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whencartoonsruletheworld · 1 year

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funniest disney history facts i can think of atm

literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.

the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it

madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious

when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.

as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke

current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well

disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it

people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”

when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room

saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so

saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”

while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america

disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”

in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park

speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny

after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked

the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad

walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw

#disney #disney history #mine

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hotjaneaustenmenpoll · 28 days

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Third Place Poll

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

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Brandon propaganda in which even the film's director agrees that Brandon is sexy.

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More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

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From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

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The man has just heard her sing for a minute and he’s positively awestruck!

also adding his adorable adorable smile just bc i can.

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

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I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

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Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

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GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

GIF by elinordash

#hotjaneaustenmenpoll #third place poll #colonel brandon #mr knightley #emma 2009 #sense and sensibility 1995 #Alan rickman #jonny lee miller

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catboygirljoker · 5 days

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some observations from going down a rabbit hole of japanese language xigbar yesterday

(apologies for the youtube watermarks. i got this clip from this video.)

[Video ID: a fifteen-second clip from a cutscene from kingdom hearts 3D: dream drop distance, with japanese audio and english-language visuals. it's the scene where xigbar tells sora that he's not going to wake up. end ID.]

keep in mind that this clip is just the japanese audio being played over the visuals from the english language release. the subtitles aren't a direct or literal translation of the words being spoken; they correspond to the localized dialogue that the english voice actors wouldve been given

hōchū ōtsuka (xigbar's japanese va) and james patrick stewart (his english va) give, to my ears, pretty similar vocal performances. this is the case for pretty much all of the characters ive seen so far in my xigbar-centric explorations (roxas's vas sound nearly IDENTICAL). the notable exception being xemnas, whose japanese va straight up sounds like he's trying to talk without moving his mouth

in the english dub cutscenes, the character animations often feel...floaty? disconnected? like, because they're not synced up to what the characters are saying and how, their gestures frequently seem random and unmotivated. in retrospect it's obvious that this issue wouldnt be present in the original language because that's the dialogue they would've been animated around in the first place!

now that im actually watching the character animation with the dialogue it was actually done for, i appreciate it a lot more. its so expressive. smiles.

at the end of xigbar's speech here you may notice him saying the phrase "tte hanashi." this is his japanese catchphrase! it means something along the lines of "so they say", "or so I've heard", et cetera. i love "as if" im a big fan of "as if" but i also love the idea of xigbar consistently undermining the information he gives and emphasizing how often he eavesdrops and spies on people.

he says "tte hanashi" very very often. multiple times in most of his scenes that ive seen so far. way more often than the english dub says "as if"

he doesn't say it normal like im pretty sure that's not how you say it in normal speech. like sometimes he does say it normal, but he always draws it out at least a little and often really draws it out, emphasizing it with some kind of gesture, like he does in the clip

seriously if there's a moment in the games where xigbar says something while doing a cunty little gesture he is probably saying "tte hanashi" in the japanese version

this is my new vocal stim. i can't stop saying it

#&BTW im absolutely going to make a supercut of every time he says tte hanashi in the games...once i....actually play 3 #&also i know vastly more about japanese than the average person and vastly less than someone who speaks it fluently #im sure there are cultural/character signifiers in the way he speaks that im missing. pensive emoji.#&if you know for sure that any of my information here is wrong pleas let me know thank u. smile!#kh #kingdom hearts #xigbar #blakeposts

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yuurei20 · 3 months

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Hello!

Bit of a dumb question

I wanted to know if it was ever mentioned anywhere that Jade ate his siblings.. My sister keeps saying he said that he ate everyone but kept Floyd bc he looked like he'd be funny or something. I've never seen this mentioned before and I wanna prove her wrong

Hello hello!! ^^ Thank you for this question!

“Jade ate his siblings” is one of many unproven fan theories, based on a number of comments in the game that might be hints about something that may or may not have happened!

The theory goes that Jade and Floyd hatched from eggs (moray eels can lay up to 10,000 eggs at once in real life, though in-game is unspecified) at approximately the same time.

Jade then selected Floyd as the one sibling he would spare, and ate the rest. (The reason why he chose Floyd is technically not specified.)

This is based on many things that can be found throughout the game, such as this cryptic comment from Jade: “I’m glad I chose you as my partner when we were but little elvers.”

Floyd responds, “Not sure what that smile’s for, but I’m glad we survived together, too,” which may insinuate that if something did happen, Floyd might not know what it was.

Jade also says, “there are five in my family at present.” One interpretation of this line is that their family used to be larger, and might get even smaller in the future, but five is where they are at now.

The more optimistic side of EN fandom will sometimes theorize that maybe their mother is pregnant and there will actually be a new addition to the family soon rather than a loss, but we have been given a surprising amount of information about how common it is for people to go missing in the Coral Sea, with otherwise zero hints that they will soon be getting between 1 and 10,000 new siblings.

The evidence used for the “hatched from eggs” part of the theory comes from Floyd insisting that neither he nor Jade are any older or younger than the other.

This might seem vague in English, where which twin of two was technically born first might not come up very often, but in Japanese one twin being born first would mean that one of them would refer to the other as something like “nii-san,” like Ortho does with Idia, or "aniki," as Ace does with his brother and Leona does with Falena.

(For a real-world example I recommend referring to the Twitter account of Jamil’s voice actor, Futaba Kaname. He has (弟) in his username for “little brother,” while his identical twin Yuu has (兄) in his username for “older brother.”)

But neither Jade nor Floyd refer to one another as “nii-san," "aniki" or anything but their first names.

While “bro” or “brother” will sometimes be added to their dialogue on EN neither twin has ever actually called the other “brother” in their original dialogue, because the Japanese language makes you specify older or younger (an age-neutral word for “brother” doesn’t really exist) and, as Floyd says outright in the game, neither he nor Jade are any older or younger than the other.

This makes sense if they both hatched from eggs at approximately the same time, rather than being born like mammals.

Another point that is often referenced in the “Jade and Floyd: Dead Siblings” topic is how, on the subject of ghosts they have seen, both twins mention seeing people on Halloween that looked strikingly like each other, only to realize that they weren’t.

Floyd: “I once thought I saw Jade in three different places at once.”

The theory goes that they saw the ghosts of their dead siblings.

This may or may not be considered evidence of how the twins might have had other siblings at one point and something happened to them, but even if so, it could have just been a Finding-Nemo style incident with a barracuda or something similar.

So why do people point to Jade as the perpetrator?

(Maybe irrelevant, but Rook’s nickname for Jade in the original game is, “Monsieur Premeditated Crime.”)

