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#mob-blogging
brown-little-robin · 1 month
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When Mob exorcises Dimple for the first time, he taps his fingers on Dimple's forehead and says: 僕は最低だ。That gets translated "I'm terrible" or "I'm the worst" in English.
Those are pretty vague words in English, though, so I paused the show to look it up. (took me a hot minute to find the listing for the word 最低, too, which means I'll probably remember it forever, but that's not relevant, lol.) SO. Mob says "boku wa saitei da"— I am 最低. Turns out that "the worst" is a pretty great translation, because it captures both the aspect of "least (lowest in some category)" and "most repugnant" from the original word.
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This is awful. Obviously. No 14-year-old should be calling himself that in full honesty. But that's not the point I want to get across:
The exact moment that Mob uses the word 最低 for himself is worth noting! Dimple has just jumped at Mob for a killing blow, proclaiming that in the battle between them, lived battle experience will determine who's the winner. Dimple is judging himself and Mob against each other on a scale of battle skill. The only variable he cares about is power. And when Mob wipes him out, clearly Mob is the winner of their contest. From Dimple's perspective, Mob should be saying he's 最高—saikou, the antonym of saitei, meaning "the best/highest". But Mob is judging himself by a completely different variable—the ability to control himself. That's why he calls himself the worst. It's a moment of self-loathing, yes, but not out of nowhere—he's correcting Dimple and re-contextualizing their fight as a failure on his part, not a victory for anyone.
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gatoiberico · 2 years
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caught up on the show and now he's on my mind 24/7 again
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clownsuu · 5 months
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Hello, Clownsuu
I have question if there boundaries on your mob au? Like NSFW and such
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Iv mentioned it quite a few times on my side blog but I haven’t quite discussed it much here-? So I should probably mention it here too to be thorough!
I do not mind one bit on nsfw art of my au as long as you follow (other) Clown’s rules before mine! (Properly tagging etc etc)
I do not have much rules myself besides these core ones:
-No sus works of illegal behaviors (and I don’t mean murder, you know what I mean!)
-No sus works made of my personas (my characters are fine, but my personas are a BIG no no)
-and please do not send me sus asks in my main blog, my second one exists for a reason!
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eshithepetty · 3 days
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Dog teeth
[ID: Art of Mob from Mob Psycho 100. He's standing beneath huge humanoid jaws, just so that the upper teeth are covering his head, and staring at the camera. Everything is red, the shadows mostly pitch black, save for Mob's irises, which are a bright green and yellow. End ID.]
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thimbell · 1 year
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we may have lost but- oh hey it’s miku day. nice
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reigendaily · 29 days
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im not comin back i just wanted to let yall know im booping you too <3
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pingustims · 6 months
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minecraft stimboard .ᐟ
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marbleboa · 2 months
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Happy belated birthday to the Greatest Psychic of the 21st Century's biggest fan!
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muzyoshi · 2 years
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so what the hell was this all about
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linootte · 1 year
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youtube
Mob Psycho 100 is so good... I love it with my whole being. So here is a random audio that I thought was funny and fitted the characters, and then spend way too much time animating. It was fun though.
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brown-little-robin · 1 month
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The color red in mob psycho 100
So I've been thinking about color symbolism in mp100. And I've assembled a roughly chronological analysis of the moments that red is particularly symbolically interesting, in my eyes, anyway!
(buckle up, this gets long. also, warning for blood and a little bit of gore. I talk a lot about the Mogami arc in here.)
What got me interested in the color red in particular was the fact that Mob's eyes occasionally change color from black to red. The first time we see that happen, it's in episode three of season one, where Mob snaps and unleashes his repressed rage against Dimple. (Interestingly, his aura is also unusually pink-heavy in this scene—usually it's more blue than pink, but along with the deep dull red of the background, everything in this environment is turning red.)
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So, okay, we've got your standard red = rage thing. It's also interesting to note that Mob is usually a monochrome character—his gakuran (uniform) is black and white, his hair black, skin pale, eyes black and white—and when he gets simplified into anything more cartoony, he goes monochrome instantly. The only colorful thing about him is his powers, which are blue and pink. But here, when he shows his rage, he gets red eyes. Color is associated with emotion in general in mp100; in this same episode, when the narrator explains how Mob has locked away his psychic powers with his emotions, the emotions are shown in color, Mob himself in black and white.
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But I digress. Back to red specifically!
Coming right on the heels of the LOL cult arc comes the Teru introduction arc, where we learn exactly why Mob locked away his powers for good. He accidentally hurt his little brother—gave him a head wound, in fact, that bled copiously. Mob's memory of the event is fragmented, and it's all in washed-out blue, except for the horrible stark red of the blood splattered onto Mob's face and from Ritsu.
