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zionworkzs · 7 months

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Anyone ask for a needlessly long and emotional dissection of when and how Crowley and Aziraphale fell in love? No? Too bad.

I'm going to start with something controversial.

Aziraphale fell in love first.

To explain this, we gotta get a few things out of the way first.

FALLING in love and KNOWING you're in love are very different things. And the whole concept of LOVING someone and BEING IN LOVE are also different things.

Aziraphale LOVES Crowley from, well from before the Beginning. Because they are both angels and angels love. I would even accept the argument that Aziraphale LOVES Crowley throughout their flashback scenes before the Arrangement (because again, he is an angel).

The Arrangement is born out of a symbiotic want of Crowley and Aziraphale to fuck around and not do their jobs enjoy humanity.

It is my personal belief that Aziraphale FELL in love with Crowley in 1941 when he saves the books (not a hot take, I know).

He REALIZES he is in love with Crowley when he gets the Holy Water for him and the closest we get to that is this scene.

Aziraphale thinks that Crowley wants to use the Holy Water as some kind of last-ditch attempt to get out of trouble. He knows it will kill him, and is incredibly dangerous in general. But he does it anyway. Why? Because he knows Crowley would find a way to get it regardless (most likely some dangerous plan that will result in death or grave injury). At least this way Aziraphale can feel somewhat at peace with the knowledge that Crowley no longer needs to do something reckless to get what he wants. He overtly goes against Heaven in this act, and this is one of only a few times we see him do this to such a degree (see Job).

It is my personal belief, and I'm sorry to be this person, but I don't think that Crowley was IN LOVE with Aziraphale in this scene or in any before it (def well on his way, but we'll get there).

I think that Crowley was still hopelessly intrigued by this angel who did fantastical things, like drink and eat and immerse himself in the aspects of humanity he adored.

And another controversial take I have is that the "you go too fast for me" is not Aziraphale saying he recognizes Crowley's feelings and his own and that Crowley is too fast for him in that respect. Because again, I don't think Crowley is IN LOVE with Aziraphale here.

I think Aziraphale is saying you go too fast for me, you treat life like a speedrun to get to the good parts. Hell, Crowley slept through the 19th century because he wanted time to move forward. Aziraphale recognizes this. He's in love with this demon who won't slow down and appreciate the mundane, human things that Aziraphale treasures. He goes too fast. He never settles down.

(I could do a whole analysis on this scene, but we'd be here till GO Season 3 came out)

I also could accept the argument that Azi realizes he is in love in this scene here when he hesitates before saying friends (Michael Sheen I'm in your walls what the hell was this shit).

Because it does make sense that this is the first time we really see Aziraphale say what they are. But he hesitates so much. Keep in mind this happens AFTER the whole book saving incident. Does he hesitate because holy shit the person I like just did something really sweet and I see them in a new light? Possibly. I still think that Aziraphale deciding to give Crowley the Holy Water was his declaration. But I could be swayed.

Crowley is different in this respect. Contrary to popular belief, I think Crowley falls in love with Aziraphale slowly. So slowly that he doesn't even recognize it as being IN LOVE until it's pointed out by Nina.

Because he falls in love slowly, it's hard to pinpoint an exact scene where he is FALLING IN LOVE. I think throughout the first season (and before when the two are meeting up semi-regularly), when he and Aziraphale are trying to co-parent Warlock and the subsequent hunt for the real antichrist is the clearest I can get to him being IN LOVE.

(Putting this gif in because holy shit, I mean, fuck, bro)

Let me explain.

Until this point (the handful of years prior to and during S1), he and Aziraphale were ships passing in the night. Crowley liked the mystery, the excitement of seeing the angel every so often. Got joy out of teasing him. But this is when Aziraphale becomes more than that. He becomes more of a constant in Crowley's life. And ever since his Fall Crowley has craved stability. A safe place to land. He changes his hair, his clothes, his accent. But Aziraphale doesn't. He just... is. He is constant, mostly unchanging, and still endlessly intriguing.

Crowley is IN LOVE with Aziraphale when he realizes that Aziraphale isn't going anywhere (yet). Crowley can rely on him. And for Crowley, that's something he's never had before.

Crowley LOVES Aziraphale. And he is IN LOVE with Aziraphale, but I genuinely don't think he recognizes it until he could lose him. (He's always been a bit dramatic; it would follow that his realizations only occur under dire circumstances).

Here, when he feels he is losing Aziraphale, Crowley does the one thing he never has before: says what he's feeling. Granted, it's sandwiched by a sassy one-liner and being shit at communication. But it's there.

And I think that he thinks, it's a fluke. One moment of weakness.

But then it happens again. When he's losing Aziraphale. And he can't say anymore. He's done his speech, he's thrown out the nightingales. There's nothing for it.

He KNOWS he is IN LOVE with Aziraphale when he's losing him.

#totally open to discussing this further but please be respectful #this is just my interpretation of their characters #not saying it's the end all be all truth #I just think Crowley is a lot more slow about it than people give him credit for #He's naturally distrusting of others #It would follow that he would be distrusting of himself #theres also that whole self-worth stuff #He never feels truly worthy of forgiveness and says as much in season 1 #100% prepared to walk all of this back when S3 comes out lmao #watch neil be like “actually they confessed their feelings in Heaven before Crowley fell because fuck yall”#good omens meta #good omens #aziraphale #crowley #ineffable husbands

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rarebritney · 9 months

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why did i just think to myself that I want to rewatch the hbo nxvm documentary

#fun fact my violin teacher when i was a kid is in the opening credits for season 1 of the documentary??#bc i guess he was kind of in nxvm. he is playing the violin in it its so weird

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mics59 · 11 months

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You leave Jim alone for 5 minutes in the jungle and when he comes back he's all feral and covered in paint

#the sentinel tv show #i love the blue filter whenever the jaguar appears #(in the Spanish dub they call it a panther tho)#I laugh so much whenever there's a cut and I hear the 'this is a +18 tv show/movie' jingle #one thing we don't give the show enough credit is it's banger season opening episodes #they are all incredible #edit: season 1 was +13 why the fuck did it change ratings????

