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pfreadsandwrites · 3 years

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九つの命/9 Lives Translation

Hi!! So, @foxy-and-tales asked me to tell her what was going on in the comic mentioned in this post. After skimming through it, I thought it'd be good practice - and it'd be easier to answer her question - if I just went through it and told her what it all meant. I realised by that point I was doing a translation, and since I was going to the trouble anyway, I thought I'd post it publicly.

So, the full comic is here. It's basically a comic that has 7 little stories about Kakashi's ninja hounds and their lives with Kakashi. It's an adorable, heartfelt story and I absolutely love the personalities that the artist gave all the ninja hounds and the depictions of their relationships with Kakashi.

My translation will be this post, follow it as a script. I don't have the skill or knowledge to edit and typeset and change the images myself - and I wouldn't do that anyway, as it would involve reposting the art and changing it without the artist's consent. But I do think that not referring to the pictures as you're reading through the script really harms how sweet this story is, so if you can go through the comic slowly whilst referring to my (amateur) translation of it, I hope you can get a glimpse of that!

WARNINGS: There is a depiction of an already dead dog in part 4 😢, and some (human!) male partial nudity in part 6 (😉)

Tagging: @scaredlittlefoxy @lemony-snickers @backalleykat @whatshernameis @gwedosuns @topsyturvy-dream @ice-icebaby @cosmiclattes

This is also the artist’s note that follows after the comic, that I’m putting here:

(Artist’s note translation)

"This is a story about the daily life of Kakashi and the eight ninken.

The ninja dogs’ personalities etc mightn’t be faithful to the source material.

The dogs live free range in Kakashi’s house.

There is an illustration of a dog dying, though it isn’t any of the ninken. Please take note.

You don’t have to read it, but below this are the dogs’ personalities:

Shiba: Friendly and sensitive

Biscuit: Childish and Selfish

Akino: Calm and cool demeanour

Bull: Timid and Quiet

Urushi: Ladykiller. A little bit dim. (Note: Himbo!)

Guruko: Annoyingly helpful and naggy

Uhei: Pure-hearted and cheerful

Pakkun: Same as in the series"

Some notes and then onwards into the translation under the cut:

Please take heed before continuing:

I’m not a professional translator, in fact I’ve done very little of this, so there’s some guesswork and liberties taken, and I don't claim that that there’ll be no mistakes.

I’ve separated it out by sections and pages, so you should be able to follow the story from following the speech bubbles (right to left) and referencing the lines here by speaker

Each space between a line denotes that it’s the next speech bubble

A new line but no change in speaker will denote that it’s the same character talking, but in the next panel or speech bubble

Italics means the character is thinking or flashbacks. I'll try and make this obvious as I go but the artwork should make that clear too.

Brackets are my additions, or me translating things like signs etc, or brackets will have smaller background dialogue not in speech bubbles. I'll try to make this clear as I go.

Stuff surrounded by * denotes actions or onomatopoeic actions/words in panels

Ask me if there’s any parts that confuse you about the story!! The way I’ve done this isn’t easy to follow but it's the best my dumb brain could come up with

TRANSLATION:

Title page

(p.1)

ここのつのいのち

9 Lives

(p.2)

1. ‘I won’t tell anyone’

(SFX: dogs playing and wagging tails)

Kakashi: Hm? You’re not gonna play, Shiba?

Shiba: …No. …Hey, Kakashi’

Kakashi: Hm? What?’

Shiba: There’s a girl I like’

Kakashi: Ohhh… I won’t tell anybody.

I won’t tell ~ I won’t tell ~

(p. 3)

Shiba: She’s really cute…

Kakashi: That’s great ~

Shiba: But I haven’t even spoken to her once

Kakashi: You should go for it ~

(SFX: *happy dog panting*)

Shiba: I’ll come back as soon as I’ve talked to her!’

Kakashi: Yep!

Shiba: I’ll be right back, definitely!

Kakashi: Ok, ok (lit. Yes yes)

(p.4)

Shiba: She’s already got someone (lit. she’s already in a couple/has a mate)

Kakashi: I see…

Shiba: She said her mate hurt his leg and can’t walk so he's staying at home…

(p.5)

Kakashi: Shiba, you know.. have feet that can walk anywhere…

So maybe you’ll meet an amazing girl again, won’t you?

(*dog cries*)

Kakashi: ...I won’t tell anyone. (*Comforting doggy*)

I won’t say anything. I won’t say anything.

(Kakashi: Aw, Shiba is pretty sweet to me, huh?)

2. Biscuit’s Sausage (note: I know his name is technically Bisuke in Japanese, but Biscuit is his dub name and it’s too adorable so that’s what I’m going with here! Also suits the personality he has in this story. What a biscuithead this boy is)

(p.6)

Biscuit: -You’re so sneaky, Kakashi! I wanted to eat sausages!

*crying dog noises*

(Uhei: Sorry, Kakashi…

Guruko: I told you!!)

Kakashi: You know if you eat sausages, Biscuit, your tummy will get sick, right? I’m boiling cod for you right now

(*tantrum noises, pounding feet and barking*)

Biscuit: *angry puppy noises* I hate fish, you idiot! I said I want to eat sausages! Sausages! Sausages!

Kakashi: *sternly* Biscuit

Biscuit: *whimper*

(p.7)

Biscuit: Kakashi, you IDIOT!

(2. Biscuit’s Sausage)

Biscuit: *sniff*

(Sign says Konoha Pet Food)

Biscuit: This is the store that sells the dog food Kakashi buys! Wow, maybe they have sausages here too!

(p.8)

Biscuit: I wonder if I'll be able to eat as much as I want… *gulp*

But if I did that, Kakashi would get in trouble

No, maybe…

*heart pounding*

Kakashi kept it (this) a secret just from me, because I'll get sick...

(Apron says Konoha Pet Food)

Shop Lady: *shuffles*

Biscuit: I didn't do anything yet!!! * heart pounding*

Shop Lady: Oh my… you really just talked!

Shop lady: You’re Kakashi’s pup, aren’t you?

(p.9)

Shop lady: Kakashi got you to come here, huh?

(Shop lady: you’re a good boy!)

Bisuke: Oh, no-

Shop lady: Though, he shouldn't have made you come pick it up without contacting us, huh? Here, sausages!

Biscuit: Sausages?!

Shop lady: There’s a pup among you guys that can’t have normal sausages, right?

It was a request from Kakashi.

He said he wanted me to make some especially for the puppy who can’t handle meat.

(p.10)

Shop lady: Well, here you go!! You’ll tell Kakashi we’re sorry for making him wait, won’t you?

Biscuit: Oh, um… But I don’t have any money…

Shop lady: It’s fine, because it’s Kakashi!

Whenever he has free time, he comes to pay.

I have a deal with him, you see. And he can't get the food if he's not here...

Next time, come together with Kakashi, okay?

(p. 11)

Kakashi: *casually picks up Bisuke* Thank you! This is for you ~

Shop lady: Thank you, come again!

Biscuit: Kakashi…

Kakashi: Hm?

Biscuit: Sorry…

Kakashi: Yeah…

I’m sorry too. I gave everyone else sausages while keeping it a secret from you.

I thought you’d definitely want some if you saw…

(Kakashi: But I got caught.)

(p. 12)

Kakashi: But…. Everyone’ll want some if they see this, too.

How about stopping by the park and eating it there?

We’ll keep it a secret from everyone 😊

Bisuke: *happy face licking and barking* When we get home, I’ll eat the cod too!!

Kakashi: Uhh… Well, Uhei and Guruko already ate it…

Bisuke: WHAT?!!!

(Flashback, Uhei and Guruko saying ‘Cod! Me too!! Me too! I want to eat some too!’)

3. Kakashi’s smile

(p. 13)

*paws thudding on ground/running away*

Kakashi: …Got you.

Akino: Ack!

It’s always only me that you brush so roughly, Kakashi!

Kakashi: It can’t be helped, can it? You have the thickest fur, Akino

*brushing softly* It’ll be over soon, it’ll be over soon…

Other doggies: That seems nice to me, Akino…

Kakashi: Hey, it’s falling out, it’s falling out ~

Akino: !!!

Kakashi: Look, it’s a mini Akino!! So much fur…

Akino: That’s too much hair off the bottom, Kakashi! Wha…

(p. 14)

*Kakashi continuing to laugh at his mini Akino*

Akino: There are times now where Kakashi summons us, even if he doesn’t have any business for us to take care of…

(Back then) he never ever summoned us outside of missions…

(p. 15)

Akino: He was doing all kinds of things, but he was the kind of person who never had a smile on his face…

Kakashi: If I had more time, I could make an even hairier one, you know

(Other dogs: *laughing* Akino: That’s a lie!)

Akino: Kakashi…. You're having fun?

Kakashi: *genuine smile* Yep, I am!

Akino: *smile* If you feel like it, you can keep going…

Kakashi: Oh?

(Later, Akino notices Kakashi has put sunglasses on the mini Akino)

4. Timid Bull (CW Animal Death)

(p. 16)

Bull: I’m the last ninja hound that came to Kakashi’s home.

Before that, I was living in a training centre for ninja hounds.

(4. Timid Bull)

The dogs I lived together with there… were all adopted when they were puppies.

But I still lived at the training centre, even as I became fully grown.

Ninja Hey, that dog looks tough, doesn’t he?

Centre manager: Yes, but… he’s not all that suited for battling…

Despite how he looks, he’s actually a timid dog.

Bull: I… I’m scared of insects. I’m scared of noises.

I’m scared of blood.

Centre manager: Because he can understand the stories of troubled humans, you see…

Bull: I’m scared of anything other than myself.

(p. 17)

Bull: Nobody would want a dog like me, right?

Kakashi: I found a good boy ~

Bull: *panicking* There’s no manager here!

Kakashi: Hello ~

Bull: …Hello… *heart pounding*

Kakashi: Ah, one that talks, huh…

Would you like to become one of my pups?

(p. 18)

Bull: Me…? Me, really? Quit it… That’s enough joking around.

Kakashi: What do you mean?

Bull: No-one wants me (😢)

Kakashi: No-one?

I want you, though.

Bull: What kind of a strange person would want me, I thought

(p. 19)

Bull: There were lots of dogs at Kakashi’s house

(Happy barking doggy noises)

Uhei: Woah, you’re huge! But among these guys, I have the fastest legs, you know!!!

Guruko: And I have the best nose!!

Biscuit: And I’m whiny!! (Note: lit. ‘I’m selfish!’)

Shiba: I have the sharpest bite!

Pakkun: I am the wisest. (Note: Pakkun I think uses Kansai-dialect Japanese lol so he sounds kinda... distinct. This is hard to convey for me lol)

Urushi: I’m popular with the ladies ;)

(Akino: I’m the fluffiest!)

Bull: I was so confused

You… you’re not scared of me?

I’m huge, and I have a scary face… So no one comes near me.

They all said they weren’t scared.

The reason, they said together, was…

(p. 20)

‘Because Kakashi brought you, Bull!’

Everyone was totally relaxed, as if they had no worries at all.

They all clung to me as if it was completely natural to do so.

I realised that there’d always be someone beside me.

(p. 21)

*sounds of paws scuffling against ground in first two panels*

*jumping to the ground noise in third panel*

Kakashi: …Bull, this way is a dead end.

Bull: …Sorry.

I couldn’t go back to where you were, and I thought so, but -

(p.22)

Bull: *looking at dog* He asked me to stay by his side.

…He was an enemy, but he was already dying.

That’s why, Kakashi….

Kakashi: …Yep.

Let’s give him a send-off together.

(Note: this was a tricky one because Kakashi says 送る, which means send, and is used with mail etc, but can mean to say farewells to the deceased, which is why Bull comments on it on the next page)

(p. 23)

Bull: He wanted to say ‘I want to bury him’

But Kakashi said ‘send-off’.

Lightly, as if his life force was still there

There… there are a lot of things that scare me.

When I was waiting for this dog, I was scared.

But I couldn’t refuse his request.

(p. 24)

Bull: …I’m spineless.

Kakashi: Everyone else has lots of things they’re scared of, you know.

That’s why they all stay by your side, Bull.

If you’re there, everything will be alright. That’s how everyone feels.

If you’re close by, everyone’s able to feel safe.

(p. 25)

Kakashi: ….This puppy, too.

Dying dog: …Please…

Bull: That dog…

Dying dog: Stay with me, until the end…

Kakashi: Because you stayed with him, Bull, he felt at peace, didn’t he?

Bull: I don’t think that dog was happy…

…Kakashi.

He was very thin, and he also smelt like he was sick

To protect themselves, his owner didn’t treasure this [this dog’s] life.

Kakashi, I…

Somehow, I..

I’m very…

(p. 26)

Bull: I wanted to cry out as loud as I could..

Kakashi: Yeah… (I’m not sure who’s saying this line)

Bull: For feeling guilty towards that dog, and for knowing Kakashi…

For my life being here now.

For my life, I wanted to cry it out until the blood came out of my throat.

(p. 27)

Bull: That dog…

I wonder, was that dog ever able to feel like this, even once?

(Flashback) Doggies: Because Kakashi brought you, Bull!

Uhei: Hey!!! Bull!!

Shiba: You’re late!!

I was worried, you know!

Guruko: (to others) Hey, Bull came back!!

Bull: I’m Bull. The dog that Kakashi found.

5. Urushi’s scales

(p.28)

Urushi: I think I’m good looking

(5. Urushi’s scales)

Girl pups: Ahh~ Urushi…~

Urushi: I’m popular with the ladies

(note: he uses メス, which means bitch in the literal sense - a female dog - and all the puppers use it to refer to human women too. So I just left it as ladies, as I don't think the pups mean it to be crass, they just use dog language and apply it to humans as well as themselves)

Sometimes I’m told ‘it’s probably because you’re one of Kakashi’s ninken’, but…

(Background lettering over the other dogs says ‘Unstylish/Uncool/Lame’)

But my other friends aren’t all that popular, really.

Still, I think it’s because I really am good-looking after all.

(Choruses of ‘Urushi~’, ‘Ahh…; and ‘Let’s play together, Urushi)

Urushi: Hehehe…

Being good-looking is a great thing.

Guruko: Hey, Kakashi!

(p. 29)

Guruko: You got hit by a girl again, didn’t you?!

Kakashi: *laughing* No…

Akino: Why were you hit by a girl? Do girls not like you?

Uhei: It looks like it hurts…

Kakashi: Nooo ~

Shiba: You’re so strong, Kakashi, why were you hit?

Biscuit: You couldn’t avoid it?

Guruko: *Steam from nostrils* I’ll fight her for you!

Kakashi: It’s fine, it’s fine ~

What are you saying?

(p. 30.)

Urushi: Kakashi said ‘I took responsibility’.

Sometimes humans say things I don’t understand…

Girl dog: Urushi… pair up with me.

Urushi: If Kakashi’s saying it, it must be important…

Be… Because I’m one of Kakashi’s ninken?

Girl dog: It has nothing to do with that. I like you, Urushi

Urushi: Wow… *heart pounding*

Girl dog: Pair up with me, and…

I want you to leave the ninken. (Lit. Stop being a ninken)

(p. 31)

Girl dog: I love you, Urushi, but what if, on a mission, you…

I can’t stand the thought of that!

Leave the ninken, and… always stay in the village with me?

Urushi: This girl’s a beauty, and has a kind personality…

I think that I might want to be with her…

Should I leave the ninken?

(p. 32)

Urushi: *perplexed*

Kakashi, Bull and Biscuit: *zzz, sleeping sounds*

Urushi: If I said I wanted to leave the ninken…

Kakashi: (in Urushi’s imagination) If that’s what you want, Urushi

It’s fine with me! (Background: It would be a shame, though…)

Urushi: I feel like Kakashi would say something like that…

Do I want to do that…? Not really, but… *sigh*

Hey, Pakkun.

(p. 33)

Pakkun: Something bothering you?

Urushi: Yeah, there is

I have to decide between two things, but it’s difficult…

I want both of them, but I can’t have them.

Pakkun: … Is it a girl problem?

Urushi: Yep ~

Pakkun: That’s just like you, Urushi. (Pakkun’s imagination shows two girl pups arguing:

Urushi!! Which one will you choose, me or her?! *indignant barking*)

When making a decision about something, one needs to think about what’s most.

...important to oneself.

Let’s say you balance both sides on your scales…

Urushi: My scales?

Pakkun: For example….

(p. 34)

It’s not the physical weight, but the weight of what you think is precious and important. It’s the weight of those feelings.

If you think about which is heavier, you’ll find the answer.

Kakashi: You guys are having a kinda complicated conversation, huh…?

Pakkun: Oh, Kakashi, you woke up, did you?

Urushi: *heart pounding*

Kakashi: My scales lean towards sleep, you know..

Let’s eat soon, okay? Please…

Urushi: Kakashi…. Are you happy that I’m here?

(p. 35)

Kakashi: Hm? Yeah, I’m happy!

Urushi, of course I’m happy ~

(Note: the word Kakashi uses is 嬉しい, which is ‘ureshii’ so Kakashi is making a pun with Urushi’s name here.)

Urushi: *blush* Okay!

Pakkun: What we were just talking about… Don’t talk about it in front of Shiba.

Urushi: Huh? Why?

Pakkun: Seems like he recently had his heart broken…

(p. 36)

Urushi: The thing that’s most important and precious to me… isn’t you.

That’s why I can’t be with you.

I can’t be with you, but… you’re a beautiful and amazing lady.

So, let’s meet again one day ~

Biscuit: Kakashi! Kakashiiiii! It’s awful!!

(p. 37)

(*throbbing pain*)

Biscuit: Urushi’s hurt!!

(*dogs barking*)

Guruko: Let’s go fight them!! *steam from nostrils*

Shiba: No way, is it a girl? Kakashi, you better tell him off!!!

Kakashi: Did you get into a fight with a dog from the village?

Urushi: No, it’s not that…

I took responsibility.

I’ve got a manly mark on my face, heh~

Shiba: You better tell him off!! *bark*

Pakkun: That’s it…

6. Kakashi’s Helper Team!

(p. 38)

Kakashi: I’m home~!!!

Guruko: ?!!! Kakashi, you stink!!

Kakashi: *sweetly smiling* Oh, stop it…

I saw Asuma after a long time, and we talked and ended up getting some drinks… It was nice to see him… *flops down on floor*

Guruko: Take a bath!!!