Jade is a heavy eater, on par with Sebek (another thing they have in common is they have both threatened to eat Grim), saying that people are often surprised by how much he eats.

Jade says this is because his “fuel efficiency is lacking” (low blood pressure?).

Floyd is aware of this and seems to go to extra lengths to make sure Jade eats properly, encouraging him to relax and fetching food for him during Halloween.

The original meaning of Jade’s unique magic is, “the tooth that takes out a bite,” so this is definitely a theme with him.

And his official, disliked food? Eel.

To the original question: no, there is not a definitive line in the game that states “Jade ate his siblings” that we can point to as proof that it actually, canonically happened.

But we do have many cryptic lines that might possibly be insinuating that a infamously hungry Jade chose Floyd as the one sibling he would spare and ate the rest, Floyd may not know it happened, and Jade might be actively choosing not to tell him 🐬

#twisted wonderland #Floyd Leech #Jade Leech #twstask

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showtoonzfan · 5 months

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Also yeah this new Hazbin cast is not it man. I’m sorry. Most of them either sound flat, don’t fit with the character design, or are just not as good as the original. Angel and Alastor I especially don’t like, Alastor sounds so nasally and Amari just can’t top Bosco’s performance, with Bosco not only was he good but when Alastor was threatening, he SOUNDED threatening. I may have made fun of Al’s design, but Bosco’s voice is what made the character interesting and threatening for me. With Amari’s voice he just sounds beyond silly and I can’t take him seriously.

Blake Roman is literally just intimidating Kovach, except this time Angel just sounds forced and awkward. It makes you wonder why Viv just didn’t get Kovach back since it’s obvious she wanted to find someone so similar to him, and then you realize…oh yeah, Kovach wasn’t on Broadway or is a big singer. Micheal was really good at what he did as Angel too as everyone has already said so Viv fumbled the bag SO hard with these two it’s sad. I’m especially pissed about Alastor cause Bosco was the reason he was my favorite character and now he sounds so cringe.

Husk and Vox are played by two very talented actors/singers but their voices just don’t fit with the character design, though I’m not that against Christain Borle as Vox, the voice doesn’t fit the twink design but at the very least they got a man who sounds like a full grown adult playing a full grown adult lmao. Husk is a different story however, because it feels like Keith was picked to play him just because he was famous and nothing else. Back in the pilot, Viv had a specific voice in mind for Husk and she found it, aka Mick. He perfectly came off as an old washed up grumpy alcoholic, and Keith’s voice kinda just…erases all that personality. Sure Keith’s voice sounds cool but that’s it, it’s style over substance.

I wish I could say more about Charlie and Vaggie but I’m not sure what to say other then they kinda sound forced and awkward too, and I hate saying that cause they’re also played by two very talented actresses. Stephanie B played Mirabel from Encanto, she’s had voice acting experience before so I hope she ends up sounding good in the actual show. Erika meanwhile…I hate to say this but other than her singing voice there’s nothing really special about her as Charlie compared to Jill Harris, though even with Jill I never felt any strong feelings towards her performance.

Adam meanwhile, dear GOD I was right about him looking bad in animation form, his design sucks so fucking much. Fans were right, that’s Alex Brightman’s voice, he seems to be using his normal voice but just a tad deeper. He’s the only one who’s a fine choice, though I really wish we got to hear him as Pentious here!

But yeah in terms of the voice cast I’m just disappointed man, really disappointed. It makes you really realize how talented the pilot cast was. They were so good cause they were all chosen for a reason that wasn’t just “they’re famous” and it fucking sucks how bad Viv fumbled everything.

#vivziepop critical #spindlehorse critical #anti vivziepop #Hazbin hotel #hazbin critical #hazbin criticism

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familyabolisher · 8 months

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haphazard assortment of thoughts on the unwanted guest:

firstly, it really does have to be said—crazy good, probably my favourite of all the tlt short pieces, and i say that as someone who lost my mind over as yet unsent for like a week. excellent conceit and excellent execution, just a really gorgeous piece of writing. the play format of course reminds me of what abigail says to harrow in htn—that the river bubble is a ‘play [she’s] directing’—the inside of one’s head as a stage in which other actors can intervene & whereby mileage can be gotten out of Symbolism as immediately “real,” tangible presences that the kind of realist baggage that a more quotidian prose form would usher in would probably falter in accomplishing. it’s a lot!! i think even if i wasn’t already a tazmuir writing style defender (contra the insistence that she’s yknow homestuck fanfiction serial numbers filed off hack) then this would have had me floored anyway.

the play format also works in the way that muir’s general dexterity in form and willingness to really make use of craft as a technical space where discourse can be generated always works—i’m talking about the ‘fanfictiony’ voice in gtn which manages to say something both about fanfiction and about the text itself, the use of the dramatis personae as a space where atmosphere can be established and plot points hinted towards (thus blurring the lines between what is and is not diegesis), the drastic shifts in style between different close thirds, the shifting from third- to second- to epistolary first-person, the use of poetry both diegetic and not (the noniad, the epigraph poems…), the mimicry of the ‘voice’ of the king james bible in the nona epilogue—she never stays in one place for too long and she never seems to stick to one central style or form, and it really works in her favour. insofar as tlt as a whole is a very ‘patchwork’ kind of work, building itself up from its big big index of references and intertexts and memes with hugely variant levels of ‘prestige’ or legitimacy attached to them, the ‘patchwork’ use of form really works in muir’s favour. however i am also fuming because i was right in the middle of writing a tlt fic which jumps into a play format two-thirds of the way through and now my idea doesn’t look ORIGINAL but ANYWAY—

& i really do need to flag my good friend vee’s mercy/augustine fic, which makes use of a similar conceit and pulls it off masterfully—i am deeply jealous of vee’s talent and i think the unwanted guest makes this piece (from 2021!) shine even more, if anything.

i am DYING to see where muir is going with the use of hamlet, of all things—dulcie quoting it to palamedes immediately catapulted my mind back to abigail’s reference to ‘that undiscovered country’ in htn. obviously muir likes to drop contemporary (or contemporarily canonical) references and turns of phrase all over the place, but the attention drawn to the quote as diegetically referential (“I like that. Is it from something?” / “Yes. It’s complicated.”) has me wondering about a) the survival of ‘pre-res’ literatures ~over the river and like WHY and b) what a thematic interlocking of tlt and hamlet can do, here…….real aveheads remember cytherea ophelia theory where i tried to use ophelia as a point of reference for teasing out some arguments about cytherea and death and aesthetics and white femininity and whatnot. all of which is to say i need to sit with this hamlet reading a lot more but i love it, i am so here for it.

