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#after that lolll
maddy-ferguson · 1 year
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im tired of ppl using headcanon stuff as proofs on the show. ''mike never stopped calling will.'' yeah no, that is not canon at all, lmao. you guys just took dustin's words and used it as some sort of a canon thing to prove that mike called. c'mon guys... canonically it doesnt make much sense anyways bc it doesnt fit. because mike learned abt joyce's job at the beginning of the season after el sent her letter. unless the duffers just made a mistake and screwed the time, it doesn't make any sense for mike to have called will constantly or 'complaining' due to joyce's job when he just learned abt joyce's job at the beginning of the season after reading el's letters. for all we know mike didnt send any letters to will, and they just only talked for a couple of times. like. that's the canon. we cannot just take something and treat it as canon and come up with criticism based on that. same as the 'lettergate' situation, for all we know mike just didnt bother writing and he didnt have a present. also u cannot really blame will either. for all he knew, the situation was just a repeat of S3. and we know what happened in S3. just a casual 'what if u wanna join another party' doesn't fix the issue at hand, and it literally didnt either. so.
okay, yes, this is what i was saying in the tags of this and what this post i reblogged earlier is about!!! you can't just say "mike 100% called and we don't even know if will called so will is equally to blame for the fact that they didn't keep in touch/for their rink o mania fight". i mean you can but i'll disagree every time because there's this little thing that happened between them that never got resolved that totally explains why will would be hesitant to reach out...who out of the two of them was rebuffed the last time he tried to show that this friendship was important to him? who was crying in the rain and calling himself stupid over it? as a very wise woman once said, i would've wanted mike to make a little bit of an effort too after that tf
and the thing is, if it turns out mike didn't call/doesn't have any unsent letters i'm not gonna be mad at him? they both have reasons for not reaching out. people being more forgiving of will probably has to do with the fact that his reasons are you know. not speculation
as for the technicalities surrounding the theory, the job part of it just doesn't add up to me like i...have spent a very long time thinking about it, it's april and i still don't get it. and as people have pointed out el can't use the phone and there's a walkie talkie in her room and all that but yk. idk. and i like lettergate and i like mikeactuallycalledgate but at the end of the day they're just theories you know
#either way i don't get the job thing because dustin says mike won't stop whining about it like he's been whining for some time which#means that el's letter is old (which i guess it could be) or that like...mike already knew about joyce's job before reading the letter?#like if he just learned about the job in ep 1 why won't he stop whining about it. is it a hyperbole. idk i don't get it.#my second paragraph isn't me doubting byler or like denying the fact that mike is OBVIOUSLY going through something too like i said they#both have reasons to not reach out. it's just that you can't exactly blame people for being biased when one's reasons are...out there#and the other's are: not. i know we're on byler tumblr and a lot of things are known to everyone but like do you see what i'm getting at?#one thing i'll give you is that trying to force your friends to play with you when they obviously couldn't give less of a fuck is...not#a very good strategy and also it was hurtful too when my friends didn't care about my crush of the week in middle school. i personally#never told them to grow up and accidentally called them gay over it though lol!#and i've also been will with the getting your friends to do something they don't care about i've told this story before when i was 12 my#friends literally WROTE ME A LETTER (they wouldn't even say it to my face!!!! they gave it to me and i was like what is this and they were#like uhjustwaitforustoleavewellseeyouonmondaybye and left before i could read) telling me to stop talking about one direction. and i didn't#even talk about them that much because i knew they only liked them a little while i was a Directioner. i never talked about them again#after that lolll#see how i did something for the will is always 100% in the right allegations#ask
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mispelled · 9 months
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I've been meaning to draw this for over a year
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luvring · 9 days
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sitting on the grass, thinking of kissing you
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timeskip iwaizumi x gn!reader | 1.3k words of casual conversation on the front yard of some unexplained party, and implied feelings with no resolution! :3
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“what’re you doing out here?”
a breeze is the first to welcome you when you step outside, leaving goosebump trails down your back and arms. somewhere behind you, someone cheers at a song change, and the bass rumbles beneath your half-on shoe as you let the old screen door squeak and bounce shut.
hajime doesn’t look up from his spot next to the driveway. he only downs more of his drink and swirls the can in his right hand, bracelet on his wrist falling to his watch. “sitting. drinking.”