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atomicdojo · 1 year

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youtube

#star wars #Andor #andor season 1 #1970s #1975 #synth #synthesizer #credits #opening credits #disney+#Youtube

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art-and-music-i-like · 2 years

Video

youtube

True Detective - Opening Credits - Season 1

#true detective #opening credits #season 1 #the handsome family #far from any road

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ariaste · 9 months

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The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2

(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)

***

Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off.

Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse?

Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended

In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--

Proem

A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it.

You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.

But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand.

I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.

The Facts As We Know Them

Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)

Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2:

1. Neil Gaiman is extremely good at his job.

2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.

3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.

With me so far? Great.

The Elephant In The Room

Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.

I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:

“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”

All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick.

At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.

I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece.

You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!

Yes, of course I will explain myself.

Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this:

Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too.

As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good.

On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.

What does that tell us?

Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.

Which leaves only one option: He did it on purpose.

(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)

If he did it on purpose, then the natural question to ask is: WHY!?!?!??

It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?

See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)

So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)

This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.

The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?

The Pledge, The Turn, and... The Conspicuous, Expectant Silence

There are three parts to a magic trick: Pledge, Turn, Prestige.

First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.

To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”

You have to bring it back.

When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:

You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.

Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.

Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:

The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?

Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”

When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)

#good omens #good omens season 2 #ineffable husbands #neil gaiman

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goodjohnjr · 1 year

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Liaison Opening In 4K

Liaison Opening In 4K What Is It? The YouTube video Liaison Opening In 4K by the YouTube channel Average Media Enjoyer, which is the opening credits for the TV show Liaison (Season 1), and features the song You Are The One by Plumm from the EP Chameleonic: Liaison Opening In 4K Here is the description for this video: Two agents—and former lovers—must work together to combat international…

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#Average Media Enjoyer #Credits #Liaison #Liaison Opening In 4K #Liaison Season 1 #Music #Opening #Opening Credits #Plumm #Plumm You Are The One #Video #You Are The One #YouTube

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fuckyeahisawthat · 9 months

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Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.

In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.

When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.

And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.

It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.

Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!

Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.

Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.

And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.

Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.

And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.

And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.

And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.

I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.

I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.

But goddamn.

#good omens #good omens s2 #good omens s2 spoilers #aziraphale #crowley

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fuckyeahgoodomens · 1 year

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The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror.

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤

#good omens #gos2 #season 2 #posters #s2 poster details #fun fact #robert louis stevenson #jane austen #joseph heller #charles dickens #can't waiiiit #wahoo!

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sorrowfulrosebud · 5 months

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Thinking about the progression of Katsuki letting you pet his hair (he’s also deaf in this bc I said so). Also season 6 spoilers lol

The first time you do it is during the designated movie night Class 1-A had every month during the weekend. Soft fleeces, pillows and sleeping bags litter the common room floor as everyone nestled in to start the movies. It was sacred tradition; a huge marathon of previously voted movies streamed one after another until everyone was asleep, or if the marathon ends early.

(Aizawa couldn’t be bothered to lecture the class anymore; as long as caramel popcorn didn’t get stuck in the rugs of the common room, you could all stay up for a solid week for all he cared).

You and the Bakusquad were lucky to snag one of the bigger couches, comfortable sitting you, Mina, Kirishima and Sero. Denki whined and pouted at first, before grinning at the realisation that he would be sat between your legs.

You and Mina both rolled your eyes, knowing that for all Denki was a hormonal teenage boy, he was harmless. Kirishima had even convinced Bakugou to join you somehow (under the promise that he wouldn’t bother him again).

“Tch, ain’t no way in hell you’re sittin’ there, sparky. Move your ass ya fuckin’ pervert,” he demanded, pulling Denki out of his euphoria. Denki whined, mumbling about how it was so unfair.

Katsuki rolled his eyes, before setting himself down. He would way rather have sat on the actual couch itself, but his head was pounding from training today and he could not be bothered to argue. You shimmied slightly closer to the arm of the couch so he would have more head room, which didn’t go unnoticed.

The lights in the room dimmed, snacks were distributed and drinks were poured. The dramatic sting of the opening credits filled the room as you and Mina giggled in excitement.

Katsuki’s head was absolutely killing him. The shitty combination of his classmates twittering, stupid jokes and shitty jumpscares made the pain in his head borderline unbearable. He was just about to get up and go when he felt a hand softly nestle into his fluffy locks.

Out of instinct, his warm palms wrapped tightly around the perpetrator’s, earning him a squeak. His head snapped in the general direction, only to be met with your widened eyes.

“Sorry Bakugou. There was a spider in your hair,” you whispered in his ear, showing him the tiny arachnid that was creeping along your hand. Katsuki rolled his eyes and released your hand.

“Whatever, just don’t touch me again, you weirdo,” he grumbled. He rested his head against the space between your and Mina’s legs and continued to watch the movie.

The next movie day was quite similar. You all arranged yourselves in a similar way, with you and Mina sat on the couch and Bakugou nestled between the two of you.

His head was absolutely pounding after training, but he owed Kirishima and he’d rather die than be indebted to him. The movie played as he rested his head on the plush couch, closing his eyes and sighing deeply. His hearing aids had been a total pain in his ass, and hearing was just too much for him.

He took them out, snapping them away in his case as he squints at the screen and lip-reads. You took notice immediately, gently tapping his shoulder and signing to him if he was okay. He blinked at you before huffing.

Yeah, I’m fine. Head hurts is all, and having a hearing break, he signed. You let out a silent “ohhh”. You thought for a minute before signing again.