of course ‘kissing or feeding, we can’t be sure’ calls to mind ‘how meat loves meat,’ alecto biting harrow’s mouth by way of a kiss…and the general thematic throughline of, you know, certain practices of love as practices of consumption, naberius later being figured as the ‘meat’ in question contains echoes of this eroticism which ofc guides the contours of the necromancer/cavalier dynamic, eroticism as a currency of power, we know all of this stuff because it’s all over the text but i am just thumbs-upping it from the sidelines

the coffins had me thinking of utena’s black rose arc, which is a fun link to make considering the equivalent moment in the main body of nona is also referencing utena, ie. with the ‘rules’ of the duel being that cam has to get the handkerchief out of ianthe’s pocket as kind of an equivalent to skewering the rose. i feel like the tlt/utena overlap is pretty self-explanatory but it’s just fun to see the fingerprints all over lol

i think a lot of this was treading old ground thematically (erotics of consumption, dog motifs, we��ve seen it already!) but i will say that i did Yell Out Loud over ‘who's she got dawdling behind her but that creature—tugging visibly at her leash like an overeager dog.’ reminded of the other memorable use of ‘leash’—’even the devil bent for god to put a leash around her neck’—and, of course, the endless parade of commonalities between gideon & alecto. anyway there’s not really anything in this line that we didn’t already know about gid as a character, thematically speaking, but i point it out because it inflicted +100 psychic damage when i read it. gideon as a ‘creature’ is particularly slimy, & sort of puts me in mind of ianthe's tendency to talk about what appears to us as 'butch masculinity' (as opposed to the more effete masculinity of augustine or even babs) with a notably derogatory slant (the 'hurtful threats of sexual violence' line comes to mind); i don't know that i have much to say about it here specifically but it's an interesting one that i think informs the kirianthe dynamic pretty heavily (especially when held up against, like, harrianthe ... ianthe has a kind of respect for whatever harrow's gay and stupid gender is Doing (at least insofar as she can mould it to her own desires; i'm thinking of the dios apate forcefemme scene lol) in ways that i don't think she has for kiriona? but this is v off-topic, lol).

i have never been especially taken by dulcie as a character but i think this may finally have forced me to fold and admit that she’s great. her haters!!! her agonies!!! camilla would have to cook!! the balance between levity and sincerity was really well-managed. & i love the double meaning of “unwanted guest” as both palamedes intruding on ianthe’s mind palace and naberius setting up shop inside of her.

i need a week to sit with where this idea of the consumed soul as being literally ‘digested’ such that it can begin to ‘inhabit,’ however immaterially, the host body, or like to alter the characteristics of the host body such that to carry out such a consumption is to kind of kill yourself as well, slots in with lolita theory. or like, i need alecto right now. i am however reminded of chew, a short story that muir wrote in 2013, which also plays with these ideas of sexual assault as a forcing of a part of yourself meaningfully ‘into’ another person, and cannibalism as the reenactment of such a process, figured in the story as kind of a reclamation or at least an assertion of permanence—“I was always going to be in the ground with him in me,” she said. “I just wanted to make sure, that’s all. I just wanted to make sure.”—which the unwanted guest seems to kind of, play with in reverse? i don’t know, but i’m interested—as ever—in where muir wants to take these ideas of rape and consumption and absorption that she’s got in her hands.

i keep returning to…i hesitate to say ‘parallels’ because i think that imposes a narrative onus that i’m not actually that convinced by, but these, like, commonalities between babs and gideon. gideon is played off against so many people (cristabel, loveday, alecto being the big ones) that it feels kind of inane to add another person to the pile, but like…they’re the two who get got in canaan house, they’re both ironically ‘false’ cavaliers and expressions of the ‘truest’ or most paradigmatic form that cavalierhood ‘can’/’should’ take, they both have unconventionally gendered names (‘babs’ is a shortened form of ‘barbara,’ it is a typically feminine name imo) and (by our standards) somewhat unconventional genders (gideon is butch, babs effete)—and of course the unwanted guest places a lot of emphasis on the coercive ‘making’ of cavalierhood (the reference to babs being ‘fixed’ were he to have a disability! ianthe’s glib ‘society really is to blame’ comment—ironic, obviously, but not wholly untrue) not dissimilar to the emphasis that gtn puts on cytherea moulding gideon into the state she comes to be in at the end. babs and gideon as the two possessed corpses in nona, obviously. two wildly diverse but ultimately converging trajectories! a dialectical tension between their fundamental ‘opposition’ (as by-the-book cavalier vs whatever gideon is doing) and their fundamental ‘sameness’ whereby the dialectic is resolved in their mutual deaths. also just, of course, continuing the throughline that muir has had going for a while now, of gender/gendering as a set of coercive enforcements loyal to a hegemonic structuring of the world.

that’s all i’ve got, i think. just. really good everyone say thank you tazmuir

#.txt #tlt #the unwanted guest spoilers #this was originally bullet points but tumblr's formatting is bad and i can't be bothered editing to improve the flow here. so.#rape cw

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selfaware-bungou-stray-dogs · 6 months

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Art Forgery

Self-Aware! Dazai Osamu x GN! Reader

Description: Second week living with BSD Cast. Dazai has a present for you. A very interesting present.

Kind of a sequel to Television

Warning: OOC. Crack-ish. Mentioning of BSD author, artist, seiyūs and voice actors. Shortish. English is my second language.

_____

You were frozen with fear, staring at Dazai's present.

"So, do you like it?" Dazai tilted his head, smiling.

You didn't answer. You still hopped, that it was a hallucination. You close your eyes and shake your head, hoping to chase away this supposed 'hallucination'.

You opened your eyes again. It was still here.

"[Y/N]? Guiding Light? My cute Iris Flower? Are you okay?" Dazai sounded worried. You gulped, and asked.

"I... I... Dazai, did you draw it yourself?" You pointed at the painting he gave you. The same painting, that was a silent witness of Hirotsu's and Dazai's talk after The Guild was defeated.

Dazai looked away, scratching the back of his neck.

"No, but I am pretty sure, I can paint the similar one. I remembered, how you called this painting beautiful, so, before going to this world, I took it from the Art Museum." Dazai looked at you again, his eyes soften. "Present for you. It will look good in the new house, am I right?"

Dazai Osamu, took a painting, that, in this world, were painted by his real-life counterpart. He took it from the museum, that is based on the real-life Yokohama museum. And gave it to you. To put on a wall in a new house.

