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#and any others I might have missed

bloomfish · 1 month

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It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.

As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that

#spuffy #idk missed opportunity for sure. maybe it's brought up later in the season? I can't remember rn #but they do kind of shunt spike's complexity and make his character all about angel's feelings #though don't get me wrong i LOVE their fight over the cup #i love the symbolism of spike being able to hold the cross while angel can't.#spike pointing out that he fought for his soul while angel had to be forced to change is sooooo cathartic #because that's the thing about angel is he's not inherently a good person. he has to continually fight to be better #he's the faith to spike's buffy #btvs thoughts #btvs #anyway their continued insistence that buffy and angel are soulmates that transcend any other relationships #is rly detrimental to both buffy and angel as characters imo. as well as any other relationships they might have #cordelia and spike who actually put in the work to get to know them as people are automatically relegated to second fiddle #dont get me wrong i love bangel for the angst but i dont buy that buffy will always be in love w the same guy she barely knew at age 16

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cinnamonsikwate · 4 months

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i'm really curious about what marcille's mother's deal is. seems like she's not too big on the rest of elven society. here's what we know about her so far:

mage at a human royal court (adventurer's bible)

courtship with marcille's father donato lasted 17 years (adventurer's bible)

specialty is roast pork, which was also donato's favorite (chapter 81)

had a cheerful personality up until the point donato got too sick to eat his favorite food. her extreme emotional reaction to this left a lasting impression on marcille (chapter 81)

remarried to a gnome and moved away from the city at some point after donato died (adventurer's bible)

several portraits of her appear in marcille's nightmare (chapter 42); this is the second time we see marcille dream of her (chapter 3)

preferred non-elven food and didn't introduce marcille to any traditional elven dishes (chapter 74)

from the canaries' reactions in chapter 74, it appears elven society looks down on elves who go to live among and work for short-lived races. they seemed especially put off that she would have a mixed-blood child. when they're talking about the lyrikmumare to get marcille to trip up, marcille envisions her mother saying that the food "here" (i.e., the northern continent) tastes so much better. so the picture we're getting here is of an elf who has removed herself from elven culture, but the question is, did she do it willingly or was she forced to?

keeping her other actions in mind, i'm leaning more towards the former. the most intriguing thing for me is that she eventually married a gnome, despite elves and gnomes having infamously waged war against each other over differences in the practice of magic and presently tending to discriminate against the other on sight. (one thing's for sure — marcille's mother is winning the idgaf war!)

marcille never talks about her gnome stepfather though, and it's unclear what she thinks of her mother's remarriage. the timing of the remarriage is also a mystery. donato married marcille's mother when he was 32 (after having courted her for 17 years) and died at 82, meaning they were married for 50 years. marcille is also currently 50 years old, but we know she wasn't born immediately after the marriage: in chapter 81, donato's doppelganger says marcille was born when he'd started "getting on in years." based on marcille's memories of him and the established fact that the average tall-man lifespan is 60 years, i'd hazard that he was in his 50s then. this gives him 30 years or less with marcille — definitely less than 35, which we know is the age at which she left for the magic academy.

we don't know if marcille's mother remarries before or after marcille leaves (if before, than that's definitely a shockingly short time), but it's interesting that she chose to marry someone from a long-lived race this time. maybe this is her way of ensuring she spares herself another heartbreak? or maybe she *is* still heartbroken and is trying to cover it up.

but. i can't help but kind of agree with chilchuck in chapter 81, that marcille's parents are not blameless for marcille becoming the dungeon lord. since it's apparently well-documented, they surely must have known — as well-educated people — that mixed-blood children face not just discrimination but also mental anguish that comes with their unstable aging (not to mention the sterility). so the way they raised marcille feels frankly irresponsible 😭

anyway. i'd love to get spin-off content where post-adventure marcille and her mother meet again. i feel like there's a lot of unresolved issues there (that can of course be hashed out over a good meal).

