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#Love to hear thoughts!
jynjackets · 8 months
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wheretheresawyll · 6 months
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kittykalliarts · 7 months
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For decades, the blank vision that Iudex Neuvillette wears near his heart has been subject to much discussion in Fontaine. Nobody remembers who it had once belonged to or why the ancient dragon protected it so jealously. It is said that if the Chief Justice would to stare at it for a long while, it would be sure to rain right after. Oh, how beloved that person must've been.
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marsalta · 2 months
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A redraw of my 2022 version here!
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beescake · 5 months
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im a sollux kinnie and ur art is great. like a delicious meal. 1 million courses. my compliments to the chef.
AOGHHH TYSM I REALLY APPRECIATE IT
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in gratitude i present a little guy doing setup for the first time 🐝
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willowser · 3 months
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i think katsuki just answers his phone by barking out, "bakugou." no hello, probably doesn't even look at the caller id LOL when he hears it's you, though, i think he breathes out the tension he didn't realize was coiled in his shoulders, and says a lil, "hey," 🥺🥺
and i think when he calls you, and you answer with your sweet, "helloooo ??" he is so soft 😌 just mumbles out a quiet, "what'chu doin'?" and listens as you tell him, before saying what he needed to 😌
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abstractfrog · 1 month
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SILVER BLAZE PART THREE - happy jonkday everyone. one of these days i'll draw a scene that doesn't take place at night
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egophiliac · 1 month
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hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O
unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!
my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not
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maddymoreau · 1 year
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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celaenaeiln · 8 months
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I want to talk about Dick Grayson's beauty, sex symbol status, and how it all connects for a moment.
This is a prelude to an upcoming post but I needed to include this separately because the other was getting too big.
First of all Dick Grayson is a beautiful man.
And you're probably thinking "well, no duh. Everyone knows that." but what I mean is Dick Grayson was intentionally made to be beautiful.
For a little historical context, around the late 1950s the culture in the US was changing. It was around this time, that people began exploring and accepting what they called a "feminine man".
This was really taking place in cinema and stuff where they began to show softer versions of men doing "typically female roles" as heroes.
One example is the movie "The Man Who Shot Liberty Valance", a 1962 Hollywood film. In summary, it takes place in the midwest and is centered about Cowboys, gunslingers, the shebang. But the point is, there are two male leads in the movie - Ranse Stoddard (played by Jimmy Stewart) and Tom Donophon (played by John Wayne). Ranse and Tom are both the heroes in the film but with a key difference. Tom is like the sheriff of the town, loved by all and focusing his time on practicing his gun skills. The savior of women and normal people, he's the typical masculine hero. His face is rough and handsome. Ranse however was the new wave. He doesn't care about carrying the gun, he thinks it's uncouth and focuses much of his attention on sending the evil guy (Liberty Valance) to jail through laws. He doesn't want to kill and he takes a more advocative approach. He is also loved by everyone despite not being super masculine. Ranse's face is clean and almost dainty in comparison to Tom and Liberty Valance's.
Despite the complete opposites they are, both men are considered heroes. On one hand, you have the very male typical hero but on the other hand, you have the feminine male hero. At one point the evil guy laughs when Ranse walks in wearing an apron because serving tables is a "woman's job", but Ranse doesn't let it bother him.
How does this connect to Dick Grayson?
Dick Grayson is the feminine hero of DC. DC jumped on the pretty boy hero train.
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That's also why in the Teen Titans (1966) comics, Dick keeps being referred to by endearingly feminine pet names by the titans which they seem to only use on him.
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Standard gender roles: Men were expected to be strong, aggressive, and bold while women were expected to be polite, accommodating, and nurturing. Sound familiar about a certain duo?
But Dick? He plays both male and female gender roles in a time period where it wasn't socially acceptable to do so.
So my point is, Dick was created to blur the lines between gender and the way his character has progressed - he's meant to be the definition of a man opposite to male toxicity.
He can cook and do laundry whereas Bruce, the image of male dominance cannot.
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This also falls into another role of Bruce and Dick's but it applies here as well in hindsight.
One thing people need to understand is that Dick was created to be the antithesis of Bruce Wayne. For all the gloominess that Bruce is Dick was meant to be the joy. He is the light to Bruce's darkness.
Which is why Dick often acts as the loving mother to the batfamily while Bruce acts as the stern father. Because Dick was created for the female role.
Part of the reason why I love Dick and Kory is because they do this at a time where girlbossing and malewifing wasn't a thing. Kori is consistently the dominant one when it comes to love in their relationship while Dick plays a softer, more "wife like" role. The way Kori is taller than Dick and buffer than him ✨
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He is quite literally a queen consort - that is the role that Kori begs him to take after she is forced to marry someone her father picks out for her. But Dick refuses in tears because his morality cannot bear becoming a mistress and ruining someone else's marriage.
