#When something is a metaphor but also very much not

[megaderping]

I feel like when people compare Akechi to Light Yagami, they fundamentally misunderstand his character. Their similarities really end at their designs, and Light is the kind of person Akechi would despise. Light Yagami lives a pretty privileged life at the start of Death Note. He has a stable home, with two parents and a sister who care about him. He's a successful student. There isn't really inherent tragedy to his life. The whole reason he starts using the Death Note is a mix of curiosity and a jaded worldview, and when it works it empowers him, very quickly goes to his head, as he believes he is one who can be a god of a "new world" once the shock of his initial kills wears off. While his first kill was to help someone, that altruism didn't last. He is in charge of his choices, while Ryuk mostly vibes and maybe eggs him on a little. Fundamentally, Light has something Akechi lacks: agency, and a comfortable life he took for granted. Meanwhile, Akechi is someone who lived on the bottom rung of Japanese society. His very existence is shameful there, between his mother being a sex worker, his status as an illegitimate/"throw away" child, and his mother's suicide. Years languishing in a foster system that is notoriously inhumane, in a country where 90% of the adoptions are grown men for inheritance and patriarchal reasons, while very few children in the system find permanent homes. When Akechi awakens his power, he approaches Shido not because he wants to kill people but for a stupid revenge plan cooked up by a traumatized child who's been nudged along by a malevolent god. He wants to build Shido up so that at the height of his power, he can expose him for the monster he really is, while another part of him genuinely wants to be useful to Shido, as Cogkechi later calls out. His feelings are a mess of contradictions, and so it's no surprise that Shido was able to mold him into his assassin at only 15 years old. It's also worth noting that Akechi only approaches Shido with his ability to cause psychotic breakdowns. Shido is the one who teaches and instructs him to do shutdowns. He's still complicit, very sunk cost with his revenge plan, but as I spoke of here, even if he wanted to quit, he couldn't alone. Shido's cleaner and control of the law and ability to effortlessly turn him in would render the Metaverse his only safe haven. I think people look at 11/20 Akechi and Akechi in the early parts of the engine room and assume that's just his "true self," when in reality it's another mask. Royal makes it very clear because in Rank 7, he outright warns Joker of what's to come via a pool metaphor and offers an out (though he's MUCH happier if you don't take it/stick to your principles), and in Rank 8, he goes on that big "I hate you" speech... while Sunset Bridge is playing. Y'know, the song that plays at the end of most confidants to reaffirm bonds. So when he smiles as he shoots what he assumes to be Joker, that doesn't mean he's genuinely happy. More likely, he's an emotional clusterfuck, given he also is disoriented enough to namedrop "Shido-san" over the phone, and in the subsequent meeting with Shido, tells him not to kill the Phantom Thieves and that Morgana is "just a cat." Yes, he says they'll make them fear for the rest of their lives, but remember, he's talking to Shido. The things he says are likely all incredibly calculated to sound appealing to Shido. And when you consider that he planned to utterly destroy Shido's reputation after the election, the "delay" makes even more sense.

Later, Akechi goes on about how the people he induced shutdowns on were deserving of their fates, but I don't think he believes it so much as it's the only way he could convince himself that it was worth it, and given how much society failed him, and given how many of the people he targeted were likely rivals/competitors or rich fucks, I think he'd be less inclined to assume good faith. Kunikazu Okumura was not an innocent little victim, after all. He was one of the people who requested breakdowns and shutdowns the most. I think Akechi enjoyed killing him not because of how it'd hurt Haru, but because of catharsis. Because Okumura is just as monstrous as Shido, so why should he feel remorse? However, I don't believe he feels the same about Wakaba, as when he discusses her with Shido, he mentions how her fate was because she refused to willingly work for him. It's another justification, but I personally think Wakaba's death was the most painful for him because he was effectively making Futaba just like him. That's why I think his reaction to Sae threatening Sojiro's custody was genuine. Anyway, evil grinning Akechi is just another mask, as I said. Keep in mind, this is someone who laments not meeting Joker years ago, someone who Morgana outright points out is lying about his hatred. And that's the thing. Light Yagami, while a really fascinating character, is not someone who had all this childhood suffering or lack of agency. He does not regret his actions in the slightest and goes down due to his own hubris in both the anime and the manga. While you can argue that Ryuk set him up by dropping the Death Note, Light was the one who picked it up and chose to use it. Any nudging from Ryuk didn't coerce Light into doing it because Light seized the opportunity. No, if Light Yagami is like anyone in Persona 5, it's Masayoshi Shido, not Goro Akechi. Both believe they are god/god's chosen, that they are the ones who will reshape the world to their ideals, and to be frank, both use and abuse women to serve their own purposes. Goro Akechi goes down sacrificing himself for the Thieves and pleading with them to stop his father and again in Maruki's reality when he refuses to let Joker accept a gilded prison of a world for his sake when he knows better than anyone what it's like to have no true freedom. If you max his confidant, you see him in the postcredits, leaving his survival entirely possible, and I think it works because at the end of the day, Akechi was meant to be a victim and a foil. Light is a villain protagonist and a cautionary tale. Though its his POV we follow, he isn't someone we're meant to root for, but I definitely don't think enjoying the character is a bad thing at all. He's really interesting! I just think that a lot of the Akechi and Light comparisons are surface level at best.

#goro akechi #persona 5 #p5r spoilers #character analysis #long post #death note spoilers

[ghouljams]

Thinking about König again.. help

Kissing him could be so narratively(?) interesting if the hood stays on. It’s a situation where you have to come to him - his face is his territory, it’s gonna be on his own terms. And like,, not lifting the hood away, but lifting it so that you can put it over your own head also - kissing him under it. Allowing yourself to be consumed by the shadows kind of, but he is ‘the shadows’ in this metaphor. I bet he’d get off on that

I absolutely love kissing König through the mask, I think there's something incredibly tender and trusting about it. Not forcing him to lift it, meeting him where he is and not half way. It's the same reason I love when fics kiss Ghost through his mask. It's a level of understanding, an willingness to say "you don't need to change I'll meet you where you're comfortable."

