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#and finding a different way to help people.
pomodoko · 2 days
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The Shuro hate because of the latest episode is pouring in and I cannot even begin to tell you how upsetting it is to see someone who is so much like me be berated by people for being so called "ableist" and "misogynistic" and simply "the worst". He is a product of his environment (a different country, which means a different culture), and sure his love for Falin may be one-sided, but it is still love, and it's love enough he's risking hunger and sleeplessness and self care to find her. Even Chilchuck pointed out that him proposing spontaneously is just something people in his country do. He is not shallow with his love. The same can be seen with his frustration with Laios. It's borned out of miscommunication and cultural differences, and it is clear, very clear, at the end of the episode that he cares deeply for both Laios and Falin. He's envious of Laios's personable and straightforward nature, and he admitted to it. He gave Laios a way out (via the magic bell) and promised to give him his aid when Laios is in trouble. He is a complex and well-written character, and he deserves more than just people shallowly trashing on him.
Also Shuro is also autistic to me but in a different way Laios is ✌️ Come on: hyperfocusing at the cost of your health? Relying on social cues to predict how people think? Too awkward to correct Laios from the fact that he's been saying his name wrong the entire time (his real name is Toshiro)?
Edit: Honestly? Genuinely? I also think a lot of the hate that Shuro receives also borderlines antagonistic because he's "getting in the way of Farcille" (he has not shown any creepy attitude towards Falin) and racist. Genuinely I think a lot of American/Western fans are super racist towards Shuro. He's angry at Laios's mistakes the same way Chilchuck and Namari do (overstepping boundaries, being ignorant of cues, etc) but nobody thinks twice about giving Chilchuck and Namari the pass. How come this repressed man from the equivalent of fucking Feudal Japan gets the boot? Is it because he fought Laios out of fear and the trauma of seeing his team die and his love interest be made into a monster thanks to dark magic? Does his apology and offer to help not count? You people are hypocrites.
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f1goat · 2 days
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more than friends ; lando norris + part twelve
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In which your best friend is going to help you to gain more sexual experience and say goodbye to your insecurities, but he's quick to discover that he never wants to share you and your new experiences with others - the only problem being, him having to confess his feelings.
masterlist - playlist
fem!y/n x lando norris
warnings: smut with a plot. minors dni! probably grammar or spelling errors due to english not being my first language.
requested: yes, based on this request: something with a driver sister that’s still a virgin & lando (her bestfriend) suggests to teach her things
part one / part two / part three / part four / part five / part six / part seven / part eight / part nine / part ten / part eleven
“Fuck.” Lando can’t hold back this time. The word leave his mouth before he can think about it. He wants to intervene, but he knows he can’t. If it was up to him, he would drag you away and fuck you until you can’t even spell Pierre anymore, but that’s not something he can do. At least, not anymore. He fucked it up. 
Oscar sends him a pitiful look, but doesn’t say anything. His teammate knows that something has changed between Lando and you, but he doesn’t know what. Oscar wishes he knew, he feels like he needs to help the two of you before everything is broken. He keeps looking at Lando, waiting for him to snap and to say something, but nothing happens. All of Lando his focus is on you - and on Pierre who’s dancing with you. 
Lando sighs. He wants to cry. If he thinks about what happened long enough, then maybe he’ll cry for real. He feels the gaze of Oscar his eyes burning on his back. Maybe he should talk with his teammate. Maybe Oscar can help? He doubts it, but there are no other options. Maybe Oscar is his last hope. When he turns himself to Oscar, the boy is already waiting for him to speak up. 
“I think I lost her,” Lando stammers. He has never said words like this before, never have words felt this painful to say out loud, it breaks him down even further. 
“What happened?” Oscar asks. 
“I fucked it up,” Lando sighs. 
+++
“Lan?” “Yeah?”
“I uh, I was wondering how this will continue between us?” You ask a bit careful, “I mean are we going to continue to have sex or are we going back to how things where? It feels like you’ve learned me quite a lot and I don’t know what will happen now, you know?” The words are coming out like a mess, you can only hope that Lando understands what you mean. Maybe this is your coward way of asking Lando if he wants to make things different. 
Lando doesn’t know what to say. He realizes that this is the moment to come clean about his feelings for you, but he doesn’t. “Uh, we can continue like this?” He suggests at first. 
“But what will happen then?” You ask, “How will it affect our friendship?”
“The same as now, right?” Lando doesn’t know where you’re going with the questions. 
“But we can’t always stay friends who fuck, right?” You question. An annoyed feeling creeps up. Why doesn’t Lando understand your deeper meaning? 
“There are plenty people who do so, it’s called friends with benefits,” Lando informs you. He almost slaps himself for telling it so casual, why isn’t he confessing about his feelings? Why can’t he find the right words and tell you? 
“I know what that is,” you sigh, “but do you want that for us? What will happen if you meet another girl? Or if you’re done with me? I mean it feels like some sort of endless situation which will only slow us down at one point. What if our friendship gets in the way?”
Lando tries to follow all the questions, but he doesn’t know if every one of them actually got into his mind. It feels like it’s all too much. What are you saying? Why are you talking about him with another girl? Does that mean you want to search for a boyfriend yourself? In some weird way he convinces himself that it must mean that you want a boyfriend - someone else then him. 
“You can just say so if you want a boyfriend and want to stop this with me,” he eventually snickers to you. 
You show Lando a confused look. “That’s not what I’m saying?” You react surprised.
“No, but it is what you actually mean with your words, isn’t it?” Lando continues. He feels himself getting frustrated. Why did he even have hope that things would end different? Suddenly he’s glad that he didn’t confess his feelings, you would have turned him down anyway. 
“Lan, that’s bullshit,” you reply a bit annoyed, “I’m just saying that this is an hopeless situation. I need some clearance.” 
“Okay, here is your clarity,” Lando spits the words out, “We’re not fucking anymore, we’re just friends and you can find yourself some boyfriend to fuck with.” His voice gets louder with every word he says. What he doesn’t notice until it’s too late, is the way you look at him. Tears are rolling over your cheeks. 
“If that’s what you want,” you softly mutter, “then that’s fine.”
Lando doesn’t think before he talks. He speaks up with only angry and frustrated feelings inside of him to do the thinking right now. “Apparently it’s what you want,” he states angrily. 
“I uh, I need some time for myself,” you softly say, barely being able to hold back your cries. “I’ll see you later in the club.”
With those words you walk away from Lando. He watches you leave. It almost feels like some stupid movie scene. Lando watches how you walk away from him, dressed in a beautiful dress - that was already starring in his plans for when the two of you came back to the hotel room tonight. He feels a small tear rolling down on his cheek. Why did you leave? No, he can’t ask himself a question as stupid as that. You left because he accused you of the most stupid shit, just because he was too afraid to tell you about his feelings. Again. Fuck, he should have told you. He thinks about running after you, but when he opens the door he notices that you’re already gone. 
He wonders how you’re going to the club, since you told him that you’d see him there. How are you going to get there in a strange country where you don’t know anyone expect a few drivers? Lando sighs. He starts to worry about you. Hurriedly he changes his outfit and makes himself ready to also head to the club. He needs to make things right. 
+++
“Fuck man,” Oscar sighs, “That’s so fucking stupid.”
“I know,” Lando confesses, “I don’t know what I was thinking.. Fuck. How am I going to fix this?”
Oscar doesn’t respond at first. It gives Lando the time to take another look at you again. You’re still dancing with Pierre. The Alpine driver is almost pressed against your body, Lando feels himself getting angry. Why him? You have been with Pierre since Lando saw you again. The looks you send him when he tried to approach you said enough. You’re not in the mood to talk with him. 
“Just confess mate,” Oscar eventually says, “You can’t make things worse right? Just explain everything to her.” 
“But.”
“No buts,” Oscar interrupts, “just be honest with her.” 
Lando sighs. He can’t look away from you. He notices the way Pierre moves his head to get closer to your neck so he can press his lips against it. Lando hopes his marks are still somewhere on your body. Fuck, that seems really territorial, but he can’t blame himself for thinking like this. 
“Lando, go to her,” Oscar states again, “Staring and acting like some mad caveman won’t help you.” 
He sees Pierre moving again. This time holding you closely in front of himself. It looks like he wants to kiss you. Is he going to try to kiss you? Fuck. Lando wants to do many things. Walk away and stop watching so he can’t see it happen or walking as fast as he can towards you and pull you away from Pierre. When he continues to watch, he notices that you finally seek eye contact with him. Then he notices your look. Are you asking him for help? It seems like you’re really uncomfortable. Or is he just imagining things to make this better for himself? 
Lando stops thinking. He almost sprints towards you and Pierre, leaving Oscar by himself while doing so. When he’s standing in front of you, he still doesn’t think about his next movements. Lando grabs your wrist, pulls you towards himself and tries to walk away with you. 
“What the fuck are you doing?” You ask him. 
“Mate fuck off,” Pierre sneers, “you’ve had your chance.” 
“Lando, you can’t just drag me away from Pierre. It doesn’t work like that!” You yell annoyed. A small part in you hopes that Lando does drag you away from Pierre. After all, the only reason you’re dancing this close with Pierre is to cause a reaction by Lando. But you don’t know what will happen after.
“Watch me,” Lando grunts. Easily he lifts you up and puts you halfway on his shoulder. Holding you close he starts to walk away from Pierre. “Can’t just drag you away,” he mutters annoyed, “As if I’m going to look at him with my girl any longer.” He puts his hand on your ass, making sure no one can see anything from underneath your dress. The small gesture makes you smile.
When he passes Oscar, he notices the way his teammate is almost laughing out loud. “Fucking caveman,” Oscar is quick to tell him before Lando continues walking with you on his shoulder. “Just confess!” Oscar yells when Lando walks away from him. 
