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#and all the flashbacks
skitter-kitter · 2 years
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I can totally replay pokémon masters’s story arc without losing my mind. absolutely
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hypewinter · 2 months
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During a press conference for the newest Justice League member, Phantom, a reporter asks him "Do you have anything to say to all the children who aspire to be like you?"
Phantom looked at the reporter puzzled before saying, "Children wanna be like me? Why? I'm a bad influence."
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miyuskye · 7 months
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Oda: draws a funny roger pic
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one of his assistants probably: ok i'm gonna make this about shanks and buggy instead
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jeremysknoxes · 1 month
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poor wymack is traumatized by neil's terrible clothing
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i'm unwell!!! because in stede's eyes, ned low was right!! ned says "he [ed] only likes you because of your bumbling amateur status" and calls stede blackbeard's "pet" just like izzy did in series 1
so stede steps up as a captain, kills the man who harmed his crew, and suddenly, for once in stede's life, he isn't a joke! the gentleman pirate is taken seriously and welcomed into the pirate community!
and what happens less than 24 hours later? ed calls their night together a mistake, AND LEAVES.
yes, obviously the situation is more nuanced, and these old men are once again struggling to communicate, but i 100% understand why stede went a bit of the rails at the end of episode 7. stede's been so focused on trying to help ed, that he's completely ignored his own ongoing identity crisis and trauma, and after the incident at the academy in series 1, this meltdown was long overdue.
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botlabyrinth · 4 months
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sally’s “i want him to know who he is, before your family tries to tell him who they want him to be.” and poseidon saying “he will be stronger for it on the other side. his mother raised him well.” and he is. percy is stronger on the other side. we’ve seen it so clearly through his quest. his confusion at how you have to earn the gods’ love, earn their respect. his conversation with annabeth on the train about it. his unwillingness to accept the ways of the gods. him realizing his mother wanted to keep him away from this world, and annabeth being the one to tell him that maybe it was for the better that sally did that. so that he wouldn’t be like them. annabeth’s “he isn’t that way. he’s better than that. maybe i was that way once. but i don’t want to be that way anymore.” the way percy would’ve turned out with a similar worldview to annabeth’s if he had been sent to camp so early on. and annabeth’s worldview changing so quickly after meeting percy. sally jackson raised that kid right. you would think that as a demigod, the half god side of percy is what’s important. but that’s not what makes him the hero. it’s the half mortal side of him that does. his humanity, his mortality, his mother. that is why percy is the hero that he is.
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egophiliac · 8 months
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starting off with an amuse-bouche of some of my initial favorite bits! y'all, this update was WILD.
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cringefail-clown · 11 months
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turnabout kids and their sprites! ive had an ask laying around in my inbox about them for far too long lmfao, so ive finally decided to draw em out
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jane: mime porcelain doll + poppop
dirk: seagull + hal
roxy: wizard figurine + frigglish
jake: gcat + his dreamself
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caemidraws · 2 months
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Things kept quiet
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ooey-gooey-angel · 10 months
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I DESERVE COMPENSATION FOR EMOTIONAL DAMAGES FROM HAVING TO SEE THIS FACIAL EXPRESSION AGAIN
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bloodymarymorstan · 10 months
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So yesterday I watched all the historical scenes of Crowley and Aziraphale in chronological order and then feverishly came up with a new interpretation of the "you go too fast for me Crowley scene" so here it is:
Ok so now we know from season 2 that the Dirty Donkey pub where Crowley holds his heist-planning meeting is right across the street from Aziraphale's bookshop. This means that when Aziraphale goes to meet Crowley in his car he literally just walks across the street, but it also means that when Crowley offers to drive Aziraphale somewhere he isn't offering to take him home. The previous implication of that interaction was that Crowley was going to drive Aziraphale back to his bookshop, but Crowley knows that the bookshop is only a 30 second walk away so that's obviously not the case. In fact, Crowley doesn't actually ask Aziraphale if he wants to be driven home, what he actually says is "can I drop you anywhere?" and then "I'll give you a lift, anywhere you want to go".
So now we know that Crowley isn't trying to drive Aziraphale home, the conclusion we have to draw is that he's asking him if he wants to go somewhere else with Crowley. This is kind of a covert way of wording things, but Crowley is still testing the waters at this point in their relationship. He pulled this same tactic in 1941 when he said he would give Aziraphale a "lift home" and then ended up taking him somewhere else which led to them spending the entire evening together. "I'll give you a lift" has essentially become code for "let's hang out". This also explains why Crowley looks genuinely disappointed and upset when Aziraphale turns down his offer (and why Aziraphale acts apologetic about it).