That said, joining him under the mask to kiss him? Also so so good. Lifting the hood just enough to duck under, tipping your head with your eyes squeezed closed, König leaning forwards to keep you both obscured as he kisses you... There's something very... two becoming one in the gesture. Not just meeting him, but joining him.

There are so many ways a first kiss can go, so many ways the second will build off it, and so much more to the third. Here's Medieval king!König kissing his gardener for the first time(despite having fucked her multiple times before this)

It's a quick motion, one that seizes you when you least expect it. Something tender grabs hold of your heart, indescribable and unwanted, and you grab the bottom of König's chain mask to pull him down to your height. You press your lips to the skin warmed metal, hope he can feel the pressure at least of your mouth against his, and hold him there. There's a brief frozen moment, König stands more still than you've ever known him, held at the edge of breath with his hands curling into tight fists by his side. You pull away, still feeling the cut of metal against your lips.

And he grabs you, rips his mask up and pulls you against his chest as his lips meet yours. His mask falls against your head, weighing you down and forcing your head to tip back to meet the fervid press of his lips. It's not the first time you've felt the warmth of them, but it's the first time they've felt so wanting. The first time they've felt almost crushing with the way König pushes them against yours, and yet it is still painfully chaste. Painful in the way it makes your heart clench, and your stomach flutter.

There is so much you've done with this man, so many ways he's taken you, and yet he kisses you so plainly. He kisses you like he's never had the pleasure of kissing anyone, and you can't say you have either, but you'd expected something so much different from him. You'd expected domination, tongue and teeth. You'd expected that he'd be colder, that he'd treat you with the same arms-length respect that allows you to leave his chambers after each night you spend with him. Instead you find a man as warm as the sun that beats against your skin and, perhaps, as desperate as you are for such simple affection.

He pulls back, tilts his head, and kisses you again, gentler this time. His arms still hold you tight, still warn you not to try and escape, but his lips slide against yours with a softness that steals the very air from your lungs. König sighs against your lips, your own parting to kiss him a fourth and a fifth time. Your arms find their way around his broad shoulders, your fingers dig into the rich material of his cape, and he kisses you, like it's the only thing he's ever wanted to do.

So that when you part a final time, and his tongue traces along the seam of your lips, you find yourself smiling and feel his lips curve to follow suit. My König, you think.

"Meine Herz," König murmurs. You shake your head. It's rather silly getting fluttery over something so simple. König fixes his hood back into place, and tips his head, pressing his chain covered lips to your cheek. "I'll be good," He tells you, "and you will kiss me again."

As if that simple act were some great reward. Maybe it was.

#cod x reader #x reader #x oc #cod x oc #könig x reader #könig cod #könig mw2 #könig call of duty #König x oc #konig cod #konig x reader #konig mw2 #konig call of duty #king!König #medieval au #oc: liebling

[usereddie]

explain couch theory for dummies please

alright!!!

basically, couch theory started last season in 6x01. we got a snippet of the script for the buckley diaz scene at the beginning of the episode, where buck, eddie, and christopher are all having dinner together, and christopher teases buck for not having a couch.

buck is upset that bobby didn't consider him for interim captain and goes "i just wanna know what these other candidates have that apparently i don't."

christopher goes "buck, you don't even have a couch."

buck explains that the last two couches came with girlfriends (to which eddie replies "i think you mean the last two girlfriends came with couches.") because ali picked his couch when he got the loft, and they kept taylor's couch after she moved in, meaning that when she moved out, she took the couch with her.

the theory REALLY starts, though, when eddie points out that buck and taylor broke up months ago, he could've replaced the couch by now.

and buck gets a soft look in his eyes as he looks at eddie and goes "well, maybe i don't want to pick the wrong couch again."

that's kind of the root of the whole couch theory.

there's another scene in 6x01 where buck mentions not having a couch to bobby and saying he doesn't want to make a mistake again, referring to life experience.

essentially, the couch metaphor is actually something that happens in canon throughout season 6. the couch theory is the spin off of that metaphor, where it's very obvious that eddie is the damn couch.

throughout the season, there's this theme of buck searching for the right couch. it continues at the very end of the coma episode (6x11), when the buckley parents ask buck why he doesn't have a couch after they come home from the hospital.

we find out in this scene that maddie is aware of the couch metaphor because she goes "oh, that story is too long to tell while standing."

we then get a scene in the following episode (6x12) while buck's in recovery, of him trying and failing to get comfortable on his couch.

in this episode, the 118 and co are showing up to buck's apartment to keep him company, a system created by maddie to make sure buck is fine and that he's not by himself while he recovers from the lightning strike and coma.

buck doesn't want all this attention, though, and, eventually, gets fed up and goes to eddie's house.

where he immediately gets comfortable on his couch, and falls asleep before eddie even brings the beers out.

it did make the fandom lose it, thanks so much for asking.

not directly related to the couch theory, but after buck wakes up on eddie's couch, they talk about the shooting for the first time since it happened.

couch theory kind of continues throughout the season. there's a scene that's essentially a beat by beat parallel of buck falling asleep on eddie's couch with christopher falling asleep on the couch, and the buckley diaz family implications went crazy with that one.

seriously, i'm not kidding. beat by beat.

the writers, actors, producers, etc were all aware of what the fandom thought about the couch theory and how it related to buddie, also. couches were mentioned in interviews, tweets were liked, it was a whole thing.

but, i'm assuming whatever oliver says in today's (april 25th) article about the couch theory is gonna be a little more....buddie specific than anything was during s6.

anyway, after buck falling asleep on eddie's couch everyone sort of hoped for a continuation of the couch arc that involved eddie, because obviously eddie was the couch. you have buck, who didn't want to pick the wrong couch again, who couldn't even get comfortable on the couch his parents bought him, immediately fall asleep the second he sat on eddie's couch?

insanity!!!!!! it was crazy!!!!!

i don't remember if anything happened between 6x13-6x17 that was directly in canon. obviously the fandom kept going with the couch theory, speculating all the ways that the couch could mean buddie canon (there's a lot of fic from s6 that's full of couch metaphors and couch mentions)(my fics, too).

kameron gives birth to the sperm donor baby on buck's couch, also.

