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#Not just any men
miss-tribbiani · 1 year
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If someone asked me would you sell your left lung for a fancy dinner with one of these men?
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Not even blinking I'd say yes.
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dirtytransmasc · 6 months
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the men and boys are innocent too.
we cry "the innocent women and children" to appeal to the masses, to try and force their sympathy, but the men and boys are innocent too.
I have seen sons crying out for their mothers, their fathers, their siblings. I have seen them break down at the loss of their families. I have seen them cling to their dead and grieve.
I have seen fathers cradle their dead children, seen them kiss their faces and hold their little hands. I have seen them faint with grief when asked to identify the dead. I have seen them carry their sons and daughters. I have seen them fasting to provide what little they can for their families.
I have seen men and boys digging through the rubble with just their bare hands, I have seen them comforting strangers, playing with children, rocking them, hushing them, even if the face of such imminent danger. I have seen them cry, seen them grieve, seen them break down into each other's arms, seen them be selfless, beyond selfless, becoming something I don't have a word for.
I have seen the men who are doctors refuse to leave their patients, even when they have no medicine or supplies to give them, even when they're threatened with bombings. I have seen fathers who have lost all their children pick orphans up into their arms and proclaim them their child so they are not alone. I have seen men and boys digging pets out of the rubble.
the men are innocent too. the men and boys are being hurt and killed too. the men and boys are grieving too. the men and boys are scared too. the men and boys are fighting to save their people too. the men and boys deserve to be fought for too.
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inkskinned · 7 months
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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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thatdykepunkslut · 3 months
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Taylors wift is just elon musk for horse girls and gays who are afraid of faggots
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Abby isn't scared of any FNAF animatronic..
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i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice
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pinkgibbon · 24 days
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anton chigurh goes to stardew valley
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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dedusmuln · 5 months
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yeah you support trans people but are you normal about trans men who choose to get pregnant
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partlyironic · 19 days
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hey guys. remember this.
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sunsickjune · 19 days
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remember when “looks like you’ve managed to completely embarrass yourself in both languages” and when “aaron said it was the worst day of his life” and when “aaron was faster […] he brought neil’s racquet up and around in an underhanded swing so hard and fast that air whistled through the right strings” and “he held onto andrew like he thought andrew would disappear if he let go” and when “‘get out of here,’ he said, and when luther didn’t move fast enough, he screamed, ‘get out of here!’” and when “i don’t care if andrew never speaks to me again. if i could bring him back from the dead and kill him again, i would” and when he said “i’m walking away and pretending i don’t know you” and remember when “you wouldn’t even look at me. you wouldn’t say a word to me unless i said something first. i’m not psychic, how was i supposed to know?” and “he shoved his racquet at nicky and dropped his helmet and gloves on the way to the cheerleaders” and when
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idk if you're still doing these but how do you think the animorphs would do against the original X-Men?
[Obligatory joke about the X-Men having an advantage because they cloned Jake to make Bobby.]
Animorphs Advantages
Trust in leadership. Full offense to Scott, but he can be bossy and overbearing to the point where it causes infighting. Jake's team will not hesitate to go up against impossible odds at his command, and basically never questions his orders in the heat of battle.
Flight hours. Warren might outweigh Tobias by a good 200 pounds, but he doesn't spend literally 15+ hours a day 7 days a week flying around hunting. And Tobias gets very good at taking out bigger opponents like David's golden eagle or the helmacron ship.
Adaptability. The Animorphs can survive in most environments most of the time, and are nigh unkillable. Jean can be taken out by a rock to the head. Scott can be taken out by a rock to Jean's head.
X-Men Advantages
Coordinated attacks. They can and do hit their enemies from multiple fonts at once: Warren goes high while Hank goes low, Jean goes mental as Bobby goes physical, so on. The Animorphs' weapons are all variations on hitting or stabbing their enemies up close.
Sheer raw power. Scott can punch a hole in a mountain. Jean may or may not be able to destroy entire planets. Bobby can make an entire city in the time it takes Scott to level one.
The fact that they actually go to school. Hank's obviously the one with the big advantage over the C- average high school dropouts, but Scott, Bobby, and Jean are also smart enough to be teachers in some continuities.
Animorphs Disadvantages
Distance. This is always their drawback, but they only have melee attacks. Scott, Jean, and Bobby can all attack from half a mile away.
Leaky communication. A ton of their strategy depends on being able to talk to each other without their enemies hearing. Even if they figure out that Jean can hear every word they're saying, they're going to be massively hampered by their inability to talk privately during battles.