#dungeon meshi #marcille donato #what can i say i'm often drawn to mysterious mother characters (often dead)#the toudens' mom too — we know even less about her!#does marcille's mother hate being an elf??#oh and if i missed any points feel free to reply #marcille doesn't really seem to have strong feelings about elven society #although it appears she might not have interacted with that many other elves before the canaries #i wonder if marcille realized fionil was also a half-elf #i'd like to see them interact as well. get fionil's perspective on lifespan disparities. seems like her dad is the elf #oh wait wait i was also wondering if it's still possible for marcille's mother to get pregnant #what happens if a mixed-blood child is from two long-lived races?#imagine marcille with a baby sibling #speaking of babies everyone kept making digs at her sterility but she never expresses an active wish for children #i just think that's interesting #calemonsito notes

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scentedinksandwhackedseals · 1 month

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a very important list of things julien says in a funny voice on her gayotic episode:

gottagetbacktowork!

this isn’t fair!

have you seen hypernormalization?

i was born on september 29th

born this way die this way!

bonus: the way she kinda sings “generationally wealthy person”

#if someone could make a compilation of these and any others i might have missed i would greatly appreciate it #also these probably aren’t in order #julien baker #muna #gayotic #munagenius #whacked seal posting

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ganondoodle · 3 months

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im quite tired of talking about totk, like im sure you all know by know just how frustrated i am, but something i still strongly believe was the logical, and best thing to do in a sequel.. -

while botw was about you feeling lost in a strange world with neither you nor link knowing anything and both discovering it as you go, the theme of lonelyness and isolation, freeing the spirits of dead friends you need toremember again, in the end finally reuniting with one of the only friends still alive, after a 100 years

totk should have been about community, about working together with zelda at your side, as a companion, after having been seperated for so long, and seeing nothing of the time between titles, this should have been her travelling alongside you, after botw you'd WANT to spend time with her and get to know her more, her being the diplomat, the archtitect, the scientist, the translator of old texts, a historian trying to find out the truth about what her fathers kingdom was built on, to right old wrongs perhaps, for a better future- theres so much that she should have been, so much of her character was primed to go into this direction- and instead she is a pretty prize with no personality you get at the end like this is an 80s cartoon still

(this is disregarding the whole fact that ganondorf, AS WELL, should have been a giant factor in all this, in the history of it all, to explore his character and his actions, to have zelda research and find out about histroy clearly written by the victors- theres so much potential depth here that it dirves me crazy, botw was such a set up for more that was wasted, utterly wasted, for something i wouldnt even want to call paper thin bc even paper has more depth than anything in totk)

#ganondoodles talks #zelda #totk #ganondoodles rants #do not come to argue with me #im done trying to sound all nice about it #im angry and frustrated about this #tin foil hat me is convinced they shipped the “writing” for totk off to some mobile games company bc they wanted to focus on that movie #since the success of the mario movie made them prob more money thant botws sales did #i know it might no line up #which is why i said tin foil hat me thinks that #with the situation of the games industry as a whole and zelda being my thing of interest #its soemthing i wont let go ever #and i have zero faith there will be any good stories to come out of the franchise again #dare i say satoru iwatas presence is dearly missed #espeically knowing how the other main guys think about what games should be #i know miyamoto always had a questionable approach to games #pretty sure it was aounoma who said the “why would you wanna go back to linearity lolol nostalgia blindet idiots lololol”#not a direct quote but you know what i mean #anyway #wont be taking about totk in length anymore #im just tired at this point #getting better at ignoring its existence but it still hurts like a sore spot you forgot you had whenever i hear anythign about it

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yandere-daydreams · 1 month

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tattoo artist is too cool for sukuna. why would they try to make him sexy in a normal way.

you get it anon,,, i think part of what makes sukuna so disproportionately fuckable is the fact that he has never once cared about how fuckable he is. tattoo artist mob leader gang member sukuna just doesn't suit him (imo obviously of course) because they make him so hot it just circles back around to cringe. he's trying too hard. put him in a kitchen. it's where he belongs.

#this might just be the retail worker in me but i know he would be so good to his servers too #definitely doesn't have any other chefs bc Have You Met Him #but he generally lets the staff do literally whatever #come in crying bc your dog went missing or something and he'll literally just be like #“wtf are you doing here you're bringing down the vibes”#“yeah whatever i'll still pay you just take the tip jar and gtfo”#he's a good boss like that #personal #anon ask