Don’t go to sleep!!

(*soundly sleeping*)

(p. 39.)

Guruko: Uhei! Uheiii!

Uhei: What is it?

Guruko: Let’s clean up Kakashi!

(6. Kakashi’s Helper Team!)

Uhei: Ehh… But if he wakes up, he’ll take a bath himself, won’t he?

(SFX: Heave-ho! Heave-ho!)

Guruko: We can’t leave Kakashi as he is when he’s this stinky! It’s fine, take it off!

Uhei: Uh, this is stuck half way, I can’t take it off

Guruko: Because you haven’t taken off his leg bandages!

(p. 40)

Guruko: Damn, this is stuck half way *pulling*

Uhei: Isn’t that because you haven’t taken off his headband?!

Guruko: This is enough, let’s carry him to the bath like this!

(*dragging noises*)

Uhei: Won’t his clothes get wet?

Guruko: It’s fine, because we’re going to wash them anyway!

Uhei: It’s amazing… Kakashi still hasn’t woken up!

Guruko: Okay, let’s wash him!

Uhei: Isn’t that… the shampoo that we use?

Guruko: It’s totally safe!!

If it’s fine for us to use, it’ll be fine for Kakashi too, right?

Uhei: I guess…

(p. 41)

Uhei: We can wash his body, but what about his clothes?

(SFX: *scrub scrub*)

Guruko: If we wash them together, it’ll be fine! Hey, pour some hot water over here ~

Uhei: Okay!

(SFX: *splash*)

Kakashi: *suddenly yelling* I’m gonna die!!

Guruko: *screaming*

Kakashi: Even with my face covered, if you pour hot water on me, I can’t breathe, you know!! You really can’t do that.

Guruko: You woke up…

(SFX: *heart pounding*)

Uhei: You really scared me…

(p. 42)

Kakashi: You’d started something, and I wondered how far you’d carry on… Ah, I’m drenched.

Guruko: Ah, I’m sorry, Kakashi!!

Kakashi: Well, anyway.. you guys ended up cleaning yourselves pretty good too. You’re all drenched, too.

Guruko: Then I’ll go get some towels!!

Uhei: Kakashi, Kakashi

Guruko acts the way he does, but he really loves looking after you!

Kakashi: I know.

Biscuit: I want to have a bath with Kakashi too ~

Guruko: That’s not it! It’s just all slippery (note: not accurate, but the gist is that Biscuit misunderstands and Guruko puts him straight)

7. I’ll always love you

(p. 43)

(Flashback)

Sakumo: Pakkun…

Pakkun…

I have a favour to ask.

(Present)

Pakkun…

(SFX: Snoring)

Kakashi: Pakkun..

(SFX: Gasp)

Pakkun: Huh?

Kakashi: It’s time to eat.

(p. 44)

Pakkun: Alright.

(Other dogs: Food~ Food ~

Kakashi: Yes ~ Yes ~)

(Flashback)

Sakumo: Pakkun…

Pakkun….

Pakkun..

(p. 45)

Pakkun: Kakashi?

Kakashi: Hm?

Pakkun: For the mission report before… You didn't need me, did you?

Why did you bring me?

Other dogs: We want to come too!!

Kakashi: It’s just Pakkun for today

Kakashi: Hmm…

Hey, let’s relax here for a little while.

Pakkun: What’s this…

Kakashi: Come on…

Well…

(p. 46)

Kakashi: I want to talk about Dad.

…No. Maybe it’s a confession?

Talking about Dad…. Felt like something we couldn’t even broach. Ever.

I think you felt this way too, right, Pakkun?

I couldn’t tell you earlier that ‘it’s all right now’. Even though it was.

It was just a matter of timing, I guess…

Pakkun: But I wasn’t waiting for you to say that… Even if you’d have said it earlier, that’d have been good, but..

Why, out of the blue like this?

A change like that… Just like…

Just like…

(p. 47)

(Flashback)

Sakumo: I have a favour.

(Present)

Kakashi: The day Dad died…

Ever since then, for a long time, now… I became strange.

I’ve been nothing but trouble for you.

Pakkun: Kakashi-

Kakashi: Even though… you were hurting over Dad not being here too.

(p. 48)

Kakashi: Dad was your first master, right?

You really were precious to him.

….The other day, when you were having a nap, I woke you up, didn’t I?

It might have been because of the food, but your nose was twitching.

At first, I thought you were growling.

When I woke you up, you had a really startled expression when you looked at me.

I understood right away.

You were thinking about Dad, right?

(p. 49)

Kakashi: You were having a dream about Dad that time, right?

Thank you for always being considerate towards me…

But it’s alright now.

From now on, I want you to tell me…

The things about Dad that only you know.

(p. 50)

Pakkun: Sakumo…

(Sakumo: Pakkun…)

Pakkun: …really was a loving, kind man.

Kind, and…

(Sakumo: Pakkun…)

Pakkun: Kind, and…

…Kakashi.

I’ll tell you about Sakumo.

The things I’ve always wanted to tell you

I’ll tell you now.

Kakashi: Okay.

(p. 51)

Kakashi: Thank you for telling me about Dad, Pakkun.

Pakkun: …Don’t you dare die.

(Pakkun…)

I’ve had enough now.

Yeah. Enough.

(p. 52)

(Sakumo: I’m asking.…)

Pakkun: Sakumo…

The two of you are exactly alike.

Kakashi: Oh, really?

Pakkun: Everything’s alright now.

(p. 53)

“Kakashi!”

(p. 54)

(No text)

(p. 55)

Kakashi!

(p. 56)

Kakashi

(Note: I think the favour Sakumo asked of Pakkun was to take care of and be mindful of Kakashi always. This isn't outright stated)

#naruto #kakashi #kakashi hatake #hatake kakashi #pftranslates #fan comic #translation #fan translation

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yumeka36 · 3 years

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The ending of Frozen 2...a year later

I try to stay away from touchy subjects like this, at least here on Tumblr. But since @greatqueenanna @the-blue-fairie and @vuelie-frost have recently written inspiring posts on this topic (which you can read here, here, and here), I wanted to give my two cents (well, more like a thousand cents because what I thought would just be a few paragraphs ended up becoming a mini-book!)

Just to be clear, my intention here is not to argue with anyone or invalidate their feelings about the end of Frozen 2. It's quite the opposite, actually. In my view, when we're presented with a beloved hobby that has disappointed us, we have a couple of options: one is to simply stop partaking in that hobby and move onto one that brings us more pleasure (no doubt some ex-Frozen fans have done that), or keep sticking around the fandom despite constant negative feelings about it which, I can't imagine, is that enjoyable. But there's another option too: when presented with something we don't like but won't divorce ourselves from and yet have no power to change – in this case, how Frozen 2 ended – what we can change is how we view it. The fact that people who disliked Frozen 2 are still part of the fandom even a year later shows just how strong the Frozen characters and their world are…that despite dissatisfaction, fans are still not willing to give up on the franchise and leave it in favor of another fandom. And if they're not willing to give up, but still can't help feeling let down about it, I'm hoping the reasoning I present in this post can possibly offer a fresh and, hopefully, more appealing perspective. My intention here is to help alleviate hard feelings, not entice arguments.

I also want to mention that I'm only discussing the ending of the movie, specifically the fact that Anna is queen of Arendelle and Elsa is living in the forest. I've addressed most other topics of theorizing and criticism in my Frozen 2 analysis book “Seek the Truth,” which you can read here. While I did discuss the ending in detail in the last chapter, I didn't expand on it nearly as much as I will in this post.

To make things easier, I'm going to address the most common griefs about the ending one at a time and offer my input:

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Anna and Elsa were separated for 13 years so they shouldn't be separated again.

I definitely agree that it would be tragic if they were forced apart again, unable to have a relationship like they did for most of their childhood. But the more times I watch Frozen 2, the more I just don't see that in the ending. To me, a separation is when both sides are split up against their will, unable to get together again. That's not the case for Anna and Elsa. I admit the epilogue of the movie was rushed, but out of the many loose ends it could have touched on, the filmmakers made sure to include Anna's letter to Elsa about charades night, which to me shows that they want us to know that the sisters still get together regularly (that's the feeling I get from the movie; I'm not including the questionable canon of the storybooks/comics in this, which I’ll discuss a little later). We could still infer they get together even if they didn't show the letter, because we know the forest is free again and Elsa can ride Nokk to Arendelle whenever she wants. But the filmmakers chose to show the letter to make it clear that there's nothing keeping them apart.

So then the point becomes "spending only 3 years together isn't enough." What number is enough, then? 5 years? 10 years? Any number is arbitrary for a case like this. But the length of time doesn’t matter because, to me, Frozen 1 showed how strong of a bond Anna and Elsa have despite hardly ever being in physical contact…a bond of love strong enough to thaw a frozen heart. So to think that now they could never be happy unless they're physically together 24/7 does an injustice to that bond that transcends physical boundaries. They suffered because of their separation in Frozen 1 – that was a true separation, because they wanted to have a relationship but were forced apart against their wills – and at the end of the movie, they could finally have the relationship they were yearning for. And at the end of Frozen 2, not only was their love cemented further from the epic adventure they shared, but they can continue to see each other as a family as well as live out the new roles bestowed upon them. Unlike a movie with an actual separation ending, like Toy Story 4 for example, where Woody and Buzz would never be able to see each other again except by some crazy coincidence, there is literally nothing stopping Anna and Elsa from continuing to have adventures together in future stories, while also satisfying their new duties and enjoying their lives both individually and as a family. That sounds like a very fulfilling life to me.

But the "Anna sans Elsa" book proves that they barely see each other and Anna misses Elsa a lot.

This sentiment comes down to whether you want to consider the relatively few post-movie storybooks as true canon or not. I consider them loose canon at best because no one involved with the creation of the canon Frozen movies/shorts had any involvement in their development and probably even knows they exist. There's also the fact that they're having such a minimal release – just one or two European countries have been getting them, and they're not even being released in English, which is arguably Disney's largest market. There're also conflicting implications between the stories, for example, the "Anna sans Elsa" book implies that Elsa hasn't visited for a long time, but the German comic where Elsa visits for charades implies that she does visit regularly (from @bigfrozenfan‘s translation here, she says "I wouldn't have missed an evening of charades with you for anything in the world!"). Then there's the "Explore the North Book" which shows Queen Anna visiting Elsa in the forest. Just because this book isn't a story is no reason to disregard it, especially when you consider the fact that it was the first book released to show the sisters interacting post-movie, plus it was actually released in larger markets, like the US and Japan. Even Anna's letter within the movie canon itself, telling Elsa not to be late for charades, is not written in a way that implies she hasn't seen Elsa for a long time. If anything, it implies the opposite to me…that these visits occur regularly. So what we can conclude from this is that Disney's publishing branch is releasing a few post-movie stories to limited markets to make some extra earnings, but obviously the book/comic authors are restricted with the kinds of stories they can depict; as in, they can't have stories that would affect the lore and canon, like showing Elsa's role in the forest or how Northuldra/Arendelle relationships are progressing. So they're going with safe side-stories like Anna doing familiar things in Arendelle and Elsa visiting for charades – things that can be inferred from the movie's ending but don't continue the narrative past that. This could also be why these books are having such a small release. Perhaps because the English-speaking market is so large, anything brought to that market could be seen as having relevance and clout, and Disney doesn't want that for these stories (because there's really no reason to not bring the books to other markets when children's book sales are soaring thanks to the pandemic). The "Anna sans Elsa" book is even getting a re-release with new pictures, again, only in French, which to me further illustrates the limitations on post-movie stories currently going on. So ultimately, I would not take details from these books/comics that are available to only 0000.1% of Disney's worldwide market as the "word of god," especially when they're inconsistent with each other and canon implies otherwise.

Anna isn't fit to be queen.

I'm not really sure what (canon) examples there are of Anna showing traits that would hinder her ability to be a good queen, or at least not as good a queen as Elsa. Is the reason for this because of her naivete about Hans? There's no evidence that shows she hasn't learned her lesson from that…it's not like she rushed into marrying Kristoff right away. If it's something about her personality being too reckless or something, Elsa has exhibited recklessness too, doing things without forethought like running away to live alone in an ice palace and risking her life to dive into Ahtohallan. But despite having these very human flaws, Elsa still turned out to be a good queen, so why would Anna be the opposite? Anna has proven herself to be brave, noble, and outgoing with people…all of which are great qualities for a ruler. Plus she's lived among royalty her whole life, and no doubt helped Elsa during her reign as queen, so she's not going into the position as a total novice. We barely see Elsa doing queenly activities in the Frozen canon, so how can we assume she's so much more fit to be queen than Anna? Again, I think this is another sentiment that stems from an aversion to something unfamiliar: fans want Elsa to remain queen because we've been familiar with that for years, but that doesn't mean Anna can't be a good queen, too. Canon-wise we haven't yet seen Anna do anything in the way of ruling, so why not give her the benefit of the doubt and a chance to prove herself?

The first Frozen established that Elsa shouldn't live in isolation and yet she's doing it again in Frozen 2.

In the first Frozen, Elsa isolated herself out of fear and refused to even get near anyone. What evidence is there that this is happening at the end of Frozen 2? I've heard assumptions that she's living in Ahtohallan now, but we don't know that for sure. The last scene of the movie shows her heading in that direction, but she could be visiting too. But regardless of where her actual place of dwelling is now, there's no reason to believe she's shutting herself off like she did in the first movie. The epilogue shows that she's happily interacting with the spirits, the Northuldra, and makes visits to Arendelle. Home is more than just a physical place where one dwells and sleeps; even if the forest is where Elsa does this now, Arendelle is still her home in all other regards.

An offshoot notion of Elsa living on her own in the forest is that it's somehow akin to the idea that "people who are different should live outside normal society." I don't understand this because to me it implies the person in question is being shunned; that they want to live in normal society but normal society doesn't want them. That is definitely not what's going on at the end of Frozen 2. As I'll explain in the following paragraphs, Elsa stays in the forest because she feels a newfound sense of freedom and is thrilled to explore this new world she found, but she can freely go back to Arendelle whenever she wants, and there's no indication that anyone there loves her any less (they should love her more actually because they all witnessed her save the kingdom from the tidal wave!) At the end if the movie, no one's being ostracized for being "different." Everyone's doing what makes them happy and can freely come and go as they please.

Why does Elsa need to stay in the forest? Why can't she stay in Arendelle and visit the forest?

A large majority of the hard feelings about Frozen 2's ending comes from the fact that it didn't clearly show what Elsa's role in the forest is. I definitely admit that the ending would have benefited from expanding on this, even just another line or two. But to me, it still leaves enough information for us to make reasonable inferences about what she's doing. We don't see the Northuldra or Arendellians interacting in the epilogue, which makes sense since they hated each other for decades and it'll take time to mend the relationship between them. When Elsa says to Anna "we'll continue to do this together" conveys to me that she knows they still have work to do as far as making amends between the kingdoms…she and Anna can serve as dual queen ambassadors between the two sides, a bridge, so to speak. Then there's also the fact that the spirits were angry for decades and it'll take time for them to return to the peaceful coexistent they had with the Northuldra, something Elsa can certainly help with (again, we don't see the spirits interacting with the Northuldra in the epilogue, only with Elsa).

On top of that, there's the fact that Elsa spent her whole life believing she was the only magical being in the world, and now she's discovered this whole new land of magic just waiting to be explored. As I explained in my analysis book, if we consider Elsa believing for years that her powers were a curse and no one but her possessed magic, and suddenly she's brought to a place where other magical beings exist, as well as a group of people who live in harmony with them, plus the fact that she's somehow a bridge between both magic and humans, it makes sense she'd be ecstatic and want to spend time indulging in this new land. The reason she doesn't just visit the forest while living in Arendelle is because being queen is a full time job that requires her to be present as much as possible. Trying to stay on top of all her queenly responsibilities while going back and forth to the forest all the time wouldn't amount to the kind of quality she wants for Arendelle royalty. But having someone like Anna who's already familiar with royal activities and loves Arendelle with all her heart, would be perfect for the role. Elsa never indicated it was her dream to be queen of Arendelle. She was born into the role and accepted it, and if the events of Frozen 2 never occurred, would have probably lived out her life happily in that position. But happiness isn't necessarily a final destination and sometimes things come along that alter the status quo, but also enhance what we thought was already a good life. What we can infer from Frozen 1 is that she doesn't want to live in fear and have to constantly suppress her powers and that she wants to have a relationship with her sister again. None of this is taken away from her at the end of Frozen 2: she's not living in fear but in freedom, she can use her powers without restraint and in brand new ways with the spirits and Ahtohallan, and she can not only continue to see her sister often and foster their relationship, but she can grow her relationship with herself and this new realization about the origin of her powers. And still another reason, perhaps the true purpose of the fifth spirit is more than a single task and Elsa is trying to discover what it is: what more can she do with her amazing powers now that the forest is free, both for the benefit of the Northuldra, the spirits, Arendelle…maybe even the world? There's a wealth of possibilities for future stories, and I believe this ties back to the fact that the post-movie books/comics can't touch on what her role in the forest is because it's too closely tied to continuing the canon story, and until the heads at Disney decide what direction to take it, all spin-off content will be limited.

And yes, it's true that these are just my theories, but they're theories based on many hours of rewatching, analyzing, and thinking critically about the movie, which I think is better than just dismissing the idea that Elsa has a role to play in the forest simply because it wasn't explicitly shown. Just because Elsa's new lot in life isn't spoon-fed to us doesn't mean it doesn't exist, and I think it's much more logical, and imaginative, to assume she's doing the kinds of things I just mentioned as opposed to doing nothing of significance in her life now. I prefer to be logical and imaginative, so I’m going with these reasons unless canon shows otherwise.