i forget that detail.

anyway, end of 6x18, buck and natalia are sitting on his balcony and he turns to her and asks if she wants to go buy a couch.

people died that day.

that's more or less it. i'm sure there's more that i'm missing, but essentially, the couch theory is the idea that eddie is buck's couch, the couch representing a romantic relationship.

or, not just a romantic relationship, but the right one. buck's couch is buck settling down, finding someone to spend the rest of forever with, a family, a home.

and then he got that in eddie's house, but he was too blind to see it.

alright. i think that's it! hope it made sense :)

let's pray today's interview doesn't kill us all

#i did this instead of getting ready for class btw #buddie #bia gets mail #anon #911 abc

[silenceandpatiencepining]

I am dusting off my little blog here because TTPD has my mind absolutely reeling. I am really wondering if anyone else listened to this and had this feeling that the album confirmed everything that they were thinking was going on with her. I know we talk so much about reading her songs beneath the surface of muses or certain details used to craft a story, but to me, TTPD reads so strongly of her reckoning with her life in the industry. like, it's so much more than the relationships. it's the comp het, it's the religious trauma, it's the being exploited as a child star, it's deep wound of abandonment and neglect when she as a person got split off from her brand and both could not thrive, it's giving everything to this brand and career and fandom and that still never being enough. it's her codependency with the very people that exploit her. it's the fact that she is bigger than she ever imagined and none of it feels how she wanted. it's the simultaneous love and resentment she has towards her family, and relationships, and career, and yes, even her fans.

the rawness of this album, the unrefined feel, the summation poem talking about this as mania, the continuation of the cage imagery and themes of escaping to her mind/fantasy, the coping with criticism, numbing it all with alcohol, the willingness to burn it all down and disgrace her name because none of this is what she wants or at least not how she wants.

I have seen so many criticisms of the album and honestly, I understand where they are coming from, but I also think the things they criticize make the exact point of what this body of work is - something that exists for it's own sake to turn things back on the people that made her into what she is now. art created not to be acclaimed but because it demands to be expressed. it is an exorcism, an expulsion. it is something that erupted from her. and it's so meta because this fandom and the industry are voyeurs in an echo chamber so desperate to see what they want that they miss that this is about them. that is what makes it brilliant to me - it is self-indulgent and metaphorical, and complex, and so direct, but yet still masked just enough that people miss it. her entire life has become performance art. it is a play within a play. and I fear the audience has not caught on.

it feels like she is reclaiming it all. I feel like this could either be a hint at a new beginning or a signal that she has broken and this is the end. this felt like the tell-all memoir written in code that everyone else will finally understand when she really leaves this spotlight. it's the lucky one come to life. she is daydreaming about fucking it all and leaving this life behind so she can finally have some goddamn peace.

I love this album for it as art. it is so expressive. it is so heartbreaking. it's messy and nuanced, and I think it is going way the fuck over most people's heads, especially when you really dig into poetry being the theme and the specific works she references. it's only been a week and I am just starting to really dig in but talk about a fucking iceberg.

#ttpd #tsttpd #tortured poets department

[deoidesign]

Hi, I kind of have a question, Adam said that can't walk in the sun when doesn't drink blood, but what exactly happens? Do vampires just burn immediately, begin to be more sensitive to sunburn or is it another kind of thing?

so, in time and time again I really wanted blood to be something of a medicinal need for vampires. it's not a 1:1 metaphor of course, please don't try to think of it that way, but it's how I conceptualize it.

He needs blood to go in the sun, to heal, to "be something of a human again" and it also grants him the ability to time travel, shapeshift, compel others...

Without blood, he can't do these things. So, to be honest, without blood vampires would just... die. They can't exist without it. being in the sun uses blood, its dangerous. it wears you down. it makes you weaker. it can kill you!

I realize this ends up making my vampires feel weak, but... it's a metaphor for chronic illness. They have limited energy and if they do not take the time and the 'medications' they need to recover, they'll become weak or die. They have to manage their limited energy.

there's extreme privilege for vampires who have steady access to blood, like Adam does. His access to blood lets him time travel, transform, go in the sun constantly, etc. Vampires without as much access have to become nocturnal, they get stuck in one place, they have to be careful because even a small cut can cost precious resources...

A desperate vampire might end up hurting someone for what they need. a vampire with people who are willing to help them can get by, or even thrive. a vampire with none of these will die.

I know it's not the most satisfying answer, but it is my answer! My experiences being chronically ill are very much at play here.

#I dont want people to think too much about it as a metaphor for chronic illness #cause. OBVIOUSLY 'monster who kills people' is kind of loade #but as you can tell in my writing I'm sort of doing my own kinds of vampires #idk. I think within the confines of my story it's a metaphor I'm comfortable with people reading #but within the broad scope of vampires as a concept not so much #I mean even within the confines of my story I think that it has severe limitations as a metaphor #just. yknow it is the internal logic I'm using and the intent I have #asks #anon #also you dont have to start all your asks with 'hi i sort of have a question' #its okay to just ask me things #pretty sure these are all coming from the same person and I'm pretty sure I know who #not to freak you out just #its a tell haha #its ok to just ask me things I promise #I enjoy talking about my work #I'm happy to get the questions

[magnet-lattice]

(Lifesteal s5 spoilers for my understanding of The Players' plans, from catching incomplete sections of streams and osmosis. I do not think this is spoilers for any of them but I am not keeping up very well, so please correct me if I am wrong and I'll edit this. It's a little bit rambly, sorry.)

So, aside from the unrequited pitchflirting, my understanding of the Players' main finale plans are that they want to remove all of the buildings and restore the server or at least the main areas to looking the way they did at the start of the server, before anyone built anything. And this has some justification about like being a fresh start to the world, aside from the fact that it's a cool dramatic thing to do, but also!

It's really neat how the thing it does is specifically making the server look as though nobody ever played on it. Because the Players' whole thing, their primary conflict with primarily Jumper and Minute (I don't think they have a team name?) is that they're the only people willing to play heel, to do cool evil dramatic shit that other people can make content by fighting against, and almost everyone else (no offense intended to Squiddo or Wemmbu but they haven't been on much lately?) is either neutral, inactive, or insistently playing face?