You take a better look at the painting. It looked real... Real in not being a photo, or replica. It was a real painting, with some brush strokes being visible.

You let out a whimper. You don't recall any resent news about Dazai Osamu's painting being stolen from Yokohama Art Museum.

Does it mean, that now there are two same real paintings by Dazai Osamu in this world?

And one of them will be on your wall.

A bizarre scenario flooded your mind.

You are forced to hold a Family Reunion in your new house.

Your less trustworthy relatives noticed the painting.

They saw, that it's real painting.

They stole it, while you weren't looking.

They try to sell it.

A few days later, police arrest them for art forgery.

Your relatives call you as the original owner of the painting.

You are arrested.

The expertise shows, that both paintings were made at the same time.

Real-life Dazai's family members are called. They said, that they have no idea, that a second painting existed. Moreover, they are sure, that it never existed.

Someone noticed the similarities between BSD Cast and anime characters.

Kafka and Harukawa are called. They discovered, that their characters are real and were living with you.

They insist on BSD Cast staying with them.

You are accused of copyright infringement

Studio 'Bones', Kadokawa Shoten and Yen Press joined the accusations.

Seiyūs and all dub actors joined the accusations.

You are alone and miserable, without friends or family...

"[Y/N], are you okay? You were looking at the painting for five minutes already... Can you, please, blink? Or did I break you?"

Dazai grabbed your shoulder and start shaking you.

You gasped, finally returning from the world of imagination. You looked around, making sure, that you are still in your apartment.

"I... I am fine. Dazai, this painting, we have one in this world. It was made by our world Dazai Osamu... And I am afraid, that it will cause trouble..."

You share your scenario with Dazai. Dazai looked like he would burst with laughter. When you finish talking, Dazai grin and gave you a side hug. He ruffled your hair.

"You are so adorable, when you are worried about silly things so much!" Dazai rubbed his cheek against the top of your head. "Do you really think, that something like that will happen?"

You opened your mouth, but quickly realized, that Dazai was right. It was an impossible scenario.

You closed your mouth and lay your head down on Dazai's shoulder.

"I was silly." mumbled you.

"Mhm" Dazai nodded.

"It is impossible." spoke you.

"Yup" Dazai's grin was sly.

"Still, without good reasons, my relatives won't be allowed in the house." You sighed.

"As you wished, My adorable Iris Flower." Dazai tickle your cheek.

"Thanks for the painting, it is nice." smiled you, putting your hand on Dazai's shoulder and squeezing it.

"No problems" Dazai kissed the top of your head.

It will be another small memory you made with your new friends. One, that you will recall with the smile on your face.

As long as there weren't The Louvre or The Hermitage in BSD World. You don't think, you will handle it, if Arthur and Verlaine bring you "Mona Lisa" as a birthday present, or Goncharov, Fyodor, Nikolai and Pushkin bring you "Madonna Litta" as a New Year gift.

#self-awarebsd #self-awareau #bungou stray dogs au #bsd #bungou stray dogs #bsd anime #bsd x gender neutral reader #gender neutral reader #self aware dazai osamu #dazai osamu x reader #dazai x reader #bsd dazai #bungou stray dogs dazai

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not-poignant · 2 months

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Raphael has a very poetic and grandiose way of speaking that is absolutely not the norm for day-to-day life. How do you get in the mindset to come up with his dialogues? They're perfection and I just can't even imagine how long it would take to do one paragraph of the way he talks, but you're writing an entire story with him...

Oh I love this question because I can answer it, lol sadlkjfsda

Okay so, Raphael's character is tough for me.

Normally I do a lot of dialogue research before starting to write a character in fanfiction and original fiction, but Raphael actually gets proportionately very few lines that really show his full emotional range (compared to say, Astarion), and he's got an incredibly specific way of talking that sounds similar to Astarion but at the same time is very different.

They share enough similarities (calling people darling and dear for example) that it's easy to fall into the trap of giving them the same 'voice.'

I find Astarion's voice a lot easier to 'get' and I feel like I can hear him better when I'm writing him. But Raphael I'm taking into emotional spaces we simply never see in the game, and then I have to really guess how he'd sound (like coming up with the idea that the theatricality vanishes when Raphael is genuinely panicking).

I ended up listening to a lot of interviews with Andrew Wincott, the Voice Actor for Raphael who is an incredible actor and extremely articulate. He was very clear in one of his interviews that one of the reasons he was selected to play Raphael was because, in part, he already sounded like him. Obviously there's differences / skill in changing cadence and more, but for the most part, Andrew Wincott uses similar vocabulary and talks in a similar manner to Raphael naturally, so I had an abundance of interviews that I could then listen to in order to get a feel for Raphael's voice. I picked the things that felt more 'Raphael' and added them to my dialogue notes.

I often have to go back and edit Raphael's dialogue. Sometimes it's very simple things, I had him say 'much more' in the chapter I'm editing right now, and I edited it to 'far more' because I think he'd just phrase it like that. Sometimes I expand a sentence into an entire paragraph.

I've also leaned a lot from Korilla's transcripts in the game, which have been super useful. They really cement, more than anything, how much he loves lullabies, nursery rhymes, children's tales and more.

HOW TO DO DIALOGUE RESEARCH:-

If you're new to dialogue research, it mostly involves listening to - and watching a character and then literally taking notes of how they talk. The things you observe are:

The tone of their voice - Fast or slow. Loud or soft. Musical or flat. Theatrical or matter-of-fact. High or low. Questioning or complete statements. Considered or hedging (i.e. very well constructed sentences, or a lot of pauses, ellipses, broken sentences). Rambling or concise.

How often they talk - Some characters actually say a lot with very little. Raphael is actually a lot of observation and facial expressions and eyebrow movements in between his dialogue. Little smirks, hand gestures and more. Do they interrupt or let people finish their sentences? Are they comfortable with silence? I find Raphael oscillates between long theatrical paragraphs, single sentences or words, and then a lot of silence. He's actually not very conversational, in that you can have a conversation with him, but I doubt he'd see the point of two hours of small-talk. (At this point you might be realising that dialogue research is also character research, how a character talks tells you so much about a character.)

The words (and metaphors/subjects) they use - This is a big one and I'm going to break this down a little bit more:

How they pause if they don't know what to say. Is it 'um' 'uh' 'ah' 'hm' 'mm' 'mn' or nothing at all (or something else) because they've mastered self-control over their dialogue? If Raphael says 'ah' he does so on purpose.