“mm, very eventful.” you awkwardly shuffle so your shoe fits over your heel, and he moves to spread his jacket beneath him, making space so you can avoid the wet grass.
it's quieter outside—the crowded singing and laughter of the house party muffled. it's easier to focus on the wind whistling through branches or sparse traffic that passes through the neighbourhood.
you look to the other side of the cul-de-sac, where hajime’s gaze seems to bore a hole in the trees. “think you missed ‘staring off into the dark abyss’ on your list?”
hajime hums. “it’s at least a dimly lit abyss.”
rolling your eyes with a snort, you find your place beside him. “whatever.”
the sun has fallen well below the horizon, dark sky showing no signs of the earlier pink-purple sunset. yet it's barely colder than it was this morning, and you haven't been in school in ages, but nostalgia trickles into your veins at the feeling of summer starting again. even now, you can spot a hare making its way down the sidewalk, and you smile.
hajime lifts his drink to his lips again, and you watch his adam’s apple bob as he tilts his head back. a drop rests at the corner of his lips when he’s done. you prod, “is there a reason you’re staring into the dimly lit abyss?”
he taps the side of the can. “just thinking.”
“about?”
“nothing.”
“nothing?” you deadpan and reach to wipe the corner of his mouth. it prompts him to look at you for the first time since you came to find him. “like, nothing nothing, or something nothing?”
poking the inside of his cheek with his tongue, his eyes flicker from your thumb to your lips, back and forth, as you pull your hand away. but then you look up at him expectantly, and his stare returns to the drink he really doesn’t even like that much, but will at least keep him occupied for a few more minutes.
“i’m supposed to go grocery shopping tomorrow, but they close early on sundays and i have to drop off some shit last minute at tetsuro’s and talk about next week’s schedule—”
“oh my god, hajime,” you laugh and tilt your head at him. “it’s a party and you’re sitting on the grass outside thinking about your sunday chores?”
he shoots you a look. “you asked.”
“and curiosity killed the cat.”
“but satisfaction brought it back?”
you elbow his side. “yeah, well, no satisfaction this time, mr. sunday groceries.”
a stray gust blows against you, colder than the ones before it, and your arms move to wrap around your middle. hajime’s lips drop to a frown. “where’s your jacket?”
“i dunno, on the couch? in the closet?” 
you’d rather not tell him it’s sitting on a bed, currently being used by 4 people you barely know beside their names playing truth or dare, and you picked finding him over facing them.
“you don’t—okay, just, you can use mine.” he grabs the denim from beneath you, but you wrap your hand around his wrist.
“are you joking? i’m not making us sit on cold, wet grass. this is a new outfit.”
but wind pushes again, and the collar of hajime’s button-up—which you only now notice has been unbuttoned at the top—hits the side of his neck. you mutter a curse, and he moves to wrap his arm around you, tucking you into his chest.
warmth seeps through your clothes, and you bury yourself deeper in it, in him. it’s half unfamiliar, but not unwelcome as he blocks the brunt of the wind, and your cheek rests against his collarbone, something you try to ignore swelling and filling your chest.
“you love making things difficult, don't you?” he murmurs.
“of course. my favourite pastime is inconveniencing as many people as possible at once,” you mumble, breath fanning back against you.
hajime’s thumb rubs your hip, keeping his question of “what’re you doing out here then, ‘inconvenience’?” a joke about someone that was anything but.
you halfheartedly shrug—stomping feet, phone flashlights, and a couple making out in the kitchen, one looking uncannily like the friend holding you, leaving footsteps in your memory. “needed some fresh air, i guess. couldn’t find you, either. missed you.”
his thumb stops.
“also,” you pause with it, just long enough so belted lyrics can roll out the door to your spot on the grass. “they’re so fucking loud, dude.”
hajime laughs, and you feel it as clearly as you hear it. then he picks up the motion against your hip once again. “that’s what happens when they get a hold of shoyo’s throwback playlist.”
the sound of a window sliding open catches your attention, and the previously muffled 2010’s music becomes clearer— “it’s hot as fuck in here, is there a fan?”
“come t’the backyard!”
“the fuck? who ate the last slice of pepperoni?” both of you snicker at atsumu’s question, feelings of betrayal clear in his voice, even from here. 
your fingers play with the trim of hajime’s shirt, and his are splayed to keep you warm. “if someone calls the cops we’ll be the first to answer out here.” you bump him with your head. “do you wanna talk to the cops?”