And in the arguments between the players and Jumper and Minute, it has come up that the opposing side wants to end the server without conflict, and the Players' argument in favor of what they're doing is that it's interesting content which creates a reason for the other players to log on and participate. (This has consistently been their motivation since early in the Abyss arc)

And I think that in addition to the other justification, restoring the world to look untouched is a pretty powerful statement of "This is what you're advocating for the world to be: one where nobody ever logs on and does anything or fights or builds things that matter."

(In the interest of fairness, I know Minute was talking about like, getting people onto the server by having temporary mods during the sessions, and Branzy does have his carnival, and I do enjoy this content, but... at least to me, the fundamental strength of Lifesteal content qua Lifesteal (Minecraft's deadliest SMP), as a reason to be watching this rather than something else-- like a modded or survival series that happens to be made by the same people-- is the social effects of a bunch of people who are mostly tryhards in a competitive environment that encourages conflict and teaming and subterfuge and paranoia and big dramatic clickbaitable gestures?)

(I do in fact think it's fun and interesting when there are some people on Lifesteal who care about morality and want to do the nice thing! This is a fun source of conflict! I just... think it's more fun when that's not the majority of people who are logging on and doing anything, because then there's the risk of them uncomplicatedly winning, or successfully preventing or mitigating or discouraging the majority of the dramatic evil/annoying stuff, and then nothing happening? Lifesteal content is primarily about conflict. It's maybe a little more fun when the people involved have in-universe justifications that are not just "it's for content", painting the fourth wall with a thin veneer of "it's because it's cool and asserts our power" or some galaxybrained self-serving philosophical/metaphorical justification explaining why this supervillain stuff is the real moral thing to do, or whatever? But it's still fun as long as people are like, logging in and doing stuff and fighting or arguing with each other, and maybe having some big feelings? and at least one person is live or making videos so we can see what's happening)

#Lifesteal SMP

[bookreviewcoffee]

Dune Frank Herbert

“Dune" is, without exaggeration, an era, a magnitude in literature that is difficult to overestimate. A science fiction saga, with elements of the novel of chronicles and adulthood, space opera and dystopia, metaphorical narrative full of philosophy and mysticism.

The first trilogy of the classic cycle is full of the life and life of a free people, the planetary ecosystem including the giant worms, echoes of courtly strife, the structure of organizations equally ruling the Known Universe but also dependent on the spice that is produced only on Arrakis.

High and intense text full of concentrated substrate based on religion, politics, ecology, legal and cultural issues, immediate survival, while learning about the future.

The plot is fascinating, like standing in the center of a huge temple complex in Kornak, where the desert wind brings the essence of plans within plans.

Compared to the TV series and screen adaptations, the book predetermines the accents in relation to the characters, making them full and vivid, clear in plot twists, meeting the author's intent and the logic of behavior under given conditionsThe story itself I really liked, probably partly because I generally love fiction and somehow have not read something interesting and non-anal of this genre for a long time. A lot of fiction books are based on Christianity, and this is the first book in my memory that is based on Islam.

I also like the way Frank Herbert describes the characters' looks - almost without details, leaving room for imagination. The story is not long, lively enough and colorful enough, and I have experienced this forgotten feeling again and again, when I want to return to the book to find out what is going on.One of the main themes is the opposition between the houses of Atreides and Harkonnen. In these quotes, a clear example of the difference between the houses: the Atreides pay love for loyalty, while the Harkonnens gain submission through hatred. 'How much he talks! - Hawat thought. - This is not Duke Leto, who could speak to me with a wave of the hand, a movement of the eyebrow. What a carcass! The author (maybe the translation) shows Vladimir Harkonnen as a huge carcass, which has accumulated large reserves of precious water. This is the main peculiarity of the desert Arrakis. Arrakis. A desert planet, also known as Dune. There, under the scorching sun, there float huge worms on the sand, from which it is impossible to hide. There’s a free folk out there - Fremen with blue-tinted eyes that cover even squirrels. And, most importantly, Arrakis - the only place where the spice is extracted. Spice or melange - the most important wealth in the universe. If water is commonplace on Kaladan... here, in the desert conditions, its value is high. To show your respect, love, loyalty, you must share water. Whether it's spitting or mourning the dead. One of my favorite characters is the planetologist Kynes, who dreamed of turning the desert into an oasis. His father managed to plant and implement this idea among the Freemen, and his son continued his work ... Freemen are a hardened people of the desert with their own philosophy and way of life...they were told that the work of greening Arrakis is labor-intensive and the results can be fully appreciated only by the eighth generation. Not only that, but the Freemen and the Kynes did not abandon it, but passed it on from generation to generation. Valuable and very much appreciated. Chani is a great representative of the Freemen. Honestly, I didn't really understand why Jessica didn't think she was a good match for her son, even though she thought she was a worthy representative of the Bine Gesaerit school. Chani is wise, intelligent and loving to Paul. She is such a reliable and strong support for him.In general, the novel is a very interesting story, competently combining social problems, political peripetias, religious ascents, life philosophy, many multi-layered mysteries, and I think, even some meditation.And all this cornucopia is doused in beautiful, smooth, syllable with detailed, distinctive style descriptions that include perfectly developed characters. I wholeheartedly recommend the novel, I don't know if I'll be able to experience all six books, but I'm now serious about part two. For anyone interested, I recommend that you be patient and take your time with this story, getting to know it at your own pace.

#aesthetic #light academia #romantic academia #academia aesthetic #chaotic academia #classic academia #dark academia #dead poets society #book review #donna tartt #dune movie #dune #dune books #reading #books #book history #fantasy

[ghostpheonix5]

Warmth

    Danny Phantom Fic

Gen | Danny Fenton centric with his his relationship to his parents | Sort of a what-if introspective | ~700 words

    It was hot in the house. It curled around on Danny’s shoulders and rested in the bottom of his lungs. 

    The spot on the couch was warm too. Just a little bit. His body temperature never returned to normalcy after the accident. The accident his parents were all too aware of.