Filler words. Things like characters saying 'like' in a sentence. 'He was like, 'I can't believe it'' etc. This is very similar to how they pause, but it's the things people say to get from point A to point B. People who don't do this have often had training or think very hard about what they're going to say before they say it. But people say 'like' or 'and then' or 'well' or 'i realised that' or 'i thought that' etc. to carry them on. Some are more acceptable than others (people do just have realisations for example).

Profanity. How often do they swear, and how intentional is it? Some characters only swear when they get hurt or stub their toe or get angry. Some characters swear all the time for fun. Some characters only use some swear words and not others. Be specific. Be aware that some swear words are cultural! This includes blasphemy. In Faerun they use 'gods' and 'gods damn it' more often than we use 'god' or 'oh my god.'

Vulgarity. This is useful for Raphael (and Astarion) because he's very happy to be vulgar. This is like... how comfortable are they talking about sex, about sexual subjects, being crude, being seductive, flirtatious? And if they use it, do they use vulgarity to shock, seduce, scare, threaten, or for humour?

Salutations and farewells. How do they greet people? Silence? A calm hello? (A lot of greetings are omitted in dialogue but this is still good to know). How do they say hello, goodbye. How does that change between friends and enemies and strangers?

Single word sentences. This might sound weird, but sometimes when a character hears something that shocks them, or needs to acknowledge something, they may say anything from 'huh' to 'yeah' to 'fuck' to 'okay' to 'all right' to 'sure' to 'go on' to 'indeed' to just laughing out loud. The list goes on. Raphael is team 'indeed' lmao.

Sentence structure. Raphael's sentence structure is - when he's most comfortable - gently provoking, teasing, vaguely threatening, and makes liberal use of simile, metaphor, fairy tale, rhyme, sayings, colloquialisms and more. Raphael talks like someone who knows someone could quote him at any moment lmao. But from here, how a character structures their sentences can be helpful to know. Go back to 'the tone of their voice.' Those notes will give you an idea of structure.

Emotionality. How emotional are they? Do they have rage rants? Joyful giggling dialogue? Do they infodump with little emotion? Or with sheer excitement? Does their dialogue feel fake or real? Opaque or transparent? Some people wear their hearts on their sleeves, and others will never be able to say 'I love you' in anything other than actions. Raphael's emotionality in dialogue is more present in his anger and irritation, and also when he feels triumphant and/or turned on.

The symbols, sayings, colloquialisms and metaphors themselves. Not all characters use these. But some people/characters will talk through analogies, colloquialisms. This is actually Raphael's biggest dialogue departure from Astarion, imho, aside from the fact that Astarion is a lot more emotional with his dialogue.

Take into account their culture, ethnicity, conceits, upbringing, education and the people they're close to:

This one is vital. Firstly, some people tend to 'absorb' elements of those around them. A person raised by affluent people will often 'sound affluent' and a person raised in poverty will often have dialogue that reflects this and if they don't there will be reasons for that. It might be a conceit (some people self-teach themselves different accents), it might be education, it might be training, it might be the subculture/s they've entered into, and so on.

When doing this research, you'll end up with a kind of master-list of actual words and probably some sentences you've written down, along with a lot of notes. You can also do this for any original characters you're making at all, you're just then making it up based on the character, and this research will also give in many ways the shape of the character.

It's a fun exercise and I highly recommend everyone tries it literally for people who don't exist and also observe your friends and family, and do a dialogue cheat sheet for some of them. It's pretty eye-opening! Even one page will teach you more than nothing at all. You can go deep and write many pages, or you can do what I do and keep it lean at 2 pages. Anyone who struggles with characterisation I suggest at least try this exercise, because anyone can put on a YouTube video and/or streaming service or even a favourite Tiktoker and start doing dialogue research! It's a way of building a character from the top down while also getting information about their foundations.

#asks and answers #pia on dialogue #pia on characterisation #pia on writing #reference #on writing #writing techniques #writing advice #dodgy advice #i might just take the second 'how to' part and make it its own post #but anyway here's how to do it!

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prince-kallisto · 4 months

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A Follow-Up to “He sounds like Levan”: Crowley’s Trailer Voice

When the recent update of Book 7 dropped, I scrambled to make a post and video comparing OB! Malleus' and Crowley's voice. Lilia said that Malleus had the horns of Meleanor, but looked and sounded like Levan. Crowley does have a decent voice range, although I admit the original post wasn't a perfect match to how deep Malleus' voice is!

But then, @rahmareda-03 reminded me of the Student Introduction trailer (thank you my friend!). This trailer isn't as spread around as other TWST trailers are, but it's a very notable one for this purpose. Miyamoto Mitsuru (Crowley's voice actor) has a good range from playful to deep voices. I'm really quite shocked when I heard his voice though!His voice is quite deep in this trailer, and I feel it is more similar to Malleus than the previous voice clips I made. I think this voice is the closest contender we have SO FAR to match Malleus' voice. This obviously may change in the feature in a form of a new character, aka Levan. I'd like to think Levan sounds similar to this trailer voice. Even if Crowley isn’t Levan, I feel he is related to him in some manner, considering Malleus’ masquerade outfit and now this voice range.

Crowley's voice in this trailer is far, far deeper than anything he's done in game. It's to the point it doesn't sound like him at first, but snippet of this speech is word-for-word for what he says in the Prologue. And even though there's a difference, there's a moment where his voice sounds identical. It feels like all his dramatics and playfulness is removed in the trailer voice, no? Miyamoto Mitsuru has been active since 1985, so he is quite skilled. He’s a play actor, voice actor, live-action dubber, and a narrator. Crowley's trailer voice clip when he says "Twisted Wonderland" is also used in the individual dorm trailers. Am I reaching? Am I desperate? Quite so! \(//∇//)\

But considering this was a trailer of all things, I feel intrigued that this was the voice direction they went with for Crowley's voice. Even if this trailer was released before the JP version of the game when live, the voice direction and the couple of books were clearly well established by then. So why this purposeful anomaly? The trailers cannot be entirely discounted either, because Silver's introduction may or may not have purposefully foreshadowing his Unique Magic that was unknown until Book 7. I'd be happy to hear anyone's opinion on this!