“god, no,” he sighs and rests his cheek on your head. you feel him nod at something nearby. “we can hide in that bush.”
the bush in question, you’re pretty sure, is the neighbour’s, though sitting on the border of the properties, maybe it could be a shared thing. the two solo cups sitting at its bottom will be yours to clean up anyway.
you gasp and pull away to look at your temporary windbreaker, a hand over your heart. “you? hiding from the authorities? no way.”
hajime raises a brow, playful smirk pulling at corner of his lips. “you think i won’t dive into a bush?”
“i’m not doubting your athletic ability to get stabbed in the eye and ass with branches, loser. but i think if the cops found us in a bush, we’d look like college students looking for a shitty, secret make out spot.” you point out, smoothing his shirt where your head rested, hand probably cold as it runs across his chest.
but he makes no remark of the temperature, and it’s only when your pinky crosses fabric and finds skin that hajime’s breath hitches beneath you.
you look up at him, the same time chanting starts inside the house as the wind picks up.
maybe if it was earlier in the evening, you could brush aside his flushed cheeks for the sun’s work, pressing warm red into his skin. the near empty drink in his hand seems like it’d be the next best culprit if it wasn’t for the way his eyes seem untrained for contact, making stops on their way to meet yours.
hajime bites the inside of his mouth, offering a smile that sits unnaturally on his face, more out of expectation than humour. it’s a weak comfort, his eyes soon choosing the trees on the other side of the cul-de-sac over you.
he brings his drink to his lips, other hand still against your side, and you think you might've hit a target you didn't realize existed. “the horror.”
wind bites at your skin, pulling the screen door open as the song changes once more, and everyone cheers.
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this was me practicing writing... Anything... because i'm so rusty i'm like a super squeaky door that needs 2 be oiled real bad. Omfg i couldn't figure out what to listen to while doing this but playlists where ur in the bathroom at a 2010's party can fix ur entire vibe. (playlist link) like yeah dynamite by taio cruz muffled is perfect actually omg ? fawking banger
can u believe it isn't an established relationship btw. looked at my drafts and said Girl do something new! so i did! my pattern of nothing substantial happening continues though which is why i kinda don't want to post this but. all in all it was quite fun 2 do so WHO GAF! 🔥🔥
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sunnykeysmash · 11 months
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Man of words
#s16 spoilers#iasip#it's always sunny in philadelphia#always sunny#macdennis#analysis#parallels#I didn't exactly know how to name this thread but i had some scattered thoughts on it#dennis is the one mac depends on to define things. he's the man of words. but this situation is very limiting#firstly because mac can't read subtext. and dennis will rarely be open in his words. but he also doesn't know everything.#cant define everything. and by forcing the situation to have dennis speak for both. what actually happens is mac gets silenced#and when mac cant speak. no one besides dennis can ever possibly understand him. and that is very isolating. because den wont be open. cant#but they trust each other. theyre following each other's lead. and they're missing the right words#den defines his own self worth in the relationship by being able to have the right words. mac is the man of action! after all#but if mac learns to speak for himself. if mac doesn't depend on den (chokes). if mac is noticed for his appearance as den becomes insecure#(''what if my shirt falls off?'') what does den have left for mac? but mac will fall for him no matter what.#''make up or not you are the golden god! it's all about what's in here💗''#maybe words arent necessary anymore. dont ask just do. and mac's the man of action... OR IS HE.#mac doesn't really act now does he. they got it backwards. don't they? mac got a lot better with his words in time...#idk lots to think about let me know what u think lolll#threads
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lifeofclonewars · 5 months
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okay wait no. small pause on the Kix feels as I think about how Rex is more by the books than Cody (and lightens up at least a bit on that throughout the war) and how he tells the Domino Twins "reminds me of me, actually" in his lil promoting them to ARC speech and just. how much he latched onto Domino in the first place
this man saw Echo and his by the books-ness and Fives encouraging him to lighten up on certain bits of it and went "oh, they're just like me and Cody" and got attached and indeed continued to see the parallels throughout the war
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stealingpotatoes · 9 months
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i love love love your anidala art so much!! it always makes me smile!
aww thank you!! hope this lil sketchbook Anidala I did yesterday also makes u smile!!