    Danny had kept Phantom secret for a couple years, managing the town & its ghost invasions as easily as Doomed.  Tough at first, but no longer felt overwhelming. 

    Danny’s fingers flew effortlessly on the controller in his hands. The living room TV yawned in before him, displaying a generic fighting game. Behind, the clink of dishes reminded him that Maddie was making dinner.

    The heat settled in his stomach. 

    Danny would be one of the first people to defend his parents. Despite all their faults, they cared, and as he grew older, he came to appreciate all they had sacrificed, all they had done to make sure he and his sister had everything they needed. While admitting that outloud was one thing, Danny had allowed the thought to rest comfortably in his normally troubled mind. 

    “Danny,” Maddie called, “do you want any sausage?”

    “I’m fine.” Danny mumbled. 

    Then, his parents had found out his secret.

    ‘Found out’ was a strong word. Danny had been fed up. Fed up with his parents’ snide remarks about the humanity of ghosts. Fed up of the way his parents so routinely treated it as a science project instead of a real question that had an answer.  Fed up of concealing his ghostly features around his own home when all he wanted to do was exist as what he was without being scared. 

    So Danny told them.

    And they cried. But not for him.

    Danny supposed they had tried to understand. However, Maddie had a face he had only seen once before. Her eyebrows furrowed in determination, her face becoming red with  the strain of holding back tears as she delivered the news of her father’s death. With the news that she would never see this person she loved so dearly ever again.

    Maddie had that face with Danny. 

    But Danny was still here. He just had this part of himself that he couldn’t allow them to ignore anymore. Especially since they inadvertently campaigned for his death.

    A long talk spent justifying himself, explaining what it meant to be a ghost, pleading with them to understand that this is who he was, that he couldn’t change it. 

    Maddie had apologized. She acted like her parenting had something to do with it when that didn’t matter in the slightest.

    Jack had promised to fix it. That he would build a contraption that would cure Danny of his ghostliness.

    Neither of them understood it was something that couldn’t be changed. So when Danny refused treatment, when he told Maddie her apology wasn’t what he was asking for, his parents…couldn’t understand it.

    His parents told him that Phantom was a parasitic entity that needed to be gotten rid of. Danny refused.

    The next day, Maddie & Jack acted like the talk hadn’t happened. The same with the next day, and then the next. 

    Danny confronted them about it. 

    And Maddie told him, with that damned face, that she hoped he would come around and make the right choice about Phantom.

    Danny expected many different reactions. He saw himself gunned down and caged like an animal. He saw his parents tearing him apart for the audacity to exist as something they hated. 

    Now that he had their reaction, Danny wasn’t sure what was worse.

    If they actually did something, then Danny could be mad. He could be angry. He would know where they stood and in turn, take a stand. Like he had against so many evils before.

    However, this pseudo peace left him wavering. He couldn’t bring himself to be mad. But he couldn’t act like it didn’t hurt either. 

    His parents refused to acknowledge him.

    What was he supposed to do? When his parents were loving aside from pretending that a big part of who he was didn’t exist?

    “Dinner’s ready.” Maddie said in a sing-song voice.

    The heat wrapped around Danny’s throat and choked him.

#Danny phantom #phicc #dp fic #just getting some feelings out there #vent #When something is a metaphor but also very much not

[lovesickeros]

in the meantime come to horrifying realization there's like zero yan clorinde content so everyone sit down and listen to my ted talk (this is a requirement I have locked the doors and blocked the fire exits)

personally don't think Clorinde leans towards threats to be honest. she'd feel horrible and guilty if she did and I don't think she could handle you hating her or being afraid of her (maybe if you pushed her far enough then maybe she could justify it because she's trying to protect you but you'd really have to push it).

imo? leans more towards following you around with a hint of subtle manipulation behinf the scenes0. even if it's within the confines of the Court of Fontaine and the place is swarming with Gardemeks you can never be too sure. absolutely fumbles the excuse if you catch her though (if)

the epitome of gentleman, too. she "bumps" into you a lot and always offers to help– even if it's just a few small bags she takes them from you to help ease your burden, basically following you around like a lost puppy. it's a lot easier to trust the nice, polite woman who helped you then the stilted, awkward woman desperate for your attention.

her reluctance to threaten you or force you to do anything doesn't extend to people you know, though. she can cook up any manner of crime that'd get them stuck fighting a duel with her or dealing with a trial that'd get them sent straight to the fortress.

of course, the first thing she'd do is make sure you're okay. she still cares about you (and she really doesn't mean to manipulate you, but really, don't you find it odd that everyone around you is so sketchy? you should be more careful about who you trust. you trust her though, dont you?).

clorinde is very much in for the long game, in the end. she'd only kidnap you as a last resort. she'd much prefer slowly getting closer to you and having you come with her of your own free will (even if it's because she's been planting ideas in your head that you really aren't safe all alone like this. all your friends turned out to be criminals, after all, and what if they start to blame you and try to hurt you? it's best that you stay with her for a while)

if you had a lover, though? oh, she's livid. she makes sure to pin an absolutely heinous crime on them– one that would involve you. after all, she could swoop in and play savior after killing that wretched pest. she did save you from their alleged plan, after all.

a bit awkward with physical affection to be honest, but she tries in her own way. she does what she can to make your life easier– protects you, makes sure you have a roof over your head and nice clothes, a bed and warm baths, expensive foods..anything you want, she would get you without even asking.

why would you ever want to leave? don't you know how dangerous it is outside? who would take care of you if not her? she provides you with all you need, and with only the best (please don't leave)

basically your personal guard dog. she won't bite if you just listen to her and stay put.

and she's just absolutely smitten. careful if you actually use her gifts, because she'll think you're reciprocating her affection whether you are or not. you'll be drowning in new clothes, always trying need food..and she'll always be hovering over your shoulder, watching.

