Which one is it, Malleus
Malleus & Yuu/MC: having a Gargoyle Research Club meeting (aka going on a stroll at night infodumping at each other)
Yuu/MC: That reminds me, there is something I wanted to ask you.
Malleus: What is weighing on your mind, child of man?
Yuu/MC: Do you like gargoyles because they remind you of yourself - a living relic from a bygone time whose purpose has become largely obsolete due to the advancement of technology and society, only able to watch eternally from afar as people go about their lives without ever truly belonging to that world and no perspective for the future of your own as those you call kin slowly fade away?
Yuu/MC: Or do you like them "just because"?
Malleus:
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sorry to be feral on main but oh my god???
the cunt being served here is so intense it immediately ruptured my cells upon seeing this. i will not and can not recover from this, i fear.
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Thank you for leaving these tags @pharawee! Without getting into any speculation about how Dead Friend Forever will actually end, I do want to address your question and talk about why most of us want to see severe consequences for these boys. The short answer: it's about genre expectations and the psychological catharsis of a good revenge narrative.
To get down to the really basic point: people who love revenge thrillers love them because they are a fantasy construct in which good people survive and bad people get what they deserve. In a world where bad things happen and we rarely have any control, a good revenge story can be exhilarating, giving you the feeling that justice prevailed, villains received appropriate comeuppance for their wrongs, and the protagonist seized control back and experienced much needed catharsis for their suffering. Real life is very much not like this, which is why it's such an appealing genre of fiction.
So how do we calibrate what "appropriate comeuppance" means? This is where genre expectations become really important, because the genre the revenge narrative plays out in sets the terms for where that bar sits. In The Glory, a recent world class revenge drama, we were in the psychological thriller genre, so revenge came in the form of Dong Eun playing mind games with her bullies until they destroyed their own lives. No murder necessary. Dead Friend Forever, however, is in the horror genre, and specifically began its story by planting itself in the slasher subgenre, giving us a masked killer and setting up expectations that these boys are being hunted. When you watch a slasher, you come in with the mindset that most of the characters are going to die and begin rooting for it and looking for reasons why they "deserve" it. And typically, in a slasher, it takes very little for a character to "deserve" a death--you often see people die for the tiniest infractions, like making a rude comment, telling a bad joke, or having sex. But DFF went much farther than that and gave us a multi episode flashback in which we got a detailed accounting of every wrong this group of boys committed against Non, increasing the audience's bloodlust and conviction that these boys needed to pay.
So why do so many of us want the bullies to die? Because the genre demands it, and the story set the audience up to expect it from the outset. I have seen some discussion of the way the show is blending different horror subgenres and not sticking strictly to typical slasher conventions, and that's true, and expected. Slashers are usually two hours max, and this show needed to fill 10+ hours of content, so it's doing a really interesting blend of slasher, mystery, psychological thriller, and other horror subgenres. But the bones of the story still hold, and despite the storytelling choice to give the villains some nuance and fleshed out motivations for their behavior, they are still villains who destroyed Non's life. If you're feeling overly sympathetic to any of these boys at present, I encourage you to go back and remind yourself how they behaved in the early episodes of this story, which took place after the events of the flashbacks. These are not genuinely remorseful kids who made minor mistakes and then got their acts together and became upstanding citizens; they just want to move on and avoid blame and accountability for what they did, while Non's entire family was irrevocably destroyed by their actions.
If this story ends without Por, Tee, Top, Fluke, Jin, and Phee suffering genre appropriate consequences for their choices that harmed and betrayed Non, it will be a letdown and many will feel unsatisfied. In real life, we may believe that forgiveness is the right path, and we know that Buddhism teaches unconditional forgiveness. But this is not real life. This is a fantasy genre that is specifically meant to provide an escape from the constraints of real life morality and obligations. No one wants to show up to a fantasy party only to receive a moral scolding. The most disappointing thing a revenge narrative can do is wimp out on delivering the actual revenge.
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Crafting Curses for an Old Story | Concept Corner: HEARTLESS #5 (FINALE)
The time has come!
Today I am closing the book on the “Heartless” chapter of Concept Corner by delving into the dark powers and potential pasts of the story’s villains, the Wonders! I hope you’ll look forward to what’s in store for the future of Concept Corner as much as I am; but for now, get comfy! and get ready! for the villainous conclusion of this “Heartless”-centric speedpaint saga! 🖤💛
(And - (even though I said as much in the video already) - thanks so, SO much again for showing this silly lil’ video series so much love! I really hope this conclusion to the “Heartless” era of Concept Corner could spark as much joy for y’all who’ve been kind enough to follow it all this time, as y’all’ve sparked for me in making them 😊💖
It’s wild to think how long its been since this series started, but I can’t wait to see where it goes next! Hope you’ll drop by again next time 💖)
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