X-Men Disadvantages
Compassion. Assuming that this is winner-take-all no-holds-barred fight, the X-Men will not only hesitate to kill, but are likely to stop fighting if one of their own is killed. The Animorphs have no such pangs of conscience, or at least don't let those stop them.
Lack of control. All of them are, to some extent, afraid of their own powers or hesitant to use them. You don't see Rachel beating herself up about what'd happen if she let the beast win or got too much phoenix power.
Conclusion: I'm giving this one to the mutants. Sorry, morphers.
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transmascissues · 10 months
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building off of this post, people love to say that “trans men want to keep going into in women’s spaces after they transition because they just want to have the best of both worlds!” but in my experience, there are four main reasons that a trans man might use a “women’s space” after they transition:
it’s an important resource that’s being arbitrarily gendered and we need to use it regardless of which gender is “supposed to” be using it.
it’s a public facility where we’d be significantly less safe in the men’s version and we have to choose our safety over our desire to not be misgendered.
it’s a social space that we’ve been in since before we transitioned and we don’t want to suddenly be cut off from our friends and support system.
the trans man in question is multigender and is also a woman, or maintains some other kind of connection to womanhood alongside their manhood.
do any of those sound like “evil men rubbing our dirty little hands together making plans for how we’re going to get male privilege without losing access to women’s spaces” to you? they sure don’t to me!
i think it’s pretty reasonable that we want to transition without losing the ability to access the resources we need, keep ourselves safe, keep up the relationships we’ve built, and express all facets of who we are. all of those are really, like, pretty basic parts of having good life and we shouldn’t be expected to give them up when we transition.
and honestly, if you claim to care about trans people, you should not be so attached to the gendering of these spaces that you’re willing to deny trans men those things for the sake of upholding gender restrictions. anyone who prioritizes the sanctity of gender segregated spaces over the safety, health, and well-being of trans men is a fucking transphobe. (yes, even if you’re trans yourself.)
and that’s what really gets me about all of this — the vehemence with which people are willing to defend those spaces being entirely and inflexibly gendered, despite how enforcement of gendered spaces has hurt trans people time and time again. gendered spaces have literally always been set up in ways that force trans people to break the rules; some trans men might break those rules in ways that don’t make sense to you, but that doesn’t mean it’s wrong for us to do so! it just means you might feel weird about it and that’s okay, discomfort won’t kill you.
“but using women’s spaces after transitioning to male defeats the purpose of transitioning! the whole point of transitioning is to be able to live as a man!”
and who are you to tell trans men what the point of our transitions should be? what if the purpose of us transitioning is just to live the happiest and most fulfilled life possible, and forcing ourselves into unsafe spaces or denying ourselves access to important resources or cutting ourselves off from important people in our lives or pushing down the more complex parts of our genders would “defeat the purpose of transitioning” for us? what if being able to go where cis men go is just one part of a much bigger journey, not the end goal?
if you really want to talk about “defeating the purpose,” let’s talk about how policing which gendered spaces trans men can access defeats the purpose of trying to stop cis people from policing which gendered spaces trans people can access, because it allows the policing of trans people in gendered spaces to continue in some form instead of eliminating it altogether. let’s talk about how using “evil men invading women’s spaces” rhetoric against trans men defeats the purpose of trying to stop cis people from using it against trans women, because it allows the rhetoric to continue in some form instead of eliminating it altogether.
the point of saying “let people decide which gendered space is right for them” isn’t to make sure everyone uses the one aligned with their “true gender,” it’s to let people do what’s best for them without punishing them for their choice. sometimes the best choice is one that seems wrong from the outside, and you need to learn to live with that.
i just think we as a community need to be more hostile toward people who think upholding the sanctity of a gendered space is more important than giving trans people the freedom to move through the world without being punished for existing in those gendered spaces. that kind of thinking is fucking dangerous and it’s weird as hell that some of y’all are so comfortable with it being directed at us.
moral of the story: stop giving so much of a shit about where a trans man decides to piss or see a doctor or hang out or whatever else. even if you think he doesn’t belong there, he probably has a good reason to be there anyway, and that reason is frankly none of your damn business.
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k-wame · 6 months
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The Kissing Booth Press
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forcedhesitation · 8 months
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huge ew at all the people who erase the bisexuality of the bg3 companions. they aren't "playersexual," they aren't "gay coded" or "lesbian coded," there are MANY instances of them expressing romantic and/or sexual interest in other characters of varying genders. and not just your tav. it's not a suggestion, it's part of who they are no matter who your tav is.
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Literally go fuck yourself.
https://archive.ph/2019.12.27-222825/https://erinhunter.katecary.co.uk/the-blazing-star-spoiler-page/comment-page-10/%23comments for if you wanna go read this for yourself and see.
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