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#Im not sure why im posting this
adriles · 7 months
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when we’re done with our overwhelming grief we’ll eat i guess
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krazieka2 · 8 months
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Fe3h did not have a beauty pageant sequence, but if it did I'm 99% sure this is how it would go
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yonch · 3 months
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EVERYONE'S FAVORITE COSMIC JOKE
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sabertoothwalrus · 4 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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collophora · 16 days
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Do yourself a favor and go read the entire fanfic work of @fanfoolishness
(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)
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canon-gabriel-quotes · 5 months
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wear headphones :)
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Transcript:
As much as I'd love to witness more of your prowess, I'd very much like to have that body of yours.
Is that a strap-on?
Machine, I'll cover you in more than blood.
Fuck. *exhale* Shit. Fuck-God! mmmm-ohohoho. fuck. fuck. h-Harder, Machine. Mph! *whimper* Hah... Come on!
End transcription
Sorry for this. I promise this is the worst thing I'll ever post. Unless he somehow manages to do something worse.
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I can't really provide the audio sources in a neat way because this is 6 clips stuck together.
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willczek-art · 2 months
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NPMD Tarot - The Star
Others from the series: The Hierophant, The Lovers, The Devil, Strength, The World
A bit of symbolism under the cut, but I'm curious of other interpretations 👀✨
I matched The Star with Ruth based mostly on visuals and the reverse meaning (which among other things mentions feeling like everything is against you, which I thought fit her well).
Elements that represent hope, opportunities and shining bright from the original card are turned into foreshadowing of her death here.
Light - Her Moment, chance, ambitions and wants. The second she enters it, she's dead.
Background - theater seats, empty.
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rottinnymph · 1 year
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domestic tntduo you say?
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bamsara · 2 months
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was anyone going to tell me there are fanlore pages about me and my works or did i have to find that out by myself when i tried searching for one of my tumblr posts in a google search bar
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edit: i just read through the solar lunacy one and some of the details on there are just kind of....wrong. lmao
edit: there's one for my iz fics??
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segernatural · 7 months
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sure it was a perfect storm of a pressure cooker but i promise destiel was about destiel
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dontbelasagne · 3 months
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desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience
their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.
the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.
Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.
it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.
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eleccy · 3 months
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c'mere for a second, i need for you to look at this.
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Yes, there he be. But I want you to notice something about this cell.
There's no bed. Y'know? No room for one.
But that table, the one the roses are on? That looks like it could be a night table. It's got flowers and a photo frame on it. That's almost certainly a nightstand. I don't see how it could be anything else.
He has to have a bed in there, right?
We're seeing this image from Phoenix's perspective.
So in case you haven't noticed it yet, let me spell it out for you.
Phoenix is sitting on Kristoph's bed.
Is that not the only possible place it could be in this cell? Do you want to tell me I'm wrong about this? Think it over first.
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juniemunie · 5 months
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If we're not giving up, don't give up wherever you are.
That's a promise.
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scourge-sympathiser · 6 months
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SCOURGE SUNDAY 015/???
a mask of my own face. id wear tht
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pcktknife · 8 months
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i dont even remember drawing this
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givemeureyes · 1 year
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just once i would like to see one of those typical batman almost dying scenes where he comes super close to death and then last second his brain is like “no! gotham needs you” and then he survives with the power of whatever the fuck but instead of “gotham needs you” it’s “your children need you”
like yeah gotham is your city to protect or whatever that’s fine and fun but where’s the like… “you have kids at home bruce”
where is it dc
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