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It's blood red. Mob's eyes turn blood red when he stops repressing his powers. Is it a reference to the importance of that red color to Mob personally? A kind of visual reminder that he can commit evil, can hurt others badly? In the Dimple arc, his eyes turn red when he becomes willing to exorcise Dimple—effectively killing him. Mob himself says "I'm terrible" when he reaches out to exorcise Dimple. Clearly the red ties back to that capability within Mob to hurt others, consciously or not. But!! It's more complicated than just "evil/willingness to hurt people". For one thing, the chronological first appearance of red in Mob's life is Ritsu's blood, which was an accident. When Mob's eyes turn red later, those are all instances where he has made a choice. And that choice is not always to hurt people—later, his eyes turn red in a moment of 100% courage. Red does not map perfectly to "evil" or even "rage".
We're almost to the Mogami arc, which is where this meta REALLY gets interesting, but first: season two episode three, which is easy to overlook but sets up a core question which the rest of season two answers. In this episode, Reigen gets a client who asks him to curse someone, and ends up cursed himself. The question which Mob ends up asking himself at the end of the episode is: if he, Shigeo Kageyama, ever wanted to curse someone, use his powers for evil, or eliminate people rather than spirits... would anyone try to stop him?
And!! look at the curse that ends up on Reigen's back in this episode!! It sets up the idea of curses (malicious actions taken against another person with intent to harm) as connected with the color red!
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The next time red becomes particularly narratively significant, it's in season two: the Mogami arc (episodes four and five). Mogami's defining color is the exact blood red of Mob's eyes. In Mogami's aura, the red is mottled with black (see below, Asagiri Minori with Mogami's aura radiating off her.) His aura is nearly the exact color of the gore we later see him bathed in when Mob tries to exorcise his spirit and fails to achieve it. (side note, Mogami is controlling the entire world in that scene—this is a battle of imagination, and Mogami absolutely made that scene gory and horrible on purpose to upset Mob. his stated goal is to provoke negative emotions in Mob to make Mob realize that negative emotions provide more psychic power than positive ones, and to make Mob embrace vengeance and suffering as a way of life.)
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Interestingly, Mogami occasionally has red eyes too, just like Mob, but they're red in a black background, unlike Mob's red in a white background. (Slight tangent: Mogami's pupils get insanely smaller when they go red, whereas Mob's pupils actually usually get larger when they go red. I think that's because when Mob embraces his emotions, it's a widening out from his usual refusal to acknowledge his own emotions and willpower. When Mob's eyes go red, it's because he's seeing something he usually doesn't allow himself to see. Whereas for Mogami, both times that his eyes go red in episode five are narrowing moments when he begins to maliciously focus in on Mob specifically. The one below on the left is when he realizes Mob is trying to possess Minori's body to remove Mogami from the inside; the second is when Mob grabs Mogami with his aura while inside the mental space. Both moments are ones where Mogami begins to see Mob as a potential... second Mogami. A potential sympathizer—someone with a lot of power, which, in Mogami's worldview, comes from negative emotions. So Mob is like Mogami—someone who has suffered! When Mogami's eyes go red, it's because he has selected Mob as someone he could groom to be like Mogami himself. See below for Mogami's horrible little red eyes.)
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Once Mob gets locked into Mogami's artificial world, red continues to be symbolically important. It's the one saturated color allowed in a world of depressing grays, greens, and browns. A red glow indicates Mogami's presence speaking to Mob in his messy room. And red is the color of blood, of course, which appears again and again in Mogami's world. I won't belabor the point that it's associated with trauma, and specifically the trauma of Ritsu's head wound caused by Mob. Mogami doesn't know about that, but we the viewers do. The point of red in this world is the intentional, inexcusable causing of harm; Mogami tries to convince Mob that the only way to deal with trauma is to embrace it and become the trauma causer rather than the victim, bringing justice (red) to a bleak world (Dull Trash Brown/Green, the color of depression and meaninglessness in this show). See below.
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After (subjective) months of bullying, Mob gets a head wound and is subsumed in a despairing red haze, but fortunately, Dimple breaks him out of it, adding a much-needed pop of green color to the bleak-and-red world, a reminder that other emotions than bleakness and rage exist. and THEN it REALLY gets interesting!!!
