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#a man amongst boys
aingeal98 · 4 months
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My controversial opinion is I think it's good Steph never had to apologise for War Games and I think she deserves to slap Bruce and tell Tim to fuck off whenever she feels like it.
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party-gilmore · 5 months
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i was talking with @aldrovanda very jokey joke about it but now i’m l
i’m like kinda really actually unironically…
Harry DuBois “Fight The Instinct” Durge Run
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thatonebylershipper · 3 months
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why do my favorite gays be having the worst breakups without ever even being together smh
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unproduciblesmackdown · 9 months
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more info, via a couple of reviews:
"Is this the best, most exhilarating, most close-to-perpetual dancing ever to grace the Goodspeed Opera House stage?
It certainly could be.
The new stage adaptation of “Summer Stock” at the East Haddam theater has plenty to recommend it in terms of the canny script and the hummable songs. But it’s the dancing that leaves the biggest impression.
The show is jam-packed with choreography from Donna Feore, who also directs, that is thrillingly executed by the cast.
We’re talking: Gravity-defying kicks. Head-spinning turns. Male dancers lifting and tossing and catching the female ones. It runs the gamut from Cossack-dance athleticism to soft shoe grace, tap precision to Lindy hop energy.
How the cast manages to sing after executing these (literally) breathtaking numbers, I have no idea.
And how do they make it through two performances on some days? Amazing.
Also amazing: the fact that they do all this on Goodspeed’s small stage without making the space feel cramped.
So, yes, the dancing is phenomenal. But there’s more to the show than that.
This stage version of “Summer Stock” — which is enjoying its world premiere at Goodspeed — is inspired by the 1950 MGM movie starring Judy Garland and Gene Kelly. Writer Cheri Steinkellner, though, has reimagined the piece in many ways, making it better, stronger and propelled by a more modern sensibility. (Steinkellner’s writing credits range from “Cheers” to the Broadway adaptation of “Sister Act.”)
The foundational story, though, remains the same: A no-nonsense young woman named Jane is trying to save her family farm. Her actress sister (named Gloria in the version at Goodspeed) brings her compatriots to the farm to rehearse a show. Jane first spars with and then starts falling for Gloria’s beau Joe, the production’s director.
Steinkellner has also changed up the score, to great effect. While some tunes from the movie remain, she has pulled others that are in the public domain (such as “Accentuate the Positive,” “Paper Moon” and “It Had to Be You”), and she has woven them perfectly into various plot points and important emotional moments.
As director, Feore makes sure the whole enterprise has a dynamic spirit. It’s a story and a production that brims with optimism and cheerfulness.
Leading the cast is Corbin Bleu, who became famous with his work in “High School Musical” and has gone on to star in several Broadway shows, as Joe. Bleu is a true, and truly talented, triple-threat. He has a warm, welcoming presence as an actor; he also brings an authority to Joe so you believe he’s someone the actors respect and will follow. Bleu’s singing is strong and lustrous, and his dancing — particularly his tremendous tap ability — is … wow.
Arguably the biggest scene-stealer here is Veanne Cox, as the wealthy, snooty owner of huge property surrounding Jane’s. The way she trills dialogue can turn anything into a punchline. She can wave her arms about as her character repeats “l’amour” and generate audience laughs. When her character falls for the egoistic actor Montgomery Leach (played by J. Anthony Crane with Barrymore flair), Cox burbles with girlish romantic giddiness.
Danielle Wade does her own take on the Judy Garland role. She gives Jane a swagger and a tough façade that reveals a more human self during the course of the story. Wade’s most important feature is her voice, which is potent whether she’s finessing a ballad or powering through a big number. While she can’t compete with Garland’s renowned version of “Get Happy” (who could?), Wade does a good job in the number — choreographed and costumed in an homage to the original — that serves as the culmination of the production.
Arianna Rosario gets to play an interesting arc at Gloria. At first, Gloria seems to be a blithe, self-centered actress, but she later shows that she is quite the problem-solving producer. Rosario makes the transformation believable, as if Gloria is finally letting her real self come through.
The scenic design by Wilson Chin suggests the various elements of a Connecticut River Valley farm in the 1950s while still allowing room for the cast to burst into all of those big dance numbers. And the costume design by Tina McCartney provides a fun and functional take on country clothing of the era.
I will say that the second act could be tightened up (we don’t need to see so many beats of the rehearsal process), but, in total, this “Summer Stock” is sensational." [source]
(hooray for most directly explaining gloria's overall arc)
and the next review:
"A throwback to the golden age of Broadway and movie musicals, "Summer Stock" is a timeless, inspiring song-and-dance tale of good deeds, fairy tale showbiz, classic romance and backstage intrigue played out to such dazzling effect, you want to freeze frame it, take it home with you and watch it over and over again for pure fun and a let's-put-a-smile-on-your-face endorsement. This is Goodspeed Musicals at its best - old-fashioned musical entertainment designed to deliver by the bucket's load, stir the senses, rhythmically intoxicate you and dance up a continual storm of good cheer that's guaranteed to leave you breathless.
Animated. Airborne. Magical. Sweet-natured. Fresh-faced. Dance happy. It's all here, wrapped up in shiny gold ribbons and signature colors that complement and complete the picture with a technicolor flourish, a big bang and an internal logic that flows with appropriate style, stamina, full command and intent.
Adapted to the stage by Cheri Steinkellner, "Summer Stock" replays that popular let's- put-on-a-show conceit where everything rests of the big opening night, the box-office intake, the big kiss between the leading man and the leading lady and how a complete unknown saves the day right before the final fadeout. Here, struggling Connecticut farmer Jane Falbury decides to let her actress sister Abigail and her actor friends from New York use the family barn as a rehearsal space for their brand-new Broadway bound musical in exchange for doing the daily farm chores to raise enough money to keep the business from going completely under. One slight problem. During rehearsals, Jane finds herself falling for the show's handsome director, Joe Ross, who, happens to be engaged to the show's leading lady - her sister Abigail.
Staging "Summer Stock," director Donna Feore ("Chicago," "Billy Elliot," "A Chorus Line"), who doubles as choreographer, creates a loveable, intoxicating show that reels you in, grabs hold of you until the final curtain and lets you fall in love with every little detail, surprise, plot twist, joke, visual gag, one-liner and tilt of her jolly agenda while she articulates every element of this musical story with thrust, warmth, spin and splendid articulation. Directorially, she pulls it off spectacularly. No wrong moves here as "Summer Stock" catches fire with a spark, a gusto, a shine and a 1950s mentality infused with plenty of imagination, originality, style and flair.  More importantly, the production never loses sight of its origins, its functional plotting and its love of musicals of yesteryear despite well-intentioned doses of kitsch, takeaway humor, giddy backchat and story arcs right out of the MGM library of backlot moviemaking.  Feore, free spirit that she is, fuels the musical with a sharpened wit and sentiment that works especially well as does her decision to let "Summer Stock" remain rooted in the period from whence it came in terms of staging, development, expression and interaction. 
Moving from screen to stage," "Summer Stock" retains only four songs from the 1950 MGM musical. The addition of several new songs to the original version of the score turns the two-act musical into more of a showstopping event and adds clarity, luster and vintage spin to its already proven material, its let's launch into another song and dance routine blueprint and its firm grasp on characterization, story evolution and its happily ever after conclusion. At Goodspeed, there are 28 important, recognizable, smartly placed musical numbers. They are:  "Get Happy," "Happy Days Are Here Again/I Want to Be Happy," "Accentuate the Positive," "I'm Always Chasing Rainbows," "Always," "Always (reprise)," "It's Only a Paper Moon," "The Best Things in Life Are Free," "Dig for Your Dinner," "Me and My Shadow," "Howdy Neighbor, Happy Harvest," "Red Hot Mama," " 'Til We Meet Again," "You Wonderful You," "June Night," "Some of These Days," "Joe's Dance," "I'm Always Chasing Rainbows (reprise)," "It All Depends on You," "Always (reprise)," "Everybody Step," "Lucky Day," "How Ya Gonna Keep 'Em Down on the Farm," "Hinky-Dinky Parlez Vouz," "It Had to Be You," "Get Happy (reprise)" and "You Wonderful You (Finale)."