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juneviews · 1 year

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progress of gmmtv 2023 series

aired:

midnight museum

a boss and a babe

double savage

umg

our skyy 2

loneliness society

enigma

home school

be my favorite

the jungle

hidden agenda

only friends

dangerous romance

wednesday club

faceless love

last twilight

cooking crush

find yourself

cherry magic

currently airing:

beauty newbie

23.5

finished filming & airing in 2024:

the interest

phro thoe khue rak raek

updated: 15/03/2024

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not-so-terrible · 11 months

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So Kisame's often considered the fourth most powerful Akatsuki member, but the top three are pretty unanimously Obito, Pain and Itachi. And with Kisame's motto being survival of the fittest and MO being taking out the weakest links, it’s fascinating to see him end up as one of the most well connected members of the Akatsuki. And since the top three never openly get to clash, technically speaking, he stays loyal to all of them. He's;

- Working broadly for Pain, Akatsuki's open leader, who wants to create peace through traumatising the world through a cycle of war

- Working secretly for Obito, Akatsuki's real leader (and by proxy, Madara and Zetsu, Akatsuki's real-real leaders), who wants to create peace through trapping the world in a dream realm

- Working day-to-day for/with Itachi, the Akatsuki's biggest name, most powerful field member, and a secret double agent, who wants to create peace through becoming the most powerful shinobi that's ever lived, and through using that power 'as much as he wants', 'lead the world to subjugation'

So either Kisame is the ninja equivalent of the minions, or the dojutsu wielding top three of the Akatsuki all looked to him and went 'yup, he's Henchman Shaped'

#kisame #kisame hoshigaki #naruto meta #akatsuki #along with sasuke and yagura they're also the only people kisame uses honorifics with #despite being otherwise one of the most polite and deferential characters in the series #i hc kisame as being allergic to the idea of being mizukage or any other leadership position #kisame has one plan and that one plan is acting as a helper for world domination #the ninja world's number 1 dark overlord stan #outside konan breaking away kisame ended up in the final three of the akatsuki #and i think he'd do the same thing on something like survivor #like he's a physical-social-strategic triple threat #a 6'5 sharkman with a history of kin-killing able to completely blend into itachi's shadow #in itachi shinden it feels like the wording of itachi's dreams of peace get closer and closer to world domination each time it comes up #some of his wording even sounds very yahiko #so i think hokage itachi may have ended up looking even more like a classic big bad than missing nin itachi #it's no hokage hat but he joined akatsuki with a smile and it shows #if isshiki or toneri showed up in shippuden kisame might have joined up with them too

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mzminola · 3 months

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I don't understand why people say "Go read about Helena instead of Jason!" I really don't. If I'm in the mood for stories of a Gotham vigilante with resurrection themes and issues with Bruce as a failed parental figure I'm going to read about Jason and Cass.

Jason & Helena are…two Gotham vigilantes who are willing to kill. That’s uh…that’s about it. Helena gives us more mafia focused stories, and has not been dead for realsies or dealt with as much magical bullshit as these two.

Now, you know who Helena does parallel? Bruce motherfucking Wayne.

Came from wealthy Gotham families? Yep. At age eight, witnessed their parents’ murder? Specifically with guns? Yep. Voluntarily pursued martial arts training in their youths, outside Gotham, and then stepped up to be independent vigilantes as adults once they came home, financing it with their inherited wealth? Yep.

Have been members of the fucking Justice League? Yep. May take orders from team leaders (and be cranky about it) but have never actually been anyone’s sidekick? Yep.

Helena has more in common with Bruce than she does with Dick, let alone Jason.

“Why focus on Jason when you could focus on Helena?” That’s like asking why I’m focusing on Jason instead of Bruce. "Willing to kill" and "refuses to kill (when in right mind)" are important traits to the characters personally, but they are not the be all end all of these characters, their stories, and themes.

#comics meta #I enjoy all of these characters and I do not intend this to critique anyone else's tastes #I just am fucking baffled by the reductiveness to one trait #misc parallels #DC #Batfam #might add more tags for archival purposes later #I have not read every comic ever so like #any of these four characters could have some other parallels I'm missing!#but they have not been brought up in the posts and comments that prompted this

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ladyofthelake · 4 months

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Who wants fresh Diamond of the Day pain? So I'm editing a little video of merthur and I noticed that after Merlin showed Arthur his magic with the dragon he made and Arthur looked like he wanted to get away from him, Merlin reaches out for Arthur to touch him again (and then Arthur pushes him away) Like its over a decade later I never noticed that Merlin tries to reach for him again, reassure him and I am honestly and totally and utterly broken by this :)