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After reading all this, you might think I'm in love with the ending of Frozen 2 and think it's perfect, but that's not the case. While I love Frozen 2 overall, I admit that the ending was rushed and it wasn't my first choice of an ending for the sequel I was anticipating for years. But at the same time, I'm open-minded, especially in regards to the fact that the story and characters I'm invested in are not my personal creations. They’re the products of someone else’s experiences, values, and beliefs, and I have to recognize that this is what makes them interesting even though I may not agree with everything. But who am I to say that my vision and headcanons for Frozen are somehow better than those of the filmmakers? I don't think so highly of myself as being more of an authority on Frozen than the creators themselves or even my fellow hardcore fans. But I have spent many hours of my life these past 7 years examining and analyzing the franchise and its characters, so I'd like to believe my words have at least some weight to them. That's the wonder of fiction…that someone's ideas can be interpreted and appreciated in a variety of ways by a variety of people. But that's also the tragedy of fictional stories that continue on with long gaps in between, like the gap between the two Frozen movies. During that long time, we can't help but build and prop up our headcanons and develop the feeling that we know these characters inside and out, what is and isn't good for them, how they would and wouldn't react in all situations, etc,. But two and a half hours (which is about the length of time of Frozen 1 plus the two shorts) is not enough time to show so much of a characters’ personality that we could really know them as much as we’d like (especially Elsa, who got relatively little screentime in the first movie). So when we're presented with the continuation of the story and find that the creators had a different view, a view that didn't return to the status quo we were familiar with, it can be very jarring. But that's the risk of falling in love with someone else's creations. And thankfully, the beauty of headcanons is that they're all our own and can be adjusted. Even though the outcome of Frozen 2 was not what I was expecting, it was a minimal effort to adjust my headcanons because I don't feel the ending was so outrageous and far removed from everything I loved previously about the franchise, for reasons I hope I explained clearly in this post.

If you still can't feel any better about the end of Frozen 2 despite all I've discussed here, I'm sorry…I really tried my best. All I can say now is that I hope future content will rekindle your appreciation for the franchise. I know it's been over a year since Frozen 2, which seems like a long time to go without any announcements of new material, but we have to remember that that's not a long time at all by Disney standards. The recent Disney investor's meeting proves how long it takes to churn out new content, especially on the animation side of things, as it took years for Princess and the Frog, Zootopia, and Moana to finally get new content. Disney immortalizes all their popular franchises and could go back to them months, years, or even decades later (The Lion Guard series came out over 20 years after The Lion King for example). Unlike other Disney franchises like Marvel and Star Wars that have their own production teams and studios, Frozen has to share resources with all of WDAS's other projects. So a year is still too early for the studio to go back to Frozen again, especially if you consider that it's technically only been a few months since we got new Frozen content in the form of Once Upon a Snowman. Patience is the key now and we don't know what the future holds. But I'm someone whose opinions will change with new information, so maybe tomorrow we could get an announcement about a new Frozen YA novel or Disney+ series that shows Anna and Elsa rarely see each other and Anna misses Elsa and Elsa's doing nothing noteworthy in the forest and everything I've said here can be tossed out the window. I don't think that will be the case though, so as long as we don't know anything for sure, I want to go with a positive outlook because, at the end of the day, your fandoms should lift you up instead of bring you down. Frozen is a juggernaut for Disney so I'd rather they take their time with the next installment for the franchise. It's not so much a question of "if" as much as "when" and "in what form"? So until we have those answers, I wish you all well…don't let the hope die out.

#frozen #frozen 2 #frozen2 #disney frozen

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davidmann95 · 3 years

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Got a handful of DC-solicit asks, so I’ll just write up my thoughts on the whole batch again.

Mister Miracle: The Source of Freedom #1: The BALLS to not only do the next Mister Miracle thing after King and Gerads, but to do it with Shilo Norman and therefore invite Seven Soldiers comparisons as well. I wouldn’t be that interested, but the preview art that came with the announcement looked fun so this is a maybe for me.

Wonder Girl #1: I got a Yara Flor ask so I’ll go more into detail with that, but this sounds...not good.

Future State: Gotham #1: Hahaha, thanks, call me in six months if the next team does something there’s a reason to give a shit about. Except...wait, Dennis Culver cowrote that E Is For Extinction Secret Wars mini, dammit this might be good. Either way though, god willing we get a Future State: Metropolis book by Dan Watters too.

Legends of the Dark Knight #1: Hopefully this going with Sensational Wonder Woman means there’s a similar Superman anthology in the cards too, but I won’t hold my breath. Darick Robertson doing Batman is enticing, but I’m not familiar with his work as a writer and the premise doesn’t sound that gripping so I’ll wait and see. That Francavilla variant though? DC, blow that up to poster size and you’d make a mint.

Milestone Returns: Infinite Edition #0: Hmm. I got love for Static, but I might wait for further announcements and/or buzz before taking the plunge on this one.

DC Festival of Heroes: The Asian Superhero Celebration #1: This is a SERIOUSLY stacked lineup, definite buy.

Stargirl Spring Break Special #1: Impeccable timing, DC. It feels like it must be some kind of statement that there are no Morrison members of the Seven Soldiers in the mix (even swapping out Ystin for the original version of Shining Knight no one cares bout) - we focus on the Moore fixation, but there’s enough tidbits that I really do feel like Johns probably flat-out hates Morrison. And what’s this ‘secret eighth soldier’ nonsense? There’ve always been eight soldiers, people have been joking about it forever!

Justice League: Last Ride #1: Discussed that announcement here.

Batman: Earth One Vol. 3: *blinks*

*blinks again*

*squints at the cover art*

...Geoff Johns are you seriously trying to step to Morrison and use the Miagani tribe? YOU SEE WHAT I MEAN PEOPLE

I Am Not Starfire: Interesting concept that seems like it pushes into indie-flavored territory as much as DC’s superhero output just about ever has, if word-of-mouth is good there’s a decent chance I’ll get this.

Action Comics #1031: Wonder if this is serious about the potential of Kryptonian refugees, given PKJ suggested the idea in Worlds of War and that could play a significant part in the New Krypton stuff from Bendis’s Legion (with Johnson being clear he’s following up on a lot of Bendis’s ideas with his own Superman run).

Superman #31: This sounds big-time like Johnson hammering Superman into a swords-and-sorcery shape for an arc since that’s his bag, but Superman’s malleable enough for that to work so I’m not complaining.

American Vampire 1976 #8: Still not getting, so.

Batman #108: Tynion’s well and truly figured out how to game the direct market’s dopiest instincts, hasn’t he? Well, as long as that’s in service of him getting to continue doing weird Batman stuff with Jorge Jimenez like introducing whatever the ‘Unsanity Collective’ is, that’s fine with me. And more Ghostmaker!

Batman: Black & White #6: Not as packed for the finale as some previous issues, but still looking good. And there’s really never gonna be a ‘last’ Scott Snyder Batman story, is there? Sure it’ll be good but that’s kind of a shame, his Detective #1027 feature really felt like a nice full circle.

Batman: The Detective #2: Guess I wasn’t the only one wondering if it was a stealth DKR prequel and they wanted to cut that notion out at the knees.

Batman/Catwoman #6: Still very down for it, but BOY that Batwoman costume Mann debuted on Twitter.

The Batman & Scooby Doo Mysteries #2: I recently finally started reading Sholly Fisch and companies’ Scooby-Doo Team-Up! recently after getting the whole run for free on ComiXology earlier this year and have fallen in love with it, so I’m totally grabbing this digitally.

Batman/Superman #18: “The Dark Knight and the Man of Steel are on a mission to stop the godlike Auteur.io from destroying the pocket worlds he’s created...but where on Earth did Auteur.io even come from? The answer starts not on Earth at all, but with an ancient cult of World Forger worshippers on a planet far away—and if our heroes are to have a prayer of stopping this mythic behemoth, they’ll need to get to the bottom of his power source, and quick! It’s a race against time as the parallel lives of entire worlds hang in the balance!”

Anonymous said: Haha is Yang really doing Superman & Batman vs. Zack Snyder and the Snyder Cult (look up “auter” if you don’t know what I mean)? That’s fucking hilarious, especially since he apparently comes from the World Forge which is where all the shitty Earths full of bad ideas are made. Pretty pointed criticism there if I’m reading it right.

I’ve seen two or three people other than this anon independently conclude this arc is about the Supermen and Batmen of the Multiverse teaming up to stop Zack Snyder from destroying them all and at this point I’m ready to ask my LCS owner if I’m allowed to pay more than cover price for this run.

Batman: Urban Legends #3: Much more into this after the Grifter and Outsiders stories in Future State.

Catwoman #31: No reason not to assume this’ll continue to be great.

Challenge of the Super Sons #2: Good for the folks who want this, and that Nick Bradshaw variant is fun.

Crime Syndicate #3: I wanna be convinced to get this book, but the interviews are not persuading me.

Detective Comics #1036: How long is Mora sticking around?!

The Dreaming: Waking Hours #10: Another one I’ve got nothing to say about because I’ve never been getting it.

The Flash #770: Actually really excited to hear about how bad this run will suck now that I know it’s by the mind behind that “Geoff Johns’ OC - do not steal - beats up the Grant Morrison DC future” catastrophe from Future State.

Green Lantern #2: Really couldn’t wait a month for Far Sector to wrap up, huh?

Harley Quinn #3: Still not interested, but that *is* a nice cover.

The Joker #3: There’s a very real possibility I’ll have dropped the book by this point if it turns out to be the illustrated editorial mandate I get the feeling it could be, but fingers crossed.

Justice League #61: Not complaining, but wow, this really is Naomi 2 since Campbell’s busy in order to provide the necessary material for the CW show.

Looney Toons #260/Mad #20: Were these grouped with the rest of the solicits before?

Man-Bat #4: Very curious how this’ll be received, given nobody much cares about Man-Bat but Wielgosz seems to be quickly becoming a favorite.

The Next Batman: Second Son #2: Hadn’t realized this was only 4 issues - guess for at least one of them it’ll be the Luke Fox book everyone expected in the first place.

Nightwing #80: Dick Grayson vs. Heartless, not how I expected the DC/Kingdom Hearts crossover to happen but I’ll take it. That variant though? ALL TIMER:

The Other History of the DC Universe #4: I was trying to figure out who the focus of #4 would be since we know #5 is about Thunder and Lightning, forgot Montoya was confirmed.

Robin #2: Wanna care, so don’t care.

Rorschach #8: I will get it and probably like it.

RWBY/Justice League #2: My thoughts here will be their own post because there’s something particularly notable, but:

Anonymous said: Have you seen the BATtleaxe from the new art for RWBY/Justice League?

Yes, anon. Yes I have.

Sensational Wonder Woman #3: Eh, premise doesn’t grab me but maybe.

Strange Adventures #10: God I love the book about how Adam Strange sucks.

Suicide Squad #3/Teen Titans Academy #3: Hahahahaha

Superman: Red and Blue #3: Fiffe and Stokoe doing Superman stories!!! And...Nick Spencer. With Christian Ward art?! Sigh, fine, hopefully it’ll be Nick Spencer doing a nice little comedy, and not having Grant Morrison Superman throwing his t-shirt away because he grew up and realized changing things is too hard. A horrible shame Pope is doing the main cover though, the allegations against him I guess never really got any attention. At least there’s this JPL variant:

The Swamp Thing #3: Swampy will never be my guy but very happy for those who dig him, because I imagine this’ll be terrific.

Truth & Justice #4: Normally I wouldn’t care at all, but what I’m hearing on Twitter about this is a crying shame - that Jeff Trammell is really talented and Red Hood is a favorite of his and this is likely to be one of Jason Todd’s few Actually Good comics, but that artist Rob Guillory is a bullying transphobic piece of shit. Sucks all around.

Wonder Woman #772: I was so excited for this run, and then Immortal Wonder Woman had to go and suck.

#DC Comics #Opinion

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buzzdixonwriter · 3 years

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TROTS AND BONNIE Review

Trigger Warning: This will review a work that often addresses human sexuality, emotional / physical / sexual abuse, and adolescents’ views on same. Be advised.

. . .

When I was growing up in the 1950s and early 1960s, two old comic strips that remained popular were J. R. Williams’ Out Our Way and Gene Ahern’s Our Boarding House, both started in the 1920s and, from their daily panels and Sunday pages, never moving out of that decade. My favorite cartoons on local kid shows were Fleischer Brothers Betty Boop and Popeye cartoons, many of which took place in urban / suburban settings heavily reflective of 1920s and 1930s America.

So when I first encountered Shary Flenniken’s Trots And Bonnie I instantly recognized the flavor and style of the strips.

The content, on the other hand, came straight out of her underground comix pedigree, with the refreshing point of view of the female gaze instead of the admittedly too often misogynistic male cartoonists of the milieu.

Flenniken is one of the best artists and writers to come from the underground era, displaying a confident early mastery of the form (don’t listen to her protestations she really wasn’t good at the start of her career; she clearly ranked among the finest of the underground comix artists).

But the sweet and innocent look of Trots And Bonnie belies the frank and frequently shocking honesty of Flenniken’s work.

As cartoonist Emily Flake notes in her introduction, “that’s the terrible power of children, the monstrous innocence that makes them capable of anything, a state of being we fatuously describe as ‘pure.’”

Innocence is not synonymous with purity in the world of Trots And Bonnie because the cast lack the moral and cultural filters we acquire as adults. They are reporting on reality as they see it, and as with all children (and the elderly, and drunks) there’s nothing to stop them from commenting on the foibles of hypocrisy of humanity, nor is there a single iota of shame to hold back their expression.

And when you add the impact of puberty to that mix, holy &#@%, you have no room left for pretense or propriety.

Hold on to your hats, folks, ‘cuz it’s gonna be one helluva ride.

One helluva ride…and a hilarious one, too.

If modern audiences can get past the admittedly often shocking visuals and situations, they’ll find some of the most brilliant coming-of-age comedy ever penned.

The truth is always an absolute defense, and Trots And Bonnie dishes it out lavishly. Brava to Shary Flenniken for having the courage (or honesty, of lack of filter; take your pick) to pen it, to the original underground comix and National Lampoon to publish it, and to new York Review Comics to bring almost all of it back (Flenniken herself opted to withhold a few strips that she feels might be construed now as hurtful or insulting).

Flenniken is the daughter of a military family, growing up in a variety of climes and places before her father retired in the Seattle area.

She reached adolescence and young adulthood during the hippie era, and the earliest strips cast a fond eye back on that time.

An original member of the infamous Air Pirates crew, she and fellow underground comix artists gained immediate recognition skewering Disney icons. Air Pirates Funnies and Paul Kassner’s The Realist generated no small amount of tsuris for the House of Mouse in the late 1960s / early 1970s but The Realist, true to its name, possessed to good sense to adhere to the unofficial so-called “one-time fair use parody” rule while the Air Pirates pressed their luck with Air Pirates Funnies #2, resulting in the Disney legal department descending on them like an anvil dropped from orbit.

Crawling away from the wreckage, Flenniken kept contributing to a number of underground venues, creating the first Trots and Bonnie strip for the 1971 underground comix Merton Of The Movement.

Trots and Bonnie (soon joined by Pepsi, a beguilingly sweet looking elfin-like child with the heart of Germaine Greer, the reproductive organs of Karen Finley, and the mouth of an interstate trucker) popped up in several single page strips and short stories until NatLamp recruited Flenniken in 1972 to be a regular contributor and (briefly) an editor.

NatLamp proved to be the perfect venue for Flenniken and her characters because the magazine possessed the economic mojo and suicidal “Who gives a &#@%?” attitude to publish Trots And Bonnie while at the same time providing a perfect audience of proto-incels who desperately needed some consciousness raising, especially if said consciousness raising arrived in the form of a kick in the groin.

Trots And Bonnie’s tenure at NatLamp lasted slightly more than two decades, but a big hunk of that era saw the Reagan culture wars raging, not to mention much of the country becoming obsessed with a literal modern day witch hunt in the infamous Satanic panic (an apt subject for Flenniken’s characters, but one she wisely avoided, thus following the old military adage, “Never draw fire on your own position.”).

The already edgy material in both NatLamp in general and Trots And Bonnie in particular threatened to be perceived as too edgy by law enforcement, legislators, and judicial authorities who seemed either unwilling or incapable of distinguishing between photographs and video of actual sexual assaults and rapes committed against real children as opposed to crudely drawn Xerox copied mini-comics made by outsider artists with audiences that might possibly number in the dozens.

Flenniken’s willingness to honestly recall the turbulent emotions of early adolescence resulted in stories and strips where prepubescent kids engage in activities and discussions that would be acutely problematic if done today. Again, the utter lack of self-consciousness in Flenniken’s characters swerves her work away from the low grade smut ground out by many of her male contemporaries and flung open a window on how adolescent females perceived the world around them.

The stories are wildly transgressive, and like all transgressive art can only be understood in the context of their time and mores. Flenniken’s art carries a sweetness that leavens out the most horrendous situations (she gets astonishing comedic mileage off a story about a woman raped by a police officer, never once blaming or exploiting the victim but lambasting the culture and mindset that makes such a crime possible).

The fact these stories are told from a vibrant feminist / sex positive point of view makes them relevant to this day, and Flenniken’s ability to draw both truth and humor from dysfunctional families, emotional abuse, and drug use keeps them from being one-note exercises.

Most importantly, Flenniken comes across as strongly pro-child, even while honestly depicting her own characters’ failings and misconceptions.

She always brings a genuine emotional connection with her characters as adolescents, neither glorifying nor patronizing them.

One of the most notorious Trots And Bonnie strips finds Bonnie looking at herself in a mirror, fantasizing she’s famous actresses of the past.*

At the hands and brush of Norman Rockwell, this theme tries for poignant but lands in schmaltz, looking down on an anxious child studying her reflection in a mirror; in far too many bad novels by sub-par male writers, it’s borderline (and often not-so-borderline) pornography.

At the touch of Flenniken’s deft pen, it’s honest and sweet and shockingly frank but it never depicts Bonnie as a figment of the male imagination but as a character and personality all her own.

Flenniken has not done any new Trots And Bonnie strips since the last ones published in NatLamp in 1993.

To be honest, I think that’s a good thing.

The characters are of their particular time and cultural gestalt, it may not be possible to recapture that lightning in a new bottle, and rather than diminish the old, perhaps it best remains a perfect artefact of its era.

Mark Twain tried repeatedly but could never transport Tom Sawyer and Huck Finn out of antebellum Hannibal, and to use an example more contemporary to Flenniken’s work, the Fabulous Furry Freak Brothers resolutely thwart all efforts to move them out of San Francisco during the Summer of Love.

You can’t go home again, as Thomas Wolfe famously observed, but that only applies if you’ve successfully left home. At a certain point, if you haven’t moved beyond your old confines, you never will.

Flenniken’s honest frankness could have turned into a big crosshair on her back during the cultural wars, but to paraphrase John Lennon, life happened while she was making comix.

She married twice, divorced once, widowed the second time. While she never completely withdrew from professional illustration, she no longer sought out the high profile gigs.