You really don’t know what to think right now. Yes, you did want a reaction from Lando. Yes, you did want to annoy him until he would finally snap. But did you want it to end up like this? You don’t know if you’re honest. Not that you expected such a big reaction from Lando. He literally put you onto his shoulders to take you away with him. That seems a bit much, right? When Lando reaches his rental car, he opens the passenger door and puts you down on the ground again. It’s obvious that he wants you to take place in the car, but you don’t. 
“Y/N,” Lando groans, “I swear to god, go sit in the fucking car.” 
“Why?” You ask him. 
“Because we’re going to talk.”
“We did talk,” you sigh, “and you made yourself perfectly clear. We’re not fucking anymore so I can find myself a boyfriend, since that’s what I want according to you.”
“Correction, I’m going to fuck away this terrible attitude of yours and then we’re going to talk.”
You don’t say anything. Maybe because this is kinda what you wanted? Who can blame you. Lando is fucking hot when he’s mad. Quietly you step in to the car.
The car ride is in an awkward silence. Lando his hand lays on your thigh. It feels like he’s marking you as his with the simple move, but you don’t know who he expects to reach since it’s just to two of you. His eyes are switching between you and the road. You’re also looking at him. At first you tried not to since you’re mad at him, but when you gave him a small look you couldn’t stop anymore. 
The harsh conversation between the two of you isn’t longer then a couple hours ago, but you can see it’s impact on Lando. Or maybe it’s the impact from watching at Pierre and you? At first you never knew when Lando cried or how to spot the signs that he was about to. But after being his friend for so many years, you now know. Lando looks like a mess. Your mess. 
It feels weird when you enter Lando and yours hotel room again. Both of you don’t know what to say. It makes you annoyed when Lando keeps pacing around and doesn’t say anything. And doesn’t fuck you. 
“I thought you were going to do something?” You ask him, “Or do I need to get myself back to Pierre to get fucked?” You don’t know where you found those words and how they end up leaving your mouth, but at least Lando isn’t pacing around anymore. 
He feels like he lost all of his sanity right now. Lando rushes towards you and harshly lifts you up again, only to throw you onto the bed. He turns you so you’re laying on your stomach and pulls you closer to himself. Within seconds your dress is pulled up and Lando his bottoms are hanging around his legs. He tugs on your thongs until they fall apart. Satisfied he looks at your snapped string. 
Before you can say anything about it, Lando makes sure that your ass is lifted in the air. Without any sort of warning or foreplay he lets his dick enter you. It causes you to let out a loud scream, “Fuck Lando!” He doubts for a bit about himself and his actions, but when you follow that scream with multiple moans, his doubts are quick to disappear. He fucks you without thinking about being soft, nice or anything like that. It’s animalistic. He has lost all his patience and can only focus on fucking you as hard as he can manage. 
“Fucking slut,” he grunts when he hears a loud moan from you. 
“Your slut, sir,” you say softly. You almost don’t dare to say it. When you feel Lando his pace decreasing, you feel ashamed of your words.
“What did you just say?” Lando asks you. He’s barely fucking you anymore, rarely he moves his dick in and out of you. He needs to make sure that he heard you right. 
“Your slut, sir,” you tell him again.
“Fuck,” Lando mutters, “Only mine?” 
“Yes,” you agree with him.
“Not Pierre’s?” Lando continues to ask.
“No,” you quickly state, “Wanted you to snap.”
Lando lets out a low chuckle after hearing your words. You wanted him to snap? He doesn’t know what you mean with that, but he does know you just said that Pierre’s not even close to him. He pulls back a bit, letting his dick leave your body. It causes you to let out a soft whine. Lando turns you around and looks at you. You already look fucked out. 
“Baby girl,” Lando mutters softly, “You’re the actual worst.” Lando stays silent for a couple seconds before speaking up again. “Should punish you for those actions,” he says. 
“What’s stopping you?” You ask Lando. 
“You,” Lando chuckles. 
You show Lando a confused look. What does he mean with that? Lando takes place to you next on the bed. Softly he grabs your waist and pulls you on his lap. Careful he presses a few kisses against your neck and shoulders. He moves his hands on your body. Kneading your tits and softly pulling on your nipples. It causes you to let out multiple soft moans and whines. You want - no need, more of him. 
“Lan,” you softly speak up. 
“I know, I know,” Lando replies, “but be patient baby.”
“Aren’t you mad anymore?” You ask confused. You still don’t get why Lando is all calmed down after your confession of using Pierre to make him snap. Could it be that he feels more calm now he knows that you only think about him?
“What did you mean with making me snap?” Lando asks you. 
“What you just did,” you explain, “fucking me like you own me. Snapping at Pierre and me, dragging me away only to show me and everyone else that you think I belong to you. Showing how you actually feel. Just waiting for you to tell me.”
You know you’re passing the safe way back now. With everything you just said, Lando can probably fill in the blanks himself. It should be pretty obvious now how you feel about him. You can only hope that you got Lando his feelings right as well. You’re putting a lot of fate in Oscar right now. In the mean time you move yourself, getting off Lando his lap and taking a seat next to him on the bed.
After your earlier discussion with Lando, you left and got to Oscar his hotel room. Together with him you made up this plan. Oscar was sure that only a bit of dancing with Pierre would make Lando snap within minutes. It took a bit longer, but eventually Oscar was right. Now he only has to be right about Lando his feelings for you…
“You want that?” Lando asks you confused. 
You only show him a small nod. 
“You really wanted me to act like this?” Lando continues to ask, he still can’t believe it. When you nod again, Lando doesn’t stop with his questions. “You actually wanted me to act like some sort of jealous caveman?” 
“I didn’t expect you to put me onto your shoulder,” you confess, “but I wanted you to show me that I belong to you.”
“Why?” Lando asks confused, “I really don’t get it babygirl. Like, I don’t even understand why I’m acting like this and I actually feel ashamed for it - but you, you like it? You want this?”
“It gives me hope,” you tell Lando. 
“Hope?” He asks confused.
“Hope that you like me back.”
Lando doesn’t know if he hears you correct. Did you actually say that it gives you the hope that he likes you back? Likes you back? That means that you like him, right? Lando really can’t wrap his head around everything that’s happening right now. He thought you would be mad at him. Mad for the way he acted earlier today and for what he said. Mad for the way he acted in the club. But you are glad that he acted this way and you’re telling him that you like him? Is this even real? Isn’t he still standing in the club, looking at Pierre dancing with you and imagining this to make it feel better? He can’t even help himself and softly pinches some skin on his arm. 
“I’ve said too much,” you say when Lando keeps quiet, “The hint is clear Lan. Sorry for the way I acted. Sorry for falling for you, I hope we still can be friends?” 
Just when Lando thought he was finally processing everything you just said, you’re saying stuff like this. He thinks about telling you how much he likes you too, but eventually he lets his actions speak for himself. Softly he grabs your shoulders and pulls you back on his lap again. This time you’re turned the way he can properly face you. Lando softly puts his finger underneath your chin and lifts your face up a bit. Then he presses his lips against yours. He kisses you the most loving way he can. 
When Lando puts his lips onto yours, you wonder if this means what you think it does. Is this Lando his way of showing you that he does like you back? 
You show Lando a small grin when he pulls back and looks at you. “I never want to be friends with you again,” Lando mutters with a cheeky smile. If he wasn’t smiling like crazy, you would have stressed right now. “I really need you to be my girlfriend babygirl,” Lando continues, “and I really need everyone to know that you’re mine so they will finally stop flirting with you.” 
“You want me to be your girlfriend?” You ask Lando with a happy expression. 
“I need you to be my girlfriend,” he states. 
“Okay boyfriend,” you reply. 
“But now I really want to feel your cunt around my dick again,” Lando tells you cheekily. You let out a soft laugh. You position yourself a bit different, then you line up Lando his boner with your entrance and slowly let him enter you again. 
+++
The following morning Lando patiently waits for you to wake up as well. He hasn’t slept as good as last night in a couple months. He feels ten times better then before. It’s mostly a relieved feeling now that the two of you finally confessed. When you open your eyes slowly, you notice that Lando is already awake and staring at you. 
“Good morning girlfriend,” Lando whispers when you look at him. 
You show him a small smile. “Good morning boyfriend,” you reply.
Lando presses a soft kiss against your lips. “I can get used to this,” he tells you. 
“You better do,” you laugh, “It’s not like I’m going to let go of you anytime soon.”
“I love you,” Lando sighs relieved. “Oh that’s probably a bit soon to say,” he adds quickly after realizing what he just said. 
“I love you too Lan,” you tell him, “and I think you could have said it way sooner.” 
Lando grins. He pulls you close towards himself and hugs you. “I could fall asleep all over again, but we have a flight to catch.”
Later that afternoon when the two of you are sitting in the plane, Lando has been quite busy on his phone. You look curious at him, wondering what he’s doing. Before you can ask him, Lando speaks up. “I’m going to hard launch us,” he states, “Okay?”.
“Okay.”
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a/n;
that was it everyoneee :') hope y'all liked this story
i do want to write further, but for this moment i have no inspiration about what i'm going to write now (expect that it's about lando ofc). so any idea is welcome ! thanks for all the likes, comments & reblogs
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cherryredstars · 1 day
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Ok so i have this fic idea where reader and mig are from different universes and reader is a scientist and one time mig and her get drunk and start talking about the multiverse and suddenly they are on the topic of what would happen if people from different universes had a baby together. (You see where i am going with this...) they end up drunkenly fucking and saying it's for "research" because they can't admit to themselves that they are in love. If this request is too complicated feel free to ignore. Thank you in advance cherry!! I hope u have a marvelous new year!! 💕
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Pairing: Miguel O'Hara x fem!reader
Warnings: 18+, NSFW, Penetrative Sex, Mentions of Oral Sex, Mentions of Animal Testing (for science), Breeding Kink
A/N: Thank you, love! I hope you're well!!!