#merthur #merlin #WHAT THE FUCK H e was trying to touch Arthur but was oushed away twice #then arthur is the one to say hold me please at the end #SOMEONE FUCKING SEDATE ME I AM SO UNWELL #*SETS SELF ON FIRE*#also if you knew this already pls put in the tags any other moments like this I might have missed #I need diamond of the day from every possible angle #like when I realised that Arthur held merlins hand the entire time he said everything I know now

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mid-nightowl · 6 months

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untitled lil fic #1 (jason todd and gotham war)

here's some gotham war rewrites i needed to get out of my head, the brainrot was killing me omg

warnings for violence, cursing, whatever the hell Bruce is doing (just Bruce as a full warning tag, the man is more unhinged than Joker in this)

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“Oh Jason. How I’ve missed you, my sweet boy.”

The words are sickeningly sweet, poison-saturated words falling from bloody red lips. Delivered with a crooked smile, Joker looks up at him, uncaring at his position. His fingers curl in the clown’s suit collar, lips curling with a snarl.

Jason punches him again, the clown’s jaw cracking and his body straining against the ferry railing. Joker merely giggles, head lolling around through the air before his mismatched eyes meet his mask.

“Shut the fuck up!” He snaps, unholstering his gun and digging the muzzle into Joker’s cheek.

His murderer raises his hands, waggling his fingers in surrender, grinning and smirking and smiling.

He hates it, he hates it, he hates it.

“I want you to think about this real carefully,” He digs his gun into his skin. “This could be the last joke you ever make, you understand? That’s what you want to go with?”

“You know,” His nightmare giggles, chuckles like a wind-up toy before he wipes the amusement off his face. The clown looks up at him, head tilted, pleased and patient and thoughtful. There’s not a single sliver of hate and destructive menace, or anger or disappointment or suspicion.

Wrong, wrong, wrong, he thinks. There’s something wrong here. There’s something wrong with Joker—and not in the usual way.

“The best jokes deliver a difficult truth, but hide it with a fun fiction,” Joker explains, smushed but coherent words strung together despite the gun halfway in his mouth. “Without humor all we have left is being mean and lying.”

“What?” He can’t stop the words before they stumble out of his mouth. He doesn’t let the gun go lax in his hand despite the way the clown’s words throw him off guard.

Off-kilter is a genuine feeling that digs into him, shocking him to the core. The clown does this, he knows it. He knows this is how he does things, how he worms his way out of every situation and every attempted manslaughter, he knows how the clown operates, intimately.

Jason knows him.

Joker, historically, has been so many things. But he’s always been a psychotic, impulsive mass-murderer. Someone without restraint, without limitation.

It’s why he’s always been Batman’s true nemesis. Bruce, he needs a fine-tuned control of everything and everyone. He is someone who has limits and restraint.

Controlled, focused, and without limitations—Jason is almost the happy medium to both of them.

Almost.

The three of them are similar, different, opposites and identical. It’s like walking in one of those mirror mazes where you can’t tell who the real you is.

Who is the real Bruce Wayne? The man who cherishes his children or the one who maims them?

Who is the real Joker? The cold, purposeful mass murderer or the dumped-in-acid man who can’t tell the difference?

Who is the real Jason Todd? The bloody crime lord or the declawed crowbar wielding vigilante?

Joker simply smiles and pats his arm, as if Jason’s not trying to kill him.

He slams the clown against the railing again, snarling.

“Enough games!” He growls and flips the safety off. The noise doesn’t even phase Joker, if anything he grins harder. His mismatched eyes—one red-brown, one green—flick above them before returning to his.

“Are you really going to use that big bad gun of yours with Daddy watching? He’ll be so mad at you.” His murderer grins, letting his head hang limply in his grasp.

“What? Batman-!” He jerks back, head snapping up to the ferry roof cover.

Empty. No looming monster demanding a painful compromise is here.

Joker’s hands push him back, and he grunts, stumbling into the ferry wall. The clown tumbles over the railing, disappearing from view. His laughter haunting the air.

“No!” He shouts, dashing to the railing.

The clown is gone under the waves and ice, sinking into the dark of Gotham Harbor.

He’s not dead. He can’t be dead, Jason thinks, gripping the ice-cold railing, I haven’t killed him yet.

He’s not dead.

But that was mean.

The last words Jason hears remind him of his grave.

No, not the one he was buried in. Six feet of dirt above him and smothered in satin, watched over by that stupid weeping angel.