I can give you a head massage if you like? My quirk allows me to heal through touching.

Katsuki’s eyes shot open before grunting and looking away. You took that as a no, before he nudged your shoulder.

Discretely. Do not let ANYONE see or I’ll kill you, he signed aggressively. You smiled as you started at the base of his scalp, your quirk heating up ever so slightly as you gently twirled his baby hairs.

Katsuki let out a slow breath as his migraine started to lift, and if he focused for a second; the ringing in his ears started to quiet. Your hands worked magic into his scalp, softly scrunching the dandelion fluff. Shivers ran down his spine as you thumbed the sensitive skin near his ears.

It took 20 minutes for him to feel completely rejuvenated, taking your hand off his head with a blushy grunt.

Thanks, or whatever, he signed, looking away. You gave him a small smile, ruffling his hair as he swatted you.

No problem, blasty.

“Where the fuck is he?! TELL ME WHERE HE IS, RIGHT NOW!” You demanded, the poor doctor hiding behind their clipboard as she waits for you to calm down.

“He’s right in here, but please be careful with him. He’s stable, but any… intense… emotions can throw that right out of whack,” she said calmly, opening the door and closing it behind you.

Katsuki was laid in bed, propped up by pillows as an oxygen mask aided his laboured breathing. His beautiful face was scratched to hell and back, and his upper torso was covered in bloodied bandages.

You let out a stifled sob, hands covering your mouth upon seeing your classmate. The two of you had grown closer during the movie nights; your hands would end up tangled in his hair as he slumped against you sleepily, slow but hot breaths against your leg.

You would kill Shigaraki for doing this, if it was the last thing you would do. Your head rested against the bed rails as you cried, not knowing if your crush would ever wake up.

“H-handsy? Wh’ the mphuck happened?” Katsuki murmured out. Red eyes cracked open slightly as he focused on you, before they shot open completely.

“Deku!” He exclaimed, trying to rip the oxygen mask off and trying to race to his feet. You exclaimed loudly, trying to get him to calm down. You ended up sitting on him, pressing his shoulders back into the bed as you looked at each other wildly.

“Y-you’re alive…” you let out a slow sob as you lowered your head. Katsuki stared at you, before his calloused hands caressed your cheeks. Your eyes shot open, hot tears streaming down your cheeks.

It was like he was seeing you clearly for the first time in ages, all worries slowly melting away as your hands bunched into his scrubs. You let go of his clothes as you started to shakily sign.

Shigaraki impaled you after you pushed Deku away. He’s totally fine, a bit roughed up but he’s being treated in another room. Your organs were pierced, and you’re gonna be sore for a while but you’ll get better soon, you sign. Katsuki nodded, still tracing your cheeks.

He let go of you as he signed back.

Are you okay? Did Shigaraki get you? You were there with us, and I blacked out before I could find you.

You shook your head.

No, I’m fine. I had a concussion and a busted leg, but Recovery Girl fixed me up almost right away. Does your head hurt? How do you feel?

Katsuki thought for a second.

My head hurts a little, and my gut hurts like fuck. Shigaraki fucking ripped my hearing aid out too so my ears are ringing.

You paused as you looked at him. You got off him quickly, signing to him that you were going to find a nurse, stopping when you felt him grasp your wrist.

Can you interpret for me? I’m a bit out of it and my head hurts too much for me to lip-read, he signed, looking… worried?

You smiled to him and nodded, promising that you wouldn’t leave him.

Nurses came and went as you signed to him what they were saying, as well as explaining how they were going to monitor him. He, of course, demanded you tell them that he’s fine to go home. You shook your head, smiling slightly as you tell them that he isn’t the biggest fan of hospitals, making him flip the bird at you.

The doctors gave him some antibiotics as he laid grumpily in bed, waiting for them to kick in. They left, reminding you of visiting times and when you would have to leave. You thanked them on behalf of you both, bowing before looking back to your crush.

He was sat pouting, tugging on the wires and tubes gently. Since he was more lucid, his usual moody temperament was back. You sat on the foot of the bed, tugging the blanket to get his attention.

Are you tired? I can leave you alone if you want. I know the others are probably going to demand to see you soon too, so you might want to rest up, you signed. Katsuki tutted, before a thought crossed his mind.

No, I’m not tired. Those extras can wait too. My head hurts still, so get over here and use your quirk, he signed aggressively, a stark contrast to the pink creeping up on his cheeks.

Oh, I’ll call the nurse- you start signing before Katsuki lets out an aggravated grunt.

No, dumbass. My HEAD HURTS, come USE YOUR QUIRK, he made his hand movements larger to emphasise. You stop, letting out an ohhhhh.

A cheeky grin swamped your face as your cheeks warmed. Katsuki huffed and looked away, calloused fingers playing with the hospital sheets. You shyly made your way next to him, him shifting away to give you room.

Are you comfortable? You sign. Katsuki nods, wrapping his arm gingerly around your waist. Your arms snaked around his shoulders, pushing his head into your neck. Gentle hands pulled debris out of his fluffy locks, content in hearing Katsuki’s relieved huffs of breath.

“…ne.”

“Did… did you say something, Bakugou?” You turn to look at him. His cheeks were splashed a delicate rosy pink.

“Be mine, damnit!” His voice was gruff with disuse as he peers into your eyes. Your own orbs couldn’t help the leaks, reaching down and pressing your lips to his.

The next movie night rolled around, Katsuki was proud to show you off as his partner. PDA was a tricky concept for him, after almost being scared off when his parents found you both asleep and cuddled tightly together well after visiting hours.

He had no qualms shouting praises to you during training, or threatening the life of creepy guys who can’t stop staring. So his favourite time where he can absorb your love in public lies in the tradition of movie nights.