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You know there is a process.
And you know this isn't it.
There are supposed to be hypotheses and written out procedures. Dependent and independent variables, a control group. Fucking hell, you should be experimenting on fucking mice. You should be limiting the margins of error, should be going with the most direct, straightforward pursuit for results.
And yet...
You don't stop Miguel when he pushes you back onto the couch. You don't pause or even really think when he's pushing your pants down your legs, placing kisses along the skin as he goes. You lift your hips to aid him when his fingers hook into the waistband of your panties, shivering when his warm breath fans over your exposed sex. If this experiment was in any sense proper, you would get straight into it. Cut out all the unneeded steps. But you can't help but pull his head closer to your aching core, craving the way his warm tongue laps at you. If you weren't already drunk, you would be drunk on this feeling alone.
But god, nothing has even been more satisfying than doing the work. You know the data would be void in a real experiment. The trials bleeding into each other hardly make for adequate data, but the way you beg him for more is involuntary. It feels too good, to have him desperately thrusting into you. It makes your mind numb, and everything you know about your life's passion is erased. The only thing that fills your head is the words Miguel grunts into you ears, promises of fucking a baby into you. Vows to make you bloated with load after load of his cum. That all it'll take is one of his orgasms to make it happen.
You guess that is a hypothesis in itself: Miguel O'Hara can get you pregnant with just one orgasm.
Too bad he's too desperate to find out if that hypothesis is correct. Because he doesn't stop at one. No, he keeps going. One after the other with no breaks in-between. But you guess that's to be expected, he is a man of science himself. A passionate one at that.
He's almost crazed in the way he overstimulates himself. Sweat beading in his hairline as he grunts down at you, watching the way he creamy cock slides in and out of your abused pussy. You've lost count of how many times you've come alone, but you know based on the way your body shivers and jolts that it's far more than you've ever had before. It's almost painful now, the way your next orgasm rips through you and shatters your soul again. You let out strangled breaths as you fight through the aftershocks and the continued pleasure of Miguel's cock slamming against your cervix. You swear you black out before he finally stops, your eyes and mind groggy as he pulls your hips flush against his as he spills into you.
You can feel him trying to push deeper into you as he pants ruggedly, his cock twitching against your walls until he's milked dry. Even when he's done filling you, he stays connected. He collapses onto you, breathing in the linger smell of sweat and sex on your skin.
"Got to make sure it takes."
Well, does the process really matter if you get the desired result anyway?
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call-me-strega · 2 days
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Dc x Dp Prompt #20: Wishes of a Secret Romantic
Jason doesn’t really advertise it but he’s a romantic at heart. He craves having his own cliche romance with someone who will actually care about him. Sometimes he indulges in his fantasies by reading romance novels or setting up at-home dinner dates that he takes himself on. He often finds himself sighing and wishing he had someone to relate to, that would give him unconditional care and enjoy going on romantic dates with him.
~~~
Desiree doesn’t quite know how she ended up supervising this beautiful mess but she’s not complaining. If anything she has some sweet gossip to share at girls night and a story for Ghost Writer to obsess over.
~~~ It starts like this:
Ever since Frostbite had taken to teaching the young ghost boy lessons on the Realms Culture and Ghost Biology he’d made great strides in his diplomatic and medical skills. His fighting skills were already impressive but were refined under the tutelage of the warriors of Far Frozen. Personally, she thinks he is grooming the Boy to join the Council of Ancients which have taken a more active role in governance now that Pariah has been defeated for a second time.
The boy has been going around and creating treaties with his enemies in which he finds them another outlet for their obsessions. He has already worked out deals with the likes of Technus, Amorpho, and oddly enough a joint deal between Penelope Spectra and Walker.
Technus was allowed to indulge in his technological creation so long as he was supervised by the Pharoah boy or doing on of the preapproved tasks of mischief, such as causing mild inconvenience to the bastards in white.
He had set up Amorpho with a “Cosplay TikTok” on which he was able to show off his different forms and get recognition for them. He’d amassed a large following thespians and costume artists who greatly admired him.
Due to his position on the Council, the Boy managed to get Spectra and Walker to agree to take part in the new justice system the Council had been setting up. Walker could run his prison so long as he abided by the rules and scentence lengths set by the Council. And Spectra was free to torment those whom the council deemed the worthy of the worst punishments. Many ghosts had grievances against living and non-living menaces, last she heard, there was a whole list for Spectra to go down. Currently, she was in another universe tormenting a man named Eobard Thawne, who went by a ridiculous name called the Reverse Flash. Once she had her fill of torment, they would be taken to Walker’s prison.
The Ghostling continued to do this with many of his former adversaries until he came knocking at the door to her lair. She was well aware of what the GhostBoy would want, and was curious as to what he could offer her.
She granted him the grace of her presence and was charmed by his earnest nature. He genuinely wanted to know her story and obsessions so that he could find the best way to help her. She revealed to him it was not Desire as many people assumed but Fulfillment. She wanted to people to attain their desires in place of how she had been unable too. But there are consequences to wish granting so there’s only so much the Boy could do.
The ghostling had been unbelievable smug win he wished that her wishes wouldn’t have catastrophically negative outcomes. When she granted and skeptically tested this wish she found it had worked. The boy grew even more smug.
Of course balance had to be maintained so her power became not weaker per say, just more indirect. During their trial run, Desiree was granting me the wish young boy had wished for a large cookie. Instead of instantly summoning a 50 foot tall cookie as she would have previously done, she simply caused his mother to have the desire to bake cookies and then had two of them fuse together in the oven creating one larger cookie.
A bit more round about than she prefers but it got the job done.
The two brokered a deal that would allow Desiree to travel into the mortal realm and grant the wishes she desired to, so long as the would cause catastrophically negative outcomes in the future. Young Phantom had even gone as far as to direct her to the so-called Make-A-Wish foundation in which she could find many deserving children to fulfill the wishes of.
~~~
One night Desiree had been flying through the mortal realm to visit a friend, a city spirit she hadn’t seen in ages. As she flew over the city a strong sense of longing and desire resonated with her core. Where there was desire there was someone with a wish. Invisible, she flew down to the source of these feelings to investigate.
She ended up out side the window of a building that held longer traces of death and her friends magic. She peered through to see a young man putting the finishing touches on a lavish dinner. She observed as he created a beautiful meal with an air of melancholy before pouring himself a glass of wine and turning on his television to watch mediocre romantic comedies. Intrigued by this young man, Desiree decided to lurk and observe for a while, perhaps he would soon reveal the wish his heart yearned for?
-
Jason sighed into his Osso Bucco as another romantic comedy began to play. Man he really was bumming himself out wasn’t he. He shook his head and took a sip of his wine. He winced slightly as some cringey kids’ movie called How to Build A Better Boy appeared on screen. How had that even gotten in his queue? However, his laziness won out and he made no move to change it resigning himself to a hour and a half or so of second-hand embarrassment and semi-decent acting.
As he watched the best friend girl make a virtual boyfriend based on her friend, the main girl’s, preferences and huffed to himself. Oh if only things could be that easy. He hummed to himself adding on his own thoughts to the teen girl’s rambling list.
“ If only, sister. I’d wish for a sensitive and sweet guy too. Someone who wouldn’t mind death jokes, or my odd hours. Someone to I could just relax and nerd out with. Someone who’d go on romantic dates with me so I wouldn’t have to sit here eating this nice dinner on my own. Yeah, I’d wish for my perfect guy too.”
Suddenly, a chill washed over Jason and his hair stood on edge. He whipped his head around in search for an intruder only to see nothing there. He scanned the apartment suspiciously before his eyes landed on an open window. He sighed, reassured it was just a draft and turned back to the movie.
~
Desiree was touched by the earnest desires of the young man who was touched by both death and her friend’s magic. It almost reminded her of her own desires for romance while she was still living. Perhaps she would stick around to see how this wish played out for the young man~?
~
Miles away, something sparked in Danny Fenton, helping him make his final decision on which of the colleges that accepted him he should attend.
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starlightseraph · 21 hours
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finished dead boy detectives!!! (spoilers ahead!)
quick disclaimer: i haven’t gotten around to the comics yet but i’ve been very interested since the sandman came out and i do plan on reading them eventually lol.
- edwin is my new blorbo cutie and i too would go to hell for him. also, his style is immaculate, exactly how i want to dress all the time.
- i am SO sad about niko. but i’m glad that it seems like she’s not totally gone? i hope she’s not an antagonist in the next series (the ending was a touch ominous), but i’ll honestly be happy either way. it’s so rare to find good western-japanese characters. it made me incredibly happy when she switched into a japanese accent when saying “osaka” because it’s something i recognise in my family and in me. i know people from lots of different backgrounds do that with words from their own languages, but i’d never seen a japanese character do it before so i was very tickled.
- charles. man. please fall in love with edwin. how tf are you quite literally dragging him out of hell and he confesses to you and you look him in the eyes and say that you love him but you’re not in love with him. i mean that’s the best possible way he could’ve gone about it, but if i were edwin i might just have gone back down to the doll face spider thing.
- i hope that crystal’s past doesn’t land her in jail or anything. i really like her dynamic with the others but i’m not sold on her and charles romantically, mostly because edwin is so fucking sweet and i don’t want his heart to be broken. he’ll be happy if charles is happy, but i cannot stand see him get hurt even the tiniest bit.