There’s a memorial in the cave with his name. ‘Good soldier’ and nothing else but his name. Both of them: Jason Todd and Robin.

A monument to Bruce’s failure, his greatest mistake, a grave to his complicated teenage years, his love.

“You’ve always been a good soldier. Rest now.” Bruce told him, jabbing him in the neck with the needle.

A grave, a memorial, a monument. It makes him sick. The reminder that he will always be the dead Robin, the sad Robin, the angry Robin.

Dead, dead, dead.

The violence done to him, inflicted and imprinted into his skin and bones was more important. The guilt and the lesson were more important than his cries for justice, for his life’s blood.

The monument and altar, raised after his murder, were never for him, but for Bruce.

He was dead, why would he care?

The story Bruce will tell would never be the truth, just excuses and wrong-doings. He would take accountability after the fact, but not before.

Bruce would let his murderer walk and let him rot.

Maybe that was why he buried Jason six feet under, so he wouldn’t have to face the decay and decomposition. That he could keep this golden, blurry image of him as Robin, as the straight A student, the good son. And not a weightless body splinted a thousand different ways to look human.

But now that he’s resurrected—not in Bruce’s image, but as something broken and jagged, something lost and filled with dirt and green-green-green—Bruce refuses to acknowledge him. Refuses to believe this is who he is.

Refuses to believe that he remade (destroyed) himself from the ruins, from the broken bones and empty veins and black thread that mended his corpse back into the image of Jason Todd. Refuse to think that if a girl can come back as a soothsayer, that a boy can come back as a gun.

“Hnnng…Bruce,” Jason groans softly, heaving himself off the couch.

Batman turns to him, looming with his face mask in his hands. The fluorescent lights, a nauseous lime-yellow, cut over his figure, his face, his mask. Almost a green-green-green, almost a pool of rage, almost a pit of madness.

His mask crackles alive in Bruce’s hands, Selina’s voice wavering between annoyance and worry.

“Red Hood? Hood, please check in and let me kno-” Batman clicks his comm off.

The resounding silence smothers him.

His exhale comes out shaky, his heart beating too fast behind his bruised ribs, a chill crawling over his exposed skin.

Something’s wrong. Something is very wrong.

“...Batman? You…” He swallows roughly, mouth filled with dirt and blood and thread. “Wha…What did you do?”

“Nothing I’m proud of, Jason.”

His heart sinks and skips a beat at the same time, stomach twisting with anxiety and fingers trembling against the ugly brown couch cushions.

Inhale.

He pushed too much.

Taking Selina’s side?

He went too far.

Hood didn’t kill anyone?

Exhale.

“Hh! Ho…” Jason croaks, getting his boots on the ground. “Y-you…you..”

“Take deep breaths, Jason.” Batman turns back to the computer hub glowing behind him, ignoring his attempts to speak, to demand answers.

His arms shake as he holds himself upright, but when he tries to stand instead he chokes, falling to his knees in front of the couch. Gasping for air, he lays his palms flat against the cool tiles. His legs are quivering, heavy and unable to hold his weight.

His whole body trembles with it, this feeling unfolding through his blood and bones, engulfing his head and voice.

Fear, fear, fear.

“Years ago I created my backup personality, Zur, using techniques I learned from an old mentor and this machine that I built,” Batman starts, monitoring the screens in front of him with one hand on the keyboard and the other on his belt.

Bruce doesn’t turn to look at him, to face him, someone he calls son, someone he considers family, and explain what he’s done to Jason.

He never has.

“I can’t change your personality with it, Jason…” Batman sighs, low and quiet. “But I can add to it. A small thing: your failsafe.”

Failsafe. He slams the heel of his palm on the floor, cheeks tingling with his telltale sign of tears. A failsafe?!

Because Red Hood needs a failsafe instead of justice.

“What?!” He tries to snarl, to hiss and yell and scream his rage. But his voice fails him, anxiety chewing at his throat and tongue, voice tilting too high, too unsteady, too weak.

“Now when you have heightened adrenaline, when you’re about to do something dangerous, your fear kicks in,” Batman continues explaining. “It…I’m sorry Jason. But it’s the only way.” He clenches his eyes shut—inhale, exhale, inhale, exhale—and tries to ignore his rabbit heart battering against its cage, pounding to the frantic rhythm of fear, fear, fear.

