she loved and wanted to change was Micke, and the loved ones he hurt were Simon and Sara. For Sara the partner she loved and wanted to change was August, and the loved one he hurt was Simon.
Either way, I could see Sara displaying more empathy towards Linda now she herself has been in a similar situation. And Linda maybe opening up to her daughter more.
76 notes · View notes
galaxymagitech · 4 months
Text
Don’t know if anyone still cares about spoilers for this, but…
SPOILERS FOR TEEN TITANS (2003)
So I finished TT03 season 2. And cried. I was NOT expecting a teenager to die. When Terra defeated Robin, I thought “this can only end in a last-minute heroic sacrifice.” But it still took me by surprise that she was actually just gone. They make her a gravestone and she never comes back as Terra. It was shocking.
I tend to see most characters in the most sympathetic way possible, and that applies to Terra too. She did terrible things and she knows it. She made really bad, perhaps irredeemable, mistakes. But she also didn’t deserve the way her story went. Doing bad things and experiencing bad things don’t cancel each other out. Being hurt doesn’t justify hurting people, although you can certainly experience empathy for someone like that. But also—just because someone, especially a 15/16-year-old teenager, hurts people doesn’t mean it isn’t sad when they get hurt too.
Looking back on Terra’s story, I don’t know what the Teen Titans could have done differently. Fixing one mistake would’ve just delayed the inevitable. Slade was cunning enough to manipulate Terra and unlike Robin she didn’t have an established support system—Slade got to her before she could build one and undermined all her successive efforts. Terra says she’s looking for control, but I don’t think she’s right about herself. If she wanted control then she would’ve left Slade as soon as she got control over her powers. I think she was looking for safety and she considered herself a threat. She wanted to feel protected and secure, after so long on her own, and Slade offered her the opportunity to take the storm inside of her and channel it outwards. He offered her a place she didn’t have to fight him for, and Terra had never had that before. The Teen Titans couldn’t give her what she needed—and neither would Slade, but you can see why she thought he would. And Terra keeps repeating that she’s in control, that she wants this, as if trying to convince herself, and it was honestly horrifying to me.
I don’t want to take away Terra’s agency here. She was manipulated, but she still chose to betray the Titans. She isn’t a good person. But I don’t think she’s a bad person either. It’s not a dichotomy, it’s a sliding scale. She was just a person and she was trying but it wasn’t enough.
And Terra was a kid. She was a teenager who was lost and confused and scared and made the choices that seemed best to her in the moment. She changed her mind again and again. She gave up the best thing she ever had. In another world, she could’ve been happy. She could’ve even been “good,” maybe not in the profoundly heroic person at heart way, but in the “doing good things” way. If Terra hadn’t had out of control superpowers, if Slade hadn’t noticed her, Terra wouldn’t have turned “bad.” If she’d gotten a normal life, she wouldn’t have been “bad.” Terra was just as deserving of a good life as a normal person.
So I found myself with literal tears in my eyes over an animated TV show, because it just sucked so much that Terra’s story ended up like this and this was way darker and more horrifying than I expected.
Some of this goes for the comics character too. I think she’s genuinely a bad person in the comics, and a lot less sympathetic. But also—without getting into the specifics—her life really sucked. She did bad things and bad things happened to her. Deathstroke manipulated her, and although it was clear that she’d kill people/be evil on her own, the way her story went was really sad. And of course she’s still responsible for her own evil actions, but…any time you’ve got a teenager whose life is like that, whose mind is so messed up that killing people seems like a good idea, it doesn’t matter where the blame is assigned—it’s a tragedy.
I can’t help but have sympathy for Terra, in both forms. Because no matter how awful she was or how many cruel things she did, she was a kid and her story was sad.
(Me: Terra is a kid! 15 or 16 years old! A kid!!
Also Me: I’m…practically an adult.)
20 notes · View notes
Text
Recently I refound a screenshot I took with a post from Twitter that frustrated me and seeing @kitkatopinions post reminded me about it and I kind of sort of ish touched on it in my reblog but I realized it would be a king winding tangent and I should make me own post but the thing that started all of this was the point about so called “irredeemable” characters and the post in question was talking about how we all think Ruby WILL save Salem. Not might or maybe. Not defeat Salem but SAVE her and between that and the comment about irredeemable characters I have thoughts.
As you hopefully know I am not against redemption arcs. I like them a lot. One of my all time favorite arcs is Zuko’s redemption and his reunion with Iroh. It’s an amazing arc amazing storytelling brilliant. However what frustrated me about fans of the show excited to see Ruby “save” Salem is that these same fans insist that their are other characters who are “irredeemable” and that is it “wrong” to even write fanfics that redeem them. And it continually blows my mind that fans can insist that no matter what Salem, the woman who wants to end the entire world and has killed at least thousands and possible more, will be redeemed and in the same breath insist that despite her heinous and vile actions, her victims are somehow WORSE and no matter what CANNOT be saved.