Katsuki had his hearing aids out again, simply opting to sit in silence. He was sat between your legs, head resting against your tummy as he was occasionally shifted by your quiet laughs. He paid no mind though; so calm and quiet that he was ready to fall asleep.

Then your magic hands came out. You knew all of his sweet spots; the delicate scarring near the tips of his ears, the wispy baby hairs near the bottom of his neck, and the sensitive spot in the crown of his scalp always sent a shiver down his spine. He reminded you of a kitten, and when he lets out the occasional sigh, you imagine he’s purring instead.

With the soft kisses pressed against your thighs, just the two of you together and your hand in his hair,

he’s never felt more loved.

#bnha x reader #bakugou x reader #bakugou #bakugou fluff #bakugou x reader fluff #katsuki bakugou x reader #bakugou katsuki #katsuki x reader #katsuki fluff #bakugou katsuki x reader #bakugou x reader angst #bakugou angst #Katsuki angst

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em-dash-press · 7 months

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Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing.

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence.

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there.

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing.

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

#writing chapters #writing scenes #chapter writing #scene transitions #chapter transitions #writing transitions #writeblr #writing advice #writing tips #writers of tumblr #creative writing #writing #writing community #writing inspiration #writing help #writing resources

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amuseoffyre · 9 months

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I was watching the bts videos yesterday including the making of the opening credits and Mr. Anderson said “We added plaques to the back of chairs and Neil chose who to honour on them”.

He’s referring to the chairs we briefly see in the theatre where Aziraphale is doing his magic act:

Left to right: A Tale of Two Cities by Charles Dickens, Pride and Prejudice by Jane Austen and The Crow Road by Iain Banks.

I want to focus on these three in a row specifically because Neil chose to put those books there in that order and I had something of an epiphany last night about it all when insomnia was chewing on my toes.

These three books have also been mentioned out loud in the show in episode 2 when Gabriel is reorganising the shelves:

“It was the day my grandmother exploded” - The Crow Road

“It is a truth universally acknowledged-” - Pride and Prejudice

“It was the best of times, it was the worst of times” - A Tale of Two Cities

For those unfamiliar with the books, I’ll do a quick potted summary of each, with a focus on why I think they’re relevant and especially why the order of the chairs in the theatre feels relevant.

A Tale of Two Cities

Set during the French revolution with one lead who is an aristocrat who has stepped away from his class and background to support the less fortunate than himself because he disagrees with the way they did things. Also, he changed his name because he doesn’t want to be associated with the place where he came from.

The big culmination of the books is when said man is betrayed and set to be executed, but his friend takes his place. There is very literally a body swap by someone who looks very like him in order to save his life. This body-swap is done out of love.

aka - season 1.

Pride and Prejudice

Two people from very different class backgrounds have a very very bumpy start to their relationship because of misinterpretation, miscommunication and a lot of external pressure put on them by the rules of their respective societies. Both of them have different information and because of that, both of them are seeing exactly the same situation very differently. One of them tries to express his affection, but does it so badly that the other tells him there is no chance she will join him.

aka - season 2

The Crow Road

A young man tries to solve a mystery of someone’s disappearance using only the papers they left behind, with said young man’s background rooted in faith and belief in a higher power. There’s also a secondary plot about emotional growth into a more mature and more fulfilling relationship.

(And wouldn’t you know it, it’s the book handed to Muriel by Crowley, who tells them they’ll like it, and the Metatron comments on it)

aka - season 3

Needless to say, I am quite excited :)

#good omens #good omens s2 #good omens meta

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cheriladycl01 · 10 days

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Mercedes Golden Girl - Grid x MercedesSplit! Reserve Driver

Plot: You are the woman to have come the furthest in modern Formula 1, as reserve driver for 3/10th of the grid she's thrown about the shop in the season of 2024.

Credits to csquaredinred for the GIF

Y/N Y/L/N was a name in Motorsport History books. She had currently come the furthest a woman has in F1 in many years.

Following in Oscar Piastri's footsteps, you won F3 in 2022 two years after him while he was storming through F2. You had an extremely dominant season being 30 points ahead of the next person behind you.

F3 wasn't too bad, you had one other girl with you that you were able to hang out with, as the boys were all the same in F3.

It was harder in 2023 when you graduated to F2 and were the only girl on the grid. Obviously you made friends with the boys but you always felt like the outcast, you never understood the 'boys jokes' and sometimes they wouldn't invite you to stuff because 'girls wouldn't like it' and it upset you.

You were very nervous to get into F1, only assuming that gap would be larger than it was in F2. So when you won the championship it only seemed smart for Toto to Promote you to the Mercedes reserve driver, on loan to McLaren and Williams as and when needed.

You'd been in the Mercedes Young Driver and Development Programme since Karting thanks to your family connections to one of the mechanics.

He begged Toto to go see you karting and give you a change and that was when his mind was set to help you further your career where he helped you into F4 and other racing.

There was an open spot in 2024 for you to be a Reserve Driver for Mercedes with Frederick Vesti and Mick Schumacher starting to look at other racing categories like WEC and Indy Car. So having you available in a second was important for Toto, they made a clause as engine suppliers for Williams and McLaren that they could also use you as a reserve driver as long as Mercedes had first dibs on you.

You thought your 2024 season would be pretty slow, only getting to go in the F1 car in Free Practice sessions like you had before but oh boy how wrong you turned out to be.

When Lewis announced he was moving to Ferrari in 2024, you had conversations with Toto Wolff and George Russell to see if that Mercedes seat could be yours, despite their being talk of Carlos Sainz, Alex Albon, Kimi Antonelli, Mick Schumacher and Frederick Vesti all up for taking that seat you hoped that maybe you could get it.

Toto didn't confirm anything and for the first four races, Bahrain, Saudi Arabia, Australia and Japan you did everything you could for the team, grabbing waters, helping hospitality make food, being chauffeur to any of the drivers who were tired after the races and everyone could see how much effort you were putting in.