Trots And Bonnie from New York Review Comics is the first extensive English language compilation of her strips and stories, a very handsomely produced volume designed by Norman Hathaway.

The strips are meticulously presented, making it possible to enjoy Flenniken’s fine line work and exquisite character depictions in greater detail than every before. It’s a genuine delight, sure to thrill old time fans of the original strip and quite likely to win a new generation of admirers.

But brace yourselves, noobs, this ain’t your grandma’s Betty Boop…

* It should be noted that for all its apparent revolutionary newness, the counterculture of the 1960s and 1970s, the crucible that forged Flenniken’s point of view, also enthusiastically embraced the past. W. C. Fields and the Marx Brothers became cultural icons to a new generation, Betty Boop regained her old popularity, old movies were rediscovered and reimagined, African-American spirituals and blues sprang from new voices, obscure books and novels from earlier decades and centuries became the new cultural touchstones.

I’ve posted elsewhere on how the boomer generation enjoyed a unique conflation of new technology and old media to produce a brand new synthesis; there has been nothing like it since even with astonishing advances in technology. When old media is rediscovered and reinterpreted in this era, it too often tends to be in the form of irony, which mocks that which it cannot understand.

Give those old hippies their due -- they got the &#@%ing point!

#Shary Flenniken #Trots And Bonnie #New York Review Comics #comics #underground comix #Air Pirates #National Lampoon #NatLamp #cartooning #counterculture #hippies #1960s #1970s

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marksarmel · 4 years

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What I’m Consuming

Gather ‘round ye mongrels of media as we attempt to satisfy our primal urge to consume!

I started watching Steven Universe and these tasty 10 -12 minute episodes are like candy for my soul. Fun and light and happy.

Warrior Nun - Three episodes in and it’s a bit slow paced and I’m not a fan at all of the narration, but the action is very well done and it seems to be getting better. I do love how seriously they’re taking a seriously ridiculous concept.

Game of Thrones is on rewatch. Not sure if I’m doing this to try to gain a new respect for some of the show’s lowest moments or just to relive the dragon fights and bastard fights and girl fights and wight fights and Tormund making goofy lusty eyes at Brienne. Also, can we get a GOT X-Files type of spin off with these two please? The first episode can be them figuring out whatever happened to Daario Naharis.

MOVIES

Take Shelter - This is an oldie that I was recently reminded about. Directed by Jeff Nichols and starring Michael Shannon and Jessica Chastain Take Shelter is a lazy snake that you’re not quite sure if it’s poisonous or not. Nothing in this film happens fast and everything feels cramped. Whenever Shannon’s Curtis LaForche is on screen he feels ill fit to the world around him. Like he’s wearing clothes that are too big for him and indeed in some scenes he looks that way as well. Chastain as Samantha, displays a weary tension throughout, but has a steady mid-western constitution that allows her to maintain her sanity when things get weird. Watch it, but not if you’re the least bit sleepy.

Life of Pi - In one of my bouts of insomnia I decided to rewatch this. It was as good as I remember and I even teared up. After it was over I found my blessed pillow and drifted of to a dreamland filled with tigers and boats and monkeys.

MUSIC

Crushing - Julie Jacklin (2019)- If you believe a song can have a hauntingly danceable groove look for me at the edge of the dance floor hoping Julia Jacklin will pick me. Body, the opening song to her album Crushing is like walking the hallways of your high school at 2am in the morning. Everything is stuffed with an adult melancholy that the kids only mime in broken hearted text messages. The soft plodding bass and spare drums plucked at my emo heart strings so deftly that my first listen turned into a second third and a then a fourth when I watched the video. Now I’m off to listen to the rest of the album.

Oh My God - Kevin Morby (2019)- Oh my god indeed. I recently stumbled across Kevin Morby and I’m so glad I did. There’s a yearning religiousness that runs through this album, but don’t let that burden you. The music here is haunting, beautiful and vividly illustrative of those parts of America that feel sleepy, dark and a few years behind.

To Pimp A Butterfly - Kendrick Lamar (2015) - When this album dropped I remember being slightly disappointed as I was expecting something more in the realm of good kid, m.A.A.d city. After several listens I realized it is very much in the same realm. It’s just that the realm is Kendrick Lamar’s and he roams large. I’ve returned to this album lately as a salve for what’s happening now. It’s a salve and also a guiding light. How can it not be with songs like, Alright and the self realization of Momma and I?

The simple fact is Kendrick is a storyteller from a different time, the future perhaps, or maybe the past. Alternate dimensions are not out of the question. In a time where we are careening wildly from fear to hopelessness to hate to the unknown, Kendrick’s lyrics are the guideposts leading us home.

Tobe Nwigwe - I mentioned him in a WIC recently and was pleasantly surprised when a friend posted a video of him on a track with a guest verse by Paul Wall. The track Juice is a banger through and through with my favorite verse being when Paul calls Tobe, “Too real. True and real. Trill.”

Love What Survives - Mount Kimbie (2017)- Sometimes an album digs deep into your ear like Dig Dig and you can’t shake it no matter what. This is a good good thing. I’d heard a couple of songs from this album (Blue Train Lines with King Krule and Marilyn with Michau), but never gave it a full listen. I finally did and it’s like a lazy drive with the windows down on a cool day that ends with a sweet makeout session at night in a parking lot. Soft, electronic music with a deep soulfulness.

COMICS/BOOKS

Silver Surfer - Parable - This old classic by Stan Lee and Moebius is an interesting ride. It moves at a brisk pace and some of the story feels a bit dated, but it’s always a joy to see work by Moebius.

I re-read Jupiter’s Legacy Part 2 recently and was just as immediately enthralled as I was in my first read. The art from Frank Quitley is as gorgeous as ever and while the story by Mark Millar rushes a bit too fast to the end it’s still a great read.

The History of the Marvel Universe - This plucks all my Marvel nerd boy heart chords. The art is beautiful and while the writing feels a bit cramped as it struggles to fit in all the bits and pieces it’s a must have for any Marvel fan. (Add artist and writer names)

GAMES - I’m still driving with Mario Kart. It’s just too good.

RANDOM NOTES

I have re-discovered candy from my childhood. Obleas Mini Wafers and Gloria’s Goats Milk! I used to get these when I was a kid when my mom went to Mexico and brought them back for me. The Obleas are like tiny tortillas, about the size of a silver dollar, with a caramel filing in the middle. The outside is this super thin wafer that always reminded me of the wafers you get when you take communion. You can eat these without having to admit your sins so that’s great!

The Glorias are like mini sausages, but have nothing to do with meat. They’re made from goats milk and often come with pecans. As a kid I used to eat these by the handful, but now I savor them and take a half a bite and then come back later for the other half. Andalé!

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umbraastaff · 5 years

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I’ve just been thinking--it��s about time I make a proper index for my TAZ fics, huh? Also contains: mini-series, ficlets, goof posts, and lyric comics.

(All of the fics are rated G, or T at most for McElroy-appropriate language.)

FICS

I Saw Seven Bounties | Canon Compliant, Enemies to Friends, Complete | Mostly lighthearted, episodic recounting of Kravitz and Barry’s rivalry throughout those first twelve years on Faerun. 24K. -->Extras: Lich Eyes, Fantasy Starbucks, Alt POV for Chapter 1 & Chapter 5, Sorry

They Say Fire Took Phandalin | Small-town supernatural/sorta-haunted-house AU | Fresh out of grad school, Barry Bluejeans takes a job and a house in the rural nowhere-town of Phandalin. And it’s not like he thought fitting in would be a walk in the park, but the people there all act really weird, and it’s almost like they’re expecting something of him, too. 11K/~20K.

What Can’t Be Done Alone (Detective Squad) | Canon Divergent, Found Family, Fluff | AU where the voidfish works a little better, and Angus never finds the Bureau. Instead, he finds a strange lich in a cave, and he most certainly continues to work this case and not gradually get adopted instead. 18K/~22K. -->Extras: Drangus AU Oneshot

If I Wanted to be Funny I’d Name This Fic “The Time Belt” | Futuristic sci-fi AU feat. time travel | Taako meets the only people in years who recognize the Institute’s name. Known time criminal Barry Bluejeans continues to evade law enforcement. 2K/??.

Overgrowth / Undercurrent | Roleswap AU, Johnchurch, Pining, Twoshot, Happy ending optional | Overgrowth is a oneshot that follows John, the Starblaster’s chief diplomat, through a series of parleys with Merle, the center of the plane-consuming mass of plants that’s been chasing his crew. Undercurrent is a sequel about their post-canon reunion. 4K + 6K. --> Extras: PLAYLIST by @merle-casts-zone-of-truth

Davenport Remembers | Post-canon, Oneshot | Davenport meets with his crew members to try to reconcile his anger with Lucretia, or to decide whether he should. 1.5K.

MINI-SERIES

AU Where Taako is a Lich - Pretty much what it says on the tin here, folks!

Baritz (ask series) - A fusion of Barry and Kravitz, who took over my blog and answered asks for a while. (He originated in the Gallows/S&S lyric comic.)

Good Adventures (Good Omens crossover) - The Antichrist’s wishes summon the wrong boatful of aliens. Thankfully, it seems they’re apocalypse experts. [with plot-ideas help from @avijohann.]

Omen Zone (Good Omens crossover 2) - Barry is a demon. Kravitz is an angel. Kravitz probably won’t ever admit that they’re friends.

Pokémon: Century Version (Pokémon crossover) - Stolen Century AU where they’re all pokémon trainers. Faerun spin-off: Double Trouble

Till Death, Don’t Let’s Start - Barry fucks up. Kravitz is present.

Very Normal Blog Posts (ask series) - In which Garfield is not at all dangerous, and I am perfectly fine. <alt: chronological link - desktop only>

COMICS & ART

Gallows/Steady and Stronger (Double lyric comic) - Canon-divergent AU where, as the world is ending, Barry gives up to Kravitz. [Image description version]

[Lyric Comics] - Other, shorter lyric comics based on single verses of songs.

Dear Scientist’s Log (series) - Illustrated ship logs from Barry J. Bluejeans.

Movie Madness (Comic) - Barry obsesses over the unforgivable.

Palette Prompts (Arts) - Art from art meme prompts.

Pregananant (goof comic) - You know the one.

REAPER (Comic) - Baritz fuses with Lup.

These Jeans? (Animatic) - Barry advertises jeans.

They’re Both Tessa Thompson (Comic) - Lucretia has a nightmare. Barry reassures her.

War (Goof comic) - prompt: "taakitz with CAT”

What’s bigger than this? - The Red Robe.

FICLETS

Back Soon - Kravitz leaves a note with unfortunate wording.

Bodyswap: Barry & Davenport - During Wonderland.

Casual - AU where the red robe talks like a normal person.

Command - Barry misuses his magic.

Davenport - There’s something unsettling about that butler.

Hangin’ Out - Lup and Magnus.

Harvest - Roleswap AU: Barry is the Hunger.

Healing Necromancy - Merle tries to teach Barry some tricks.

Hope - Barry knows she’s still out there.

How Long? - Taako is frustrated.

In Pieces - The staff.

Liches Forget Too - AU.

Lucretia Forgets - In which there was a mistake with the voidfish ichor.

Lup’s Robe - Gifts from Taako.

Mourning Glories - The flowers in Merle’s beard.

New Years - Celebrations and fears.

Parole - Barry and Kravitz bonding hours.

Phone a Friend - Baritz (the fusion from Gallows/S&S) meets Angus.

Raising the Dead - Barry has to use his crew members’ corpses. [sequel]

Robbie...? - Magnus breaks into the brig immediately after Petals to the Metal.

Second Apocalypse - Based on that one party liveshow. What was the rest of the crew doing, again?

3 Sentence Fics - Pairing + AU prompts.

Smartstone - Lup gets stuck in a Stone of Far Speech, instead.

Stir Crazy - Barry waiting for a new body to grow. Thoughts of Lucretia.

Writing Things Down - In case you forget (again).

You Remember - Taako remembers.

PROMINENT GOOFS

Barry’s Dead - But he’s fine! Calm down!

Character Development - Joke’s on you, DM!

Crystal Kingdom - An absolutely bonkers arc.

Dealer - Merle pun.

Decapitate Me - for making this post

Don’t Care - Taako during the finale. [bonus]

Epilogue - Bracer struggles. [bonus: 1, 2]

Explain the Hunger (Good Omens crossover) - Magnus explains the hunger to Aziraphale and Crowley. They react in varying ways. [with cursed art contributions from @avijohann and @mspainttaz]

Fifteen Dollars - Plus interest. [Bonus]

Fullmetal Kingdom - They’re the same, right?

Gender - And lack of roles.

Gnomes Don’t Exist - They’re all aliens, actually.

Hot Diggity Shit - Been a while.

Icon Confusion - The saga of people thinking my icon is a carrot. [chrono link - desktop only]

Incomprehensible Denim - Jeff Angel’s illegal pants.

In Case it Changes Anything - Taako, Kravitz, and lies.

Irresponsible Teens - Magnus and Lucretia get into trouble.

I Saw Seven Nerds - That’s the post.

Gogurt - Taako’s crimes.

Learning to Drive - i.e. Barry & Davenport Bonding(?) Hours.

Live Shows - The general mood.

Lucretia’s Efforts - A proper meme? On my TAZ blog?

Lup Said No Thanks - That time Magnus was in a tree.

Magnus’ Death - So many close calls.

Nearest Middle-Aged Woman - Clint’s characters’ friends.

Necromancy? - You must be mistaken!

Ned’s Aliases - The Truth.

Pirate Debt - Davenport during that one liveshow.

Punch Squad - SQUAD!

Reaper Cloak - Thoughts.

Relic Names - She probably changed them.

Responsible Necromancy - Good and bad ideas.

Resume - It’s not like they thought it would be relevant.

Schools of Magic - And the Sash was what, again?

Self Care - Respect the dead, please.

Server Shenaniganry (art) - TAAKO THE CAT, NO!

Soulmate AU - Where your soulmate’s greatest enemy is on your wrist. [alt]

Stern’s Truth - You Know.

Taako’s Last Name - Taako’s last name.

Team Composition - The post where everyone wants to argue with me about what qualifies as a wizard.

Third Option - Taako saves the day.

You’re Laughing - End of Suffering Game.

THEORIES/MECHANICS/THOUGHTS

Aloof - Holes Taako refuses to fill.

Barry’s Lucky Possessee - Graphic novel theory hopes & dreams.

Catpiling - Stolen Century thought.

Davenport’s Deaths - Sucks when you always wake up driving.

Death Leaves a Mark - Stolen Century AU concept.

Everyone Else - Some people didn’t get perfect endings.

Fantasy Nonsense - lore about the word “fantasy,” as in “Jesus Fantasy Christ.”

Fragments - Magnus’ memory.

Forgiveness - Old post about the crew’s thoughts on Lucretia’s actions.

Forgot to Erase - Lucretia’s errors.

FULL TIMELINE POST - the Balance timeline.

Gauntlet - (disproven!) Theory about the final relic, from before it was confirmed in the show.

Gnome Nicknames - Thoughts on Cap’nport.

High School AU - Some old headcanons.

Home World Names - The pattern in surnames (or lack thereof) on the IPRE’s homeworld.

Hour - This isn’t a thought so much as an Actual Thing That Magnus Said before the time loops had started, which is absurd.

Idiots in Love - The IPRE’s collective braincell was lost for all of Legato. [2]

Liches, Alone - Being stuck as raw emotion for an awfully long time.

Losing Julia - And subsequent developments.

Love - What was remembered and forgotten.

Love Without Fear - Thoughts on bonds during the Stolen Century.

Memory - Barry actually shouldn’t have remembered anything.

Nickname - Memory of Lup.

Paladin Barry Theory - Converging evidence on Barry’s multiclassing.

Paradox AU - blueprint for 8th, 9th, 10th, etc. Bird AU of your choice(s). (Extra)

Phylactery Mechanics - How liches differ.

Produce Flame - Mechanics of John killing Merle.

Recklessness - THB’s actions recontextualized.

Relic Schools of Magic - They don’t have them!!!

Relicswap AU - Where all the birds get swapped out.

Seven Birds as Gods - Ask-prompt thoughts.

Staring at the Sun - The birds and their light sensitivity.

Story, Song, & Sorcery - Effects on the young population.

Sword Tornado - Magnus Mechanics. [bonus: Time Warlock]

The Good Place AU - A series of crossover thoughts.

Tree Climbing - Davenport shenanigans.

Unique Magic Types - [and combo styles]

What Killed Maureen - hint: it wasn’t Fisher.

#the adventure zone #taz balance #mine #index #there were a fair few in here that id forgotten about too!#god i hope i didnt mess up any of these links

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earthnashes · 4 years

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Commission Hiatus (and what to expect)

Heyooooooooo, so it's actually been a few days since this officially started, but it's about time I like officially announce it.

From now until December 30th, I will be going on a Commission Hiatus. This means, with the exception of Mini-Commissions, I won't be doing any commissions up until the hiatus is over. Everyone who's got a slot for the Nov/Dec queue will be moved into scheduling for January/February, so this ALSO means I won't be open for commissions up until like... March. I'll probably open queues for that far into the future for anyone who wants to go ahead and just secure a spot then, but I'll let ya'll know when I get closer to the end date of the hiatus.

For anyone a bit outta the loop, here's the journal that puts into context why this is happening:

https://earthsong9405.tumblr.com/post/189063632450/burnt-out-and-commission-hiatus

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So what does this mean? Welp, since I'm not putting every ounce of my focus toward commissions, I will be focusing on creating content of my own making (of which I've been severely neglecting as of late). This includes original work and fan work. So you can expect to see me uploading at a more frequent rate throughout this month and December! Some content you can expect from me:

Fanart | Headcanon Art/Posts:

LoZ

Super Mario

Miss Kobayashi’s Dragon Maid

MLP

Pokemon???? (maybe, haven't fully decided yet)

Original Work:

Feathers and Flowers

Sigrid and Felipe

Short Animations

And both of which includes stuff in the form of: written stories/fanfiction, comic strips/storyboards, streams, doodles, illustrations, character designs, whatever else I can think of.