Musical director Adam Souza ("42nd Street," "Cabaret," "Next to Normal," "A Grand Night for Singing," "Because of Winn Dixie," "Rags") grabs hold of the "Summer Stock" score and allows it to breathe, gesticulate, excite, envelop and rhapsodize with the golden age sentimentality of MGM movie musicals and the timeless, larger-than-life spirit of old Broadway. Here, every song matters. Every song is important. Every song travels down memory lane. Every song is tuned to the max with sweet, centered, warm-heartedness. Every song fulfills its intended purpose. All of this is complemented by the strong, flavorful sound of Souza's orchestral team, all of whom share his tremendous sense of theatricality, musical interlude, impassioned communication and delight of the actual musical itself.  They are: David Uhl (bass), Sal Ranniello (percussion), Liz Baker Smith (reed 1), Andrew Studenski (reed II), Travis Higgins III (trumpet) and Matthew Russo (trombone). As with other Goodspeed musicals, Souza doubles as conductor and keyboardist. As "Summer Stock" zings and pops, pretty music every song unfolds with a contagious orchestral musical glow, matched by the splendid musicality of the entire cast who address the catchy, homespun music and lyrics with perfect harmony, rhythm, phrasing and nostalgic commitment. These elements heighten the on-stage mode of the production, its progression from Act I to Act II, its send offs, its pastiche and its electrifying, barn-raising influence and thwack.
As with any big stage musical, choreography is key to a production's success, its fluidity of form, its artistic expression and its accompanying dance routines. Here, Feore, as choreographer, gives "Summer Stock" a highly personal touch of invigoration and speedy excitement that is tipped and generated with wonderfully elongated inspiration, stamina and determination. This is star quality choreography that peaks, shines and tilts with clever build ups, catchy dance steps and bold, concentrated rhythms, moves and beats that joyfully celebrate 1950's musicals in all their technicolor glory.   As storyteller and dance interpreter, she brings great dimension and scope to the piece using techniques, styles, descriptions and an enriched canvas of thoughts and ideas that make their mark most engagingly. Everything that happens on the Goodspeed Musicals stage has been beautifully blocked, rehearsed and staged with such thrust and individuality, no two dance numbers are alike. In fact, once "Summer Stock" catches fire, there's no stopping it.  Creating a freshly minted fusion of moods, tableaus, lifts, twirls and swirls, Feore pays homage to the actual vintage look and mindset of the musical, its dance-friendly art form and its free-flowing feel of excitement and exhilaration. Hands pop. Arms move heavenward. Dancers smile and glisten as they passionately ignite into joyful visions of sweetness, passion, frenzy and syncopation. Everyone is lost in the moment illustrating the traditions, the conscience and the power of musical theatre, giving and getting the most out of Feore's phenomenal, ovation-worthy choreography. Trained, drilled and confident, they each get a chance to shine - and shine they do - all making strong impressions that will live long in memory.
Making his Goodspeed Musicals debut, Corbin Bleu, as Joe Ross, a character originated by Gene Kelly in the 1950 film version, creates a "Wow!" song-and-dance-man factor chock full of charm, personality, self-confidence and full-beam, champagne delightness that astounds, cajoles and sparkles with leading man gait and luxury like no other. No matter what he does, he's a proverbial triple-threat (i.e., a player who excels at acting, singing and dancing) who makes everything that happens on stage feel fresh, spontaneous, real, raw and very much in the moment. It's in his eyes. It's in his moves. It's in his expressions. Exhibiting a sweet, contagious rapport that extends far beyond the footlights, it's the performance of the year and one that Bleu exudes with a Gene Kelly/Fred Astaire aura of showbiz savvy, knockabout whimsy, graceful athleticism and sterling encapsulation. "Joe's Dance," a solo dance number in Act II performed by Bleu only furthers that notion.
In the role of Jane Falbury, a role made famous by Judy Garland in the original "Summer Stock" MGM musical, Danielle Wade lights up the Goodspeed Musicals stage with a breezy, intuitive musical comedy performance of real warmth and spirit that is a constant joy to watch. Veanne Cox, cast in the role of the wickedly devious Connecticut farming magnate Margaret Wingate, is jaw-dropping brilliant, using humor, music, dance and melodrama in divinely daft and glorious ways that prompt applause and laughter whenever she's in the limelight. It's a scene-stealing performance so seamlessly entrenched in glee and fiery abandon, Cox, would be the ideal choice to play narcissistic Broadway diva Dee Dee Allen in the 2024 summer presentation of "The Prom" at Playhouse in Park in West Hartford. I'll personally deliver the contract. Other memorable performances are delivered by Arianna Rosario (Gloria Falbury), Stephen Lee Anderson (Henry "Pop" Falbury), Gilbert L. Bailey II (Phil Filmore), Will Roland (Orville Wingate) and J. Anthony Crane (Montgomery Leach). A musical escape brimming with delightful songs, engaging performances and full-beam dance numbers, "Summer Stock" is not only a bubbly tonic for theatergoers of all ages, but one that kicks nostalgia into high gear with uncomplicated bliss, fizz and vintage sparkle. It sings. It dances. It pops. It dazzles. Like "42nd Street" which played Goodspeed Musicals last season, it overflows with Kelly/Astaire lightness, punch and precision, sunny vibes and well-played exactitude. The energy displayed here is fast and furious with first-night exhilaration and thrill paired especially well with Corbin Bleu's charming star turn, Danielle Wade's joyous "Get Happy" abandon and Veanne Cox's well-prepped, icy cool villain. This is musical theatre of the highest order - infectious, irresistible, glorious. Its leave-your-troubles-at-the-door/Let's-put-on-a-show mentality accelerates with sparkle and cherry pie goodness. And boy, do we need it now!" [source]
(the reference to jane's sister abigail uses the film's names: abigail becomes gloria in this production, which is the name of abigail's actor in the film, which also mirrors how the role of herb is now phil, also the name of herb's actor in the film)
(also shoutout to providing A Full, Chronological List Of Songs. noting that according to another interview, intermission would be between "you wonderful you" and "june night")
#summer stock#dearth of peak relevant info for our purposes otherwise lol but hey#pressing f for danielle wade's performance Tending to be juxtaposed w/either corbin bleu's or judy garland's#which in fact doesn't always mean their going ''eh comes up short Relative to that comparison but good enough'' but yknow#also that role just isn't gonna be designed to be the most thrilling lol...let's get those character(tm) parts babeyyy#further photos of that preview performance do suggest there's more like midshow conflict b/w jane & gloria vs Only getting along great....#and intrigued here if it's like yeah gloria can be written to have Flaws kiiinda like the film dunking on her though not as much as it#(though not as much as it might've; parallel to orville; relevant to their compatibility lol though in this show it indeed just might not#go for ''conveniently gloria's also always already liked him & orville's just glad someone's being nice to him'' lmao. & in fact yes the#material already in the film was like hm sure could be the queer readings in these ''so you're doing cishettery wrong'' roles here#and going aw man wrt the comedy boys herb/phil & orville/orville not getting to interact more#herb getting to make One reference to kinda being the outsider/misfit even amongst the troupe like hey more abt that? what's your job also#meanwhile yeah you can do something like ''oh gloria has this idea re: being The Star but isn't actually as interested in that Process''#but that then instead of that Just being her at odds w/jane & her coming up short she can have her own arc still#finding out what behind the scenes work she Does want to do; jane & gloria of course ending up being mutually supportive one imagines#rather than jane Just being freer from Dealing With her lesser sister or what have you; whom can graciously enough accept this#and ofc we don't Need the partner swaps for everyone's guaranteed happiness communicated through ''they're not single''#whilest the lack of [oh this backup relationship was here the whole time kind of] does make your potential love triangle trickier then lol#hence perhaps some more significant conflict if you're like kissing your sister's date or what have you & she can't Just(tm) have yours#but then being The Lead can't be the ultimate of All [doing theatre]; having kissing status w/a guy isn't the ultimate of all Arcs/Life#(though noting tim wasn't Relieved if another ostensibly straight romance; a cliche in the modern musical; wasn't shoehorned in there...)#(also the awkward notes about Male Dancers and The Female Ones like alright? supposed relevance Where?)#long post ///
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that-ineffable-devil · 8 months
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I met a cis guy today the same height as me, and as a PARTICULARLY pocket-sized transmasc enby it was weirdly validating. I don't know if it should be, but it was.