I know this is a long tangent but here's where the sex symbol comes in. Dick was created to be the most beautiful figure in DC but him being beautiful is not supposed to be confused with him being objectified.
Being beautiful is just something he was born as. What people do as a result has nothing to with DC
Take this for instance
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He's literally just showering and comes out of the shower to find a random little girl singing about his and batman's identities. Creepy? Yes. Very much so. So he chases after her and finds her gone. Well there's nothing he can do now, he needs to go back and analyze what's going on and contact the other titans-
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Crap.
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Look at all the women that are ogling him, and even the ginger looks as if he doesn't know if he's jealous or wants to join - but there's nothing Dick did to make them do that. He's literally minding his own business and got caught outside. Did he hit on the women? Did he seduce them? Did he purposefully show off and make a loud commotion because he wanted the attention? No!
Arguing that Dick Grayson shouldn't be a sex symbol just seems wrong to me considering that it's not a fault of his.
It's like telling Kori not to have large breasts and telling Dinah not to wear fishnets.
People still ogle them regardless of how they dress because they're just that attractive. You can't tell someone to look a different way because you don't like the attention they're receiving...that's literally the opposite of everything people should be fighting for
Arguing that Dick Grayson being a sex symbol is a problem because he's too beautiful and blaming the actions of other characters for thinking so is just...
it's wrong.
He was created to be beautiful to fight male toxic masculinity. He's woman coded for a reason.
We should be embracing him. He represents everything male freedom should be about. He constantly placed in a female role, in female positions-
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In queer positions-
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He's acrobatic, slender, and sensual. He's gentle, loving, and beautiful.
When has the beauty of a person ever been a reflection of their character? The way fandom is going, it's implying that because female characters make sexualized comments about Dick's body, it's somehow Dick's fault for looking that way. We're blaming him for his "womanizing" ways as if he hasn't put his heart and soul into every relationship he's had. And while we're busy calling him a womanizer, we conveniently forget that the women he's in relationships with have significant personalities of their own. We inadvertently reduce their beings to plastic bags, ignoring that they have broken up with each other because of being unable to resolve conflicting beliefs, different career paths, different lifestyles, and more. It's not a one way road with our treatment of Dick. It's a two way street because we're harming both Dick and strong women like Kori, Barbara, Bea, Shawn, and Helena by pretending what they believe in and live for is unimportant in love.
Instead we should be exploring how the objectification might have an impact on Dick's mental health rather than blaming DC for using characters to describe how hot Dick is.
All the beautiful traits of Dick Grayson - his ambiguous sexuality, his overwhelming love for people, his affection for his friends, the way he cries and feels for others - all of it is beautiful, is it not?
From his very creation Dick was meant to be someone who breaks gender roles. The constant attraction he receives from both men and women in all of DC's media is evidence of that. The Grayson comics push the boundaries of his sexuality as much as DC will allow. To be queer without coming out with it. He is the feminine hero.
Everyone seems to hate that he's being called a sex symbol but why does that bother you? Dick Grayson IS the pretty girl of the comic universe. He IS the babygirl of DC.
DC has created the perfect view of what it's like to be a woman through Dick Grayson and we're spitting on the most accurate representation of a female that comics have ever created by blaming them for expressing what it's like to live as a woman.
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redrocketpanda · 11 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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brown-little-robin · 2 months
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When Mob exorcises Dimple for the first time, he taps his fingers on Dimple's forehead and says: 僕は最低だ。That gets translated "I'm terrible" or "I'm the worst" in English.
Those are pretty vague words in English, though, so I paused the show to look it up. (took me a hot minute to find the listing for the word 最低, too, which means I'll probably remember it forever, but that's not relevant, lol.) SO. Mob says "boku wa saitei da"— I am 最低. Turns out that "the worst" is a pretty great translation, because it captures both the aspect of "least (lowest in some category)" and "most repugnant" from the original word.
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This is awful. Obviously. No 14-year-old should be calling himself that in full honesty. But that's not the point I want to get across:
The exact moment that Mob uses the word 最低 for himself is worth noting! Dimple has just jumped at Mob for a killing blow, proclaiming that in the battle between them, lived battle experience will determine who's the winner. Dimple is judging himself and Mob against each other on a scale of battle skill. The only variable he cares about is power. And when Mob wipes him out, clearly Mob is the winner of their contest. From Dimple's perspective, Mob should be saying he's 最高—saikou, the antonym of saitei, meaning "the best/highest". But Mob is judging himself by a completely different variable—the ability to control himself. That's why he calls himself the worst. It's a moment of self-loathing, yes, but not out of nowhere—he's correcting Dimple and re-contextualizing their fight as a failure on his part, not a victory for anyone.