I may not be able to get to everything but I'm gonna try to dish out as much as I can, and I'm very excited to share them with ya'll! If there's anything in particular you'd like to see from me in the meantime you're more than welcome to give me suggestions. <:

Now with all of this said, me putting a hold on my commissions does put me in the position of receiving no financial income for the duration of my hiatus. This is because commissions is my full-time job and the primary source of said income. So, if you'd like to support me from now until the hiatus end, or if you're just interested in supporting my content in general, let me take the opportunity to promote ways in doing so!

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My Patreon HERE

I have a patreon that I don't often advertise but it's still very much open to anyone who'd like to become a patron and support my work! Anything as low as a simple dollar is always very much appreciated! As my patron, everything I post is not behind any paywalls and open to everyone, even if you aren't signed up to Patreon in general. Instead, if you choose to support me you will gain access to:

Free artwork for Patrons

Commission Discounts

Simple tutorials and tips

Content and art I don't post anywhere else

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My Ko-Fi HERE

For anyone who'd like to make a small donation in show of support to my work and content but don't wanna sign up for the monthly structure of Patreon, my Ko-fi's a good alternative to this! For now it's simply a tip jar, but I'm trying to think of ways to make it more appealing and offers something in return as a thank you for support. But until then, anything and everything is always appreciated!

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PWYW Icon Commissions HERE

I'll do a spontaneous opening for my Icon Commissions. These aren't available as a regular commission type anywhere from me and is the only way to get one. Like last time, the slot number is already decided: 20 slots will be available when they open and it will be first come first serve. They will be opening this Sunday, 11 AM EST so if interested, keep your eyes peeled for that journal! <:

If you have any questions, concerns, or anything in between please let me know!

Thank you all so much for your support and for following my art. Thank you all for being the best community I could ever ask for. And I hope to continue earning that support; here's hoping you like the content that's to follow!

Thank ya'll so much! <3

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hisazuki · 5 years

Note

I read you are getting the new AnY fanbook! I received mine today and it is beautiful! I like everything Yona related. But I really liked the book. I still don’t understand the whole thing, since I’ve been only studying japanese for a year. But someday I will! You were the reason I find the courage to start studying this amazing language so thanks a lot!!!!! And I wanted to ask you since you usually know all the kind of info. How many AnY artbooks exists? I want to try and find one

Thank you! Reading your message makes me very happy

I’ll take this opportunity to answer about all Kusanagi artbooks and not necessarily only the AnY ones, since I’ve been asked this often in private asks and never took the chance to post everything on this blog.

There are only 3 books that are officially labeled as “artbooks” or “illustration books”, but I believe anything with a significant amount of color illustrations can be counted as an “artbook” too.

0. Self-published (doujinshi) fanart artbook - August 18th, 2007

This doujin artbook was published under Kusanagi’s pseudonym Keika and contains color fanarts from the following series: Detective Conan, One Piece, The 12 Kingdoms and Laputa the Castle in the Sky. You can find more information and a few scans on my doujin blog.

1. NG Life booklets for signing events (Yokohama, then Fukuoka on June 28th, 2009)

The first illustration book Kusanagi ever released about one of her professional works was a mini NG Life artbook she made (and printed herself, I believe) for an autograph session in Yokohama. She mentions it on her blog but doesn’t give a specific date for the event (it happened before she opened her blog). She mentions making another booklet with rough pencil sketches for the June 28th autograph session in Fukuoka. The post she made about it has a picture of sketches that weren’t included in the booklet. Both booklets are extremely rare and I couldn’t find any information about them apart from what Kusanagi has written on her blog. I believe, though I have no proof, that some of the sketches on her webclap are from those booklets.

2. First Collection artbook - freebie from The Hana to Yume 3/1 2014

This artbook was included as a gift in the 3/1 2014 issue of The Hana to Yume magazine. It includes color illustrations from the series Mugen Spiral, Yoiko no Kokoroe, NG Life, Game x Rush and Akatsuki no Yona. They’re mostly clean versions of titles pages published in Hana to Yume magazine, and there are also a clean cover illustration as well as a calendar illustration. A preview of the artbook can be seen here.

3. Mini AnY fanbook - freebie from The Hana to Yume 3/1 2015

This AnY fanbook has information about the characters and reprints of some anime key illustrations, manga title pages, twitter sketches and fanart by Berserk mangaka Kentaro Miura. I’ve posted complete scans on this blog.

4. AnY postcard book - freebie from The Hana to Yume 3/1 2016

The freebie has 8 postcards made from clean reprints of cover and title page illustrations from both Hana to Yume and The Hana to Yume magazines. I’ve scanned them all: first part & second part.

5. AnY sketchbook - freebie from Hana to Yume issue 8/2016

It has 7 pages of exclusive color illustrations, 5 pages of promotional B&W illustrations/comics reprints and 4 pages of pencil sketches of the cast as baseball players. I’ve scanned it in two parts.

6. AnY “Secret sketchbook” - included in the limited edition of volume 20, out on March 18th, 2016

This sketchbook has 5 pages of color illustrations, 46 pages of rough pencil sketches from Kusanagi’s twitter or blog (including new ones) and 2 pages of promotional B&W illustrations reprints. I haven’t scanned it yet.

7. AnY message cards collection - freebie from The Hana to Yume 3/1 2017

This mini booklet has 4 postcards made from title page illustrations, with chibi characters at the back. They’re not clean art but all include friendly messages. You can see preview pictures here.

8. AnY illustrations - included in the limited edition of volume 23, out on April 20th, 2017

This artbook has 58 pages of AnY color illustrations, including title pages, volume and magazine covers, promotional art, calendar and freebie illustrations, and bluray covers & postcards. I’ve posted a complete preview here.

9. AnY rough sketch collection - lottery prize in Hana to Yume magazine issue 18/2017

There isn’t much information about this lottery prize. It’s a B5 booklet that has rough pen(cil) sketches inside. Kusanagi tweeted about it and posted its cover. According to the magazine, it has 30 pages of preparatory sketches for the Xing arc chapters (including failed sketches of color illustrations) and 2 pages of bonus comic pages.

10. Debut 15th anniversary artbook - freebie from Hana to Yume issue 12/2018

It has 26 pages of color illustrations from the following series: Akatsuki no Yona, Yoiko no Kokoroe, NG Life and Boku no Kotori-san. They’re clean illustrations from title pages, magazine and manga volume or sketchbook cover art, freebie art (calendars, clear files) and twitter art. I’ve scanned it here: part 1 - part 2 - part 3.

11. AnY fanbook - out on November 20th, 2018

The fanbook includes 16 pages of color illustrations from Kusanagi’s twitter or blog (birthday illustrations mostly), special events (signing sessions, AnY cafe, bookstore promotional art) and magazine exclusive art like New Year cards or lottery shikishi prizes. It also has 6 pages of rough pencil sketches, new 4koma shorts, reprints of B&W promotional art, and 2 new bonus short comics. I haven’t scanned them yet but you can find a translation of the table of contents here.

I haven’t mentioned the B&W doujinshi compilations of rough sketches Kusanagi drew for her favorite series under her doujinka pseudonyms. You’ll find more information about them here & here on my doujin blog.

#ask #[AnY asks]#Akatsuki no Yona #AnY artbooks #Mizuho Kusanagi #information #doujinshi #NG Life

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stainedglassgardens · 5 years

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Your semi-regular self-care post

I haven’t made one of these in a long, long time, so I thought I’d make a short (lol) list of specific things that have brought me joy and were good for self-care.

Food

First of all let me rave on about my muffin maker! If you don’t know what they are, they’re tiny little electric thingies that look like waffle irons except, you guessed it, they’re used to make muffins (and cupcakes!). I got mine on sale for 20€, I got it because I don’t have any space for an oven in my tiny kitchen, and it’s quite possibly the best investment I’ve ever made. They’re easy to use, easy to clean, and take only a fraction of the space even the tiniest oven would. The only thing I’d recommend when you buy them is to get muffin cases with it (make for easier handling and much easier cleaning), as well as one of those wire rack thingies for cooling muffins off (much better than putting them on a tray and turning them over every few minutes for like half an hour).

The one I got is this one and I do recommend it.

My favourite (vegan!) muffin recipes to make in your muffin maker (or, you know, in any old oven):

Moist savory muffins with sun-dried tomatoes and olives

Carrot cake muffins

Lemon poppy seed muffins

Also consider, for healthy, filling (also vegan!) breakfasts:

Peanut butter and jelly overnight oats

Tropical mango coconut overnight oats

Generally the main thing that happened for me since the beginning of the year was taking my health more seriously. It has meant a lot more home cooking, as well as re-thinking the way I buy, eat and prepare food. I might make a whole post about that soon.

I also started doing exercise, which I won’t go into in detail here because let’s be honest it’s very boring unless you plan to get into it yourself. Let me just say, I’m about six months in, I’ve lost six kilos and all I needed was Youtube, a mini-stepper, a yoga mat and a pair of 2kg weights. If I, a human slug, can do it, pretty much anyone can.

Other great stuff I discovered recently:

Books

I don’t tend to read a lot of uncomplicated, feel-good books, but the few that I came across recently are:

The Wayfarers series by Becky Chambers (I’ve been following the series and the third instalment didn’t disappoint)

John Wyndham’s collection of science fiction short stories The Seeds of Time and Consider Her Ways

Emma Donoghue’s retellings of fairytales, Kissing the Witch

Frances Borzello’s non-fiction book Seeing Ourselves: Women’s Self-Portraits, which I’m including here because in spite of it seeming like a pretty niche subject, it manages to touch on all of art history through a new perspective, it’s richly illustrated and a quick read as well

Youtube

Pick Up Limes is a great channel where Canadian-born, Netherlands-based nutritionist Sadia Badiei talks about food, veganism and minimalism

Documentary series on Netflix

About food: Street Food, Flavorful Origins, Chef's Table

About nature: Our Planet, One Strange Rock

Films

Great comedies

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018): hilarious comedy from New Zealand, has romance but friendship is at the centre of the plot -- on Netflix

Identity Thief (Seth Gordon, 2016): very silly feel-good comedy with Jason Bateman and Melissa McCarthy -- on Netflix

Did You Hear About the Morgans? (Marc Lawrence, 2009): even sillier rom com starring Hugh Grant and Sarah Jessica Parker -- on Netflix

Dick (Andrew Fleming, 1999): It’s a comedy in which teen-aged Michelle Williams and Kirsten Dunst find themselves at the centre of... the Watergate scandal. Yes.

Great (and light) dramas, all of which feature virtually no romance

Little Forest (리틀 포레스트, Liteul Poleseuteu, Yim Soon-rye, 2018): a young woman leaves behind her life in Seoul to come back to the village of her childhood

Skate Kitchen (Crystal Moselle, 2018): skater girls being friends and supporting each other

Can You Ever Forgive Me? (Marielle Heller, 2018): inspired by the true story of a larger-than-life literary forger

Great documentaries

E il cibo va (Food on the Go, Mercedes Cordova, 2017): Italian food, Italian-American food, gastronomy, identity -- on Netflix

Jane Fonda in Five Acts (Susan Lacy, 2018): this one is pretty self-explanatory I think

And that, I think, is all! I also have a (sporadically updated) self-care tag here and on my other blog, with quotes, comics, things like that.

#selfcare #don't mind me

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hpfangirl13 · 5 years

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Shipping Questions Challenge

I saw some other people answering these questions so I figured I would. This is basically everything ever about my shipping history.

Talk about the first ship you ever had.

My first ship was Bellamort. I was 11 and was in the process of reading Harry Potter for the first time. Something about them both intrigued me and despite Voldemort supposedly not being able to love, I always felt like he had a soft spot for Bellatrix. After Cursed Child, turns out I was right. ;)

Talk about three of the most important ships throughout your life.

Bellamort is definitely one of them because they were my first ship, not to mention the first fanfic I ever read was about them. Jamko is probably the biggest one because ever since I saw them for the first time, I have been obsessed with them. They made me feel like no other ship ever did. The night they became canon was the best night of my life, hands down. Joe and Mika from Morning Joe are probably my third because they gave me the same effect Jamko did. I was obsessed with them the moment I saw them. Something about the way they interacted on screen made me love them. Now they’re married so woohoo!

What’s your current OTP?

Thomas Magnum and Juliet Higgins from the new Magnum P.I. They are my latest obsession and I love their will they/won’t they relationship. “Day of the Viper”, the newest episode, was huge for their relationship development. They’re completely adorable.

What’s your current NOTP?

Erin and Anthony from Blue Bloods. I love them both individually and working together as a team but I can’t stand that people are shipping them romantically. He’s more like an uncle to her, he’s just WAYYY too old for her.

Do you have any poly ships?

No. I’m not into that stuff.

How do you feel about love triangles?

Not into these either. They’re pointless and we usually already know who’s going to end up with who anyway.

How do you feel about RPF?

I ship a lot of real people and celebrities. I think it’s fine as long as people don’t get creepy about it.

Have you ever shipped yourself with a character?

Nope.

Do you have many ships that never got together at all?

The only one I can think of off the top of my head would be Captain America and Black Widow. They vibed all through Winter Soldier, but Marvel had to kill their potential relationship so that she and Hulk could be a thing. I’m still holding on to hope for them in Endgame though. I also have a lot of ships that are currently in the will they/won’t they phase.

Do you ship any characters that have never met?

No. I can’t ship people who I haven’t seen together.

Talk about your favorite first kiss.

Jamko’s first kiss back in season 4 of Blue Bloods. It was a little awkward but my 13-year-old self was losing her shit. I also had to wait a week after that episode aired to watch the episode. The struggle of having a flip phone and being on vacation was real.

Have you ever been disappointed when your ship finally got together?

YES. Jamko has been a complete mess all season 9. I’m not sure what the writers are trying to do with them, but they’ve completely killed their chemistry. I thought this season was going to be iconic, but it’s honestly been such a letdown. I wanted them together, but not with this sappy writing.

Has a ship ever broken your heart?

Jamko is kinda breaking my heart because they’ve been so out of character.

How do you feel about will they/won’t they?

It’s the best kind of ship tbh. There’s nothing better than the week to week anticipation of wondering if that week will be the week they finally happen or make progress. I love a good slow burn. You can’t say you’ve truly shipped something unless you’ve shed tears and felt pain because of the frustration of waiting.

Have you ever “shipped at first sight”?

Definitely. When you know you know. I fell in love with Jamko the minute I saw them.

Talk about a ship you initially disliked.

Initially, I hated Reylo. When Force Awakens came out I was 100% a Finn/Rey shipper. I thought her and Kylo were gross. But that all changed in The Last Jedi. Their “force Skyping” converted me. I love a good AU Reylo fic.

Talk about a pairing you’ve stopped shipping romantically.

I guess I would have to say Finn/Rey. He’s with Rose now, and as dumb as that ship is, I honestly think Rey and Kylo have more of a connection now. I also used to be really into Weller/Jane from Blindspot, but that pairing and show are shitty now.

Talk about a moment which made you question an entire ship.

This season when Jamie and Eddie were playing mini golf and Jamie revealed that he had proposed there, I was baffled. I simply don’t want to believe that he proposed to her there right after she saved him from being shot. Seriously, who thought that was a good idea?

Have you ever shipped something despite yourself?

There are a few ships that I kind of don’t advertise that I’m in to. Joe and Mika and Bellamort would be a few examples.

Talk about a ship you feel alone in shipping.

I feel like I’m the only person who ships Joe and Mika. I feel like everyone hates their politics and judges them because of what they talk about on their show. Also, they’re like 50-year-old news anchors and most of my friends think I’m pretty weird for liking them anyway. There’s probably someone out there who likes them as much as I do, I just haven’t found them yet.

Is there a ship you just don’t get, but have nothing against?

I guess Samar and Aram from Blacklist. They’re ok I guess, but I don’t really ship them. I don’t have anything against them though.

Which of your ships have the best chemistry?

Currently? Higgins and Magnum no question. But Ellick, Slibbs, and WonderBat are some of my other favorite matches in terms of overall chemistry.

Which of your ships deserve better writing?

JAMKO JAMKO JAMKO JAMKO JAMKO

Do you mostly ship canon pairings?

Many of the ships I have have become canon since I started shipping them. I find myself beginning to ship people, and then they get together down the road. There’s honestly nothing that I ship that I believe has no chance of getting together.

Have you ever shipped a pairing before you even started watching the show/movie simply because of gifs and graphics or similar?

Yes. This is what prompted me to start watching the new Magnum P.I.

Have you noticed a pattern in your shipping? Is there a romantic dynamic you’re more drawn to?

Yes. I love pairings where both people are very strong and independent, but unstoppable together. I pretty much exclusively watch crime dramas, so I especially love police and military couples. If they have obvious sexual tension, I’ll probably be drawn to them.

Is there a ship you’ve shipped for most of your life?

I guess my longest ship would be Bellamort, which I started shipping when I was 11. I’m 18 now, but 7 years is a pretty good amount of time. I’ve also shipped Jamko for 6 years now.

Does shipping come easily to you?

It’s like breathing.

Do you need to ship something to really enjoy a movie/book/tv show/comic?

This depends. In some cases, yes. But I love The Blacklist and I haven’t really shipped anyone on that show.

Name a couple of fandoms in which you have no ships.

I think Blacklist is kind of it… although I may be putting my Keenler hat back on soon.

Talk about one of your favorite headcanons for a ship you love.

The “sharing a bed in a hotel” headcanon is an all-time favorite of mine.

Name your favorite fan artist(s).

To be honest, I don’t really know any fan artists by name.

Share your favorite fanmix for your OTP.

For Jamko, the entire “The Block” album by New Kids on the Block. It’s not exactly a fanmix, but it’s a perfect album for them. I have made my own playlist for Magnum/Higgins recently:

“Juliet”- LMNT, “We Went as Far as We Felt Like Going”- Pussycat Dolls, “Big Time”- Big Time Rush, “7 rings”- Ariana Grande, “CRZY”- Kehlani

Do you create fanmixes/gif sets/fanart/fic/fanvids and so on for your ships?

Sadly no. I don’t have the talent or time.

Do you have a favorite trope and/or AU for your OTP?

Not really. I have to be in a certain mood to read AU fics anyway.

Do you like and use ship names?

I love them and use them frequently, as illustrated by this post.

Is there a fictional relationship you’d really want for yourself?

I live vicariously through Eddie Janko. In middle school, I literally tried to act and dress like her. So that should tell you whose relationship I wish I could be in.

If you could change one thing about your OTP, what would that be?

How Jamko has been written this season. Go back to season 9 episode 1 and start over.