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gender-euphowrya · 1 year
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saying that as someone who once stood for it but the way the phrase "not all men" has been demonized has done irreparable damage to feminism
#actually Yes not all men.#you're never gonne live a healthy life and get society anywhere if you automatically distrust people for what gender they are#you can point out tendencies amongst groups and expected norms within these groups without acting like every person in that group is evil#besides you KNOW the pipeline goes men are bad -> males are bad -> all AMABs are bad#that's just a sentiment that leads to transphobia no matter how you twist it or insist that you're only targeting cis ppl with it#not all fucking men. nobody's part of a monolith. there is no community where all members are identical.#the problem was never the phrase 'not all men' the problem was the intent with which it was being said#as in often by antifeminists to try and dismiss feminist rhetoric or attempt to make it sound unreasonable#the phrase itself is fucking fine#don't give me the ol' ''some people say yes all men to cope'' 'scuse#i don't believe any therapist would encourage hating and being weary of an entire subset of people as a coping mechanism#hate patriarchy. fuck patriarchy. give everything you've got to dismantle it#but acting like every single man is inherently some kind of irredeemable demon one should stay away from is just#how the fuck do you live your daily life even.#it's so counterproductive. it gives shitty men a pass to be cunts because hey. ain't that just how all men are ?#don't 'all men are bad' do 'all men are capable of good which is why those who do bad should be scrutinized or punished'#'yes all men' is basically rephrased 'boys will be boys'. it's giving excuses to shitty men by framing shittiness as inherent to manhood.#stop it lmao idk what to tell you
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ofieugogyshz · 1 year
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I'm so mad
I had a dream about some kinda-epic anime movie and I guess it had crossovers and groups with x color association (like how idols have x image color? but not specifically limited to only idol characters)
and in this movie, otoya was part of it, and, at the very end of it during a climatic battle scene, as part of the red color associated squad, Lance joined up too, and both of them got to meet
the image was so clear and colorful and bright in my mind and i could have sworn i'd see gif and image set posts on tumblr if i didnt realize it was fake upon waking up.
also the squealing/screaming in me could NOT be contained when they both interacted. i was squealing and kicking and trying to hide my face while also cheering. all of the feelings at once. like. they just had THE CUTEST SCENE TALKING TOGETHER AND WERE BOTH SO CUTE IN THEIR ANIMATIONS HHHHHH
there were also other characters that joined up in each color-associated, at least 5 diff color squads (note: they were not called that in the movie/dream, but idk what else to call it) and 5 "original" characters for the movie (ie not from other media like otoya and lance are) and at least 4-5 characters per squad during the final showdown. and during a scene when they'd show the ones who made up each squad in like one of those dynamic flash group poses, silver also got the tiniest of cameos, but that was also probably my brain/consciousness coming alert and injecting him at the association of "red" and "son" lol.
sincerely so sad and disappointed that it was not a real thing. do you know how badly i would love to spam this blog and main with images from that scene?
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sri-rachaa · 2 years
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one little tiny braincell yet many a thought about hot playboy millionaire vampire prince <3333333333333333333
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silenceismychoir · 1 year
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love sk for not doing some “ritual to symbolise the end of his single days”. what a man
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corvidshipping · 2 years
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i started thinking abt how jamie’s story kind of resonates with me in certain personal ways pertinent to recent events in my life, and i realized he kind of indirectly (or directly, even) made me a better person. and that reminded me of how much vi made me a better person, even just by being fictional. and then i got to thinking abt how there’s something important i’ve learned from all my f/os, and how they all changed who i am in small ways, in their own ways, for the better. so i made this
it’s imperfect and i made it on my phone in like 20 minutes lol. and it’s impossible to boil any of them down to just one thing i’ve learned from them; dels also carries an important message of caring for your community, and vi has taught me so much more about kindness and gentleness than just that. not even to speak of jes, who is just the absolute love of my life and i can’t even put to words the lessons he has. but i tried to pick the messages i think were the most important, or the most distinct, from each one. idk, this might not be that notable for anyone but me, but i wanna keep it as a reference for myself to remember some important things i carry with me every day
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ervotica · 5 months
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please don’t go, i love you so
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pairing: young!coriolanus snow x reader
warnings: a lil toxic!coriolanus, he’s rough with r, possessive talk, quite tame in this but imma tamp it up soon, a bit of making out and being lovey
note: i do not careee about who likes this character or who doesn’t okay i am writing about him because he is literally one of the hottest men i’ve ever seen, kay? i’m not here for moral dilemmas thank u, enjoy (yes i will follow up w smut and my young!coriolanus snow reqs are OPEN!) please please remember to comment and rb, it helps me so much!
hunger games masterlist
Coriolanus is possessive.
It sickens him to his very core, sends nausea rolling like a wave through his chest; he’s not a child. Yet, the mere sight - thought - of you engaging with any other man, even innocently, is enough to have him seeing red: white-knuckled, muscles drawn taut like a bowstring, ready to eliminate any and all threat standing between him and his girl.
It's the way those boys look at you. As if you're a piece of meat, a toy to play with that they're just begging, aching to sink their teeth into, to leave a permanent mark on. The boys in this district are barbaric- that's what Coryo thinks anyway. It's disgusting, the things that he knows they think about you.
It's been a long day in District Twelve. Coriolanus' grey jumpsuit rubs and itches and his skin crawls with an uneasiness settled at the pit of his stomach. It's a warm day, his skin sticky as he peels the top half of the jumpsuit from his slender arms and ties it neatly around his waist. The grass by the lake is damp with the leftover dew from the morning.
He catches sight of you amongst the trees, weaving and bobbing through the undergrowth as you do, your lithe fingers brushing against leaves. Your head dips and then raises as his tall figure creeps into your peripheral vision. A smile graces your features, real and earnest with all your teeth.
There’s a slight waver in your countenance when you catch Coriolanus’ own expression; his brows are knit, pushing his forehead into a crease, lips pushed together tersely.
You walk straight into his arms, balancing yourself on one leg and pushing your shoulder underneath his armpit. You needle your way in, your forehead rested against his chin, so close you can feel his breath against your face.
“Hi, gorgeous,” you murmur. You reach up to push out the ridge in his brow and your thumb traces the bridge of his nose in a way that couldn’t be perceived as anything other than unbridled affection. “Something wrong?”
His slender fingers settle against your waist. You shiver at the contact when he spins and pushes you back into a tree. The bark digs into your back as you shuffle to meet his eyes— his eyes that have suddenly clouded with something dark and possessive.
“What is it?” you ask again; your voice is becoming more strained the longer he stays quiet, your own hands snaking up his arms like vines and squeezing.
He shakes his head and drops his face to look at you properly.