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fakezircon · 13 days
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I'm curious,
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thatkoiboi · 8 months
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Sleepovers with April are the best! ...and normally accidental-
omg also i binge read dandy's "i may be invisible, but i still look good" and the reference is random but i needed it cause it was funny in the fic and references are my data collection-
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bluebelledmoon · 4 months
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"The Final Photoshoot"
gabriel agreste was soon found being strangled by a blue feathered boy after this was released
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valyrfia · 6 months
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I’ve been thinking about it, and I now firmly believe that Charles signed a pre-contract with Red Bull in the week before COTA. Initially, he did it with the intent of putting pressure on Ferrari but then over the course of the triple header he slowly started to realise that maybe honouring that pre-contract MIGHT be his best chance at a WDC. This is heavily reflected in the socials and PR of Red Bull, Ferrari, and Charles himself and ties together all the Lestappen interactions of the past couple of months from Max’s answers at press conferences to the infamous padel date. Buckle up, because it’s going to be a ride.
So I believe to pinpoint the start of the current PR wave/movement that we've coined as Lestappen Gate 2023 we have to look all the way back to Monza. Around Monza, there were numerous rumours that a huge Charles contract renewal was imminent and it was going to be announced, etc. etc. Charles did put these rumours to bed by saying if there were a contract like the one that had been rumoured, he would've signed it immediately. Now, I believe that with Charles confirmed to be unsigned (at around the same time that the George/Lewis and Oscar renewals would've been happening), Red Bull Racing approached Charles to reopen talks.
But I think Charles stalls them, isn't open to talks, until Singapore where Carlos Sainz wins. This throws Ferrari into complete disarray as Fred suddenly can't open talks with Charles as it would then be clear that he will not be re-signing Carlos Sainz. I think it then becomes obvious to Charles and his team that in order for the contract talks to begin they need pressure to negate Santander and the Sainz family breathing down Ferrari's throat. So Charles actively enters talks with Red Bull with the intent of putting that pressure on Ferrari. Also worth noting, Singapore also marked Charles as something special, a generational talent who is also willing to be an exception n2 driver when the team requires it of him, especially when his teammate starts on pole. I think this makes Red Bull even more eager to begin talks with Charles. Interestingly, this is where we get the first Red Bull Lestappen post of this current era, the Lecstappen alert.
This brings us through Suzuka to Qatar, Max winning his 3rd WDC, Charles congratulating him and then effuse about Max and Red Bull in interviews. Seeing the level of success that Max has had is what pushes Charles to decide that he is going to sign a pre-contract with Red Bull for a seat in 2025 because either way, he wins. He either manages to put pressure on Ferrari to get a contract with all the clauses he wants (external brand deals, his own branding, car development to suit him, etc.) OR he gets the MOST talked about seat in F1.
Now this is a key point. I believe the padel date was an excuse to get Max and Charles in the same room. Specifically, for them to have a frank and honest chat about whether they could work as teammates and two n1 drivers on the same team. This is probably the first serious heart to heart that these two have had, which then explains their attitude and closeness in the triple header and them being more ready to be vulnerable and honest with and about each other. Then, in the week before COTA, satisfied that he could be teammates with Max if push came to shove, Charles Leclerc signs a pre-contract with RBR for 2025.
(It's also worth noticing that in the week before COTA, the Lando Norris to RBR rumours and talk noticeably died down, despite Oscar winning the sprint in Qatar).
Now this brings us to COTA, where Charles instantly starts to make PR moves to build a brand for himself. His first big move is signing with WME, a talent agency, and something that Ferrari drivers typically aren't allowed to do. The WME signing solidifies in my mind that a pre-contract exists, because if there is one thing Charles wouldn't do, it's jeopardise his chances of racing in F1. If there's a chance that Ferrari would drop him for this, he just wouldn't do it. However, if he has a guaranteed seat in 2025 no matter the outcome, he would totally do it. It must be said, I believe that Charles is using the pre-contract fully as leverage against Ferrari at this point UNTIL the strategy fuck up. After the strategy fuck up, Charles is noticeably angry and outspoken about it, and Fred starts to freak out a little bit. RBR in the mean time, are starting to try and change the Lestappen narrative from rivals to a duo, with Charles starting to feature heavily on RBR socials.