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attract-mode-collective · 6 years

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Scorpion Vs. Elon Musk’s Mom: FIGHT

Yes, that is indeed Elon Musk’s mother up there. And no, I do not have a bigger sized version of the pic. Guess we could always ask captain-price-official if one does exist.

Or perhaps make your own? Here’s Elon’s mum by herself (and in higher res)...

And with that, it’s time to see what else I tweeted during the first half of March! So, sticking with fighting games: which Street Fighter character does lighting better? Ryu, via the animated movie (via settei)...

… Or Bison, via the live action flick (via toghomevideo)...

I absolutely love win quotes from rom hacks (via bison2winquote)...

I have a massive backlog of games, yet Tekken 7 just shot straight to the top of the list, thanks to the knowledge that you can accurately recreate Dynamite Headdy characters (via mysterious0bob)...

This Hatsune Miku X Space Channel 5 figure is v. nice (via nendoroidoftheday)...

A friendly reminder to everyone that A. I'm a massive fan of Seaman & B. my birthday is about a month away (via nutastic)...

This scene at the beach with a Figma of Link, from A Link Between Worlds, feels more like Link's Awakening than anything else (via vyntic)...

Toys and models are no longer just for reenacting memorable in-game moments, they can also reproduce famous IRL events that surrounded the games themselves (via 8bitcentral)...

So what's the going rate for ET for the Atari 2600 that was supposedly dug up in for that so-called documentary, Atari: Game Over? Which I recently re-watched and still can't believe people think is real. At any rate, am assuming the autograph from Howard Scott Warshaw gives it some actual value (via it8bit)...

And what's the going rate for Chinese Famiclone karaoke carts, primarily one with Jackie Chan on the label. Am also wondering if it's cuz his songs are included... you are aware of his successful career in music as well, right? (via ulan-bator)...

Been struggling to come up with a zinger for the past 10 minutes, but ain't nuthin gonna beat "Welcome to the Velvet Room y'all!" (via jatayu)...

To be filed under: it's funny cuz it's true (via doctorbutler)...

So the weather has been awful around these parts, lots of rain & snow, which gets in the way of imagining a giant tetromino in the sky (via uvula.jp)...

When playing Super Mario Galaxy 2, please keep in mind that somewhere out there, despite being out of view, is the ghost of Luigi floating through vast stretches of empty space, with zero destination or purpose (via suppermariobroth)...

Speaking of Luigi, and Supper Mario Broth; they’ve taken the adventures he talks about in Paper Mario: The Thousand Year Door and illustrated them in the form of a comic that closely adheres to the style of the game...

Also a friendly reminder of that rift between Mario & Luigi for a few years (they'd eventually make up & resume doing games together, as everyone knows) after Mario discovered his brother being all friendly with the enemy in Super Mario World (via peazy86)...

Yet another obscure Mario factoid: the move he uses to defeat Bowser in Super Mario 64 originates from an old furikake commercial that predates the game by about a decade (via suppermariobroth)...

Yet another random gif of Mario from the 80s, this one from a video guide from Super Mario Bros; I miss the days in which his look was not yet standardized (via suppermariobroth)...

And here we have a completely unlicensed Dr. Mario, unless Nintendo gave him the OK to brush up on his doctoring skills by assuming an alias at a family clinic in Houston TX (via suppermariobroth)...

It's funny how, when it comes to obscure Mario games, everyone brings up Mario Is Missing or Hotel Mario, but what about Super Mario Bros. & Friends: When I Grow Up? (via kazucrash)...

Mario gets his own breakfast cereal.

Luigi? Booze. (via @carolynmichelle)

A question that I posed on MAR10Day (via retrogamerblog)...

It's not Super Mario Bros, but simply…. Bros (via therubberfruit)...

I've never wanted something "bootleg" to be official as much as as this Dark Souls fan art. And if the actual game somehow looked like this, that would be... gladly welcomed (via gamefreaksnz)

Oh God, Nier is amazing and all, but I would SO be down for a yelling & screaming match with Yoko Taro on this point (via @Avisch_)...

Behold my fave Twitter thread in recent memory: "You see, that was taken from Africa, but it belonged to the Keyblade Masters. Imma take it off your hands for ya."

"Nah, It was taken by British soldiers in Africa but it's actually from Gaia. A sword far heavier than any sword has rights to be, yet a true 1st Class will wield it with ease. Don't trip, I'm gonna take it off your hands for you."

"Nah, It was taken by British soldiers in Africa but it's actually from Hyrule. Originally crafted by the goddess Hylia herself. Only a true hero that is pure of heart and strong of body is capable of wielding the sacred blade. Don't trip, I'm gonna take it off your hands for you."

Naturally the star of Home Alone 1 & Home Alone 2 has both a NES Classic and Famicom Mini, like all Hollywood bigwigs (via @SimonParkin)...

While discussing Ready Player One with a colleague, was reminded of the dude who was so inspired by the book that he turned his apartment into an arcade (and then his fiancé broke up with him; via nydailynews.com)...

Recently there was some kind of event at Sega HQ, I think? Details are basically nonexistent due to the language barrier, but far as I can gather, 16 super fans were invited to come by & party (via @SEGA_OFFICIAL)...

... If you check out #セガ公式アカウントオフ会 you'll see numerous pics from the get-together, though the one thing that stands out is the assortment of Sega hardware (via @KK__Cy)...

... MIA, cuz no variants were on display, is my fave alt ver. of the Mega Drive: the Wondermega. But @yu100s took one of his own… with the ugly ass US Sonic 1 NOT FOR RESALE cart inserted, Jesus fucking Christ...

The Sega logo in katakana looks pretty hawt (via @Exciteless)...

... Yet the Sega logo in Arabic which is official, is even hawter (via boingboing.net)...

Please enjoy your daily recommended dosage of an erotic hospital-management sim (via @topherflorence)...

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NCSX makes the fidget spinner comparison, though the fidget cube seems a bit more appropriate; behold the fidget game controller...

Toy Fair recently took place, and naturally I took tons of pictures. You can find all of them on my personal Instagram, though a few are worth re-posting here. Like the latest in NECA's line of classic movie characters, as they appeared in video game adaptations...

Though in the case of their take on the Alien vs. Predator arcade game, they even included Capcom's original characters...

Unpainted, pre-production figures from Reflection's upcoming Ghost 'N Goblins line, sporting the oh-so popular Kenner-eqsue retro look...

Pint-sized arcade cabs, available this fall for $400. They’ll come unassembled, though dead simple to put together; the construction of the assembled mini cab was surprisingly sturdy, plus the screen wasn't bad (contrary to the picture that my iPhone's camera paints). Though the controls were shit; no word on whether the parts can be swapped or not...

Was delighted to not not only see Cuphead merch at Toy Fair, but more than just one instance (though this was the only time I was allowed to take a picture)...

Came across a producer of infant goods that had a selection of Super Mario baby bibs...

I asked the rep if this was their first foray into video games and the answer was "Yes." And when asked who's been mostly buying them, was told "Video game collectors, who don't even have children… it's so bizarre!!!"

Sticking with bibs, here's a set that tied to Dragon Quest (via miki800.com)...

... I asked on Twitter what they said and @alexfkraus was kind enough to provide translations, here and here.

Was so inspired by @MinusWorld listing which characters he'd like to see in the next Super Smash Bros that I decided to cite a few of my own:

- Mona from WarioWare - Nester from Nintendo Power’s Howard & Nester comics - Link from that Japanese A Link To The Past commercial - A deck of Hanafuda cards

... BTW, had no idea Ollie also mentioned a Hanafuda; I only saw his initial four, initially! Anyhow, my second round of choices:

- Ashley from Another Code - The "who are you running from?" guy in the Game Boy Camera - Lucas from The Wizard - The 4WD from Stunt Race FX (since Fighters Megamix with the Daytona USA 2 car clearly ain't ever happening)

I alas forgot to include BoxBoy, much like how I got these Uniqlo shirts when they were on sale last year (via minusworld.co.uk)...

Here we have my fave reaction on Tumblr to the Nintendo Direct with the Smash 5 reveal, if only for the punchline (via mendelpalace)...

And here we have my fave reaction on Twitter (via @redford)...

This one is also great because wrestling (via @SteveYurko)...

Speaking of wrestling, remember that time Tazz, while commentating for Smackdown, was also playing a game of Final Fantasy X-2… or so he thought? (via defjamvendetta)

"hey quick question whoever's developing the wwe games now: what the fuck"

"It helps him eat small fish"

"better question: why isn't this an option in every game ever"

"FAIR POINT" (via snoozlebee)

Whereas most publishers in Japan, during the 80s & 90s, had festivals (or carnivals) centered around shmups, Asmik's was based on women's wrestling (via oldgamemags)...

It's not for a video game, though the illustration is by someone who has been involved in a few; it's by Satoshi Yoshioka, of Snatcher and Policenauts fame (via videogamesdensetsu)...

It's not for a video game that actually exists, but is instead a completely fictional instructional manual, one that makes you wish it was real (via tomeccles)...

Just when you think you've seen every ultra, wacky & obscure video game box art there is to see out there (via @CoolBoxArt)...

I have a serious soft sport for the usage of video game imagery among early 80s musicians (via siryl)...

... What the final product looks like BTW/FYI...

A. so there's a VR version of Fruit Ninja, did not know that, & B. if you like watching people play it (for whatever reason), yet wish you could actually see a person swinging a sword and not just some abstract swiping motions… here ya go (via prostheticknowledge)...

Playing games in VR is so 2017… Handling your collection of games in VR? Now THAT is very 2018 (via mendelpalace)...

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Lots of friends are playing the new DBZ fighting game, though I'll give it a shot once it hits the arcades and is also in a cab like this (via @Fotosdecomics)...

I absolutely need to get my hands on this S.H. Figuarts Shinya Arino (via tinycartridge)...

Available right now, some Altered Beast, Bare Knuckles, and Rent-a-Hero resin kits (via miki800.com)...

Cursed? More like blessed amirite (via @Pretzel_Pup)...

I know Yoji Shinkawa is best buds with Hideo Kojima, but would he be open to doing another gig at Konami? Cuz him art directing a reboot of Twin Bee would kinda be the best (via @SESKOU)...

There's money on the table with this Metroid X Pepsi mash-up, am confident of this (via ryangilleece)...

Cuz even someone like Samus Aran needs a good stretch every once in a while (via jon-bliss)...

And this third piece of Metroid fan art in a row is very much related to Metroid 3, aka Super Metroid (even though it technically depicts the ending to Metroid 2; via mmillus)...

Awakening indeed (via brookietf)...

For those who have asked, yes, I have seen the hack that connects the Switch to an itty-bitty black & white TV...

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Though I'm only really interested in tiny b&w CRT TVs if I can play Duck Hunt on them (via arcade-crusade)...

I not only dig teeny-tiny displays for light gun games, but also for driving games as well (perhaps some of you might remember the following from this)...

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Back to tube displays; seeing Zelda on a CRT also reminded me of how Dark Souls look on a CRT, aka CRT Souls or 480i Souls (which again I'm hoping regular readers of the blog remember, especially since the original post has fallen victim to a Tumblr bug)...

"while playing king's field just now i died in the magic cave of fire and when i warped back there were beautiful graphical glitches everywhere" (via mendelpalace)...

Some landscapes, filled with beauty and mystery and terror, are accidental (see: the graphical glitches from before)… whereas others are completely deliberate, as in the case of Atlantia (via obscurevideogames)...

Once again, I REALLY need to figure out a way to play some PC88 games (via obscurevideogames)...

Here we have a semi-common Space Invaders sighting for the time, in an episode of Battle Fever J, one of the earliest Super Sentai shows (via himitsusentaiblog)...

And here we have a rare Game Gear sighting, in old OVA anime, Starship Girl Yamamoto Yohko. Hell, it’s a rare Game Gear in anything sighting; the only other example that comes to mind is Rumble In The Bronx (via @TheOtaking)...

And an equally rare Sonic on the runway sighting (via kotaku.com)...

I normally watch a video in its entirety before making a recommendation. Yet when it came to this overview of Last Bronx's legacy in Japan (and lack thereof in the West), hearing the main theme to Beat Takeshi's Violent Cop near the 3 min mark was all I needed (have since watched the whole thing, and as expected, it's another awesome Kim Justice production)...

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And finally, a friend notes: "subzero's right arm is real close to trump's spinal column

just sayin" (via @jbillinson)...

21 notes · View notes

killfaeh · 4 years

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Tipeee and Patreon pages updated

Hi everybody! Today I'm here to announce that I've finally been able to update my Tipeee and Patreon home pages. :D For those who are discovering, these are patronage platforms where one can support the activity of an artist/author by giving a small obole monthly or punctually. On Tipeee you can even help for free by watching promotional videos.

The mini comic presentation of the Patreon page. I'm happy with this cute style like comic Artist for Rent. :D

These two pages have been existed for 2 years now and I thank all the patrons who have helped. It doesn't allow me to live from my creations but it give me a boost of self-confidence knowing that there are people who believe in me and my skills. So, thank you all! :) Like many artists, I got a bit fooled by proposing content that required extra work (illustrations, tutorials, graphic resources...) that glanced at my usual activities (i.e. my comics and software development) to try to make these pages attractive. I couldn't do everything when I was unemployed, so now that I've found a full-time job to fill the fridge, it's going to be even more complicated. Plus, this bonus content didn't seem to really inspire much enthusiasm. So I've concocted something simpler for you. Today I'm here to present you the changes I've made to these pages:

What will remain

What will disappear

What will be new?

Rewards

What will remain

Comics

Obviously, the comics will remain since they are the main content and the reason why I opened these pages. ^^ I'm going to stay on the free web comic formula (because you have to publish content on the Internet regularly to attract new readers) with one month advance access and no watermark for patrons for serial projects. I also add Dragon Cat's Galaxia 1/2. Although this comic book features licenced characters, this one remains in the register of parody and humor. I also have non parodic fan comics ideas. Those will obviously not be financed via these platforms. On the other hand, for one-shot projects I'll do the same as for Tarkhan: the first pages published for free to give a preview, but the rest accessible exclusively to patrons and purchasers of the comicbook (because publishing content regularly on the Internet is useless if it's limited in time).

G-rated illustrations

The HD illustrations will remain as well. I have some in stock and I create new ones regularly, so I shouldn't find myself on a tight stream anytime soon.

What will disappear

NSFW illustrations

Exit the NSFW illustrations. I like to draw nudes of beautiful males from time to time, but unlike the other illustrations, I don't have a stock in advance, so I'm on a tight stream. It annoys me to have to force myself to do this kind of illustrations when I don't feel like it and especially when I don't have an interesting idea in mind instead of working on the main content. Moreover, the audience that supports me on Tipeee and Patreon is not the most interested in this kind of content (as far as I know), so if I ever propose this again, it might be elsewhere, on a different account or on another platform. For the moment I put it aside.

Tutorials

No more tutos. It's long to write and format, it's never read, and since there are lots of free tutos on YouTube, nobody wants to pay for it. I'd rather share and answer questions about my tips and tricks in person during meetings or on my live Twitch.

Graphic resources

Exit the graphic resource pack (brushes, patterns, color catalog...). As for NSFW illustrations, I don't necessarily have one every month to offer. It is important to know that I produce these graphic resources according to my needs when I work on my comics, so I don't get them out on a regular basis. Moreover, the resources in question don't necessarily correspond to your needs every month. People interested in my brush and screentone packs to use in their own comics made it clear to me that they preferred to buy them occasionally according to their needs on my own online store even if it meant paying the price and that going through Tipeee and Patreon for that bothered them. They see these platforms as a patronage system but not as buying platforms. So I'm simply going to remove that and I'll modify my online store to add the possibility to buy dematerialized goods.

What will be new?

Well, I'm going to incorporate into the main content my other activity that I had ignored in the rewards even though it occupies a huge part of my work: software development. Obviously all this is related. This activity includes, in addition to the evolution and maintenance of suiseipark.com, the development of the Péguy project, my games projects, as well as a comic platform project.

TGCM Comics (Website - in dev)

TGCM Comics is a web platform project dedicated to web comics and webtoons where budding or experienced authors will be able to publish their stories and exchange directly with their audience without technical knowledge on the web. Here's a mock-up that gives an idea of what it will look like.

As soon as the main functionalities are ready the site will be made available in beta test for patrons. Why this project? Many other such platforms have emerged in recent years. So I hesitated for a while before launching this project, but seeing that all of them impose trending algorithms that give headaches to many authors of the web, I recently decided to propose a project where this type of algorithm will simply be inexistent. The default display on the home page will be based on the principle of the random playlist guaranteeing an equal rate of visibility for all comics and a real freedom of choice for the readers, allowing authors to create at their own pace without mess up thair health to go up any rankings. This is this fall's priority project. So I will post news regularly and soon to keep you informed of its progress and present you little by little the proposed features. I've opened a development blog (French) for this purpose that I will feed about once a week. It has a suggestion box (French) if you want to ask questions or suggest features.

Péguy (Web application - in dev)

Péguy is a web application that since 2018 allows me to automatically generate certain graphic effects, patterns and scenery elements for my comics. It has brought me a huge gain in productivity.

As it is beginning to take a form that can be used by laymen in programming and mathematics, I will soon put it online. Initially, this will be an early access reserved for patrons. Then, I will propose a small subscription system for non-patrons with a trial period. Naturally, the patrons will keep their access during this second phase. :D

Wizeknight Brotherhood (Online game - in dev)

Wizeknight Brotherhood is an online RPG project with a slightly unusual format. Basically, take World of Warcraft and put a visual novel interface on it, and you'll get an idea of the final result. In this game you will explore the world of Tellura, a Tolkian fantasy world, and conduct quests that will make you conclude 'we are not alone in the universe'. :p In the spring of 2020 I developed a small prototype called A l’Aventure Compagnons which gives a vague idea of the principle.

I am tempted to keep this pencil rendering for Wizeknight Brotherhood.

A l’Aventure Compagnons is playable, just download the client from this page. Don't hesitate to come and pull my ears on Discord if you see that I forgot to switch on the server. :p For the moment the engine of Wizeknight Brotherhood is under development and the first test phases will take place in pure text mode.

This good old scary UNIX console. The MUDs, the ancestors of MMORPGs, looked like this and they still exist with active communities. :D You can find them here.