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sunshades · 5 months
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grief in the city, or "how many days off will i get when my lover dies of consumption next march"
Expanding from this post (@puffles HI) or mostly just trying to write it out in a readable fashion. (lor spoilers ahead yeehaw 📚)
Just been thinking. Death in the pmverse city. It's not something you're really allowed to get personal with. But some people just can't help it.
In lobocorp we get a look at what it's like from the inside of a corporation, and like yeah the entire story is about it, but to me Yesod's parts more than anyone else's showcase this feeling.
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(Yesod core suppression dialogue)
The question of detachment comes up pretty often, and he points out Malkuth's as the ideal behavior to cope with it- forgetting you're dealing with humans as much as you can. Through his arc in lobocorp he struggles with it, this idea that it can all be fine if he stops thinking of the others as having a face, a name, and most importantly (for him) a body. Of course a strategy like that stops working as soon as one remembers, as one gets closer. That is one of the main themes of lor.
We're introduced to Xiao midway through the game, and her story unfolds as we start to learn about Roland's. The way she describes herself is similar to how A talks about Yesod, though Xiao doesn't feel special for it. The softness of her (at the time) coworker Lowell confounds her.
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(Xiao's key page)
Then the invitation reaches her, and therefore the news of Lowell's death, and this changes. Her reaction is intense, she describes it vividly. And it feels... kind of natural considering the martial culture of her workplace? Specifically for an Association whose mechanics literally run off emotion levels.
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(Liu S1 reception)
But we immediately see that no, to everyone else this seems like an overreaction to losing a partner. We see it from Chun's reaction, then Angela's, who suggests she simply finds a substitute for Lowell, and Roland himself is surprised by it: he muses about the Light influencing the people of the City: this is such a strange thing it gets compared to the goddamn Distortion! When we take a look at Lowell's own book it seems to confirm that out of the two he's always been the one with the more unconventional mindset.
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(Lowell's key page)
It's not groundbreaking to say one should care about their partner, but it feels like in the City this isn't really the case? It feels like having someone you cherish becomes something of a nuisance as it can interfere with a Fixer's ability to... well, work. Roland, though affected for obvious reasons, tells Angela about it briefly enough, and it seems it's not particularly noteworthy, having romantic entanglements but also losing them pretty quickly. It's something that happens, that you're supposed to deal with easily enough, and go back to work.
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(Liu S2 second reception)
Instead Xiao's feelings lead her to do the direct opposite; it's noteworthy that before her reception she resigns from the Association, and immediately justifies herself to her subordinates by letting them know this shouldn't affect their careers. It's worth noting that Roland's story is marked by a similar situation, once he's exposed in his revenge quest, he loses his Color title as well as his Fixer grade. In both situations we find that the question of how to deal with Survival (being a survivor to the person you love) can't escape from the problem of Survival (how to make a living). The death of another puts you in actual danger if you actually care about them.
In light of this, Lowell's hopes and promises for Xiao read differently. His apparent softness and sensitivity reveals itself as something he can handle very rationally; aware of how deeply their feelings run, he asks her to vow to always watch over herself.
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(Liu S1 reception)
Instead Xiao, and we later learn about Roland, embrace the horror of what's happened to them, and show us what it's like to go into the deep end of this grief; it's a deviation from what we might consider normal or #HEALTHY, but it's also a display of feeling that usually people of the City just... don't allow themselves to have. I don't wanna ramble about this too long, but since limbus vaguely uses the Divine Comedy as a source, in Dante terms I would say: while Xiao and Roland commit sins of excess of love, letting their anger over their loved ones take them over, the people of the City in general commit the sin of sloth, "laziness of the heart", it's people who refuse to let any kind of attachment in their heart, because it's simply easier not to deal with them. Roland's arc touches on it quite often.
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(Natural Sciences realization)
Though Roland does eventually turn out to be, well. A big deal, a lot of his behavior in the library is supposed to show him as a kind of everyman of the City. In moments where he talks like this, he's expressing what it actually feels like for most people to live in there. This heavily contrasts with Xiao's own beliefs, the ones she develops through her love, and that leads to her EGO manifestation.