- jenny is amazing. she’s literally me fr. also i love how she just hands people cleavers.
- i found the night nurse’s breakdown when she was in angie’s stomach very relatable. i feel like that a lot lmao. and i love her accent. i will go to bat for my own weird ass culchie irish/valley girl hybrid, but if had to pick another accent…
- i need a wise and eternal south asian man to talk me down from the ledge. it’s almost finals week and a ring from kashina would be a big help.
- tragic mick (top tier wordplay name) is a sweetheart and i hope he gets to be a walrus again eventually. my first reaction when i saw the cat king was “oh my god, it’s the piss kink guy from You!” but that aside, he was ok in the end. so was monty. i hope the night nurse can help crystal drag david the demon back down to hell.
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Winter's King 12
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: have a good weekend.
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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You stand, still uncertain. You look at the king as he tilts his face up to the moonlight. The silver sheen washes over him with an unearthly glow. He looks lupine, much like your dream.  
“Your highness?” You echo again, hands curling around the sides of your skirt. 
“Will you continue to disregard my order?” He challenges as his gold eyes meet yours. You wince at the way they shine. 
“No, your highness, I am only...” you hush yourself and clamp your lips tight. You turn and search around, numbly walking along the curve of the pond.  
He growls as you reach the line of hedges into the next walkway. 
“You will want to go much faster than that,” he warns as you hear him stand. “I will allow you some advance...” He exhales as you glance back at him, “ten...” he stares at you, his figure shrouded in shadow from far away, “nine...” 
You blanch and tumble backward through the gap. You spin and stagger on your soles, throwing your arms out as your heart pulses madly. Something about his timbre, about his words, has you alight. There is something amiss about him. 
You push your legs against your skirts and hurry blindly into the nocturnal void. The moonlight seeps in around the silhouette of leaves as you keep your hands ahead of you to prevent a collision. You try to see through the dark, like silk across your eyes, making out little more than hazy orbs. 
You crash into a thicket of thorns and pull away from the rosy bunch. Their scent clings onto you as you turn to the left and dive down the next path. You don’t know these gardens, not like Debray. For all you know, you’re going even deeper.  
You hear a step behind you and swirl to face it. You squint, trying to see who is there. Is it the king? Do you want it to be? What does he mean to do when he catches you? What is the meaning of this game? 
You plunge back into a sprint, puffing as you pump your arms. You whimper and whine as you slow, legs heavy and feet dull. Where are you going? You don’t like this. You remember a night like this before, how the cold dew of the forest crept up your legs, feet hitting the earth in quick succession, the holler of men and snort of horses behind you. 
You stagger and spin back. No, you can’t run anymore. You don’t like this. You don’t like those thoughts. That last night before you were taken to Debray, before you dawned the cap of your bearing. That orphan girl running from servitude. 
You walk forward, shaking as you peer back and forth. You wade through the thick grey air. You hear a twig snap and a bush rustle, each noise from a different direction. Perhaps it is a rabbit or a chipmunk. You sniffle and wring your hands. 
You must find the king. You will surrender this game and ask that he takes you back to the castle. You trudge over the beaten path and hear the soft trickle ahead. It must be the pond. The silver light blooms brighter as you come upon a space in the hedges. 
Suddenly, there is only air beneath your feet. You kick out as something rigid wraps around your waist and lifts you. You wriggle desperately and cry out, your eyes tinging but not overflowing. Your fear has you clawing at the hold around your middle. 
“Please, please, don’t hurt me!” You plead as you flail, “please, sir, I’ll go back to the castle--” you choke as the grasp on you slackens but your feet still do not meet the ground. You quiet as you recall your present, that you are not in that forest, that you are far from Debray. 
You are sat upon the bench, the silver moon gleaming down on you as it outlines the broad shadow before you. King Geralt faces you, kneeling as you tremble and hug yourself. You put your head down in shame. 
“Apologies, your highness, I was lost,” you reach to rub your cheek, flicking back your tears with your lashes, “I got confused.” 
“No, it is I who should apologise, I didn’t mean to frighten you,” he takes your hand between his big ones, “I only meant to make some fun.” He brushes his touch up your arms and squeezes as you drop your hand to your lap, “little maid, did I hurt you?” 
You shake your head, “I was only... delirious. It is too dark out here. I cannot see,” you bite down and look away, “apologies, I did act out.” 
“Little maid,” he tickles along your cheek, sending a shiver down your spine, “I would not let you get lost or hurt.” He tilts his hand to cradle your face, his thumb stroking your cheekbone, “what was it you were running from in your head? Who?” 
“No one,” you lie. “Just a memory.” 
“Memories are not just that,” he insists, “but I understand how they can hurt. Forgive me, treasure, I wasn’t--” 
“Your highness,” the sullen voice has the king recoiling. He quickly plants his foot and stands. You rise as well, toying with that word he called you. Treasure. “The queen sends for you.” 
Bryce steps out into the moonlight. You look at him then the ground. How long had he been there? How much had he heard? 
“The queen,” King Geralt grumbles, “what is it she wants? It is late--” 
“She would not say and I would not guess,” Bryce says, “but she screams for it. Like a yowling cat.” 
The king sighs and lowers his head. He squares his shoulders and resets his posture. He steps away from you and gestures to his soldier. The king twists around and marches away. Bryce falls into pace with you as you follow. He is silent, you all are. 
You approach the castle, guards lurking in the shadows, and are let past the front doors by a sombre pair. Inside, you follow the king through the great hall and up the stairs. You peek over at Bryce as you proceed down the corridor. He gently squeezes your wrist, just briefly, and carries on. 
“Your highness,” Bryce speaks as you hear a racket ahead of you; screeching and crashing. “Should I escort the maid back to her chambers?” 
“Cursed woman,” King Geralt mutters as he slows, Queen Jazlene’s door just ahead. He pauses and looks over his shoulder, “the cost of a kingdom...” 
“Your highness?” Bryce prompts once again. 
You echo him and step forward, “I could calm her. Bring some wine--” 
“No, she will have no more of that,” the king declares sharply. “I wed her, I put my name next to hers, so it is I shall attend to her. Sir,” he looks at Bryce, “do as you suggest, put the maid in her chambers and I will put the queen in her place.” 
“Aye, your highness,” Bryce bows his head and points you back, “come, maid, the night wears on.” 
You glance up at the king. His golden eyes are wrought as his gaze holds yours for only an instant. You see the hesitation bob in his throat before he turns away. You mirror him and follow Bryce back along the corridor. 
As you climb to the next floor and continue down another corridor, Bryce slows. He stops as he gets to the door and faces you. He takes a breath as he looks you up and down. 
“It’s treacherous here in the summer kingdom,” he says, “but that will not change on the road. Mouse, you keep yourself well.” 
“Thank you, sir, I am fine.” 
“Aye, you do not take my meaning but you do not take the king’s either,” he puts his hand on his belt, “his favour might do you fine in this moment, but it is dangerous. Let not others notice so they may not envy it.” 
You grimace and shake your head, “what do you mean?” 
“Your little games do not need an audience. It is no tournament.” 
Your chest sinks and your skin speckles. Is he accusing you of something? 
“I... I haven’t done anything untoward. I would not, sir--” 
“You may not,” he intones, “but we are all ruled by the will of the king.” 
“Sir, the king is married to Lady Jazlene--” 
“And we both see how they fare,” he states bluntly. “Carry my words with you, do with them as you may, but I could not leave them unsaid.” 
Your eyes gloss and your nose tingles once more. He’s mad. Truly, he can’t think you and King Geralt. A maid and her master. 
“I would not,” you repeat. 
He huffs and nods curtly. He turns to the door and unlatches it, “go, rest your head while you can.” 
“Sir Bryce--” 
“I am bid protect you by the king,” he pushes the door inward and rests his hand on the frame, “not from him.” He looks past you, as if through, “little mouse, I do hope I am wrong as well but I know better than to depend on that.” 
You shudder and tug at the end of your sleeve. You slump and drag your feet through the doorway. You stop, just inside, “good night, sir.” 
He grunts and pulls the door shut. Your lip trembles as your heart races, just as it did in the garden. He is wrong. He must be. You saw yourself how the king is trying, he even said it was the queen he meant to game with earlier. It was only that she was too unwell. He said it! 
And he goes to the queen’s chamber that night. He is not there. He has not been disloyal. The matter is not your concern. You serve wine, you lace gowns, you braid hair. You are only the maid. 
⚔️
You return to the queen’s service the next morning. The world is a bit more familiar as you help her into her gown and twine her hair into an elaborate coif. Servants pass in and out of her chambers as they prepare for the royal party’s imminent departure. 
“Why can we not keep this capital?” Queen Jazlene whines, “but my husband does insist on return to his frigid homelands.” 
You say nothing as you sift through the old monarch’s jewelry chest. You present to her successor each gem, brooch, and chain. She has yet to turn any away though you wonder if there would be room in her already bustling luggage. Perhaps the cart will be a touch more crowded on your ride north. 
“And yet my husband did come to me,” she boasts, “I think... hmm, well, perhaps this marriage won��t be so turbulent.” 
You show her a cuff and she snatches it. She puts it on her wrist, turning her arm this way and that, as she oohs and aahs. She wiggles excitedly. 
“I recall this piece. One year, when I came with father to court, the queen wore this cuff. You see the emeralds. I remember she was so proud of it even though all the court knew it was only gifted to her by her husband to distract from his mistress,” she trills, “oh, how foolish. But the old queen was so boring. It is a wonder the king didn’t dispose of her, who can blame him for taking an amour?” 
She sighs and looks at the mirror, “and she wasn’t half so pretty as me.” 