“I love you.”

The words feel like gunshots, the knuckle prints on his skin after the two of them fought over Penguin, the smack of Selina’s whip against his fingers, the crowbar on his skull, his legs, his ribs, over and over and over.

“I love you, but you are a murderer,” Bruce condemns him, over and over again. “You’re a bull in a china shop and I go round after round with you, trying to figure out how to help make you a better man, to heal you.”

“H-heal me?” He whispers, rage cut off at the roots. “This isn’t…this isn’t you, Bruce.”

Batman, finally, turns to Jason. He looms, tall and foreboding, darkness dripping around him, drenching him in fear, fear, fear.

Batman takes a step forward and he crashes back against the couch, spine digging into the wooden frame painfully.

He can’t breathe. Batman moves and he knows it in his bones, knows it down to the scars Gotham and its guardian have left on him, that he’s not here to save him, to help him.

“I got you a new identity. A place in Metropolis.” Batman keeps walking forward, despite Jason’s growing hyperventilation, despite the way his blunted nails scratch at the floor. Despite the way he shakes, black stitches snapping apart, the pieces of him falling to the floor of this slaughterhouse, at the feet of his butcher.

“B-bat…Batman,” He whimpers, hand twisting into the fabric of his suit.

“You can live a normal life. Fall in love, do meaningful work. This isn’t punishment, Jason,” Batman kneels in front of him and removes the cowl. “I love you.” Jason shrinks back, shoulders back and legs curled to his chest. Bruce’s face is sharp and pale, with bags under his eyes and days old stubble on his jaw.

His eyes are dark with absolute rage.

Batman is going to hurt him. Batman is going to hurt him.

Bruce is going to hurt him again.

“This is a gift. Any way you look at it, you should be in prison for all the people you’ve killed,” He chokes at Bruce’s words, barely smothering the terrified cry in his throat. “This is me saving you from that. Save you from yourself.”

Jason can only stare at the man before him—the man who took him in, who raised and trained him, who loved him—does his best to bury him.

fear, fear, fear.

“Please..don’t…please,” Jason pleads, covering the girl with his frame, caging her in with his bruised and burnt arms.

“Let’s begin.” Scarecrow’s voice reverberates, it shakes through air to match his erratic breathing.

“P-please, I’ll do anything you want, anything,” He begs, fear, fear, fear burning in his veins. “Please. Just stay…stay away.”

Scarecrow closes the gap between them, rocking back and forth on his crooked, long legs. His mask distorts and mutates, a familiar green-green-green splashing over the darkened void of his gas mask.

“You’re going to die tonight. I know you know this,” Crane looms over him, green-green-green trickling out his eyes, gushing out like an open wound. “But we can still have fun, can’t we.”

The girl trembles underneath his chest and Jason tries to smother the whimper begging to pour out his lips. It’s gnawing at him—rabbit heart frantic in his chest, hands trembling from the burning pain and anxiety, smoke and ash gathering in his lungs—fear, fear, fear.

He can’t think of anything else.

“Those fools were right. Your terror…it’s real and it isn’t mine,” Scarecrow sneers, kneeling in front of him. “There is no thrill in driving terror into the heart of a baby bird.”

Scarecrow takes his jaw in his hand, needles tickling at his exposed skin, forcing Jason to look at him. He can’t help but jerk his head at Crane’s touch, needles pricking into his cheek when Crane holds him tighter, another inescapable cage around him.

His chest heaves with every shaky inhale-exhale, his anxious fear fanning over the rogue’s mask. Scarecrow leans in closer, the glass over his eyes gleaming, reflecting the fire roaring around them. Jason can hear the screams in them, watching the shadows morph around them and the straw on Crane’s shoulders wiggle.

“This is my moment of triumph, and it is snatched away from me by..by him?!” Scarecrow shakes Jason’s head in his hand, needles scratching into his skin but still not drawing blood.

Scarecrow lets his head drop, needles disappearing from his sight before they’re clawing at his throat, wet and cold against his clammy skin. Jason whimpers and clenches his eyes shut, unable to do anything but beg.

He knows praying for someone to help him is futile.

No one is coming to save him.

“Never let it be said Scarecrow has no pity,” Crane says, voice cutting in and out his head like radio static. “I will quickly finish what your daddy started.”

“Doesn’t mommy get a say?”