“Nothing. I have you.”
“Okay.” You click your tongue, tilting your head at him. His face gravitates towards yours, breath hot and mixing with your own. “You gonna kiss me or what, handsome?”
He doesn’t need any encouragement, surging forward to catch your lips between his own; his hands are rough, kneading the soft flesh of your hip. His other makes its way up to your jaw, fingertips pressing so hard you’re sure he’s branding you. You’ve never been kissed like this, with such fervour and passion and need. You gasp into his mouth and your arm wraps around his neck to pull him further into you.
“Coryo,” you pant.
“Shh,” he forces out, his fingers suddenly an iron grip around your neck; the hollow of your throat is bared to him and bobs under his cruel touch.
“Coriolanus, that hurts,” you say, strangled. His eyes are alight with a fire, a blazing inferno roaring in his head as he squeezes your throat and laughs.
You wheeze, clutching at his wrist in an attempt to loosen his grip. He obliges you, running a thumb over the indents he’s left in your soft skin to smooth them away.
“You know I’d never hurt you, right?” he asks. His head drops to the juncture of your neck, arms hooking loosely around your middle as he relaxes into you. “I just wanted to feel you. To know you’re mine.”
The incident is forgotten as soon as it ends. He has a charm in that sort of way; you don’t see his faults even when he shows them to you clear as day. You’ll never see what’s right in front of you even if he wants you to.
“Of course I’m yours, Coryo. Why wouldn’t I be?”
“The way they all look at you here…” He falters. “Like they all want you. Like they want to take you away from me. You’re mine- they have to understand that.”
“No one could take me away from you,” you giggle, your temple resting against the tip of his shoulder so you can duck your head to meet his eyes. “I know where I belong. And that’s right here with you.”
“Good.” He mouths at your neck like a man starved, arms coming right up until they’re hooked just underneath your own. He pulls away heaving for breath.
“Wanna show me just where you belong?”
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leatherbookmark · 1 year
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nnn enst had so many cool relationships though. wish it wasn't Like That but alas we cannot have everything. but like. a perfectionist puppeteer and his dolls, from which one can't handle the toxic relationship and bolts, and the other stays only for them to become more like partners While still doing shit like 'maintenance' (i'm talking about human high schoolers here). a chronically (?) sick rich boy who destroys a bunch of people's lives only to fall in love with one of them. whatever the fuck rkg have going on, aka nonconsensual puppy/age play x yearning for the version of a person that's not there anymore x hating the way they treat you x nonetheless wanting to follow them into the future. izuleo. that's good meat. wish it wasn't Like That though
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nariism · 6 months
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ೃ⁀➷ WHERE THE HEART LIES ˚ ༘♡
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a/n: fluff, pining, childhood friends to lovers, reader was in the same orphanage as wriothesley when they were kids, mild codependency (?)
happy wishing everyone! ≧◡≦
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Amongst the hundreds of books stored in the Duke's office, none hold a place in his heart quite like the dusty old atlas you gave him when you were children.
It's old and worn, something aged with the faint scent of Tidalga wafting as the pages turn. To an outsider, the atlas almost looks like garbage, or rather, exactly what it is—the only crappy book in the entire vintage shop that you could afford with your terrible allowance.
He doesn't see it that way.
It's a precious commodity to him, something he holds in high regard (despite the way he's glued the spine together on nearly a dozen occasions with the amount of times he's flipped through it).
Wriothesley is not a sentimental man. Growing up the way he did taught him not to grow too attached to material belongings.
There are few things in the world he would consider treasures: his boxing gloves, for one, though that's a given. His growing tea collection that originally started as a treat he would spend coupons on, but somehow evolved into a hobby.
And lastly, but perhaps most importantly, the map of Teyvat you gave him in the orphanage you came from. Because it wasn't only a birthday gift, it was something infinitely more meaningful than that.
He remembers that birthday fondly: he was twelve and you were ten. You'd snuck into his room beyond curfew and lights out, sheltered yourself under his blanket, and shoved the poorly packaged gift bag into his hands.
The two of you spent the entire night going through the pages, amazed at how giant the world truly was outside the confines of your orphanage—imagined how freeing it would be to explore it with nothing but your pair of feet and each other.
"One day," you breathed with excitement bubbling in your voice, "We'll leave this place and travel all across Teyvat."
It wasn't just a promise to see the world. It was a promise to see it together.
For a boy who had nothing at all, what you offered him was like placing the universe itself in his hands. And even at twelve years old, with you and that book sitting between his legs and a blanket thrown over his body, he knew he'd found a dream.
The older he got, the more he clung to that. 
You were the one he came back to when he was lost. The one who made the orphanage a home. The one who gave him a raggedy atlas of the world and whispered purpose into him.
Something to cherish. Something to protect. Something to love in this world when he had little to spare.
Though time had changed everything in his life, he still found it hard to abandon the welded pieces of your conjoined hearts.
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Unlike Wriothesley, you had chosen to return to the surface after you finished serving your sentence.
It was lonelier beneath the crushing pressure of the sea without you. He made sure you knew that, too, always bringing it up whenever you came by to visit in the most nonchalant ways.
The Fortress of Meropide was a home both of you had discovered after years of being without one. "Come home already," he used to complain when he was still just a regular inmate and you were dropping by with a care package. "I miss you."
Nowadays, he made certain you understood the gap in his heart without you by other means. Like, say, when he would invite you personally to his office for a cup of tea and some cake, which was a rare treat you missed out on as kids.
Once, you called him out for attempting to bribe you back down into the iron fortress which he, of course, denied with his chest. Still, you never failed to make the trip down despite your outspoken disinterest in being back in the prison, and his weak offer of sweets since you now worked at one of the most prestigious bakeries in the city.
You had initially greeted him this time with your hands all over him, arms wrapped so tightly around his neck in a hug that he could barely breathe. Sweet smiles and kisses pressed to his cheeks and fingers pinching his nose—every action endearing and a remnant of your childhood spent together.
Now, you're seething in the office at his simple question: how are things on the surface?
"... That's when I turned to Lady Furina and, get this, she somehow ate every pastry I'd brought in a matter of seconds!" You huff, pacing back and forth in front of Wriothesley's desk while you rant about your latest visit with the Archon.
Furina was often in your schedule in one way or another, and almost always she wanted you to bring along sweets from the shop you worked at.
Wriothesley finds humour in your woes, following you around in your pacing with his arms folded over his chest.
"You know, you could just show up to your audiences with her without treats."
"She would call high treason and toss me back in prison!"
The Duke just snorts, earning him a well-deserved glare. Even with the pull of your lips into a thin line and the narrowing of your eyes, he thinks you look like a breathing angel under the warm orange light of the office.
There was nothing in the world you could do that would make him stop loving you. Not even glaring daggers at him like he's your mortal enemy.
"You're exaggerating," he hums, trailing behind you once again as you pace around the desk. 
"No, I'm not. She's absolutely crazy. She's insane—!"
He nearly bumps into your back when you suddenly halt in your steps, attention stolen from the conversation. The hands that were flailing around in the air to animate your anguish drop to your sides.
Wriothesley peers curiously over your shoulder at what has caused you to stop so abruptly.
Oh. Oh, Archons. He can sense the heat rising to his ears.
He feels as though he's been spotted in vulnerability, even though that isn't at all what has happened and that you would be the last person to judge him even if he was.
But he feels seen. Caught in the act of sentimentality just because you've picked out the book you gave him all those years ago when all you had was each other.
"You still have this?" You gawk, pulling the atlas from its prestigious position on his bookshelf. It's in a spot that he can always see as soon as he enters the room—in his direct line of sight, he has a part of you with him.
"Why wouldn't I?"