Crowley I adore you with all my heart…..so tell me, why was your voice so low for this trailer? Is this what your voice is meant to usually sound like?🐦‍⬛

#there are many many things I could say in regards to this voice #but I will hold my tongue as my blog is not meant for such language U_U #ANDJXJJSBSDB CROWLEY I LOVE YOU THO #there were so many technical difficulties when trying to upload this Omg 😭😭😭#twisted wonderland #twst #twst theory #twst analysis #dire crowley #twst dire crowley #twst crowley #twst malleus #twst malleus draconia #malleus draconia #twst levan #twst revan #twst papa draconia #kallistopost #crowley is levan theory

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fuckyeahbaldursgate · 6 months

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Viconia - Plot Support extraordinaire

Just to preface this as I don't want this to seem like I am hating on BG3 as a diehard fan of the original series because I really do love BG3. I've completed it twice now and think it will absolutely be joining my annual rotation of BG1/SOD/BG2 playthroughs but it has its problems, much in the same way that the originals themselves have problems as well.

So after my Sarevok post I wanted to treat Viconia to the same critical analysis as unfortunately I think she also gets the short end of the evil plot stick. I get it, evil characters can be hard to get right but again similar to Sarevok, in my opinion, her character regresses to evil Shar mook number one rather than actually being Viconia. Worse still she's entirely at the mercy of being wrapped up in ShadowHeart's backstory.

Anyway this is a bit of a deep dive into Viconia's issues in BG3. Spoiler warning for both BG3 and BG2.

1. No Grey DeLise.

Again, similar to Sarevok, another prolific voice actor that has done recent video game work seemingly not approached for the role. I can't help but think that some of this is down to the rushed nature of act three generally and Larian just having to get whoever they could for the job in the time that they needed it. Unlike Jaheria and Minsc there's no attempt to mimic her original VA or get someone who sounded like her so she ends up sounding completely and utterly different.

This version of Viconia sounds haughty and stuck up which while the original Viconia VA has a degree of arrogance, she is also pretty sultry. Haer'dalis even comments that she has 'the throaty voice of the most expensive courtesan' and Viconia deliberately plays on the stereotype of the sensual female drow with certain male party members for her own benefit e.g the male Bhaalspawn, Edwin, Sarevok and even Anomen (I cover this a bit here and here).

2. Her in game design...just isn't great.

Let's be honest, combined with the voice, Viconia's design basically makes her unrecognisable. She looks like a generic old drow lady to the point that I did have 'Is that meant to be Viconia?' moment when I first met her.

Now I appreciate there is minor controversy with Viconia's original BG2 portrait (which is probably the most recognisable image of her) because the artist actually used a famous porn star as the base for it.

For info, this was a common practice at Bioware at the time as they used to use lots of different images as bases for portraits. They finally got into legal trouble for it in NWN where due to various copyright claims they had to change quite a few portraits.

More recently, I think that Beamdog actually did quite a good job of recreating a faithful adaption of her original portrait in Siege of Dragonspear while presumbably navigating the original copyright issue.

In comparison to her BG3 portrayal, my first impression was she looks incredibly old. Now as far as I'm aware we've never been given a canon age for Viconia but we do know she was around for House DeVir being defeated by the Do'Urden house so she has to be at least 100 years old by the time of BG1... but her character level is between 2 and 6 (depending on the party's XP) so a relatively inexperienced cleric. With that in mind I definitely assumed she was on the younger side (maybe 200-300?). Either way 5e elves can live between 750 to 1000 years although there are instances in the Forgotten Realms books of drow living to over 2000. Now tack on the additional 120 years for BG3 in my mind it would definitely put her in the middle aged category but not necessarily anywhere near the end of her life. Critically she would be aging much slower than Jaheria but with those wrinkles she looks WAY older than her. I honestly feel cheated of an interaction between the two about how hagged and old Jaheria looks in comparison to herself.

In terms of her outfit, although initially she wears the Sharite mask and hooded outfit, which is good for concealing her identity, we eventually end up with Viconia in a spider adorned dress. This seems like a strange choice given the spider motif when she literally stopped worshipping Lloth for Shar - maybe she's being ironic? The lack of armour,when she's a cleric that knows there's a good chance she's about to have a fight seems kind of stupid. If you do choose to fight her, she then looks entirely comical in her light dress accompanied by an enormous oversized shield and mace.

For me though this really identifies her design problem: her leather armour was a critical part of her original design. Given that we only see portrait style headshots of BG characters, the decision not to include her leather corset with the three straps and the head band is really what makes her unrecognisable. It would be like removing Minsc's head tattoo or Jaheria's braids or Sarevok's armour (which even with all the problems I talked about in my post, at least he got to keep that).

My hope is that some enterprising modder out there makes a more BG2 accurate version of her in future. Larian, please give my lady her leather armour back or maybe even a justicar outfit!

3. Ignores her BG1/2 alignment, motivations and twists her original epilogue.

Now I do appreciate BG3 deliberately assumes that the events of BG1/BG2 are a little bit fluid, which Jaheria confirms this when she talks about the bards that tell stories of her slaying gods or bedding them depending on which one you listen to. But the game goes onto confirm certain events in Viconia's history that don't really make sense:

A.) The game confirms that Viconia did travel with the Bhaalspawn but not for the entirety of the game. Minsc informs you that after trying to dissect Boo she was expelled from the group. I have to admit this story didn't gel with me at all because it implies Viconia is some sort of chaotic evil idiot (reminder: Viconia is neutral evil with a 16 INT score and 18 WIS score in BG2) who would deliberately provoke a giant raging berserker man by murdering his beloved pet. Like that's the sort of thing I could see Xzar (who is completely and utterly mad) doing but not Viconia. What benefit would she get out of it? Maybe it would be a good tribute for Shar but that would be a pretty short term benefit. In fact in BG2 Viconia offers begrudging respect to Minsc for his effectiveness in battle, she knows he's powerful and she wants to be on the right side of that. Minsc for his part does what he does with many of the female characters, particularly in BG2 and makes her a proxy substitute for Dynaheir offering to protect her. That's not to say she won't insult people (Aerie and Jaheria or characters who she perceives as weak often get the brunt of it) but she's generally smart enough to stay out of an actual fight. Important to note that in any of NPC conflicts that end in a fight in BG1/2 (e.g. Kivan, Ajantis, Keldorn) it's never Viconia that's starts the fight.

B.) The Waterdeep cult.

In Viconia's epilogue, which you only get if you kept her for the end of Throne of Bhaal and you didn't romance her, Viconia goes on to do a few things which you can see below (obviously massive spoilers for BG2) :

So it feels like Larian has taken the first part of this ending but nothing else, which really leaves a lot of questions. We know Shar isn't entirely happy with Viconia based on her diary entries so why is Shar still giving powers to a woman that basically killed a whole bunch of her followers? Why is Viconia still working for a goddess that hates her? Why is she so accepting of Shar's plot to groom Shadowheart as her replacement? Why on earth hasn't Viconia got the fuck out of dodge, which is pretty much what she has been shown to do in the past? And this comes neatly onto my next point.