You remain silent, continuing to sort with her endless approval. You don’t think there is a single trinket she could ever turn away. You don’t see the need for so many of the same thing. Some stones are brighter than others but why not keep the brightest and do away with the rest. 
“As I was saying,” she goes on, “last night when the king came to me, he was... almost meek. That man. Can you imagine? I admit I was distraught after the day I suffered but he listened and we spoke.” She strokes her fingers as she admires her oval nails. “There are some southern lords who will come north as well, some northern to stay behind. He says it will help us acquaint the two kingdoms into one.” 
She drops her hands and pushes her shoulders straight, “he is wise. I suppose I should heed him if I am to be a good queen.” 
You are want to agree but to do so aloud may be taken as insult. She might have done it sooner and saved herself some trouble. Yet it isn’t your place and you haven’t the wisdom of a queen. You’re merely a servant. 
“Once I give him an heir, he will have to listen to me too. Yes, I will do what mother could never. Give my husband a son,” she drags her hand to her midsection, “I think last night...” she flutters her lashes dreamily. Her suggestion makes you squirm. Her and the king’s relations are hardly your concern. “It was better,” her voice is brittle, “even if...” she peers around and clamps her lips. She narrows her dark eyes, “close the door.” 
You obey. You come back to her and return to your previous task. She reaches in to pluck out a string of pearls. 
“He puts me on my stomach,” she whispers, almost as if she thinks you won’t hear, but she is speaking to you. There is no one else in the room. Perhaps she is only embarrassed that she has only to the courage to tell a maid. “And he behind me so I can’t see him and... he can’t see me but... but if he could...” she toys with the pearls, “if he’d just look at me, he might like it better.” 
You lift a pair of medallions earrings and she ignores them. She tosses the pearls back in the chest and stands. You back away. 
“He won’t let me touch him otherwise,” she mulls as she paces. “But he is warming. It is early, isn’t it? And compared to the first night... I don’t know. It will get better. It must.” 
She quiets and stands by the window. Her anxiety is palpable. It’s uncharacteristic. You’ve never seen her uncertain of anything yet you can understand it. She is soon to set off to a new life and to brave a long road. When she reaches her destination, she will be a true queen. When you get there, you’ll still be a maid. 
“I’ll go to him tonight,” she says and raises her head, “yes, yes, I will go to him and try again.” She spins and smirks at her grand idea, “maid, I must find something to wear for him. Well, nothing very much,” she remarks coyly, “but I will need a robe. Yes, I saw a satin one in the queen’s closet.” She swallows and stands as straight as she can, “my closet.” 
You diligently cross the chamber and search the wardrobe. You find a white satin robe stitched with gold and silver. You turn to show the queen. She giggles and claps her hands. 
“Wine,” she says, “I must find some courage too.” 
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bunnys-kisses · 1 day
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"the bounties & death au" (a modern gods au)
a/n: 'sunlight' by hozier is burned into my brain
god of death!simon has been locked away for centuries, not able to return to the surface of the earth after being casted away into the shadows of the underworld. but once he finds himself free, in the countryside of england.
the world feels and looks different than what he remembered. it even smelled different. but the familiar grey sky of england loomed in a familiar way. the only thing in the distance was a small stone cottage with smoke coming out of the chimney. his legs felt weak, but he managed to make it to the cottage. it had been so long since he walked, after being chained on his knees. to walk again felt like being a newborn deer.
who was he to see on the other side of the door, was none other than you. you looked scared and quickly closed the door. you squeaked, "no one's home! please leave."
simon was a bit confused, his eyebrows knitted together as he knocked once more. he said in his low voice, "i know yer in there. please, let me in."
"are you going to kill me?" "no." "are you sure?" "i need help, i have no interest in killing ya." he lit up when he saw you open the door and look up at him.
you took him in but told him that he had to sit at the chair in the kitchen and not move. you knew it was a risk but, there was something familiar about him that you couldn't quite put your finger on. (you'd later recall when you felt close to death after the death of your previous boyfriend).
but simon is kind, you find it comforting to speak to him. he was calm and didn't move from the chair. when he moved as he ate, his movements were slow as to not scare you. simon thought of you like a rabbit. small and delicate, easily nervous.
the first act of kindness he had received in a long time was you sharing a meal with him. the gods didn't need to eat, but the warmth of the stew you made had him feeling warm.
you were an author who had stayed out in the country for some time in order to get a break from the weight of being in the city. you remarked that london was beautiful, and while simon had no way of imagining a city that big, he knew it was nowhere as beautiful as you.
he wouldn't make a move until your last night in the cottage before you headed back to the city. you said you'd drive him wherever he needed to be, but he said he had no home.
you asked him why and he said, "the place i came from. i cannot go back to." and while he hunched his shoulders, you reached up to him and allowed him to stay with you. you had grown to feel affection towards the man, even if you had many more questions about him than answers.
but that night, you shared wine together. you were all over him, your smaller body up against him. when he held onto your ass so you wouldn't fall over, you moaned. you giggled and told him you hadn't been held like that in a long time.
and for the first time in eternity, as simon thrusted into you, he would worship you rather than people worshiping him. as he held your hands onto the bed while you made love, he wondered if it was possible to build a shrine to you. to allow others to worship you the way he wished to do to you.
"you make me feel alive." you whispered in his ear.
an exhale left simon's lips, he then kissed you deeply once more. as you moaned into the kiss and wrapped your legs around his waist, all simon could think about was that he understood why humans were so desperate to get into the heavens. because if it felt anywhere close to how he felt next to you, he would scramble to get through the gates.
his little human, his little fruitful bounty <3
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judge-tenderly · 1 day
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riz and adaine are the brain: obviously. but also because they have both at some point been ruled by their neuroses, they live in their heads, have been told their entire lives that the thing they are good for is their intelligence. it is what they can give to other people.
fabian and fig are the body: in completely different ways. fabian thought he knew his body when he was just fighting with it but it failed him. he had to learn to trust it again - to trust his instincts as well as what he’d been told his entire life. his instincts told him to dance, and he weaved that in with his fighting skills for both more complete control over his body and trust in it when he isn’t in control. this leads us into fig - instincts. she’s never completely felt fused to her own body the way most people do. it’s hers to with what she wants, including making it other people completely. those other people are still her though. she never sits with one thing, but moves fluidly wherever her instincts tell her to whether it makes sense or not. one of the coolest things a body can do is called the flexor / withdrawal reflex. when you touch a hot stove and pull back your hand before you’ve even registered the pain. the only time (that i know of) that your sensory receptors tell your muscles to move instead of relaying information to the brain and letting it decide. you literally have no choice whether or not you pull your hand back. your body decides for you. this is fig’s entire life. people often think the strongest, healthiest bodies are the biggest, sturdiest ones. yet often it’s the annoying bitches that do the most yoga, strength in flexibility. something fig (and now also) fabian have in spades.
kristen is the soul: seemingly inconsistent and ever changing, the only way kristen changes is cosmetically. she struggles so hard to find a god that makes sense for her because she’s not just finding her god. she’s finding a god for all the bad kids. because at the core of her, she is trying to do what is right, what is kind, what is best for everyone else. she wants to help people, save people. even if she doesn’t go about it the right way (ie immediately trying to convert everyone to helio on her first day) she is just trying to help. no matter what god she has, or who she’s faced with - that’s never changed. the soul is forever, and despite all aesthetics, so is kristen.
gorgug is the heart. because of course he is. “it’s gorgug keep going.” bum bum “it’s gorgug. keep. going.” he keeps them there, all together, all in sync when their differences threaten to overrule their similarities. he pulls them back in with the gravity axe he made for love of his parents and the culture that raised him. with the courage he had to stand up and declare he would in fact do the impossible. bum bum.
“it’s gorgug keep going.”
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mysticheathenn · 2 days
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What Do You Need To Work On To Bring in Love?
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Hi, Hexlings!
This pick-a-card reading is all about where in your life that you need to work on in order to bring in love.
This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a sure answer to your problems but as a guide, a sense of hope, and amusement.
Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.
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Pile l:
What do you need to work on to bring in love? Tarot: Awakening, 5 of Cups, Page of Wands, 8 of Swords, Knight of Cups.
Self Esteem. Regardless of gender some of you have dealt with a "maneater" in the past. What I mean is you dealt with someone who made you feel as if you weren't worth anyone's time. They made you feel little, made you question your worth, and so forth. Some of you are either still dealing with this person (very few) while others of you are still grieving and trying to heal from this past relationship. Some of you are actually trying to heal but every single time you feel you are making any kind of progress you take two steps back and it's ass if you're still in that relationship all over again. You're not too sure how to change things for the better or heck some of you don't think you will get better and you will forever be "broken". I'm here to tell you that things will get better, you just need to find out WHO you are and what YOU think of yourself and not what anyone else thinks. Find something that you like about yourself no matter how small. This can be you loving your dimples, your kindness, the way your farts smell, anything, and start from there and work your way up to other things you may love about yourself. Ask loved ones what they love about you and try to see what they see and do affirmations in the mirror. Some of you may even benefit from Mirror Work or if you are readers reading Mirror Work by Louise Hay. Either way, you are worth loving, you are beautiful, you are amazing, etc etc.