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I've already talked (here and in this post) about the next instance of the symbolism of red in MP100: 100% courage!!! Despite being nearly consumed by despair (represented in Mogami's black and red) trying to fight Mogami's horde of spirits and break out of this mental world, Mob remembers that he's here for a purpose: to save someone. Again, his eyes turn red when he makes a critical choice (in this case, to keep fighting). Only this time, his choice isn't to hurt anyone. So given the fact that red has been set up through the entire Mogami arc (and the whole series) as the color of pain, trauma and intent to harm, why have Mob's eyes turn red and have it be beautiful??
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I think the key is that Shigeo initiated this change in himself in order to save someone. The Mogami arc, to me, is the key to the entire series: it's at this exact moment, when Mob makes the switch from "the world is so cruel... can I really do anything worthwhile" to "I'm here for a reason and my powers are here to let me help people". He's using his ability to harm, but in his service of other people and in the rejection of the bleak outlook Mogami offered. And it's being used in service of goodness that makes his power to harm, represented by the color red, beautiful. He clings to the idea that people can change, that bullies need not always be bullies, and he does not have to take revenge. His powers appear as vibrantly blue and pink as ever, and he expels all of Mogami's spirits from Minori's mind.
The show doesn't leave it at that, though. Mogami Arc is almost exactly halfway through Mob Psycho 100 for a reason: Mob has to grapple with his decision to accept the color red. He has to come to terms with his own ability to fight back, come to a nuanced understanding of his own decision-making process (when to fight, when to have mercy.)
Mogami shows up a second time in season two, episode eleven. He threatens to kill Minegishi (a man who was just trying to kill Mob), and Mob pleads for Minegishi's life. And the lighting in this scene is really interesting! Mob is in a blue shadow, the sun blocked out by Mogami's red miasma, until Mob states that he can't guarantee that anyone will choose to change, but he wants to give them a chance anyway, because you have to trust people to get anywhere. When Mob says that, Mogami fades away, letting the sunlight in.
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Also, this isn't about the color red, but I have to note that it is not an accident that Minori (who bullied Mob in Mogami's world, and who Mob chose to save), and Minegishi, both have this same light lavender hair color. They are parallels—both bullies, both having shown no sign that their apologies will be sincere and that they will change. And Mob chooses to give both of them another chance... although this second time, he takes it to heart that Mogami (Mogami-san, he calls him), told him that he has to be hard on people sometimes. Few people would know that Mob is capable of hurting others given the right circumstances more than Mogami does. And Mob respects Mogami, I think. He gives him the honorific -san, which is more than he does for Suzuki. I theorize that Mogami and Mob recognize each other as fellow sufferers from psychic powers. Fellow red-eyed (potential) monsters.
Shortly thereafter, Mob goes to fight Touichirou Suzuki. Suzuki is a red-coded character too. And although his red is more orange, less like Mob's blood red than Mogami's red is, he does resonate with Mob similarly. He brings out the worst in Mob: power-drunk ecstasy. Again, characters associated with red are associated with Mob's worst side, and they're typically the ones capable of bringing out his red side, not only because they force him into corners where he has no choice but to fight them with force but because they get him in a way that no one who doesn't share Mob's level of power really can.
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The thing that snaps Mob out of this haze is, fascinatingly, another person associated with red in Mob Psycho 100: Ritsu. Mob sees Ritsu on the ground, has a flashback to that traumatic memory with Ritsu bleeding, and stops laughing. He becomes mindful of his own choices again.
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Mob's eyes remain black as he tries to reason with Touichirou. But when Mob gives up, acknowledging his own weakness, his inability to show Suzuki another path, his eyes turn red once again.
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It's a horrible moment, the moment when Mob chooses to try to kill Suzuki instead of reasoning with him. Right after he makes this statement, he does something he's never done before: uses his psychic powers to directly alter someone's body. He has hit people with his powers before, but that was like a slap. What he does to Suzuki is something he learned from Mogami, who used his powers to twist Minori's finger joints until they cracked. Mob does the same thing to Suzuki, using his powers to twist Suzuki's body until his bones break. It's an exact parallel to what Mogami did. It's a tough call, figuring out what to think about this moment, but we're given clues to this moment both earlier and later. Mob cannot change everyone's mind, as Mogami said; Suzuki refused to listen and posed an active danger to Mob's little brother and friends, and Mob had no one to turn to for help here, so he chose to kill Suzuki.