4. Viconia is just a plot device for Shadowheart.

I love Shadowheart and I love her arc but honestly Viconia being the Mother Superior just felt like a way of inserting her into the game in a way that didn't really fit especially when Viconia's diaries in BG3 show that she knows that Shar intends for Shadowheart to essentially replace her as one of her prominent followers/chosen. The whole plot ignores two critical points about Viconia and her backstory:

Firstly the reason Viconia left the Underdark in the first place was because she refused to sacrifice a child to Lloth and Lloth turning her brother into a drider after he saved her from being sacrificed. Now Viconia is many things, she's self serving, cruel and dedicated to her own survival at the expense of anything and anyone else (quintessential neutral evil through and through) but at the same time she threw away her position, caused the downfall of her house and got most of her family murdered to save a child. You're telling me she would then willingly go along with Shar's plan to deliberate plan to kidnap and repeatedly torture a child for YEARS whilst also training said child to replace her? My girl doesn't have many lines in the sand but harming children definitely seems like one of them. I actually wandered whether Shadowheart not liking to harm children / prefers saving them is not just about her being a secret Selunite but also a potential a hint of Viconia's influence.

Secondly, that plot seems to ignores Viconia's other primary driver, which is to survive: it's why she leaves the Underdark, it's why she travels with the Bhaalspawn, it's why she worships Shar and it's why she murders an entire cabal of Shar's followers after one person betrayed her. Now if we ignore that she has qualms about children, you're telling me that she would instead essentially train her replacement to be an amazing cleric who is 99% likely to murder her? I'm pretty sure Viconia would have tried to kill Shadowheart way before her becoming a justicar or simply skipped town as she has done before.

The alternative?

Personally I would have liked to have seen Viconia ultimately involved in a plot to overthrow the Mother Superior or maybe doing something even crazier like going after Shar herself out of revenge following her fall from grace after the events of the Waterdeep cult. Maybe she works with the Absolute to get her revenge and keep her divine powers - hell who better to help Ketheric with the Nightsong in Shar's temple then an ex priestess of Shar?

If not the Absolute then Shar's got plenty of enemies and Viconia has converted before. Maybe she could have joined the team to achieve a particular goal while giving fans of the original series the opportunity to have one of the original evil characters to join the crew. I would have loved to see the contrast with Minthara who is still fairly fresh from leaving drow society and a complete blunt instrument compared to Viconia's more subtle ways. Maybe Viconia would take the paladin under her wing, maybe introduce her to a new patron god (something I don't think is ever explained is how Minthara still retains her divine powers given neither Lloth or the Absolute are fueling them anymore). Shevarash the elven god of revenge, would be a fantastic fit for both of their back stories (which would also be a nice little throw back to Viconia's heated / sometimes fatal arguments with Kivan in BG1) presuming that Viconia could get over her disdain for the elven pantheon by that point in the timeline. The fireworks with Jaheria of course would be grand while Minsc I feel would be very conflicted given his mind's tendancy, as noted above, to sub in any female magic user as Dynaheir.

#baldur's gate #baldur's gate 3 #baldur's gate 2 spoilers #baldur's gate 3 spoilers #viconia #viconia devir #discourse #spoilers

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lilyginnyblackv2 · 1 year

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Final Buddy Daddies Interview with Miri’s, Katsuki’s, and Rei’s Japanese VAs - Highlights!

So, the final (I would assume) interview on the Buddy Daddies website went up today. It’s an interview with Hina Kino (Miri), Toshiyuki Toyonaga (Kazuki), and Koki Uchiyama (Rei). This isn’t going to be a full translation of the interview, but just some interesting highlights from it. I’ll link to the interview in the comments below.

So, let’s start!

- All of them were hoping that no one would die. But they all thought that, if a character was going to die, then it was going to be Rei. Kino’s father was watching the show as a viewer (very cute, by the way, love that he was supporting her show like that!) and he saw that Rei’s character was growing and changing very rapidly, so he said, “I hope he doesn’t die.” Uchiyama also noted that Rei cheering loudly for Miri at field day was another death flag.

- Uchiyama notes that, before Episode 11 (specifically the scene with Kazuki outside the safe house), Rei had never spoken that much. Then he said he saw the script and scene with Rei and his father and was like, “That’s a lot...” He basically notes that it was around Episode 10 that Rei started speaking more, and since he had more lines in the second half of the show, he got to show more of himself, which was nice.

- The thing that surprised Uchiyama (that they talked about in other interviews) was the 10 year time skip. He talks about how he had already been playing Rei with an “adult voice,” so when he saw the time skip where they were older, he was like, “Oh, no! They should have told us that from the start!” because he couldn’t go any lower with his voice. That was it, lol.

- But that was fine, they didn’t any physical (or like voice in this case) changes, just for him to be more mentally mature. The VAs also confirm that in the time skip Kazuki is 39 and Rei is 36. (So, yay! I was right about that, lol).

- For Kazuki, since time skip Kazuki is around Toyonaga’s own age, so he wanted to express a calmness similar to his age. Kazuki didn’t really age much, but there is still an awareness of time having passed.

- Kino was worried about doing an older voice, since he usually voices child characters.

- The interviewer asked what would happen if Miri got a sweetheart, lol. Toyonaga notes that he thinks Kazuki and Rei would have a hard time with that, he wonders what happened to Taiga in the future, and if Miri and him are still in contact with each other. Kino states that Taiga might be in a bit of danger is he is.

- When asked about episodes or scenes that were memorable to them, Uchiyama notes that Miri sang a lot.

- When asked about favorite episodes:

Kino (Miri’s VA) : Episode 9

Uchiyama (Rei’s VA) : Episode 10

Toyonaga (Kazuki’s VA) : A tie between Episodes 7 and 8

- At the end of the interview, the interviewer asked for messages to the fans:

Kino (Miri’s VA) : She liked the peeks into the slice of life aspects of the show that she got to see in this 1 cour series and how, since she was playing Miri, she was reminded of her parents in many scenes. Specifically eating cereal and having her parents cheer her on at field day. Then she ended with a “Thank you very much for watching.”

Uchiyama (Rei’s VA): He notes that since this is an anime original series, there are a lot of “blank spaces” found in the anime. There are still many things that we don’t know about Kazuki and Rei’s pasts, the Organization, Kyutaro’s personal life, etc. He wonders what happened during the years, what things they discussed with Miri, how they ended up at the diner, etc. He thinks it is interesting to imagine these “blank spaces” and that, though the series is over, he hopes we continue to enjoy those “blank spaces” in the future. Then ended with a “Thank you for watching.”