"Well, I just thought..." You consider the words for a moment, tasting them in your mouth before admitting embarrassingly, "I just thought you'd have thrown it out for a newer atlas. You know this is out of date, right? Half the oasis in Sumeru is covered in sand now."
"Why would I ever throw it out?"
"It's old," you lament again.
"And?"
"And... you can't even use it?" Your statement comes out more as a question and he can't help but roll his eyes.
"I can still use it," he insists.
You raise a brow, slotting the book back into its regular spot. "Good luck. When are you ever going to have time to do that, oh great and powerful Lord of the Fortress of Meropide?"
He ignores your little jab, as he's gotten so good at throughout his life. There's a sense of familiarity that rises in his chest, a strange nostalgia that drives him to open his mouth once more.
"Actually, about that..."
You turn to look at him again, hand coming up to brush the hair from his eyes. You always used to scold him for not taming it better. Now it seems permanently stuck as a fluffy mess.
"What is it?"
Your fingers graze his skin and he falls apart on the spot, feeling as though you had just tipped him over the edge of the cliff he's been too afraid to dive off of.
His hand catches yours, holding it just beside his cheek for a moment before lowering it to his side and tugging you just a little closer.
If he didn't ask now, would he ever?
"Let's leave this place," he murmurs, reciting the dream you promised him when he was twelve years old. "Let's travel all across Teyvat."
The silence that follows is so loud that it makes his ears ring. For a moment he falters, thinking he may have misread the situation and in turn whatever feelings he thought you may have harboured for him.
But then you take a daring step forward, nearly flush against his body. There's a look of wonder in your eyes that makes his heart race.
"Just you and me?"
"Just you and me." Just us.
There's a heavy implication behind that and you both know it. More than a proposal to chase a dream of bygone days, it's starting to sound like a confession. In his own roundabout ways, of course.
He can see the hitching of your breath, the subtle widening of your eyes, and all he wants to do is laugh at how seriously adorable you look.
"And what about the Fortress?"
"People here are less problematic nowadays than you may think."
"Won't the paperwork back up?"
"I can deal with it whenever I come back."
"Why me?"
Another silence.
"You ask too many questions," he says quietly, dodging your interrogation. In reality, he already has an answer. It's instantaneous, resting comfortably in his mouth but never leaving.
Why would it ever be anyone else?
He's having trouble focusing on anything right now with your chests so close together and his thumb running along your knuckles.
"Wriothesley," you say his name and it sounds like honey, the sweetest thing in all of Teyvat. And the look you're giving him, so touched and melting into nothing but a smiling mess—he isn't sure his heart can handle this. "I can't believe you remembered that."
"You kiddin'?" He laughs, slowly closing the distance between you. "It's all I've thought about my whole life."
He watches you carefully as you swallow down the lump in your throat. Your hand squeezes his and that's when he knows he's got you. You kiss him and he can feel the curve of your lips, the ever growing smile on your face meeting his. His knees are on the verge of buckling by the time you pull away.
"Surely you'll miss this place in your absence. This is your home now, isn't it?" You tease.
"Well, you know what they say." He gives you a grin so wide that his eyes crinkle. "Home is where the heart is."
It didn't matter if you were braving a sandstorm or the rainforest or the depths of the sea. 
Wherever you were, you would be his dream. You would be his home, too—just as you always had been for as long as he could remember.
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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jedi-starbird · 3 months
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Time Travel is my favourite trope and I think we need more fics where both Obi-Wan AND Qui-Gon time travel together because no matter when they get sent it's chaos. They're saving the galaxy and being physic flash-bangs to everyone around them.
like before Bandomeer?
The entire council is baffled to watch as Qui-Gon 'never taking a padawan again' Jinn has suddenly cut off his post-Xanatos depression tour to return to the temple and beeline to the creche with a frantic energy. His wild eyes immediately single out a fluffy, red-haired initiate.
"You." he exhales with a pointed finger, slightly ominous as he towers over the child. Said child starts vibrating with delight. "Me." he agrees, launching himself at the man. Qui-Gon drops to his knees with a thud that cannot be healthy. Obi-Wan's attempts to clamber into Qui-Gon's robes and maybe onto his shoulders is thwarted by the fact that Qui-Gon's massive hands are cupping Obi-Wan's tiny squishy cheeks. He stares at the initiate for a few minutes with an intensity that is starting to worry people.
Finally, "You're so small." Qui-Gon sounds like he might cry.
'What the fuck?' Plo Koon projects at Mace.
"I'm 9! That tends to be the case!" the child chirps back.
"You're nine." Oh. Ah. Qui-Gon's eyes are distinctively misty. He squishes the boy in a hug so hard he squeaks. Mace makes a series of gestures that imply the need for a head-scan. Depa obligingly drifts off towards the halls. Qui-Gon scoops the child up onto his hip and claims him as his padawan on the spot. The assorted council members and creche-masters burst into noise. Mace tells Depa to bring some space ibuprofen as well.
after Naboo?
Anakin is a little apprehensive of his place in both the order and Obi-Wan's life, but then one day Obi-Wan wakes up and is suddenly a lot less sad in the force?? In fact, if Anakin didn't know better he'd say he was almost giddy, but he's watched Obi-Wan try to pretend his world hasn't fallen apart for the past few months so it can't be that, right? And um, Miss Bant? He knows grief is a funny thing that affects people differently but he's pretty sure 'massive mood swing' and 'having full conversations with invisible people' is not...great? and you said to tell you if Obi-Wan got really weird in any way.
Anyway after a lot of medical exams, intense consultation with the archives, and a couple exorcisms, Anakin ends up being raised by his 'real' master and his ghost master. He is far more well adjusted emotionally and far less well adjusted for what counts as normal people behavior(not talking to thin air). When questioned on this, all he ever says is that he's talking to Qui-Gon. Isn't he...dead? Well, yes. Wait, he's a ghost? Ghosts are real? ...Well this ghost is real.
This starts a great number of existential crises among non-force sensitives and incredibly heated theological arguments amongst the Jedi. Whenever Obi-Wan is questioned on this, all he ever says is some variation of "the force got to know him for 5 seconds and kicked him back out." Mace backs him up on this even though that reasoning is technically blasphemous. Qui-Gon is having the time of his un-life. He's ascended to his final form, his sheer existence is a heresy, this is truly all he has ever aspired towards.
the Clone Wars?
The minute they get dropped back Qui-Gon immediately goes and haunts the shit out of Dooku. They have a signed terms of surrender and promise of info on the Sith Lord within the year. Only half of it is because Qui-Gon's giving Dooku complexes that are only perceptible to shrimp, the other half is because they now have a ghost spy that is not bound by the laws of physics nor spacetime.
Obi-Wan only nominally pays attention to this as he immediately goes and implements his 19 step seduction plan with Cody (he had to focus on something on Tatooine to pass the time). It fails. Spectacularly. Publicly. Ah right. Tatooine was not exactly the height of his sanity. Everyone in the GAR and temple is now riveted by High General and Councilor Obi-Wan Kenobi's attempts to go on a date with his Commander, who bats him away him like a particularly annoying stray and seems one bouquet of cactus away from committing mutiny. Anakin is worrying if it means his master knows about his secret marriage and this is some sort of really weird power play. (It is, but not in the way he thinks)
The next time Dooku goes after Obi-Wan, Qui-Gon spends a good few months appearing tear-stained at the edge of Dooku's perception and only communicating in terrible wails and discordant mutterings of 'padawan. my padawan. my little one.' 24/7.
"Wait, you're annoying Dooku into surrendering?"
"Oh no Anakin, we're crushing his psyche like a bug. :)"
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calumfmu · 29 days
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arms of a careful lover
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You didn't know how he was, the stranger driving you home. He knew you, knew all about your life, and his picture-perfect ideal of you. As you traveled through the town of Hawkins, you couldn't help, but ask yourself 'Who The Fuck is Eddie Munson'?
cw: smut, sexual tension, riding, oral, AFAB reader, fem!reader, p in v sex, cursing, etc. 4.9k+ words.