How has the fndm deluded themselves into thinking that if Salem can be redeemed their are characters who are somehow off the table on the whole redemption thing. She has killed so many, manipulated used broken so many people. But somehow, this isn’t a problem for them. It’s not a deal breaker for them while things like robbing stores or making a morally gray decision in the middle of a nightmare scenario….is?
Like if we’re going to be setting hard lines on what makes a person redeemable vs not Salem should be considered someone in the irredeemable category. Especially if we’re going to pretend that characters like James, Adam and Torchwick are irredeemable the person whose done worse and on larger scale bad thing then them should also be cool spidered irredeemable. Her being a uwu sad woman doesn’t erase the horrific things she’s done and the harm she’s caused.
However, if RW/BY wants to be a hopepunk….then it doesn’t make sense for anyone to be considered irredeemable. As I’ve said, what’s more hopeful, you or a loved one forever being doomed to be evil once you make a mistake or knowing that their is hope and goodness inside someone, no matter how buried and hard to find it is, it’s still their if you’re willing to fight for it.
I would much rather have a Ruby who unapologetically declares “I know you think you’re too far gone. I know you think the darkness has swallowed you so deep their is no way the light can even find you. But you’re wrong. I’ll be your light. I’ll guide you out of the darkness and back into the light because I refuse to ever leave anyone behind.” Over one who says “well sorry you passed your amount of evil things you’re allowed to do before I abandon you so…sucks to be you pal you’re forever evil now.
Hopepunks are supposed to be stories that whole feel hopeless, refuse to give up on hope. They are determined to bring hope and joy to the hopeless. Hope in a hopepunk is even an act of rebellion. And what better world to have hope be rebellion then a world torn by war against what feels like and endless army of soulless monsters, where people are so desperate to survive they are willing to compromise their morals in the name of surviving. A world that have given up on kindness meaning anything. Let Ruby’s kindness be rebellion. Let her refusal to give up on hope and kindness show a world shrouded in darkness that they can still be kind and have hope.
One of my all time favorite redemption arcs is Zuko’s, and something about it I adore and gets me emotional every time is the reunion between Zuko and Iroh. At this point, Zuko is sure his uncle can’t and won’t ever forgive him and he’s certain that it’s what he deserves but he still feels he at least owes him an apology so he does. But instead of being angry and rejecting Zuko, Iroh hugs him, he loves him and assures him that he wasn’t angry, just sad he lost his way. And he was so grateful and happy that he found his way again. Imagine a Ruby like that who doesn’t hate those who’ve lost their way, who only wants to help them find their way back if they do get lost. Yes I’m channeling a fair bit of Iroh and Sora in my discussion of how I want Ruby to be but they are such perfect examples of what the show teased us Ruby would be like.
And no, it would not be weak or childish or whatever other insult you want to throw at her for Ruby to be like this. Maybe naive but….isn’t Ruby holding onto her ideals in the face of adversity so much better though? Her seeing the unthinkable and surviving a living nightmare but still having hope and still showing kindness is so powerful. Her offering forgiveness to those who hurt her because she believes in a United world and wants to be the change she so desperately wants to see. We where teased at this Ruby but it just didn’t happen.
The fndms insistence that certain characters aren’t deserving of redemption only serves to weaken Ruby as this simple soul who will save the world. A simple soul doesn’t arbitrarily decide who can be saved and who can’t. They don’t abandon people who need them the most. They just unapologetically help people. They show kindness and compassion to everyone around them. That is the kind of character RW/BY promised with Ruby, not this person who abandons people when it gets hard or who runs away crying and waiting for the solution to just fall into her lap. And I don’t understand why the fndm insists the Ruby we have is even remotely as good as the Ruby we where promised.
Give me a Ruby who believes no one is ever too far gone. Give me a Ruby who truly and unapologetically fights for ever life.
52 notes · View notes
dyswarpia · 1 year
Text
erik has shown time and time again that he is very good at writing complex, nuanced characters, (especially villains) who are not simply black and white in their morals. they have their own goals, motivations and backstories that at least TO THEM justify their actions, even if to no one else. let’s stop assuming that characters who we know barely anything about are terrible irredeemable people okay? ^__^ sometimes people fuck up and make huge mistakes, but that doesn’t mean that they are incapable of growing and learning from those mistakes <3 thank you for coming to my tedtalk (do people even say that anymore???)
121 notes · View notes
Text
Am I the only one in SPN fandom that doesn’t think Dean brought Sam back into the life? I keep seeing posts going around and I’m just…. 🤷🏻‍♀️
Dean wanted his brother with him so badly. Wanted to be a family. But I just don’t see this narrative of “Dean brought and kept Sam in the life.” He drove away. He was going to accept what Sam chose.