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Pile ll:
What do you need to work on to bring in love? Tarot: 9 of Pentacles (reversed), The Sun, 10 of Cups (reversed), King of Cups
Mindset. Similar to Pile l but a bit different. Instead of this pile dealing with a previous relationship, I'm hearing "It's me, hi...I'm the problem it's me" You are the problem. Some of you don't believe that you are meant to be happy or even find true love. This could be because of a previous relationship that made you feel this way or because of self-worth or the constant videos on social media that show you toxic relationships and you feel that all the good people are taken. Either way, You need to start believing that good things can and will happen for you regardless of what your surroundings show you. Regardless of how the past has treated you. Most importantly regardless of what social media or even your friends and family's relationships may show you to make you want to stay single. True love is out there and it's waiting for you to switch your mindset to the Sun card and believe that all good things happen to you. Nothing but amazing people flow into your life. Some of you I believe may feel this way because you constantly get lesson after lesson from the universe and from what I am hearing for a "good" reason that I rather not touch on because everyone's path is different. ("Good" meaning transformation within yourself for the better not good that you deserve it.) Read romance novels, and tap into the algorithm that shows you healthy relationships. I know there was a trend on TikTok recently where one female wanted people to display their healthy relationships to give others hope because her algorithm kept showing toxicity and weaponized incompetence from partners, etc. Do any and everything that you can do to surround yourself with positive and loving love.
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Pile lll:
What do you need to work on to bring in love? Tarot: Hanged Man, 5 of Pentacles (reversed), King of Swords, Page of Wands, 5 of Swords
Self Worth. Pile lll you have a horrible habit of letting people go. You're like a hoarder but for people. Some of you are giving me the definition of "I can fix them." Even when a person treats you horribly, even when someone disrespects you, even when a person shows you nothing but red flags, you are always there for them ready to take whatever it is they want to give you. You literally will take whatever scraps a person will give you if it means that you feel they thought of you for a split second. A very few have FOMO. What do I mean? I mean you are staying in this toxic environment waiting for that one day or the chance of them turning their ways around and treating you the way that you truly deserve. Instead of you constantly always making excuses for their bad and wild behavior. Call a spade a spade, please. If they are not calling, being communicative, or even giving you the time of day. They are not interested. I think I have a video clip of what you need to hear, Click Here. The lady in the video speaks about men but this goes for any and all genders if I am being honest. People will do what they want to do. People will treat you how they want to treat you regardless of gender. Overall the saying being delulu is the solulu was not meant for you babe. Wake up, smell, and pour the coffee on yourself to wake up your senses to know you deserve better and there are people out here ready to give you attention, love, affection, etc and you don't have to beg or wait by the door like a dog for it.
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Pile lV:
What do you need to work on to bring in love? Tarot: 9 of Wands, The Moon, 5 of Pentacles (reversed), The Emperor, 8 of Swords
Divine Feminine. Pile lV I want to hug you because I see myself in you a bit. You deal with hyper-independence badly when it comes to relationships or even in life for some of you. Just in case you don't know what that means, it means you can't release control to others because you feel like the saying "If you want something done right, do it yourself." Someone or many people in your life or even past relationships always made you feel like you always had to do everything because you can't count on everyone. You literally have to carry the whole relationship on your shoulders. You also remind me of the quote "Since I stopped texting people first, I haven't heard from a lot of people in a while." You may have also been drawn to pile lll some of you at least. Either way, you need to start operating in your divine feminine and letting the chips fall where they may. If anyone wants to be in your life the phone, intentions, etc works both ways. Let people show you how much you mean to them without needing to control every single outcome in order to not want to lose someone because you either aren't sure when or if someone else will come along or because you want this relationship to work out because you have been in so many that you are tired of leaving the chips where it may. For a few of you, I sense you may be the type that has a five year plan like you want to have kids, get married, have a few dogs, that kind of plan and you feel if you leave it up to others you will never get there. One thing I will tell you about that mindset is it will have you settling pile lV. Let people show you how they love others. If it isn't what you expect, want, or desire then you need to leave. Stop settling, stop trying to carry the entire relationship, just stop baby. You deserve to for once operate in your feminine energy. You deserve to sit back and relax while you let someone pour into you instead of the other way around.
Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.
Stay safe and be blessed
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dr3amofagame · 1 day
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thinking about c!dream earlier on in the server just makes me sad man. like, c!dream has never been a perfect character. he's always been flawed, always been a bit of an asshole, always had control issues. but also he knew that. he tried to work on that. he and tommy were friends, despite being flawed people with their own issues that would bump into conflicts because of the ways that they differed. c!dream tried, god, he tried; he wasn't even on the server, when the drug van happened, and walked into a place with someone who was practically a stranger to him building a wall and calling for war and having turned half the people dream knew against him, apparently, for no reason that he could've known at the time, and he had looked straight at tommy and tubbo and asked if that was what they really wanted when wilbur told them that there was no such thing as dual citizenship. he tells tommy when he has to sell a disc for spirit's leather even though tommy had surrendered the discs to him at the end of the revolution because he knows it'll matter to him. he and tommy truce, multiple times, and c!dream gets tangled into conflicts that literally don't involve him repeatedly and gets targeted Because He's Dream repeatedly and he plays along with that trivia contest and he gives gifts to fundy and tommy after terrorizing them a little for fun and he plays along with the dreamon thing and he keeps getting pulled into fights that weren't his but tries to make them a little more fair when they get him involved. he fucks around with tommy and they have fun, they're friends, and when he and wilbur look like they're in danger dream is one of the first to find them and lend them real, practical, valuable aid. he calls himself "Big D" in that book and he tells the man that wrote him as a tyrant that he doesn't want to be a villain in the story anymore. he asks tommy if he's okay, and watches that kid's back when he walks alone and unarmed into manberg, and fights with him at the battle of the lake and all of that is thrown back in his face as being a lie. half the intial community structures that exist were built by him; the community house, the nether portal and hub, the prime path. during a time where every other piece of leverage got burned or killed (rip the casualties of the pet war), dream was kind of known for being one that could be fairly traded with, that would minimize permanent damage. the kills in the final control room were originally to strip lmanburg of their gear, which he had kept in a chest so it could be returned to them after the war.
like no c!dream isn't perfect at the beginning of the server. yes he's kind of a jerk sometimes, kind of an asshole sometimes, kind of neurotic most of the time. but god dammit like c!dream does try to mitigate the worst of his control issues, when they flare up early on; the initial disc war ends with tommy getting his discs back as well as a stack of diamonds, in exchange for a netherite chestplate. he's a flawed character and he's still someone pretty friendly on the whole to most of the server, he's also kind of just known for being a little weird. he gives gifts randomly. he fixed creeper holes, and houses, and went along with bits. like whatever im a c!drolo c!dream woobifier and i admit it lol but for as much evil as he ends up doing, pretty damn consistently early on, he's . friendly? kind? funny? helpful? their neighbor. their friend. c!dream isn't just some stranger that flew off the handle; he's someone they knew and lived with who had his actions taken in bad faith because the goddamn story said so and kept fucking trying anyway until he believed the lie too. like he was just a guy!! a guy they knew and lived with!!! like my god
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theminecraftbee · 2 days
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Just out of curiosity, do you know any alternative ways of showing types of relationships that could be used on ao3? I find the & and / method to be very constraining, especially with ambiguous or multi-dimensional relationships. & for platonic and / for romantic does not allow for a proper representation of nonstandard relationships, for example an enemy/loathing or polyamorous relationship. (Homestuck quadrants are their own thing and are not what I am asking for/about.)
answer that answers your question:
yes and no. if you just want another category of markers to exist, i know you said no homestuck quadrants, but those are probably most commonly used, although they're all synned to the / tag. i've seen some exchanges that want to differentiate use /& together, i've seen ? be used, and i've seen some invent their own tag (largely exchanges use these for matching purposes and it's rare but i HAVE seen it). however, there's no unifying convention, and ao3 will eventually syn all of these to either the / or & tag (usually the / unless the wranglers have a very good reason to think it's the & tbh). so know that even if you use your own symbol, it will show up in the relationship tag it ends up synned to.
one of the most common solutions to this is to use the symbol closest to what you want--personally i tend to just use the & unless there's fic content i think gen fans would really hate, since & is the tag that covers the much wider spectrum of relationships in my head, although some people will differ--and use freeform tags to disambiguate. for example, last days has the & tag for joe and cleo, along with a "queerplatonic relationships" tag! i believe "ambiguous relationships" is also a canonical tag, and you don't have to use canonicals if you can't find the one you like! the world is your oyster.
(here i'll also note: the & doesn't require them be like... friends. it just requires the fic be about their relationship in some way, and for this relationship to not be romantic or sexual. enemies is absolutely covered here, as is like, weird coworkers, or even tags like "hero & the public".)
(similarly, the / tag doesn't require they like each other, it just requires it to be a "ship"; enemies who have a ton of sexual tension goes under this, as do things like abusive romantic or sexual relationships; just make sure you're using your warnings and additional tags appropriately!)
the other most common solution is to tag both the / and & tag and use a tag like the "ambiguous relationships" or "this can be read as either" or "queerplatonic relationships" or whatever other disambiguating tag you think it needs. this is less common in the mcyt fandom because of the mcyt fandom's history of being SUPER WEIRD about shipping, but it's often the most common solution in fandoms that aren't this one.
"i want ao3 to have a ship tag that is neither & nor /, and is not considered synonymous with either" unfortunately this doesn't exist and isn't going to. like i'd love to say there's a way to make it exist but it Won't because of how ao3 was designed to work on a backend level and also ao3 does NOT change quickly, for better or for worse. you're going to have to pick between "make up a symbol and it will probably be synned to /", "use the tag you think you like best", or "use both". i wish there was another option too, if it helps, but the additional tags are really useful here!