The music in the dark bar room was overpowering, filling your senses, tingling in the back of your mind. It was hot—sticky, your clothes not sparing you the freedom of movement as your leather dress felt glued to your skin. You had lost your friend at one point, hearing something about ‘another drink’ about half an hour ago.
Searching for her in the dark red lighting was impossible, faces blending together as the alcohol seeped into their bloodstream. Your back hit firm muscle, two ringed hands coming up to stop you from tumbling onto the wet floor.
Turning around, you were met with the deepest shade of brown you could think of, long lashes encasing them. His hair was long, curly and full, bangs sticking to his forehead with the dampness of the air.
“You alright?” The stranger shouted over the music, the dull thud of the bass banging in your chest. You nodded dumbly, a ghost of a smile on your face as you stood in front of him.
A look similar to your own crept up on his face, smile lines forming on his cheeks as he blinked down at you.
“I’m such a dunce sometimes,” you laughed, voice raised as you leaned into him. Strong cologne hit you, a faint hint of marijuana seeping out of his clothes. “Sorry, man.”
The man shook with a silent laugh, his head swaying side to side as he excused you. “You’re fine, don’t worry about it.”
He moved to leave, hands leaving your shoulders as he stepped to your side. Disappointment tugged at your emotions, teeth gritting as you watched him walk away from you. You called after him, a shouted ‘wait!’ getting lost in the crowd as you watched him disappear into throes of people. His scent lingered in the air, the smell of strong aftershave the only memory you have of him.
Seemingly dumbfounded you stood there for a second, lip jutted out as you searched for sight of him again, standing on your toes as you looked through the crowds. He was long gone by now, a stranger in the darkness as you gave up, sigh escaping you.
Making your way to the front of the building, you stepped outside, feeling the cool air hit your body. A bouncer was out front, arms clasped in front of him as he stared in front of him, unfocused on anything in particular.
“Got a pay phone?” You asked, following the direction in which he pointed. A few feet away, it stood. Picking it up, you pressed it to your ear, silence meeting you as there was no dial tone. Finger hitting the switch, you grew frustrated, realizing the phone wasn’t in working order.
Storming back over to the bouncer, you pointed a finger at him.
“Why would you not tell me it doesn’t work?”
He shrugged, choosing not to look at you as his gaze remained hard. As you took a step towards the building, his hand shot out to stop you, opposite hand pointing at a huge sign to his left.
‘NO RE-ENTRY’, the sign read, in bold, red letters. Closing your eyes in frustration, you silently cursed him. You walked away, hand dipping into your purse as you searched for cash, hopes of getting a cab sitting in your chest. That feeling disappeared as you realized your wallet had been snagged at a point in the night, your fingers coming up empty.
Leaning against the side of the building, your leg was kicked up to support you, heeled boot digging into the chipped brick. Your arms were crossed in front of you, palms rubbing over your arms to warm yourself up.
A few people piled out of the bar, the hour ticking closer and closer to closing time. Thirty minutes had to have passed, no sight of your friend amongst the people leaving. As you watched the group of strangers, the same boy from before—the pretty one—walked in front of you, hair flowing behind him as he tossed a pair of keys into the air.
“Hey!” You shouted, kicking off of the wall to jog up to him. He turned, confused as the click of your boots hit the asphalt. You waved a hand at him, the sting of the cold air reddening your cheeks.
He looked at you in anticipation, face turned up in confusion as you stopped in front of him, weight shifting from side to side.
“You think you could spare me a ride?” You asked, feeling bold in front of this stranger. He looked at you up and down, then sent a quick glance around himself.
“Are you talking to me?” His voice was deep, deeper than you expected.
Laughing, you nodded, pointing to his keys. He glanced at them, gaze lingering as confusion was still evident on his face.
“My friend ditched me, and my mom’s going to kill me if I’m not back before her night shift ends,” you said, beginning to shake as the cold air hit your exposed skin. The leather mini dress you were sold on earlier didn’t seem like a good idea at the moment. “So… please?”
He stayed silent, eyes studying you as you looked around, watching people move around the parking lot. It was growing windy at this point, fallen leaves stirring on the ground. People began to make haste, rushing into cars as the weather worsened.
“I… I don’t think that’s a good idea,” he said, voice quick as he took a step back from you. Your heart sank, rejection souring your taste. “Sorry, man.”
He pressed his lips together in an apology to you, turning around quickly as he began to walk away. His converse scuffed at the ground, hands dipping his pockets as he made it a few feet in front of you.
Watching him walk away made your heart ache, your escape plan from this desolate area getting further away. You didn’t know what you were going to do at this point, money lost, not a single phone in sight. Walking wasn't an option, the buildings of the inner city miles away from you.
As you began to turn away, the man’s pace slowed, feet coming to a halt as his back was turned to you. Head cocking to the side, you stood confused, watching as his head tilted up to look at the night sky. You heard him mumble something from the few feet away, foot stomping underneath him before he turned back around, eyes making contact with yours.
His gaze was sincere as you waited for him to say something, his fingers curling at his sides as he looked full of nerves.
“I live on Millrose,” you shouted to him, seeing his teeth begin to chew at his bottom lip. Nodding, he sighed, hand beckoning you closer.
You followed his instruction, smug smile crossing your face as you approached him.
“Just promise not to kill me?” He said as the two of you began to walk towards a van. You laughed, quickly glancing at him as you took sight of the dark vehicle.
“You seem to be projecting.”
Snorting out a laugh, his key unlocked the passenger door, his hand coming out to swing it open for you. With the door open, you turned towards him, looking up at him as his height towered over yours.
“I mean, look at me,” You said, hand resting on your hip. “I don’t think I’d do much damage.”
He seemed nervous in the moment, eyes moving quickly as they flitted over your body. His eyelids fluttered rapidly as he gulped slightly, fingers tapping against the open door.
You raised an eyebrow at him as you slid into the seat, heart beating faster as the door closed behind you.
He drove fast. Metallica blasting over the stereo as his fingers drummed against the steering wheel. You gripped the safety handle, hand pressed to the dash as he maneuvered the streets of Hawkins. A prayer sat on the edge on your lips, curses instead flowing out whenever he took too sharp a turn.
“What brings you out here?” He said over the music, hand shooting out to lower it. You briefly glanced at him, heart lunging as he slammed the brake at a stop sign.
“The band,” you began, tugging at your seatbelt to make sure it was secured. “It was the last show I heard they’re playing in Indiana, and I missed the one last year.”
He threw a face at you, mouth wide open. “The band?”
You matched his expression, growing self conscious at his question. “What about it?”
“I dunno if I believe you,” he scoffed, head shaking. “I’ve never heard of a girl like you into heavy metal, its, like, impossible, man.”
It was your turn to laugh, a small gasp coming up as he sped up to run a yellow light. His words confused you, the ‘like you’ lingering in your mind. He barely made it, red flashing briefly as he crossed the intersection.
“Hate to break it you, but…” Your voice dropped to a low whisper, leaning into him as you raised your hand, fingers wiggling in the air as if you were casting a spell. “We exist.”
A blush crossed his face, cheeks filling as his eyes squinted up.
“Okay, okay… don’t make me sound like a total jerk here.”
“You did it to yourself. I’m just saying.” Your tone was light as you teased him, enjoying the way his face lit up at your jokes.
He was quiet for a moment, car rolling to a stop as a red light ticked in the dark. No cars passed by, the only sign of life being a street sweeping crew, cleaning an area of the downtown side walk in the late hours. You chose to relax in that moment, sinking into the soft cushion of the seat.