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(Liu S1 reception)
By the end we also know that the truth is Roland's own mindset isn't quite the one he tries to preach ("that's that and this is this"), but the grief over the loss of Angelica, and more generally the pain for the life he's always had, still weighs so heavy on him he isn't able to just start again- he doesn't want to! As the stories goes on and he faces the horrors of the City together with Angela, even this facade of "sloth" fades away, and his actual feelings start to show, the love and the anger and all of the grief- he starts to resonate with the abnos as Angela did, a similar experience to distorting.
While Roland has a lot of interesting dialogue, it'd take a whole other post to talk about it (I'm sure someone smarter has done it already) so for the purposes of this and to keep on topic I only wanna talk about a little bit that Xiao doesn't touch on, and that feels relevant with the perspective of canto VI.
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(Black Silence "soulmates" reception)
In one of the darkest moments, we get a (can I say it now?) ⛈ HEARTBREAKING ⛈ confession straight from the inside of Roland's mind, the fear that in choosing to move on he'll have abandoned Angelica and all they meant for each other. The "pair of linked souls" is tied on a mechanical level, to beat them you need to disrupt their soul link, a buff they give each other that makes them basically unbeatable- they keep each other alive. Roland's fear, after years of Fixer work, after seeing how little value a person's life has in the eyes of the City, is this: that the second he looks away from Angelica's death and his attempt to avenge it, he'll have forsaken her forever, that their love and life together will lose its meaning.
Only with the help of the librarians and particularly Angela he's able to accept that's not the case, and in the final reception he once again wields her name and her gloves, carrying on her legacy and memory for the sake of the future and the new people he wants to protect.
Finally, I wanna show an incredibly interesting piece of dialogue from Leviathan, between Vergilius and Carmen.
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(Leviathan chapter 18, translation by @/SnakeskinFS on twitter)
Now, Carmen's take on love is... something. Love as she means it is what we know to bring to Distortion, but it is interesting that the actual implication in the world she draws up is what the people of the City need back is contact with one another, understanding. It's also interesting Vergilius calls it a word he's unaccustomed to. Obviously here it doesn't apply strictly to romantic love, but this does check out with how little we get to see City residents... well, loving each other.
Xiao for Lowell, Roland for Angelica, as well as honestly Carmen for herself, her vision for the future, stand out in crowds of cordial coworkers and friends of circumstances, for the strength of their feelings, love in its danger and beauty. The paths they end up following are messy, some very bloody, and done in remembrance of the people they valued above all else. It's the theme of love that entwines so closely with that of death, the question of what you do when you're the one surviving and left behind.
So here's where I think of canto VI- WH is so heavily defined by grief. This is partially tied to its literary influences, partially to the author's own experience, but the story is scarred by the various funerals, each of which changes someone's life, mostly for the worse.
Is this malicious? A little. A little... not? Like in the City, the feeling is that the dead, the memory of them, follow because they love the living. When we get to Cathy's death, she and Heathcliff curse each other back and forth before making peace again, but in the end more than their harshness, what hits the most is the connection, the yearning to be reunited- "I care nothing of your sufferings" is soon followed by "I'm not wishing you greater torment than I have", which leads into the Heartbreaking speech, that we already know will be very relevant in the canto, in which Heathcliff takes her pain as his.
NOW I see readings/speculation around that this will be portrayed as lcb Cathy trying to tie Heathcliff to his past forever/them needing to Kill Her, and metaphorically his affection for her in order for him to move on and become his own person, to which I say: meh? I think that misses part of the point, makes her out to be a plot device instead of a character that, like him, has grown in an awful abusive household, and laments in her deathbed that she wishes things had been different, and that the person she loves could stay with her longer, after circumstances beyond their control have forced them apart.
By the end of it, though we know that in the book it doesn't really turn out like she'd like, Cathy claims she'd rather him remember her words, and her, as harsh and cruel than nurse anger while he lives on, she hates the thought that he should suffer more when she's gone, because she, too, feels his suffering as hers.
To me this last wish she expresses is most reminiscent of what we see of Lowell's request to Xiao, the way it's not fulfilled until the last minute. Xiao doesn't listen and she goes on, fully aware she's betraying the trust he put in her, and that she might be the next to die. Because of this betrayal, her feelings, this excess of love threatens to have the best of her, to make her forget about Lowell and focus only on herself and her anger- the "love of the self" that is the Distortion. Her final reception has her talking back to Carmen's proposal and worldview, detailing the way her bond with Lowell, but also Miris, Chun and all of her men, have been keeping her strong to this point.