Rewards

As for the rewards, here again I decided to simplify things so that I could concentrate on the projects I have just listed. The basic reward will give you access to the content I just mentioned. I'm not going to make different levels of access, otherwise I think that some content will have no audience or too little. The higher counterpart levels will give access to HD scans of my artwork. I'm way behind on the old formula's rewards. I'll try to deliver all the promised content in the coming weeks, except for the NSFW illustrations, I might get stuck doing only that. x) That's all for today! Have a nice week and see you soon! :D Suisei

P.S. If you want miss no news and if you haven't already done so, you can subscribe to the newsletter here : https://www.suiseipark.com/User/SubscribeNewsletter/language/english/

Source : https://www.suiseipark.com/News/Entry/id/294/

#crowdfunding #comics #illustrations #games #software

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youthindecline · 7 years

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New comics from Small Press Expo 2017

It’s been a while since I did one of these, but wanted to get back into the habit of sharing my favorite books and new discoveries at cons. As most of you know, Youth in Decline took a hiatus for a lot of 2017 to welcome our daughter into the world. SPX is a fitting “first show back” as the setting and vibe feels like a high school reunion, packed full of our favorite cartoonists, old friends, and longtime readers. Here is me doing brief, quick, hot(?) takes on most of the new books I grabbed at the show.

Sex Fantasy by Sophia Foster-Dimino. Sophia’s one of the best contemporary cartoonists working, and this chunky tome collects her multi-year series of mins into one thoughtful book. You can see Sophia working out cartooning decisions over the course of each book, with dialogue / camera / perspective experiments everywhere. The final two chapters haven’t been seen before. Just an incredible, amazing book from Koyama Press.

New things from my alltime favorite cartoonist (hands down), Michael DeForge. A new mini called Loose in his series of sketchbooks, and a massive, oversized new story from Koyama Press called Placeholders. It’s hard to even talk about Michael’s work, it’s so good. Michael is an incredible writer, and the drawings (where, let’s be real, he can basically draw any & everything) exist to support the writing. Special shoutout to the early YD logo sketch that made it into Placeholders as an evil startup / corporation, haha

Two fantastic minis from my SPX tablemate, the incredible Lauren Weinstein. Both of these comics, Normel Person and Perfect Maine Vacation, were nominated for Ignatz Awards and show the incredible and personal power of Lauren’s cartooning. Perfect Maine Vacation is gutwrenching (in a sweet way that kills me as a new parent) and Normel Person is a hilarious ongoing journal of life in Trump’s Amerika. Did you hear that Lauren is doing a new comic for Youth in Decline for Frontier next year? Dude, I know!!!!! (so beyond excited).

Ethan Rilly released the 5th issue of his fantastic series Pope Hats. Ethan’s sense of his own characters and the knack for small moments and relatable, too real dialogue between friends really shines here. Pope Hats is such a dense and well-appointed serial drama, I’m a huge fan.

Everywhere Disappeared by Patrick Kyle. Patrick’s new collection of short stories from Koyama Press. A lot of my favorites from the last few years made it into the book. Patrick mixes familiar shapes with hyper-present narration that does this weird trick on your brain and unfolds weird contemporary paranoias and ennui. Patrick’s short comics are almost like little polemics, or allegories... upsetting but also hilarious.

I’m Not Here by GG. Another debut from Koyama Press -- Annie had an unparalleled and unprecedented SPX lineup, I’ve never really seen anything ever before at a show, the r a w p o w e r of her team. GG debuts her first long-form narrative, a quiet, slow burn of a story about identity and navigating the transition from un-responsible young adult to the burden of your own parents’ failings (health, decision-making, etc). Very restrained, withholding, and poetic.

Language Barrier by Hannah K. Lee. I LOVE THE SHAPE OF THIS BOOK. Both like, literally its formal size (small!) and the flow and design of the book. Included in one tome are Hannah’s incredible type experiments, her comics, her illustrations, and her personal stories. This feels like a true monograph, showing me the many sides and numerous formats of expression from an incredible artist. I loved this book.

Baby Let’s Cruise and We’re Together Now by Jasjyot Singh Hans. I’ve been a fan of Jasjyot’s stuff for a while and following his work on Instagram -- these two minis really brought together a lot of interssting threads. Baby Let’s Cruise is the size & form of an iPhone 7 Plus, and captures the furtive feeling of messaging with someone you don’t know, and navigating the power dynamic anxiously. We’re Together Now uses an arch-metaphor to capture the earnest passion & paranoiac worry of a long distance relationship. I’m really excited about what Jasjyot is doing (and will do next).

The Look Book by Jeremy Sorese. A colorful, exploding collection of imagined (and observed) fashion and bodies and cute men. Jeremy depicts people with a weighty, playful, totally wild eye. I stared at each drawing for 5 minutes, digging into all the little details. Really loving the illustration and play Jeremy is doing between his longer works, so exciting to daydream about these outfits.

Starfighter Vol. 4 by HamletMachine!~ 100% NOT s FOR w, the latest volume of my friend HM’s ongoing space sex opera is now out. I absolutely love Hamlet’s depictions of bodies, of tension between people -- she has an incredible skill for composition and the gnarly beautiful dance of bodies interacting. HM has cultivated an incredible fanbase stayed true to her vision and worldbuilding. <3

Daises by Bjorn Daniel Miner. A short collection of comics by Bjorn, created, conceived of, and produced on Risograph as part of his residency at SVA’s Risolab. Each spread is full of wild textures and color experimentation, pushing the risograph to ends I didn’t think were really possible. Melts your eyeballs, very nice!

A Modest Upbringing by Amanda Castillo. A touching short story about families (and their pain + baggage) from an exciting young talent. Printed on Youth in Decline’s risograph this past summer as part of an internship helping us out! <3

Summer Wasting and Sunset Lover by Sunmi. Two minis -- one huge, one small -- from our friend and former intern Sunmi. Summer Wasting includes a number of observational comics, sketches & poems, and a really thoughtful book design with little asides bound directly into the body of the comic. Really exciting watching her work change and mature over the past few years, and so excited about her new press, Dandelion Wine Collective. <3

Kissing, Waves, and I Can Love You Better From Up Here by Rebecca Kirby (aka reweki). I somehow wasn’t familiar with Rebecca’s work before this SPX, but was really taken with her composition and use of color. Her panel structures and experimentation in Waves reminded me a bit of Jesse Balmer and other controlled psychedelic pieces, while the bodies in Kissing and ICLYBFUH both showed an extremely confident and fluid sense of bodies (and color). Kissing was extremely NSFW and rad, while her short musing about a lost pet made me tear up a little. Great work from a creator I’m now following closely.

Drag Race Lookbook by Sasha Velour. Okay, so I didn’t get this at Small Press Expo but it was waiting for me when I got home. A lovely and thoughtfully designed book from the one & only... Sasha Velour! Such a great recap and reliving of her incredible looks from RPDR, and the commentary at the back is the sort of thing I live for... Who doesn’t adore Sasha? I have sweet but embarrassing memories of our second-ever proper meeting hungover at MoCCA a few years back as tablemates... such a vibrant and incredible creator!!! ah

The Spectacularly Sad Surreptitious Spinster Snake Sister: Survival Spellbook by April Malig and The Untitled Queen. This was an absolutely incredible gift from April!!!! Sasha superfans will recognize this mini as featured in Velour Magazine #3. That issue smartly photographed and captured this feature as an object mini-within-a-magazine... and this is one of the rare actual copies April made just for Velour. Incredible risograph work and color composition... and it’s a little piece of comics/drag history. <3

The Veggie Team by Ginger Craghead. 9-year old cartoonist creates wild mini about the pranks and misadventures of a team of wild veggies. What more can I say? This was legit hilarious (See the 2nd panel on the right page above, hahaha).

Yes by Tom Herpich. Final book from around SPX, this is a new mini from Tom... not exactly a comic, but a short story about isolation and gratification. It was startling and lowkey, and the storybook illustrations showed Tom’s incredible sense of framing and pacing. I’m such a huge fan of Tom’s work, it’s exciting as a reader to see him working through new work in his post-Adventure Time life. Available via his Tumblr still (I think?)

#small press expo #youthindecline #youth in decline #indie comics

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yukipri · 7 years

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YOI Future!Verse ABO AU, Visual Headcanon Web Charts #01

So I always wanted to make one of these. Turns out my headcanons for the most part are WAY too wordy for these things and uh, they’re a bit of a mess >.>;; BUT I hope nonetheless that they’re somewhat fun to read even if barely legible, it was fun to make ^ ^;

1. Super basic relationship chart of the core members of the lovely poly family in this AU.

2. “Adults Think,” the color of each adult indicates their feelings towards the person to whom the arrow is pointing.

3. “Kids Think,” the color of each OC kid indicates their feelings towards the person to whom the arrow is pointing.

There’s obviously a lot more to it than what could be crammed in the lil text boxes, but a gist and pretty much the first things that immediately popped into my mind regarding their interactions. 2 and 3 also mostly show their thoughts while the kids are younger, which will change a bit as they grow up, to be covered in a future post.

*Recommended you right click view image to see full size bc the text is tiny oops

Because the text is so illegible, text only versions of charts 2 and 3 beneath cut, all elaborated quite a bit because I’m so rambly oops:

IF YOU ARE NEW TO THIS AU: It’s Yuuri-centric polyamory in an ABO setting, Yuuri’s married to four mates (Victor, Yurio, Phichit, Minami) and they have OC kids.

BASICS of this AU

INTRO to how ABO works in this AU

OTHER POSTS (comics + illustrations) in the Future!Verse ABO section of my YOI Masterpost.

Please keep ship bashing out of the comments/tags. Don’t like, just skip <3 Thank you.

PLEASE DO NOT REPOST, EDIT, OR OTHERWISE USE MY ART WITHOUT MY EXPLICIT PERMISSION. More detailed rules available on my Rules & FAQ Post.

Yuuri thinks:

Victor: Vitya I love you but there are some things I REALLY wish you wouldn’t encourage with the kids, I don’t care if you could do it when you were younger it’s terrifying!!

Yurio: Yura, how does it feel now that the kids all think you’re older than me? NO don’t use this as an excuse to call me baby-faced!!

Phichit: PHICHIT please knock some sense into the others, you’re my only hope!--NO don’t just sit back and laugh! I was counting on you!

Minami: Kenjirou, you’re my student and husband NOT my butler, I can get my own bags thank you very much.

Yasha: Darling you can wear whatever you want but PLEASE wear SOMETHING under that dress the old ladies at the park will never look at me the same again

Shura: You don’t need to try so hard to be a rebel, and you also don’t need to spoil Yasha so much. Just tell him no, he’ll deal.

Arisa: Darling it’s amazing that you can do that and I’m so proud of you but please don’t hack the neighbor’s security system again, it’s very hard to explain to them that my toddler was just stretching her intellectual curiosity.

Yuuji: Yuuji, your smile warms my weary soul and I’m sure you’ll inevitably be a little trouble maker too but let me be in denial a bit longer.

Victor thinks:

Yuuri: It’ll be fun, they can handle it, please don’t look at me like that, I’m (pretty) sure they’ll be okay...

Yurio: You may seem like the more responsible parent but you’ll always be my cute bratty student. Now that my seniority is less obvious though, I’m comfortable making you indulge my own brattiness too. what do you mean you were always forced to indulge my brattiness

Phichit: You may act like the most reasonable parent but I see through you--and I’m proud. We’re startlingly alike if I’m honest. Let’s conquer the world.

Minami: You may be a bratty puppy but I rest easy knowing you’re always be Yuuri’s side. Couldn’t ask for a more loyal or dangerous watch dog. Don’t worry I do think of you as human, really.

Yasha: Trust me, I know how fun it can be to tease your brother but take it easy sometime, yes? I love you having fun but it hurts my soul to see Shura have red eyes so often...though yes I do admit that’s cute too OTL

Shura: Sweet child, come here, did Yasha make you cry again? Daddy will give you all the hugs. Don’t run away just because Yasha’s in my other arm!

Arisa: I feel like your adorable eyes are judging me...and guess what, they’re still adorable!! It’s okay, you can judge me all you want! *HUGS*

Yuuji: I have dropped the dishes so many times because it looked like you wanted a hug...I can’t help it...you’re like, a super mini Yuuri...

Yurio thinks:

Yuuri: OI Katsudon, I made this new food thing, try it, am I better than Phichit yet? YEAH NO I know I won’t ever be a better all rounder than him but...what, it’s really good? W-W-WELL OF COURSE IT IS I KNEW THAT HA HA HA *flees*

Victor: I’m mature enough now to recognize what a brat you can be, not that I didn’t already know but--HEY DON’T LAUGH THAT WASN’T PERMISSION

Phichit: Okay FINE I admit I need your help...stop looking so smug! Yes, ugh, fuck that’s clever, alright I know (fuck it’s worse because he’s genuine and never follows up with “I told you so”)

Minami: YOU HAVE SOME NERVE CALLING ME YOUR RIVAL JUST BECAUSE YOU WON GOLD OVER ME TWICE, it was all thanks to Yuuri! NO I’m not being overly conscious of you as a competitor, ugh FINE I admit your skating really impresses me but FUCK YOU

Yasha: Brat, did you just...make me run around the house five times for no reason at all?? UGH I’m not even mad, I’m too tired and too used to this, it’s my own fault for falling for it every time...

Shura: What do you MEAN “I bet you cried a lot when you were a kid too,” don’t say that to me while CRYING like ugh FINE will it make you feel better if I said I did??? Please stop crying I don’t want you to cry OTL

Arisa: Risa, I don’t want to suspect you, but I have a hunch you might be the one putting the twins up to mischief and I think you’re still too young and I want to think you’re as pure and innocent as you look but...dare I trust my instincts on this...

Yuuji: YUUJI YOU EASE YOUR FATHER’S WEARY SOUL how are you so pure you seem to make my adult exhaustion melt away...

Phichit thinks:

Yuuri: Perks of marrying your BFF: know just the perfect amount to pamper and also to tease. And also know all the deepest darkest secrets you’re too embarrassed to tell your other mates. Shh it’s okay they’ll never hear it from me ;D

Victor: We had some rough moments early on but you’re a good guy, Victor. I recognize our compatibility. Let’s conquer the world together and present it to Yuuri.

Yurio: I’ll look after you, not-so-lil Russian, you leave your troubles to me. I know how vulnerable you can be and I see you as my own now.

Minami: Kenjirou may act like a super groupie but he has it together better than most of us. I trust him to still prioritize Yuuri even in situations where the rest of us are emotionally compromised, which gives me the confidence to go full offense.

Yasha: Oh, you say someone’s picking on Shura at school? Okay, so here’s what you do, and here’s how to pin the blame on someone else because we wouldn’t want Yuuri to be called to school yeah?

Shura: Your brother’s picking on you again? But you don’t want him to stop either? Well then, how should we solve this? Oops is he a future masochist to Yasha’s sadist...

Arisa: I see what you did there, very clever, I’m proud! But if Yuuri found out he’d have a heart attack, so let’s not do that again, okay? Here’s something even more difficult for you to try to figure out...

Yuuji: Yuuji sweetheart I know making Victor drop dishes is funny but Yuuri likes those dishes, one last time ‘kay? You can make him do other things equally amusing but slightly less destructive of our collective family property.

Minami thinks:

Yuuri: Y-Y-Yuuri-san, NO I still can’t take the honorific off, I RESPECT YOU TOO MUCH plus it makes it feel that much more intimate in bed *turns brilliant red to match his hair streak*

Victor: Victor look at what I taught the twins!! Aren’t they absolutely amazing?! They’re going to break all of your records! And I can tell you’re not even upset :’D

Yurio: I never mentioned rivalry, you were the one who used that word first? ;3 But in all honesty, it’s an honor to be considered the rival of Yuuri-san’s rival so I’ll fight my hardest to not let that title go to shame.

Phichit: The fact that you are both fun and terrifying is not news to me, I’m glad you’re my family and not my enemy. I’ve seen what you can do to your enemies. Participated too, actually he he.

Yasha: You and your bro are perfect angels and I’ll show you all the cool skating things! I’m so happy your enthusiasm hasn’t died as you’ve grown older <3

Shura: It’s good to cry! Cry all you want! I’ll cry with you too! It can be a real sobfest! And then Yuuri can bring us tissues and then it can be a snotfest! Whoo!!

Arisa: DARLING CHILD you are the sweetest and you’d never do anything naughty, I have not a clue what the others are talking about. *genuine*

Yuuji: *SOBBING*

Yasha thinks:

Yuuri: MOM IS THE BEST AND MINE, YOU CAN’T HAVE HIM, and that includes all you dads so back off ;P

Victor: Dad is weak to puppy eyes and will give me anything I want. His affection can sometimes be stifling, but I love him nonetheless.

Yurio: Dad always gets flustered really easily and it’s fun to test his boundaries. And push them. And break them. But he never snaps, I think he’s getting stronger...

Phichit: The really smart dad who sees through all the pranks but still plays along, even intentionally lets me finish playing my pranks on him. It’s a bit annoying even if I appreciate it. I gotta up my game.

Minami: Ken-chan’s the BEST and he and mum are gonna kick dads’ (Victor + Yurio) asses in the next competition. I’ll cheer for dads too but Ken-chan’s No. 1!

Shura: He’s fun to make cry because he gets riled up, but the best part is the comforting that I get to do afterwards because no matter how mean I am he still comes running <3

Arisa: I’d beat you up if you hurt my sister, except she’d do it first and better than I ever could so I’ll just be prepared and bring the popcorn and watch from the front row, maybe help with clean up.

Yuuji: He’s not as innocent as he looks but you won’t hear it from me. Let the others live in denial, come to the dark side in your own time lil bro.

Shura thinks:

Yuuri: I want mum’s attention but Yasha hogs it, but mum’s the best so he makes time for me too and not just for selfish jerks like Yasha. Even if I have to share. It’s okay. I love how mum loves everyone all the same.

Victor: Dad spoils me rotten but he’s not a good shield against Yasha because he also spoils Yasha rotten. He spoils everyone. It’s okay tho, dad has a lot of spoiling to go around.

Yurio: Dad sorta gets picked on too and I sympathize...it makes me feel better knowing he was probably just like me when he was younger. The hard part is getting him to admit it, but that’s what other parents are for.

Phichit: Dad holds the answers to life and the universe in his magic smartphone. He has yet to fail to answer a single question but I’ll keep trying.