A voice slices through the flames licking at his skin and the fear smothering him. And when Jason’s gaze finds him, he can’t help the tears.

“Step away from the vigilante, pervert.” Joker grins, dark red lips stretched too wide, too thin. Ash rains down on his green-green-green umbrella, rolling down the crooked dark patches and shamrock-colored nylon.

“You’ve already killed him once. It’s time you learned to share, Clown.” Scarecrows speaks with thin, razor-sharp disdain, glaring over his shoulder at the newcomer.

“You should know this by now, Doc. I don’t play well with others.” The clown throws aside the umbrella, knife materializing from thin air as he descends upon Scarecrow.

“You’re not even really him, are you? Do you think I don’t know about you? Delusions and megalomania with-” Scarecrow baits and taunts the clown, before the two of them are ducking and weaving and slicing at each other with barely concealed rage and annoyance.

“Blah, blah, blah. Do you know why you’re always going to be a C-List villain, Johnny?” Joker jokes and Jason can imagine the sharp grin on his face. “Because doctors aren’t scary. They’re annoying.”

He ducks his head down and curls tighter around the girl. She cries underneath him, hiccups soft under the roar of flames closing in on them, the screech of metal on metal and creaking of deteriorating wood.

He can’t move. He can’t do anything but try to breathe. But all he tastes is smoke, choking him, billowing down his throat and in his lungs. His heartbeat is so loud, jumping under its bone-cage, a heady, heavy thing—badump-badump-badump-badump. It’s too fast, erratic, out of control.

“You’re a bull in a china shop and I go round after round with you, trying to figure out how to help make you a better man, to heal you-”

Always out of control. Jason whines, hands scrambling against the wood below him. It burns, seering through his fingertips. It hurts-it hurts-it hurts, he can’t do this. He can’t.

He can’t breathe.

“Ahhhh! Ack! Achhhhh!” Scarecrow screams, guttural and wobbly and when he looks up, Jason can only watch as Crane crashes through the fifth story window.

Tears continue to stream down his face, his heart trembling in his chest and the realization strikes him then, cracking down on his skull like a crowbar, over and over and over.

Joker saved him. Joker saved him. Joker saved him.

His murderer saved him.

“A-are you real?!” Jason cries out, fingers curling into the withering floorboards. “Is this real?!”

“Oh, don’t worry about him. I didn’t even give him a real dose of Joker Gas. I ran out. Heh!” Joker laughs, rubbing at his jaw. Blood and green-green-green stain the edges of his mouth, smeared down his chin and throat before disappearing under the orange sweatshirt he’s wearing.

“But now, it’s just you and me. And…your daughter? Did you have a daughter and not tell me?” The clown tilts his head in question, tucking away the green-green-green gun in his hand. He steps closer, uncaring of the flames licking over his pale skin.

Jason can’t tell if it's real or an illusion, can’t tell if his murderer is here and saving? rescuing? tricking? him. He can’t tell if this is just another nightmare he’s trapped himself in, or if this is the real punishment Bruce promised him.

“She’s just a kid. Please…don’t,” He pleads, the tears searing down his ash-stained cheeks.

Joker leans down, bringing his face close to Jason’s. His mismatched eyes—one green, one red-brown—bore into his and the clown smiles, too wide, too cracked and broken, too bloody and green-green-green.

He sobs, cracking under everything. He can’t do this, he can’t.

“My, my. Even like this you still think you’re the hero. Batman would be proud if he didn’t hate you,” His murderer says, before his bony hand is cupping Jason’s face, calloused fingers dancing over his skin.

Jason clenches his jaw when it threatens to wobble and tremble, but knows the fear is shining in his eyes. Knows the clown can see it, knows he recognizes it in his baby-blues. He’s been here before.

They’ve been here before, together.

“But don’t worry my sweet boy, I’ll find a way to fix you. Nobody is going to hurt you. I won’t let them. Because I need you.” His voice is honeyed and threatening, curling and clawing and cloying into his head like a sickness. Joker pets his hair, gentle and caring, and Jason knows he means it.

He’s going to fix him. He’s going to heal him.

He’s going to save Jason.

“Don’t worry, sweet boy. We’ll see each other soon,” Joker pats his cheek with a crooked green-green-green smile. “I promise.”

His heart beats frantic to the words—fear, fear, fear—eyes unable to look away from Joker.

Jason believes him.