Moving on to Mexico, Charles does well, considering. But what's important about Mexico is that this is the first time that Charles has truly been treated like a villain by the fans at the track. This is key, not only because of RBR's reaction to it (which I will explore), but also because this is Charles's first taste of what a move to RBR could be like, of what it would feel like were he to become the antihero rather than the golden boy of F1. However, the real clincher is that rather than RBR playing into the narrative of Charles the villain, even despite him literally being involved in the DNF of their own driver (Checo) at his home race, they instead make sure to capture all angles of Charles and Max interacting and one of their own pays special attention to Charles on the podium. In a way, this is the weekend that shows Charles that even though Red Bull and Ferrari are completely different, Red Bull can still be as much of a family to him as Ferrari has been if he wants them to be. Moreso, in fact, considering Ferrari didn't even bother showing up to Charles's P3 podium.
So entering the weekend in Brazil, Charles is pictured wearing his own clothing line that it was rumoured Ferrari forced him to discontinue and Fred Vasseur is starting to get shit scared and starting to talk to anyone from media who will listen about how talented Charles is. Charles does put it on the front row, but there's no real Forza Ferrari about it, and Charles has stopped wearing Ferrari merch in the paddock. A Red Bull employee (Max's PT Brad) is the first person to congratulate Charles on the front row.
Then, the DNS happens. A completely avoidable thing that happened due to Ferrari incompetency, and all hell breaks loose. Charles leaves the paddock before he can finish his Ferrari PR duties like a post-race video, and makes it very clear that he is FURIOUS in all his interviews. Now, laughably, at this point is when Ferrari-Charles contract negations began, or at least, that's what was leaked to the media. In my mind, Charles communicated very clearly to Fred at this point that his pre-contract with Red Bull is a very real threat, and Charles himself is beginning to seriously consider honouring it, and if Ferraro don't get together, they WILL lose their Il Predestinato to Red Bull. At this moment, Fred Vasseur is absolutely terrified. The world is very obviously on Charles's side and sympathetic after the DNS, while being at best apathetic and at worst hostile toward the Scuderia. Meanwhile, Red Bull continue with their Lestappen antics across all social media channel, again publicising the idea that Max and Charles are close and may have once been rivals but are buddies now, like in their tiktok of Max doing the "just an inchident" trend.
Now I haven't mentioned the onboards yet, which were spotted by some eagle eyes fans during the Mexico and Brazil GP weekends, in which Charles's onboard was displayed very clearly alongside their actual drivers, Max and Checo. But the existence of the onboards on the Red Bull pitwall make perfect sense if Charles did sign a pre-contract. Red Bull are gathering data to sway Charles further, almsot a "yeah so here's exactly where Ferrari fucked your race, and here's is what we would've done differently."
The break in the triple header, Charles is noticeably refraining from Forza Ferrari-ing. Rather, he calls the paps on himself on more than one occasion and make sure he is seen with several high profile celebs, strengthening his public image and building his own narrative. Meanwhile, Ferrari is in full damage control mode, taking responsibility for the DNS, acknowledging Charles in a way they haven't fully done since Singapore. There are more leaks of contract negotiations, but Charles does not engage with them. Meanwhile, Red Bull are keeping up their Lestappen propaganda. Charles is making it clear to all parties that this pre-contract that he initially intended to just be a bargaining chip has suddenly become a serious threat to Ferrari.
Finally, this brings us to last weekend, Vegas. Charles, again, refuses to Forza Ferrari. Ferrari PR have put Charles and Red Bull content on absolute LOCKDOWN with not a HINT of Lestappen anywhere, and Max is making comments about the choice of team being important in winning even for generational talents while Charles fidgets and looks away. Fred praises Charles to hell and back again, implying that Charles will obviously be prioritised over Carlos by diminishing Singapore, but in the post-race, Charles still gives nothing. Just a thinly veiled comment about how good it feels to be fighting at the front again. Meanwhile, Red Bull amp up the Charles content even more, even fully posting a picture just of Charles's car. There are also not one, but two questions about Max and Charles's karting past. In discussion with my academic colleagues (@tsarinablogs, @thearchercore, @gaslightgirlsummer (further thanks for all three of them, for entertaining a much rougher draft of this essay a few days ago)), we've talked about the possibility that these questions might have themselves been planted in the media rooms, in order to further cement the idea and control the narrative of Charles and Max, childhood rivals turned dynamic duo. The sort of narrative one might find intriguing around teammates.
So this concludes my essay. I am almost sure that Charles has a pre-contract with Red Bull, which is why he is suddenly so outspoken about the problems and failings of Ferrari. Although this pre-contract originally began as a bargaining chip, I believe that Charles is seriously considering honouring it. Ferrari are desperate, and Red Bull have the upper hand and are starting to pave the way for a media shift in how Charles and Max as a pairing are perceived.
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