Minami: Ken-chan always plays with us even when he’s busy and shows us all the cool skating things! I didn’t get why he wasn’t dad too when Yasha and I were younger, but I’m glad that’s fixed now, though I still can’t shake the habit of calling him Ken-chan.

Yasha: He makes me cry and is such a JERK but I can’t stand to be away from him, it makes me so anxious, and he gives good hugs too so I forgive him (am I being too easy on him...)

Arisa: I want to say I protect her but it’s honestly the other way around, the best I can do is make sure she doesn’t hurt herself because she’s really reckless and it’s TERRIFYING, I sympathize with mom...

Yuuji: PLEASE DON’T STEP ON MY LIL BRO, HE IS VERY SMOL, he looks like he would go squish with one step! Risa wasn’t this smol?? What do you mean I’m bigger now so my sense of size is biased...?

Arisa thinks:

Yuuri: I’m going to protect mum. He doesn’t need it, at all, but I can do it so I will.

Victor: Dad acts gullible but I’m not fooled. He’s weak to puppy eyes though, that’s for real. And I have the best puppy eyes, or second to Yuuji. I’m okay being second to Yuuji.

Yurio: Dad’s trying really hard but he’s also really gullible so I can’t help but tease him. It’s okay I won’t be too mean, and I’ll even reign Yasha back some.

Phichit: Dad knows I’m smart and will protect my bros so he gives me the tools and education to do so. I don’t think mum and my other dads know just quite how much but it’s okay. We’re not hiding it on purpose.

Minami: If you hurt Ken-chan, I’ll knock your teeth out. I’d say “with my fists,” but I don’t think I can reach. It’s okay, I’m creative.

Yasha: My partner in crime, he’ll follow my orders even if they’re impossible and will somehow make it work. Because Yasha’s a miracle-worker and I believe in him.

Shura: The only ones who can make him cry are me and Yasha. But we do it a lot. Which means he has no more tears for anyone else. Back off or I’ll make you disappear : )

Yuuji: He is my squishy smol. He’s smaller than me! He never complains when I hug him and squish his cheeks until they turn red, and then I feel a bit bad...

Yuuji thinks:

Yuuri: Mum is the best! He gives me a lot of attention because I’m the youngest, but I kinda want a younger sibling too. Dads always hush me when I try to bring it up and I don’t really get why.

Victor: Dad spoils me rotten and I kinda feel bad because he never says no to me (or any of us), but when I mention it he gets all teary eyed and spoils me worse...^ ^;

Yurio: Dad is too paranoid about my safety. I’ll be big and strong like the others too! Just wait! Look how big dad is, I’ll be that tall one day too. What do you mean, that’s not how genetics works?

Phichit: Dad makes the best food, I wish he were home more often...I know he’s busy with his ice show in Thailand and it’s really really cool but I miss him...

Minami: Dad says he hit his growth spurt late, because he presented late. I BELIEVE! I won’t be smol forever!

Yasha: Yasha-nii has really good instincts and is there when I need him. It’s like he has a special radar and then brings the whole cavalry. So I don’t need to worry about going anywhere by myself--what do you mean, I shouldn’t be wandering off in the first place??

Shura: Shura-nii got picked on again, it’s okay, here’s a cookie I made with Yuri-dad and here’s a hug, I have short arms but love power!

Arisa: She’s my favorite sister! Even if she’s my only one! She gets really proud when I say it and I’m happy she’s happy so I say it a lot.

#YukiPri art #Future!Verse ABO AU #Alpha/Beta/Omega Dynamics #omegaverse #polyamory #mpreg #OCs #Victuuri #VicYuu #YuriYuu #PhichiYuu #MinaYuu #HCs #long post #longpost #okay so that took longer than expected to write them all out SORRY #LATE AGAIN #I TRIED

2K notes · View notes

princely-dots · 6 years

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Let Me Tell You About Homestuck

AN ILLUSTRATIVE PHENOMENON

- a midterm essay about Homestuck and how it impacted illustration-

don’t repost or whatever- this is solely evidence of how I am trash and I would like to keep it that way.

“If I have to name one thing I find infinitely important about Homestuck, It would be the way in which it pushes the definition of “webcomic” unlike any other work ever created.” Known to many and few, Homestuck by Andrew Hussie is one of the world's greatest examples of hypermedia utilized to its maximum extent. An instrumental piece in the popularization of hypercomics, the massive multimedia story was a seven year-long marvel spurred by what many consider to be an illustrative masterpiece. Known for both its doltish ‘cartoon casual’ style and its stunning imagery alike, Homestuck spanned 8126 pages, included over four hours of animation and music, and featured twenty mini games; a feat no other comic or work has ever come even close to matching. Somehow this gargantuan, uselessly complicated, mess of a creation myth built an audience of millions and inspired a culture of internet art that had previously only been in its infancy. Likely this was due to Homestuck’s unique ability to encapsulate the millennial experience, as well as its seemingly endless penchant for seamlessly mixing irreverent and profound content and how this hypercomic tackled the nigh impossible task of illustrating life. With its mass appeal and astounding popularity, the right timing, and its miscellany of illustrative strategies and media- Homestuck changed the definition of “webcomic” and was one of the most influential pieces of illustration of the internet.

In order to truly grasp the reach of this Webcomic of webcomics one must understand its roots. This infamous ‘interactive’ epic started on an MSPaint Adventures forum and among the Gangbunch threads of the Penny Arcade forums. Andrew Hussie, the elusive mastermind behind the MSPA endeavors, started his fifth project, Homestuck, after the conclusion of his previous project Problem Sleuth, which had a small degree of success but was essentially still an incredibly niche comic whose fans were predominantly those active on its specific forums. Using an ‘enter command/ suggestion box’ format, Hussies projects imitated adventure based click through games and command based rpgs. Following the template of other interactive webcomics such as RubyQuest, Hussie experimented with smaller scale works before undertaking the epic that Homestuck would become- 1-Jailbreak, 2- Bard Quest (which ended in 24 days), 3- Blood Spade (which was a single page that would later on be elaborated on in Homestuck itself,) and 4- Problem Sleuth (the only other large-scale work Hussie completed). Jailbreak was a simple exercise in puzzles and taking commands for story direction from readers; Problem Sleuth started in the same way but throughout its course its seemingly nonsensical leanings began to demonstrate a strict logic for its own world. Amongst the array of ridiculous suggestions from the forum, a plot and complex world evolved. Homestuck started with the suggestions of readers as well, but when it began to gain traction and the number of suggestions increased to number in the thousands per page, Hussie stopped taking direct “orders”. The only difference that this made was a slight decrease in some of the more absurd commands. However, Homestuck fundamentally was created through a confounding process of scattering random features along and going back later on to tie them in, which gave the comic the appealing open endedness that it was known for. To describe what Homestuck is known for is to describe Homestuck itself, which is almost an impossible feat. The fascinating thing is that it can’t really be described, which is part of the enigma. To define it would be to limit it, because it is so expansive and so complex that Homestuck is impossible to confine to one statement well. The three closest descriptors are still devastatingly vague when compared to the work they’re attempting to define. The first and second are from the author himself, “A creation myth about kids in houses” which is equally inaccurate as it is accurate, and “ a story that’s also a puzzle.” The third is from the tumblr user Wakraya, who said “This isn’t a story about Four Kids playing a Game, getting involved in shenanigans and trying to live a happy ever after as villains try to plot on destroying them and reality. Homestuck is the tale of the characters from a webcomic, becoming self-aware, and escaping the grasp of the author and the narrative.”

As interesting as it might seem alone, a huge part of Homestuck’s rise to popularity was indebted to Tumblr, which at the time of Homestuck’s release was only about two years old. Remarkably enough, the popularity and overall success of both Homestuck and Tumblr are directly correlated. In October of 2009, Tumblr only had about 90,000 users, that number skyrocketed in May of 2010 and then more than doubled by October of the same year- notably a sharp increase happening after/during June. On the last day of May in 2010, the first ‘long’ animation panel, [S] Descend, was posted. The ambitious panel was four minutes, thirteen seconds long, and was accompanied by original music.The excitement over the update heralded a rush of interest, but not nearly as much as on June 10th, 2010, when Homestuck started a new section called Hivebent, a part of the story which introduced an additional cast of characters and could be understood without previous canon knowledge. Both of these points in Homestuck correspond eerily close to the sharp changes with user numbers in Tumblr. Being that most of the interaction and dialogue within the fandom happened on Tumblr posts, it can be concluded that, in the least, the relationship of the two was symbiotic. Of course this is only a testament to how massive Homestuck was merely fanbase-wise. One of the most famous panels, [S] Cascade, was posted to the hosting site Newgrounds to avoid the MSPA servers that were unable to handle the mass of people flooding it after each update. However, it was popular enough that the sheer number of simultaneous hits on the animation actually crashed the Newgrounds servers as well. In short, Homestuck had a colossal fanbase that at one point registered in one million unique visitors to its site every day.

Indubitably, this maximalist hypercomic had a reach long enough that it could influence a massive audience and leave a lasting impact. Most notably, this impact was to revolutionize what webcomics were understood to be. Homestuck pushed the boundaries of common illustration by completely exploiting the media in which Hussie made it, “The result is an unusual media hybrid. Something that reads like a heavily illustrated novel [...] It’s a story I’ve tried to make as much a pure expression of its medium as possible.” It became the definition of hypercomic through its extreme use of multimedia and hyperfiction, a work written and presented electronically encouraging nonlinearity due to the disconnect between panels/pages via hyperlink. In other words, since the reader has to click on the next hyperlink to proceed in the story, it becomes interactive. But it wasn’t only through its hyperlinks that Homestuck changed the delivery of its illustration, it was in its presentation. Most famously, the comic was made predominantly with only one panel per page. These illustrations would often be emphasized as gifs, occasionally with music, and sometimes the pages would be full fledged animations. However, Hussie did not stick to only a strict construction of one panel size per page; he utilized the medium to its utmost extent, sometimes going so far as to even manipulate the webpage itself in different parts of the story, often breaking the fourth wall. Panel walls were also frequently broken to enhance the story- some pages would be scrollable instead of confined to a small rectangle,some would have guided movements, and sometimes during updates the button to click to the next page would be seen as glitching out until the next pages were available to read. Sometimes the reader would even have the opportunity to choose between several different hyperlinks to different storylines. Hussie’s innovative use of the medium didn’t stop at just page composition, he also was one of the first to use spoilers (chat logs) to show the text, versus using speech bubbles as traditional comics and most previous webcomics would have. This allowed for a staggering amount of text to be included in a single page, as the majority of the story in Homestuck was conveyed through IM dialogue.

What more, the innovation and genius didn’t stop at just the mechanics. The depth and freedom of the story itself as well as the interaction between the comic, author, and fandom pushed creative boundaries. Categorically, the most significant aspect of Homestuck was the sheer expansiveness of the story and the hundreds of characters within it. The world building was so intensive it easily rivals the big names of fiction such as Game of Thrones and Lord of the Rings. Hussie created grounded cultures, believable backstories, and the legacies of multiple timelines with stupefyingly thought out motifs, archetypes, and symbolism woven throughout. Most importantly, Homestuck presented a very real and relatable use of the internet, contrasting most modern media which often presents an outdated understanding of how young people are using technology. The majority of the relationships between the characters in Homestuck are substantiated purely over startlingly realistic IM conversations over the internet rather than in person- something that hasn’t really been successfully portrayed yet. “For kids who grew up on IM and chatrooms the rambling cadence of Homestuck dialogue is immediately familiar.” The characters are also beautifully realistic and diverse; they are by no means perfect, they all have successes and failures, and overall they are dimensional and built as though they are real people. Dave, a main protagonist, said, “rose we dont have fuckin “arcs” we are just human beings” which plays out extensively. Hussie uses alternate timelines, time loops, and other various time shenannigans to explore character reactions for hundreds of pages, only to wind up making the entire “arc” invalid by switching to a different timeline and saying the other one died. Interestingly enough however, these time capers weren’t just arbitrary, Hussie used multiple timelines and time travel between these to justify how most of the important plot events happened. They were legitimately vital to the ultimate timeline of the story, for without them and their endless intricacies the story would be so riddled with holes it would make swiss cheese look solid.

The remarkable tangle of plot devices and characterization wasn’t the only thing to make Homestuck such a memorable piece though. It was also the experimental, testing, push and pull between Hussie’s writing and the fandom reactions. Oftentimes Hussie’s future decisions for the comic were affected by the fandom’s opinions, whether he was inspired by their headcanons or was trying to get a rise from them, it resulted in a constantly engaging exchange that kept the fandom active when the comic was. The fandom’s in depth examination of the comic and speculation in between updates created a web of comprehension that made understanding the complexities of Homestuck possible; it also made a culture that far surpassed what could be expected of just a normal work of illustration- it became a movement.

The openness of the world and the sheer amount of material there was to work with, paired with the analytical vigor of the fandom to understand every aspect of its universe created endless sources of inspiration for old and new artists alike. Not to mention, every fan-made character and headcanon was confirmed canon by Hussie, which added a massive amount of encouragement to anyone with an idea.

Hussie took advantage of the enthusiasm of the fanartists, even inviting many onto the project to feature guest art, compose music for, and even illustrate some of the animations and video games in Homestuck. This type of collaboration was another enchanting characteristic of the comic that not only made Homestuck all the more special for its fans, but also made it a huge source of inspiration that spoke great lengths to the achievements possible through the internet, and the opportunities out there for illustrators and other artists when they are persistent. After all, Homestuck started off practically unknown.

It was this unknown webcomic that would eventually grow to leave an undeniable legacy in illustration. After gathering a community around it, it is no surprise that thousands of artists were influenced by its anthology of styles and ideas. For one, it completely remodeled what was considered a “webcomic” and popularized the use of massive multi-media and hyperfiction. Hundreds of webcomics followed in its tracks, all of them showing signs of Homestuck’s influence. Some of the most memorable of these being Ava’s Demon, Thunderpaw, Spacepaw, Neokosmos, Living When Dead, The Black Road to Oz, and Prequel. Many featured the hyperlink format, single panel design, simplified art styles-ranging to highly rendered art (like Homestuck did), insert command styles, animation and gifs included to forward the stories and add to the effectiveness of panels or communicate without words, spoilers to include more text, modifying scroll capabilities in the illustration, the web pages, and more. The fanartists could also find considerable renown online due to the immense popularity of the comic, several artists got noticed and hired by Hussie, and/or by other companies because of their art getting shared around by the hoards of ‘homestucks’- the colloquialism for the fans of the hypercomic. Artists such as Ikimaru, Lemonteaflower, Viivus, Shelby Cragg, Hillary Esdaile, and Emptyfeet, gained loyal followings and were able to pursue illustration thanks to the support that spawned along with their roots in the fandom that blossomed from Homestuck. By far the most well-known of the artists that came from underneath Homestuck’s influence/ employ is Toby Fox, the creator of Undertale, an actual click through adventure like the ones Homestuck was modeled on. Even if they didn’t make it to the big lights themselves with success, countless illustrators/artists were influenced by some aspect or another of homestuck or its fandom , and that legacy can still be traced through tumblr.

To a really astounding degree, so much art came from the fandom and permeated through the internet illustration culture. Pure multimedia is being used on such a grander scale now that illustrators have been exposed to works like Homestuck, and it’s truly multi-layered illustrations and stories with more than just drawing. Pixel art and talksprites also experienced a surge in popularity. Homestuck even resulted in two forms of illustration that were rarely seen, if not seen at all online, previously: pieces dubbed “lyric-stucks.” These were collections of illustrations that corresponded with lyrics, oftentimes using large amounts of the content/symbolism from Homestuck to drive meaning. These types of series were designed solely for the tumblr scrolling format, where the images would connect on the tops and bottoms to each other so that they could be experienced naturally on the web. These evolved into solely long art posts without the lyrics, and although both of these forms of illustration might have existed outside of the Homestuck umbrella, their frequency beneath it is irrefutable to anyone who inhabited tumblr during the years the comic was most active. A final artistic tool that surfaced with the Homestuck inspiration storm was the character template that it supplied for future illustrators struggling to develop fully realized characters. This template followed a very basic schematic, a symbol for the character, a typing quirk which demonstrated their personality, a color to be directly associated with the character, a classpect (a more accessible personality qualifier than the Myer Briggs format), and a series of quadrants for categorizing interpersonal relationships. Interestingly, the quadrants have managed to soak into social media and fandoms that aren’t even close to Homestuck- the idea was so easily applicable.

It was this type of universality that made Homestuck such a global success. Fans could be found everywhere from Korea to the Netherlands to Brazil and on. Its reach and the participation of all these cultures consolidating into a single community for a single work of art is what embodied the spirit of Homestuck. This hypercomic, in the plainest sense, was an illustrated culmination of the internet experience. It was a seven year event that can never be experienced again, as waiting for updates and the happenings in between was a necessary part of this near performative art piece. Those that participated were touched by it. The beauty of it was endlessly interpretable, and while the readers were waiting for the next pages to be released, they were discussing it. The fandom was not confined to just illustration, they explored the possibilities through every form of art. It encouraged conspiracy and intense transcendental examination to see it as more than just a webcomic. It was an actual adventure; it was a happening. This was part of the illustrative genius of Homestuck: Hussie wrote the comic reflectively for the fandom’s reactions. To a degree, it was a social experiment. It was an illustrative motion, manipulated to see how far the medium of hyperfiction could be used, the humor could be pushed, the drama could be taken, and how absurd and complex it could get before it started really losing its momentum. Miraculously, the only periods in which it lost its vigor were during the hiatuses that Hussie took. Unfortunately, his hiatus between 2013 and 2016 took a huge toll on the population of the Homestuck fandom when updates were so drastically sporadic that even the movement known as “Hiatus-stuck”, which provided the fandom with increasingly nonsensical memes and art, couldn’t keep it afloat. But just because the fans migrated to other fandoms doesn’t mean that they didn’t take Homestuck and its influences with them. The meaning of “webcomic” was still changed in their eyes, and the ideas that they generated in the light of Homestuck’s groundbreaking demonstration of the extent of illustration in the hyper world can still be credited to Andrew Hussie’s masterpiece: a subcultural phenomenon of the internet. (( if you want to read the doc itself, with the photos and the citations: read it here. ))

#homestuck #essays #midterm #my writing #writing #illustration #homestuck impact #history #tumblr history #homestuck history #webcomics #blogging #art history #college

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