CHINA 2024

In China, Logan Sargeant sprained his wrist in training and by the time FP1 came around the medical team said it wasn't safe for him to drive. As the sole and only reserve driver Williams had it was up for you to race.

Williams hadn't had a good season and they were worried having a rookie in the car. Both Alex and Logan had their fair share of mistakes and they were worried about their spending this year. They couldn't afford another chassis until Miami.

They also had yet to gain points with either the boys currently.

You were a lot smaller than Logan so they spent time padding out the car to help you so your neck didn't suffer with the G-Force as much.

By the time FP1 came about the car had been padded out fully.

"And here we have a very nervous looking Y/N Y/L/N who has been confirmed to take Logan's place for the race this weekend and will be partaking in her first F1 race. Awwww look at her talking to Logan and his team..." Ted says as he sees her on screen, talking through what was probably race strategy.

"Yeah, obviously she's done these Free Practice sessions but never a race so I'm excited to see what she can do on Sunday!" Martin says looking at her as she starts to pull her race suit up and put her helmet on.

You get in the car and after some wet conditions and not everyone getting out your fourth fastest on the board.

All the interviews were joking around saying how you were a Mercedes miracle.

FP2 saw you get P12 and you were pretty happy with that result as you weren't trying to drive quickly, you were just trying to get used to the track. You'd never driven the Shanghai circuit so getting to grips on the circuit was difficult.

FP3, went better and you came P9, trying to see how confident you were on the track and you were trying to go the quickest time you could without risking the car too much.

Qualifying was not good, your breaks were faulty meaning you didn't make it pas Q1 saddling up in P16.

"How did you feel about that qualifying session Y/N?" an interviewer asks and you.

"Yeah I think I got as much out of that car as I could on that day. I'm not only learning the track... I'm still learning the car and how it's built and just how different it is from F2. Learning both at once is pretty complicated so I'm personally proud of what I've achieved and yeah I hope the team is proud of me too.

"Yeah Y/N i think you've really got to understand just how amazing what you've done so far this weekend is already amazing and no matter the result tomorrow people will still be incredibly amazed by what you've managed to do in a lower end car" he smiles and you grin back.

"Thank you really!" you grinned, nearly tearing up at the kind words.

Come the Sunday and you were ready and raring to go, Williams had come up with an impeccable strategy that you knew you'd be able to pull something off.

"IT'S LIGHTS OUT AND AWAY WE GO HERE WE ARE RACING IN SHANGHAI CHINA FOR THE FIRST TIME SINCE 2019. AND EVERYONE MAKES IT ROUND TURN ONE, BUT OH MY GOD CONTACT IN THE REAR WITH, WHAT THAT A WILLIAMS AGIAN?" the commentator screams and everyone in the garage is holding their breath, the dust from the gravel trap not allowing them to see which car went into the wall.

Your family were panicking thinking it was you.

"IT'S NOT! IT'S THE RB OF YUKI TSUNODA AND THE ALPINE OF ESTEBAN OCON! AND NOW VALTTERI BOTTAS IS HAVING TO STOP HIS CAR ... LETS REWATCH TO SEE WHAT OCCURED!" the commentator says as they watch the replay of Esteban taking the turn to wide and not leaving enough room for Yuki crashing into the side of him while clipping Valtteri's wheel and wing.

The race went on and you'd managed to climb all the way to 5th thanks to you having insanely good tyre management. It was always one of the things you were condemned for in the lower feeder series is how well you looked after your tyres.

"Y/N is just doing an amazing job, not only is she currently the only one to have not pitted but she's managed to climb her way up the ranks and get that distance she'll need to pit" the commentator says watching.

"I think she's really starting to struggle on those tyres though. I can imagine they'll put her on soft tyres for the last few laps to help her gain those vital positions. Everyone else seems to be on the mediums right now" he explains and on the next lap you called to pit.

However the commentators our outraged as Williams fumble, calling both you and Alex into the pits at the same time.

"Guys what the hell is going on?" you ask waiting behind Alex's car who was getting new tyres and had a very quick pitstop.

However the crew weren't prepared for the double up, so they run getting looking around for what they need for you. It ended up being a 12 second pit stop and you were crying with frustration by the end.

"Y/N I'm sorry we are looking into it" Logan's engineer says and you just ignore.

You came out of the pits in P15 so you had a lock of making up to do.

"AND FOR THE FIRST TIME THIS YEAR WILLIAMS HAVE RECIEVED POINTS, AND BOTH OF THEIR DRIVERS AT THAT DESPITE ALL THAT WAS THROWN AT THEM TODAY THEY HAVE GOT THEMSELVES THOSE VITAL POINTS THAT WILL STIR WILLIAMS IN THE RIGHT WAY!" the commentator yells and as you drive past the pitwall, all engineers from many of the teams are cheering your name making tears come from your eyes, scoring your first point in F1. P10 in your first race.

"You really were just phenomenal out there today Y/N. You had the best tyre management by statistics which is incredible for a reserve rookie... you've just amazed us all!" Naomi smiles at you.

"Honestly its such a great feeling going out there and making the team proud, i think Williams still have so much to work with and I experienced that today but with drivers like Alex and Logan who are both so driven and hard working i can really see them improving throughout the season.

"Do you think you'll do any other races this season?" he asks and you laugh.

"I think I'm lucky as a reserve driver to have been given this opportunity. Obviously my heart goes out to Logan and I hope he makes a full recovery for his home race! But ultimately i dint think I will be called on again this season." you nod.

MONACO 2024

"When you got the phone call from Toto explaining that Lewis wouldn't be able to race in Monaco, you were shocked. It would take something really big to make Lewis not race.

You'd come to the paddock pull of nerves and you felt physically sick. Mercedes, even though their car was pretty shit this year, still had a mid field car and you were going to prove that you could drive it like it was a championship winning car ... if it was any other circuit than Monaco.