#genshin yandere #genshin impact yandere #yandere clorinde #clorinde x reader #clorinde is so german shepard coded yknow.. #she doesnt want to hurt you but she will restrain you if she has to. and its something she is very good at #clorinde is a bit of a sweetheart. a gentleman. but shes also horribly manipulative even if she doesnt mean to be #she just cant handle seeing other people so casually interacting with you #they would probably commit a crime in the future anyway #so its fine if she frames them for something #and she just wants to comfort you after finding out your supposed friend is a horrible person.. #its not her fault you start to rely on her because everyone else betrays your trust #shes just trying to comfort you #i mean shes very self aware that shes a bad person for doing it and she knows shes doing it #shakes her around like a can of soda. fucked up yans who sre conflicted over their actions #but do it anyway because their rationalize it so much that they think their doing you a service by keeping you safe #this is all gonna be horribly ooc when we find out more abt clorinde isnt it. anyway #clorinde and the hunting metaphor they used in 4.2 w reader is so tasty though #mm thsts good food #where r my fellow clorinde enjoyers man #ughhhh its way past my bedtime does this make sense........idk im gojng 2 bed or snth

[sesamenom]

Ar-Pharazon from the Reverse Gondolin AU and as Witch-King of Numenor - thanks to @who-needs-words for helping develop this idea!

#silm #silmarillion #second age #ar pharazon #reverse gondolin au #(well more like the aftermath of gondolin reversal) #this au has consumed my life #on the plus side inspiration for feanor is finally reemerging from under the metaphorical couch so i might get something finwion-y done soo #aaaaaaaaaaaaaaa so much to draw so little time #seriously though golden nazgul is such a cool idea #whatever the mordor equivalent for the angband trio is (sauron pharazon and shelob maybe?) is going to look so cool in black and gold #black/gold black hole shelob!! #and prince elrond is super finwiony looking #also he has his wings & glowiness out a lot more so that'll be fun #but yeah basically in the au Prince Elrond realized via foresight what was happening/going to happen in numenor #so he went there and disowned ar pharazon (by extension removing him from the throne) and crowned tar miriel rightful Ruling Queen #then later when sauron showed up he came back kicked sauron out and outlawed the death cult #but between that time sauron secretly recruited ar pharazon by promising him kingship in exchange for his support #and anyways ar pharazon survived all the way to the TA as the Witch King #(mr. angmar here gets to be second in command of the nazgul sorry) #-imagine this guy showing up to be all 'bagginssss' though #the witch king of numenor is somehow even more dramatic #also the whole 'no living man can kill me' is. a bit different coming from a guy who has many enemies in the form of #a) his cousin the Ruling Queen of Numenor #b) his uncle the choice-of-elves-peredhel #c) a bunch of Faithful in the Halls #the dead guys aren't too much of a problem #but i wonder if he heard that prophecy and worried a whole lot more about the Ruling Queens #or Prince Elrond who in the au has very definitely embraced his maia-ness #and then imagine his surprise hearing 'but no living man am i' and it coming from. a random human lady.

[poppyseed799]

btw I don’t know if this is a thing anyone is thinking about but I’m not gonna stop drawing Jimmy as a canary. It’s a lovely bird. It’s still something that’s been really important to his series. There’s no reason to drop the canary headcanon just cuz Lizzie fell into the void.

#warning: don’t open up these tags I went on a very heated and rather unrelated rant cuz I’ve been mad #trafficblr #life series #secret life spoilers #secret life smp #jimmy solidarity #also I’m sick of seeing ppl celebrate Jimmy surviving because they hate the canary curse fans like SHUT UP!!! LET US HAVE FUN GOD!!! #LIKE LITERALLY EVEN IF NOBODY CAME UP WITH THE CANARY METAPHOR WE WOULD STILL BE TALKING ABOUT HOW HES ALWAYS DYING OK WE DIDNT MAKE UP THAT #HE DIES FIRST HE JUST DOES. GOD. so what if some people make shakespeare sounding posts about the curse that I don’t understand. we are JUST #having fun and making connections where we don’t need to BECAUSE ITS FUN. NOT CUZ WE DONT CARE ABOUT ANYTHING ELSE. sorry for the past few #days I’ve been genuinely mad at this fandom’s growing hatred towards its own community. #LIKE IM FINE IF ITS NOT YOUR THING BUT GOD. WE ARENT EVEN DOING ANYTHING 😭😭😭 THE LORE LITERALLY WRITES ITSELF OR IS WRITTEN BY MARTYN LOL #I’ve just been getting SO TILTED man. like ohhh yeah okay ur right i said too much guess I won’t say anything anymore #does anyone else genuinely not know wtf ppl are talking about when they say a certain hc takes over everything about the character #cuz I literally see so much varied Jimmy content yet I’ve seen several ppl complain that ppl ignore aspects of his character in favor of #WHATEVER when I literally don’t see that happening to him. step out of ur circle or something I don’t even HAVE a circle man

[commsroom]

Hello !! Do you have thoughts on Rhea :]

yes, i do!! with the caveat that we have such limited information on lovelace's crew, what we do have is almost entirely filtered through her perspective, and we kinda... know rhea the least. as much as i find eris a fascinating character too, i wish we'd heard more of rhea.

which is kind of the first thing: rhea is the only AI character in wolf 359 who doesn't have a voice. (we don't hear hyperion's voice, which is supposedly not integrated yet, but he's not even really treated like a character in the scene he's in. and that's a whole other thing.) for hera in particular, she feels a physical disconnect from the others, but the fact that wolf 359 is audio only makes her an equal presence from the perspective of the audience. (which carries over to the live show, where the other characters may not be able to see her, but the audience can, etc.) rhea's situation is kind of the opposite, where her words can be seen by the others, but the audience can only hear or infer her words via what the others read out loud or respond to.

rhea clearly cares about her fellow crewmates, and seems to get along with lambert in particular. lovelace's log: "and communications officer lambert is... communications officer lambert. so an enormous stick in the mud. [...] i heard that, rhea. you are expressly forbidden from telling him i said that." - a sentiment it's easy to imagine early minkowski expressing about eiffel and hera, for the opposite reason. in a more direct parallel, rhea reassures lambert that he "does a great job"; in bach to the future, hera tells eiffel he's "actually very good at his job." the difference in context highlights their priorities; eiffel and hera are having a heart to heart about worthiness, while rhea really is talking about lambert's job - work is important to him, and most people around him don't respect or appreciate his work. what we can infer about rhea is that she's... well, the kind of person who would be lambert's friend. straightforward, rule-following, and professional.