“If you’re into the same things as me, how come you’ve never said hi?” His voice was almost inaudible. Glancing at him, his eyes were fixated on the red light, waiting for it to change. That same light look was on his face still, eyebrows slightly raised as humour grazed his features. You waited for the punchline to drop, this stranger in front of you urging nothing out of you.
“What d’you mean?”
“At school,” he said, making eye contact with you as you stared into his eyes. You furrowed your brow, trying to recognize him.
“You go to Hawkins?” You don’t remember ever seeing him, memory sifting through faces you see on a daily basis. Nothing rings a bell, not a single recollection of ever seeing the boy before.
He laughed at you, turning back to the road as he pressed the gas. The van sputtered as it accelerated, gravel crushing as he continued through downtown.
“We have, like, three classes together, Yn,” he said, shaking his head in disbelief as your mouth dropped open. Heat began to colour your cheeks. “You’re friends with Carol, Tommy H. Hawkins royalty, man.”
His voice dropped to a mocking tone as he relayed the names, continuing his speech, “I’m just surprised you’d even be caught dead at something like this.”
Your mouth opened and closed as you tried to think of what to say. Swallowing around nothing, you turned your body towards the dash.
“Let alone caught with me. Imagine what the school would say… what the town would say,” his hand rose to move in front of him, as if he was reading a line from a newspaper. “Resident sweetheart led to murder van of town freak, Eddie Munson. Read more, page six.”
You let out a giggle, his own laughter in harmony with your own.
“Oh shut up, that would never happen.” You didn’t acknowledge the fact that there was a bit of truth in what he said, your popularity did threaten to be shattered if anyone even knew you enjoyed the metal sound of music.
A look was shot your way, his eyes rolling at your words.
“You know it’s the truth,” he said, turning onto a main road. “Such a shame, we never got to hang out. If I knew you were cool, maybe my idea of you would’ve changed earlier.”
Your eyes ran over him, watching the way his curly hair sat over his shoulders, a thick mane that accentuated his manly features. You imagined what it might have been like to know him on a different level, to have met him under different circumstances. His words had you thinking, wondering what idea of you remained in his mind.
“Hey… you said Millrose, right? We should be 10 minutes out,” he threw at you, looking for confirmation.
A beat passed, you slow blinking at him as you failed to nod.
“Yn?”
Clearing your throat, your heart began to race as you spoke your next words, “We could hang out now at your place.”
The vehicle swerved slightly to the right, an over correction that had you slamming into the door. Hissing, you pushed against it, seeing the way Eddie whipped his head to you.
“Huh?” His voice was tight, a slightly higher pitch.
You blushed, tucking a strand of hair behind your ear.
“I know it’s almost 2 am, but I don’t have to be home for a few more hours,” you said, voice small as you anticipated his rejection. You didn’t know why you felt nervous, asking out boys was your thing. “We could make up for lost time.”
He didn’t know what to say for a moment, face contorting as he processed your suggestion. You couldn’t help but know that your words had a different meaning, the late hours of the night not welcoming just a friendly conversation.
“You.” He pointed a ringed finger to you, knuckles white on the steering wheel. “Want to come to my place.” The finger turned on himself, digging into the white of his shirt. His question turned into a statement, disbelief evident.
“I have, like, 6 siblings,” you laughed, shaking that idea out of your mind. “There’s no way you’re coming to mine.”
“You want to come to my place?” He repeated his question, voice higher as he drove. Glancing at the streets, you knew the direction had changed, him driving towards his own place before his mind could even catch up.
“Eddie, if you say that one more time-” Your laughter kicked up as he punched the gas, speeding down the dark streets of Hawkins. He seemed to have caught up now, words getting lost in his throat.
Before you knew it, a trailer lot appeared in the distance, homes scattered in various places, clotheslines hanging between them. You had never been in this part of town before, your ignorance not allowing you to realize that people did have vacancies here.
Eddie saw your wandering gaze, rolling to a stop in front of his place. Nervous in his own rite, he reached up to twist a curl between his fingers.
“Well, it’s not the Four Seasons, but my uncle’s out,” he said, glancing at anything but you. You smiled at his anxiousness, finding it endearing.
“I don’t care about that kind of stuff, Eddie.”
He scoffed at your words, eyes rolling with humour as he jumped out of the van. You followed his lead, stumbling slightly as the gravel crunched under your boots. Following him up to the door, you noticed the way he fumbled with his keys, having to try two, three times to get it unlocked.
It was spacious inside, dark furniture and fishing hats littering the walls. You could tell it was a man cave, the sign of a woman missing for years. Walking over to a framed picture on a side table, you ran your fingers over it, Eddie standing in front of tree with a serious look, head cocked to the side with a black DIO shirt on.
His throat cleared behind you, Eddie scratching at the back of his head as he tried to subtly kick a discarded shirt underneath a desk, out of your vision.
“You want something? Uh, water? Alcohol, weed, anything?” He scrambled towards the kitchen area, fridge thrown open as he rifled through the contents. Glasses clinked together, something falling as he cursed.
Taking a seat on the couch, you shook your head. “I don’t do any of that.”
His head popped up over the counter separating you, eyebrows disappearing behind his bangs. The fridge swung shut behind him as he looked around, slowly making his way over to you.
He stood in front of you, your heart racing as you looked at him through long lashes. The angle had you appreciating his beauty, cut short as he moved to sit.
“But… you’re friends with…”
“Doesn’t mean shit. It’s not my thing,” you shrugged, placing both hands on your knees. He nodded, an awkward silence settling on you two.
A small smile crossed your face, the awkward air lingering heavy on you two. Eddie whistled, sighing periodically as you glanced around the place, hands tapping on your exposed legs. You didn’t know how much time had passed, Eddie settling his back against the couch as you sat upright.
“What did you think of me?”
“Why did you want to come here?”
You and Eddie spoke at the same time, your words becoming jumbled over each other as you shared a deep shade of red of your cheeks. Making eye contact, he let out a chuckle, hand motioning to you. You pressed the back of your hand to your mouth, laughing silently at the situation.
“You first.”
The words were shared again, both of your voices intertwining. Eddie jokingly rolled his eyes, leaning closer to you as he lowered his voice. You noticed his lips were bright red, becoming wet as his tongue darted out briefly.
“Okay, now this is getting weird.” He stretched his legs in front of him, foot bumping against yours before you snatched it back, heart racing at the contact. He raised an eyebrow, glancing down at your leg.
“You first,” you answered, trying to cover it up as you cleared your throat. You turned your body towards him, leg tucked underneath you as one elbow was propped up on the back of the couch. “I’m the guest.”
“That doesn’t make any sense,” he tried, but failed miserably at trying not to stare at you. His deep eyes running over your exposed collarbones.
“I wanted to come here because I want to get to know you. You seem… cool.” Your own words failed at your attempt to remain normal, noticing the way his chest hitched slowly when you outstretched your hand, fingers running over the small stretch of the couch between you.
“Just cool?” Glancing down at his mouth once again, you turned to look away as he noticed the movement. He seemed more nervous after the gesture, repeating the motion of his tongue over his lip. His head cocked even further, legs widening as he settled further into the couch.
You nodded, mind blanking as you looked at him. Subconsciously, you scooted closer to him, the tension between the two of you thickening. His head leaned back against the couch, the expanse of his neck looking enticing in the moment.
"And what did you think of me?" You asked, curious at his statement earlier. 'My idea of you would've changed' kept repeating in your head, not sure whether or not you should feel offended or not by it. It's not like you should care anyways, this man did not exist to you a couple of hours ago, but you did. You had wished you met this man earlier, your temptation to have him pulling at your core.
"I thought..." His voice trailed off, kicking up at the end of the word as your hand brushed his thigh. Glancing down quickly, you repeated the motion, manicured hand coming up to tug at one of his belt loops. You felt bold, nerves leaving you as you realized he may have wanted this too. Whatever this was.