I feel there’s this weird thing where Sam’s main themes get blurred and muddied with other character’s motivations. Autonomy, or lack thereof, is absolutely Sam’s main theme throughout SPN. Dean for sure contributed to that in many ways (not quite in the way more anti dean stans insist, but that’s a whole other post,) but he did not bring Sam back into the life in the way people are now accepting as canon. This is not the autonomy issue people make it (with Dean anyway- clearly the destiny part changes that.) But Sam did CHOOSE this life. Over and over again. For many tragic reasons, but he chose it. Let Sam own his autonomous decisions, don’t infantilize him in this.
Two of my main gripes in fandom are these takes:
Sam: always baby, always victim, always right. It strips away the badass Sam. It dilutes his passion and stubbornness. It stunts the growth he showed. It makes him more “divine” and less “human.” I LOVE Sam’s mistakes. Always made with the right intentions. He is so emotionally intelligent that when I watch him go through that struggle my admiration of him grows exponentially.
Dean: always abusive, always violent, basically giant pig. It strips away Dean’s heart, and completely removes his trauma that LED him to his struggles to cope. The way people talk truly does make it seem like Dean is an irredeemable villain
Sometimes these takes make these characters into flat arc, non interesting and non relatable figures.
81 notes · View notes
Text
I’m really glad that people in the TMNT fanbase have finally started calling out the insistence that 2012 Splinter is irredeemably abusive. As well as how the criticism comes across as racist. The way the character is depicted in the show versus the way he is often depicted in fan content is like night and day. I’m open to different fan interpretations, but I’ve seen an insane amount of fans confidently state that he’s canonically abusive. And this is one of the worst misinterpretations of canon I’ve ever seen in fanon.
2012 Splinter was raised in Japan, and seems to take on a more East Asian style of parenting. He’s stricter with his sons, but usually when they put themselves or their brothers in danger. However, I would say that he’s far more gentle and understanding than anything else. And I would like to clarify that reasonably disciplining your kids and teaching them right from wrong is not abusive. That’s what it means to be a parent. Never correcting misbehavior is another form of abuse, one that borders on neglect.
Another thing to consider is that he’s in a very unique situation. Splinter and the turtles are mutants. They will never be accepted by society and will always be seen as monsters; he knows this. He teaches his sons how to fight so they can defend themselves in a world that will try to hunt them down and kill them. He has nightmares about his sons dying. The show explores the terror he faces as a parent, which is something he’s already experienced with the loss of his daughter and wife.
Splinter is devastated and relieved to find that Miwa is alive. He loves her as his daughter, but that doesn’t mean he no longer sees the turtles as his sons. He views them as being his children just as much as his biological child. He clarifies this to Leonardo. The reason I love TMNT so much as a franchise is because it’s one of the few pieces of media that explores familial love within an adopted family. And TMNT 2012 constantly reiterates that family can look unconventional and does not need to be bound by blood.
Splinter is a realistic depiction of a parental figure. Most parents in media are either abusive or perfect with no in-between. Splinter is the type of parent who tries his best but still makes mistakes. In real life, there is no such thing as a perfect parent. Even the kindest parents are going to make mistakes from time to time. But my favorite thing about Splinter is that he almost always owns up to his mistakes. Rather than doubling down or pretending he did nothing wrong, he admits his wrongdoing and apologizes. And that’s way better than a lot of parents.
I don’t want to get too personal, but I grew up with several abusive adults in my life. I know firsthand what it’s like to experience very violent abuse at the hands of an adult. It fucked me up and I’m still recovering from it. Pretty much none of those adults ever admitted wrongdoing or grew as a person. In their eyes, they were always in the right and I deserved what I was getting. I would’ve loved to have a patient and kind adult in my life like 2012 Splinter.
Abuse looks different for everyone, and I don’t want to imply my experiences are universal. But as someone who did grow up in that environment, it’s upsetting to see people blow Splinter’s actions out of proportion in order to validate their dislike of a him. To me, it feels like fans are using the abuse as a tool to make their opinions look morally correct. As a writer, I understand making alternate universes to amp up the angst potential. But insisting that fanon is canon is where I draw the line, especially when it comes to willfully misinterpreting a character.
73 notes · View notes
alliumdykes · 4 months
Text
Shaking people to remind them that they are not a bad person. No one is inherently a bad person. We all have room to grow, no one does one bad thing and is forced to he bad forever. Humans are complex creatures and we are neither good nor bad. We just exist in this fucked up world. All we can do is do our best to be kind and get better. We are all allowed to fuck up. We are all allowed to make a mistake. No one’s perfect, we can never be. But we just need to try and get better. We can all be a dick for no reason sometimes. That doesn’t mean we are cruel irredeemable monsters. We all just have to try our best to be kind even when its so hard.
17 notes · View notes