(even something like "see, rhea? i told you someone read [my reports to command]" indicates that they talk to each other a fair amount, but also serves as a mirror to eiffel's belief no one listens to his logs.)

maybe the most interesting thing to me about rhea is her defense of eris: "it's just the way they programmed her, back off." ... again, the complete opposite of how hera might respond. eiffel tries to "defend" her in a similar way in ep 7 - "you can't really hold that against her; it's just her programming" - and she finds it incredibly insulting. with all of that taken together, with how lovelace, lambert, and rhea are in many ways intentional opposites to minkowski, eiffel, and hera, it really makes me wonder how rhea identifies or perceives herself.

i think hera is functionally human, both in her singular, consistent image of herself, and in her role in the narrative. eris appears human to lovelace, but is clear that it's how she sees "a version of herself." whether that refers to that iteration of eris having multiple versions of herself, or if it refers to all of the iterations of her who exist: either way it's a reflection of the way eris exists, and her acceptance of that. by extension, the fact that we don't encounter rhea in any way other than beeping sounds and implied words on station monitors... kind of says something narratively, i think. going back to her lack of voice, even that level of distance and abstraction takes her further away from 'human' perceptions by the audience, while she's obviously still a full person with her own priorities, perspectives, and opinions. i think it's very interesting to consider she might prefer her state of (lack of physical) existence in a way hera clearly does not.

#wolf 359 #w359 #asks #sorry this took a bit to reply to!! i know it's not just about rhea but it's hard to discuss her without talking about. other things #and i've been trying not to tag most of my asks #but i like talking about AI characters and don't know when i'll get a chance to talk about rhea again so. i wanna file it #i think it's worth considering the difference between personhood and humanity even if they commonly overlap #and i feel very strongly that it's wrong to call hera 'non-human' with the context of her character within the story #but that's very much not the case for most other AI characters and i think it's interesting she might even be an outlier within wolf 359 #i have more to say about that later but. for another post. #also to be clear. rhea's lack of voice is because she's an earlier model in universe. but it didn't have to be written that way. #the fact she was written that way says something interesting. #if you wanted to extend it to the same disability metaphors that apply to hera you could probably talk about non-verbal communication #but again. there's not much to go off of. it's mostly possibilities.

[winepresswrath]

An important thing about Aziraphale is that he cares so much about being good, but also, he is only ok at it. Not terrible! Just mediocre. Very brave and trying his absolute best with mixed results. To paraphrase the book, neither fundamentally good nor fundamentally bad but fundamentally Aziraphale. He is however trying very hard to save the entire planet and that is really very lovely of him and should count for a lot, especially because his hot not-boyfriend finally made a move after six thousand horny, horny years and he could easily have chosen to get really spectacularly laid instead of reviewing organizational flowcharts and being trapped in meetings with people who hate each other only slightly less than they hate him.

#what he is actively quite bad at #in my opinion at least #is being a friend/boyfriend/codependent romantic bestie #To be fair to him he has never tried to be good at this before #he has spent the vast majority of his relationship with Crowley denying and downplaying that relationship #sometimes because he's afraid of external consequences (reasonable! so reasonable) #sometimes because he's afraid that it's actually Wrong to love him much less side with him (make up your mind dude you've been thwarting #god's will together since 2500 bce apparently) #but how do you get into the habit of being good to someone under those conditions? #metaphorical internalized homophobia that cannot help but be externalized onto the object of your affections rings sadly true #like it is just very hard to be decent to someone when you're genuinely afraid that there might be something fundamentally broken and evil #in them especially if you're also afraid the same thing might be broken and evil in you . #when you are afraid that extending empathy and understanding to someone else is just self indulgence and selfish gratification of your own #desires it is very easy to sabotage your better impulses #and it's not that Aziraphale doesn't basically know this is bullshit but imo that is why the idea of Crowley as an Angel again is such #a relief to him and he genuinely manages to convince himself it can fix everything #but that is not the same thing as Aziraphale going back to heaven! #good omens

[nordic-language-love]

This month's bonus book is super long and it seems the reason for that is because the author spends like a paragraph doing world-building or unnecessarily over-explaining reactions between each line of dialogue -_-

#i'm only 3% through so far so it may improve once we've done enough of the world-building #but if not then it's only a matter of time before i dnf it because it's already grating on me #it's like. i don't care about this side character's relationship with her parents please just get on with the story #also the author's ripped off norse mythology but not in like. a good or clever way. #she's literally just changed the name of things very slightly or used the names of things for entirely different concepts #and the main character is apparently from a 'small village called nidaros' #nidaros is the old name for trondheim y'all. she's from fucking trondheim. which isn't a small village and wasn't when it was nidaros eithe #but i'm pretty sure the city itself is supposed to be entirely fictional #it's certainly not set in medieval norway bc they have cell phones and stuff #anyway we'll see how long it keeps up and how much it tries my patience #but if it doesn't improve soon it's going in the bin (metaphorically speaking given it's an ebook) #bc it's a hefty-ass book and i'm not investing near on 20 hours into something i don't enjoy

[erabundus]

i think a lot about how calm ren seems on the surface and not only how quickly, but how DRAMATICALLY that can change in an instant.