"What did you think?" You asked again, eyes trained on the jean material beneath your finger tips. You dipped a finger in his pocket, tugging on it as his hips shifted beneath your touch. A bulge was becoming present, material growing tighter. A blush covered your cheeks, nerves returning again as you refused to make eye contact.
"That, uh..." He cleared his throat, bringing a finger to his mouth to sink his teeth into. The hand smacked into his thigh, chocked, sharp inhale being taken. "Thought you were a good girl, you know? Miss, uh, goody two-shoes."
You laughed at his words, hand grazing quickly over his bulge. He took an even sharper inhale, mouth dropping open in a silent gasp. Looking up at him through your lashes, you smirked.
"You still think that, Eddie?" Your voice was a whisper, cutting through the air as he made eye contact with you. His tongue poked at the corner of his mouth, running over his teeth as he gave a quick shake of his head.
A beat passed between the two of you, Eddie's hungry stare bore into your own, your hand still on his thigh. You opened your mouth to speak, teeth bumping into your bottom lip as you stumbled over the words to say.
Eddie lunged at you, hands coming up to rest on your cheeks as you moaned, sitting up on your knees to get better access. It was a clash of teeth and tongue, messy as you climbed over him, swinging a leg over his lap. Moving with a fervor, he licked into your mouth, giant hands cupping your jaw, your hands running over his chest as you pulled at the vest he wore. Wrapping an arm around you, he didn't pull from the kiss as he sat up, allowing you to yank the material off of his body.
You grinded against him, leather mini dress pushed up to your hips as the thick jean material ground into you. Eddie groaned, pulling away slightly to reach down to unbutton his jeans.
His fingers fumbled as he struggled, pressing chaste kisses to your lips. You tugged at his hair, licking up the breathy moans he let out at each pull.
"You ever done something like this before, Eddie?" You breathed against his mouth, pulling up your dress as the button popped loose. His hands paused as his eyes shot open to look at you, panting, heavy out of breath.
He nodded, leaning back into the couch as you pressed a hand to his chest. Raising, he went to kiss you again, only to be pushed down as you gyrated your hips over his.
He whined at the touch, curses flowing from his lips as he placed his hands on your hips, guiding the motion. A wave of heat was sent to your core, wetness dampening the thin material of your underwear.
He nodded at your question, hair shaking in all different directions as you bounced slightly, enjoying the way he fit perfectly in the dip of your pussy.
"Yea-yeah, I have," he said, and you weren't sure if he was lying. Smirking, you raised to your knees, lifting your bum to pull his pants down his hips. He followed your movement, hips raising as the material slid down his thighs. Stopping mid-thigh, you pulled his boxers down, mouth watering at the sight of his cock, swollen and red at the head, dripping in anticipation.
"You want to show me?" You asked, getting off of him to kneel in front. You placed both hands on his thighs, mouth opening to drool against him. Eddie moaned at the feeling, hand coming up to grip at your hair. "Since I'm such a good girl and all?"
"You're such a fuckin-" He began to say before lacing his fingers behind your head, urging your mouth on his cock. You tried laughing around it, mouth full as he pushed you down. Closing your eyes, you choked on him, feeling him hit the back of your throat.
Fucking into your mouth, he let out chocked gasps, head being thrown back as his hands guided your mouth. The pace was too quick, wetness dripping down your chin, onto his balls, the entire ordeal becoming more and more messy. Your eyes rolled back, loving the way he was using you, squelching of his cock in your mouth filling the air.
"Fuck," he moaned, hips pumping up to meet the guidance of his hands half way. You flattened your tongue, gagging loudly as he shoved all the way in. "If anyone could see you right now."
You moaned louder, hand leaving his thigh as you reached down between your legs. You were dripping wet, underwear soaked as he fucked your mouth. Rubbing small circles against your clit, you couldn't help but begin to thrust your own hips against your hand.
"You're so- ah, shit, your mouth feels so g- so fucking good," he moaned, thrusts becoming more rapid. Your fingers against your own clit sped up to match his pace, white hot pleasure filling your body with warmth.
"I'm gonna-" He whined, pulling you off of him with a yank of your hair. Your mouth was half open in a smirk, saliva dripping off of your chin as you looked up to him. His gaze grew dark, eyes rolling in pleasure as he pulled you up to him.
His cock pressed against his abdomen, angry red at the ruined orgasm.
"I need you to cum inside me," you whispered, crawling up to him as you settled in his lap once again. His hands found your hips, your underwear pushed to the side as you hovered over him.
Cock nudging inside you, the two of you mewled at the feeling, you stretched wide with a burn, him encased in the warmness of your cunt. You sank onto him, firmly seated in his lap, his hands rubbing small circles onto your lower back.
His shirt was still on, white tee pushed up to his chest as he sank lower on the couch. You adjusted to the feeling of him, pressing your lips to his as he squeezed his eyes shut in pleasure.
"I can't- I have to move- I'm gonna-" His words didn't make sense, coming out jumbled as you began to ride him, hips moving up and down on his cock as pants escaped his lips. The head of his cock nudged deep against that sensitive spongy spot, your moans becoming louder.
With your head thrown back in ecstasy, you couldn't help, but lean in towards that white hot feeling lingering in your abdomen. Eddie began to thrust underneath you, meeting you halfway as you became more cock drunk.
"You're so perfect, fuck, you're so perfect, so perfect," he muttered praises under his breath, eyebrows knitted together as he picked up his pace. The sound of slapping skin dominated in the room, grunts and your high pitched moans following close behind.
"Eddie," you drawled out his name, the last thrust sending you over the edge, your orgasm shaking your legs as he fucked you through it. You seated yourself on him, hands pressed to his chest as you hunched over, head pressed into the white cotton, hips moving on their own as he stuttered his hips.
His own orgasm followed short, a low moan that he breathed into your hair, your name on his lips. Catching your breath, you whimpered at the feeling of him sinking even further into you, jumping up at your cervix being pressed.
"Here, I'm sorry, here," he spoke in small phrases as he lifted you off of him, moving in one motion to pull his boxers up and lay you next to him. You rested your cheek against his thigh, curling into yourself as you tried pulling your dress down over your ass with one hand.
His hand ran over your back, small circles over the length of skin as you leaned into the touch. You angled your head to look at him, giggling as he stared down at you, fucked out look on his face.
"Was that okay?" You asked, turning so you laid on your back. He nodded dumbly, hair following over his face.
"That was perfect, man," he smiled sheepishly as you laughed, hand coming up to smack his chest at the name he threw you. He was so Eddie, the new character that you happened across.
"We should, uh.. go out," he confessed, nerves returning to his face as you looked up at him. Your eyebrows shot up at the offer, his face covered in horror as he tried to clear up what he just said. "Not like now, no, no, no--not now. Unless you'd want to- but, no... we could, uh... maybe it's a bad idea."
You sat up, pressing a kiss to his mouth as he stumbled through his words. Feeling him relax into you, his breathing evened, lips moving languidly. Pulling away, you rubbed your thumb against his cheekbone, smiling at the way his eyes crinkled at the corners with his own matching smile.
"I want to," you said, pressing a quick kiss to his nose. He blushed, smug look crossing his face as his tried to conceal his beam of affection. "You better wine and dine me after this. I didn't put out for nothing."
He laughed again, kissing you as his arms come to embrace you. "How does a shitty dive bar sound?"
Grin wide with the expanse of your teeth, you shook your head at him, "Sounds perfect, Munson."
an: first Eddie fic, lets celebrate, woooo. its a quick one (in my terms, you know I love the buildup). but lmk if this is something that you guys want more of.
masterlist. inbox and requests are open!
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