"use no relationship tag" is also always an option; the relationship tag is not a required tag!
answer that answers your two examples, neither of which really fit the question as i understand it, hence me separating them out:
a fic about the relationship between two enemies is either the & tag if you just want the one that is actually meant to be used or the / tag if you mean for it to be like, the kind of enemies that have sexual tension. use additional tags to additionally disambiguate (example: just put in the tags the canonical tag "enemies" and you're good to go). the & tag is for ANY kind of platonic relationship, it does not require the two characters like each other, only that the fic is about their relationship! you can use the homestuck <3< if you REALLY wanna make it clear but that's synned to /, so like, up to you. if you're super worried someone will misunderstand the & tag you can also just not tag a relationship, relationships aren't mandatory tags.
i have no idea why you're asking about polyamory because that has a solution that's entirely unrelated to the problem you propose: you just tag the ship. ship tags with more than two names in them are legal tags, as long as it doesn't go over ao3's tag character limit you're good. if you do hit the limit, just use more than one tag! this is totally fine and follows ao3 conventions, don't worry. if it's the kind of polyamorous relationship with metamours, where not everyone is dating everyone, this is where more than one overlapping relationship tag REALLY helps. plus: you can mix / and & tags! not all of them will be canonical yet, but that's true of ANY ship tag you're originating! i have seen the form of "character/character & character" in many fandoms before, it's totally valid and will disambiguate! (also, the ensemble tags may help you here if you're doing like, a polyhermits thing; "hermitcraft ensemble/hermitcraft ensemble" is a legal tag and i think what polyhermits is probably synned to.)
so yeah, hopefully this helps some! good luck out there!
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copperbadge · 19 hours
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Immediate Writer's Block
Had a comment on another post where I thought I'd probably need more space than the notes in which to respond, so:
constant-state-of-self-discovery Oh I get the envy I feel it right now how the fuck do you manage to write without impassable writers block after 5-9 sentences because I haven't fucking figured it out lol
I do have some advice on this!
I think most writers get blocked from time to time, it's normal and my general strategy is just to wait it out, but if you're frequently blocked after only writing a very little bit, I think the problem is one of two things: either you don't know what you want to achieve with the scene you're writing, or you don't know what should happen next within the scene to achieve that goal. If you frame "I'm blocked" as "I don't have an answer I need" then often you move from just sitting there, sweating and staring at a blank page, to thinking productively about how you're going to get where you're going. It's the difference between not knowing an answer and not knowing an answer but knowing where to look for it.
An invaluable piece of advice for this, which I think I picked up from someone who got it off a National Novel Writing Month messageboard, is "When in doubt, ninjas attack." It's not meant to be literal, you don't need to have ninjas or fight scenes just because you don't know what to do, but it helps to get the creativity flowing again. If you don't know what should happen next, or you know but you're having trouble actually writing the scene, it can be very helpful to induce a moment of uncertainty or surprise -- to have a metaphorical ninja attack. One time I did this literally -- the POV character was just on the road somewhere and I didn't know how to get them from a pastoral country road to their actual destination in an interesting way, so I had them get attacked by highway bandits and have to fight them off, which also allowed me to demonstrate that the character had significant unarmed combat skills. But it can also just be like, two characters who are having a boring conversation can be interrupted by a third person, even just a stranger asking for directions, or there can be, IDK, an explosion, or something goes missing, or etc.
Sometimes it also helps to leave it alone but keep it in your mind and go do something else -- listen to a podcast, take a walk, read a book, not because those things are distracting but because all our inputs eventually feed into our brain and come out as reactions. If you're thinking about your book while you're wandering around a park, something you see in the park might have an impact on it. If you've got YOUR story in mind while reading someone else's, you might be more inclined to look at what they're saying and see what you think of it, how it might play into your work.
And honestly, sometimes you just gotta go past it. I'm working on the next Shivadh novel right now and it opens basically with Simon the chef getting into a spat with his love-interest-to-be over some cheese. He want the cheese, she won't sell him the cheese, so they get off to a very contentious start. But I suck at writing conflict especially when it's basically "A character I like is being pompous and another character I want people to find likable is being stubborn and somewhat unpleasant". I've been stalled on it for a while. But I know where the scene ends up, like I do know what the goal is, so I just...skipped it and went on to writing a scene I like better, where they meet a second time and actually discover each others' identity and that they're about to be forced into the grownup equivalent of a school project. Once I've gotten dug deeper into the story I'll come back and write it, and by then I'll have the benefit of knowing the love interest a bit better.
So yeah -- I think a lot of breaking a writer's block, especially when you don't need rest but are just stumped about what to do, is to twist and look at it from another angle. It's not that you don't know what to write, or don't want to write what you know you have to -- it's that you don't have the correct answer to a question, or you need to leave that part alone to ferment and come back to it later. At least, for me.
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lintubintu · 2 days
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Kot Kot Review
I like Kot Kot a lot.
Despite the almost harsh difference between the intro and how the song progresses, it´s not too out there.
The music seems chaotic and structured, is melodic, nostalgic and two-faced more out of necessity than provocation, and it´s ongoing. It spirals.
There is a lovely moodiness to it that seems mature and balanced, deliberately using the intro as a bridge again and repurposing the funky "kot kot" into something that softens into the lighter part of the song. The change of pace is noticeable but not alarming and almost hopeful.
Kot Kot is not a big song nor does it exist to troll. It enjoys being silly with the chicken theme and builds a narrative that can be purposely misunderstood by people who don´t like him.
During my first listen I was a little confused but intrigued by the seemingly contradicting parts that adapt well by the second listen. Pop and Rap evolve from clashing into shaking hands.
It feels a bit like a song nobody would put on an album anymore because it is deemed barely good enough to keep up with its fellow, more popular tunes. It stands on its own where others see a filler track.
Overall, it makes me have more hope for the album now; for it to be an album and not just a compilation of Singles.
I wouldn´t be surprised if this song was the opening number, nor would I be shocked to not find an Intro at all – Kot Kot is an introduction in itself.
From what I understand of the lyrics, it also is the first song of his that makes me want to know more about him as a lyricist.
To start the song of with MAYDAY is a deliberate choice because the song is not what it seems.
It´s soft spoken and not a shrill cry for help but knows of something that already affects the narrator enough that reaching out soon is imminent. It´s a literal stress signal.
The teaser made me think the protagonist in this song was simply sick of being treated like someone doomed to continue staging a party for others.
Relying on translations and interpretations of this song, the protagonist seems to realise that their lifestyle will rather leave them with very little time spent having fun with friends – because even the party-goers have gone to bed earlier than them.
Those that tried to keep up with them may have lost their step and had to give in to their own different schedules, or are worse off for keeping them company. So their company diminishes further.
There might be little life beyond the lifestyle, the sobering thought that solitude is too close within reach for comfort – the time left after work cannot always be shared nor of quality due to their schedule.
A double blow. Real life and bonding has to be spent in time confetti. Throughout it all, the silliness persists.
Rather laughable is the Explicit rating of this song. Was it the Perhana!?
The ending is a jumpscare, them finally being silly, breaking the cycle. But at the same time, it´s a rooster greeting the morning – the protagonist worked the night away.
For a moment, you are relieved the song is over. And then you play it again.
I would love for the upcoming album to be a concept album.
This song seems to divide people in a different way than songs before it did.
Some of you seem puzzled, others more neutral than hateful, none of the dislike so far is really loud.
The timing might be a bit unfortunate – song releases at this hour have the same problems as the protagonist in Kot Kot.
And even if you really don´t like this song, I fell that there will be something on the album that you will like.
It´s ok to not like things and it doesn´t have to be justified.
Still, I am interested to hear what you don´t like about this song because I think it makes for a worthwhile conversation and I like interacting with you.
Let´s do that while we have the time.
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janitorhutcherson · 2 days
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Groceries, Taxes, & Laundry (MSchmidt Fluff)
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hey guys, it's me. i'm finally back. did y'all miss me? the writing of this is a lil diff, sooooo please enjoy and lmk what you think!
content: pure fluff yall.
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Grocery shopping with Mike Schmidt is… special, to say the least. He absolutely despises it. The dreaded time comes around at the end of every week, your vegetables in the fridge starting to wilt, the meat from the previous trip used up, and all of your snacks have been devoured from late night munchie runs to the pantry (xoxo i love gardening!!!). He knows it has to happen. He knows you’ll wake him up early on Sunday morning like always, because apparently it’s “better to get it out of the way,” which he thinks is, well, to put it lightly, utter bullcrap.
You’ll drag him and Abby out to your local grocery store, her drowsy and jittery all at the same time with the promise of pancakes from a local diner after. Once you arrive, you’ll pull out all of the far-too-expensive reusable bags out of the trunk of Mike’s dingy car, ready to fill them with the necessities. Why get those for 3 bucks when you can get the plastic ones for free? He’ll never understand your logic, something about saving the environment, but it’s okay, he loves you enough not to complain, at least out loud.
The fluorescent lights of the room filled with half asleep employees hits Mike’s eyes like he’s looking directly into the sun. He lets out a small grumbled sigh as he takes in the scent of sterile cleaning supplies and produce mixed in one, with the strange almost play doh like smell of the bakery. Your eyes cut over to him, eyebrows raised, Abby’s hand in yours as she rubs her droopy eyes. Mike can’t help but to crack a small smirk, his lips pursed together. “What?” he’ll question innocently, letting out a small snicker as you go deeper into the dreary establishment. 
At the produce aisle, Mike shivers a little as the water from the misting sprinkler on the shelves hits his bare skin. He should’ve worn his jacket today, he usually does, and he’s regretting the one time he hasn’t. Your eyes are glancing over carrots, broccoli, cucumbers, and squash, all that are somehow both too ripe and too.. What's the word... unripe? Sure, he’ll go with that. His hand reaches out to grip yours in a gentle grasp as Abby points to a particularly fluffy bushel of broccoli. “I want that one! It looks like pretty trees,” she giggles out, finally starting to wake with the day. You let out a giggle of your own and Mike smiles because of how pretty your laugh is.