#𝟎𝟎𝟒 : 𝘵𝘩𝘦𝘺 𝘴𝘢𝘺 𝘺𝘰𝘶 𝘶𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦 𝘴𝘰 𝘬𝘪𝘯𝘥. ◟ hc .◝ #( semi-inspired by the thread w/ saint's cyno & also a fanart i am currently rolling around in my brain like a marble ) #( because if you don't know who he IS ren's vibes are very?? subdued ) #( he's very blunt about what he thinks ofc ofc but otherwise he's fairly quiet and keeps to himself. he's existentially burnt out. ) #( and he is definitely calm to a certain degree but not nearly as much as he appears. ) #( he's very VERY emotional but he's good at bottling it up indefinitely until something comes along that pulls out the metaphorical cork ) #( so it leads to those moments when he DOES snap to feel /particularly/ sudden and violent and very unsettling. ) #( he goes from 0 to 100 ) #( if you already have context it's one thing but i just think a lot about ren from the pov of anyone only seeing what he shows outwardly -- #and how nightmarish it is for this reclusive guy to suddenly display the ability to break bones with his bare hands & other atrocities )

[thedreadvampy]

sorry I'm on one now. Narnia is one of my Big Rant triggers.

but like. I would be lying if I said I didn't love Narnia

(everything except the Horse and His Boy, which a) even as a tiny kid made me uncomfortable with how fucking racist it is (literally there is ONE. ONE. character of colour who isn't evil, selfish, greedy and violent. even when you're 5 and white and don't really understand racism it's like. sorry there are just no nice people in this whole country? and every Narnian is lovely?) and b) is just fucking DULL partly bc of the 2 dimensional racist caricatures populating the world)

but I can't pretend for a second that it isn't specifically built around a Christian theology that's explicitly racist, hierarchical, supremacist, colonialist and The Bits I Like Least Of Anglicanism

and my FAVOURITE books in the series (except the Silver Chair which tbh is WAY less theological and way more mythology-nerd) are the first and last, which are by far the most explicitly Christian. even more so than TLTWATW.

and I can just about stand by the Magician's Nephew bc it's mostly just a mix of Christian creation myth and CS Lewis's sci fi interests in the esoteric and multiverses and it honestly feels fine. but my all time favourite most iconic Narnia book is The Last Battle and I just. cannot. justify it for a second from a political or philosophical standpoint.

it's got it all bc it's the book where Lewis is like ok hold up let me lay out explicitly what my theology is. and what he thinks it's important to say is:

Almost all Muslims are bad and evil

They worship Satan by doing Bad Evil Deeds to please him

There are a couple of Good Muslims who do good deeds. they need to be brought to the light, understand that the voice calling them to do good deeds is the Christian god, and they too can achieve the kingdom of heaven

Some people will use Christianity as a mask for exploitation and mistreatment. They are bad and their faith is false (ok fine)

...and they're doing that because they're CONSPIRING WITH THE EVIL MUSLIMS TO OPPRESS GOOD CHRISTIANS

...and THAT'S THE ONLY REASON ANYONE WOULD TELL YOU THAT GOD AND ALLAH ARE DIFFERENT NAMES FOR THE SAME GOD. because they're either conning you or because they've been misled and can't really think for themselves.

DID I MENTION. THAT MUSLIMS ARE EVIL AND TRYING TO BRING DOWN CHRISTIANS.

and other than the GOD AREN'T MUSLIMS JUST THE WORST of it all, he also goes back over to more fully explain several points he's made throughout the series, such as:

white Christian public school kids are the god ordained leaders of the world and attempts to think otherwise are heretical

god places people where they need to be to serve his purpose

free will is largely an illusion - your only choice is faith or chaos, and as a godly person your actions are preordained

the problem is though. he's kind of a really good character writer? and in The Last Battle he pulls out most of his best classics (hi Reepicheep! hi Frank! hi Jill!) and gives us a whole wealth of really fun new characters (Tirian and Jewel, Emeth, Puzzle, Shift, Griffle and Ginger are all just SO FUN) and it's such a solid adventure. for me it's hands down the most FUN Narnia to read and an effective and affecting end to the series.

but like. god its unjustifiably fucked philosophy is baked into every single character and event. it's so hard to ignore. it's my favourite book in the series. it's the book that makes me angriest. it's everything right with Narnia and everything wrong with Narnia. I like it cause it asks me to engage critically with Lewis' philosophy and I hate it cause it requires me to engage critically with Lewis' philosophy.

in conclusion, Narnia is a land of contrasts. also occasionally brownface.

#red said #i love these books. i love the last battle especially. #fuck me they're awful philosophically though #they were probably the first chapter books i read when i was 3 or 4. they are such a big part of my life. #and I've always loved them and i still do. I'm so fond of them. #and part of that is inextricable from the Christianity of them. i think there's something really fun and interesting in the fusion of #christian myth and celtic paganism and classical myth and arthuriana and new age mysticism and sci fi multiverse stuff #like it's not. new to blend those things. but lewis is such a nerd about all of them and he blends them up in a really flavourful way #and also i think like as a kid. the utter claroty with which These Are Metaphors About Theology And Philosophy #really worked for me even though I disagreed with most of it. because it kind of wants to engage with you directly as a child #it is. to me. pretty honest about its intentions. and it digs into some moderately complex ideas for a young audience. #like they're parables not morality plays. the Goddier ones are inviting you to think and engage in a conversation about the ideas #which tbh. not a lot of kid's books did at the time and age i was reading them? #they wanted me to be thinking about the whys and hows of morality. like obviously Lewis SUPER has an opinion on the Right Answers #(i would usually. say we're diametrically opposed on most conclusions but then i was rooting for Jadis' army in LWW) #but idk Lewis's theology is interesting. he's very much pro faith and determinism but he ALSO thinks you should question stuff i think #like. it's often kind of self-contradictory but the books are pretty pro asking questions pushing back straying from the path #as long as you come back #and the last battle particularly is really clear that you're not doing a good job of engaging with faith if you don't think about it #like other than MUSLIMS ARE EVIL AND BAD the main message of the last battle is. #if you don't think critically about faith then someone else will think for you and fuck you over #tirian is our hero bc he has a personal and often uncertain relationship with faith that means he refuses to get swept up in the crowd #puzzle is painted as someone who is too scared of conflict to voice his concerns #he's prepared to believe he's too stupid to have his own questions or relationship with faith and so he becomes a tool of the powerful #because he is told to trust the teachings of the church not his own heart #now. do i think this is philosophically good? generally yes but it also props up the I'M A BOLD TRUTHTELLER AGAINST THE ESTABLISHMENT #reactionary tendency. and it's written by a guy whose Unpopular Truthtelling is partly 'Allah is Satan' so. grains of salt. #buuuuut. it's probably why it resonates a lot with people like me or my mum who as kids often felt constrained or patronised #by the way adults approach obedience and blind faith #like. Lewis is advocating for FAITH. he DOESN'T think that faith should be uncritical or without discomfort