Monaco was... well Monaco. It's an itty bitty small street track that didn't have a lot of room for overtakes, had twisty corners that were very unpredictable and could always have a chance of rain.

So yeah you were worried.

Too the point you actually had a panic attack, there you were in your drivers room crying and sobbing over the pressures from media day before going out to FP1.

"Y/N?" you heard from outside your drivers room making you stop completely in your tracks trying to make your crying silent but you were doing this weird little hiccupping sound as you were gasping for breaths.

"I'm coming in!" George says and he walks in, greeted by your red puffy eyes and tear-stained cheeks.

"Awwww baby" he says with a pout and pulls you into a hug as you sob more. There wasn't as much pressure on you as there were in the Williams, Mercedes had been constructors champions for 8 years in a row.

"George I'm so scared, what if i mess up!" you cry looking at him and George was nearly brough to tears himself seeing this 21 year old girl sobbing into his chest at the prospect of her messing up.

"What are you worried about messing up!" he asks.

"The race, the constructors championship! Everything!" you cry harder. George stays with you until you both are needed for the Free Practice Session.

Lewis' Mercedes has to be very packed out for you as he was a bulky man despite his height and that was the first issue in FP1. They hadn't packed you out enough and your were struggling a little with the G-Force, some corners the particularly fast ones, your head was flying to the side causing your steering to be a little off.

Despite that it made for a great weekend. George was right, you didn't have anything to worry about and you came P7 while George game P5 having car problems in qualifying meaning he'd had the better overall driver working his way up to the position he had.

"And again Y/N, how do you feel now that you are above Ollie Bearmen in the drivers Championship!" she asks and you giggle. You and Ollie despite being in different driver development programmers had a special bond. You both karted together a lot as kids and you went to the same school as him despite being a few school years above him. You had a sibling sort of bond.

"Yeah, i mean it's a little unfair to compare me at all considering he drove the second best car on his first F1 race... but i think we both stepped up to the challenge well and really took it in our strides. I'm excited to see of there are any teams willing to offer him a seat. I think so much talent from F2 is being wasted and the feeder series doesn't feel like its doing well of getting drivers into F1... so it would be interesting to see a new category added that's closer to F1 than F2 ..." you admit knowing that's how all of the washed out F2 drivers felt that will potentially never get to experience a career in F1.

SPAIN and AUSTRIA.

You were on a yacht, you didn't know whose but you were on a yacht when you had the news that George Russell had fully broken his foot in a crash Canada and they'd need you to step in for two races while it healed. He was getting surgery... of course he was and it should be healed by the time George's home race came around.

Getting to drive alongside your idol Lewis was incredible. He'd made you feel so safe and comfortable the whole weekend and you clung to him in all the media and interviews.

Not that Lewis minded, he found you adorable and didn't want you to feel left out or side-lined. He brought you out for food with some of the other drivers who you got talking to finding out their likes and dislikes. Lewis and Charles would excitedly gossip about them being team-mates for 2025 and whether Toto had found a replacement.

"Well... Carlos told me... and you cant tell anyone... promise?" Charles said seriously as the three of you were stood at the bar. And you nod.

"He's been offered a 3 year contract at Red Bull which is perfect for him to then make the move to Audi!" Charles exclaimed and you let out a breath of release.

The Mercedes seat was still up for grabs.

Spain was incredible, you'd never felt the heat and an atmosphere quite like it and you got you best result yet, coming P5. You kind of blamed that on Max and Perez crashing into each other and the debris messing with Carlos' car meaning Charles, Lewis and Lando took the podium while you and Oscar were just shy of it.

Austria was also good where you came in P8, Aston and Ferrari having had upgrades meant it was a tougher battle with everyone on the grid.

You now had 21 points, and were 10th in the constructors championship despite not being there for all the races which you were pretty impressed with. You'd scored points at all your races.

But it wasn't until Monza that the big one came.

MONZA

You were asked to fill in for Mr Oscar Piastri who had come down with what the medical team deemed invasive tonsillitis and he was not on par to drive.

Again you were nervous but having driven the Mercedes a few times you felt more and more confident.

You and Lando had pretty much spent the whole media day messing around. Lando did it, not only because he liked you but because he knew you were nervous despite the front you were putting on for everyone in the garage.

You and Lando got on like two pees in a pod and everyone found the dynamic hilarious. Lando flirting with you while you were innocently oblivious to his moves.

Lando found you insanely attractive. Every race you turned up at he'd look out for you in the paddock just so he could see you in your Mercedes gear.

Today however, you looked even better rocking the Papaya.

"You look good today!" Lando attempted as he grinned at you.

"Thank you! I got a new helmet design for this one, wanna see?" you ask and he nods. You show him your helmet which was so you, but you'd gone all out making it glittery. One side had Lando's pattern on it from his standard 2024 helmet.

"Oh woah! That looks great!" he grins, watching as you pop it on. He teasingly slaps the lid down making you try to reach up and swatch his hands away and lift the visor back up.

"Lan come on!" you cry frustrated making him chuckle.

Qualifying came and Piastri's now your car had so many issues meaning you were starting in Sunday in P11, which wasn't great. But the engineers promised to fix the issues before the race.

Lando got pole and you were overjoyed no longer caring about the shit show of your Qually.

You were jumping and hugging him as he got out the car and he enveloped you back in the hug.

"I'm so proud of you!" you'd squealed to him, and thank god his helmet was on because boy was blushing hard.

"Thank you!"

Sunday came around and it was carnage.

"AND AFTER A DIFFICULT RACE LANDO NORRIS WINS THE 2024 ITALIAN GRAND PRIX HIS FIRST EVER WIN, HERE COMES MAX VERSTAPPEN IN P2 AND Y/N Y/L/N GETTING HER MAIDEN PODIUM AS A RESERVE DRIVER FOR MCLAREN. WHAT A RACE SHE HAS HAD!" the commentator screams.