Given Mob's pacifist outlook up to now, this was a huge change. He'd exorcised ghosts before, but he never killed a human being. But this was not the soul-destroying acceptance of revenge that turns the whole world red, like what almost happened in Mogami arc when Mob was about to accept Mogami's way of life. This was a one-time, no-win situation that Mob could not get out of. And because he'd been prepared for this by Mogami, and because he made the choice to use his powers instead of running away, his eyes turned red in determination. Again, it's about making a choice to use your power, not about the goodness of the choice. And you'll note that the red of his eyes here is flat and blank, like Mogami's eyes. Again with the subtlety. Red in mob psycho 100 has the common thematic thread of pain and power, but its meaning flexes based on context.
The significance of red has one more major comeback in MP100, and, fittingly, it's at the end of the series, where Mob's powers go out of control. Other people have spoken at length about the final arc of MP100, and it speaks for itself. But I have to briefly touch on this to bring this analysis to a conclusion—
Shigeo Kageyama's powers, walking a path of destruction through Seasoning City, is red, red, red. Red and black.
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The red is a menacing color here. Although Mob's powers still come across in his bright, sparkling blue and pink, his body is surrounded in an intense blood red that gets stronger to the point of filling the background (in the style of Mogami's world). The red could be read as a symbol of evil, of malicious intent, like it was in Mogami's world. Except... Mob's eyes are the unconscious white of ???%, which represents Mob's fight or flight instinct and all of the things he represses because they are unsightly. Things he doesn't actually want to do consciously. Mob is doing this by accident, although as a natural consequence of what he has done to himself. Ritsu puts it well when he's talking to himself about how Mob locked away his emotions and powers:
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This other side of Mob represents everything Mob fears about himself (power, rage, destructiveness conscious and unconscious.) But fearing Mob's other half does no good. For better or for worse, it is part of Mob.
In this instance, I think the significance of the color red lies in its association with fear. People are scared of things that can hurt them. Mob, specifically, is afraid of the power that he has seen hurt people, from himself hurting Ritsu to Mogami and Minori hurting Mob to Touichirou Suzuki hurting everyone.
The red, here, is a warning sign. It says get away from me before I hurt you. It's what Mob tries to prevent people from seeing. And it does represent malicious intent, but it also represents self-hate. It's everything Mob has fought over the course of the series, only it's also Mob himself.
But. But. Red is the color, consistently, of accepting and using your power. It's blood, sure, but it's also justice. It's rage, but it's also courage. It's determination. It's used in moments of wholeness of purpose—power and willpower agreed on a course of action. And in the end, Mob has to accept that his power is part of him, and it doesn't have to scare him. It doesn't have to be red suppressed within him (meaning blood, meaning Mogami, Suzuki); it can lie dormant when not needed but not repressed within him.
I don't have a good ending to this analysis. Just watch the series. It speaks for itself.
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No no guys you don't get it what makes ritsu and reigen's dynamic so funny is the fact that it's not equal in hatred. Ritsu blows reigen up with his mind and throws underhanded jabs at him. Reigen had met him like twice and defaults to treating him like a slightly younger mob. Ritsu hates this, reigen is increasingly bewildered as to why his infinite charm has no effect on this prickly thirteen year old. THE BULLYING IS ONE SIDED THAT'S WHY ITS FUNNY
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clownsuu · 8 months
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Some Zachary n Betsy doodles cause whoops I forgot to post JDHHDHDDH (this is their human vers)
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FINALLY MAN I got so many asks for mob Zachary n Betsy (though I was gunna use one of them to post this- I accidentally deleted it- whoops HDHDHD)
however they do not have much of a role in the mob besides having a farm, where the mob lovingly send “””feed””” (bodies) to the farm to be fed to the ol livestock
Betsy and Zachary are technically sewn together, however when Zachary goes out, he typically removes Betsy from his shoulder (need someone to watch the livestock while he’s away after all)
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scribefindegil · 1 year
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Idk idk something about how broccoli arc is about looking someone you love in the face and seeing the best part of them and knowing they won't hurt you and confession arc is about looking someone you love in the face and seeing the worst part of them and knowing they will hurt you and loving them anyway. Mob stepping forward into the spear that crumples when he moves is one side of the coin and Reigen running barefoot through the hurricane that's battering him to pieces is the other, but the coin always has both sides. Everyone is simultaneously the best and worst parts of themselves and loving someone, seeing someone, is about accepting that totality.
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blog-on-a-log · 1 year
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oh god reigen's stance in this scene. his hands, his body, his face, all show he has nothing left to hide. "this is the real me" this is probably the most vulnerable we've ever seen reigen. "the truth is, i don't know anything..." a sharp contrast from the reigen we're used to, the man who has to know it all.
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reigendaily · 6 months
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28) happy spooks day from reigen and co!! tried a new way of coloring so it was more fun but took longer ^^
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