Next, you’re in the snack aisle, filling the cart with doritos, barbeque chips, pringles, salt and vinegar chips (mike gags when you eat them too close to him), peanut butter filled pretzels, whatever can go in Abby’s lunch box and whatever is tastiest. Mike insists on buying the cheap queso, his nose scrunching up at the price of the name brand one. He knows it doesn’t taste any different.
Now you’re looking at meats, finding chicken breasts and filets, steaks, pork, whatever was on your list from meal prepping. Yes, meal prepping, Mike did that now. Apparently stable people with stable lives who had stable relationships did that. He’d grown fond of sitting over a recipe book with you on Saturday nights, really, shoulder to shoulder, pressed up on the couch well after Abby had gone to bed. Something about it felt safe, a kind of domestic feeling he wasn’t used to.
You’re basically done now, and he couldn’t be more relieved as you make your way towards the dairy section. He grabs a few things, string cheese, yogurt, cream cheese, cheese slices for sandwiches for work. Oh, did he mention he works in construction now? It’s stable, makes good money, and he’s home on time to see you, to be a husband-not-yet-husband (he plans to propose soon, but that’s another story), a brother-more-like-a-father, a person with a regular schedule. He looks over at you, watching as you and Abby skim over the different selections of chocolate and strawberry milk, finally settling on a carton of strawberry. He once again scrunches his nose, smiling all at once. “Nasty,” he mumbles out. Abby playfully hits his arm and you lean in for a kiss.
Finally, thank god, you push the cart towards the bakery section, grabbing bread and a sweet treat or two for the week. Cookies, a birthday cake for no particular reason, cheese danishes, whatever his little family was feeling for the week, that’s what it’d be. This week, it was a huge box of chocolate chip cookies and some kind of cherry pastry he’d never had before. You three finally head to checkout, where everything is stuck in those stupid reusable bags and the price of everything you got feels obscenely huge for what’s in your cart, but he pays it anyway. Walking to the car, in the trunk the groceries go as you all climb in one by one, ready to head for pancakes.
As he reverses the car out of his good (only because it was so goddamn early) parking spot, he can’t help but sigh, this time with contentment as Abby rambles on about a new imaginary (hopefully) friend, your own grin wide as you ask questions, making sure she feels heard. “I love you guys, love doing things with you guys,” Mike mumbles out, reaching his hand over to your thigh as he glances back at Abby too. And it was true, he’d do anything with you two. Hell, if all his life consisted of grocery shopping, taxes, and laundry? Yeah, he’d be ok with that too.
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exitwound · 3 days
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do you have any advice for people who are scared of confronting life and reality
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from telephone by percival everett: “You kill yourself because you don’t live in this world.”
sorry this is such a brutal way to start answering an ask seeking advice on something that needs like truly crazy levels of tenderness and forgiveness for the self, at least if i’m understanding what you’re asking about—then I think this excerpt is worth including here bc although it doesn’t answer your question it does show what the stakes can be i think. reality is accessible to everyone. even if yours looks and feels different. it’s still yours.
i think that you have to confront life and reality because there is no reality if you don’t confront it and less real life for you. The worst part is thinking about the past in which you did not confront it but you don’t need to do and it is only another deterrent to the confrontation… You absolutely don’t need to regret anything to change and i know it’s so hard to figure out how to feel the urgency of your need to confront things enough to confront them without getting stuck in the pain of having not confronted them yet but tbh It just takes practice and all of the kindness you can find for yourself and then even more.Ans time and continued effort. but mostly kindness for yourself. thinking about why you want to confront your life—not bc you want to, plainly, but because you want yourself to be able to live well.—>Because you don’t want more suffering for yourself because you have love and compassion for yourself. it’s this kind of logic at least that has helped me a lot.
i also think everything that you are and everything that you give wants to find its way back to you and love you but if you are hiding from the world you live in it can’t find you very well!! i think it’s about trying to make yourself visible to yourself and then learning how to look without hatred or pain or regret. Also there’s beauty in reality because reality is true it’s not sinister it just is. and you will find all that beauty. also reality and life misses you. you’re good for it and for the world. It wants you in it and it wants you to know it and love it because it loves you. and your continued existence in the world makes the world feel loved. This is why we care about things
I hope this helped at all much much love
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ganondoodle · 3 days
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sorry i keep coming back to totk rants, but something that utterly baffles me from a game design perspective especially is
who, in their right mind, would think to put similar objectives with the same characters in the EXACT same place as its previous game when already reusing the same exact map (no, single rocks springkled around isnt a meaningful change, fight me)
like from a purely logical point of view its just ... not logical?? and TWICE so when most players will have played the previous game, so now that the exploration, which was the main driving point of it, isnt as satisfying simply bc you know most locations and what is what, the thing you need to do is subvert it as in you go to that location and theres something else now or something that leads to a new reveal, but not NOTHING either, bc you likely cared about what youd find- the satori mountain was such a cool mysterious place, so now you head to it to see what is now and its nothing but maybe an obvious treasure chest? thats both lazy (i realy use that since its way overused by people missusing it) and just ... it might be meant as a lil nod so that there isnt nothing at all but to me it feels even more condescending as if there were literally nothing instead
satori isnt here anymore? thats weird if its always been there, so you go find a cause, maybe theres a fissure somewhere you can enter a large cave system, an hidden entrance to the underground that reveals there is something corrupting the place somwhere nearby but not exactly in the same spot- make it into a bossfight at which end satori gets cleansed- maybe it got captured and taken somewhere else, to a place that was kinda neat but didint serve a big fucntion in botw like maybe it was dragged somwhere into the big tabantha canyon, or to the forgotten temple
you try to visit rito village but the snow and cold there got so bad that you cant even reach it without special gear, and when you do reach it its utterly frozen in thick ice and not a single soul is there, the perch of vah medoh is knocked over building a bridge as a subtle hint as to in what direction perhaps, its intriguing bc clearly they have to be SOMEWHERE, maybe they tried to use vah medoh to evacuate but bc its losing power and doesnt have a skilled pilot they crash land it into the mountains, now trapped there and due to the storm not able to send anyone out to get help, maybe some did but they didnt make it and you can find them on your way and rescue them, and bc of the storm being so bad no one can get out and no one can get in (except for our special boi linky ofc) and even after the storm has weakened they dont immediately go back and act like everythings normal, maybe theres an extra mission afterwards helping them rebuild the village but not exactly the same as it was but fortified, different to account for things like this happening again, establishing the crashsite of vah medoh as a second outpost, or a temple, to thank it for bringing them out of immedaite danger but couldnt go all the way
theres so many places that are so clearly modeled around botw that are entirely unused now bc they had to remove all things shiekah for no reason, the holes they left jsut being holes where somethings clearly missing or some chest with a gem in it while the new shrine thing is within view distance a few meters away, might as well have put them in the exact same place bc it really doesnt make a difference
(like alot of those ideas im using for the rewrite which changes many things but you get the point right??)
and its even worse imo with the building stuff, bc now you dont even have to journey there you can fly glide and literally drive there instantly like a giant skip button so you cant even appreaciate the way to it, you skip to one important part to the next
and then points of interest are REPEATED AGAIN, like with shrines and lightroots and settlements and big mines- that is the opposite of satisfying gameplay, you dont have to explore shit bc its all in the same place which is probably why they only did tiny changes to those few spots and nothing else bc they knew most people would run right to those so it gives the illusion of changes (which are half reversable or barely a change at all) and even those are STILL meaningless
its right up there with having even MORE grind with less substance to it than in botw, the shrines and krogs got a lil old but at least the environment, its subtle storytelling etc were something- and totk just bloated everything with more little meaningless collectables while not changing anything meaningfully (and instead pretends that some things where never there and those new boring things were always there)
more shriens with shorter puzzles or none at all, more krogs with the same reward system, over a hundred tiny caves that all blend together bc they are all so similar and you really only do them for yet another colelctable for old gear and ONE cool new one with a bad effect after which the things collected become uselessreally, souls to collect to buy you a single armor set, rewards being largley reused old stuff from botw (imo you should have a chest in your house, yes YOUR house, that got most of the standard versions of botws armor in it so you dont have to buy it all again??? but you gotta think of going home first and dont have to use it- make new versions of them alternatively so you can choose if you want the old one or new one and also LEAVE ONE AT YOUR HOUSE WITHOUT HAVING TO SELL IT SO YOUT INVENTORY ISNT AS ENDLESSLY SCROLLING AS YOUR STUPID ARROW BAR)
theres new effects from food and armor thats largely useless (like the attack when hot?? why wouldnt you you jsut combine an armor and a potion- put on hot armor and drink an attack potion? its way more efficient no?? idk i found it to be yet another effect thing to bloat my inventory especially when NPCs keep giving you shitty effect food)
the whole sonanium (zonaite?) collecting with multiple ways to convert it into yet another currency??? huh???? AND have it be the thing for you to autobuild with?? when you need it upgrade your battery which takes an insane amount of those stones?? wells, while finally an actual well are NOW ALSO LIKE A COLLECTABLE and im gonna take a wild guess that the reward is utterly disappointing too
the fairies are all blocked by much more annoying means than in botw (like i wouldnt want to carry those NPCs three meters away in their little cart antoehr time please) and the amount of material AND MONEY NOW you need is so much higher for no reason (if its their attempt to make the game harder its the lamest way to do it)-
all while instead of expanding on the foundation of botw they ripped it out to build a new one while pretending they are both there (im so so slaty about this .... a sequel like this should expand upon the stuff of the first game, both in theme, narrative, mechanics and more and not ... replace it with slightly different versions of it while abandoning everything established before and really only using it as a way to skip having to make you care about some characters bc you might still care about them from the other game)
i could go on, as always lol, anyway, i really really dont get why this got into the final game ..
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