All of the Mclaren team were celebrating from the pit wall as you and Lando waved at them.

Being up there on the podium with Lando and Max was like nothing you've ever experienced. You were drenched in sticky champagne and you were laughing and joking with two friends about the victory.

"If that doesn't get her a seat next year I don't know what will" the commentators say before the Sunday Race stops broadcasting live.

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @daemyratwst @lauralarsen @the-untamed-soul @thewulf @itsjustkhaos @purplephantomwolf @chasing-liberosis @summissss @gulphulp @starfusionsworld @jspitwall @sierruhhhh @georgeparisole @youcannotcancelquidditch @tallbrownhairsarcastic @ourteenagetragedy @peachiicherries @formulas-bitch @cherry-piee @spilled-coffee-cup @mehrmonga @bigsimperika @blueberry64857959 @eiraethh @lilypadlover @curseofhecate @alliwantisadonut @dark-night-sky-99 @i-wish-this-was-me @tallrock35 @butterfly-lover @barnestatic @landossainz @darleneslane @barcelonaloverf1life @r0nnsblog @ilove-tswizzle @laneyspaulding19 @malynn @viennakarma @landosgirlxoxo @marie0v @yourbane @teamnovalak @nikfigueiredo @fionaschicken @0picels0 @seomako @urdad-hot @tinydeskwriter @ironmaiden1313 @splaterparty0-0 @formula1mount @styl1shl1v

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dilemmaontwolegs · 10 months

Text

Not A Verstappen: Sibling Rivalry {1}

Pairing: F1 drivers (platonic) x fem!reader Summary: A little crack!fic as a driver!reader who is Max's little half-sister. Warnings: 18+ only, lots of bad language, protective big brother, sibling antics, daddy issues. WC: 2k F1 Masterlist NAV: Sibling Rivalry One || Two || Three NAV: Gridlocked One || Two || Three

There was nothing that irked you more than being called a Verstappen. Yes, you were Max’s sister, but that was where the relationship with the name ended. Your sperm donor, as you publicly referred to Jos, had never been a part of your life and that was one blessing you were thankful for.

Somehow the bastard's genetics had won and that stupid racer’s blood ran in your veins. You liked to go fast. Your mother said that you could run before you could walk and the same went for driving. At 17 years old you had your super licence before your drivers licence, making it legal to drive at 200 mph around a circuit with insane corners but not 30 mph on the street.

Something about that seemed…odd.

It was worth it in the end. You could still remember the look on Jos’ face when you signed for Alpha Tauri. Oh, how the bastard had tried to credit himself with your achievement. But there were more similarities that you shared with your half sibling than you were willing to admit. One of those shared traits was brutal honesty. And you had let your honest thoughts fly when Jos opened his mouth.

Three years later the sperm donor was still bitter. He would surely have to get used to it, especially since you had just been named as a Red Bull driver, alongside Max.

Round One - Bahrain 2022 “This is a historical first, siblings racing together on the same team,” Ted Kravitz said as he walked along the pit, stopping outside Red Bull’s garage. “The two Verstappen's will be fighting each other for the Driver Championship, once again, while simultaneously working together to win the Constructors Championship. A very, very exciting season ahead I can already tell.”

You had been pulling your helmet on, about to climb into the RB18 when you heard the comment. The short temper you were well known for flared and you sauntered into the pit lane. “Hey, Ted Crapitz,” you called out as he stood writing in that little notepad of his.

He looked up a little stunned and his eyes darted at the camera that was always following him around. “It’s, uh, Kravitz.”

“Oh, my apologies, I thought it was just normal to make up offensive surnames. No?” you asked as you arched an eyebrow at him. “Because Verstappen isn’t mine, so don’t ever call me that again.”

“S-sorry, my mistake,” he stammered, but you were already shoving your helmet on and grabbing the halo to climb into your car. “A bit of a slap on the wrist for me there.”

You had no doubt that the video would go viral and the comments would call you a bitch but you didn’t care. Jos was a piece of shit and your mother didn’t raise you all on her own, working two jobs to pay for your karting years, just for you to be called a fucking Verstappen.

There was no better feeling than pulling out of the garage and heading to the track. The finely tuned car purred beneath you and you could feel the restrained power of it just waiting for you to pass the pit marker so you could push the throttle and free the beast you had worked hard to control.

“Radio check,” your engineer, Nicholas, ordered through the headset.

“Tell big bro to keep his mouth closed during the race. It can’t be healthy to eat my dust.”

“Understood.”

The jeroboam size bottle of Ferrari Trento looked enormous in your hands as you shook it up and sprayed Charles and Carlos back after drenching you first. You may have been on the bottom step of the podium but you celebrated as if you had taken 1st place. Turning the bottle on the crowd, you spotted Max at the front with a wide grin on his face as he cheered with the rest of Red Bull.

It was a little disappointing that he had DNF’d but there was always next week to battle it out again. In the meantime you enjoyed the adrenaline of the podium finish and the image of Jos standing to the side with a face like a slapped ass. It was a feeling you could definitely get used to.

Round Eleven - Great Britain 2022 The leaderboard changed almost every week, flipping like hotcakes between you and Max. It was labelled as sibling rivalry, and for once the media got it right. Though you hadn’t grown up with Max there was an innate need to know who was better, who could push the limits harder and who could get away with it. Some weeks it was you, some weeks it wasn’t. It was all part of the fun.

Fun. Now that was something that came in spades. The camaraderie that came with the competitiveness was always something you enjoyed moving up from F3 and F2 before reaching F1. With only 19 other people sharing the same experience with you, it was impossible not to grow close to them.

“Can you let Max in front today?” Lando asked as you walked along the grid. “Please?”

“Why would I do that?”