Toyonaga (Kazuki’s VA): He thanks everyone for watching all 12 episodes of Buddy Daddies and talks about how this series challenged him as a voice actor. Then he mentioned how, since he is a father to a daughter around Miri’s age, this show was a good learning experience for him as both an actor and father, and he was able to compare his personal experiences with his role and the show. He thinks that the ending of the show is very beautiful and that instead of a sequel, spin-offs every now and again (like OVAs, I assume) could work and that he would like to see Kazuki, Rei, and Miri again. He also says that he is going to try and be a “real Papa” as a father and ended his thoughts with “Thank you.”

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Buddy Daddies is a P.A. Works anime original series. A P.A. Works original anime series has never had a sequel before, but it is nice (and promising) to hear that the VAs seem open to doing more with the series and characters, and the producer has been liking tweets about sequels and continuations. So, here’s to hoping (at least a little, lol).

#Buddy Daddies #BD #Kazuki Kurusu #Rei Suwa #Miri Unasaka #Toshiyuki Toyonaga #Koki Uchiyama #Hina Kino #translation #English translation #long post

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not-wholly-unheroic · 2 months

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So I was looking closely at Hook’s signature in Return to Neverland and noticed that Hook’s writing (particularly his capital letters) is pretty similar to Hans Conried’s. I can’t prove the animators did this on purpose, but I really hope they snuck this in as an intentional nod to the original voice actor.

#captain hook #captain hook disney #disney peter pan #disney #disney villains #return to neverland #hans conried

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thealogie · 3 months

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q&a report q&a report (late but better than never) q&a report i didn't catch quiiiite everything in detail but i did my very best

we got: dt ros watt (malcolm) jatinder singh randhawa (porter) cal macaninch (banquo) casper knopf (fleance, the kid actor) alasdair macrae (musician, murderer) annie grace (gentlewoman, musician) and i think? kathleen macinnes (singer)

the last three people all shuffled in a bit apart from each other after the round of everyone introducing themselves by name and character was already over so i'm not sure i caught them all accurately. i'll refer to people by first names

during the introduction round i think casper started introducing himself and got kid applause so the audience ended up giving every single person a sped up little round of applause like a cute lil call and response rhythm between introduction - applause of very specific short length which was kind of funny. the cast joined in for each others as well and everyone made funny faces while applauding.

most questions were asked by the moderator

question: What did you think about the production when they first heard about it? cal was confused but intrigued. a lot of "not sure how it was going to work or feel like". when david and cush got on it the binaural audio wasn't yet firmly part of the concept but he was intrigued by the approach through trauma and how that affects the macbeths' relationship.

question: Wow was it for them with the binaural audio knowing the experience is different for the audience? what do they think? dt: we don't quite now how it comes together. the sounds are all cued off us actors, not the other way around. all i know is without Laura we would be fucked! (Laura = live sound mixing person) ros: we never quite know how it sounds for the audience, we were able to put on headphones and experience scenes we're not in in rehearsal, but i want to watch the whole thing! the cue speakers have some stripped down sounds and music that are relevant for the actors. but the audio choices enabled us to create intimacy jatinder: i think it makes the audience better able to relate to mental health struggles and trauma, giving what happens in the characters heads into your heads and relate it to your own experience. i think everyone here in the room has some of their own experiences with mental health and… voices in their head

question to the musicians: how does your work add to the concept and experience? kathleen (i think mostly, but the other musicians might also have weighed in): music enables us to place the text in a very Scottish place, but without getting in the way of the text. The headphones make it possible that it mixes with all the layers, balancing between music, sounds and lines is possible thanks to the technology. you can have loudly, energetically played music but then mix it at a level where it doesn't interfere with lines, when usually you would have to play quietly to let the text come through, which creates a different atmosphere. kathleen: i was advised to sing when nobody is speaking and turn that to humming when somebody is. so it was also very useful to have the glass box and always see what is happening on stage.

question about the porter scene: how did that come to pass, especially making a more modern version out of it? jatinder: decided together with max to just play it and see where it goes, starting with improvisation and then fleshing it out. there was an interest in finding a modern equivalent to the original jokes that audiences would perceive in a similar way as audiences back then would have related to the original jokes. the scene purposefully takes a bit of the intensity out - basically an emotional intermission in the middle of this really intense and dark journey. but my job was also in the end of the scene to bring the audience back into it.

question to david: What makes you come back to the big parts? dt: Well, Max had a good idea and I like Max. I liked the idea of the themes of PTSD and child loss and I like the donmar warehouse. i performed here 20 years ago, which is remarkable because i'm in my mid twenties right now! (laughs all around). there's something a bit magical about this space and doing an olympic event of a part like this one in this intimate of a space.

audience member question to Casper (kid): What is your favorite bit of the play? casper: my favorite bits are the murdering… or the attempt to murder. (laughs all around) But no, seriously. I like scenes where I'm not being killed and I'm having a conversation with someone that's not about death. different cast member (not sure who): -Is- there even a scene like that? (everyone laughs) dt, turning to Casper kind of conspiratorially: My favorite bit every night is the audience's reaction to your neck getting broken. (raised eyebrows, nodding to the audience with a wide grin) That's always something.

audience member question: Do you notice the audience being different in any way with the headphones compared to your experiences in other plays? different cast members answer in bits and pieces (sometimes i have a vague memory who it was…) ros: with the headphones sometimes people are louder, sometimes i feel like you are more connected and zoned in on us! maybe because you don't have the opportunity to talk to your neighbor maybe… somebody else: i feel like it's very quiet and there is somehow less coughing than usual. (laughs around) i don't know why that is!!

audience member question: What other productions of macbeth influenced this one: [here be the the answer part with david's ian mckellen impression, see the other post] musicians (i think annie): we came straight, literally no break, from the RSC's macbeth production so we really had to empty our brains. there was no break in between, but the music is very different and Max's vision also very different, so we really had to unlearn parts

audience member question: The physical theatre stuff, the witch swarm, how did that come about? ros: We really tried to think more of what would be a physical representation of the voices in somebody's head. Everybody in Macbeth's life is watching, taunting, staring at him. It was always more about the intention of the movement, what these voices want to do to him and less what the movement itself is.

THANK YOU for transcribing all of this. I love getting an explanation for what the swarm of witches were meant to represent! It really did feel like a dance/feeling more than a literal scene and it’s fun to know that was sort of the intent. (Also the neck snapping bit - I also loved the audience’s reaction to that every night.)

#macbeth

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