Prompted by this post about the Internet Archive lawsuit and the mention of libraries and digital books:
On the subject of libraries and ebooks, something that I found so shocking when I heard about it is how ebook lending works for libraries. (Though this isn’t controlled digital lending, which was mentioned in the post. CDL is when a library basically takes a physical copy of a book, digitizes it, and loans that copy out digitally only- basically subbing in a digital book for the physical one. This is how libraries get ebooks to loan out via an app like Libby.) For libraries, ebooks don’t work like physical books. A library can’t just buy a copy of an ebook and then lend that out indefinitely like they could with a physical version of the book. For a library to be able to lend out an ebook, they pay for their patrons to be able to access the ebook, not for the ebook itself.
Usually a library pays to be able to lend out a digital copy of a book for X number of years, or for Y number of times it’s borrowed, whichever comes first. For example- and I’m spitballing here because I don’t know any numbers for ebook purchasing- for 2 years or 100 checkouts. After that, the library would have to pay again for that same ebook title (1 copy of it) to keep lending it out. And to add to the problem of having to repeatedly purchase access to ebooks, this purchase is much more expensive than buying a physical copy of the same book.
It’s kind of like an extension of the issue where subscribing to a streaming service of any kind doesn’t give you any ownership of content the way a physical copy or even a file download would. What you’re actually paying the streaming service for is access to their content- not the content itself.
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
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Tumblr's debt is a problem of their own creation. The app is buggy, the userbase is flooded with porn bots, nazis roam free, hate speech roams free, trans women have sfw content marked mature, art and posts are stolen for promotion, features are forced down our throats, ads are malicious and often gross or triggering and giving them money will not stop this.
If we give tumblr money they're not going to get rid of Tumblr live or restore the nsfw or remove ads or whatever you think they're going to do, they're going to KEEP DOING THE SAME THING except with more money to blow. Tumblr is a CORPORATION, they can get a government bailout like any other corporate entity can, and while people are throwing money at a dumbass corporation there are people begging to get bills paid and for food and other necessities.
Please open your eyes to the reality of the situation, its not just some guy anymore, David Karp is long gone its a soulless conglomerate now and they do not need our pity
a lot of yall seem to think that i want to like, bake sale save the baseball team. that's not what this is about. i don't think we need to "fix tumblr's debt," i think we need to make the website profitable (and the debt shows it isnt, altho from what i can gather a better word is "deficit" rather than "debt," ie, they are losing that much more money than they take in annually), because as it stands tumblr has no reason whatsoever to want to keep the current user base around. it's trying to attract a different userbase, because yall are PROUD of the fact that tumblr is a failing website and you dont want to pay them. you're loitering inside a store and acting surprised when the store wants you gone. of COURSE they're constantly introducing new features and not listening to what the users want, they don't want you here.
it's not a protest, it's not an attempt to buy good will, it's a simple business transaction: i spend a lot of time here, and i would like to keep spending a lot of time here. so i will buy my shitty internet crab, and tell my fellow loiterers that they can as well if they want. if you dont want to do that, you literally don't have to, but you can't tell me not to.
you people are all like "ohh tumblr isnt your friend dont give it money" but like. yeah. its not my friend. i would like to pay it for a service it provides, instead of expecting it to continue to provide that service out of the goodness of its non-existant heart. i dont think im the one with the parasocial relationship here.
also:
dont tell me to help a poor people. i am a poor people. i am allowed to spend THREE DOLLARS on something i like for myself, and not give literally every single dollar i have to charity and mutual aid. you have NO IDEA how much or if i do for other people, and you won't, because you aren't owed every detail of my life like that. people are allowed to have things they want for no other reason than they want them sometimes.
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Things you might not realize are affecting your ao3 readership:
Putting unrelated fics into one compilation instead of series or collections
Not tagging your fics/“haha I’m so bad at tagging!”
Tagging all of the ships in a fandom instead of the relevant ones to the story
“This is my first fic ever”/ “I’m really not a good writer” / “sorry if this is crap”
Summaries that say “sorry don’t think I will update much” or “might be abandoned idk”
Tagging “r@pe” or “unaliving” etc instead of the actual tag so people can filter/exclude
NOT tagging major, relevant tags or kinks without using the “creator chose not to use archive warnings” option
Telling people how bad your writing is and how you hate it so much and how they shouldn’t even be reading your fic (self deprecation)
Weird punctuation: not starting new quotes or descriptions on a new line, and/or putting extremely long blocks of text on the page without a break
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Thinkin bout Sampo Koski rn as like. His character n what we get of him in honkai star rail and he fucking. He confuses me like. There has to be So Much more to him like
The general vibes of him and especially how other characters treat him is that of comic relief, a punching bag, a goof, just a slick conman causing trouble. It's genuinely difficult NOT to insult him n treat him badly with dialogue options and any time he's even mentioned March 7th hisses at him. He's literally a cryptid in belobog. He's a joke.
But. But. There's his light cone. It makes me insane. It contradicts all of that.
In it he's competent. He's badass. He's omnipotent. He's able to somehow know a sniper from however far away is locked on him and address them specifically.
And even like... in the entire plot of jarilo-vi he's spoken of like he's not much. He's a 4 star character. But he's practically as present as bronya and seele and Gepard and his involvement in the story is ASTRONOMICAL. He has a part in every major event. He's the one who drags the Trailblazers and bronya into the Underworld. He's the one who takes you to svarog, to the overworld again. He gets Natasha and saves you from svarog. He's the first character you ever meet on jarilo.
And he seems to just vanish before you confront cocolia. But no. Sampo is the one who has the last word and wraps up the entire mission on jarilo-vi. He fucking breaks the forth wall. Jarilo-vi both begins and ends with Sampo.
He calls himself shadowy comic relief yet he seemingly orchestrated everything. What is he. What the fuck is he doing. What else is up with him and when will we get more of him. I want to bite into him and tear him apart.
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