“Because he’d rather look at your ass than Max’s, if he can hold third place.” You turned to the other McLaren driver to see a grin splitting the Australian’s face.

“Aww, Lando, the real English gentleman,” you tutted sarcastically as you pulled your balaclava off your shoulder and snickered when it slapped Lando across the back of his head.

“Unnecessary violence, Spitfire,” he gasped before muttering under his breath, “I know who you get that from.”

A growl pulled back your lips and you punched him none too softly in the bicep, which was a double edged sword because it was far harder than you were expecting and you felt the hit in your knuckles.

“Oh, Lando, Lando, Lando,” Daniel chuckled as he walked off to his car. “When are you going to learn?”

“You know the car goes faster with less weight,” Lando said as he rubbed his arm.

“Yeah, so?”

He shrugged sheepishly. “All that baggage you carry is weighing you down.”

“Well, that’s just stupid, metaphors weigh nothing...” You pulled your balaclava over your face as you walked from the second row to the front where the two Red Bulls were parked side by side.

“Hey Lan,” you called out as you turned back with the urge to lighten the mood after he had looked crestfallen. “Don’t get too excited when I warm up my tires, that’s not me shaking my ass for you.”

You could see the corners of his eyes wrinkle with a smile that was hidden by the balaclava he pulled on. “A lad can dream, Spitfire.”

You had earned the nickname of Spitfire from dog-fighting your way to the front of the pack and it was one you were proud of, it certainly beat being called a bitch day in and day out.

“Just keep it to your dreams, yeah? I’m already paying too much for therapy.”

“You can talk about your daddy issues later,” Max interrupted, tossing your helmet into your waiting hands. “Get in your car, zusje.”

You grinned to yourself as the formation lap began and you started weaving across the track to warm your tires. All Lando would be able to think about was your ass as the rear wing swayed side to side and the thought of made you laugh since you lived to torment the guys on and off the track.

“Radio check.”

“I can’t wait to show everyone the upgrades.”

“Understood.” There was a pause before Nicholas returned. “Uh, you weren’t scheduled for any upgrades.”

Your start was terrible as Max flew away at lights out and then you were nearly clipped in the first turn by Lando, the swerve you took to avoid a collision letting Charles slip straight past.

“DRS activated this lap.”

You passed the starting line on the heels of Charles, Lando close behind but not close enough to use DRS just yet. The Ferrari was quick but he was out of Max’s DRS range and your straight line speed was far superior, it was only a matter of time before you reached the first DRS zone and made your move to overtake.

“Did you just use indicators?”

You laughed as you hit the buttons on your console before pulling out of the slipstream, the rear wing opened to reduce the drag, and flew past the red car. You hit the new button the electrical engineer had rewired before pulling in front of Charles and laughed as you saw the replay on the big screens around the circuit.

“It’s only polite to indicate when overtaking. Have you never read the road code?”

“I’m more worried about the FIA regulations than the road code.”

“You worry too much, Christian can afford a little fine.”

“£150,000 for a laugh! Are you taking the mick outta me?”

You tried to keep a serious face as you faced Christian but one look at Max’s amusement had a smile cracking through.

“No, you don’t get to laugh about this,” Christian snapped, pulling your attention back to him. “You too, Max. It’s like having a couple of fucking children around here.”

“It was nothing to do with me,” Max argued. “I would never pull a stunt like that.”

“You have something on your nose,” you said as you pointed and he wiped at it. “Nope, still brown.”

His lip twitched before he snickered and playfully shoved your shoulder.

A heavy sigh of disappointment filled the private room in the motorhome and you both looked at Christian. “With Max winning last year we are going to be under even more scrutiny, and this sort of behaviour isn’t going to earn us any favours. Cut the shit out and pay the fucking fine.”

You started to open your mouth to point out the fine was charged to Red Bull not you but a sharp elbow from Max had you clamming your lips closed again.

“She’ll be better behaved,” Max promised with a glare that warned you to stay silent to save yourself from lying.

“Fine, get out there before the interviews are finished.”

You were never a fan of the post-race interviews but you left Christian’s office like it was lights out, racing ahead of Max to get to the media pit.

You skidded to a halt at the side of the stage and Charles patted the empty space between him and Lando just as Max arrived. The other space on the couch was at the end beside Lance and you looked at Max with narrowed eyes before making a break for the better seat. Lando had to jump aside as you slammed into the seat just before Max but it didn’t stop him from planting himself on top and you groaned at the weight.

“Second place again, Max Emillian,” you wheezed as you tried to push him off and looked at Charles. “A little help?”

“Sorry, there are universal rules: we can’t interfere with sibling rivalries,” he said with an apologetic smile.

“Arthur’s my favourite Leclerc.”

Max took full advantage while you were distracted, staring daggers at Charles, and shoved you aside to take the cushioned seat with a smarmy grin. “Remember, best behaviour,” he warned as he got comfortable and accepted the microphone handed to you.

He should have known that the challenge couldn’t go unanswered and so you stood up, but you weren’t admitting defeat. His smile fell when you sat down on Lando’s lap, much to everyone’s surprise.

“Hands off my sister, Norris,” Max quipped, but Lando’s hands were still in the air from where he froze, not knowing what to do with them or where to put them.

“This is quite comfy,” you noted as you wriggled around. “Maybe this can be my spot every week.”

“Fuck, fine,” Max growled as he stood up and walked down the line to sit with Lance. “Take the fucking seat.”

Charles laughed as you slipped into the seat and he held his fist out. “Everytime.”

You bumped his fist and smirked as the interviews finally got underway. “Every damn time.”

Click here for part two.

#crack!fic #Max Verstappen x reader #sibling!reader #platonic!reader #f1 x reader #f1 imagine #f1 fanfic #max verstappen imagine #max verstappen x you #formula 1 fanfic #formula one imagine

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