But, considering that we know Aziraphale has fallen for Crowley by now AND that they went out together in 1941, why the "you go too fast for me Crowley" line? My explanation is this: in 1941, Crowley nearly got in big trouble with Hell simply for having been seen with Aziraphale, and not only did he not seem that bothered by it but he is now asking Aziraphale if he wants to go out again even though they've both been directly confronted with the risk this poses for him. I think it scares Aziraphale that Crowley is willing to risk so much just to spend time with him - he's not ready to confront the truth of what that means yet, and he's also not yet at the point where he'd be willing to take the same risk with Heaven. As usual, Crowley is a step ahead of him in terms of his commitment to their relationship, hence "you go too fast for me". Keep in mind that Aziraphale was very caught up in the moment in 1941 and has had a lot of time to reflect since then about the potential consequences of a relationship with Crowley, and he's just not ready yet even if he definitely wants it.
As a side note, I think it makes a lot of sense that this is the point when Aziraphale agrees to give Crowley the holy water (and why Crowley is more determinedly seeking it in the first place), because now both he and Crowley more fully understand the the danger Crowley will be in if Hell finds out what the two of them have been up to.
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prahacat · 3 months
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when the horrors catch up and you take an evening off to batch-process
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poorly-drawn-mdzs · 7 days
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Unsolved Mysteries.
[First] Prev <–-> Next
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shinelikethunder · 4 months
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You asked me to teach you chess, and I've done that. It's a useful mental exercise. Through the years, many thinkers have been fascinated by it. But I don't enjoy playing. Do you know why not?
Because it was a game that was born during a brutal age when life counted for little and everyone believed that some people were worth more than others. Kings and pawns.
I don't think that anyone is worth more than anyone else. I don't envy you the decisions you're going to have to make. And one day I'll be gone, and you'll have no one to talk to. But if you remember nothing else, please remember this:
Chess is just a game. Real people aren't pieces. You can't assign more value to some of them than to others. Not to me. Not to anyone. People are not a thing that you can sacrifice.
The lesson is: Anyone who looks on the world as if it were a game of chess deserves to lose.
— Harold Finch, not knowing how to explain to his AI offspring that it should care about people (but doing his best), Person of Interest 4x11 “If-Then-Else”
youtube
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spacedace · 4 months
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DPxDC snippet/prompt:
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“John.”
Zantanna’s voice had that cadence to it. Faintly strangled. Forcibly calm. Her rising blood pressure and rapidly approaching limit for his special brand of excitement evident in every single letter of his name.
Felt like old times.
“Z.” He said, smoke curling out of his mouth and billowing towards the dreary grey sky above. The one nice thing about Gotham, it had the same gloomy dark ambience of ol’ London town. “Long time no see. How’s show biz been treating you?”
He saw the faintest of twitches at the corner of her eye. Could almost hear her counting to ten in her head. He smiled at her winningly, leaning back against the damp bricks of the alleyway as he waited. More smoke drifted upward from beside him in time with a bored sigh. Patience was running out on all sides it seemed.
“That’s a child.”
“Sharp as ever.” He said, taking another drag. He nudged the child in question beside him gently with his elbow, glancing down with a sly grin. “See this is why the Justice League pay her the big bucks. Nothing gets past our Zantanna Zatara.”
He got a cloud of smoke blown directly in his face for that, little shit.
“John.”
“Z.”
“Why do you have a child? Why is the child smoking?”
“Long story.” He said with a wave of his hand.
“I learned it from watching him.” The kid said, with the same cadence as that old American commercial. All dramatic and overwrought emotion. The gremlin swooned against John's side in an imitation of collapse, hand holding the lit bifter coming up to their forhead to really sell the melodrama. He nudged his ghostly companion off, grinning at Zantanna’s slipping patience as he did.
“Don’t worry about it. Kid's fine.”
“A child wandering around with you in a dark ally in Gotham smoking cigarettes is fine?”
“I mean, I’m already dead. And short. It’s not like smoking is gonna be able to do any worse to me.”
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mintypsii · 5 months
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based on this post
update: here's part 2!
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