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(Xiao reception)
With the awareness her lover is dead and gone, she manages to work through her feelings and gain strength from them, deciding that these bonds, and her memory will keep all of them alive through each other.
SO am I saying this is totally happening to Heathcliff in canto VI. I mean, nah, not necessarily. But considering the similarities he shares with these other stories, and how we've already seen these examples of the theme of grief over a loved one being handled before in the previous games and resulting in these genuinely amazing characters, it's something I think about.
As we're talking about a game adaptation that obviously can't adapt 20 more years of story (and let's be real, shouldn't either. If you want to read WH you can just read WH,) I think that would be a reasonable way for the canto to play out: getting to see one of the sinners genuinely lose it over someone's death in a way none of the others really did, explicitly showing the uniqueness of such intense affection in a place like the City, and then slowly beginning the road to recovery. Much like for Xiao and Roland, this being done not as a result of leaving the past behind, but as a direct result of their love for another, and that of their lover as well as everyone else who cherishes them (Miris, Angela and the librarians- I think we'll soon add the sinners to the list).
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(post core suppression dialogue)
To quote another bit from our bestie Yesod, the hope that grows out of the rot, as the death of another, but as your own wounded self as well.
So to conclude. I think in general, in the context of how we've seen major characters work around their grief in previous games it'd make sense for canto VI to reach a similar conclusion, the death being something that weighs heavily, but doesn't obscure the possibility of a future. Still. Love as something dangerous that has extreme power over us, but as something that lives in us and can't be taken away.
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yardsards · 1 year
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writers who are like "we have to subvert all expectations or else the story is too predictable and not marketable or whatever" are extra silly to me because like. have you SEEN how excited fandoms get when a popular fan theory is confirmed canon?
i'm currently thinking about the adventure zone fandom with the "taako has a twin" theory. i wasn't super active in the fandom at the time (iirc i started listening around suffering game or maybe 11th hour and had just recently caught up) but i remember when it was just a popular fan theory alongside "angus is a dragon" type theories. and just how excited everyone got when not only was the theory confirmed, but she got officially introduced and was an amazing character from the get-go
this has happened with other fandoms i've been in, too. like steven universe with the "garnet is a fusion" and "rose quartz is pink diamond" theories, or the owl house with the "emperor belos is phillip wittebane" and "hunter is a grimwalker" theories
fans love when their hard work analyzing stuff pays off
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valen-dreth · 1 month
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wide head superstar
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jrueships · 3 months
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HELPME
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axolotllotl · 8 months
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🌟kirishima doodle
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ekittensynesthesia · 1 year
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meitoscringe · 9 months
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Silly Au where Romulus gets revived as a cat and china, Persia and India use him as a stress toy
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mad-hunts · 14 days
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hey, y'all — i just wanted to let everyone know that if you're waiting on a reply that you sent to my inbox or one that i sent to you... that i promise i'm not ignoring you guys and that i'm going to respond to all of them! it's just exam season right now in uni for me, so i have to focus on studying first, BUT i'm going to get to everything as soon as i can. but yeah,, i hope y'all are having a great day and that you've been eating / drinking enough water!! i'll see you guys laterrr ❤️
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caitibugzz · 2 years
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After School Lessons for Unripe Apples
okay guys webtoon rec of the day.. im reading the webtoon and it makes me so happy like kicking feet and giggling i highly recommend 10/10
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LOOK AT THEM
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son1c · 5 months
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This is a super random ask but... Out of the 10verse characters on a scale of 0 to 10, who would curse the most? 0 for none at all, 10 for like a sailor. Literally.
i guess gale by technicality. he replaces swears with shit like "seaweed" and "barnacles" but the intent is still there.
i know shadow says "damn" and there's a few other various curses that are said canonically but that stuff is best used sparingly imo. and like, in the case of characters like bermuda, i kinda feel like it'd be too easy to say "oh, well, obviously he swears the most." like, a character doesn't need to swear in order to be intimidating or even edgy. because bermuda is both of those things already. and cursing feels like the cheap, easy way to accomplish that compared to like... his actual story and personality. he drowns people. he doesn't need to say "fuck" while he does it.
that being said, halcyon definitely says "fuck" at least once canonically
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